Tags Posts tagged with "Julia Albino"

Julia Albino

Time for witches, ghosts and toast!

By Heidi Sutton

It’s kooky and it’s spooky and it’s hauntingly good. Now in it’s 7th year, A Kooky Spooky Halloween returns to Theatre Three in Port Jefferson to celebrate one of the most popular holidays of the year. 

Written by Jeffrey Sanzel and Steve McCoy, the adorable musical tells the story of Abner the Ghost (Steven Uihlein) who has just graduated from Haunting High School and is assigned to be a spooksperson at Ma Aberdeen’s Boarding House, (known for being the most haunted house in Harrison Corner USA and for having the best toast!) as its last ghost, Baron Von Yost, has recently retired. Abner is given a diploma and a medallion of invisibility and is sent on his way with two rules: never haunt before sunset and never, ever lose your medallion.

But Abner has a shocker of a secret — he’s afraid of the dark! When he confides in his best friend Lavinda the Witch (Cassidy Rose O’Brien) she gifts him a nightlight and promises to help him get settled in. With Lavinda’s help, what could possibly go wrong?

It’s Halloween and Abner arrives at the boarding house  just as Ma Aberdeen (Ginger Dalton) and her boarders the Petersons — Paul the periodontist (Liam Marsigliano), Penelope the p.r. professional (Katy Snair) and their daughter Pip (Sarita Alvarado) — and Kit Garret (Julia Albino), a girl who “just came from a small town to a big city with a suitcase in her hand and hope in her heart,” are stuffing goodie bags for trick-or-treaters in the kitchen.

In one of the funniest scenes in the show, Abner tries out a series of spells, making the group stuff the bags in double time, dance, do jumping jacks, sing, spin like a top, quack like a duck and stick to each other. Just as he is about to undo the last spell, fellow graduate ghost with a grudge Dora Pike (Josie McSwane) appears, steals his medallion of invisibility and nightlight and heads to the bottom of Black Ridge Gulch, the deepest, darkest gorge in the entire world (where it’s really, really dark). Now visible, Abner must convince the strangers who are still stuck to each other help him get his medallion back or it will “all fade to black.”

Director Colleen Britt has assembled a terrific cast to tell this hilarious story filled with singing and dancing, action and adventure and tons of Halloween jokes. Ginger Dalton as Ma who makes the toast is especially wonderful. “What kind of toast do you serve? Rye, whole wheat, sourdough, french?” she’s asked. “White. No butter, no jelly … and no jam!” she snaps. 

This year’s production has amped up the spookiness with floating ghosts, use of the trap door and more special effects, but don’t worry— it is not scary. The show also makes use of the screens on each end of the stage from the set of ‘Matilda The Musical’ to project images. A nice touch.

Costumes by Jason Allyn in shades of black, orange, purple and sparkly white for the ghosts are the icing on the haunted house cake. Don’t miss this one. You and your kids will have a spooktacular good time. Ghostly pumpkin souveniers will be sold during intermission and costumes are encouraged. Meet the cast in the lobby after the show for photos. 

Theatre Three, 412 Main St., Port Jefferson presents A Kooky Spooky Halloween through Oct. 19. Children’s theater continues with Barnaby Saves Christmas from Nov. 23 to Dec. 28 and Hansel and Gretel from Jan. 25 to Feb. 8. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

By Julianne Mosher

What if Snow White, Cinderella and Briar Rose didn’t get their happy endings? Snow White would have been poisoned by the apple, Cinderella forever a maid and Briar Rose would sleep until eternity. These fairy tales have had dozens of interpretations each throughout the years, but one thing is common — there is always a happily ever after. 

But Theatre Three is taking it a step further and switching it up. Making its world premiere, The Mystery of the Missing Ever After, written by Jeffrey Hoffman, Douglas J. Quattrock and Jeffrey Sanzel, brings in a bit of mystery with a lot of original music. 

Directed by Sanzel, the show starts off with what the three princess’ lives looked like after the final chapter closed. Cinderella (Veronica Fox) runs a show emporium, Snow White (Julia Albino) has opened a laundry service with the dwarves and Briar Rose (aka the Sleeping Beauty and played by Cassidy Rose O’Brien) has a successful meditation business, helping other fairytale and folklore creatures calm down. 

They live with their princes, Adrian, Basil and Constantine (all performed by Sean Amato) who each have their own quirky personalities but support their wives. 

In town, we’re introduced to other members of the community including the formerly evil Rumpelstiltskin (Steven Uihlein) who says he changed his ways and now helps children by buying them food and toys. Alice — formerly of Wonderland and played by Louisa Bikowski — now runs a retrieval agency, Alice’s Wonderland Wonders, and her colleague, the White Rabbit (Jason Furnari) struggles with severe anxiety and seeks out help from Briar Rose. 

As the play goes on, the princesses’ start to realize odd things happening — apples appearing out of nowhere, Briar falling asleep at any given moment and Cinderella loses her beautiful blue gown (one of many stunning costumes courtesy of Jason Allyn), transforming into her former self wearing an apron covered in ash. Soon after, their princes begin to forget who they are. That being the final straw, the three then decide that they need to figure out what is going on and why.

Along the way, they meet other favorite characters from different children’s books including Peter Pan (Liam Marsigliano), Little Red Riding Hood (Gina Lardi) and Puss in Boots (Kaitlyn Jehle), just to name a few. 

With the help of families in the audience, the mystery of the stolen happily ever after is solved — and it’s quite the surprise of who’s behind it. 

With a solid score of 12 original songs, written by Hoffman and Quattrock, and performed by this stellar cast, there is something for everyone here. Although it’s caters to young children, parents and older siblings will not be disappointed, either. 

So, get your glass slippers on and head down to Theatre Three in Port Jefferson to see this unique, fun, entertaining and awesome play. Stop by the lobby on your way out for a group photo with the cast.

Theatre Three, 412 Main St., Port Jefferson presents The Mystery of the Missing Ever After through June 15. Costumes are encouraged. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

Spring has sprung in Port Jefferson and that means the return of one of Theatre Three’s most popular children shows, The Adventures of Peter Rabbit. Written by Jeffrey Sanzel and Brent Erlanson with music by Kevin F. Story, the original musical is based on the characters and stories created by Beatrix Potter and is too cute for words.

When the lights dimmed at last Saturday’s show, all the children in the audience shouted “It’s starting!” and settled in to watch eight uber talented actors — Sean Amato (Peter Rabbit), Kyle Breitenbach (Benjamin Bunny), Elizabeth Ladd (Mrs. Rabbit), Cassidy Rose O’Brien (Flopsy), Julia Albino (Mopsy), Courtney Gilmore (Cotton-Tail), Gina Lardi (Mrs. McGregor) and Liam Marsigliano (Mr. McGregor) — bring the mischievous adventures of Peter Rabbit and his cousin Benjamin Bunny to life just in time for Spring Break.

The audience is whisked away to the countryside home of Mrs. Rabbit and her four bunnies who live next to Mr. and Mrs. McGregor who spend the day tending to their pride and joy — their garden. 

While Flopsy, Mopsy and Cotton-Tail listen to their mother by staying inside and doing their chores, Peter Rabbit and his cousin Benjamin Bunny sneak out to steal from their neighbor’s garden again and again to satisfy their insatiable appetite for carrots, lettuce, peas, parsley and string beans.

When his patience grows thin, the farmer, who’s “a meanie with a temper like a bear,” makes it his mission to stop these bunnies once and for all. At first, Peter is caught but manages to wiggle out his socks and shoes and jacket and hat to escape. The second time Peter is not so lucky. Will he become rabbit stew or will his family come to the rescue?

Directed by Steven Uihlein, the show has so many wonderful moments. When Peter sneaks off to the garden, his sisters go searching for him and ask the audience members if they’ve seen him. (“He’s right behind you!”) When Peter returns home after losing his clothes, he recounts the story and the entire scene is retold in slow motion as Mrs. Rabbit, Flopsy, Mopsy and Cotton-Tail watch from the sidelines.

The wonderful song and dance numbers, choreographed by Sari Feldman and accompanied on piano by Douglas Quattrock, are terrific with special mention to “One More Time Around,” “Run, Peter, Run” and the fun hip-hop number, “Peter’s Socks.” The final number incorporates all of the songs in a super mega-mix extravaganza. Costumes by Jason Allyn, from the bunnies’ spring dresses in pink, purple, green and red to their white bunny tails, pull it all together perfectly.

Don’t miss this show — you and your kids are guaranteed to love it. Meet the entire cast in the lobby after the show for photos.

Sponsored by Stony Brook Children’s Hospital, Theatre Three, 412 Main St., Port Jefferson presents The Adventures of Peter Rabbit through April 27.

Saturday Apr. 20 & 27 @ 11:00 am
Wednesday Apr. 24 @ 11:00am
Thursday Apr. 25 @ 11:00am
Friday Apr. 26 @ 11:00am

Duration: One Hour

Children’s theater continues with a brand new production, The Mystery of the Missing Ever After, from May 25 to June 15 followed by Raggedy Ann & Andy from July 5 to 27 and Pinocchio from Aug. 2 to 10. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com. 

by -
0 797

By Julianne Mosher

For what is now a quarter of a century, Theatre Three’s Annual Festival of One-Act Plays is a favorite tradition that should not be missed out on. 

Now in its 25th year, more than 12,000 submissions from playwrights across the country have been sent to the Port Jefferson-based theater over the years in hopes that their short, under 30-minute shows have a shot of being performed on stage. This season, Director Jeffrey Sanzel said there were over 2,000 submissions and just eight made the cut. Of those eight, none disappointed. 

For an-hour-and-a-half, during Sunday, Feb. 25th’s performance, the nearly sold-out audience sat quietly, engaged, watching, listening to what is about to appear on stage. The festival brings these little vignettes that are full of story — some that are hysterically funny, while others leave the room quiet because of how serious and emotional the act ends. 

The festival opens with Brian C. Petti’s Bovine Existential, with Linda May and Phyllis March playing two cows who are waiting in a slaughterhouse holding pen discussing fate, mortality and morality. Both May and March play the animals well, and while a serious topic of philosophy, they still had the audience in stitches. 

The second act features Deirdre Girard’s A Year to Grieve and at first the audience doesn’t expect what will eventually happen. We see Thomas (Evan Teich) and Heather (Brittany Lacey), two mystery crime writers working on Heather’s latest novel. The friendship between the two is sweet, until one decides to make fiction real. Both Teich and Lacey shine — as usual, since both are returning Festival performers. 

To lighten the mood, we’re sent to a tomb in Verona, Italy to see Juliet (Cassidy Rose O’Brien) who woke up from her slumber and didn’t kill herself with her fiancé’s dagger in Juliet Wakes Up by Laura Neill. Compared to the original Shakespearean tragedy, this is anything but. Quite frankly, this should be a whole show on Broadway, rather than the & Juliet musical that is currently out. I like this version better. Juliet is met by Rosaline (Julia Albino), her cousin, and Willow (Gina Lardi), the apothecary worker who sold the poison to begin with. The three ladies hatch a plan to hide Romeo’s (Jae Hughes) body after Juliet stabbed him to death, instead.

The first half ends with Rescue by Kevin Podgorski, and this one is not for the weak at heart. We’re introduced to Dot (Ginger Dalton), who has a large bruise on her face. She’s talking on the phone with her two friends, Maeve (March) and Allen (Andrew Markowitz), who are desperately trying to help her out of a toxic and dangerous home situation at the hands of her grandson, Charlie (Steven Uihlein) that Dot has been taking care of since his mother died. Powerful and sad, when the act ended there was a silence, with several audience members saying, “wow.”

After a brief intermission, we’re set in a car on a highway leading to the Colorado border for Aleks Merilo’s The Nearest Far Away Place. A young woman (Courtney Gilmore) hitch hiked a ride from Wisconsin by a man who eventually we learn is a corrections officer played by Rob Schindlar. Uncomfortable and nervous about what is waiting for her across state lines, the young girl tries to chat the man up, but quietly spoken, he has no interest until he begins talking about his own family and how he hasn’t spoken to his own daughter in years. With a serious undertone, it has its highlights that will make you laugh because of the two opposite personalities; Gilmore’s annoying teenage girl self (which we can all relate to somehow) and Schindlar’s stoic manly façade. 

A complete left turn into Lisa Dellagiarino Feriend’s The Curse, we’re taken into an alternate version of The Little Mermaid featuring a mer-man, Jeremy (Sean Amato) who was washed up on land and realizes he has feet. Turns out, an evil enchantress named Donna (his co-worker of all things) turned him human as punishment for his man-splaning over her during staff meetings. He only comes to this realization by Beth (O’Brien), a passerby who sides with Donna. After some serious plays beforehand, this one was funny and lighthearted, which is just what we needed.

In Grave Matters by Michele Markarian, Paula (Lardi) is at the grave of her father asking for a sign from him to get over the family drama since her parents had passed. Well, the dad didn’t show, but her mom, Beth (Dalton) came by instead. This one, again, has those serious undertones, but Dalton’s annoying motherly comments (that again, we can all relate to somehow) make it funny and surprisingly realistic — despite her being a ghost, of course.

And we end with the beautifully crafted The Hike to Hart Lake by Johanna Beale Keller which features Albino, Amato, Hughes, O’Brien and Uihlein as five friends who hike up a mountain in their 20s to a beautiful scenic view they never forget. Always saying they should all go back, life happens, there are deaths and slowly the group becomes one over the course of 80 years. While all five actors are standouts, Hughes had the audience in tears with their powerful monologue at the end of the performance. 

With a minimal set with just a few props moved around for each play, the costumes designed by Jason Allyn match each performance perfectly — and remember, we’re sent from present day, to the 14th Century and then into the future. So, buckle up, grab some tissues and make sure you sit in for The 25th Annual Festival of One-Act Plays. It isn’t just a show… it’s an experience you won’t want to miss.

Theatre Three, 412 Main St., Port Jefferson presents the 25th annual Festival of One-Act Plays through March 23 at The Ronald F. Peierls Theatre, on the Second Stage. All seats are $25. Please note: Adult content and language. Parental discretion is advised. To order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

Who doesn’t love The Wizard of Oz? The 1939 classic starred a 16-year-old Judy Garland who stole our hearts as Dorothy Gale, a young girl swept away by a tornado to the land of Oz and her quest to return home with the help of her three friends — the Tin Man, the Lion and the Scarecrow.

Now Theatre Three brings us Dorothy’s Adventures in Oz, an original musical adapted from the stories of L. Frank Baum by Jeffrey Sanzel and Douglas J. Quattrock. While the opening scene and songs may be different, the overall story and message remains the same and makes for a wonderful afternoon of live theater. 

Jeffrey Sanzel directs an amazing cast —  Cassidy Rose O’Brien (Dorothy Gale), Josie McSwane (Scarecrow), Steven Uihlein (Tin Man), Sean Amato (Lion), Jason Furnari (The Wizard of Oz), Louisa Bikowski (Wicked Witch of the West), Julia Albino (Glinda), Liam Marsigliano (Gatekeeper and Winkie) and Kaitlyn Jehle (Judy Gumm, Winged Monkey) and a special appearance by Tasha PoyFair as Toto — who  whisk the audience away to the land of Oz with gusto.

The story begins as Dorothy Gale, chief editor of her high school newspaper, the Baum Bugle, is busy putting the paper to bed when a fierce storm blows in and knocks her to the ground. When she wakes up, she finds herself in Munchkinland. Her news stand has landed on the Wicked Witch of the East causing her demise, much to the delight of the Munchkins.

When the Wicked Witch of the West shows up, Dorothy is protected by Glinda the Good Witch of the North who fits her with the Wicked Witch of the West’s ruby slippers and tells her to take the Yellow Brick Road to the Emerald City to find the Wizard of Oz who can help her get home. Along the way, Dorothy meets a Scarecrow who wants a brain (even though she comes up with the best ideas!), a Tinman who yearns for a heart, and a Lion who longs for courage. The three join her on her quest and the musical adventure begins.

Amazingly all of the memorable scenes from the film are here as well, from the talking apple trees, the enchanted poppies, to meeting the Wizard in the Emerald City, the Witch’s castle and her crystal ball, and the infamous melting scene. 

Choreographed by Sari Feldman and accompanied on piano by Douglas Quattrock, each main character has a chance to shine with a song and dance number including Cassidy Rose O’Brien’s “I Close My Eyes,” Josie McSwane’s “I Think,” Steven Uihlein’s “Pitta-Pat” and Sean Amato’s “I’m a Lion.” 

The supporting cast is gifted with many great scenes as well with special mention to Liam Marsigliano who is hilarious as the Gatekeeper holding a sign that says “ZO” and as a grumpy Winkie who is tired of always saying O-Ee-Yah/ Eoh-Ah. And did I mention a special guest appearance with fur, four legs and a tail (and it’s not the lion!)?

A nice touch is the flawless scene changes — each time Dorothy meets a new friend, they walk through the aisles of the theater (the yellow brick road) and by the time they reach the stage, the next scene is already set up like magic. 

Costumes by Jason Allyn are incredible as always, especially Glinda’s gorgeous dress and the special lighting and sound effects tie everything together perfectly. 

In the end, the show reminds us to be true to our hearts and to our friends and that there is no place like home. Souvenier plush lions will be on sale for $5 during intermission and stop by the lobby on your way out for a group photo with the cast.

Theatre Three, 412 Main St., Port Jefferson presents Dorothy’s Adventures in Oz through March 16. Running time is 1 hour and 20 minutes with one intermission. Costumes are encouraged. Children’s theater continues with The Adventures of Peter Rabbit from April 13 to 27 and a brand new show, The Mystery of the Missing Ever After from May 25 to June 15. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

The temperature outside was a bone-chilling 22 degrees as I drove into Theatre Three’s parking lot in Port Jefferson last Sunday morning. Once inside, however, the atmosphere was warm and inviting as families with young children settled in their seats to watch a most excellent performance of Jack and the Beanstalk or The Boy Who Cried Giant!

Written by Jeffrey Hoffman, Douglas J. Quattrock and Jeffrey Sanzel the original musical combines the well known fairytale with the classic fable The Boy Who Cried Wolf and tells the story of a nice boy named Jack (played by Sean Amato) who lives in a small village with his mother (Josie McSwane) and his best friend in the entire world, Filpail the Cow (Julia Albino).

But Jack has a problem — he tends to exaggerate and has told so many tall tales (“I can even wash a cat!,” “My cow can speak in seven different languages!”) that no one believes him anymore. “Someday your stories are going to get you in trouble,” his mother warns. Jack also receives a visit from the Fairy Mary Goodwing (Cassidy Rose O’Brien) who tries to convince him to “always tell the truth and you will be true to yourself.”

One day his mother tells him that they have no other choice than to sell Filpail to Butcher Blackstone (Ryan Worrell). On the way to the market, Jack and his cow meet two pirate gypsies, Marco and Margot (Liam Marsigliano and Kaitlyn Jehle), who claim they want to buy Filpail for “cowpanionship” (they really want to sell her to Butcher Blackstone) and trick Jack into trading her for some magic beans.

Jack’s mother is furious when she finds out what happened and throws the beans away. A giant beanstalk suddenly appears, signaling the start of a wonderful adventure.

In Act Two, Jack climbs the beanstalk and discovers a castle in the sky occupied by a cranky (and whiny!) giant (Ryan Worrell), the giant’s wife (Gina Lardi), a golden harp (Liam Marsigliano) and a hen that lays golden eggs (Kaitlyn Jehle). 

When Jack returns home and tells his mother and the villagers what he has seen no one believes him. He decides to return to the giant’s castle with Filpail to bring something back as evidence. The giant’s wife gives Jack a pair of her husband’s enormous pants. But as they are about to leave, the giant gets a whiff of the boy and his cow (“Fee Fi Fo Fum!”). Will they escape in time?

Under the direction of Steven Uihlein, a talented cast of eight adult actors play multiple roles during this action adventure. The songs, accompanied on piano by Douglas J. Quattrock, are catchy and fun and there’s even a tap dance number choreographed by Sari Feldman.

Costume designer Jason Allyn deserves “giant” accolades for the beautiful outfits and props, including a three-foot-long sneaker and a beanstalk that magically grows all the way to the ceiling. 

With the important message that one should always tell the truth, Jack and the Beanstalk will warm your heart. Don’t miss this one. Meet the cast in the lobby after the show for photos. 

——————————

Theatre Three, 412 Main St., Port Jefferson presents Jack and the Beanstalk through Feb. 3. Children’s theater continues with Dorothy’s Adventures in Oz from Feb. 21 to March 16; The Adventures of Peter Rabbit from April 13 to 27; and a brand new show, The Mystery of the Missing Ever After, from May 25 to June 15. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

While three spirits haunt Ebenezer Scrooge on Theatre Three’s Mainstage, the spirit of the season carries over to the children’s theater production of Barnaby Saves Christmas. The holiday favorite, written in 2003 by Douglas J. Quattrock and Jeffrey Sanzel with music and lyrics by Quattrock, has become a beloved tradition in Port Jefferson and one that is looked forward to each year. The show opened last Saturday and runs through the end of the year.

It’s Christmas Eve at the North Pole and Santa’s elves Sam (Josie McSwane), Crystal (Kaitlyn Jehle) and Blizzard (Julia Albino) are busy putting the finishing touches on the presents and loading the sleigh. Barnaby (Ryan Worrell), the newest and littlest elf trainee, tries his best to help but only succeeds in making a mess.

When Santa (Sean Amato) and the elves leave to deliver the gifts to children across the world, Barnaby realizes that they left behind a special toy, a “little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest,” he enlists the help of Blizzard’s fawn Franklynne (Cassidy Rose O’Brien) to find Santa and “save Christmas.” Along their adventures they discover that an evil villain named S. B. Dombulbury (Steven Uihlein) who, with his partner in crime Irving (Jason Furnari), is trying to ruin Christmas for everyone, and meet a Jewish couple (played by Gina Lardi and Sean Amato) and learn all Hanukkah, the Festival of Lights. There’s even a great chase scene through the theater!

Directed by Jeffrey Sanzel, the nine adult cast members do a wonderful job telling this adorable tale. Reprising his role as Barnaby, Ryan Worrell’s solo “Still With a Ribbon on Top” is beautifully executed and wait until you see him dance! And yes, Barnaby will save the day but just wait until you see how! 

Costumes by Jason Allyn are exquisite and the choreography by Sari Feldman is superb. Utilizing the set of A Christmas Carol, the special effects are terrific, elevated by the futuristic lighting and, spoiler alert, it even snows in the theater!

With the ultimate message that “every day is a golden opportunity to be better than you used to be,” Barnaby Saves Christmas is a must see this holiday season. Your kids will love it! Souvenir elf and reindeer dolls will be available for purchase during intermission and the entire cast will be in the lobby after the show for photos. 

Theatre Three, 412 Main St., Port Jefferson presents Barnaby Saves Christmas through Dec. 30. Children’s theater continues with Jack and the Beanstalk from Jan. 20 to Feb. 3, Dorothy’s Adventures in Oz from Feb. 21 to March 16, and The Adventures of Peter Rabbit from April 13 to April 27. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

By Stephanie Giunta

Almost 180 years ago, Charles Dickens gave us the immortal gift of A Christmas Carol, which has become a pillar of holiday culture and a reminder to hold the spirit of the season near and dear. 

Port Jefferson’s Main Street, already adorned with wreaths on the lamp posts in preparation for its 27th annual Charles Dickens Festival, was only trumped by Theatre Three’s warmth and inviting decor during last Saturday’s opening night performance of the holiday classic. Carolers, singing familiar tunes before the show, further ignited the magic of Christmas in the air. 

Revisited, adapted, and never told quite the same way twice, Theatre Three’s version transports the audience back to 19th century England for an introspective, festive excursion that touches hearts and minds in a profound way. Jeffrey Sanzel, the show’s executive artistic director who doubles as the stingy curmudgeon, Ebenezer Scrooge, reinvents the show each season, bringing a unique twist and newfound beauty to the timeless tale. 

Sanzel’s versatility is remarkable; his expressive nature and ability to portray a character with such complex, emotional layers is exceptional. Along with the power of his reprimands, I could feel Scrooge’s sardonic “Good Afternoon!” down to my bones. I felt like I was being asked to leave the office along with his chipper and persistent nephew, Fred Halliwell (Sean Amato) and warm and loving clerk, Bob Cratchit (Ray Gobes Jr.) on Christmas Eve. Both Fred, joyful and optimistic, and Bob, loyal and dedicated, are talented bookends who symbolize the redemption, compassion, and transformative power of the Christmas spirit over even the harshest of humans. 

The Fezziwig duo, played by the talented Stephen T. Wangner and Ginger Dalton, are the essence of fanciful charm. Their playful interaction and bubbly nature personify the merriment of the season. I could smell their mince pies, plum porridge, and zest for life from a mile away. In tandem, daughter, Belle Fezziwig (Julia Albino), wonderfully captures Scrooge’s heart, but pivots beautifully to letting him go to his newfound love: money.

A flawless performance from the three spirits is not to forget. Cassidy Rose O’Brien is angelic as the Ghost of Christmas Past, walking Scrooge through a painful review of his mistakes and heartbreaks, including the loss of his relationship with Belle, and the deaths of his older sister, Fan (Alexa Eichinger, Brooke Morrison) and partner, Jacob Marley (Steven Uihlein). 

I was particularly enthralled with the scene in which townspeople are asking Scrooge to “Buy” or “Sell.” There are so many overlapping dialogues intersecting at once, providing the audience with a line of sight into Scrooge’s psyche, and how he may be processing the key occurrences of his past simultaneously. It was brilliant.

The Ghost of Christmas Present (Wangner) has a belly laugh that echoes throughout the theater, yet showcases the firm, tough love Scrooge needs to realize the gravity of matters at hand.

Lastly, I mouthed “wow” when the Ghost of Christmas Yet to Come (Amato) appeared on stage. What a vision! The scenes that follow produce a scared-straight version of Scrooge that even he didn’t know existed. 

I would be remiss in mentioning the short scene featuring Mrs. Dilber, Scrooge’s housekeeper (Dalton), in which she was inebriated on his gravesite. Her quick wit and boisterous mirth adds an unexpected and appreciated twang of comedy to the performance.

Randall Parsons and Jason Allyn truly bring 19th century England to Port Jefferson through beautiful production design and authentic costuming. The audience is transported through time with spine-tingling special effects by Robert W. Henderson Jr., and Brad Frey injects jollity into the atmosphere with signature Victorian carols and hymnal tunes. 

When I first saw A Christmas Carol about 20 years ago, I remember being impressed with Scrooge and the cast because they made the story feel so real. Through an adult lens, it was even more apparent. Somehow, Sanzel and the cast are able to draw out a variety of emotions, connecting you not only to Christmas, but the treasures of giving of yourself to those less fortunate, being kind to others, and finding happiness. It’s a show that plays on the heartstrings in so many different capacities, reminding children and adults alike of what is most important during the holidays.

Theatre Three makes Christmas spirit feel so tangible that you can wrap it up in a box with a big, red bow. Bravo to Sanzel and the cast for bringing something so wonderful to life! Be sure to stick around post-performance for a photo memento with Scrooge. The $5 charge contributes to the theater’s scholarship fund.

CAST & CREW: Julia Albino, Jason Allyn, Sean Amato, Karin Bagan, Steven Barile Jr., Kyle M. Breitenbach, Mairead Camas, Shannon Cooper, Ginger Dalton, Alexa Eichinger, Angelina Eybs, Sari Feldman, Griffin Fleming, Brad Frey, Julie Friedman, Christina Gobes, Ray Gobes Jr., Skye Greenberg, Tim Haggerty, Kathleen Arabelle Han, Robert W. Henderson Jr., Patrick Hutchinson, Zach Kanakaris, Linda May, Brooke Morrison, Cassidy Rose O’Brien, Randall Parsons, William Roslak, Jeffrey Sanzel, Finn Thomas, Isabela Thomsen, Melissa Troxler, Steven Uihlein, Addyson Urso, Stephen T. Wangner, Cassidy Worrell, Kaylin Zeidler and Stanley Zinger

Theatre Three, 412 Main St., Port Jefferson will present “A Christmas Carol” through Dec. 30. All tickets are $25 in November and range from $25 to $40 in December. To order, call 631-928-9100 or visit www.theatrethree.com.

See a trailer of the show here.

By Julianne Mosher

Theatre Three was brimming with excitement last Saturday morning as families with young children came to celebrate the spookiest season with the return of a local favorite, A Kooky Spooky Halloween. 

Written by Jeffrey Sanzel and Steve McCoy, it tells the story of a kind ghost named Abner Perkins (Steven Uihlein) who has just graduated from Haunting High School and has been assigned to be the spooksperson for Ma Aberdeen’s Boarding House (known for being the most haunted house in Harrison Corner USA and for having the best toast!) as its last ghost has retired. Along with his classmates, he’s given his diploma and his medallion of invisibility, and is sent off to work. 

While at the boarding house gearing up for his first shift, Abner tells his best friend, a witch named Lavinda (Cassidy Rose O’Brien), his deepest, darkest secret – he’s afraid of the dark and he’s not sure how he’ll be able to haunt Ma Aberdeen and her guests. Luckily, Lavinda is a great friend, and she hands him a nightlight and a helping hand to help boost his confidence. 

But lurking around the corner is one of Abner’s classmates, a fellow ghost named Dora Pike (Josie McSwane) who is jealous that Abner was assigned the boarding housed that she so desperately wanted to haunt. Acting like a bit of a bully, she steals his nightlight, his medallion (that he needs for his hauntings!) and rushes off. 

Luckily, Ma Aberdeen (Ginger Dalton) and her boarders, the Petersons — Paul (Liam Marsigliano), Penelope (Gina Lardi) and their son Pip (Sean Amato) — and Kit Garret (Julia Albino), a girl who “just came from a small town to a big city with a suitcase in her hand and hope in her heart,” are ready to help Abner get his medallion back and undo a spell the spiteful Dora Pike put on the boarders, despite being afraid of him at first. 

Let the shenanigans ensue. For a full hour, with a 15-minute intermission, we watch the story unfold while learning more about Abner and all his new friends. 

With colorful costumes and catchy songs, (the one about toast will be stuck in your head for days), this production directed by Jeffrey Sanzel is an adorably perfect way to start the Halloween season. Kids of all ages will love the silly personalities on stage, and parents will appreciate the “punny” jokes that are sprinkled throughout acts one and two. 

But not only does it provide big smiles and a good laugh, the message of friendship and acceptance is something every family will enjoy the holiday. Costumes are encouraged for audience members and the entire cast waits in the lobby on your way out for a keepsake photo.

Theatre Three, 412 Main St., Port Jefferson presents A Kooky Spooky Halloween through Oct. 21. Children’s theater continues with Barnaby Saves Christmas from Nov. 18 to Dec. 30 and Jack and the Beanstalk from Jan. 20 to Feb. 3. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.