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Carolyn Droscoski. Photo from Theatre Three

A cherished member of Theatre Three, and by extension the Port Jefferson community, was lost this month.

Carolyn Droscoski, 61, of Port Jefferson Station died suddenly of an aneurysm, according to her close friend Vivian Koutrakos, managing director at Theatre Three. She was a lifelong resident of Port Jefferson Station and a graduate of Comsewogue High School.

“Anyone that you spoke to would say the same thing — it was just her voice, her vocals,” Koutrakos said of what she would remember most about her close friend, along with her beautiful smile. Koutrakos said she’d heard Droscoski described as having “leather lungs,” a tribute to her booming, powerful singing voice. “She was a powerhouse, a powerful, powerful singer and performer.”

“She helped me foster a love of theatre and performing. I am forever grateful for her friendship and am feeling extremely sad to hear this news.”

— Debbie Schwartz McGinley

Droscoski had 40-years-worth of history at Theatre Three. She performed in dozens of productions, including memorable performances as Rose in “Gypsy,” Mother Abbess in “The Sound of Music,” Cass Elliot in “Dream a Little Dream,” and many incarnations of “Woodstockmania: Woodstock in Concert,” according to Theatre Three’s website.

Times Beacon Record News Media reviewed her 2013 performance in “Barnaby Saves Christmas” as Mrs. Claus: “Santa and Mrs. Claus, played by Stephen Doone and Carolyn Droscoski, are in numerous scenes and steal the show. Every appearance on stage had the children sitting up straight and pointing. During a recent Saturday show, many children cried when the lights came up for intermission, thinking the show was over and wanting to see Santa just one more time. Doone and Droscoski also double as Andrew and Sarah, the nice Jewish couple who teach Barnaby and Franklynne all about Hanukkah, and switch roles effortlessly. The musical numbers are terrific and are accompanied on piano by Quattrock, who also wrote all of the music and lyrics. ‘Still with the Ribbon on Top,’ sung by Hughes, reveals Barnaby’s struggle to fit in; ‘Miracles,’ sung beautifully by Droscoski as Sarah, will touch your heart and ‘S.B. Dombulbury’ will have you tapping your feet.”

Droscoski traveled the country in an off-Broadway production of “Nunsense,” a show in which she played five different roles. She also performed and toured with her band, Everyday People, which performed countless shows in Port Jefferson. She even appeared in promotional materials for the snack Cracker Jack.

“The only thing I could say is I loved her, and she made me happy,” her longtime partner Charlie Cacioppo said. He added she often affectionately referred to him as “Bubba” or Charles Francis.

“She was a powerhouse, a powerful, powerful singer and performer.”

— Vivian Koutrakos

She had two sisters and four brothers, as well as many nieces and nephews, according to her sister Barbara Cassidy.

“The most important thing in her life was her family,” Cassidy said. “She was the biggest cheerleader for her many beloved nieces and nephews.”

Upon Theatre Three sharing the news of her passing on its Facebook page — a post that was shared and commented on more than 50 times — admirers of her talents and friends posted condolences and memories of the beloved performer.

“She was kind, fun, caring and always treated me like a regular person — not just a kid,” a poster named Debbie Schwartz McGinley wrote, adding Droscoski had played her mother in a 1980 production of “A Christmas Carol.” “She helped me foster a love of theatre and performing. I am forever grateful for her friendship and am feeling extremely sad to hear this news. All my love to her family, friends, and especially my old school T3 family!”

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Andrew Murano as Will Shakespeare in a scene from ‘Shakespeare in Love’. Photo by Danielle Nigro

By Heidi Sutton

In perfect timing with Valentine’s Day, the Smithtown Center for the Performing Arts continues its 2017-18 season with the romantic comedy, “Shakespeare in Love.” The play, based on the 1998 award-winning film about William Shakespeare written by Marc Norman and Tom Stoppard and starring Gwyneth Paltrow and Joseph Fiennes, was adapted for the stage by Lee Hall in 2014 and has been making the rounds in playhouses ever since. Last weekend it opened on the Mainstage complete with mistaken identities, disguises, a sword fight and a dog.

Regarded by many as the greatest writer in the English language and the foremost dramatist of his time, Shakespeare was thought to have written more than 30 plays and more than 100 sonnets. Or did he? That is the question. Rumors and conspiracy theories have circulated for years. Now the Bard himself is in the spotlight as the story follows his journey and inspiration in writing one of his greatest masterpieces, ultimately proving that sometimes it does take a village.

Kenneth Washington directs a large cast of 22 plus Baby Jack as Spot the dog in this love letter to Shakespeare.

Andrew Murano and Katie Ferretti in a scene from ‘Shakespeare in Love’. Photo by Danielle Nigro

 

Andrew Murano tackles the role of Will Shakespeare, a young playwright who is suffering from writer’s block. Deep in debt and constantly being upstaged by his rival Kit Marlowe (Evan Donnellan) he struggles to complete his latest play, a comedy titled “Romeo and Ethel, the Pirate’s Daughter,” which he has promised to two theater owners, Henslowe (Michael Newman) and Burbage (Doug Vandewinckel).

When Shakespeare meets Viola de Lesseps (Katie Ferretti), the daughter of a rich merchant betrothed to another, their forbidden love affair becomes the inspiration for much of the dialogue written for the play, which slowly evolves to become the romantic tragedy of “Romeo and Juliet.” His greatest admirer (she can recite every one of his plays by heart), Viola disguises herself as a man and lands the lead role of Romeo, further inspiring the playwright to begin work on “Twelfth Night” at the end of the second act. “Are you my actor or my muse?” Shakespeare asks her. “I am both but I should be neither,” she replies. Will someone discover her secret? Will Shakespeare steal her heart?

The talented group of actors, many of whom are regulars at the Smithtown venue, seem quite at ease blending a play within a play with backstage antics and onstage dramas. Murano and Ferretti are perfectly cast as the show’s forbidden lovers, reciting Shakespeare with skill and passion. The production is also enhanced by its supporting cast including Christine Boehm as the dog-loving Queen Elizabeth and Camile Arnone as Viola’s nurse. Special mention should be made of Evan Donnellan who, although he is only in a few scenes, leaves the audience wanting more.

A scene from ‘Shakespeare in Love’. Photo by Danielle Nigro

Set in the 1500s, the play’s Renaissance-era world is beautifully enhanced with period costumes by Chakira Doherty and the simple but functional set by Timothy Golebiewski serves as both castle with a balcony and an Elizabethean theater. The musical score, directed by Melissa Coyle, further elevates the show, especially during a dance in the castle where Shakespeare firsts lays eyes on his muse Viola.

Throughout the play, Shakespeare is told that all an audience wants is comedy along with love … and a bit with a dog and in that aspect “Shakespeare in Love” delivers. Recommended for mature audiences, running time is approximately two hours and 30 minutes, including one 15-minute intermission.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown will present “Shakespeare in Love” through March 4. The season continues with “Mamma Mia” from March 24 to April 29 and “Dreamgirls” from May 12 to June 17. Tickets are $35 adults, $32 seniors and $20 students. To order, call 631-724-3700 or visit www.smithtownpac.org.

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Alyson Leonard, Antoine Jones and Marquez Stewart in a scene from 'The Cat in the Hat'

By Heidi Sutton

For generations, Theodor Seuss Geisel, better known as Dr. Seuss, has entertained and delighted children and adults alike with his whimsical tales and wild imagination. Out of the 60 children’s books published during his lifetime, one of Seuss’ most popular is “The Cat in the Hat.”

Written in 1957 as an early reader book, it has since been translated into more than 15 languages and was adapted into a feature-length film starring Michael Myers in 2003. And just last week, Warner Animation Group, in partnership with Dr. Seuss Enterprises announced that a fully animated version of the popular book is in the works, the first of many planned to keep the Dr. Seuss legacy alive.

In our neck of the woods, a theatrical adaptation of “The Cat in the Hat” by Katie Mitchell opened last weekend at the Engeman Theater in Northport. The adorable children’s musical will run through the first week of March. The script, which is guided with voice-overs by Steve Wangner in the wings, follows the book closely and provides for a fun afternoon of live theater.

It’s a rainy day and Sally (Danielle Aliotta) and her brother (Kevin Burns) are bored, with only their goldfish Fish (Danny Meglio) to keep them company. Their mother has gone out for a while, so they sit by the window and watch the rain fall. When the brother says “How I wish we had something to do,” the door suddenly swings open and in walks the Cat in the Hat (Antoine Jones), ready to entertain the children with some tricks he knows, and the fun begins.

Now everyone who shares their home with a cat knows that cats make messes, and this feline, although he’s wearing a hat, is no exception. In the first act he impressively balances on one leg while holding books, an umbrella, a fan, a rake, milk on a dish, a toy ship, a toy man, a cake and poor Fish before it all comes crashing down.

The cast of Dr. Seuss’ ‘The Cat in the Hat’. Photo by Jennifer Tully

In the second act, that mischievous kitty releases Thing 1 (Alyson Leonard) and Thing 2 (Marquez Stewart) from a box and things only get crazier from there. They fly kites in the house, breaking things along the way, much to the delight of the young audience. “It’s a beautiful mess,” exclaims the Cat in the Hat.

When the kids see Mother coming down the road, they know that they have to catch Thing 1 and Thing 2 and clean up before she gets home. An exciting chase scene, accompanied by the Benny Hill theme song, ensues. Will they succeed or will time run out?

Directed by Suzie Dunn, the seven adult actors do an excellent job portraying the story. The actors interact with the audience often, making them feel like they are a part of the show. At one point Meglio makes his way through the audience with a bubble machine. Later on, Aliotta invites children on stage to dance with her. Special mention should be made of Jones who clearly loves children and is funny and engaging. From the moment his character’s red-and-white-striped hat appears around the door, the audience knows they are in for a real treat. So run, don’t walk, to see the cat, The Cat in the Hat!

Running time is one hour and 10 minutes with one 15-minute intermission. Booster seats are available. Meet the cast in the lobby after the show for photos and autographs.

The John W. Engeman Theater, 250 Main St., Northport will present Dr. Seuss “The Cat in the Hat” through March 4. Up next in children’s theater is “The Wizard of Oz” from March 24 to April 29. All seats are $15. For more information, call 631-261-9700 or visit www.engemantheater.com.

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Andrea Goss, Barry Debois and Stephen McIntyre in a scene from ‘Once’. Photo by Michael DeCristofaro

By Melissa Arnold

If you’ve ever fallen in love, had your heart broken or faced unfulfilled passion, you’ll relate to “Once.” And even if you haven’t, the cast at the John W. Engeman Theater will still grab your heart and squeeze. The show, which is part of the theater’s 11th season, is both unique and compelling. It’s easy to see why “Once” grossed 11 Tony nominations and eight wins in 2012, its first year on Broadway. The show is a stage adaptation of the 2007 film of the same name that starred Glen Hansard and Markéta Irglová. Both versions were written and directed by John Carney.

Barry DeBois and Andrea Gos in a scene from ‘Once’

Under the direction of the Engeman’s Trey Compton, “Once” begins with a nameless street performer referred to as Guy (Barry Debois) singing a heartbreaking ballad about an ex-girlfriend. A bold and honest young Czech woman (Andrea Goss as Girl) overhears the song and immediately pesters him for the juicy details that inspired it. It turns out that Guy has lost his love of music since his old flame left for New York City. Performing just hurts too much, and he’s ready to throw in the towel on his dreams.

But Girl won’t hear any of that, and she’s convinced that he’d win his love’s heart again if he sang her that song. Their conversation is the beginning of an intensely passionate and emotionally raw week as the two write, rehearse and record songs together.

What makes “Once” stand out is its presentation, which you’ll notice before the show even begins. Get there early and you’ll find the cast on stage in the middle of a rocking pub party, Dublin style. They hoot and holler while they sing, play Irish tunes and dance on tables. The best part is that the audience is invited to go up and join them. The set includes a working bar that offers a single variety of beer, red wine and white wine for $10.

A scene from ‘Once’

The musical performances in this show are also one of a kind, as there is no stage band providing accompaniment. Instead, each person in the 13-member cast also plays an instrument, and all of the songs are performed from memory, which is beyond impressive. To make it work, chairs are set in a semicircle around the perimeter of the stage. When a character exits a scene, he or she simply takes a seat, fading inconspicuously into the background.

They also function as their own stage crew, dancing and playing brief musical interludes as they carry props on and off the set. It’s a bit hard to describe in words, but the overall effect is visually compelling and speaks to the incredible talent of this cast.

Both Goss and Debois are no strangers to “Once” — she was part of its recent Broadway run, while he was the music captain of the 2016 U.S. national tour. They bring to the show an intense realism you can hear in every note they sing. Guy’s opening number, “Leave,” and Girl’s tearful performance of “The Hill,” will leave you awestruck.

The members of the ensemble, which include “Once” veterans Elisabeth Evans (Reza), John Thomas Hays (Billy), Stephen McIntyre (Bank Manager) and Bristol Pomeroy (Da) among others, are every bit as talented as Debois and Goss. They put out a powerful sound with rich harmonies and tons of energy. During their a cappella performance of “Gold,” you could hear a pin drop in the packed house. The standing ovation during the press night performance last Saturday night was well deserved.

The John W. Engeman Theater, 250 Main St., Northport, will present “Once” through March 4. Tickets range from $73 to $78 with free valet parking available. For more information, call 631-261-9700 or visit www.engemantheater.com.

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From left, Aria, age 4, of Rocky Point and Cara, age 6, of Port Jefferson Station pose with the cast of ‘Rapunzel: The Untold Story!’ after last Saturday’s opening performance. Photo by Heidi Sutton

By Heidi Sutton

The Brothers Grimm have left behind a tremendous legacy with their wonderful fairy tales including “Snow White,” “Sleeping Beauty,” “Cinderella” and “Rapunzel,” just to name a few. The latter is the subject of Theatre Three’s latest children’s musical, albeit with a clever twist. Written by Jeffrey Sanzel and Kevin F. Story, “Rapunzel: The Untold Story!” turns the original fairy tale of a damsel trapped in a tower on its head and provides for a hilarious and magical afternoon.

The show is narrated by The Barker, enthusiastically played by Dylan Robert Poulos, who guides the story from the corner of the stage. “How will you be spending the hour? By watching a girl in a tower,” he quips.

Meg Bush, Jessica Contino and Dylan Robert Poulos in a scene from ‘Rapunzel: The Untold Story!’ Photo by Peter Lanscombe, Theatre Three Productions Inc.

When a husband (Steven Uihlein) is asked by his pregnant wife (Melanie Acampora) to steal some vegetables from the witch’s garden next door, he reluctantly agrees. (Happy wife, happy life, right?) After being caught red-handed for the third time, he asks the witch (Meg Bush) if she will turn him into a frog? Take his first-born child? “No,” she replies, “Just … don’t do it again.” Turns out she is a good, sweet and kind witch and therein lies the twist. When the couple’s child is born, the witch decides to send over a vegetable basket to congratulate them and sprinkles it with a slow-releasing happiness potion.

As Rapunzel (Jessica Contino) enters her teenage years, she becomes increasingly ill-tempered, something many parents can relate to, and makes everyone’s life miserable. She refuses to cut her hair and is always in a rotten mood. The situation is so bad that her parents beg the witch to take her off their hands and lock her away in a tower. It is then that the witch realizes that she accidently mixed up the happy potion with a rotten potion — “I made a goof and the girl is proof” — and sets out to find a handsome prince (Andrew Lenahan) to break the spell. Will this version of “Rapunzel” have a happy ending?

Directed by Sanzel, the six adult cast members take the cleverly written script and run with it. They know their target audience well and do an excellent job conveying the story. A nice touch is the constant interaction with the audience. Whenever a problem arises, The Barker gestures for the lights to go up and asks the audience for encouragement, revealing the moral of the story — that the real magic in the world is friendship.

Accompanied on piano by Steve McCoy, the original song and dance numbers, with choreography by Sari Feldman, are fun and engaging and the costumes by Teresa Matteson are spot on. Utilizing the gorgeous set from the current Mainstage production of “I Hate Hamlet,” with its Gothic castle interior and a balcony resembling a tower, is just the icing on the cake.

Snacks and beverages are available for purchase during intermission, booster seats are available and costumes are encouraged. Also, make sure to stop by and say hello to the cast in the lobby after the show. The actors welcome questions (“Is that your real hair?”) and readily pose for photos.

Theatre Three, 412 Main St., Port Jefferson will present “Rapunzel: The Untold Story!” through Feb. 24. Children’s theater continues with “The Adventures of Peter Rabbit” from March 10 to April 14, “Stand Up! Stand Out! The Bullying Project” from April 21 to May 5 and “Goldilocks — Is That You?” from May 26 to June 9. All seats are $10. For more information, call 631-928-9100 or visit www.theatrethree.com.

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Steve McCoy as John Barrymore and Dylan Robert Poulos as Andrew in a scene from 'I Hate Hamlet'. Photo by Brian Hoerger, Theatre Three Productions Inc.

By Heidi Sutton

Fresh on the heels of “A Christmas Carol,” Paul Rudnick’s delightful comedy “I Hate Hamlet” rings in the New Year at Theatre Three with a touch of Shakespeare, a friendly ghost and loads of laughs, all the while examining the age-old debate about the art of live theater versus the fame of television and film.

Directed by Mary Powers, the story centers around Andrew Rally (Dylan Robert Poulos), a successful television actor on the sitcom “L.A. Medical” and the star in a series of commercials peddling breakfast cereal. When the show is suddenly canceled, Andrew moves from California to New York City to try his hand at live theater and is offered the lead role in the Central Park stage production of the tragic masterpiece, “Hamlet: Prince of Denmark.”

Above, the cast of ‘I Hate Hamlet’. Photo by Brian Hoerger, Theatre Three Productions Inc.

From all outward appearances, Andrew is living the good life: a beautiful girlfriend, the perfect apartment just off Washington Square and the chance to hone in on his craft by performing the works of the Bard. However, inside he is lacking confidence, his girlfriend of five months, 29-year-old Deirdre McDavey (Jessica Contino), is keeping a firm grip on her chastity leaving him frustrated, his new digs appears to be haunted and, for some reason, he just hates “Hamlet.”

When his agent Lillian Troy (Marci Bing) informs Andrew he is living in the same apartment once occupied by John Barrymore, whose portrayal of Hamlet led to him being called the “greatest living American tragedian,” Deirdre and real estate broker Felicia Dantine (Linda May) find the whole scenario too coincidental to pass up and the four conduct a séance to conjure up the dead actor. Shortly thereafter, Barrymore’s specter (Steve McCoy) appears in the apartment dressed as Hamlet and sets out to convince the insecure actor that he can and should take the part. Only visible to Andrew, producer Gary Peter Lefkowitz (Steve Ayle) and Lillian, Barrymore’s ghost cannot leave until opening night and utilizes his time teaching Andrew how to duel and to appreciate the poetry that is “Hamlet.”

When Gary offers Andrew a new role in a television pilot with the promise of millions of dollars and fame, the actor must decide between Shakespeare in the Park or commercial success. Which will he choose? That is the question.

Jessica Contino as Deidre and Steve McCoy as John Barrymore in a scene from ‘I Hate Hamlet’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

Costumes are wonderful, especially the Shakespearian garb, and the set is most impressive indeed. In the first act, the two-level apartment, complete with fireplace, long staircase and balcony, is in disarray, with moving boxes scattered about, a rolled-up carpet and couches wrapped in plastic. As the lights go up in the second act, the apartment has been beautifully transformed to Barrymore’s heyday of the 1920s, bearing a remarkable resemblance to the interior of a Gothic castle.

With a stellar cast, top-notch performances and terrific script, “I Hate Hamlet” promises a lovely evening at the theater. Whether you are a fan of Shakespeare or it’s not your cup of tea, either way you’re in for a wonderful treat. Don’t miss this one.

Enjoy a drink at Griswold’s Café on the lower level of the theater and take a chance at 50/50 during intermission. Proceeds will help upgrade and maintain the historic building.

Theatre Three, 412 Main St., Port Jefferson will present “I Hate Hamlet” through Feb. 3. Contains adult subject matter; parental discretion is advised. The Mainstage season continues with the musical comedy “Nunsense” from Feb. 24 to March 24 and the courtroom drama “12 Angry Men” from April 7 to May 5. Tickets are $35 adults, $28 students and seniors, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

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Theatre Three will present a sensory-friendly performance of “The Adventures of Peter Rabbit” on March 11.

By Jennifer Sloat

Sensory-friendly performances are now part of the marquee at Theatre Three in Port Jefferson. The shows are modified to provide a more comfortable setting for children with special needs. The theater’s artistic director, Jeffrey Sanzel, said they have been providing sensory friendly shows since October 2016 and the feedback he is receiving has been very positive.

“A parent contacted us and asked us if we would consider doing it,” said Sanzel. “We want to be inclusive and so I started looking into it.”

A sensory-friendly performance of “Goldilocks — Is That You?” will take place on June 3.

Sanzel, who previously taught high school for two years, reached out to a former student who works with autistic children to get her feedback and assistance in making the modifications. He began the work in June 2016 and the first sensory sensitive show was performed in October of 2016.

Families who attend the show can expect house lights to remain up and special effects and sound levels to be lowered. The music is quieter and there are no strobe lights. Actors do not run through the aisles and instead do a slow motion chase. Kids can also move freely about the auditorium during the show, lowering stress levels for parents who are concerned about disturbing fellow audience members.

“Knowing that we would not be frowned upon in the event my son could not contain his excitement made it an enjoyable event for all of us,” said audience member Lisa Clark. “[My son] Christopher loved the show and did not want to leave. When a cast member realized we were having trouble getting him to the lobby to take pictures with the rest of the cast, she summoned the cast to gather around him. How awesome is that?”

A sensory-friendly performance of “Rapunzel: The Untold Story!” will be held on Jan. 21

A social story, provided on the theater’s website, is also used to lessen anxiety that kids may be feeling about attending the show. The online picture book can be reviewed by the children beforehand, providing a virtual walk through of attending a live show. It includes photos of the outside and inside of the theater, the box office and a picture of who will be giving them their tickets. Kids will see the path they will take to their seats, where they will sit and what the stage looks like. They will also see pictures of the actors in and out of their costume

“The thing that has been amazing is that ninety-nine percent of the kids have stayed the entire show; only twice did a child have to leave the show for a bit and come back up,” said Sanzel. All throughout the show the children are engaged, laughing and cheering. “We write our own shows and it is wonderful that they clearly are enjoying it.”

Perhaps most comforting of all is the opportunity for parents, caregivers and children to be in the company of others with whom they have something in common. “Families love it,” said Theatre Three company member Jessica Contino. “They are so thankful afterward. We stand in lobby for a meet and greet [after the show]. A young man in a wheelchair stopped us last year and said it was their second show. You just feel so good about it. It really hits home for some.”

Theatre Three is located at 412 Main Street in Port Jefferson. Sensory-friendly children shows are typically offered on the first Sunday of every month. Upcoming shows include “Rapunzel: The Untold Story!” on Jan. 21, “The Adventures of Peter Rabbit” on March 11, “Stand Up! Stand Out! The Bullying Project” on April 29 and “Goldilocks — Is That You?” on June 3. All performances are at 11 a.m. All seats are $10. For further information, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

 

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Andrew Timmons and Austin Levine in a scene from 'Oliver!'
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Andrew Timmons and Austin Levine in a scene from 'Oliver!'
Fagin (Nick Masson) and his gang of pickpockets
Andrew Timmons as the Artful Dodger
Nick Masson is Fagin
Austin Levine and Andrew Timmons
Austin Levine and Nick Masson

By Heidi Sutton

The Smithtown Center for the Performing Arts closes out its 15th season with a production of the award-winning musical “Oliver!” With book, music and lyrics by Lionel Bart, the show, based on Charles Dickens’ second novel, “Oliver Twist,” features some of the most unforgettable songs and vivid characters to ever hit the stage.

The story centers around a 9-year-old English orphan, Oliver, who has been raised in a workhouse. After disobeying the rules, the boy is sold into apprenticeship with an undertaker. Oliver escapes shortly after and travels to London, where he meets the Artful Dodger and becomes a member of a gang of pickpockets led by the criminal Fagin and aided by Nancy and the abusive villain Bill Sikes. Is Oliver destined for a life of crime or will his fortune change?

You can’t go wrong with a show like “Oliver!” during the holidays and the 40-plus cast at the SPAC, skillfully directed by Jordan Hue with musical direction by Melissa Coyle, presents a production that is fresh and exciting, serving up a fine afternoon at the theater.

While the entire cast does a tremendous job, especially the children, special mention must be made of Austin Levine who stars as Oliver, the young orphan with a pure heart. For the moment he speaks, “Please sir, I want some more,” Levine has the audience rooting for him to find a home and happiness.

Andrew Timmins nails it as the spirited Artful Dodger, top hat and all, and Brian Gill is quite terrifying as Bill Sikes. Ashley Nicastro is perfect in the role of his girlfriend Nancy, a victim of domestic abuse who ultimately meets a bitter end. Doug Vandewinckel reprises his role as Mr. Bumble, a role that fits him like a glove. Although her role is small, Taylor Duff as Bet stands out in the crowd, especially during “It’s a Fine Life.” Last, but certainly not least, Nick Masson plays Fagin with oily charm, performing “You’ve Got to Pick a Pocket or Two” like an old pro from the days of vaudeville.

Of course, it is the wonderful melodies that are the heart of the show. From the hilarious numbers “I Shall Scream” and “That’s Your Funeral” to the poignant “As Long as He Needs Me,” “Where Is Love” and “Reviewing the Situation” to the big song and dance numbers we all know and love — “Food, Glorious Food,” “Consider Yourself,” “I’d Do Anything” and “Oom-Pah-Pah” — all are performed with boundless energy and beautifully choreographed by Jessica Gill.

Costumes by Ronald R. Green III are brilliant, from the drab brown outfits for the orphans, to the refined suits and dresses for the aristocrats to the seedy outfits of Fagin and his crew; and the set, designed by Timothy Golebiewski, beautifully showcases a cross section of Victorian society.

Exiting the SPAC last Sunday afternoon, I couldn’t help but think how lucky we are to have so many wonderful community theaters on Long Island and how special live theater truly is. Consider yourself invited.

The Smithtown Center for the Arts, 2 E. Main St., Smithtown will present “Oliver!” through Jan. 21. Running time is 2½ hours with a 15-minute intermission. Tickets are $25 adults, $15 ages 12 and under. Please note: Show contains some violence and implied adult themes.

Season 16 opens with “Shakespeare in Love” from Feb. 3 to March 4, “Mamma Mia” from March 24 to April 29 and “Dreamgirls” from May 12 to June 17. For more information, call 631-724-3700 or visit www.smithtownpac.org.

All photos by Danielle Nigro

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The cast of 'Barnaby Saves Christmas'

By Heidi Sutton

In 2003, Theatre Three’s Douglas Quattrock and Jeffrey Sanzel sat down and wrote an adorable musical for children titled “Barnaby Saves Christmas,” about a little elf named Barnaby and a tiny reindeer called Franklynne who teach us that “Christmas lies within our hearts.” I recently had the opportunity to ask the two playwrights a few questions about the show that has become a beloved holiday tradition for families on the North Shore.

Can you believe it’s been 14 years?

DQ: No I can’t … it feels like just yesterday. I couldn’t possibly be getting that old!

What inspired you to write a holiday show for children?

JS: Doug conceived and created “Barnaby.” I had very little to do with its initial creation. He brought me a rough draft and the incredible score the summer before we premiered it. I was immediately taken by his terrific songs and I loved the idea of a holiday show that touched on another culture. During the fall, he continued to write and rewrite the show and went into rehearsal with it. It opened to great response and we knew we had our annual show.

Over the next several years, Doug and I worked on the book together, trading ideas, trying new things. Doug continued to add to the score and we have revised the show every year. The only thing that hasn’t changed is the beautiful score and the show’s great big heart — Barnaby and Franklynne are truly amazing holiday figures with as much character as Rudolph or Santa.

DQ: I have 13 nieces and nephews and I used to babysit when they were young and they would ask me to tell them bedtime stories. I used to make up stories for them, and one holiday season I started to tell them about a little elf and his reindeer friend. I always tried to put messages in the stories such as believing in yourself, believing that you can do anything, getting over fears and things like that.

They would get a little piece of the story at a time. Then I started writing songs to go along with that particular story and play them for the kids. Theatre Three always does “A Christmas Carol,” and that is a little scary for the young ones, and I wanted to offer a holiday show for the children. When I spoke to Jeff about the idea, he loved it and encouraged me to give it a shot. I was much more confident writing songs, which in themselves are stories, but writing an actual play was another thing. “Barnaby” was the first play I ever wrote and without Jeff’s extraordinary talent and guidance I don’t think I could have ever done it. His knowledge of theater and storytelling is second to none.

‘Barnaby’ is considered a Christmas story yet Hanukkah is very much a part of it. Why was it important to you to include the Festival of Lights in this story?

DQ: As people, I have always believed that we can all learn something from each other. Whatever your faith or beliefs, we are all here in this life together. We should respect and be open to others ways of living. The Festival of Lights celebrates a miracle and is a story of perseverance … not giving up. Barnaby and Franklynne are faced with a struggle at that point in the plot, and it struck me as the perfect opportunity to share that beautiful story. That’s where the song “Miracles” comes in.

JS: The fact that children get a small education on Hanukkah is an additional gift. We’ve had so many people thank us for adding that and finding the connection in the overall holiday spirit.

How does it make you feel when you hear the children laughing and see them enjoy the show?

DQ: It’s beyond gratifying and a little surreal. I love when the kids laugh and sing the songs on their way out of the theater.

What message did you hope to convey when you wrote this show?

DQ: The message of the story is really in some of the lyrics of the songs. “… Every day’s a golden opportunity to be better than you used to be…” “There are so many miracles that happen everyday” and lastly. “… Christmas lies within our hearts, The toys we give are just a sign of all the love we feel inside, and there’s enough to share for you and me.”

Theatre Three, 412 Main St., Port Jefferson will present “Barnaby Saves Christmas” on Dec. 23, 24, 28, 29 and 30 at 11 a.m. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

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This year's cast for 'Barnaby Saves Christmas'
Dylan Robert Poulos, Dana Bush, Meg Bush and Jessica Contino in a scene from 'Barnaby Saves Christmas'
Phyllis March, Eric Hughes and Dylan Robert Poulos in a scene from 'Barnaby Saves Christmas'
Steven Uihlein and Dana Bush in a scene from 'Barnaby Saves Christmas'
The cast of 'Barnaby Saves Christmas'
Meg Bush and Jessica Contino in a scene from 'Barnaby Saves Christmas'
Andrew Lenahan and Phyllis March
Eric Hughes, Jessica Contino, Meg Bush and Dylan Robert Poulos in a scene from 'Barnaby Saves Christmas'

By Heidi Sutton

The holiday season is finally here and nowhere on the North Shore is that more evident than Port Jefferson. This weekend the quaint village will magically transform into the Dickensian era as it hosts the 22nd annual Charles Dickens Festival.

Among the many festivities will be Theatre Three’s annual production of “A Christmas Carol,” which was the inspiration for the first Dickens Festival, and the original children’s musical “Barnaby Saves Christmas.”

The latter is celebrating its 14th anniversary this year, a testament to the caliber of its script by Douglas Quattrock and Jeffrey Sanzel and its music and lyrics by Quattrock. This wonderful show, which features several appearances by Santa himself, has become an annual tradition for many.

It’s Christmas Eve and Santa, his elves and reindeer have just left the North Pole to deliver presents to all the children. Realizing Santa has left behind one of the presents, “a little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest,” the littlest elf Barnaby convinces the tiniest reindeer, Franklynne, to set off on an adventure “to save Christmas.” Along the way they meet a Jewish family and learn all about Hanukkah and bump into an evil villain named S. B. Dombulbury who, with his partner in crime Irmagarde, stuff chimneys with coal in order to steal all the presents.

Eric Hughes reprises his role as Barnaby, the little elf who just wants to fit in, and Sari Feldman returns as Franklynne, the flying reindeer who is afraid to fly, especially the landing part. The scene where Barnaby helps Franklynne perfect her landing is a personal favorite. The pair have the audience rooting for them to succeed from the very beginning.

Steven Uihlein is back as S.B. (Spoiled Brat) Dombulbury, channeling a bit of Dr. Evil with his muhaha laugh. Uihlein is terrific as he goes around hypnotizing everyone so they will do his bidding. His unwitting partner in crime, Irmagarde, is played to perfection by Dana Bush. The only original cast member in the show, Bush is an audience favorite. Andrew Lenahan and Phyllis March are wonderful in the roles of Santa and Mrs. Claus and double as the Jewish aunt and nephew characters, Sarah and Andrew. Dylan Robert Poulos tackles the role of Sam, the head elf who is desperately trying to stay on schedule and keep track of elves Blizzard (Meg Bush) and Crystal (Jessica Contino). Their interactions are the funniest moments in the show and draw much laughter from the children in the audience.

Choreography by Sari Feldman is classic and fun, while the costumes, from the pointy elf shoes to Santa’s red velvet suit, are top notch. The entire score, accompanied on piano by Quattrock, is incredibly endearing and you’ll be humming the tunes for days to come. Go see “Barnaby Saves Christmas” and experience an afternoon of pure holiday joy.

Souvenir elf and reindeer dolls will be available for purchase during intermission. Stay after the show for a photo with Santa Claus on stage if you wish — the $5 fee goes to support the theater’s scholarship fund — and meet the rest of the cast in the lobby.

Theatre Three, 412 Main St., Port Jefferson, will present “Barnaby Saves Christmas” through Dec. 30. All shows begin at 11 a.m. Booster seats are available. Running time is approximately one hour and 15 minutes with one intermission. Recommended for ages 3 and up. Up next is a production of “Rapunzel: The Untold Story!” from Jan. 20 to Feb. 24 and “The Adventures of Peter Rabbit from March 10 to April 14. Tickets are $10 per person. For more information, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

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