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Smithtown Performing Arts Center

Kara Vertucci stars as the rebellious Princess Ida in the Gilbert & Sullivan Light Opera Company of Long Island’s 2023 production of Gilbert & Sullivan’s Princess Ida. (Photo by NanMagna. Copyright 2023 The Gilbert & Sullivan Light Opera Company of Long Island.)

The battle of the sexes will break out into open warfare when the Gilbert & Sullivan Light Opera Company of Long Island brings its 2023 production of Gilbert & Sullivan’s classic Princess Ida to the Smithtown Performing Arts Center on Saturday, June 17, at 8 p.m.  The production will feature a 23-piece orchestra.

 Princess Ida—which debuted in 1884 at London’s Savoy opera, with book and lyrics by W.S. Gilbert and music by Arthur Sullivan—is a favorite with Gilbert & Sullivan aficionados, with its score in particular regarded as perhaps Sullivan’s greatest.  The current production is the Light Opera Company’s first since 2007.

More dramatic in tone than any other Gilbert & Sullivan work, c In the end the story boils down to whether the opera’s young people are doomed to grow into their parents, repeating all their mistakes, or if they can escape the machinations of their parents, move beyond hatred and violence, and forge a new future for themselves.

In the new production of the opera, Kara Vertucci of Lindenhurst plays Princess Ida and Joseph Anthony Smith of Freeport plays Prince Hilarion, with Chris Jurak of Brightwaters as King Gama and Ben Salers of Northport as King Hildebrand.  Lady Psyche is played by Patricia Gallagher of West Hempstead, and Lady Blanche by Terry Hochler of East Meadow, with Alyssa M. Mener of Massapequa Park as Melissa; Jordan Breslow of Bellmore plays Florian and Richard Risi of Locust Valley plays Cyril.  Ida’s brothers, the formidable Warriors Three, are played by Henry Horstmann of Lindenhurst (Arac), John Benvenuto of Floral Park (Guron) and Marc Eliot Stein of Brooklyn (Scynthius).  Tamara Shyngle of Brentwood plays Sacharissa, Claudia Arroyo of Port Washington is Chloe and Hanna Roth of Upper Brookville plays Ada.  The director is Gayden Wren, and the music director is Leonard Lehrman.

Princess Ida is unlike any other Gilbert & Sullivan opera,” said Wren, a longtime member of the company and also the author of an acclaimed book about Gilbert & Sullivan.  “It’s Shakespearean in its scope, and its humor—which combines farce, slapstick, satire and burlesque—is in the service of a story of unique emotional power.  Ida and Hilarion are two sides of the same coin, young aristocrats who’ve been pawns in their fathers’ rivalry almost since they were born.  The story pits them as enemies, but as the opera progresses they begin to see something of themselves in each other, and to sense the outlines of a future different from the one they’ve always been told awaits them.

“Ultimately this is a story of generational conflict, of young people trying to get past the mistakes and hatreds of their parents, trying to forge a new world they might actually live in together,” Wren concluded.  “When people ask me what it’s about, I say it’s about a prince, a princess and an arranged marriage … but also about climate change, racial and ethnic rivalries, inequality, social justice and pretty much anything else that’s going on in the world today.  It’s funny, it’s beautiful, but there’s no Gilbert & Sullivan story that’s more directly relevant to the world of today.”

Princess Ida will be presented on Saturday, June 17, at 8 p.m. at the Smithtown Performing Arts Center, 2 East Main Street in Smithtown.  Admission is $30, seniors and students $25.  For further information, call (516) 619-7415 or visit www.gaslocoli.org.

A scene from 'Finding Nemo' Jr. at SPAC. Photo by Jackie St. Louis

Just in time for spring break, the Smithtown Performing Arts Center, 2 E. Main St., Smithtown presents Finding Nemo Jr. through Saturday, April 8.

Marlin, an anxious and over-protective clownfish, lives in the Great Barrier Reef with his kid Nemo, who longs to explore the world beyond their anemone home. Featuring memorable songs such as “Just Keep Swimming,” “Fish Are Friends Not Food,” and “Go With the Flow,” Finding Nemo Jr. brings a vibrant underwater world to life on stage in a story full of family, friendship, and adventure.

Final performances are on April 6 and 7 at 1 p.m. and April 8 at 10:30 a.m. and again at 2 p.m. All seats are $25. To order, call 800-595-4849 or visit www.smithtownpac.org.

Hear ye, hear ye! Looking for something cool to do during winter break? The Smithtown Performing Arts Center, 2 E. Main St., Smithtown will host a A Royal Princess Party: A Villainous Tale of Magic on and Feb. 24 at 1 p.m. and Feb. 25 and Feb. 26 at 2 p.m. The princesses return to the Royal Kingdom of Smithtown to get together and explore some magical artifacts. Princesses, princes, and royal families of all ages are welcome to attend but must be with an adult at all times. Special surprises and magical touches make this show a royal treat! Tickets are $16 per person. To order, call 800-595-4849 or visit www.smithtownpac.org.

Tim Krompier will headline the event.
Join the Smithtown Performing Arts Center, 2 E. Main St., Smithtown for a Lovers of Comedy Night, a night of laughs with Governor’s Comedy Club, on Saturday, Feb. 11 at 8 p.m. Featuring Tim Krompier, Olga Namer, Debbie D Amore, and Rachel Williams. Tickets are $45 per person, $40 members includes open bar of beer and wine. To order,  click below: 

Tim Krompier (Headliner)

Tim Krompier

Comedian Tim Krompier has been entertaining audiences in New York City and all across the country with his original autobiographical style of comedy for several years now. Having headlined in comedy clubs, theatres, and showcases across the country, and with weekly spots in New York City and Long Island; Tim Krompier has blossomed into a stand-up comedy maven.

In addition to performing stand up on a nightly basis, Tim is now an executive producer of morning shows services for Premiere Radio a subsidiary of iHeartmedia. You can hear his writing and his voice work on stations from New York to L.A. and even Canada.

As you can see Tim is no one trick joke pony. Adding to his performance repertoire over the last several years Tim has become one of the premiere host/moderators in the country after teaming up with Mills Entertainment for their very successful “Back Lot Project”. The Back Lot Project is a live screening of classic films followed by an interview and Q&A session with the film’s star.

To date Tim has interviewed such celebrities as Carey Elwes (The Princess Bride) Molly Ringwald (Sixteen Candles) Christopher Lloyd (Back To The Future) Barry Bostwick (Rocky Horror Picture Show) William Shatner (Star Trek) John Cusak (Say Anything) John Cleese (Monty Python and The Holy Grail) and most recently Chevy Chase and Beverly D’Angelo (Christmas Vacation).

Olga Namer (Featured Act)

Olga NamerOlga Namer is a stand up comedian who performs regularly in clubs around New York including Governor’s Comedy Club , Gotham, Stand Up NY, The Stand and The Comic Strip. Olga is the 2018 winner of the Ladies of Laughter competition and has toured with Chelsea Handler, and the late Gilbert Gottfried.

Debbie D Amore (Guest Spot)

This Long Island Wife Mom & MeeMa, longtime resident of Lake Ronkonkoma and Licensed Real Estate Agent has been seen at Governors, McGuires and Mohigan Sun. Most recently Debbie proudly made it to the Top 13 of the 2022 Long Island Laugh Off. You may have seen her in the Jerry Seinfeld Show “The Marriage Ref” with hubby Mario which not for nothing she doesn’t want to talk about it ever. Additionally she is an active member of Long Island’s Regional & Dinner Theater community for over four decades performing and directing in such shows as “Nine”, “Last of the Red Hot Lovers”, ” Saturday Night Fever”, “South Pacific”, “Fiddler on the Roof”, “Over the River and Through the Woods” and the dinner show “Fat Frankie’s Birthday” just to name a few. In fact this is not her first time on the Smithtown Stage. In 2004 she appeared as Sister Hubert in the sensational Musical Comedy “Nunsense” (No worries though tonight she will leave her Nuns Habit & clicker at home). One of her proudest moments was being cast on the Broadway Stage at the Neil Simon Theatre in 1997’s Tony Award winning drama written in 1955 by the legendary Arthur Miller “A View From The Bridge”. Of course it wasn’t talent that got her that gig though. Ask her why, she’s happy to explain.

Just for fun visit Debbie at www.youtube.com/debbieskitchen

Rachel Williams (MC)

Rachel Williams

Rachel Williams is a stand up comedian from Long Island, NY who started her comedy career right out of college. Now you can catch her performing stand up almost every night all over the city. She’s been on SiriusXM and was a part of the 2022 New York Comedy Festival. See all her most recent work @wachelrilliams on all social media platforms.

 

New Year's Eve

By Melissa Arnold

Whether it’s been a banner year or a tough one, having some fun to celebrate the new year is never a bad idea. If you’re looking for a unique way to spend New Year’s Eve, then consider grabbing your friends or family and heading over to one of several lighthearted comedy events in the area.

Theatre Three in Port Jefferson is hosting two comedy performances for their New Year’s Laughin’ Eve celebration: an early bird show at 6 p.m. and a prime time show at 8 p.m. 

Now in its 14th year, the event is hosted by Paul Anthony of the Long Island Comedy Festival. “This night of comedy is something that people look forward to every year,” said Douglas Quattrock, artistic associate and director of development for Theatre Three. “We always make an effort to mix up the comedians that we feature so it’s always fresh for our audiences.”

This year’s national headliners include Rich Walker, Eric Tartaglione, and John Ziegler.

Beer, wine, soda and snacks will be available for purchase and are welcome in the theater during the show. Early bird tickets are $55 per person, while tickets to the prime show are $65 per person available for purchase at www.theatrethree.com or by calling 631-928-9100.

Over on the South Shore, the Argyle Theatre in Babylon Village will also team up with the Long Island Comedy Festival to offer two comedy shows at  6 p.m. and 8 p.m. Featuring Bryan McKenna, Maria Walsh and a headline performance by Chris Roach, the Argyle shows promise to heat things up while having fun. Purchase tickets for $50 to $60 per person by visiting www.argyletheatre.com or call 631-230-3500.

Later that night, the Smithtown Performing Arts Center (SPAC) is hosting their own night of comedy in partnership with Governor’s Comedy Clubs starting at 10 p.m. Comedy has been a mainstay at SPAC on New Year’s Eve for more than 10 years now, with 2022 marking the end of a two-year hiatus during the pandemic.

“Everyone is just excited to get together and be entertained again, and we’re thrilled to provide the opportunity for some laughter,” said SPAC managing director Kelly Mucciolo. “We began working with Governor’s this past summer and it’s been a lot of fun for all of us.”

Headlining the SPAC show is Chris Monty of CBS’ “Kevin Can Wait,” along with featured act Tony Landolfi, guest performer Debbie D’Amore and emcee Mary Capone.

Tickets are $70 for SPAC members and $75 for general admission. The show includes  hors d’oeuvres, an open bar of beer and wine, and a champagne toast at midnight. To purchase tickets visit www.smithtownpac.org.

Photo courtesy of SPAC

A SPECIAL VISIT

The cast and crew of “The Lightning Thief: The Percy Jackson Musical” at the Smithtown Performing Arts Center were honored to have Rob Rokicki (center), composer and lyricist of the show, in the audience this past Saturday. The show that “will steal your heart” (Barbara Anne Kirshner/ TBR News Media) runs through Oct. 29.

Photo courtesy of SPAC

By Barbara Anne Kirshner

High adventure, edge of your seat excitement, mesmerizing with mythology sprinkled in, that’s The Lightning Thief: The Percy Jackson Musical, currently receiving its Long Island premiere at the Smithtown Performing Arts Center.

Anyone in their teens knows Rick Riordan’s popular 2005 YA novel with similarities to a Harry Potteresque quest, but instead of wizards and wands, Percy must face mythological creatures and Zeus’ lightning bolt. 

The theatrical version, with music and lyrics by Rob Rokicki and book by Joe Tracz, was adapted from Riordan’s first novel in the Percy Jackson & the Olympians series about a boy who discovers he is a demigod possessing magical powers. 

The musical opened Off-Broadway at the Lucille Lortel Theatre in 2014 as a one-hour show receiving positive reviews before heading into a national tour, then returned to the Lucille Lortel Theatre in 2017 this time with an augmented script. It debuted on Broadway at the Longacre Theatre on October 16, 2019 and ran through January 5, 2020. A 2010 film preceded the musical and presently, a television series is in the works for Disney+.

When the president of the board at SCPA, Michael Mucciolo, was asked why such an innovative yet unfamiliar show to many adults was chosen for their season opener, his response was the hope for the future of theatre lies in attracting both youngsters and adults. From the size of the audience at the time of this review, it seems Mucciolo was right. The house was crowded with eager youngsters accompanied by parents who became fans if the enthusiastic standing ovation at curtain was any indication.

The technical aspects of this magical adventure are impressive. From lighting designer Chris Creevy’s strategically placed strobes to flashes of white lights to mood reds combined with sound designer Jacques St. Louis’ thunderous effects and echoes, each detail builds suspense. The set, constructed by Keith Blum, Jacques St. Louis and Michael Mucciolo, with an upstage screen that projected at once stars then fire, then swirls of smoke, then a silhouette of a tree against an orange sky adds intensity to scenes. 

A particularly thrilling projection was of a Minotaur (half bull, half man) attacking Percy, his friend, Grover, and killing Percy’s mom, Sally. To avenge her death, Percy kills the Minotaur and the projection has this monster keel over and disappear. Additionally, a scaffolding with levels gives flexibility with set changes.

Director Robbie Torres keeps the pace electric assisted by a talented cast with strong voices and playing multiple characters. In the lead role of Percy Jackson, Jason Steven Kopp captivates as the troubled teen with ADHD and dyslexia who is always getting into trouble. Percy was raised by a loving mom, a mean stepdad and wonders about the natural father he never met. 

In a sudden revelation, Percy discovers he is the son of Poseidon, and thus begins his quest with two of his pals to find the lightning bolt that will prevent war between the gods. With innocent eyes that reach out and spirited vocals, Kopp sends chills especially when he challenges “bring on the monsters, bring on the real world.” Though this is a fantasy, the message that your differences may be blessings in disguise that help you rise up and be strong is very real.

When Percy kills the Minotaur, he is knocked unconscious only to wake in a land called Camp Half-Blood, a place for children who are half mortals just like him. It is revealed that his friend, Grover (Cyd Rosenberg), is a satyr, a Greek goat-like protector. Grover remains at Percy’s side through his quest. Also joining them is Annabeth (Lorelai Mucciolo), a daughter of Athena, a strong leader offering Percy direction. Rosenberg and Mucciolo sparkle with robust voices and heartfelt performances. 

A campy moment happens when Clarisse, one of the demigods at Camp Blood, (Mairead Camas) tries to harm Percy, but he is saved when the toilet he is hiding in sprays her with water. Camas with a glint in her eye makes for a menacing villain. 

Peter J. Osterman is dynamic, taking on several roles including Percy’s Latin teacher Mr. Brunner who assists him at several pivotal points and is frightfully delightful as Auntie Em. In the role of Percy’s mother Sally, Ayana Franck gives a tour de force performance. Her vocals reminiscent of Aretha Franklin are powerful and her portrayal as the mother who will do anything even sacrifice herself for her son is gripping.

Rounding out the cast is David Reyes as Luke the son of Hermes who entices Percy to go on the quest that will take him to the Underworld where he will find his mom. Reyes turns in a polished performance with his smooth stage presence and compelling vocals. But is his character friend or foe? Only time will tell.

Assisting in visual effects are the fantastic costumes by Carmela Newman including Grover’s fur appendages for legs, a specter draped in white gauze wings outlined with electric lights and Auntie Em’s green satin robe trimmed in black fur. Julie Stewart’s choreography keeps the energy high and the action is enhanced by thrilling sword play sequences compliments of Heather Legnosky. In addition to directing the show, Robbie Torres takes on musical direction orchestrating an exuberant audio track accompaniment.

SPAC’s action-packed The Lightning Thief grasps you right from the start and doesn’t let go until the final note is sung. This is truly a feast for the entire family. 

The Smithtown Performing Arts Center, 2 East Main St., Smithtown presents The Lightning Thief: The Percy Jackson Musical through Oct. 29. Tickets are $40, $35 seniors, $25 students. To order, visit www.smithtownpac.org.

'The Lightning Thief'

Percy Jackson MusicalThe Smithtown Performing Arts Center, 2 East Main St., Smithtown will be hosting auditions for performers aged 16 and up for the upcoming MainStage production of ‘The Lightning Thief: The Percy Jackson Musical , on Monday, Aug. 22.

ALL ROLES ARE OPEN. This is a mainstage show and there will be performance stipends available to those who are cast. There is the potential for daytime school performances during the week in addition to the scheduled performance dates. Please be specific with your weekday availability on your audition form.

This production will be directed and musically directed by Robbie Torres, and choreographed by Julie Stewart.

Sign up begins at 7 p.m., and auditions will begin at 7:30 p.m.. Please prepare 16-32 bars of a song from a similar musical (Pop/Rock, Contemporary Broadway), and bring sheet music, a recent headshot and resume. Callbacks (if necessary) will be held Thursday, August 25 at 7:30 p.m. You will be notified by email if you are needed for a callback. Please do not call the theatre, the phone is not monitored.

All gender identities and expressions, racial & ethnic backgrounds, and physical and cognitive abilities are encouraged to audition.

If you are unable to attend the in-person audition, a video audition may be submitted. Please contact [email protected] for more information.

Rehearsals will be held at SPAC beginning August 29, and will be from 8 – 10 p.m. Monday-Thursday, with the potential to add Fridays and weekends if necessary. Please be accurate with your conflicts on your audition sheet. No conflicts will be accepted for tech week, Saturday September 24 – Thursday September 29.

Performances:

  • Fri, Sept 30 – 8PM
  • Sat, Oct 1 – 2PM
  • Sat, Oct 1 – 8PM
  • Sun, Oct 2 – 2PM
  • Fri, Oct 7 – 8PM
  • Sat, Oct 8 – 2PM
  • Sat, Oct 8 – 8PM
  • Sun, Oct 9 – 2PM
  • Mon, Oct 10 – 2PM
  • Fri, Oct 14 – 8PM
  • Sat, Oct 15 – 2PM
  • Sat, Oct 15 – 8PM
  • Sun, Oct 16 – 2PM
  • Fri, Oct 21 – 8PM
  • Sat, Oct 22 – 2PM
  • Sat, Oct 22 – 8PM
  • Sun, Oct 23 – 2PM
  • Fri, Oct 28 – 8PM
  • Sat, Oct 29 – 2PM
  • Sat, Oct 29 – 8PM

Synopsis: 

As the half-blood son of a Greek god, Percy Jackson has newly-discovered powers he can’t control, a destiny he doesn’t want, and a mythology textbook’s worth of monsters on his trail. When Zeus’s master lightning bolt is stolen and Percy becomes the prime suspect, he has to find and return the bolt to prove his innocence and prevent a war between the gods. But to succeed on his quest, Percy will have to do more than catch the thief. He must travel to the Underworld and back; solve the riddle of the Oracle, which warns him of betrayal by a friend; and come to terms with the father who abandoned him. Adapted from the best-selling book The Lightning Thief by Rick Riordan and featuring a thrilling original rock score, The Lightning Thief: The Percy Jackson Musical is an action-packed mythical adventure “worthy of the gods” (Time Out New York)

Character Descriptions:

PERCY JACKSON – Son of Poseidon, a good kid with a teenage temper

ANNABETH – Daughter of Athena, smarter than you

GROVER – A happy-go-lucky satyr, like a hippie kid with hooves. Also plays:

MR. D, aka DIONYSUS – God of wine, snarky camp director

LUKE – Son of Hermes, cool camp counselor. Also plays:

GABE UGLIANO – Percy’s foul stepfather

ARES – God of war, rock star in leather pants

MINOTAUR – Half-man, half-bull

WOLFGANG AMADEUS MOZART

SALLY JACKSON – Percy’s hard-working mother. Also plays:

SILENA BEAUREGARD – Daughter of Aphrodite

THE ORACLE – a hippie mummy

ECHIDNA – Mother of monsters

CHARON – Ferryperson to the Underworld

MR. BRUNNER, aka CHIRON – Wise centaur, part-time Latin teacher. Also plays:

POSEIDON – God of the sea, salty beach bum

HADES – God of the dead, aging rock star type

AUNTY EM, aka MEDUSA – Avid sculptor

KRONOS – A voice in a pit

KURT COBAIN

CYCLOPS

CLARISSE – Tough jock girl, daughter of Ares. Also plays:

MRS. DODDS – A Fury posing as a substitute algebra teacher

KATIE GARDNER – Daughter of Demeter

THALIA – Daughter of Zeus, tough

BIANCA – A mysterious girl in 1930’s clothes

NEWSCASTER

JANIS JOPLIN

SQUIRREL

For further information, visit www.smithtownpac.org.

The cast, from left, Ari Spiegel, Derek Hough, Cassidy Gill and Alexa Oliveto. Photo by Heidi Sutton/TBR News Media

By Heidi Sutton

The children’s picture book Knuffle Bunny: A Cautionary Tale by Mo Willems was an instant success when it was released in 2004 and won the Caldecott Honor in 2005. The story, based on the author’s 3-year-old daughter Trixie and her favorite stuffed animal, was followed by two sequels, Knuffle Bunny Too: A Case of Mistaken Identity and Knuffle Bunny Free: An Unexpected Diversion as well as an animated short film.

The cast, from left, Ari Spiegel, Derek Hough, Cassidy Gill and Alexa Oliveto.
Photo by Heidi Sutton/TBR News Media

Now the Smithtown Performing Arts Center pays homage to the award-winning book with a children’s theater production of Knuffle Bunny: A Cautionary Musical. With script and lyrics by Mo Willems and music by Michael Silversher, it  begins as Dad suggests that Mom take a trip to the spa while he takes their rambunctious pre-verbal daughter Trixie to the neighborhood laundromat. While Mom is hesitant, Dad insists he is up to the job. “It’s just one load of laundry. What could go wrong?”

Mom reminds Dad to make sure Trixie takes along her favorite stuffed animal, Knuffle Bunny, and the adventure begins.

Dad and Trixie walk through their neighborhood, through the park and into the laundromat. Dad decides to go home to fix Trixie a snack but as they head back to the house things take a dramatic turn when Trixie realizes she has lost Knuffle Bunny. Can she make Dad understand what’s wrong? Will he be able to save the day?

Expertly directed by Evan Donnellan with musical direction by Robbie Torries, the four-member cast does a flawless job conveying the funny, silly, engaging and fast-paced story. 

Derek Hough, last seen on SPAC’s stage as Sebastian in The Little Mermaid, is incredible in the role of a clueless but well-meaning Dad and Alexa Oliveto shines in her role as the all-knowing Mom. Their duet “[Life Is] Tricky With Trixie” kicks off the show and sets the tone for a fun afternoon. 

Cassidy Gill is wonderful in the role of a frustrated Trixie and plays her character with infinite energy. While Trixie desperately attempts to communicate with her solo “Aggle Flaggle Klabble” and acts out by going “boneless,” she surprises everyone at the end with her first real word. Can you guess what it is? 

A versatile Ari Spiegel rounds out the cast and plays numerous supporting roles including a pigeon and a giant Knuffle Bunny.

A nice touch is the constantly changing screen in the background, from the exterior and interior of the family’s home to the laundromat and even a video of a fire truck driving by.

In the end, the show reminds us of the amazing lengths parents will go through for their children and that is worth the trip.

The Smithtown Performing Arts Center, 2 E. Main St., Smithtown presents Knuffle Bunny: A Cautionary Musical on Aug. 19 at 6 p.m., Aug. 20 at 2 p.m., Sept. 1 and 2 at 6 p.m. and Sept. 3 at 2 p.m. Running time is one hour with no intermission and snacks and drinks will be sold before the show. All seats are $18. To order, visit www.smithtownpac.org.

By Barbara Anne Kirshner

It’s hilarious, fast-paced and so much fun with toe-tapping music — those are the ingredients that make I Love You, You’re Perfect, Now Change the right choice to breathe life into the latest era of the Smithtown Performing Arts Center.

The historic 365-seat theatre with its grand marque still stands proudly on Main Street in Smithtown even after going through several incarnations since first opening its doors in 1933 as a movie house. It was acquired by United Artists in 1968 and ran movies until 2001 when it was purchased privately and segued into presenting live theatre in 2002. 

The Smithtown Performing Arts Council, a non-profit organization, was formed in 2008 to oversee operations of the theatre. Then when the theatre was put up for sale once again in 2021, the Council, with the support from the Town of Smithtown, grants, and community donors, purchased it in April 2022. On August 4 the curtains went up, ushering in a new era of live main stage productions with this gleeful musical comedy.

I Love You, You’re Perfect, Now Change is a series of vignettes joined by an overriding arc that dissects the stages of love and relationships. The musical comedy, with book and lyrics by Joe DiPietro and music by Jimmy Roberts, is the second-longest running Off-Broadway musical having premiered at the Westside Theatre August 1, 1996, until it closed July 27, 2008.

The show calls upon its four-person cast to be outstanding actors and singers with high energy sustained throughout the two hours of lively entertainment. An additional challenge is to be one character in one scene, then do a quick transformation including costume to hair and reappear as an entirely different character with a distinctly different way of walking, talking and feeling. 

The cast, simply referred to in the program as Woman 1 (Laura Meade), Man 1 (James M. Lotito Jr.), Woman 2 (Christina Muens) and Man 2 (Steve Corbellini) have taken on this impressive task to perfection with the audience leaving the theatre exclaiming “That was fabulous!” “Weren’t they amazing?!” YES, all four actors were AMAZING! Each carried his or her parts with gusto and without a weak link in the cast — no small accomplishment since all four actors span the ages from young daters to young marrieds to parents to middle aged into the elderly years and must be believable every step of the way.

Act I opens with “Cantata for a First Date” chanted by four images swathed in white sheets representing monks and giving the impression that we are about to embark on a magical journey. The Cantata is reprised three times throughout the show. Act I is so much fun as it exploits all the quirks in dating and early relationships. The first scene is hilarious when Muens and Corbellini confess “We’ve got baggage” and we are off to the dating disaster stage. 

In “A Stud and a Babe,” Lotito sits opposite Meade in a restaurant as both feel obviously awkward and Lotito mutters to himself, “I’d be better at flirting if I had looks that kill.” Another scene has the two women lamenting “There’s a serious single man drought!” The men follow that up with “I’m a guy! I never stop to ask directions.” 

Act II starts off on high test with Meade fluttering around in a hideous bridesmaid dress as she drones, “All those husbands are gone but those dresses live on.” Act II is poignant as it focuses on marriage, parenthood, divorce then old age. The message that the Epilogue sends is “Go forth with joy. Find someone to love, then spend the rest of your life trying to change them.” Hence, I love you, you’re perfect, now change!

To assist in the smooth transitions is a set that morphs easily from scene to scene constructed by Keith Blum, Jacques St. Louis and Michael Mucciolo. The giant screen upstage center is a nice touch that highlights each scene projecting images including a swirling constellation, a tennis court, a stained-glass cathedral, a cascade of twinkling stars and so on. A few well-placed chairs, round tables and sofa move into place according to their function in each scene.

With so many scene changes, Chris Creevy’s lighting design seems to take the audience by the hand leading them from one vignette into the next with a fluidity that never interrupts the flow of action.

Carmela Newman’s costumes define characters and at times add humor like with the loud print Hawaiian shirt in “Why? Cause I’m a Guy?” and the cringe-worthy pink flouncy gown replete with puffs of red, white and coral flowers in “Always a Bridesmaid.”

Musical Director Bobby Peterson appears upstage center at the piano throughout the entire show with extraordinary accompaniment that makes this production seamless. Sound design by Jacques St. Louis enhances the gorgeous sopranos of Meade and Muens while it adds crispness to the vocal calisthenics of Corbellini and Lotito. Sound operator Harrison Giordano smoothly navigates through all the sound cues in this show.

I Love You, You’re Perfect, Now Change is such fun especially on a warm summer night, so come see it at the Smithtown Performing Arts Center. You’ll be glad you did.

The Smithtown Performing Arts Center, 2 East Main St., Smithtown presents I Love You, You’re Perfect, Now Change on Aug. 11, 12 and 13 at 8 p.m. and Aug. 14 at 3 p.m. Tickets are $45, $40 seniors. To order, visit www.smithtownpac.org.