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‘Night Fishing’ by William Low of Huntington. Photo from Heckscher Museum

The 2020 Long Island Biennial, a juried exhibition featuring art from contemporary artists across Suffolk and Nassau Counties, opened at the Heckscher Museum of Art in Huntington on Oct. 17 and will run through Jan. 10, 2021.

The museum received more than 800 artwork entries, with 100 works selected for exhibition. The final exhibition represents 52 artists living in Long Island communities stretching from Freeport to Port Washington to Shelter Island Heights. For the first time, most artists will show two or three artworks, presenting viewers with a fuller picture of their recent work.   

Inaugurated in 2010, the Long Island Biennial offers Long Island’s professional artists a singular opportunity to share their work through a prestigious exhibition, and provides a unique and exciting space for visitors to see a snapshot of contemporary art on Long Island.

“In the year of our centennial, it was serendipitous that the three jurors happened to select 100 artworks for exhibition,” said Karli Wurzelbacher, Curator. “The volume and quality of the submissions challenged the jurors, yet resulted in a remarkable exhibition that incorporates many media, genres, and styles.”

Wurzelbacher added, “I find the art in the Biennial to beautiful, inventive, and thought-provoking, particularly the work that engages with contemporary events and concerns, including the Black Lives Matter movement, the COVID-19 pandemic, human migration, and the environment.”

The jurors for the 2020 Biennial are Erin Kimmel, Art Writer and Ph.D. candidate in Art History at Stony Brook University; Heidi Lange, Director of DC Moore Gallery, New York City; and Paton Miller, Artist/Curator.

Participating artists in our neck of the woods include Chris Ann Ambery of Hauppauge; Denise Jones Adler, Wendy Curtis, Joyce Kubat, John Linnemeyer, William Low and Kristine Perelle of Huntington; Patricia Colombraro of Nesconset; Alisa Shea of Northport;  Sungsook  Setton of Setauket; Susan    Buroker of Smithtown, Han Qin of St. James and Doug Reina of Stony Brook.

This year, a robust program of events will coincide with the exhibition. Long Island Biennial programming engages both artists and guests alike through in-person and virtual events.

Selected artists will be in the galleries on Fridays during the exhibition to discuss their work. Virtual studio tours through Zoom will give visitors a peak into artists’ workspaces and their work in progress. The Conversation Series, also through Zoom, will feature Curator Karli Wurzelbacher and panels of artists discussing various themes.  For a complete schedule of events, artists, and registration information, please visit www.Heckscher.org/libiennialevents.

The Heckscher Museum of Art is located at 2 Prime Avenue in Huntington. For more information, call 631-380-3230.

The Long Island Biennial is sponsored by Pien and Hans Bosch.

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By Melissa Arnold

For decades, Carmela Kolman labored over canvas and paper to capture the world through her eyes. Painting was her greatest passion, and coupled with great talent, it carried her work to galleries across the United States.

But it wasn’t always easy. Kolman also had Marfan syndrome, a rare connective tissue disorder that can affect the entire body. In daily life, she struggled with her eyesight, and ultimately died from complications of the condition in 2018. She was 57.

In recognition of Kolman’s extensive career and her contributions to the local art community on Long Island, Gallery North in Setauket is hosting a retrospective exhibition titled Visions. The solo exhibit features 17 pieces that reflect much of Kolman’s career, from her early days as a student to the final years of her life.

Painting was Kolman’s first love from an early age, even though she was blind in one eye and her vision was severely impaired in the other. In an artist statement from Aug. 2016, she wrote: “I painted constantly, with my face pressed close to the canvas. I would have to really look and study things to make them out … I could not recognize something more than three feet from me ­­— Blue eyes? I didn’t even know what blue eyes were … My vision was blurry, and I painted what I saw.”

Despite her difficulties, Kolman pressed on. She received a bachelor’s degree in illustration from the Rhode Island School of Design (RISD), then attended Yale for a master’s degree in painting. Her cloudy painting style earned her high praise, even as she dealt with constant self-criticism and frustration.

It was during her time at RISD that Kolman met John Rizzo, who attended nearby Brown University. The pair wouldn’t get acquainted until much later at a party hosted by a mutual friend in Chicago, but Rizzo called the experience a work of fate. They married in 1989.

“I’m a professor and economist with zero artistic talent,” joked Rizzo, who shared 28 years of marriage with Kolman. “We were an unlikely couple, for sure. I think our friends were surprised at how we took an interest in one another. But she was an incredibly tender-hearted person, very open and empathetic.”

At 22, Kolman had cataract surgery, catapulting her vision from a cloudy haze to an overwhelming perfection she didn’t know how to process. She stopped painting for several years, only starting again while recovering from a cardiac incident. From then on, she sought to integrate the impressionistic blur of her early work with the realism that came along after her eye surgery.

Gallery North’s Executive Director Ned Puchner didn’t have the chance to meet Kolman, but worked closely with Rizzo to choose work that reflected every season of her life and artistic style.

“These paintings capture something about reality that goes deeper than what we see,” Puchner said. “[Carmela] was influenced by the impressionists and the Fauvists, and would focus on singular objects over and over again in an almost meditative way. I’m really impressed by the attention to detail. Her work is breathtaking.”

Rizzo noted that Kolman preferred still life portraits, especially of fruit and flowers. Today, one of the rooms in his Port Jefferson home has rose-themed decor, with her rose paintings hung all around.

“She liked to play with different kinds of light, shading and shadow, and still life allowed her to control those elements carefully,” he explained. “It’s hard to choose a favorite painting, but I love all of the rose portraits. How many people can say their wife left beautiful oil paintings to remember her by? They help me to feel close to her.”

After her death, Gallery North approached Rizzo with an idea: Why not establish a fellowship in Carmela’s name, allowing other artists the time to create while sharing their expertise with others?

The Carmela Kolman Fellowship in Fine Art program will award one artist per year 10 weeks of studio time at the gallery. In addition to pursuing their artistic practice, the fellows will also teach workshops, help to organize community programming, or assist with classes as needed. The first fellow, Meagan Flaherty, will exhibit her work in 2021.

Carmela Kolman: Visions will be on view at Gallery North, 90 North Country Road, Setauket from Oct. 8 to Nov. 8. Admission is free. The gallery is currently open Wednesday through Friday from 11 a.m. to 3 p.m. and Sunday from 3 to 5 p.m. A virtual reception will be held via Zoom on Oct. 22 from 6 to 8 p.m. For more information, call 631-751-2676 or visit www.gallerynorth.org.

Images courtesy of Gallery North

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'Four Women' by John Fitzsimmons, oil on panel
'Look' by Joseph A. Miller, Oil on paper on panel
'My Guest, Lorena' by Hannah Steele, oil on panel
'Blue Beauty,' oil on canvas mounted on birch wood, by Liz Jorg Masi
'Rachel and Josie' by Janice Yang, oil on canvas
'Faith' by Nicholas Frizalone, oil on wood panel
'In the Frontline' by Alberto Carol, oil on canvas

By Heidi Sutton

When was the last time you went to an art exhibit? When was the last time you strolled through a gallery, taking in the beauty of a painting, a photograph, a sculpture? Yes, virtual exhibits are a creative substitution but we all know it’s not the same. Thankfully, art institutions on the Island are slowly reopening their doors to the public with fresh and exciting art installations to lift our spirits and grant us a reprieve from the stresses of our daily lives.

On Sept 3, the Reboli Center for Art & History in Stony Brook Village launched their new season with Wild and Wonderful featuring the whimsical art of Vicki Sawyer and on Sept. 12, the Smithtown Township Arts Council’s stately Mills Pond Gallery in St. James introduces a juried fine art exhibition titled Contemporary Realism honoring an art movement in which subjects are painted from everyday life. The massive show highlights the works of 64 artists from 11 states who were asked to submit oil paintings “that captured realism through any approach or style.” Exhibiting Long Island artists represent 18 Long Island communities from Floral Park to Aquebogue.

Allison Cruz, executive director of the Mills Pond Gallery, has been cautiously waiting to present this exhibit to the public and is thrilled to reopen the gallery’s doors this Saturday. “The business of art does not really ‘take a vacation.’ Exhibits, calls for entry, shipping of work, jurying the entries all go on for months ahead of the actual exhibit since our juried exhibitions are national calls for entry. So when the pandemic hit, we were already halfway through the process,” said Cruz. The gallery received 162 submissions for the show.

Originally scheduled for July 11 to August 8, Cruz wisely decided to move the show to September and October “in hopes the gallery would then be open for visitors,” she said.

Precautions have been taken to provide a safe environment for visitors using the guidelines from the New York State Dept. of Health NY Forward site. “Masks and social distancing are required and temperatures are taken upon arrival with a contactless thermometer,” explained Cruz. “We wipe down all high touch surfaces … ie: door knobs, entry ways, any surfaces touched by visitors, with CDC approved anti-viral wipes. We have constructed a plastic barrier for the office and schedule regular cleanings as required.”

Exhibiting artists include Amal, Shain Bard, Karl Bourke, Renee Brown, Charis J Carmichael Braun, Alberto Carol, Linda Ann Catucci, Sarah Ciampa, Aleta Crawford, William Dodge, Daniel Donato, Caro Dranow, Evee Erb, Megan K. Euell, John Fitzsimmons, Cori Forster, Nicholas Frizalone, Elizabeth Fusco, Symmes Gardner, Ashley Gillin, Emily Halper, Seth Harris, William Karaffa, Donna Kunz, Jane Langley, Thomas Legaspi, PJ Marzullo, Liz Jorg Masi, Kerri McKay, Clifford Miller, Joseph Miller, Joseph A. Miller, Indu Ramkumar, Doug Reina, Michele Riche, Audrey Rodriguez, Robert Roehrig, Oscar Santiago, Gia Schifano, Hannah Steele, Daniel van Benthuysen, Diane Varano, Robert Whistler, Janice Yang, and Patty Yantz.

Winners were chosen by juror Max Ginsberg, one of the most respected and highly accomplished realist painters today. The alla prima (painting directly on canvas without a preliminary drawing) oil painter is often praised for his political and social commentaries and for bringing to life on canvas the struggles of everyday people in his New York City home. His fine art has been exhibited and collected widely and has received countless major awards. The artist has taught art for 60 years and offers workshops around the country and abroad in his commitment to inspire today’s artists to master realism painting.

“I was very fortunate to connect with Max Ginsburg. I have never presented an exhibit of Realism here at Mills Pond and in speaking with Max about the exhibit, we both agreed that the show should be open to all styles of Realism since we shared the goal of encouraging artists to continue to pursue this wonderful style of painting,” said Cruz, adding, “[He] is held in such high regard in the art world and many of our entrants expressed that the reason for entering this exhibit was for the opportunity to have their work under the eye and possible selection by Max.”

Preparing for the exhibit has been a joy for the director. “I love this exhibit for many reasons. The art is technically wonderful … there is a wide variety of subject matter and styles … which is a testament to the skills and passion of our juror. He truly selected works based on their artistic quality and skill level, not simply looking for works that were similar to his own style or social realism subject,” said Cruz.

Best in Show ($1200 cash prize) was awarded to “Look” by Joseph A. Miller of Buffalo; second place ($800 cash prize) went to “My Guest, Lorena” by Hannah Steele of Pennsylvania and third place ($400 cash prize) was awarded to “Blue Beauty” by Liz Jorg Masi of Smithtown.

“Christine” by Charis J. Carmichael Braun of Northport; “Shaded Lily Pond” by Aleta Crawford  of Manhasset; “The Spanish Poet” by Karl Bourke of Huntington Station; “In the Frontline” by Alberto Carol of Florida; and “Father” by Hannah Steele of Pennsylvania received Honorable Mentions.

Cruz is excited to share this unique exhibit with the public. “Personally I have always believed that art is an essential and valuable component of communication. Think about how people from past civilizations communicated about their lives through cave drawings … What future generations learn about our times will partially be communicated through the art of our times. I was so hopeful that the gallery would be able to open to allow visitors to have an additional way of looking at the world … we have television, radio, internet, and for many, art is another method of exploring contemporary issues in the world.”

The Mills Pond Gallery, located at 660 Route 25A, St. James, will present Contemporary Realism from Sept. 12 to Oct. 16. Hours are Wednesday through Friday from 10 a.m. to 4 p.m., and Saturday and Sunday from noon to 4 p.m. Admission is free. For more information, call 631-862-6575 or visit www.millspondgallery.org.

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'Einstein' by Vicki Sawyer
'Party Bus' by Vicki Sawyer
'Angel Sam' by Vicki Sawyer

We could all use a little humor right now and the Reboli Center for Art and History’s playful new exhibit Wild and Wonderful by artist Vicki Sawyer may be the perfect inspiration. The show opens Sept. 3 and runs through Nov. 1.

Vicki Sawyer is a nationally recognized fine art painter whose whimsical animal and bird portraits have been a sensation. After a three year interval since her last exhibit at the Reboli Center, the artist is back with twenty five new paintings created especially for this unique exhibit.

Sawyer now lives in Franklin, TN but before her move, she was a resident of Stony Brook for fifteen years. During the time she resided on Long Island, she worked with Eva Glaser and Helen Del Guercio doing faux finishes and then began painting commissioned murals. She is one of the artists who attended an outdoor class taught by Joe Reboli. In that workshop, Sawyer says that she learned about being aware of the darkest darks and lightest lights. She applies that knowledge to her paintings today.

Sawyer’s current paintings spring from a walk a few years ago, when it occurred to her that if birds could build nests, they could make hats. For the last 11 years that walk has been her inspiration for her highly successful and collectible bird and animal portraits. She has been quoted as saying that her works are seriously painted, but whimsical. These portraits combine her love of nature and her goal of evoking feelings of peace, joy, and often humor.

Sawyer has painted more than 2,500 paintings of birds and other animals wearing natural hats! Her images have been so popular that they grace numerous products carried in the Reboli Center Design Shop. Vicki Sawyer’s connections to our community, to her many friends here, to Joe Reboli as well as her remarkable portraits make for a fascinating and entertaining exhibit.

The gallery will host a free Zoom Third Friday event with a conversation between Sawyer and Reboli Center President Lois Reboli on Sept. 18. Those who wish to be a part of the Zoom call and who are not presently a part of the email list of the Reboli Center, should contact the gallery by calling 631-751-7707 or by emailing the Center at [email protected] to receive a link to the event.

In conjunction with Wild and Wonderful, an additional exhibit in the History Gallery will highlight the many educational activities and conservation efforts of the Four Harbors Audubon Society.

The Reboli Center for Art and History, located at 64 Main Street in Stony Brook, is dedicated to preserving the legacy of artist Joseph Reboli and to foster a meaningful understanding and appreciation for culture and the traditional arts through exhibitions and educational programs.

Operating hours are Tuesday through Saturday from 11 a.m. to 5 p.m. and Sunday from 1 to 5 p.m. Admission is free. For more information, visit www.ReboliCenter.org.

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'At the Gallery' by Ludovico Abejar

Celebrate the exceptional talent of Long Island artists at the Annual Invitational Exhibition at the Atelier at Flowerfield, 2 Flowerfield, Suite 15, St. James. The juried show runs from March 5 to April 30.

Exhibiting artists  include Ludovico Abejar,  Lucia Alberti,  Ross Barbera, Marta Baumiller, Marlene Bezich, Nariman Boyle, Al Candia Kenneth Cerreta, Anthony Davis ,Paul Edelson, Dan Fusco, Shelley Holtzman, Frances Ianarella, David Jaycox, Jr Laurence Johnston, Liz Jorg Masi, Raymond McGraime, Jane McGraw-Teubner, Fred Mendelsohn, Joseph Miller, Annette Napolitano, Meriel Pitarka, Irene Ruddock, Oscar Santiago, Lori Scarlatos, Ilene Silberstein, Rosario Stine-Barry, Judy Stone, Angela Stratton, and Helena Weber.

Meet the artists at an opening reception on Thursday, March 5 from 5:30 to 7:30 p.m.

For more information, call 632-250-9009 or visit www.atelierflowerfield.org.

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Music and Art by Naomi Diracles

By Melissa Arnold

Looking at a beautiful painting, photo or sculpture can sometimes evoke strong memories or emotions. For many people, the same is true when listening to music. It’s even possible to have a piece of music conjure up an image in the mind’s eye, or for artwork to seem musical.

The Huntington Arts Council is exploring the intersection of visual arts and music in its newest exhibit, Sights and Sounds: Rhythms and Scales, on view at its Main Street Gallery from Feb. 7 through March 14.

The unique subject has been on business manager Kieran Johnson’s mind for some time.

“The overlap of music and visual art has always been a fascination of mine with my favorite visual artists, both contemporary and historical, having their background in music,” Johnson said. “I was reviewing video and listening to tracks from our monthly Singer-Songwriter Night and decided I wanted to do [an exhibit] about auditory and visual art.”

Artists were asked to consider a series of questions as inspiration for their submissions: Does your work exude rhythm, melody, lyrics, harmony or dissonance from a social, political or musical perspective? Does it elicit a reaction in sounds, words or movement? Does it dance or sway? Does it move or move the viewer? Does it sing? 

Johnson called on friend of the Huntington Arts Council Kevin McEvoy to jury the exhibit. McEvoy has worked with the council in a number of capacities, from a member and past juror to panelist and educator.

“Kevin has been a supportive partner in the work we do for over a decade. He is an incredibly skilled artist and arts educator, and his professional and personal background make him an interesting person to know and work with,” Johnson said.

A Long Island native, McEvoy studied fine arts at Stony Brook University and refined his painting skills while in Chile and Italy. He is also the founder of The Atelier at Flowerfield in St. James.

“I’ve always appreciated the relationship of mutual respect and support I’ve had with the Huntington Arts Council. They are so warm and encouraging not just with me, but with all of the artists who approach them,” McEvoy said. “I’ve painted a lot of musicians, musical instruments and music inspired pieces, and I’m excited to jury an exhibit on a subject I feel passionately about.”

In total, 60 artists from across the country submitted 156 pieces for consideration. McEvoy narrowed the field to 44 pieces by 40 artists. The final exhibit includes oil paintings, pastels, graphite drawings, photography and more.

Participating artists include Rose Ann Albanese, Sheri Berman, Zintis Buzermanis, Lisa L. Cangemi, Linda Ann Catucci, Kenneth Cerreta, Kaylynn Chenn, Jody Cukier, Doris Diamond, Naomi Diracles, Vicki Field, Jim Finlayson, Cori Forster, Andrea Fortunoff, Kathleen Gerlach, Roxana Gheorghe, Bill Grabowski, Jan Guarino, Margaret Henning, Nayyar Iqbal, David Jaycox Jr., Wendy June Jensen, Marc Josloff, Julianna Kirk, Beth Laxer-Limmer, Jacques LeBlanc, Stephanie L. Marcus, Kristen Memoli, Margaret Minardi, Mary Nagin, Thais Osorio, Luda Pahl, Eli Rabe, Andrea Rhude, Olivia Rodson, Saul Rosenstreich, Barbara Stein, Victor Vaccaro, Pamela Waldroup and Ella Yang.

“Long Island is a musical place. Our identity is rooted in music and it’s a big part of the culture here, so it’s a natural fit for artists to explore,” McEvoy said. “I tried not to bring any preconceptions of what a piece should look like. Whether it is a lilting line of a kinetic wire sculpture, an atmospheric photo of a violin that almost reads as a mountainscape, or the joyful pluck of an instrument in beautiful pastel colors, indeed, across Long Island, painters, sculptors and musicians are still singing.”

Andrea Fortunoff of Syosset created a digital collage entitled “Dance the Floor: Generations in Rhythm,” depicting dancing people of African heritage in various styles of dress.

“The Huntington Arts Council artist call for Sights and Sounds: Rhythm and Scales spurred me to reflect on the historical synergy between music and dance,” Fortunoff stated in an email. “As an ancient and ephemeral art, dance relies on passing cadence from body to body. My collage is a visual representation of how rhythm and pattern intertwine and are inscribed in a dancer’s memory; reverberating from dancer to dancer through time.”

The exhibit’s opening reception on Friday, Feb. 7 from 6 to 8 p.m. will allow artists and visitors the chance to get to know each other while appreciating the variety of media on display. McEvoy will select a best in show and honorable mention before the reception begins.

“We are thrilled to feature this exhibit and have Kevin McEvoy as the juror. This show is a wonderful depiction of the intertwined nature of art. The work is beautiful and highlights a wide array of artists,” said HAC Executive Director Marc Courtade. “Kevin has been a longtime friend of HAC. His talent, knowledge and contribution to the arts have meant so much to us and the Long Island community. We are looking forward to seeing him at the reception.”

The Huntington Arts Council will present Sights and Sounds: Rhythms and Scales at its Main Street Gallery, 213 Main St., Huntington through March 14. For further information, call 631-271-8423 or visit www.huntingtonarts.org.

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“Untitled,” Centerport, watercolor and pencil on paper, by Arthur G. Dove is featured in the Huntington’s Own section of the exhibit. Image courtesy of Heckscher Museum
'Autumn I', 1967, oil on canvas by Fairfield Porter
'Huntington'. c. 1905, oil on board by Guy Carleton Wiggins
'Berthe Morisot & Me, c. 1970, collage by Miriam Schapiro
'Tree', brass, by Mary Gallery
'Fall Flowers in a Watering Can', 1949 oil on canvas, by David Burliuk

By Melissa Arnold

In 1867, August Heckscher left his native Germany and, like so many others of that time, embarked on a journey to start a new life of prosperity in the United States. He immediately set to work mining coal for his cousin’s business, all the while studying English. Heckscher’s efforts led him to a lucrative career in iron and zinc mining, and he ultimately became a multimillionaire.

Heckscher was well-known for his philanthropy, and in 1920, he gave back to the town of Huntington with the establishment of Heckscher Park. The beautiful setting of the park became home to the Heckscher Museum of Art, which was founded with a gift of 185 works from Heckscher’s personal collection including art from the Renaissance, the Hudson River School and early modernist American art.

The museum has since weathered the Great Depression, eras of war and peace and changing artistic tastes in the community. That early collection has blossomed to include more than 2,000 pieces that include many styles, media and historical time periods from artists all over the world.

Today, the Heckscher Museum of Art is looking ahead to 2020 and honoring its home with a museum-wide exhibit entitled Locally Sourced: Celebrating Long Island Artists.

At the helm for this exhibit is the Heckscher Museum’s new curator, Karli Wurzelbacher, who joined the staff in August. Wurzelbacher studied art history in college and spent the better part of a decade in and around Manhattan before coming out to Long Island.

“We wanted to take a broad view of all the artists who have visited and worked on Long Island at some point in their lifetime,” she said. “In this exhibit, we’ve represented more than 130 years of art in all styles, from very abstract to very representational. It’s about all the different perspectives that Long Island has inspired. I think everyone here has been looking forward to our 100th anniversary and wanting to commemorate it in a special way. The museum has always been so supportive of artists who have lived and worked here, and it’s part of our mission to preserve and share the history of Long Island through art.”

The process of planning Locally Sourced was already underway when Wurzelbacher arrived on Long Island. She acknowledged that an exhibit that encompasses the whole museum was quite the undertaking, but it allowed her to dive deep into the Heckscher’s permanent collection.

“Curating gives the opportunity to tell stories and create narratives visually using objects, and to help people make connections between artists,” said Wurzelbacher. “Some of the artists in this exhibit were teachers or students to other [artists], and you can see that in their work.”

The exhibit is divided into four sections, each offering a unique view of Long Island. They include Huntington’s Own featuring the works of renowned painters George Grosz, Arthur Dove, Stan Brodsky, Mary Callery and many more who live or lived and worked around Huntington; East End Exchanges which explores the connections and influences of artists of the East End, including Fairfield Porter and Jane Wilson; Women Artists which features the work of female artists who have made a profound impact on their field, such as Miriam Schapiro, Betty Parsons and Esphyr Slobodkina with a nod to the 100th anniversary of the 19th Amendment to the U.S. Constitution, allowing women the right to vote; and Landscapes that trace the changes in environment and in art throughout the Island’s history. This gallery includes 19th-century images from Thomas Moran, to modern works by Ty Stroudsburg who interpret Long Island’s land, sea and air.

The exhibit includes work in a variety of media, including painting, photography, sculpture and mixed projects. In all, more than 100 pieces represent the work of 89 artists — just a fraction of the museum’s permanent collection, Wurzelbacher said.

Visitors to the museum will have a chance to weigh in on the places and things that they believe make Long Island special. Stop by and leave a pin on the 15-foot graphic of Long Island in the Huntington exhibit. The graphic will also show where the exhibit’s artists lived.

“Artists have been escaping the city to come out to the country and take part in the natural life here from very early on. To see the rugged terrain and vegetation of the North Shore, it’s easy to understand why artists would be drawn here,” said Michael Schantz, the museum’s president and CEO. “Ultimately this collection belongs to the community, and everyone should be proud that there are so many artists that have called Long Island home. We want to celebrate that.”

The Heckscher Museum, 2 Prime Ave., Huntington will present Locally Sourced: Celebrating Long Island Artists from Nov. 23 through March 15, 2020. The museum is open Wednesdays through Fridays from 10 a.m. to 5 p.m. and Saturdays and Sundays from 11 a.m. to 5 p.m. Admission discounts are available for children, students, members of the military, first responders and residents of the Town of Huntington. For more information, call 631-351-3250 or visit www.heckscher.org.

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‘Fall Day at Stony Brook Harbor’

By Melissa Arnold

Susan Trawick of Setauket devoted more than 20 years to helping Sachem East High School students develop their art skills. All the while, she continued to create her own artwork, primarily in watercolors and oil.

Following her retirement from teaching in 2008, Trawick sought to keep her art skills sharp and maybe even make some new friends. She joined several local art classes, including one taught by her neighbor Mary Jane van Zeijts, owner of Studio 268 on Main Street in Setauket.

‘West Meadow Gates’

Van Zeijts taught Trawick how to use a set of pastels she received from friends as a gift, and she immediately fell in love. “Pastels are definitely my new favorite medium to work with,” Trawick said in a recent interview. “The colors are so vibrant and intense.”

Van Zeijts was so impressed with Trawick’s skills that she invited her to create an art exhibit for the studio. That show, aptly titled Land and Sea Pastel Images, will open on March 24.

Trawick’s passion for art is hereditary, she said — her father loved to draw, and she picked up the hobby in early childhood. She married young and was a stay-at-home mother before attending Dowling College for a bachelor’s degree in fine art and Stony Brook University for a master’s in education. Without hesitation, she cites impressionists as her favorite artists, including Vincent van Gogh, Andrew Wyeth and Joseph Reboli.

While Trawick’s work has appeared throughout the area in various exhibits, this show is the first she’s done solo. It will be almost entirely comprised of pastel art, with one watercolor and one oil painting to give a taste of her other skills.

“Setauket is the best place for an artist to live — the landscapes are so beautiful,” Trawick said. “I love the water, the wetlands, the trees, even the little hills here on the North Shore that the South Shore doesn’t have.”

‘Hidden Stream’

Trawick explained that inspiration for a new piece will strike as she’s out driving or enjoying time outside, especially in the light of early morning or at sunset. When she sees something she wants to paint, she’ll take photos to preserve the memory for later. She also enjoys occasional plein air painting. 

Trawick will display more than 30 pieces of varied sizes at the show. Most pieces feature recognizable Long Island scenes, while others show off the beauty of Central Park, Yellowstone National Park and Higgins Beach in Maine, all with brilliant color.

“Susan is an incredibly strong, skilled and prolific artist,” van Zeijts said. “She has used and taught other mediums, but she is so expressive with pastels. It speaks of who she is. We can all relate to her work because a lot of it is local. You can see a picture of Maine and acknowledge it as beautiful, but her Long Island work will be recognizable and enjoyable for people from this area.”

Every piece at Trawick’s show is for sale, with paintings ranging from $50 to $850 and prints for less than $10. Twenty percent of the proceeds from the show will benefit Kent Animal Shelter, a no-kill nonprofit haven for dogs and cats in Calverton, where Trawick has served as a board member for 32 years. Her two dogs and “too many” cats at home are all rescues.

The shelter also offers low-cost and sometimes free spay/neuter services for more than 3,500 animals each year. This critical work helps address excessive breeding, overpopulation and animals left homeless.

“I’ve seen so much suffering of animals in my time doing work with the shelter, so I want to do anything I can to alleviate that suffering,” said Trawick.

Reached by phone, Pam Green, executive director of the shelter, said that Trawick is the quintessential animal lover. “Susan is so devoted and has done a lot of work with helping support our spay/neuter efforts in the area. She also provides a lot of advice for people that come across homeless or sick animals,” Green said.

Studio 268, located at 268 Main St., Setauket will present Land and Sea Pastel Images from March 24 to April 14. The studio is open on Saturdays and Sundays from 1 to 4 p.m.

Join the artist for an opening reception on March 24 from 2 to 4 p.m. Refreshments will be served. For more information, call 631-220-4529.

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A drawing from Torrey’s book, ‘My Dog, Bob’

By Melissa Arnold

For most of his childhood, Richard Torrey dreamed of becoming the world’s first pro hockey player/cartoonist. His father, Bill Torrey, brought home multiple Stanley Cups as a general manager in the National Hockey League. Following in his father’s footsteps was practically his destiny. But young Rich found that his passions were leading elsewhere.

Torrey has spent more than 30 years engaging readers, first as a comic strip creator and later as the author and illustrator of more than 15 children’s books. In February, the North Shore Public Library in Shoreham will showcase his childlike imagination with an exhibit titled, Richard Torrey: The Creative Process.

The cover of Torrey’s ‘Almost’ book

Born in Los Angeles, Torrey grew up all over the U.S. and Canada, spending long summers in a Canadian cabin without TV or other technological distractions.

“I was always drawing,” recalls Torrey, 59, who now resides in Shoreham. “My mind would wander, and I was always coming up with new ideas. I used to cut out the Sunday comics and try to figure out how to draw the characters.”

As luck should have it, Torrey had a chance opportunity to meet beloved Peanuts cartoonist Charles M. Schulz thanks to his father’s career in hockey. Schultz was a diehard fan and season ticketholder for the now-defunct Oakland Seals, where the elder Torrey was general manager in 1970. Rich approached Schulz during a hockey game, eager to present him with a drawing of a horse he’d done recently.

“He wrote feedback on the back of my drawing, and was so kind,” Torrey recalled. “That moment hooked me.”

Still, he found art classes in school terribly boring and too structured, and while he first majored in pre-med at Allegheny College, he knew immediately it wouldn’t work. He got a degree is psychology mostly out of obligation and spent the next several years working with his father, directionless.

But there was plenty of downtime on the job, and Torrey always found himself drawing. Despite self-doubt, his big break finally came in 1984 when his first comic strip, “Heartland,” was picked up for syndication in 180 newspapers.

Torrey would go on to create a successful sports-themed strip called “Pete and Clete,” but as the newspaper industry began to change, he wondered what else he might do for work. 

“Ally-saurus & the First Day of School”

“I looked for avenues that would be a good fit for my style of illustration, and children’s books seemed like the answer,” he said. While Torrey first took jobs illustrating for others, he continued to fill notebooks and reams of cheap paper with drawings, bits of text and storylines of his own. He knew he had to try writing his own books.

“Nine times out of ten it’s going to be a horrible idea, but if you generate enough of them, something is bound to be good,” Torrey said. “All kinds of things inspire me — it might be something on the radio or something my kids did growing up, or just lines that pop into my head.”

Today, Torrey considers himself an artist that writes. His award-winning stories, including “Ally-saurus & the First Day of School” (Sterling), “My Dog, Bob” (Holiday House) and the series “Why,” “Almost” and “Because” (HarperCollins), are drawn or painted almost entirely by hand in a variety of mediums.

Lorena Doherty, adult program coordinator and art coordinator of the North Shore Public Library, said that Torrey is a regular library user and has occasionally read his books to children during special programs there. He is also a well-known speaker at area schools and an instructor at the Art League of Long Island. “Illustrators are genuine artists, and we love to feature local members of our community,” Doherty said. “He uses quick, simple pencil lines in his drawings, and there’s a storyboard quality about them. He’s very playful. This exhibit is different in a fresh way, and I believe it has a wide appeal.”

The exhibit will feature approximately 25 illustrations from Torrey’s career in varied stages of completion, along with text from Torrey explaining his inspirations and work process.

“I think people will enjoy getting a peek into the way I operate when I’m doing a book,” Torrey said. “I talk to kids often, and I tell them that none of it is magic. It’s a lot of work, and a lot of mistakes. There is no single route for creativity. I want people to see the bumps and bruises [in my work]. The path to success isn’t a straight line, it’s more like a ball of yarn.”

See Richard Torrey: The Creative Process from Feb. 1 through 27 at the North Shore Public Library, 250 Route 25A, Shoreham. Torrey will also speak at the library’s Art Forum meeting on Wednesday, Feb. 13 at 7 p.m. For more information, please call 631-929-4488.

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