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Pixabay photo

By Daniel Dunaief

Daniel Dunaief

Why do we go to baseball games? Oooh, pick me! Pick me! I can answer. Of course you can. You’re writing this piece. Okay, let’s talk about the appeal of baseball.

First of all, there’s the potential for anything baseball related to happen. I might see a triple play, a no hitter, a perfect game, four home runs in a row, eight consecutive strike outs, or something other collections of fans have either never seen or rarely witnessed.

We recently attended a minor league game in which two runners scored on a sacrifice fly to deep center field.

Baseball is an endless series of what-if moments, as in, what if the batter hits the ball to third base with runners on first and third and one out. Is it hit hard enough for a double play based on the speed of the runners, the score at the time, and the movement of the runner on third?

The combination of athleticism and strength bring different qualities to the game. Sure, people who are big and muscular can hit a ball hard, but can they get a good jump when they’re running from first or second base, can they cover a larger strike zone, and can they be satisfied with a single or double instead of a towering home run?

Then, there’s the aesthetic appeal of the stadiums, with bright lines going out from home plate to the outfield, defined base paths, and a shimmering outfield grass (if it’s real grass), where fleet-footed fielders race to track down balls.

Two questions immediately occur to me as I reach my seat. The first is how good the view is relative to the field. Can I see pitches clearly? Can I track balls from home plate to all parts of the field?

The second is whether I’m in prime foul ball territory. Admittedly, that’s a tougher question to answer, especially with all the screens that have now gone up around the infield. 

There is something about balls flung from these fields of dreams that imbues them with a power far in excess of their raw materials. Is it the perfect weight in our hands? Is it the feel of the gently raised seams? Or, perhaps, it’s the combination of the white hard outer layer, the red seams, and the blue from the logo, the official major league baseball lettering and the signature of current commissioner Robert Manfred, Jr.

Sure, free stuff in general is fun to catch, but something about these baseballs makes bringing them home particularly rewarding, giving us a physical connection to the game.

Maybe it’s the stories we can tell about how the baseball came from a particular hitter or a specific game. Or maybe the balls, like the game itself, contain within them the power of the what-if.

Have you ever seen people after they’ve caught a ball at a game? They can’t help smiling, often examining it closely, as they look for where a bat struck it or where it rolled across the grass or dirt. 

Tossing a ball to a particularly vociferous or angry fan could serve as a pacifier. Yeah, your team is losing by 12 runs, and yes, you could have done a better job at everything because you’re that much more knowledgeable about the game than everyone else, but you have a baseball in your hand. How cool is that?

The balls from America’s pastime are like us. They may have similar qualities or look and feel the same, but they can and will be unique in and of themselves and as a part of a game. They could be the central part of a double play, the main character soaring through the air on a walk off home run, or the 18th pitch of a tremendous 21 pitch at bat.

These balls carry magic and hope. 

And, yes, if you’re wondering why I’m so rhapsodic, I caught a ball at the aforementioned minor league game. A third base coach knocked down a foul ball and tossed it directly at me in the stands. When I caught it, I handed it to my daughter, excited to share this small piece of baseball and personal history with my family and now with you. It’s just a ball and yet it’s so much more.

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METRO photo

By Leah S. Dunaief

Leah Dunaief,
Publisher

Wednesday was National Corn on the Cob Day, and when I saw that, I began to salivate because I love that vegetable. We are now coming into the season when the kernels are sweet with or without butter and salt. 

Everyone eats corn differently, it seems, if you watch people devouring the offering. I bite the corn from the cob as if I were using an old fashioned typewriter, meaning in a single row from left to right. I’ll eat one row, then go back, as if I were slinging a typewriter carriage to the next line, and chew straight above the first.

Others turn the cob so that they are eating in a circular fashion, one circle precisely after the other in a geometric display. Still others just plow right in, chewing wherever their teeth land. They eventually clean off the whole cob.

I guess one could tell a lot about the corn eater’s personality by watching the pattern of consumption from the cob.

My favorite corn on the cob story takes place in the late 1940s on a freezing January day. My dad, who grew up in the mountains and loved the cold, brisk air, would put on his heavy winter coat and take my mother, my brother, my sister and me to Coney Island. 

It was always on a Sunday, when he had off from work. The ride tickled my mother, who thought it was an extraordinary price on the subway for the same 15 cent token that one paid just to go one stop, so that typically would be part of the conversation on the trip to Brooklyn from our apartment in Midtown Manhattan. 

When we emerged from underground, the wind and cold would initially take our breaths away, but before long, we acclimated. We followed my dad down to the beach and watched the wild waves plunge into the shore with a roar and lots of foam, then recede meekly only to repeat the fury. It was Nature showing its dramatic face.

It was also intensely cold.

After a few minutes of beach walking, we would head toward Nathan’s Hot Dog stand, one of the few stores open in the winter. This one Sunday, we were in for a surprise. In the narrow alley between Nathan’s and the next building was a man with a cauldron on what I guess was an electric burner, steam pouring from the pot. As we drew near, we could see butter, salt and napkins on the stand.

When my dad cleared a hole in the steam and peered into the pot, he expressed some happy surprise. “Where did you get corn on the cob in January?” he queried the man holding the tongs.

“They are in the frozen food section of some of the supermarkets,” the man explained. Frozen foods were just beginning to appear in markets at that time.

“Do they taste the same?” my dad asked.

“Try one,” the fellow offered and plucked one from the boiling water, putting it on a piece of white paper.

When it had cooled enough to bite into the cob, my dad approved the purchase and we all ate those steaming corn with butter and salt, crowding around the cauldron for warmth. I still remember those corn as the sweetest as any I had ever tasted in the summer. 

Besides, they warmed my hands.

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Distinguished Professor Arie Kaufman demonstrating two applications in the FlexiCAVE. On the left is a protein volume (inner pivot ~10 degrees, outer pivot ~30 degrees), and on the right side is Submerse application – visualization for extreme weather flooding in urban environments (on a flat FlexiCAVE section). Photo from SBU

Technology Can Be Used in Multiple Areas Including Healthcare, Climate Change, Managing Natural Disasters, Architecture, Urban Planning and Drug Design

Stony Brook University’s Center for Visual Computing has completed construction of the FlexiCAVE—the world’s largest flexible, dynamically reconfigurable high-resolution stereo display facility. Housed on the first floor of the New Computer Science (NCS) building, the FlexiCAVE comprises 40 tiled, high-pixel-density monitors capable of rendering about 83 million pixels, all while physically transforming its shape to support a wide range of scientific and data-driven applications, improving  immersive visualization technology.

“We envisioned a display that would adapt to the data—not the other way around,” said Arie Kaufman, distinguished professor of Computer Science and the principal investigator behind the project. “With FlexiCAVE, we’re enabling researchers to literally shape their workspace to the needs of their analysis.”

Innovative Interaction and Applications

Unlike traditional static visualization walls or even curved displays, the FlexiCAVE is built on a modular architecture with rotatable display columns. The system can seamlessly transition between flat, L-shaped, U-shaped, or semi-circular configurations in real time. These transitions are not only cosmetic.  They directly influence the visualization, the user experience and the type of data interaction enabled.

A custom-built rendering engine powers the design that synchronizes stereo views and dynamically updates visualizations as users physically adjust the screen layout. The team calls this new interaction paradigm —PIVoT, which is an acronym for  Physical Interaction to Virtual Transformation.

“It’s more than a screen. It’s a physical and tangible interface for virtual exploration where users are immersed in the data, and the layout of the FlexiCAVE anchors their sense of whereness, helping them stay oriented as they navigate complex visual spaces,” noted Principal Research Scientist Dr. Saeed Boorboor, co-author of the recently submitted VIS 2025 paper which details the system.

Real-World Applications

Immersive virtual colonoscopy showing on the FlexiCAVE, where radiologists navigate inside the patient’s colon model to locate and analyze polyps (all pivot angles are ~40 degrees). Photo from SBU

The team has already demonstrated real-world applications in many areas including healthcare. For example, virtual colonoscopy shifts the layout from a flat 2D overview of the patient’s colon to a curved immersive 3D endoluminal view (see Figure 2). In medical imaging visualization, radiologists can tangibly move the FlexiCAVE displays to virtually “slice” through brain MRI or abdominal CT scans.

And in situations like in  urban flood simulations, emergency planners can  orient and navigate flooding scenarios spatially by reconfiguring the display (see Figure 1).

In addition, researchers are using FlexiCAVE to experiment with multivariate data visualization, dynamically switching between scatter plots and parallel coordinate plots by physically bending screen segments. This hands-on interaction transforms the way users explore complex datasets. In an early user study, participants preferred the flexibility of the system and reported improved spatial perception over traditional static layouts. Other areas that can be enhanced  include architecture, urban planning, geospatial data, biological systems, drug design, and many others.

Why Now?

As datasets continue to grow in both size and complexity—ranging from volumetric brain scans to climate models—there is a pressing need for immersive tools that allow researchers to explore data from multiple angles and scales. The FlexiCAVE, part of a  growing trend in large high-resolution tiled displays,takes a bold step forward by combining stereoscopy, dynamic curvature, and tangible interaction into one unified system.

With backing from the New York State and Federal agencies, the FlexiCAVE’s development represents years of engineering insight, including customized aluminum framing, inclinometer-equipped hinges, and powerful GPU clusters capable of real-time image updates in a noise-canceling cabinet.

Looking Ahead

While the current version requires manual adjustment of the display columns—a design challenge acknowledged by the team—future updates may introduce motorized column rotation for ease of use. The research group is also exploring new applications in collaborative analytics and adaptable visualization workflows.

“We hope FlexiCAVE becomes a blueprint for the next generation of immersive environments—not only here at Stony Brook, but also globally,” said Professor Kaufman.

 

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June is a time of beautiful weather and plentiful celebrations, including graduations, Father’s Day and weddings. Outdoor spaces at these events can be crowded with drones, kites and metallic foil balloons. PSEG Long Island reminds customers that any of these objects can become entangled in overhead electric equipment and cause a host of problems.
 
“While we all want to make our celebrations as fun and memorable as possible, a drone, kite or metallic foil balloon coming into contact with a power line or other electrical equipment could lead to power outages, fire and, possibly, injuries,” said Michael Sullivan, PSEG Long Island’s vice president of Electric Operations. “The safety of customers and employees is PSEG Long Island’s No. 1 priority. We want customers to know the risks and take steps to ensure their recreational activities and celebrations are a success.”
 
To mitigate these risks, PSEG Long Island encourages the public to follow these safety guidelines:
 
Power lines
  • Stay at least 200 feet away from power lines or other electrical equipment.
  • NEVER touch a power line. Do not attempt to retrieve a balloon, kite, drone or anything caught in an overhead power line. Report it by contacting PSEG Long Island at 800-490-0075 so a specially trained crew can safely address the issue.
Drones
  • Fly your drone at or below 400 feet.
  • Do not fly in dark, stormy or windy conditions.
  • Read and follow the drone manufacturer’s instructions to ensure the safety of your drone and people around you.
Balloons and kites
  • Never fly kites or balloons in the rain or during an electrical storm.
  • Never cross a road or street while flying a kite or holding a balloon.
  • Kites and Mylar balloons should be kept away from overhead power lines and equipment, and never purposely released into the air.
  • All balloons with helium should be secured to weights that prevent them from floating away.
  • To properly dispose of a Mylar balloon, safely puncture it in several places to release the helium, and discard it in the trash.
For more safety tips and information on reliability initiatives, please visit psegliny.com/SafetyAndReliability.
 

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The Art Museum on the grounds of the Long Island Museum in Stony Brook. Photo by Brian Kutner

The Long Island Museum (LIM), 1200 Route 25A, Stony Brook was recently awarded a grant totaling $218,000 from the New York State Council on the Arts (NYSCA) to support the organization’s Art Museum Renovation – Phase II. This grant is part of a capital project funding announcement by NYSCA, which totals over $86 million to 134 capital projects across New York State.

The grant was awarded to help LIM work towards vital improvements in the long-term environmental sustainability of LIM’s Art Museum, which turned 50 in 2024. Thanks, in part, to a grant from NYSCA in 2024, the roof system and roofline insulation are in the process of being replaced; Phase II of the project, for which this grant was awarded, is to strengthen additional components of the building’s envelope, including the installation of new insulation, siding, and doors. NYSCA funding will support this next phase of the project, which meets the larger goals of the overall project for the Art Museum: to increase the building’s efficiency, decrease LIM’s operating costs, and decrease the building’s carbon footprint/environmental costs.

“We are thrilled to have received a grant from NYSCA, which will provide us with vital support for this project in alignment with three of our key priorities: accessibility, environmental sustainability and organizational health,” said Sarah Abruzzi, Co-Executive Director, Operations.  “This project will help take our Art Museum beyond its first 50 years and into a successful future, where LIM will continue to serve as a community leader and bring important art exhibitions, dynamic collections initiatives, and memorable programmatic experiences to visitors of all ages and abilities for generations to come.”

“Our arts and culture sector is a powerhouse, inspiring the world with innovation and creativity,” Governor Hochul said. “By investing in our museums, our theaters and our arts centers, we enrich our communities, strengthen local economies and improve tourism all over the State.”

NYSCA Executive Director Erika Mallin said, “These transformative projects improve communities, drive tourism and foster innovation in the field. Thanks to the Governor and the Legislature’s dedication to arts and culture, we are building a thriving future for our world-renowned creative sector. Congratulations to The Long Island Museum, NYSCA is a proud supporter of your contributions to New York’s arts and culture.”

About The Long Island Museum 

Founded in 1939 and accredited by AAM since 1973, The Long Island Museum is home to more than 60,000 artifacts, The Long Island Museum inspires and engages visitors of diverse ages, backgrounds, and abilities by connecting them with the region’s art and history, a world-class carriage collection, and energizing programs that foster a creative and inclusive community. For more about LIM’s exhibitions and programming, visit longislandmuseum.org

About the New York State Council on the Arts 

The mission of the New York State Council on the Arts is to foster and advance the full breadth of New York State’s arts, culture, and creativity for all. To support the ongoing recovery of the arts across New York State, the Council on the Arts will award over $161 million in FY 2026, serving hundreds of arts organizations and artists across all 10 state regions. The Council on the Arts further advances New York’s creative culture by convening leaders in the field and providing organizational and professional development opportunities and informational resources. Created by Governor Nelson Rockefeller in 1960 and continued with the support of Governor Kathy Hochul and the New York State Legislature, the Council is an agency that is part of the Executive Branch. For more information on NYSCA, please visit www.arts.ny.gov, and follow NYSCA’s Facebook page, on X @NYSCArts and Instagram @NYSCouncilontheArts.

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The Gamecock Cottage. Photo by Heather Lynch

After the record-breaking flood of last August, an heirloom of our community fell to ruins and has yet to reconnect with the scenic roads that we are so lucky to take every day. In light of the destruction of the beautiful and historic Mill Pond in Stony Brook and Stump Pond in Smithtown, members of the community have shared an outpouring of public support and togetherness in rebuilding our local history in the past week. At the Mill Pond, residents describe feeling stranded by administrative gridlock; but perhaps it does not have to be disheartening. 

As the weather finally warms, we are looking to fill the mill-shaped gaps in our hearts, which we can do by visiting and honoring our island’s other beautiful parks. We can celebrate our rich Native American and colonial history at equally evocative and inspiring sites during  these sun-kissed summer days. 

Containing the only remaining wooden cottage part of the beach, West Meadow Beach Path offers a 2.3-mile paved stroll through the wetlands reserve, complete with local wildlife infographics, a scenic overlook at still-standing 1876 Gamecock Cottage, and a historic building constructed for storage of oars and row boats. West Meadow Beach Path eases us from the nostalgia of the wooded, breezy salt marsh at dusk to the citrus sunsets met by the water, with terrapins, herons and bunnies searching for food or calling to each other between the reeds. At dusk, we may even spot deer up close in the brush. 

At the Rocky Point Pine Barrens, archaeological evidence point to a minimum 12,000 year-long history of Native American presence in the area. The land that provided resources for hunting, gathering, and shelter now offers miles of hiking and biking trails and horseback riding. Visitors should keep an eye out for historical signage, landmarks and vegetation unique to the undeveloped land, enabling us to appreciate and respect our island’s pre-colonial history. Verdant and sprawling, the Rocky Point Pine Barrens is stimulating and invigorating as much as it is calming. A visit to the pine barrens connects us with those who called this place home long before we arrived.

Further west, Heckscher Park is the site of a former 19th-century estate bought by New York State. Within walking distance of Huntington Village, the park features the Heckscher Museum of Art, pond, walking paths, playground, tennis courts, ball field, public art and memorials in addition to the “Chapin Rainbow Stage” performing arts amphitheater, home of the Huntington Summer Music Festival. Heckscher Park bustles with joy and laughter; an “All-American” gem, a mine for summer-night nostalgia alongside new memories we can enjoy on picnic blankets.

Tracking our unique lineage and culture throughout the island is as important as fighting for what we’ve lost. We can create new memories and revel in small joys at other local treasures as we  wait for the Mill Pond and Stump Pond to recover.

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Sean Skinner next to another project he presented at a previous science fair. Photo courtesy Sean Skinner

By Peter Sloniewsky

Last month, Ward Melville High School student Sean Skinner won a $12,000 scholarship in the engineering and technology category at the National Junior Science and Humanities Symposium in Chantilly, Virginia. The JSHS is a STEM education program intended to encourage high school students to conduct original research in competitions with potential to win scholarships sponsored by the Department of Defense and administered by the National Science Teaching Association. Skinner was one of nine winners of top prizes at the competition. 

The JSHS is a multiround competition which begins at the regional symposium, where Skinner began at the New York-Long Island level. There are three total regions in New York State. Skinner placed second in regional semifinals and first overall in regional finals before eventually winning at nationals. The competition is based on 12-minute oral presentations alongside a question-and-answer period. 

For his project, Physics-Informed Machine Learning for Many-Objective Generative Design, Skinner created a unique artificial intelligence model intended to assist engineers in designing mechanical structures with less restraints on changeable components. 

“The problem is that right now, unlike ChatGPT, you can’t ask [AI used for generating engineering designs] for many goals — you can’t say make it strong and aesthetic and dissipate heat, or whatever else you want; you can really only ask for strong and lightweight,” Skinner wrote in an email. “My project is about fixing that problem.” 

Skinner said his project had potential to drastically expand and expedite the possibilities for engineers’ design processes. 

“Generative AI can be used to create designs that meet the engineers’ goals better — like being stronger — and to do this designing quickly and more easily,” Skinner. “Rather than drawing everything by hand and then running several layers of computer optimizations, generative AI like my program simply takes in the goals of the engineers and creates possible solutions.” 

Moreover, as a current WMHS student and graduating senior, Skinner credited support from Ward Melville programs in helping him to go above and beyond regular coursework to study generative AI. 

“Last year I created a more simple generative design research project, which gave me a lot of experience. Of course, before that, I had no specific experience in generative design — it’s not something taught in classes, or even used in most engineering firms at the moment,” Skinner clarified. This may be due to lack of AI knowledge in the engineering subject area, with major implications that AI relies on high-quality and consistent data, which can be challenging to manage in engineering firms due to fragmented sources, inconsistent standards and potential human errors.

Insufficient or low-quality data can also hinder effective AI implementation and lead to biased or inaccurate results — but Skinner is determined to thwart these issues. He reflects, “Building devices for activities at Ward Melville like Science Olympiad has helped me develop a passion and intuition for engineering. With Science Olympiad, I’ve built all sorts of engineering projects… and this allowed me to develop a sense of what I’m capable of as an engineer, how engineering works and what engineers need.” 

Next year, Skinner intends to study aerospace engineering at the Georgia Institute of Technology and aspires to eventually pursue a master’s degree in the same subject.

“My dream is to one day work for NASA and help build spacecraft for scientific exploration,” Skinner. “I would love to publish my generative design research one day and to do further research in this field to help it move from a prototype to the industry standard. But as I specialize within my education, I do plan to move closer toward aerospace research, possibly using my computational engineering background.” 

Skinner closed his interview with some parting advice for younger students interested in doing independent research. 

“I’d say the most important component to being successful is just being passionate,” Skinner said. “If you work as hard as you can for what you’re passionate about, you really can’t go wrong — whether or not your work actually comes together to be flashy or materially successful, there will definitely be some benefit, be it inspiring other people or learning for yourself.”

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By Heidi Sutton

A classic adventure returns for Father’s Day! Indiana Jones and the Last Crusade heads to select theaters nationwide on Saturday, June 14, Sunday, June 15 and Wednesday, June 18, courtesy of Fathom Entertainment Big Screen Classics and Paramount Pictures.

The 1989 action adventure film directed by Steven Spielberg from a screenplay by Jeffrey Boam, based on a story by George Lucas and Menno Meyjes, is the third installment in the Indiana Jones film series and the sequel to Raiders of the Lost Ark (1981).

Sean Connery and Harrison Ford in a scene from the film.

There’s nothing more exciting than trying to keep up with the Joneses in Indiana Jones and the Last Crusade. Indy’s Nazi enemies are back and have kidnapped his father, Professor Henry Jones Sr. (Sean Connery), to aid them in their search for the Holy Grail. Following a trail from America to Venice to the deserts of the Middle East, it’s up to Indy (Harrison Ford) to save his father, save the Grail, and save the day in this non-stop, action-packed adventure the whole family will treasure.

Each screening features an exclusive introduction by cinema critic and historian Leonard Maltin, discussing the landmark film’s timeless appeal and offering special insight.

Locally the film will be screened at AMC Loews Stony Brook 17, Regal Ronkonkoma, Island 16: Cinema de Lux in Holtsville, Showcase Cinema de lux in Farmingdale, Regal UA Farmingdale, and Regal Deer Park.

Fathom’s Big Screen Classics series continues with the following films heading to select theaters nationwide:

— Clueless in honor of its 30th anniversary on June 29 and June 30

— This is Spinal Tap in honor of its 41st anniversary on July 5, July 6 and July 7

— One Flew Over the Cuckoo’s Nest in honor of its 50th anniversary on July 13 and July 16

— Sunset Boulevard in honor of its 75th anniversary on August 3 and August 4

— The Sound of Music in honor of its 60th anniversary on September 13, 14 and 17

— Rocky IV: Rocky vs Drago — The Ultimate Directors Cut on November 5 and November 9

For times and tickets, visit www.fathomentertainment.com.

 

 

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Michaels
The Michaels Companies, Inc. has successfully completed the acquisition of the intellectual property and private label brands of JOANN, including the development of the beloved Big Twist® brands as part of the Michaels portfolio, the company announced this week.

In addition, Michaels is expanding its fabric, sewing, and yarn assortment, adding over 600 products across new and existing brands, including sewing and quilting supplies, fabric, yarn, specialty threads, sewing machines, and more. The acquisition and expanded product assortment reflect progress as Michaels continues to reimagine the customer experience to become the go-to destination for fueling creativity and celebration.

“We’re honored to have the opportunity to welcome JOANN customers into our creative community and are committed to delivering the selection, value, and inspiration they are looking for at Michaels,” said David Boone, Chief Executive Officer at Michaels, in a press release on June 5. “This acquisition allows us to better serve both new and existing customers, respond to rising demand across categories, and build on our momentum as the destination for creating and celebrating in North America.”

Fabric
Searches for ‘fabric’ on Michaels.com have increased by 77% over the past year and Michaels has responded by making a significant investment in the category, increasing the assortment in over 680 Stores, with plans for 280 more Stores this year. Michaels offers an extensive range of fabric with over 10,000 options available online. From vibrant cottons for quilting to versatile broadcloth for apparel and home decor, every creator now has access to an unparalleled selection of materials to bring their visions to life.

Sewing
Stitching its way back into the spotlight, searches for ‘sewing’ have increased by 39% on Michaels.com since last year. Michaels is responding by expanding its selection of customer-loved brands starting this month to ensure every creator has access to the tools and materials they want, including:

  • Introducing new Brother® and SINGER® sewing machines
  • Adding 50+ new needle crafting kits from DMC® and Loops & Threads®
  • Debuting 10+ Pellon® stabilizers and interfacing, specialty scissors, and thread packs, with Pellon cut-to-order batting coming in August
  • Expanding assortment with new products from Clover, FISKARS®, Coats & Clark™, and VELCRO®
  • Welcoming best-selling Oliso® Smart Iron

Yarn
Reflecting the growing resurgence in knitting, crocheting, and other fiber arts, Michaels is actively expanding its yarn assortment by 25% this year to meet soaring customer demand. From the most skilled crocheter to those picking up knitting needles for the first time, every level of crafter can now find what they are looking for at Michaels. Here’s what’s new:

  • Releasing over 60 new Loops & Threads offerings in-stores and online starting this month
  • Introducing new and expanding national brand collections from Red Heart®, Bernat®, and Lion Brand® this summer
  • Expanding best-selling Amigurumi kits with 12+ new seasonal offerings launching this holiday season
  • Welcoming beloved JOANN brands including Big Twist Value Plus, Big Twist Twinkle, Big Twist Posh and Big Twist Baby Bear, which are now being developed as part of Michaels portfolio of brands and will be available in-stores and online later this year

With many of these latest additions available now, knitters and sewists alike can shop in-store and online at Michaels.com. Additional products will continue to roll out throughout the year.

Special Welcome for JOANN Customers
JOANN was a beloved destination for creators for generations, and Michaels is honored to serve this community with a dedicated landing page featuring the latest updates and a curated assortment of products.

The Michaels Companies, Inc.
At The Michaels Companies Inc., our purpose is to fuel the joy of creativity. As the leading destination for creating and celebrating in North America, we operate over 1,300 stores in 49 states and Canada and online at Michaels.com and Michaels.ca. The Michaels Companies, Inc. also owns Artistree®, a manufacturer of custom and specialty framing merchandise. Founded in 1973 and headquartered in Irving, Texas, Michaels is the best place for all things creative. For more information, please visit www.michaels.com.

 

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Author Tom Cassidy as a lifeguard at Rockaway Beach.

By Thomas M. Cassidy

The American Red Cross has three lifesaving principles, “Reach, Throw, Don’t Go.” Stand or lie down on solid ground and reach out with an object like a pole that the drowning person can grab so you can pull them to safety. Throw a flotation device toward a swimmer in distress to help them stay afloat and call for help. Don’t Go is a warning that people who jump in the water to rescue a drowning person put themselves at risk of drowning. Even lifeguards must be very careful when they rescue a panicked and distressed swimmer. As a former lifeguard let me explain:

The author’s son Kieran and his daughter Nikki in a swimming pool. Photo from Tom Cassidy

My first rescue occurred in the ocean at Rockaway Beach soon after my seventeenth birthday. I was working the late shift, and the next available lifeguard was two beaches away. It was early evening, and no one was on the beach. A few minutes before closing time, a woman puts her towel on the sand and walks into the water. Within a few minutes she was knocked down by a wave and the undertow was rapidly pulling her out to sea. She was desperately screaming for help!

I blew my whistle to get the attention of the nearest lifeguard and then swam to her. I told her I was a lifeguard, and she was safe. She stretched out her arm and I started to bring her close to me so I could swim her back to the beach. Suddenly in a desperate frenzy, she gripped both her arms around my neck so tight that I almost lost consciousness. We both sank to the bottom of the ocean, and she finally let go of my neck. I recovered quickly, and I was able to push both of us to the surface to get a breath of air.  A lifeguard who heard my whistle arrived within minutes and helped me bring the nearly drowned woman safely to the beach.

Although lifeguards in the United States rescue 100,000 people every year, never assume that a lifeguard can see every swimmer in trouble. If you are struggling or see a distressed swimmer in the water, yell for help, and yell loudly!  

Many people swim in pools, lakes and beaches with no lifeguard protection. For example, I was recently on vacation at a resort with five swimming pools and no lifeguards. I did a safety check and spotted the rescue pole and life preserver on the deck before my family went into the pool. Still, I was on high alert. Not for my five-year-old granddaughter who was always under the watchful eye of her parents, but the hundreds of other children and people in the pool.

The Centers for Disease Control (CDC) reports that on an average day in America, there are 11 fatal and 22 non-fatal drownings. It only takes 20 to 60 seconds for a person to drown, so it’s important to always stay alert when people are bathing at beaches, lakes and pools. Above all, keep very watchful eyes on children, even when lifeguards are present. The CDC reports that for children ages 5 to 14, drowning is the second leading cause of unintentional injury death after motor vehicle crashes.

A cool dip in a backyard pool or a refreshing swim at one of the beautiful beaches that surround Long Island is a great way to relax and chill out. President John F. Kennedy said it best, “When we go back to the sea, we are going back to whence we came.”

Author Thomas M. Cassidy, a former investigator, is writer and creator of the feature film, Manhattan South, which is in development. (ktpgproductions.com)

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