The Long Island Music and Entertainment Hall of Fame will host two free TeachRockworkshops at its Stony Brook location (97 Main Street, Stony Brook, NY) on Wednesday April 30th and Wednesday May 28th at 6 pm. The workshops are free for teachers and eligible for New York CTLE hours. Also included is free access to the LIMEHOF museum prior to the workshop and light dinner/refreshments will be provided.
“TeachRock brings music’s rich history and cultural power into the classroom, and I’m proud that LIMEHOF is helping Long Island educators tap into this inspiring, free resource,” said Tom Needham, LIMEHOF Education Chairman.
These workshops are made possible by BMA Architects. Teachers who wish to attend this free workshop at the Long Island Music & Entertainment Hall of Fame must register in advance at: https://teachrock.org/LIMEHOF/
Details of the workshops:
TeachRock Methods for All Classrooms
Wednesday, April 30th at 6:00 PM
This workshop introduces The TeachRock Method, which empowers educators to connect music, history, and critical thinking to engage and inspire students of all backgrounds. Participants will explore TeachRock’s unique approach to fostering active learning, meaningful discussions, and creativity in the classroom.
Designed both for music teachers seeking to bring more culture and historical context into their classrooms, as well as history and ELA teachers looking to enhance engagement through music, this course provides practical strategies to make learning more dynamic and relevant for all students.
TeachRock Methods for Music Classrooms
Wednesday, May 28th at 6:00 PM
This workshop introduces TeachRock’s method of creating more culturally responsive Music classrooms. Participants will explore how to connect historical events, cultural movements, and social issues to musical content, fostering a deeper understanding of diverse perspectives.
Teachers will walk away with standards-aligned lessons that integrate music with subjects such as history, social studies, language arts, and even STEAM.
Founded in 2004, the Long Island Music and Entertainment Hall of Fame is a 501(c)(3) organization dedicated to the idea that Long Island’s musical and entertainment heritage is an important resource to be celebrated and preserved for future generations. The organization, which encompasses New York State’s Nassau, Suffolk, Queens, and Kings (Brooklyn) Counties, was created as a place of community that inspires and explores Long Island music and entertainment in all its forms. In 2022, LIMEHOF opened its first Hall of Fame building location in Stony Brook, New York. To date, the organization has inducted more than 130 musicians and music industry executives, and offers education programs, scholarships, and awards to Long Island students and educators.
From left, LIMEHOF Vice Chairman Tom Needham, LIMEHOF Manager Barry Fisch, actress Taylor Red Fox, Director Maria Capp, actor Chris Road, actress Veronica Kelly, LIMEHOF Chairman Ernie Canadeo and actor Seth Gilliam at the event. Photo courtesy of LIMEHOF
Actor Chris Roach speaks at the event.
Actress Taylor Red Fox speaks at the event. Photo courtesy of LIMEHOF
Staff and crew of 'The Lady of the Lake' take questions from the audience after the screening. Photo courtesy of LIMEHOF
‘The Lady of the Lake’ stars Seth Gilliam, Chris Roach, Taylor Red Fox, and Veronica Kelly come out to show support.
The Long Island Music and Entertainment Hall of Fame (LIMEHOF) honored director Maria Capp (originally from Ronkonkoma), and screened her latest film, The Lady of The Lake: The Legend of Lake Ronkonkoma, on Saturday, April 19 at the museum, located at 97 Main Street in Stony Brook. This event was the lead-off film of LIMEHOF’s recently announced Monthly Local Filmmakers Series, which turns the spotlight on Long Island-based directors and their films.
Capp flew out from Los Angeles to participate in the event and was joined on stage by some of the film’s stars, including Seth Gilliam, Chris Roach, Taylor Red Fox, and Veronica Kelly for a Q&A after the screening. They all spoke about being part of the film.
“I think it’s wonderful, and I’m really grateful to everybody who has opened their arms and provided this opportunity to be the first film in the film series,” said Capp. “It’s really important what’s being done—and that is to keep arts in the community and bring local artists to the forefront. It’s been really quite an enjoyable experience and a pleasure working with everybody here.”
Seth Gilliam, perhaps best known for his roles in The Walking Dead and The Wire, plays Adam Schultz, the main character’s father, in Lady of the Lake. He says it was great to screen and watch it with a local Long Island audience.
“The crowd was really attentive and seemed to really dig it, and that makes it all worth the price of admission to me,” Gilliam said. “I wanted to be part of a coming-of-age story, but I’ve long since ‘come of age’—so being the father was the only role that I could actually play. I was drawn to it [the film] because of Maria Capp’s passion for the project and need to tell the story, and I wanted to be a part of it.”
Chris Roach is a comedian from Ronkonkoma. He says he was aware of the real legend of the lake and wanted to be part of the film when Maria told him about it.
“She sent me the script and I really liked the role,” Roach said. “He’s a guy who adds some comic relief to the movie, which is something I really love doing. Being a proud Long Islander, it’s important to come out and represent whenever you can. This was extra special because I had a little part in it—and I love Maria and her family.”
Taylor Red Fox is an actress who has recently appeared in the TV series Manifest, has acted in off-Broadway theater, and is also a member of The Shinnecock Nation. She plays Tahoma in Lady of the Lake.
“I’m excited that we’re all here as Long Island community members and we can help add to the artists in the area,” Red Fox said. “We were able to portray a side of the story that wasn’t disrespectful or dishonoring the memories of anyone living in the area. It was great working with Maria and Seth and the other actors, and I love that we were able to include actors who are local from the area in ways they may already be involved in the community—like being a comedian.”
The film series is sponsored by Rick Eberle of Magnetic Vine and G&R Events. LIMEHOF Vice Chairman Tom Needham organized the event and emceed the Q&A that followed the screening.
“The LIMEHOF Monthly Local Filmmaker Series is a celebration of the incredible filmmaking talent emerging from our region,” said Needham. “Each month, we showcase the creativity, passion, and dedication of local filmmakers—providing them with a platform to share their work and connect with audiences who appreciate the power of storytelling. This series is an important part of our mission to support the arts and highlight Long Island’s impact on the entertainment industry.”
For over 20 years, Maria has worked in film and with the arts community on Long Island, NY and in Los Angeles, CA in a variety of roles as an award-winning writer, director, producer, and acting coach. In addition to The Lady of the Lake, she has been involved as a producer with many notable movie credits which include narrative features in the storytelling: Reach, DIVOS!, Four Cousins and a Christmas, and the Weekly World News Studios’ The Zombie Wedding.
The Lady of The Lake: The Legend of Lake Ronkonkoma is a Native American folklore thriller distributed by Vision Films Inc. This film was shot on location, in around filmmaker Maria Capp’s childhood hometown Ronkonkoma, and stars Seth Gilliam (The Walking Dead) and Nia Sioux (Dance Moms) as, respectively the father and daughter protagonists. Also featured are Larry Saperstein (High School Musical: The Musical [TV Series]), Emery Kelly (Netflix’s Alexa & Katie), Steven Thomas Capp (Fat Camp), and Julie Dove (Days of our Lives).
The next director to be recognized in the series is Sean King from Huntington on Saturday, May 17 at 1 p.m. Sean will be screening his latest film ScreamWalkers and be accompanied by Glenn McBride Jr. (Actor), Celia Spero (Actor), and Peter Bune Jr. (Producer). LIMEHOF welcomes nominations of local film directors and movies for consideration to feature in the series. For more information, visit the LIMEHOF website at https://www.limusichalloffame.org/
Seeking high school vocalists and musicians to apply by deadline of June 1st
This summer, the Long Island Music and Entertainment Hall of Fame (LIMEHOF) will host its first All-Star Band Camp for high school students (grades 9-12). The week-long program will run from July 28th through August 1st at 9 a.m. to 11:30 a.m. each day and conclude with a final concert on Sunday, August 3rd at 3 p.m.
The unique aspect of this band camp is that it will be the first ever to be held in LIMEHOF’s Museum at 97 Main Street in Stony Brook. Students will explore and learn about the great artists who have been inducted into LIMEHOF—from Blue Öyster Cult and Mariah Carey to Billy Joel and Twisted Sister.
“As part of LIMEHOF’s commitment to education, we are thrilled to offer students the opportunity to perform songs by our esteemed inductees in the unique setting of the museum,” said LIMEHOF Vice Chairman Tom Needham, who manages LIMEHOF’s educational programs. “The All-Star Band Camp is a one-of-a-kind experience that connects young musicians with Long Island’s rich musical legacy.”
The program will be coached by LIMEHOF Long Island Sound Award Winner Jack Licitra (from Bayport) of South Bay Arts and his staff, all of whom have extensive experience managing youth programs. Jack Licitra has been coaching youth bands since 2008. He has developed an efficient approach that highlights talent and prepares kids for the intensity of live performance.
“LIMEHOF is inspiring the next generation of LI musicians and this a great step towards cultivating that talent to create a thriving music scene,” said Licitra.
This intensive experience will have students playing for two-and-a-half hours each day for 5 days of rehearsals and a 6th-day concert performance in the Long Island Music and Entertainment Hall of Fame. This program was designed to enable students to have a team building and professional music experience. All high school-aged vocalists, drummers, guitarists, bass players, and keyboardists from Nassau, Suffolk, Queens and Kings (Brooklyn) counties are welcome to apply by the deadline of June 1st. The arrangements will be created specifically for the enrolled ensemble and their skills. The cost to participate is $350.
To apply, please email student’s name, age, specific instrument/vocalist, and contact information to Tom Needham at[email protected] or call 631-689-5888.
About LIMEHOF
Founded in 2004, the Long Island Music and Entertainment Hall of Fame is a 501(c)(3) organization dedicated to the idea that Long Island’s musical and entertainment heritage is an important resource to be celebrated and preserved for future generations. The organization, which encompasses New York State’s Nassau, Suffolk, Queens, and Kings (Brooklyn) Counties, was created as a place of community that inspires and explores Long Island music and entertainment in all its forms. In 2022, LIMEHOF opened its first Hall of Fame building location in Stony Brook, New York. To date, the organization has inducted more than 130 musicians and music industry executives, and offers education programs, scholarships, and awards to Long Island students and educators.
The Reverend and Mrs. H. W. Floyd Allen, minister of the Allen A.M.E. Church, Church Street circa 1950. Photo courtesy of NHSM
By Tara Mae
More than merely a necessity or form of self-expression, throughout history fashion has been a means of storytelling, a type of communication. The Northport Historical Society (NHSM) and Museum’s newest exhibit, In Fashion, which opens on April 5, examines local sartorial dialect and how it is part of a communal language.
A photograph of female impersonator Julian Eltinge. Photo courtesy of NHSM
“In Fashion explores identity through historic fashion and fashion movements, and what it means culturally for those groups,” said NHSM curator Elizabeth Abrahams Riordan.
The exhibit showcases multimedia items: textiles, archival pieces, digital and print photographs, recorded oral histories, etc. A focal point of the collection is church hats on loan from local residents, many of whom have ties to the Northport African Methodist Episcopal (AME) Church, which closed in 1955.
In Fashion is part of an ongoing discussion about the different communities and cultures that comprise the larger Northport enclave: part of the exhibit’s run will correspond with Pride month in June and complement it.
“[This] is a way for individuals to access history about how people share their identity and life through fashion: what they are wearing can be a sort of spiritual connection, an extension of community and cultural groups as well as an indication of what was [socially] permitted,” Abrahams Riordan said. “The exhibit is hopefully opening dialogue in the community for people to have a better understanding of communities within the Northport community.”
Style is a statement without speech, but a purpose of In Fashion is to inspire conversation. Personal objects and archival items weave together a narrative of truths less told.
In an effort to highlight Northport voices, Abrahams Riordan sought the contribution of Thelma Abidally, author of African American in Northport, an Untold Story (Maple Hill Press 2000) for insight into how articles of clothing are emblems of different identities.
“Fashion can teach us several lessons about our ancestors. In particular African American women culturally were known to wear their Sunday best to church. My ancestors believed that this is how a woman should dress in going to church,” Abidally explained.
Magazine from 1904 promoting the work and life of female impersonator Julian Eltinge. Photo courtesy of NHSM
Such cues were, and remain, both a celebration and a means of connection, solidifying heritage while affirming clothing’s ever evolving contextual message. Fashion is another entry into assessing the past and how it affects the present.
“I really want to tell histories, but I also really want to bring people together in a way that they have their own personal perspective and also humanize other experiences. It is all about making personal connections and wanting to come back and learn more,” Abrahams Riordan said.
The Northport Historical Society and Museum, 215 Main St., Northport presents In Fashion through June 30 on Wednesdays to Sundays from 1:30 p.m. to 4 p.m. Admission is $15 per person, $12 for members.
The exhibit is one of several events planned at the NHSM for the month of April. Other programs include a Doll Tea Party on April 5 from 11 a.m. to 1 p.m.; Volunteer Open House on April 12 from 11 a.m. to 1 p.m.; and a Historical Main Street Walking Tour on April 27 at 1:30 p.m. For more information, call 631-757-9859 or visit www.northporthistorical.org.
The Jazz Loft houses more than 10,000 pieces of jazz history and memorabilia. Photo courtesy of The Jazz Loft
Every month is Jazz Appreciation Month at The Jazz Loft in Stony Brook, but in April 2002, the Smithsonian Institution’s National Museum of American History designated April as the official Jazz Appreciation Month, with the aims to draw greater public attention globally to the extraordinary heritage and history of jazz. The Jazz Loft is announcing FREE admission to its museum for the entire month of April.
It’s also a great time to join The Jazz Loft’s Friend’s Circle, a membership with seven levels of support, which can include unlimited access to memorabilia displays; discounts on selected events; VIP pre-sale; discounts on special lecture events; free gifts; and complimentary passes to popular shows and festivals and more!
Already a Friend’s Circle Member? Joining for the first time? Sign up or renew during the month of April and get a FREE TJL car magnet!
The Jazz Loft’s museum boasts more than 10,000 pieces of jazz memorabilia and most recently, a new Tony Bennett exhibit, which features over 100 items, including several awards and Grammy nominations; letters from presidents, Louis Armstrong and Fred Astaire; and the Gold Records from his signature hit I Left my Heart in San Francisco. Other exhibits include one of the largest collections of Charlie Parker memorabilia in the nation; Keely Smith’s Grammy Award and designer gowns worn by Ella Fitzgerald.
“The Jazz Loft is without question the anchor for cultural outreach within our Long Island community,” says Tom Manuel, founder of The Jazz Loft. “Our 30-plus archive collections celebrate some of the most important figures in American popular music: Charlie Parker, Ella Fitzgerald, Keely Smith, Louis Jordan, Tony Bennett, John Coltrane and many others. Our stage is alive with over 200 performances annually and over 12,000 people come through our doors each year. Our education program is fostering a new generation for Jazz and I’m happy that in April we can especially put the spotlight on this relevant, important and meaningful organization within our community.”
For more information visit The Jazz Loft’s Friend’s Circle. The Jazz Loft, located at 275 Christian Avenue in Stony Brook, is a non-profit organization, established in 2016 by Dr. Thomas Manuel, its founder, curator, jazz historian and artistic director. The Jazz Loft aims to help preserve, educate on all things jazz and it is also the only music venue on Long Island that exclusively features jazz music. For more information visit: The Jazz Loft
Lou Reed and Paul Simon will be honored on March 9. Photos courtesy of Wikimedia Commons
By Rita J. Egan
Music lovers will experience two distinctive sounds during the Sunday Street Concert on March 9 at The Long Island Museum.
Local singers Gene Casey; Caroline Doctorow; Andrew, Andie Juliette and Cole Fortier; Bryan Gallo; Ray Lambiase; Russ Seeger; and Hank Stone will come together to commemorate the music of two legends — Lou Reed and Paul Simon. Both are inductees in the Long Island Music and Entertainment Hall of Fame.
Andrew Fortier said he finds Simon and Reed to be polar opposites.
“I also think they’re both geniuses and brilliant and really that’s the fun discovery of it all,” he said.
Producer Charlie Backfish said during the concert, titled Lou Reed & Paul Simon: Two Songwriters from Long Island, the artists will each perform one song from Simon’s catalog and one of Reed’s songs. Simon, 83, and Reed, who passed away in 2013 at the age of 71, both have ties to Long Island.
Born in Brooklyn, Reed graduated from Freeport High School in 1959 while Simon graduated from Forest Hills High School in Queens in 1958.
Reed played guitar and was a member of a doo-wop group in his younger days, while Simon, along with classmate Art Garfunkel, joined forces first as the group Tom and Jerry. The duo would go on to record simply as Simon and Garfunkel and recorded hits such as “I Am a Rock” and “Scarborough Fair” before Simon pursued a solo career. Reed also embarked on a solo path after being a member of the rock group Velvet Underground for five years.
The artistic paths of both accomplished singers and songwriters would cross in 1980 when Simon wrote and starred in One Trick Pony. Reed played a record executive in the same film.
Backfish said he chose the two artists for this show because of their ties to Long Island as well as their musical genres, which are “rather different, although they share some common roots.”
He added that the two, in addition to graduating from Long Island high schools and appearing in a movie together, both had an interest in Doo Wop. According to Backfish, their interests in the genre continued throughout their careers.
“Obviously not every recording, but there are elements of it in their music, and especially in their early years that kind of intrigued me,” he said.
Ray Lambiase, who chose Reed’s “Pale Blue Eyes” to perform, said as he was deciding on a song from the singer’s catalog, especially from Velvet Underground, “I was struck by how — as quirky as his recordings were — you can still pick up an acoustic guitar, and they still have the fundamental elements of a well-written song.”
Lambiase said finding a Simon song is as challenging as picking a Reed song. He added that many of Simon’s songs can be musically challenging.
“Paul Simon is such a terrific guitar player that a lot of his songs are difficult to play,” he said.
“There are some songs that are simpler than others, but he was a very sophisticated guitar player, and also his chord patterns were much more sophisticated than what we would think of as traditional folk singers.”
Lambiase will perform “Paranoia Blues” from Simon’s first solo album, which he feels will be a fun song compared to some of his more serious pieces.
“It might be a good idea to break things up and show that he had a humorous side, too,” the performer said.
Caroline Doctorow, who will sing Simon’s “The Dangling Conversation,” which she recorded on her “Dreaming in Vinyl” album, and Reed’s “Sunday Morning,” said it’s important for performers to try to sound different than the original artists.
“You want to add something to your interpretation,” Doctorow said, adding it can be “challenging in a really wonderful way.”
“I’m so happy that Charlie does these shows,” she said. “It’s a nice opportunity to just spread your wings a little bit in a way that you might not otherwise.
Andrew Fortier agreed that the concert series and Backfish’s WUSB-FM radio program “Sunday Street” take performers and listeners on a journey, introducing them to singers they may have never considered.
He added he feels the audience will enjoy hearing both artists’ music and that fans of one will find the other songwriter’s work fresh and new. Fortier and his children, Cole and Andie Juliette, were on a road trip listening to some of Simon’s and Reed’s work to look for songs that resonated with them.
“The truth of it is that it is really fun when you dive into an artist that you really aren’t that familiar with, because you really can dig deep, and you really get an appreciation for what they do,” Fortier said.
Andie Juliette Fortier added, “It’s always interesting. It gives you a chance to get to know each artist a little bit more and really explore parts of their catalog you maybe wouldn’t normally listen to.”
Singer/songwriters Lou Reed and Paul Simon, pictured here in their high school yearbooks, will be honored during the March 9 concert. Photos courtesy of Charlie Backfish
After listening to Simon’s and Reed’s work, Andrew Fortier decided to sing Simon’s “Still Crazy After All These Years” and Reed’s “Satellite of Love.” Andie Juliette Fortier will perform “Kathy’s Song” by Simon and “I’ll Be Your Mirror” by Reed. Cole Fortier has chosen Simon’s “Hearts and Bones” and “Going Down” by Reed.
The Fortiers are looking forward to hearing the other performers’ interpretations, too.
“There’s always surprises,” Andie Juliette Fortier said. “It’s always nice to hear how people interpret different songs and put their own style on it.
Lambiase said he enjoys the “insights from the different steps of the journey of their personal growth and journeys” when he performs an artist’s work at a Sunday Street concert.
“I think that’s a really big part of the show to humanize the artists by taking their songs and reducing them to their core essentials, and keeping some insight into their journey, because every musician, especially people with careers as long as Paul Simon and Lou Reed, there’s a beginning, a middle and the later part.”
Doctorow said older songs usually stir up a sense of nostalgia, and she hopes audience members will remember the music, and the songs will bring back memories while they connect with them in a new way.
“It’s like that Hugh Prestwood song — called ‘The Song Remembers When,’” she said. “You hear these songs from your youth, and you remember things that you might not normally remember. It just sort of washes over you, and in difficult times like we’re in now, the songs comfort people.”
Sunday Street Concert Lou Reed & Paul Simon: Two Songwriters from Long Island is produced by Charlie Backfish and is a not-for-profit collaboration with WUSB-FM, The Greater Port Jefferson Arts Council and The Long Island Museum.
The show takes place on Sunday, March 9 at 5 p.m. in The Gillespie Room at The Long Island Museum, 1200 Route 25A, Stony Brook. Advance sale tickets are $25, plus a service fee, through March 7. Tickets at the door are $30, cash only. For more information, visit www.sundaystreet.org.
Kicking off a new free film series, Film@LIM, the Long Isand Museum, 1200 Route 25A, Stony Brook in partnership with the Greater Port Jefferson Northern Brookhaven Arts Council will screen Geraldine Ferraro: Paving the Way in the Carriage Museum’s Gillespie Room on Tuesday, March 4 at 7 p.m.
Enjoy an inspiring film about Geraldine Ferraro’s historic Vice-Presidential nomination, and the first full profile of the trailblazing woman who helped change the face of American politics forever.
Geraldine Ferraro: Paving the Way is a feature-length documentary about the life of the trailblazing woman who made history in 1984 as the first female Vice Presidential nominee on a major national party Presidential ticket.
The film profiles Ferraro’s journey from an impoverished childhood, the struggles she endured while growing up, and the hurdles she faced and overcame both professionally and personally in order to achieve what no woman had done before.
A primary focus of the film is Ferraro’s public service and political career, from District Attorney in Queens, NY, and later member of Congress, to the emotional night of her Vice Presidential nomination and the tough campaign that followed. Though the Mondale-Ferraro ticket was ultimately not elected, the film explores how Ferraro’s nomination and her conduct during that campaign changed the national perception of what was possible for women.
The film features never-before-seen archival footage and stills, intimate interviews with Ferraro, and commentary by many leading political figures, both Democrat and Republican, as well as journalists who covered her campaign.
The screening will be followed by a talk from Donna Zaccaro, Geraldine Ferraro’s daughter and the film’s director and producer.
Admission is free but registration is preferred by visiting www.longislandmuseum.org/events or click here.
'Parallax (Candles)' by Berenice Abbott, 1951, Gelatin silver print. Gift of Mr. Morton Brozinsky.
Currently on view at the Heckscher Museum of Art in Huntington is Embracing the Parallax: Berenice Abbott and Elizabeth McCausland. The exhibition, which runs through March 30, features twenty-two gelatin silver prints from the collection with a focus on photographs from the important Changing New York series of the 1930s.
The celebrated photobook Changing New York (1939) was a collaboration between photographer Berenice Abbott (1898–1991) and her lifelong romantic partner, art critic and writer Elizabeth McCausland (1899–1965). Although recognized by art historians as a pivotal text of documentary photography, the published product was radically different from what the two women had envisioned.
‘Newsstand (32nd and Third Avenue)’ by Berenice Abbot, 1935. Gelatin silver print
“Abbott and McCausland wanted to redefine documentary photography’s function by examining transformation through the lens of a rapidly modernizing New York City. Instead, their publisher diluted their message, producing a tourist guidebook for visitors to the 1939 New York World’s Fair,” explained Jessica Rosen, Curatorial Assistant, who organized the exhibition.
Embracing the Parallax offers a new understanding of the women’s partnership by reuniting several of Abbott’s photographs with portions of McCausland’s original text.
The word parallax refers to an optical phenomenon where the position of an object appears to shift when observed from different viewpoints—whether it be a shift between the camera’s viewfinder and lens, or a shift in one’s perspective.
Rather than simply documenting modernization from the perspective of aesthetic shifts, Abbott and McCausland intended to capture the invisible social, economic, and political factors that catalyzed these changes in the built environment. They believed that documentary photography was a tool to initiate dialogue and foster civic responsibility.
“We cannot go on just looking at things on the surface,” Abbott said. “Real things today are conflict, contradictions, warfare, unbalance, lack of order, lack of reason—contrasts in a rapidly changing civilization.” Abbott and McCausland’s philosophy of photography demands that we relearn how to see.
As part of the Heckscher’s 2025 Pride initiative, this exhibition raises questions about the politics of visibility and invisibility by examining Abbott’s and McCausland’s intellectual partnership and romantic relationship. Abbott and McCausland’s collaborative projects demonstrate how documentary photography can be used as a tool to foster civic responsibility by exposing the invisible factors that shape our world.
Sponsored by Susan Van Scoy, Ph.D., Brian Katz & Olshan Frome Wolosky LLP.This project was made possible in part by the Institute of Museum and Library Services.
About The Heckscher Museum of Art
Located at 2 Prime Avenue in Huntington, The Heckscher Museum of Art is in its second century as a source of art and inspiration on Long Island. Founded by philanthropists Anna and August Heckscher in 1920, the Museum’s collection comprises 2,300 artworks spanning the nineteenth century to the present. The Museum is committed to growing the collection to develop public awareness for the artists whose careers and life experiences can broaden our understanding of the past, foster community connections to the present, and create diverse possibilities for the future.
Located in scenic Heckscher Park in Huntington, the building is listed on the National Register of Historic Places. Continuing the legacy of the founders, free admission to the Museum for 2025 is supported through a generous grant from Bank of America. For more information, visit Heckscher.org.
From left, LIMEHOF board member Barry Fisch, Albert Bouchard, LIMEHOF board member Kelly Leung, and LIMEHOF co-founder and board member Norm Prussian. Photo by Steve Leung
Albert Bouchard playing the cowbell. Photo Credit
Steve Leung
Norm Prussian hosts discussion with Albert Bouchard. Photo by Barry Fisch
Albert Bouchard, the former Blue Öyster Cult member who played the cowbell on the recording of "(Don't Fear) The Reaper"reflects on the impact the Long Island band has had on pop culture. Photo by Steve Leung
The Long Island Music and Entertainment Hall of Fame (LIMEHOF) in Stony Brook hosted LIMHOF inductee Albert Bouchard on Feb. 22. The former Blue Öyster Cult member who played the cowbell on the recording “(Don’t Fear) The Reaper” reflected on the impact this Long Island band had on pop culture.
Bouchard spoke about the writing of the song, the famous Saturday Night Live skit “More Cowbell” which aired on April 8th, 2000 starring Christopher Walken and Will Ferrell, and how the expression “I’ve got a fever, and the only prescription is more cowbell” remains iconic!
“I love being a part of this organization (LIMEHOF),” Bouchard said. “Everyone’s like “How come you’re not in the Rock and Roll Hall of Fame? I don’t really care about that. To me, you look at what’s going on there it’s not all Rock and Roll and that’s a subjective classification anyway. This, you’re talking about music and entertainment. It’s exactly what it is. It’s properly named, and you have the real people. It’s not just a popularity cult contest. It’s people who really made a difference from Long Island so I think this is a fantastic organization to belong to and I’m really delighted to be part of it.”
Norm Prusslin, co-founder LIMEHOF and current board member organized and hosted the event. He said it’s an important part of the organization’s mission to host inductees and local artists to share insights and stories most people might not know about historical events they lived through and the ups, downs and pressures of the music industry.
“Albert has been a good partner of LIMEHOF since we started,” said Prusslin. “Clearly all the hoopla about the Saturday Night Live 50th anniversary year and the fact that the ‘More Cowbell’ skit has been one of the top skits ever in their 50-year history I thought it might be fun to see if Albert was available to come out and talk about the recording of the song and about the skit and the impact that the skit has had to the band and to him and to pop culture itself. I knew that since Albert was a former member of Blue Öyster Cult, and that band was formed in Stony Brook, there’d be a lot of interest for people to come out and to share some stories that people may not know.”
Bouchard said he didn’t know SNL was planning on running a skit about the recording of the song at the time it aired, so it came as a surprise to him when he heard about it. He originally thought it was going to be terrible but after seeing it his reaction was one of delight.
“Oh my God this is so funny!” Bouchard recounted. “This is like just what happened… then I thought, how did he even hear the cowbell? To this day I cannot watch it without smiling. There’s always some little bit that makes me go ‘oh my God’ that was it.”
One major error that the skit made that Bouchard corrected was the producer. The SNL skit had Christopher Walken playing the famous music producer Bruce Dickinson. The original credits list three producers of the song — David Lucas, Murray Krugman and LIMEHOF inductee Sandy Pearlman. Of the three it was David Lucas who had the idea to add in the cowbell.
The back story about the producer mix up is that the writers of the skit saw a credit for Bruce Dickinson from a compilation album, not the original record of the song, which lead to the confusion.
Bouchard went on to explain how it happened in real life and that there were similar debates about including the cowbell at the time. At one point Bouchard wanted to play a triangle instead, but that was changed to a cowbell.
“David wanted to hear the cowbell in it,” Bouchard explained. “I never quite understood why he wanted it and then a couple of years ago he said … ‘I wanted some pulse, some quarter note pulse like a metronome but not a metronome to balance off all those eighth notes. Everything was eighth notes the whole song if you listen to it’… The cowbell balances that with a quarter note pulse. A brilliant idea when you think about it.”
“If it was up to me, it wouldn’t be on the song,” Bouchard continued. “I never would have thought to put a cowbell on it. It was David Lucas’s idea, and I just happened to be his tool to make that happen since I happened to be in the studio at the time…. It worked, that’s the bottom line. The cowbell riff worked, the cowbell skit worked, the song worked. It’s all about making people feel good.”
About LIMEHOF
Founded in 2004, the Long Island Music and Entertainment Hall of Fame is a 501(c)(3) organization dedicated to the idea that Long Island’s musical and entertainment heritage is an important resource to be celebrated and preserved for future generations. The organization, which encompasses New York State’s Nassau, Suffolk, Queens, and Kings (Brooklyn) Counties, was created as a place of community that inspires and explores Long Island music and entertainment in all its forms. In 2022, LIMEHOF opened its first Hall of Fame building location in Stony Brook. To date, the organization has inducted more than 130 musicians and music industry executives, and offers education programs, scholarships, and awards to Long Island students and educators.
The Long Island Museum (LIM), 1200 Route 25A, Stony Brook presents the 26th Annual Colors of Long Island Student Art Exhibition, opening on February 20. This highly anticipated exhibition provides a platform for hundreds of young artists from across Long Island to display their work in a professional museum setting.
‘Peanut Butter Jelly Time’ by Kelly Cabasso
Art teachers from public and private schools, spanning grades pre-K through 12, were invited to submit up to two pieces of student artwork. The exhibition’s theme, “Colors of Long Island,” encourages a broad spectrum of interpretations—some students reflect on Long Island’s scenic landscapes, while others highlight the cultural diversity that makes the region so vibrant. This year’s exhibition features a dynamic mix of media, including watercolor, sculpture, pencil, ink, oil pastel, photography, and digital art.
“With over 278 students participating, this exhibition is a testament to the remarkable talent and creativity of the young artists on Long Island,” said Samantha O’Rourke, Senior Educator at the LIM. “Each piece reflects not only the students’ artistic talent but also the dedication of art educators who inspire and guide them. It’s always incredible to see how young artists use their work to tell stories, share perspectives, and express their individuality.”
The Colors of Long Island Student Art Exhibition will be on view in the Art Museum from February 20 through May 8, 2025. For more information on programs and exhibitions, visit longislandmuseum.org