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The Paul Taylor Dance Company will close out the season on May 3. Photo courtesy of Staller Center

By Rita J. Egan

Stony Brook University’s Staller Center for the Arts has planned an upcoming spring season filled with diverse entertainment options, from music to dance to comedy and nights out on the town to family-fun experiences.

Season openers

STAR POWER: Two-time Tony® Award-winner Sutton Foster returns to the Staller Center on February 1. Photo courtesy of Staller Center

Alan Inkles, Staller Center director, said the season kicks off on the Main Stage with family fun on Sunday, Jan. 26. The circus act The Great DuBois, featuring Michael DuBois and Viktoria Grimmy, will feature juggling, aerial stunts, comedy and more,

“It’s that time of year where it’s three weeks after the holidays are over, you’re looking for something to do, and I thought a nice family show would be a good time for that,” he said.

Later that week, on Saturday, Feb. 1, the venue will host its annual gala. This year will be An Evening with Sutton Foster, featuring the two-time Tony Award winner in her solo concert. Foster has released three studio albums that mix Broadway and jazz classics along with her own compositions.

Regarding Foster, who has starred in several Broadway productions, including Thoroughly Modern Millie, Anything Goes and The Music Man, Inkles said, “No one is working harder or doing more shows.”

For the first time this year, gala attendees can purchase tickets for the show, a pre-concert dinner and a post-show dessert reception. As in previous years, they can also buy tickets for the show only or the show and reception. 

According to Inkles, the money raised from gala ticket sales helps to produce other Staller Center shows and to fund its educational outreach programs. This outreach includes making tickets available to underrepresented families and university students and bringing petting zoos to various schools, churches and libraries.

Let the music play

Among this season’s musical acts will be Grammy-winning violinist Joshua Bell and soprano Larisa Martinez on Feb. 15 with Voice and the Violin. The husband-and-wife act will play classical art songs and operas to show tunes and selections from Latinx composers. Mardi Gras will be celebrated on Feb. 21 in the Staller Center’s Recital Hall with New Orleans Songbook, presented by Jazz at Lincoln Center.

Melissa Errico, accompanied by prolific jazz pianist Billy Stritch, will return to the Staller Center on March 22 for a tribute concert honoring the late Stephen Sondheim. Inkles described Errico as the “quintessential singer of Steven Sondheim.”

The Tony nominee will interpret the songwriter’s works, including Send in the Clowns and Good Thing Going and offer insights into the stories behind the pieces.

“Every Broadway singer in the world knows if you want Sondheim, Melissa Eririco is your gal,” Inkles said.

Returning on April 2 is Starry Nights. Directed by Colin Carr, Stony Brook University Department of Music musicians will perform chamber selections, including the works of Schubert, Schoenberg and Schulhoff.

On April 14, the Emerson Legacy Series will perform with former Emerson String Quartet member Paul Watkins. While known for being a cellist, Watkins will be playing piano in the April show, accompanying soprano Christine Goerke. The night will feature classical and cabaret styles and also include Eugene Drucker on violin and Larry Dutton on viola.

Make them laugh

The Staller Center will present two comedy productions this season. The Comedy of Errors by The Acting Comedy, in conjunction with the nonprofit Play on Shakespeare, takes place on Feb. 8. The comedy incorporates mistaken identities with whimsical adventures.

Brooklyn native Chris Distefano will perform his comedy show on March 8. Inkles described the comedian, known for his work on MTV’s Guy Code and Girl Code, as charming and having a growing fan base and said the act is a relatively clean show.

More fun for the family

The month of March will end with the classic Prokofiev’s Peter and the Wolf on March 30. The Staller Center Outreach Ensemble, which includes SBU music department students, allows audience members to learn how each instrument represents a character in the tale. The student-actors will also mingle with ticket holders after the show, where attendees can try the instruments. Inkles said the play is a way to introduce young people to the arts. In addition to the performance on March 30, the following day, children from a few of Suffolk County’s school districts will attend free of charge. During the year, the outreach ensemble also performs at schools, senior centers and hospitals.

Circus company The 7 Fingers will present Duel Reality on April 11 and 12. The company blends circus, theater and dance. Inkles said the storyline is loosely based on Romeo and Juliet with two feuding families and includes stunts and illusions.

In addition to the circus element, Inkles said, “I think the adults will enjoy the story that’s going on behind it.”

Dancing feet 

The Syncopated Ladies, known for fusing storytelling with tap dancing and winning the first dance crew battle of So You Think You Can Dance, will perform at the Staller Center on March 14. The all-female tap group is choreographed by Emmy Award-nominated choreographer Chloé Arnold, who collaborated with Beyoncé in the past.

“This is going to be a phenomenal night,” Inkles said. “It’s really great for young people, and people who love tap.”  

A week later, on March 21, audiences can enjoy Rhythm India: Bollywood & Beyond, which features traditional Indian dances from classical to Bollywood hits. Inkles said the production includes approximately 30 to 40 dancers.

Inkles said the Staller Center has partnered with Indu Kaur, owner of Curry Club at SaGhar in Port Jefferson, to bundle a ticket to the show and dinner at the restaurant for $95.

“I want to get the Indian community to our show, and I want the American community, too, because I want them to see the culture,” Inkles said. “I really want this amazing Indian community to make sure they come to this and get to see the culture and share with our audience.”

The last dance performance and show of the Staller Center’s spring season will be on May 3 with the Paul Taylor Dance Company. The modern dance group will perform classics and new works.

And, more

Inkles said in addition to the Staller Center’s spring season, the venue hosts the Stony Brook Symphony Orchestra; and offers the Met Opera: Live in HD series on the Main Stage screen and art exhibitions in the Paul W. Zuccaire Gallery.

Stony Brook University’s Staller Center for the Arts is located at 100 Nicolls Road, Stony Brook. To order tickets, call the box office at 631-632-2787 or visit stallercenter.com.

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LIMGC rehearsing at St. Paul’s Lutheran Church. Courtesy Danny Schrafel

By Lauren Feldman

The Long Island Gay Men’s Chorus held its first rehearsal for the 2024 holiday season on Wednesday, Sept. 4, at St. Paul’s Lutheran Church in East Northport. 

The chorus aims to entertain audiences with high-quality choral performances, while affirming the contributions of Long Island’s LGBT+ community. Programs include challenging contemporary music, and performances of an ambitious, traditional repertoire alongside music from various world cultures. 

The chorus affirms, by example and through song, the worth and dignity of a cross-section of the diverse population that is reflective of Long Island and the nation as a whole.

LIMGC rehearsing at St. Paul’s Lutheran Church. Photo courtesy of Danny Schrafel

Christian Cederstrom, chorus treasurer and member of the baritone section, joined the group around eight or nine years ago. “This group is so special because it really is the culmination of a brotherhood coming together to create something beautiful. The people are here for that shared mission,” he said. 

“You never know what someone’s life is like,” he added. “Being able to retreat into a safe space, especially a queer safe space, makes it all the more lifesaving. It’s a means of survival for some people, and even having that one or two hours a week where they can just be is so important. The climate out in the world is so dog eat dog, but here it’s about creation and beauty.”

Michael Conley, a tenor 1 and founding member of the LIGMC over 17 years ago, said the chorus holds a lot of value as an LGBT+ space on Long Island. “We’re in the shadow of New York City. And yes, we have Fire Island, we have the village, but Long Island is a conservative place. So it’s nice to have these spaces where we can come together. And then by practicing and having something really special, we’re able to go out and share it with others.”

Practices are led this year by Jeanette Cooper, artistic director and accompanist of the LIGMC. Cooper will also lead the chorus through its concert series, as she has for the past few years. She is looking forward to an exciting season, the first half of which is themed after the joy of singing and the second half around Christmas. 

She is glad to return for another series after a break following the chorus’ summer series. Of all her hats to culminate a season, Cooper said she enjoys working directly with the members of the chorus most. “My favorite part of them is them. Because they are a group of wonderful men. No matter who joins us, they seem to fit right in. They are a delight, they are the reason I come back every week.”

The partnership with St. Paul’s has been ongoing for four years, and members of both the church and chorus have celebrated its success. Cederstrom said, “I’ve been very thankful to be housed by different churches in the community who have been really affirming to the queer community. St. Paul’s of East Northport has been very supportive of our mission here, and I’m very thankful that we are able to have a safe queer space to create music.”

Cederstrom’s father, Bob Cederstrom, has served as an associate pastor at St. Paul’s for 18 years. He said it has been a blessing to house the chorus over the last few years. “This is a very generous congregation, who opened their doors and welcomed [the chorus], and they’ve been here now for four years. They’re a blessing to have here. And we’re blessed to have them.”

For the elder Cederstrom, welcoming the Long Island Gay Men’s Chorus is simply following his faith. “Jesus welcomed everybody. He didn’t say ‘but’ or ‘if’ or ‘maybe.’ Everybody is welcome. … This is a wonderful, inviting congregation here.”

The group will continue practicing weekly at St. Paul’s. Rehearsals will lead up to the Sunday, Oct. 27, afternoon fall cabaret and concerts in December.

Interested singers can follow LIGMC on Instagram and Facebook or email LIGMC’s board of directors at [email protected]  for more information. 

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Rendering of artist locations around the village for the Music Throughout the Village event. Photo courtesy Port Jefferson Chamber of Commerce
Local organizations collaborate to host weekly event

By Aramis Khosronejad

This past weekend, a musical addition to the Port Jefferson community has been added to the charming local streets, Music Throughout the Village.

A collaboration between The Greater Port Jefferson Chamber of Commerce, the Greater Port Jefferson-Northern Brookhaven Arts Council and Port Jefferson Retailers Association, it is a program that will bring music to this cozy, small town.

This summer event consists of local musicians, who will have the opportunity to play for spectators at set locations. Passersby will be able to “shop and dine in our community,” according to the retailers association, while enjoying the relaxing ambiance.

The ultimate goal for this musical program is to get it “codified” so it can become a permanent fixture of the community, said Barbara Ransome, director of operations for the chamber of commerce.

The program will run every Saturday and Sunday from 2 to 4 p.m. from July 13 to Oct. 20. Each musician has been carefully reviewed and vetted by the arts council.

Through the coming weekends, the musicians can be heard in select locations around the village.

“There are four locations though that can, certainly, be expanded,” Ransome said. The current venues are at the intersection of Arden Street and Main Street in downtown Port Jefferson (next to the local Starbucks), as well as by the popular restaurant Salsa Salsa on Main Street, the Kate & Hale store on East Main Street and, finally, near Tiger Lily Café further down East Main.

This past weekend’s musicians, Hank Stone, Denise Romas, Faith Krinsky and Karl Blessing, were from a variety of musical genres.

“What better way than to walk through a beautiful town hearing beautiful music?” said a spokesperson from the retailers association.

To view a map of current and future concert locations and for additional information, go to the chamber of commerce and retailers association’s Instagram pages, also the respective Facebook pages.

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METRO photo

By Leah S. Dunaief

Leah Dunaief

When I make my way downstairs in the morning, I am often singing, usually some show tune. This never occurred to me as being something special until now. But I recently read an article by Alexandra Moe in The Washington Post that “singing is good for you.” Since it’s always nice to learn that something you do is actually good for you, I am sharing this result of significant research with you. Perhaps now you will feel emboldened to sing beyond the shower.

In a study called, “Sing With Us,” conducted on members of a choir in a London suburb, tests performed before and after they sang indicated an increase in their physical and mental health. This was no ordinary choir, but rather one made up of cancer patients, and their singing “reduced stress hormones and increased cytokines, proteins that can boost the body’s ability to fight serious illness.” Ultimately the study involved 192 patients. 

Other studies have found singing “lessened anxiety, stimulated memory for those with dementia, increased lung capacity and an easing of postpartum depression.” While singing in a group offers additional benefits, like social bonding and community, just singing because you feel like, if you are alone or with someone else, is calming and promotes a sense of well-being.

My mother would sing often when she was in the kitchen preparing meals. So did my dad, who would break into song at no particular time. I never thought about it then, but they did have nice voices, and they did sing on key. They didn’t sing together, just spontaneously. And they really were singing, not just humming along while they worked. No one thought it was strange, as far as I knew. It was in this way that I learned the lyrics to any number of World War I songs, which were popular when my dad was a teen. When, as a child, I would start to sing one of them, older people who might be sitting on a park bench, for example, would look surprised and ask where I had learned them.

And that is how my children learned Broadway show tunes. When we went on long car trips, in particular, we would spend much of the time singing together. I grew up amidst the Rogers and Hammerstein, then Rogers and Hart musicals of the 1940s and 1950s, the “golden age of musical theater,”and my children know those lyrics as if they had seen those magical shows, which were well before their births.

Some of our favorites were: “Oklahoma!” from the show of the same name, “Getting to Know You,” from “The King and I,” “Somewhere Over the Rainbow,” from “The Wizard of Oz,” “Some Enchanted Evening,” from “South Pacific,” and “Anything You Can Do, I Can Do Better,”  (a natural for our three boys) from “Annie Get Your Gun.”

All I had to do was start with, “Chicks and ducks and geese better scurry, When I take you out in the Surrey,” and they would all start singing from the back seat of the car. 

While I loved all the melodies, my particular favorites were from “My Fair Lady,” including “The Rain in Spain,” “Wouldn’t It Be Loverly,” “Just You Wait, Henry Higgins,” “I Could Have Danced All Night,” “You Did It,” “Get Me to the Church On Time,” and “I’ve Grown Accustomed to Her Face.”

I share this with you so you will know what I am singing when I begin. It is, I’m afraid, not always apparent. On the other hand, I would encourage anyone to sing, even if you think you can’t carry a tune or have a terrible voice. A friend was asked to try out for a play when she was in junior high, and when she began to sing the required song, the teacher interrupted her with, “No, really.” He thought she was kidding. But it was “really,” and for many years, she never again sang until she met me.

Everyone should sing, softly if you must, but do it. And if anyone asks, it’s for your health.

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Sol y Sombra Spanish Dance Co. head to the Chapin Rainbow Stage on July 13. Photo by Darin Reed

Summer is finally here and that means the return of the Huntington Summer Arts Festival at the Chapin Rainbow Stage at Heckscher Park, 2 Prime Ave., in Huntington. Now in its 58th year, the festival will offer four weeks of free, live performances Wednesdays to Sundays from July 1 to 30. Sunday performances start at 7 p.m., all others performances start at 8 p.m. unless noted. 

Produced by the Town of Huntington and presented by the Huntington Arts Council (HAC), the festival clearly has something for everyone whether it be music, dance or theater. This year features festival mainstays such as the Huntington Community Band and The Huntington’s Men’s Chorus while highlighting new acts such as Tito Rodriguez Jr./Huntington Latin Night, Dr. K’s Motown Revue and Swing Sessions with Dudley Music and Guests.

Opening weekend sets the stage for this breakthrough season featuring Brooklyn based Sunny Jain’s Red Baraat on July 1 and the popular Nassau Pops Symphony Orchestra on July 2. The Festival will go dark on Mondays and Tuesdays but ramp up again with the Huntington Community Band each Wednesday for the duration of the month.

The Englishtown Project is an exciting addition this year on July 7th. Followed by six-time Grammy winner Arturo O’Farrill & the Afro Latin Jazz Orchestra, classic Motown sounds with Dr. K’s Motown Revue, The Hot Sardines’ take on classic jazz tunes, and the return of Huntington-born Chieli Minucci & Special EFX All Stars rounding out the weekend.

The 17th Huntington Folk Festival, a collaborative effort of the Folk Music Society of Huntington and HAC, returns on July 22. The open mic session at 12:30 p.m. will be followed by L.I. based singer/songwriters swapping songs on the hill from 1:30 to 3:45 p.m., and on-stage from 4 to 6 p.m. The day culminates with co-headliners Lucy Kaplansky and Cliff Eberhardt, pre-concert at 8 p.m.

Additional regulars include the North Shore Pops Concert Band, and Plaza Theatrical Productions with a presentation of the Broadway Rock Musical RENT. Fabulous dance performances are highlighted once again by Sol Y Sombra Spanish Dance Company, and the L.I. Dance Consortium.

Closing out the Festival will be The Jazz Loft Big Band and Tom Manuel with Grammy nominated guest vocalist Nicole Zuraitis on July 29 and Orchestra L.I., conducted by Musical Director David Stewart Wiley, serves up a delightful “In Concert With Nature” with works by Handel (Water Music), George Walker, the Mendelsohnn siblings Fanny & Felix, and for this year’s Festival Finale, Pastorale—Beethoven’s Symphony No. 6 in F Major, Opus 68 on July 30.

“Huntington Arts Council takes pride in being able to present an exciting, free summer series of live performances. This year in particular, I am happy that our selection of acts is more representative of the diversity in our community. Our goal is to make the festival relevant, entertaining and accessible to everyone. All are welcome to attend!” said Kieran Johnson, Executive Director, Huntington Arts Council.

Below is the complete schedule for the season.

For a copy of the printed calendar click this link.

Saturday, July 1 – Sunny Jain’s Red Baraat

Sunday, July 2 – Nassau Pops Symphony Orchestra, 7:00PM start time

Wednesday, July 5 – Huntington Community Band, “All Around The World”

Thursday, July 6 – Huntington Men’s Chorus, “Seriously Sinatra”

–      Northport Community Band 8:30PM, start time NPT Park

Friday, July 7 – The Englishtown Project

Saturday, July 8 – Arturo O’Farrill & the Afro Latin Jazz Orchestra

Sunday, July 9 – RENT Jonathan Larson’s Broadway Rock Musical by Plaza Theatrical Productions, 7:00PM start time

Wednesday, July 12 – Huntington Community Band, “Viva Long Island”

Thursday, July 13 – Sol y Sombra Spanish Dance Co.

–      Northport Community Band 8:30PM, start time NPT Park

Friday, July 14 – Dr. K’s Motown Revue

Saturday, July 15 – The Hot Sardines

Sunday, July 16 – Chieli Minucci & Special EFX All-Stars, 7:00PM start time

Wednesday, July 19 – Huntington Community Band, “Una Celebracion de la Musica Latina”, 7:00PM Jazz Band start time; 8:00 PM Concert Band start time

Thursday, July 20 – North Shore Pops Concert Band

–      Northport Community Band 8:30PM, start time NPT Park

Friday, July 21 – Huntington Latin Night: Tito Rodriguez Jr. Orchestra; Opening Act – ZapOte Band; DJ Acito; Salsa Demo – Star Ballroom Dance Studiio 7:00 PM start time.

Saturday, July 22 – 16th Huntington Folk Festival, Cliff Eberhardt & Lucy Kaplansky, pre-concert interview at 7:15, concert at 8:00PM. Daytime open mic session hosted by Toby Tobias at 12:30, is followed by L.I. based singer/songwriters swapping songs on the hill from 1:30 to 3:45 PM, and on-stage from 4:00 to 6:00 PM.

Sunday, July 23 – L.I. Dance Consortium, “Long Island Dances!, 7:00PM start time

Wednesday, July 26 – Huntington Community Band,”…and Home Again!”

Thursday, July 27 – Swing Sessions with Dudley Music & Guests, local emerging Artists. Performers include Gabi Rose; saxophonist/vocalist, alt-rock trio MJT; and bassist Andraleia, leader of Empathology. 7:30PM start time.

–      Northport Community Band 8:30PM, start time NPT Park

Saturday, July 29 – Jazz Loft Big Band, Tom Manuel Conductor, Nicole Zuraitis, Guest Vocalist

Sunday, July 30 – Orchestra L.I., David Stewart Wiley, Conductor “In Concert With Nature”, 7:00PM start time, 6:15 PM pre-concert talk by Maestro David Stewart Wiley.

For more information, visit www.huntingtonarts.org.

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Louis Jordan's Typany Five, New York, N.Y., between 1946 and 1948. William P. Gottlieb/Wikimedia Commons

Black History Month is celebrated throughout February, and for more than 50 years, has provided an outlet for people to remember and reflect upon African American history.

We see many examples of Black history right here on Long Island. Though not fully understood or preserved, the examples feature most prominently in the field of entertainment.

How many readers are aware of the Red Rooster club on Route 25 between Gordon Heights and Coram with its national Black celebrities and advertising a “complete floor show every night” through the late 1940s? How many can recount the contributions made by the Celebrity Club in Freeport in the 1950s and ‘60s, when R&B and soul reigned supreme? 

Then there was East Setauket’s own Paula Jean’s club, where not only could one enjoy the top national and local blues artists at the turn of the new millennium but also the most authentic Cajun or Creole cuisine this side of New Orleans and south Louisiana.

Never heard of these clubs and their place in the Black hierarchy? That’s all the more reason why measures should be taken by the state, counties, towns and villages to recognize these sites with heritage plaques. These important and historic local institutions should be studied in local history classes from K-12, community colleges and universities.

In years to come, the investment of time and resources will be paid off in the form of enhanced Long Island artistic recognition, increased tourist traffic and greater cross-cultural understanding.

Today, the local club tradition is continued in honor of many top Black jazz legends at Tom Manuel’s The Jazz Loft in Stony Brook in live performances and at its museum which features pioneering stars such as Louis Jordan — arguably the inspiration for rock ‘n’ roll music — and balladeer Arthur Prysock. 

The recently opened Long Island Music Hall of Fame is located on the site of the Dogwood Hollow Amphitheater behind Stony Brook Village Center. It was the place to be for international acts such as Duke Ellington and Louis Armstrong until 1970.

Like The Jazz Loft, LIMHOF is another institution preserving the music history of artists and entertainers of all colors and stripes. Both organizations should be supported and patronized by local residents and tourists alike. But more recognition through plaques and other landmarks should be offered by our municipalities, as is done with music trails in Mississippi and Louisiana.

Months celebrating specific cultures such as Black History Month, Hispanic Heritage Month, Asian Pacific Heritage Month and more, are all helpful for reminding us that our country is what it is today thanks to people of all walks of life. Recognizing our accomplishments shouldn’t be confined to just four weeks out of the year.

Let’s think of better ways to share the stories of people from all walks of life, those who accomplished greatly whether in music, politics, the armed forces or other fields. Let us remember and honor their legacy by putting those ideas into practice. Here on Long Island, there is diversity in history from which we can learn so much for our future benefit and enlightenment.

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Kevin Shaw & The Gamblers in 'Luck Be A Lady'. Photo by Brian Hoerger/Theatre Three Productions, Inc.
Finn MacDevitt and Company in 'Guys and Dolls'
Kevin Shaw and Rachel Greenblatt in a scene from 'Guys and Dolls'
'Rockin the Boat'
Michael Butera and Rachel Greenblatt
Sari Feldman and the Hot Box Girls
The cast of Theatre Three's 'Guys and Dolls'
Sari Feldman and the Hot Box Girls
Sari Feldman and Steven Uihlein in a scene from 'Guys and Dolls'
Sari Feldman and Steven Uihlein in a scene from 'Guys and Dolls'
Sari Feldman and the Hot Box Girls
Steven Uihlein & The Gamblers
The cast of Theatre Three's 'Guys and Dolls'

By Barbara Anne Kirshner

“Luck Be a Lady”

“If I Were a Bell”

“I’ve Never Been in Love Before”

“Take Back Your Mink”

These familiar songs are part of the rich tapestry that makes up American musical theatre history and all are in the classic, Guys and Dolls, the perfect choice to launch Theatre Three into its 52nd season of bringing fine entertainment to Long Island  audiences.

Frank Loesser’s stunning music combined with his compelling lyrics accompanied by Jo Swerling and Abe Burrows’ whimsical book resulted in a one-of-a-kind show that truly represents Broadway’s Golden Age.

Inspiration for this 1950’s musical came from early 20th Century short stories penned by Damon Runyan most notably “The Idyll of Miss Sarah Brown,” “Blood Pressure” and “Pick the Winner.” Runyan’s penchant toward gambling, especially craps and horse racing, played out in his short stories and in this musical. Likewise, Runyan’s connection to the underworld and best friend, mobster accountant, Otto Berman, is reflected in his works with Berman given the alias “Regret the horse player.” Runyan and his humorous works about gamblers, hustlers, and gangsters from Brooklyn or Midtown Manhattan with unusual names such as “Nathan Detroit,” “Big Julie” and “Harry the Horse” proved a perfect springboard for creating this delightfully entertaining musical. 

Guys and Dolls premiered on Broadway in 1950 winning the Tony Award for Best Musical. It was adapted for the movies in 1955 with a star-studded cast including Marlon Brando, Frank Sinatra, Jean Simmons and Vivian Blaine. Since then, this fan favorite has enjoyed numerous Broadway and London revivals before venturing into Port Jefferson.

This captivating Theatre Three production takes hold of the audience right from the start with a spirited overture under the musical direction of Jeffrey Hoffman that instantly immerses the audience in the light-hearted tone of the show. Then lights go up on the company of actors in mid-twentieth century period piece colorful dresses and dashing suits thanks to costume designers Jason Allyn and Ronald Green III.

Randall Parsons’ scenic design is abstract yet functional with a backdrop of towering city skyscrapers inside a frame outlined with tiny white lights then transforms into the Hot Box Club, this time with a backdrop of shimmering silver streamers before morphing into industrial pipes and smog representing the gambling garage. Stacey Boggs’ lighting design accentuates each scene from brilliant whites to smoldering greens and reds.

Director Jeffrey Sanzel has assembled a dynamic cast that dazzles and owns the flavor of 1950’s New York City. 

There are essentially four leads in this show. Rachel Greenblatt is engaging as puritanical missionary Sarah Brown, dedicated to saving sinners and surprised by her own vulnerability at falling for smooth talking gambler, Sky Masterson (Kevin Shaw). Greenblatt hits the stratosphere with her trilling soprano in such songs as “I’ll Know, If I Were a Bell” and “I’ve Never Been in Love Before.” Shaw’s Sky Masterson is suave, charismatic and oh so cool as a big-time gambler, but becomes equally surprised to realize he has fallen for this prudish do-gooder. There are two showstoppers in this musical and Shaw owns one of them with his rousing “Luck Be a Lady.”

The other two leads in the show are Nathan Detroit (Steven Uihlein), who is obsessed with gambling and not his fiancée, Adelaide (Sari Feldman), with whom he has been engaged for the past 14 years. Uihlein and Feldman are adorable together and their duet in “Sue Me” is humorous as Nathan tries to deflect Adelaide’s insistence that they marry. Feldman equally shines when belting out “Adelaide’s Lament” bemoaning that her one continuous cold is due to waiting so long for that band of gold. Feldman luxuriates in Adelaide’s affectations including her high-pitched New York City accent, rhythmic gait and innocence mixed with determination to finally marry that man.

Nathan is not only dealing with Adelaide’s pressures, but he is being pressured to rent the Biltmore garage for the big crap game. The only problem is he doesn’t have the money for the rent, hence he makes a bet on what he perceives is a sure thing. Nathan bets Sky $1,000 that he will not be able to get Sarah to go to dinner with him in Havana the following evening. 

But the smooth-talking Masterson convinces the sweet missionary to fly off to Havana for dinner. That leaves Nathan in a double mess. He doesn’t have the money for the garage and now he owes Sky $1,000 for losing their bet.

The adroit Company in this show takes on Ryan Nolin’s impressive choreography with gusto. In the Latin flavored Havana interlude the dancers — Rob Ferzola, Melissa Norman, Cassidy Rose O’Brien and Alex Yagud-Wolek — exude sensuality as they ease into Nolin’s gorgeous tableaus. Nolin keeps the party going with Adelaide’s animated Hot Box chorus girls and their effervescent dance routines. 

The second showstopper belongs to Finn MacDevitt’s animated Nicely-Nicely Johnson whose bouncy aerobic routines in “Sit Down, You’re Rockin the Boat,” received rousing applause on opening night.

Theatre Three’s Guys and Dolls is a jubilant celebration of Broadway’s Golden Age. Don’t miss this one. 

Theatre Three, 412 Main St., Port Jefferson presents ‘Guys and Dolls’ through Oct. 22. Tickets are $35, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Brian Hoerger/Theatre Three Productions, Inc.

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Port Jefferson School District SCMEA Division I students. Photo from PJSD
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Port Jefferson School District SCMEA Division I students. Photo by PJSD
Port Jefferson School District SCMEA Division I students. Below, Port Jefferson Division II and III students. Photo by PJSD

In-person student musical performances are back, and Port Jefferson School District students represented at the recent Suffolk County Music Educators’ Association All-County Festival held at Ward Melville High School.

In the fifth and sixth grade Division I, students Josie Amtmann, Jenny Cheung, Isabella Fratticci Cseri, Nina Gnatenko, Kai Gronenthal, Ruairi Hogan, Patrick Hutchinson, Nila Manian, Austin Nam, Adyson Nocito, Clara Pearce, Violet Pryor, Sara Puopolo, Aiden Fraticci Rodriguez, Sebastian Salzman, Dylan Sproul, Kaho Sugimoto, Leilani Von Oiste and Elizabeth Yin were selected. Seventh and eighth graders Rowan Casey, Crystal Reustle, Sadie Salzman and Daria Zakharova were selected for Division II, and Division III’s ninth and 10th graders welcomed Earl L. Vandermeulen High School student Andi Kelly.

“Congratulations to all of our outstanding student musicians who were fortunate to perform in the FIRST in-person county music festival in nearly three years!” said Dr. Michael Caravello, district director of music and fine arts.

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Thomas Manuel inside The Jazz Loft in Stony Brook. Photo by Julianne Mosher

The Long Island Arts Alliance is asking artists, performers and creators to share their stories amidst the COVID-19 pandemic.

Lauren Wagner, executive director of LIAA, said that over the last two years, the group has been asking creatives to share the experiences pre-pandemic and onward in hopes that new legislation will be created to further help the art and culture sector locally.

“The percentage of job losses in the arts is three times worse than other nonprofit organizations,” she said. 

LIAA serves as an alliance of and for the region’s not-for-profit arts, cultural and arts education organizations.  LIAA promotes awareness of and participation in Long Island’s world-class arts and cultural institutions in both Nassau and Suffolk counties. 

Formed in 2003, LIAA offers leadership and diverse support services to arts organizations, serves as an advocate for arts education in our schools and collaborates on strategies for economic development and community revitalization.

An advocate for artists, painters, sculptors, dancers, performers and musicians, Wagner added that when things were shut down two years ago, LIAA decided it wanted to reach out to its community to find out how people were handling the stressful changes.

That’s when LIAA came up with surveys to give a platform for creators to explain what’s going on in their lives.

“The surveys are to poll everyone’s status,” Wagner said. “Then, we use those numbers to go back to our new legislators and say, ‘Hey, this is what’s going on and we need help.’”

Most recently, a 2022 update has been posted to the LIAA website. This is the third survey to make its way around the arts community.

The survey states, “As COVID-19 extends into 2022, it is important to secure updated information about the continuing impact of the pandemic on the creative sector and creative workers. The information you provide is critical to advocacy efforts for the arts and culture sector across Long Island.”

Wagner said the more creatives who participate, the better.

“Artists/creatives were — and remain — among the most severely affected segment of the nation’s workforce,” she said. “The arts are a formidable industry in the U.S. — $919.7 billion (pre-COVID) that supported 5.2 million jobs and represented 4.3% of the nation’s economy.”

She added that they have not seen significant relief funding earmarked for the arts from the local government despite the impact the sector has on the local economy.

“The American Rescue Plan provided $385,003,440 to Nassau County, $286,812,434 to Suffolk County, and an additional $170 million to our local townships,” she said.

But when it comes to the higher levels of government, Wagner said that things often get “skewed” because of the Island’s proximity to New York City.

“I hate to say compete with the city, but we do,” she said. “We’re a great economic driver on Long Island and we get forgotten about.”

She said the surveys could “paint a real picture of what it’s like to be an artist on Long Island.”

The artists

Patty Eljaiek. Photo from Patty Eljaiek

Patty Eljaiek, a visual artist from Huntington Station, said that many people might not realize the impact art has on the community — especially financially.

“I think it’s part of the perception that art is not a business,” she said. “Art is a business.”

Elijaiek added that if an artist is looking to share their expertise with the world, they are, in fact, a business. 

“Art has been something that people appreciate but they don’t know how to put value to it,” she said.

Wagner agreed. She said that early on during the pandemic, people looked to the arts for solace.

“Artists are second responders,” she said. “First responders save lives, but artists put everything back together.”

Alex Alexander, a musician in Rocky Point, said that people who work in the arts — such as being a working musician — don’t have the typical 9-to-5 routine.

“You can plan with a 9-to-5,” he said. “I can’t plan my life as other people would.”

And Tom Manuel, executive director of The Jazz Loft in Stony Brook and a musician himself, said that his venue was shut down for 15 months throughout the pandemic, but still continued to serve its community with outdoor shows despite the lack of revenue coming in. 

Manuel said that while big industries were being saved by the federal government, the nonprofit sector was “left out” and they had to look to their sponsors to help save them. 

“We were really blessed in that we had a lot of our donors and sponsors step up and say, ‘Hey, we know that you’re closed, but we’re going to still give our sponsorship and don’t worry about programming, just stay open,’” he said.

Board members at The Jazz Loft began raising money themselves for other artists who were struggling, raising nearly $20,000 worth of assistance.

But the pain and struggle were still there as they helped their peers. 

“The statistics show of all the things that could close and not reopen, the most unlikely place to reopen after being shuttered is a performing arts venue,” he said. “That’s the data.”

Manuel said that jazz is all about improvisation — which is what musicians did — and to work through the blues.

“I think that one of the beautiful things that did come out of the pandemic is people realized how important the arts were to them,” he said. “I think there was a reconnection that was established, which is a beautiful thing.”

Artists can participate in LIAA’s survey until Feb. 16 online now at longislandartsalliance.org.

“People don’t realize this is their livelihood on the line,” Wagner said. 

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Photo courtesy of The Jazz Loft
Offering six Thursday evenings to stroll four stages of entertainment

Still facing the challenges of bringing live music and other cultural events to people during a pandemic, the Jazz Loft in Stony Brook, in partnership with Suffolk County Presiding Officer Kara Hahn, Michael Ardolino of Realty Connect and other community businesses have come up with a unique and imaginative way to do just that. Called “Summer Stages With A Purpose ( Summer SWAP),  it will offer visitors a walking experience through the Stony Brook Village area, with four stages presenting music, art, history, educational lectures, activities and other cultural happenings.

“Summer SWAP will be the ultimate collaborative celebration of music, art, history theater and activities right here in our Stony Brook Village,” said Jazz Loft founder Tom Manuel. “People can wander from stage to stage and take in a new experience at each one. It’s outdoors, it’s spacious and it’s a little back to normal for all of us.”

The SWAP is made possible through funding from Suffolk County Presiding Officer Hahn’s office and a Department of Economic Development and Planning grant.

“I am excited to join with Tom Manuel and the Jazz Loft in helping Stony Brook village businesses and visitors to SWAP the memory of this past year with one of a summer that is closer to normal.” said Suffolk County Legislator Hahn.  “Stony Brook has a proud cultural history, and through this innovative program, we encourage tourists and residents alike to rediscover all of the art, music and creativity this region has to offer and help reinvigorate the local businesses that suffered mightily during their absence.”

“The SWAP concept speaks to everything that we need in terms of diversity, inclusiveness, and bringing our community together,” said Ardolino, one of the generous sponsors of the event. “When I heard about the idea I said ‘Let’s do it!’”

Summer SWAP nights are scheduled for Thursday evenings, May 27, June 3, 10,17 , 24 and July 1, all from 6 p.m. to 8 p.m. The four stages will be set up throughout the Stony Brook Village area. Entry is FREE.

Stage areas will include: Front lawn of the Jazz Loft where musicians will perform atop the Jazz Loft’s own mobile Jazz stage dubbed the “Jazz Dispatch”; Sand Street Beach, Stony Brook Village Inner Court, and the Brookhaven Town Lot by the kayak launch.

Patrons can also take advantage of the numerous local restaurants in the area, with menus accessible online. Order your food, pick it up to go and head to the stages of your choice.

Tiered sponsorship opportunities are available, ranging from $100 to $1500 with all proceeds going to support the Jazz Loft which has been closed for over a year due to the pandemic. For more information contact the Jazz Loft at: 631-751-1895.

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