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Heckscher Museum of Art

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Richard Mayhew, Clamdiggers, n.d., oil on board. Courtesy of the Petrucci Family Foundation Collection of African American Art. (c) 2022 Richard Mayhew; Courtesy ACA Galleries, New York

The Heckscher Museum of Art in Huntington will host a virtual panel on Environmental Justice on Long Island on Tuesday, April 5 at 5:30 pm.  

 The panel is presented in coordination with Richard Mayhew: Reinventing Landscape now on view at The Heckscher Museum of Art. Mayhew’s luminous landscapes address the historic and spiritual connections between Native Americans, African Americans, and the land.

The panel features Dr. Mark Chambers, Professor of Africana Studies at Stony Brook University, and Jeremy Dennis, a contemporary fine art photographer, tribal member of the Shinnecock Indian Nation, and founder of Ma’s House, and is moderated by Justyce Bennett, Curatorial Assistant at the Heckscher Museum of Art. They will discuss the environmental justice movement to address how environmental hazards impact communities of color disproportionately.

Jeremy Dennis is a fine art photographer and a tribal member of the Shinnecock Indian Nation. His photography explores Indigenous identity, cultural assimilation, and the ancestral traditional practices of the Shinnecock Indian Nation. His work is included in the collections of The Heckscher Museum of Art, The Hudson River Museum, the New York State Museum, and others.

Dr. Mark Chambers is a professor in the Africana Studies department at Stony Brook University. His interests include environmental and technological contacts between Indigenous peoples and free and enslaved miners in North America. His recent book, Gray Gold: Lead Mining and Its Impact on the Natural and Cultural Environment, 1720 to 1840, is a cultural history of lead mining in the region that became the state of Missouri.

Justyce Bennett is the Curatorial Assistant at The Heckscher Museum of Art. She completed her master’s degree at the Winterthur Program for American Material Culture at the University of Delaware. She is interested in Black feminist art history and wrote her master’s thesis on the landscape and historic preservation efforts on St. Croix, United States Virgin Islands.

The event is free to the public, with registration at Heckscher.org/mayhewpanel

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Heather Arnet

The Board of Trustees of The Heckscher Museum of Art in Huntington has appointed Heather Arnet, right, as the organization’s Executive Director and CEO.

Robin T. Hadley, Chair of the Board said, “Heather brings a wealth of leadership experience, innovative thinking, and community engagement to the Museum. We are fortunate to be adding someone of her caliber to The Heckscher Museum.” Arnet will join the Museum in June 2022.

Arnet is the CEO of Women and Girls Foundation (WGF), a community-based organization in Pittsburgh, PA, dedicated to advancing gender equality. Throughout her 18-year tenure, Arnet established award-winning youth and adult civic engagement programs, created extensive partnerships with museums and cultural centers, reached diverse communities, and raised significant support.

“The Heckscher Museum was interested in a leader who was community -centered, forward-facing, able to engage diverse audiences, and advance the important work of The Heckscher Museum. Heather fits that profile perfectly,” stated Robert Aquilina, Trustee and Chair of the Search Committee.

In addition to her work at WGF, Arnet serves as Co-Chair of the Council for Feminist Art at the Brooklyn Museum, and has worked collaboratively with teams at the Brooklyn Museum, the Frick Pittsburgh, the August Wilson Center for African American Culture, the Carnegie Museums, and the Andy Warhol Museum to develop public programming. Prior to joining WGF, Arnet was Director of Development at City Theatre, and as Vice President of Marketing and Brand Developmen t for internet-based start-up companies. Early in her career, Arnet worked for five years on the production team for the educational television program Mister Rogers Neighborhood.

Arnet has a B.A. in Literary & Cultural Studies from Carnegie Mellon University and is completing her Master of Liberal Arts in Museum Studies from Harvard University Extension School.

“I am excited for the opportunity to join such a passionate and creative staff and Board of Trustees as we lead The Heckscher Museum of Art into the future,” said Arnet. “I look forward to applying my experience in community development and civic engagement to advancing the Museum’s community – centered efforts, and growing its regional and national significance .”

John E. Coraor, who has served as Interim Director for the Museum, will continue as a member of the Board of Trustees.

Arnet was selected following a national search guided by Daniel Keegan, Senior Search Consultant, Museum Search & Reference, Manchester, NH, and Boston, MA.

ABOUT THE HECKSCHER MUSEUM OF ART

The Heckscher Museum of Art is in its second century as a source of art and inspiration on Long Island.

Founded by philanthropists Anna and August Heckscher in 1920, the Museum’s collection comprises more than 2,300 works from the 16th to the 21st century, including European and American painting, sculpture,worksonpaper,andphotography.LocatedinscenicHeckscherParkin Huntington,the building is listed on the National Register of Historic Places. Visit Heckscher.org for more information. Timed Ticketing. Visitor safety guidelines available on Heckscher.org

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'Jazz Solo II,' 1988, oil on linen canvas by Richard Mayhew. Courtesy of the Petrucci Family Foundation Collection of African-American Art. (c) 2021 Richard Mayhew; Courtesy ACA Galleries, New York)
Nationally renowned, Long Island-born artist celebrated close to home

From Jan. 20 to April 24, the Heckscher Museum of Art in Huntington will feature the work of artist Richard Mayhew (b. 1924) in a solo exhibition, the first ever organized so close to Amityville, where the renowned artist grew up. 

Titled Richard Mayhew: Reinventing Landscape, the exhibit will highlight more than two dozen vibrant paintings and works on paper created by the artist over the past six decades and will explore how Mayhew reimagined nineteenth and twentieth-century American landscape painting through a uniquely personal style that expresses his perspectives about African American and Native American history and culture. 

‘Pescadero,’ 2014, oil on canvas by Richard Mayhew; (Courtesy ACA Galleries, New York)

The show is drawn from private collections and institutions such as Hudson River Museum, National Academy of Design, and the Petrucci Family Foundation Collection of African-American Art. 

Coinciding with the exhibition, The Heckscher Museum announces the acquisition of one of Mayhew’s vivid paintings, Pescadero, 2014. The Museum already holds a number of Mayhew’s lithographs. 

“The purchase of Richard Mayhew’s Pescadero is an important springboard into the Museum’s second century,” said curator Karli Wurzelbacher. “We are honored to have the opportunity to share the stunning and thoughtful work of this major artist with our audiences, both now and in the decades to come. Mayhew’s work will allow us to tell a more complete and compelling story about the histories of abstraction and landscape painting in America.”

Richard Mayhew’s paintings express his African American and Native American heritage. “It’s a dual commitment to nature. The land is very important to both cultures, in terms of stimulation and spiritual sensitivity, and it’s very important to me,” he said. The Heckscher Museum, located less than 15 miles from the artist’s birthplace, will introduce people from Long Island and the greater New York metropolitan region to Mayhew’s art within the context of Long Island’s diverse cultural history.

Wurzelbacher notes that the artist’s subjects may suggest the appearance of natural forms, but they are symbolic only of his emotional interpretation. He conceives his painting as “mindscapes.” Mayhew intuitively uses evocative color and diffused form to explore, in his words, “desire, ambition, love, hate, fear—that’s my painting.”

Although Mayhew has resided in other parts of the country (currently in Santa Cruz, CA), his place of birth remains at the center of his work. Here, his love of nature and artistic talents were first stimulated. He took from the Long Island landscape a life-long response to the spiritual essences of nature and delved into complex emotions that permeate his canvases. 

Richard Mayhew grew up in Amityville, on Long Island’s South Shore. It is among the oldest Black-Indigenous communities on Long Island.

During the 1930s and 40s, artists visited the area in the summertime to paint en plein air along the ocean coastline, and the young Mayhew would watch them: “I was fascinated by the artists dipping their brushes into the paint like a magic wand; the beautiful images that came out on the end of it were amazing.”

Following military service in the South Pacific, Mayhew spent time as an illustrator, ceramic painter, and a jazz singer. In 1951, he began courses at the Brooklyn Museum School of Art. A degree in art history from Columbia University added to his framework of artistic reference. Studies in Europe fostered deeper appreciation of the old masters and for the Impressionists’ mastery of light. 

Mayhew’s first solo exhibition was organized by the Brooklyn Museum. During the Civil Rights movement, he joined Spiral, formed in 1963 by a group of Black artists who met to discuss the relationships between Black identity, American culture, and politics. These debates solidified his commitment to working in an abstract style while also engaging with concepts of race and social justice.

Related program:

Panel on Environmental Justice on Long Island, April 5, at 5:30 p.m.

A virtual panel discussion with Jeremy Dennis, a contemporary fine art photographer, tribal member of the Shinnecock Indian Nation, and founder of Ma’s House, and Dr. Mark Chambers, Professor of Africana Studies at Stony Brook University. The panel will discuss Mayhew’s work and the intersections of environmentalism and racial justice on Long Island. Organized by Justyce Bennett, M.A., Curatorial Assistant, The Heckscher Museum of Art.

———————–

The Heckscher Museum of Art is located at 2 Prime Ave., Huntington. In addition to Richard Mayhew: Reinventing Landscape, the museum presents Moonstruck: Lunar Art from the Collection from Jan. 20 to Sept.  18. For more information, call 631-380-3230 or visit www.Heckscher.org.

 

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Photo from Heckscher Museum

The Heckscher Museum of Art, 2 Prime Ave., Huntington invites children ages 5 to 10 to stop by the museum on Thursdays from July 8 to Aug. 12 to take part in their Drop In & Create program from 11 to 11:30 a.m.

Create fun works of art in a variety of materials inspired by artwork in the Museum’s Collection! Each week’s project will be exciting and different! Held outside on the Museum Terrace, this program is weather-permitting. In the case of inclement weather, the program will be held the following day. Families are invited to come into the Museum following the program at 11:30 am to explore the galleries!

Fee is $10 per child, adults free payable at the door. No registration necessary.
Fee includes all art supplies and general admission to the museum from 11:30  to noon.

Rain dates are Fridays, July 9 to Aug. 13.

For more information, call 631-380-3230 or visit www.heckscher.org.

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'The Circus Tent' by George Luks Image courtesy of Heckscher Museum of Art
'Hopi Village, Arizona' by Thomas Moran
'Eclipse of the Sun' by George Grosz
'The Elder' by Lucas Cranach
'Portrait of Louis Bouche' by Florine Stettheimer
'August Heckscher' by Penrhyn Stanlaws

By Tara Mae

It’s time to celebrate! In honor of the Heckscher Museum of Art’s 100th anniversary, the museum will present a centennial exhibit, The Heckscher Museum Celebrates 100: Tracing History, Inspiring the Future from June 5 to Jan. 10, 2022. 

The exhibit is both a retrospective and a promise of future endeavors. Grouped chronologically by year, it encompasses the entire museum and features art and artifacts, including paintings, sculptures, and mixed media, acquired as part of its collection over the years.

“The work in our collection belongs to us. Because of the size of the museum, our permanent collection includes 2300 objects and at any one time we can only show about 100 things. It fills the entire museum; one big show,” said curator Karli Wurzelbacher. “I looked at the museum’s 100 year history and identified four key moments that are important to who we are as an institution.”

These elements are the museum’s founding, its relationship with local artist George Grosz, the influence of Long Island artists Arthur Dove and Helen Torr, and the largest donation ever received by the museum ­— a 363 piece Baker/Pisano collection of American Modernism in multiple forms: sculpture, watercolor, paintings, and pastels.

Founded in 1920 by Anna Atkins Heckscher and August Heckscher, the museum’s original collection was donated by the couple, who built it from scratch and gathered artwork with the museum in mind, according to Wurzelbacher. 

Having emigrated from Germany to escape the Nazis’ rise to power in the 1930s, Grosz lived in Huntington from 1947 until his death in 1959 and became very involved in the work of the Heckscher. 

“He visited the museum, served as a juror for contemporary art shows, taught private art lessons for adults in the community, and then the museum started collecting his works. [Our] collection didn’t start growing until the 1960s when we started adding works, slowly … He is one of the first artists we started collecting,” said Wurzelbacher.

Grosz’ most famous painting, Eclipse of the Sun, is featured in the centennial exhibit and serves perhaps as a symbol for both the artist and museum’s ties to the local community. 

After Grosz painted Eclipse in 1926, it was shown once at a European exhibition. It was then lost to the public for the next 40 years, until a visitor to the museum disclosed that they were in possession of it. The Heckscher’s art director at the time, Eva Gatling, launched a campaign to acquire the painting.

“…Gatling was one of the first female [museum] art directors in the country. She saw the painting and mobilized the community to pitch in and buy the work. About 200 people donated money to purchase work,” Wurzelbacher said. “Students at Huntington High School took up a collection. It’s a fantastic story about the community coming together collectively to buy one of the most important works of the 20th century by a local artist.”

Like Grosz, Arthur Dove and Helen Torr made Long Island their adopted home. The museum, which has the largest collection of Torr’s work, will display archival materials such as paint brushes and paints used by the couple, as well as their artwork. 

Peers of Georgia O’Keefe and figures of American Modernism, they lived on a boat docked in Huntington Harbor during the 1920s to 1930s and purchased a cottage in Centerport that was acquired by the museum in 1998.

“Their artwork, while abstract, distills their experiences living on the Long Island Sound. They are so important in the history of American Modernism and the history of Long Island art. Dove is considered the first American artist to work with abstraction in the 1910s … In 1972, Eva Gatling [organized] the first ever museum exhibition of Helen Torr, whose work is now in the Metropolitan Museum of Art and the Museum of Fine Arts, Boston,” said Wurzelbacher. 

Unlike many other museums, the Heckscher owns its entire collection, built up over the years largely through acquisitions and donations. The Baker/Pisano collection, featuring work by O’Keefe and Florine Stettheimer, was donated in 2001. It also contains work by Long Island artists and reflects a connection to the area.  

“In doing this process, it has been remarkable in seeing these deep local ties. We show Long Island and local art, and are able to put it in a national and international context,” Wurzelbacher explained. 

The scope of the exhibit, however, embraces and extends beyond these motifs. “We also have outstanding acquisitions that don’t relate to these themes,” she added. 

“A lot of the show is masterworks of collections … things we exhibit rarely but that we wanted to get out for this occasion, as well as historical ephemera: old photos of previous exhibits and photos of the museum as it looked soon after it opened.”  

In September, about two dozen objects will go off-view and other art will go on-view. Originally intended for 2020, the museum’s centennial plans were postponed due to the pandemic. “I am happy to have the extra time; it allowed us to end the show with recent acquisitions. Had we done the show a year ago, we wouldn’t have been able to include them,” Wurzelbacher said. 

Tickets are available for purchase online at www.heckscher.org. Timed ticketing is required. The museum is open Thursday to Sunday, from noon to 5 p.m. For more information, call 631-380-3230.

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Homage Ode: Rachel Ruysch, 2018, mixed media on paper, by Gabriela Gonzalez Dellosso

The Heckscher Museum of Art in Huntington has acquired new artwork from two leading women artists: Stella Waitzkin and Gabriella Gonzalez Dellosso. “These acquisitions strengthen the Museum’s collection and affirm our commitment to giving a voice do diverse audiences,” said to Curator Karli Wurzelbacher.

Stella Waitzkin (1920−2003) began creating art in the 1950s while living in Great Neck. She began as abstract expressionist painter but is best known for her sculptures and installations. Waitzkin cast old, leather-bound volumes in resin as single objects that became elements of larger installations, including freestanding shelves, small bookcases, or entire library walls. These pieces of art made her one of only a few female “environment” builders. 

Waitzin’s constructions are composed almost entirely of books, or other cast objects such as clocks, birds, fruit, or human faces. Waitzkin received a Lifetime Achievement Award from the Pollock-Krasner Foundation in 1995. 

The Museum will acquire 16 pieces from the Estate. 

Gabriela Gonzalez Dellosso is a contemporary figure painter with deep art historical knowledge. The Museum acquired five of the works in her series Homage Odes. The artworks take the form of illuminated manuscripts inspired by historical female artists. 

A number of Homage Odes were part Dellosso’s solo exhibition at the Museum in 2019, A Brush with Herstory, where Dellosso paid tribute to great female painters from the Renaissance through the modern era. Dellosso often melds her own image to that of artists from the past, creating self-portraits conveying the inspiring stories of historical women.  

“These works allow us to insert these important historical women artists into the narrative that we are already able to tell with the permanent collection,” noted Wurzelbacher.  

Located in scenic Heckscher Park at 2 Prime Avenue, the Heckscher Museum of Art provides a dynamic schedule of changing exhibitions on American art, inspiring education experiences for students and an exciting series of public programs both in person and online for all ages. 

Now entering it’s second century as a source of art and inspiration, The Heckscher Museum of Art was founded in 1920 by philanthropist August Heckscher, and is listed on the National Register of Historic Places. The Museum’s collection comprises more than 2,300 works from the 16th to the 21st century, including European and American painting, sculpture, works on paper, and photography. 

Currently on view is Connie Fox: The Sammy’s Beach Series through April 11 and Wood Gaylor and American Modernism through May 23. Hours are Thursday to Sunday from noon to 5 p.m., closed Monday to Wednesday. For more information, call 631-380-3230 or visit www.heckscher.org. 

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John E. Coraor. Photo courtesy of Heckscher Museum

Michael W. Schantz has stepped down as Executive Director & CEO of The Heckscher Museum of Art in Huntington, fulfilling a ten-year commitment. The Board of Trustees has announced that John E. Coraor, a former Heckscher Museum director, has been named Interim Director.

“We thank Michael for a decade of effective and thoughtful leadership that has continued to propel the Museum forward as a cultural and educational center on Long Island,” said Robin T. Hadley, Chair of the Board of Trustees. During his tenure, Schantz guided the Museum through its most recent accreditation from the American Alliance of Museums, and built a qualified and dedicated staff while leading the Museum into its Centennial year.

John E. Coraor was Director of The Heckscher Museum from 1988 to 2000, and is a current Board member. Coraor begins his role as Interim Director effective immediately. He has more than four decades of professional experience in art and cultural agencies, most recently as Director of Cultural Affairs for the Town of Huntington. He holds a Ph.D. in art education from the Penn State University.

“John’s extensive experience and close ties to the Museum will make this transition seamless. The staff and Board look forward to working with him as we move ahead with the Museum’s 100th celebration,” said Hadley. The Board has formed a Transition Committee to lead the search for the next Executive Director.

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Photo courtesy of The Heckscher Museum of Art

The Heckscher Museum of Art’s board of trustees and staff join me in wishing you good health and hope you remain in good spirits during these challenging times.

Like many cultural organizations across Long Island, and around the world, the museum has found new ways to engage the community.

Although the museum is physically closed, the new Heckscher.org is a vibrant resource full of wonderful art experiences. Through the “Heckscher at Home” initiative, virtual exhibitions, fun Kids Edition video art projects, and additional ways to interact are at your fingertips. I invite you to browse Heckscher.org and let art be a respite.

Every year at this time we celebrate talented high school students in the exhibition Long Island’s Best: Young Artists at the Heckscher Museum. The 100 students chosen for the 2020 exhibition are featured online and on social media, including students representing the communities of Huntington, Northport, King’s Park, Smithtown and many others across Suffolk and Nassau Counties. Among the rewards of being a Long Island’s Best artist is the chance to see their own work of art in a professional museum setting. Although that opportunity is delayed, it is a promise we are committed to keeping.

When The Heckscher Museum opens — with proper guidance from public safety recommendations — enjoy two wonderful exhibitions, Long Island’s Best: Young Artists at the Heckscher Museum, and Amanda Valdez: Piecework.

Thank you to all who support The Heckscher Museum of Art at this time. Enjoy all of the online and social media content that the museum is providing.  We look forward to a bright future and to inviting everyone back to the museum.

Michael W. Schantz

Executive Director and CEO

The Heckscher Museum of Art

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Photo courtesy of Heckscher Museum

Too cold outside? Then come in to the Heckscher Museum of Art, 2 Prime Ave, Huntington for its annual free “Draw In’ WinterFest on Jan. 26 from noon to 4 p.m. Enjoy an array of art activities in the galleries including making a digital action painting while sipping hot cocoa, collage and paint your own masterpiece with artist Robyn Cooper and much more. First 50 children under age 10 will receive free art supplies! Call 351-3250 or visit www.heckschermuseum.org for more information.

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“Untitled,” Centerport, watercolor and pencil on paper, by Arthur G. Dove is featured in the Huntington’s Own section of the exhibit. Image courtesy of Heckscher Museum
'Autumn I', 1967, oil on canvas by Fairfield Porter
'Huntington'. c. 1905, oil on board by Guy Carleton Wiggins
'Berthe Morisot & Me, c. 1970, collage by Miriam Schapiro
'Tree', brass, by Mary Gallery
'Fall Flowers in a Watering Can', 1949 oil on canvas, by David Burliuk

By Melissa Arnold

In 1867, August Heckscher left his native Germany and, like so many others of that time, embarked on a journey to start a new life of prosperity in the United States. He immediately set to work mining coal for his cousin’s business, all the while studying English. Heckscher’s efforts led him to a lucrative career in iron and zinc mining, and he ultimately became a multimillionaire.

Heckscher was well-known for his philanthropy, and in 1920, he gave back to the town of Huntington with the establishment of Heckscher Park. The beautiful setting of the park became home to the Heckscher Museum of Art, which was founded with a gift of 185 works from Heckscher’s personal collection including art from the Renaissance, the Hudson River School and early modernist American art.

The museum has since weathered the Great Depression, eras of war and peace and changing artistic tastes in the community. That early collection has blossomed to include more than 2,000 pieces that include many styles, media and historical time periods from artists all over the world.

Today, the Heckscher Museum of Art is looking ahead to 2020 and honoring its home with a museum-wide exhibit entitled Locally Sourced: Celebrating Long Island Artists.

At the helm for this exhibit is the Heckscher Museum’s new curator, Karli Wurzelbacher, who joined the staff in August. Wurzelbacher studied art history in college and spent the better part of a decade in and around Manhattan before coming out to Long Island.

“We wanted to take a broad view of all the artists who have visited and worked on Long Island at some point in their lifetime,” she said. “In this exhibit, we’ve represented more than 130 years of art in all styles, from very abstract to very representational. It’s about all the different perspectives that Long Island has inspired. I think everyone here has been looking forward to our 100th anniversary and wanting to commemorate it in a special way. The museum has always been so supportive of artists who have lived and worked here, and it’s part of our mission to preserve and share the history of Long Island through art.”

The process of planning Locally Sourced was already underway when Wurzelbacher arrived on Long Island. She acknowledged that an exhibit that encompasses the whole museum was quite the undertaking, but it allowed her to dive deep into the Heckscher’s permanent collection.

“Curating gives the opportunity to tell stories and create narratives visually using objects, and to help people make connections between artists,” said Wurzelbacher. “Some of the artists in this exhibit were teachers or students to other [artists], and you can see that in their work.”

The exhibit is divided into four sections, each offering a unique view of Long Island. They include Huntington’s Own featuring the works of renowned painters George Grosz, Arthur Dove, Stan Brodsky, Mary Callery and many more who live or lived and worked around Huntington; East End Exchanges which explores the connections and influences of artists of the East End, including Fairfield Porter and Jane Wilson; Women Artists which features the work of female artists who have made a profound impact on their field, such as Miriam Schapiro, Betty Parsons and Esphyr Slobodkina with a nod to the 100th anniversary of the 19th Amendment to the U.S. Constitution, allowing women the right to vote; and Landscapes that trace the changes in environment and in art throughout the Island’s history. This gallery includes 19th-century images from Thomas Moran, to modern works by Ty Stroudsburg who interpret Long Island’s land, sea and air.

The exhibit includes work in a variety of media, including painting, photography, sculpture and mixed projects. In all, more than 100 pieces represent the work of 89 artists — just a fraction of the museum’s permanent collection, Wurzelbacher said.

Visitors to the museum will have a chance to weigh in on the places and things that they believe make Long Island special. Stop by and leave a pin on the 15-foot graphic of Long Island in the Huntington exhibit. The graphic will also show where the exhibit’s artists lived.

“Artists have been escaping the city to come out to the country and take part in the natural life here from very early on. To see the rugged terrain and vegetation of the North Shore, it’s easy to understand why artists would be drawn here,” said Michael Schantz, the museum’s president and CEO. “Ultimately this collection belongs to the community, and everyone should be proud that there are so many artists that have called Long Island home. We want to celebrate that.”

The Heckscher Museum, 2 Prime Ave., Huntington will present Locally Sourced: Celebrating Long Island Artists from Nov. 23 through March 15, 2020. The museum is open Wednesdays through Fridays from 10 a.m. to 5 p.m. and Saturdays and Sundays from 11 a.m. to 5 p.m. Admission discounts are available for children, students, members of the military, first responders and residents of the Town of Huntington. For more information, call 631-351-3250 or visit www.heckscher.org.

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