Photography

By John L. Turner

John Turner

On a warm morning in early August, my wife Georgia and I climbed aboard a pontoon boat stationed along a canal in Freeport between two seafood restaurants, joining two dozen kindred spirits excited to explore the marsh islands dotting Middle Bay. While there were several purposes for the trip — getting to know other individuals committed to conservation through involvement in numerous downstate Audubon chapters being a prime one — once the boat began moving birds became the central focus. We were all interested in seeing what birds might be around as “fall” migration gets under way for a variety of coastal bird species. 

The first highlight was several Black-crowned Night-herons perched on large wooden pilings followed by a family of Killdeer standing around on some earthen mounds in a forgotten lot at the corner of the canal and bay. Killdeer derive their name from their ringing call which sounds like their name — kill-deer! kill-deer! killdeer! Killdeer are a species of shorebirds but typically aren’t found along the shore. Rather they are birds of open places like athletic fields and large gravel patches, vulnerable places that sometimes get them and their chicks in trouble.     

Speaking of shorebirds, this was the group I was most hoping to see. Even though we’re on a boat in mid-summer, many species of shorebirds have embarked on their southbound “fall” sojourns, some heading south from breeding grounds situated north of the Arctic Circle. And where might they be heading? Well, some species like Red Knots eventually make their way to Tierra Del Fuego at the southern tip of South America. Many others select other latitudes in South America and Central America while still others choose the southeastern United States or islands in the Caribbean. 

As all these migratory journeys illustrate, shore bird species —plovers, sandpipers and the larger ones like godwits — are indeed globetrotters of the Western Hemisphere.  Nearly two dozen shorebird species are known to undertake non-stop flights of 3,000 miles or more — that’s roughly the distance from New York to Seattle. The fuel? Subcutaneous fat stored under the skin. Take that you ultramarathoners out there! Long Island is one of the many “migratory motels” these highly mobile species depend upon during migration, a key stage in completing their annual life cycles. 

We soon saw a small flock of shorebirds sitting amidst a few common terns along a small pond in the marsh — a single Whimbrel and half a dozen Black-bellied Plovers. In full breeding plumage the latter species is one of the most striking birds in North America — jet black on the breast, belly, lower flanks and cheeks with a white cap on its head and upper neck (please don’t hesitate to pause your reading of this article to check out the image on the Internet). The back is speckled in a salt-and-pepper pattern. 

In comparison, the Whimbrel (once called the Hudsonian curlew), is a modest, understated bird with a back that contains flecking that’s medium brown in color, a lighter brown neck and a handsome crown with two prominent brown crown stripes and two more brown stripes running through the eyes. More prominent still is the long decurved bill, perfectly suited from pulling fiddler crabs from their burrows. The decurved bill gives rise to the generic part of its scientific name (Numenius phaeopus). Numenius means “of the new moon” a reference of the similarity to the crescent shaped bill to the crescent moon that forms right after the new moon. 

Moving south into the bay we slowly worked along the edge of an island and were rewarded by other shorebird species — some ‘peeps’ like Semipalmated and Least Sandpipers and a few Sanderlings. A pair of Greater Yellowlegs, living up to their name with long, bright yellow legs, stood nearby and in the marsh a few Willets were feeding, a larger shorebird species that nests on Long Island. They were soon joined by a few American Oystercatchers, highly distinctive and large shorebirds with long bright red bills that are also local nesting birds.  

We continued on and two more species were soon tallied — Semipalmated Plovers and the harlequin looking Ruddy Turnstone (another fine time to pause to look up the species on the Internet). This turnstone species, another shorebird with some populations breeding above the Arctic Circle, has a ruddy-colored back and tail with black barring, a white belly, bright orange legs, and a distinctive black and white facial pattern with two white spots between the eyes and the base of the bill. While this bold pattern makes the bird stand out while sitting on a rock, dock, or on the sand at a marsh’s edge, it helps the bird blend in while sitting on eggs in its vegetated tundra habitat in the Far North. Ruddy Turnstones get their name from the aforementioned ruddy back and their habit of flicking over shells and stones while foraging for food on the beach. This unique foraging behavior allows them to find food items other shorebirds cannot find.    

Semipalmated Plovers are a handsome shorebird species. A uniform chocolate brown back and top of head with a clean white belly and throat separated by a bold black bar, adults in breeding plumage have an orange and black bill and orange legs. Their name is derived from the fact their feet are partially webbed but not entirely webbed like the foot of a duck. They’re similar in appearance and shape to Piping Plovers, a small shorebird that nests on beaches around Long Island. In fact, one birder has noted that a Semipalmated Plover looks like a sandy colored Piping Plover after being submerged in water and its plumage darkens.

Along the East Coast shorebirds were once actively hunted for sport and to a lesser extent for food and such was the case on Long Island. There are many written accounts of hunting trips to mud- and sand flats, marshes and the outer beach to gun for shorebirds, often using wooden decoys to draw them in. (There were a number of famous decoy makers on Long Island and some of their decoys can be purchased online). The hunting pressure was so intense and relentless and so many birds killed that many shorebird species declined precipitously. 

One species, the Eskimo Curlew, closely related to the Whimbrel, is feared to be extinct from persistent hunting for the table, as the bird was considered quite delectable, containing lots of fat, a fact that led to their colloquial name of ‘doughbirds’. The last known flock of Eskimo Curlews was seen in Barbados in 1963. It was a common shorebird that passed through Long Island during fall migration. Today, almost all shorebird species are legally protected from hunting. One exception is the most ‘unshorebirdlike’ of all shorebirds — the American Woodcock, a forest dwelling shorebird that is still actively hunted.    

Today, shorebirds face threats of a different nature. Habitat loss, as shorelines are hardened or developed, reduces the availability of feeding habitat, compromising the quality of their ‘motel’ experience, and climate disruption adds a huge layer of concern that is hard to measure in how it might affect the welfare of these iconic species. But there are many individuals and organizations working to safeguard shorebirds — from ending shorebird hunting in the Caribbean to artisanal salt farmers in Honduras working to protect habitat for black-necked stilts (we get a few that pass through Long Island every year) to the creation of the Western Hemisphere Shorebird Reserve Network (WHSRN) that identifies and protects sites critical as stopover habitat for shorebirds.   

For most of us, shorebirds’ lives are invisible, their existence dependent on remote and wild landscapes often in places so very distant from us that our paths rarely cross. When they do it’s a momentary gift — maybe it’s a scurrying flock of sanderlings retreating from the foam of a crashing ocean wave or the piercing tew! tew! tew! of a greater yellowlegs you’ve flushed from a shore edge while kayaking or watching the broken wing act of an adult piping plover trying to distract you away from its nest or young. As the boat experience illustrates, we are in the season of gift giving. 

A resident of Setauket, author John L. Turner is conservation chair of the Four Harbors Audubon Society, author of “Exploring the Other Island: A Seasonal Nature Guide to Long Island” and president of Alula Birding & Natural History Tours.

Photo courtesy of the Suffolk County Vanderbilt Museum

FOR THE LOVE OF A GOOD BOOK

Long Island LitFest presented an evening with Jodi Picoult at the Suffolk County Vanderbilt Museum in Centerport on Aug. 20. The sold-out event, which was moderated by Broadway star Arielle Jacobs, drew hundreds of excited fans to the courtyard at the Eagle’s Nest mansion to hear the bestselling author talk about her latest book, By Any Other Name. Between the autographed books and photos with Picoult, everyone left with a smile. Pictured above, author Jodi Picoult (left) and moderator Arielle Jacobs with fans. 

Photo by Ben Hartschuh, GH Prime Media

Send your Photo of the Week to [email protected]

By Toni-Elena Gallo

Photo by Kerri Glynn

LEMONADE FOR A GREAT CAUSE

The Riley family from the Stony Brook School recently ran a successful lemonade stand and bake sale at Frank Melville Memorial Park in Setauket to help support the beautiful private park and refresh its visitors. The children earned community service hours for their efforts. 

If you know of a child that needs community service hours and would like to help raise money for the park by holding a traditional lemonade stand, bake sale, etc., email [email protected]. All children must be accompanied by an adult.

Send your Photo of the Week to [email protected]

By Tara Mae

Behold the beauty as seen through another’s eyes with the Port Jefferson Photography Club’s (PJPC) exhibit, Through the Camera Lens, at Emma Clark Library, 120 Main Street in Setauket. 

On view through the month of August, the exhibit features approximately 30 photos by club members Ralph Baldasarra, Barry Bernstein, Wendy Beaton, Michael Boren, William Hammer, Terry Murphy, Kathy Pisculli, Darlene Prowse, Anneliese Scheef, Irene Stern, C. Visconti, and Peter Willstein.

Housed on the walls of the library’s new Level Up Kitchen Library Café on the first floor next to the reference desk, all images in Through the Camera Lens have a card that lists the title of the photo, the photographer’s name, and contact information. Many of these photos are for sale; visitors are encouraged to contact the photographer if interested in purchasing a photo. 

The images illuminate a spectrum of perspectives and personalities, taking the viewer on a tour of instances and ideas.

“We have such a diverse, well-traveled membership that we ask members to display what they would like to share with the audience. Travel, black & white, landscape, architecture, animals, portraits, etc,” said Prowse. 

A variety of outlook and style enables attendees to see the world from individual points of view: common sights may reveal uncommon insights and fleeting moments are made forever spellbinding. 

“It gives us an opportunity to share with others the places we have been, the way we see the world and our creativity in unusual and artful creations,” Prowse added. “It is like sharing a family photo album with someone who is really interested in what you are showing them. It is also an affirmation of the work we have put into creating an image.”

Satisfaction comes from sharing their passion not only with each other, but the public. To this endeavor, the PJPC seeks to exhibit its work in community spaces as a means of connection.

Now in its 12th year, the club has an ongoing installation at Port Jefferson’s Pasta Pasta restaurant which changes seasonally. Among other accolades, its booth won first place at a recent St. James Art Walk. And PJPC has also displayed work at Gallery North’s Outdoor Art Show in Setauket, Watermark Galleries in St. James, and Bayport-Blue Point Public Library in Blue Point.

August’s show at Emma Clark Library follows July’s exhibit at the Port Jefferson Village Center. Having both personal and pragmatic benefits — friendships, greater exposure, and refinement of craft — the library exhibit is the members’ latest foray into artistic communication with an audience and one another.

“…it shows that our area has an interest in the arts and appreciates local clubs and organization involvement. Hopefully, this will encourage others to show an interest in the PJPC,” Prowse said. 

In addition to its community involvement, PJPC cultivates its artistic presence in part by facilitating its social network. The club hosts monthly lectures and goes on monthly field trips, visiting museums, beaches, New York City, etc. for group bonding, motivation, and inspiration.

“Photography gives me a chance to be creative and I love to show off my work…I love the social aspect of it,” said the Club’s Vice President Barry Bernstein.

Participating in the organization allows its members to focus the poetic precision of photography while benefiting from the camaraderie of a shared passion. It galvanizes participants to hone their craft and nurture their artistry.

“What I think is most rewarding about photography is the ability to capture a moment in time; to be able to freeze a moment of a bald eagle flying, to capture the colorful sunrises or sunsets, and to add my own creativity to what I photograph. It can be done anywhere, at anytime, with a group of people or by myself,” said PJPC President Anne DePietri.

The PJPC is committed to nurturing the creative nature of its members. Its outreach endeavors are part of a diligent effort to foster imaginative understanding and entice an engaged network. 

“Belonging to a group is so inspiring. There might be a day that is gloomy and I’m not motivated to go out and find something interesting to shoot. It helps to know that my fellow members are expecting me to present something I looked at in a different way and made an interesting photo,” Prowse said 

From those presentations, PJPC expands dialogue to move behind the club: its exhibit at Emma Clark Library is broadening the conversation between artists and audience, inviting individuals not only to observe but to partake in the process.

Photographers of any level are invited to join PJPC, which meets on the second Tuesday of the month at Port Jefferson Free Library and on the fourth Tuesday of the month over Zoom.

“We welcome new members who want to explore photography or enhance their skills,” Prowse said. “Belonging to a group is so inspiring.”

For members of PJPC, getting to show their work with their community is as gratifying and a source of continuous encouragement.

“I think one of the most rewarding parts of being a member of the Port Jefferson Photography Club is the non-judgemental support of everyone and the eagerness to share and learn from each other,” DePietri said.

To learn more about the PJPC, visit portjeffphotoclub.org or email [email protected].