History

Ostrich eggshell beads found at the Mlambalasi site. These beads are examples of Later Stone Age cultural objects that people created and traded as they traveled the continent. Photo by Jennifer Miller

Ancient DNA from the remains of nearly three dozen African foragers—groups associated with hunting, gathering, and fishing—sheds new light on how groups across sub-Saharan Africa lived, traveled and settled prior to the spread of herding and farming. The study involved an international team of 44 researchers including experts from Stony Brook University. The findings, to be published in Nature, produced the earliest DNA of humans on the continent, at some 5,000 to 18,000 years old.

View of the Mlambalasi Rock Shelter in Tanzania, where one of the newly DNA sequenced individuals was recovered by Elizabeth Sawchuk in 2010. Radiocarbon dates suggest that this individual lived approximately 18,000 years ago, making their DNA the oldest currently known in Africa. Photo by Katie Biittner

The new genetic findings add weight to archeological, skeletal and linguistic evidence for changes in how people were moving and interacting across Africa toward the end of the Ice Ages. Around 50,000 years ago, distinct groups of foragers began exhibiting similar cultural traditions, hinting at the development of exchange networks and interregional connections. The reason for this shift, which archaeologists refer to as the Later Stone Age transition, has remained a mystery.

“We demonstrated for the first time that a major archeological transition some 50,000 years ago associated with profound shifts in technology, symbolism, and so-called ‘modern behavior’ in fact coincided with major demographic changes,” said Elizabeth Sawchuk, PhD, Co-First Author, Research Assistant Professor at Stony Brook University and a Banting Postdoctoral Fellow at the University of Alberta. “We found that ancient foragers across eastern and south-central Africa are a mix of eastern, southern, and central African ancestry, showing there was widespread movement and mixing across sub-Saharan Africa coinciding with the transition from the Middle to Later Stone Age.”

Previous research proposed a genetic cline (or gradient) of variation among ancient African foragers extending from eastern to southern Africa. To the research team’s surprise, this new analysis indicates a three-way cline instead of a two-way cline that includes a central African ancestry – a significant point of future investigation because there has been less archeological research in central Africa than other parts of the continent.

“By associating archaeological artifacts with ancient DNA, the researchers have created a remarkable framework for exploring the prehistory of humans in Africa,” says Archaeology and Archaeometry program director John Yellen of the U.S. National Science Foundation, one of the funders behind this project. “This insight is charting a new way forward to understanding humanity and our complex shared history.”

Sawchuk and Stony Brook colleague and Co-Author Jason Lewis, PhD, presented ancient DNA (aDNA) from six individuals from the Late Pleistocene and early Holocene from five sites in Tanzania, Zambia, and Malawi

These six individuals have now yielded the oldest human DNA from sub-Saharan Africa.

The six individuals were analyzed with 28 previously published ancient persons associated with foraging and/or Later Stone Age material culture. The research team also generated higher coverage data for fifteen of these individuals which permitted a more in-depth look at their DNA.

Lewis co-led a team reanalyzing the history of work and collections from the ancient Tanzanian rockshelter site of Kisese II, particularly in the context and dating of the human remains, allowing the collection to be included in the present study. The skeletons from the site were originally excavated in the 1960s but remained unstudied until recently.

“The work is a great example of the unexpected and important results that can come from going back to old museum collections to take another look with new approaches and technologies, in this case using aDNA methods,” said Lewis.

Ancient DNA and archaeological data now both point toward a demographic transition across Africa around the time that beads, pigments, and symbolic art became more widespread. Sawchuk, Lewis and colleagues note that while scientists have proposed shifts in social networks and perhaps changes in populations sizes played a role, such hypotheses have remained difficult to test.

“We’ve never been able to directly explore proposed demographic shifts until now,” explains Sawchuk. “It has been difficult to reconstruct events in our deeper past using the DNA of people living today, and artifacts can’t tell the whole story. The DNA from people who lived around this time provides the missing piece of the puzzle, offering an unprecedented view of population structures among ancient foragers.”

While this three-way population structure can only be explained by widespread movement and mixing in the past, the researchers also note that the traveling and mixing didn’t last.

Individuals in this study were most genetically similar to their geographic neighbors, which suggests that by 20,000 years ago, people had already stopped moving as much. The authors explain this coincides with archaeological evidence for “regionalization” toward the end of the Ice Ages when Later Stone Age industries began to diversity and take on distinctive local attributes. So while stone and beads continued moving through exchange networks, people themselves began living more locally.

Mary Prendergast, the study’s co-Senior Author and Associate Professor of Anthropology at Rice University, said there are arguments that the development and expansion of long-distance trade networks around these ancient times helped humans weather the last Ice Age.

“Humans began relying on each other in new ways,” she said. “And this shift in how people interacted with one another may have been what allowed people to thrive.

“The work also helps address the global imbalance of research, as there are around 30 times more published ancient DNA sequences from Europe than from Africa,” she added. “Given that Africa harbors the greatest human genetic diversity on the plant, we have much more to learn.”

The entire research team included scholars from the United States, Canada, Kenya, Malawi, Tanzania, Zambia and several other countries. Critical contributions to the study came from curators and co-authors from African museums who are responsible for protecting and preserving the remains.

 

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A production crew, above, was at the Three Village Inn in Stony Brook Feb. 18 filming for a documentary about the Green Brook. Photo from Ward Melville Heritage Organization

For several decades in the 20th century, many who were Black would refer to “The Negro Motorist Green-Book” to find hotels, restaurants and more that would be accommodating when they traveled in a segregated United States.

Gloria Rocchio, president of WMHO, Rae Marie Renna, Three Village Inn general manager, Ja-Ron Young, documentary creator Alvin Hall and Chrissy Robinson. Photo from Ward Melville Heritage Organization

Recently, Alvin Hall, who has hosted the “Driving the Green Book” podcast about various locations across the U.S., decided to find out if any of the sites on Long Island existed. During his research, he discovered that the Three Village Inn in Stony Brook was featured in the travel guide a couple of times, and he was pleasantly surprised that the hotel was still standing.

Last Friday, Hall and his documentary crew visited the Three Village Inn to film parts of a new documentary series and sat with The Ward Melville Heritage Organization president, Gloria Rocchio, and the inn’s general manager Rae Marie Renna.

The group talked about the travel guide released annually from 1936 to 1966 and published by African-American mailman Victor Hugo Green from Harlem, New York City. The guidebook was the subject of the 2018 movie “Green Book,” winner of the Academy Award for Best Picture, starring Mahershala Ali as classical and jazz pianist Don Shirley and Viggo Mortensen as his driver during one of the pianist’s Southern tours.

The guidebook was published in the spring before people tended to go on vacation during the warmer months, Hall said. It was small enough to fit into an old-fashioned glove compartment, and businesses were able to write in to request to be in it.

Hall said the production team found the Three Village Inn listed in the guide when they were looking at those issued around 1964, the year the Civil Rights Act was passed. The inn was in the 1963 and 1967 editions, according to WMHO. Places such as The Garden City Hotel, Sky Motel in Lindenhurst and Meadowbrook Motor Lodge in Jericho, which were also listed and are still open, will be part of the series, too.

Hall said it’s impressive that places such as Three Village Inn and the other Long Island sites are still standing decades later as many places across the country listed in the Green Book no longer exist.

Hall’s “Driving the Green Book” podcast featured him traveling from Detroit to New Orleans to search for places listed in the travel guide.

“You discover in town after town that often the routing of the interstate highway system was critical to killing off a lot of these places,” he said. “It wasn’t just that the business went down. A lot of it was just that the city decided to build the interstate highway system or major roadway right through that part of town and a lot of it was to kill off the Black business areas.”

When he worked on his podcast, he was on the road for 12 days in 2021 and conducted 40 interviews. It took about a year to edit all the material for the podcast series. With the television documentary, the hope is that it can be completed in a few months.

The producer said the series looks to see what changed in the North after the passing of the Civil Rights Act, what stayed the same, and how the North and South differed. 

A photos of attendees at a music festival at Dogwood Hollow Amphitheater. Photo from Ward Melville Heritage Organization

“It just made sense when you heard some of the stories about Long Island during the time of segregation and Jim Crow in the U.S., and the redlining that banks did out there,” Hall said. “So, it became just an interesting place to explore as sort of emblematic of the larger America.”

Hall said while many thought the North was different from the South, “in reality, a lot of the communities were quite segregated.”

“When Black people came up from the South, they were often put in specific neighborhoods, and a narrative was created around their behavior, their attitudes and everything, and used to exclude them. And, Long Island was no different from the rest of America in that way. I think a lot of people came up from the South thinking it was going to be the land of milk and honey, and it turned out just to be another variation on the South.”

During the visit to the Three Village Inn, Hall along with comedian Ja-Ron Young and college student Chrissy Robinson, who also appear in the documentary, learned about Dogwood Hollow Amphitheater where a festival, featuring various artists organized by Ward Melville, was held. This 2,300 seat amphitheater existed, near where the Stony Brook Village Center’s Educational & Cultural Center is now located, from 1955 to 1970. Rocchio said at first it opened with 500 seats but on the first night 500 more people had to be turned away. Within a year, the occupancy increased. The venue offered shows with jazz performers such as Duke Ellington, Louis Armstrong, Count Basie and Lionel Hampton. Entertainers, including Liberace and Tony Bennett, also graced the stage.

“We found the contracts in the safe,” Rocchio said. “We could never do what [Melville] did. It was hundreds of thousands of dollars each season, having people like Liberace, the King Sisters.”

It’s believed that the Three Village Inn was included in the book because the entertainers stayed there after shows, something that wasn’t the case in many parts of the country as many Black artists would perform in a venue, but then not be able to lodge or eat there.

Hall said it was a progressive move during the era to have a show such as the music festival in Stony Brook where white and Black people performed together and sat unsegregated in the audience.

“I think that by creating the Dogwood festival at the theater, having jazz and having the same people stay there, that was very unusual,” Hall said, adding the movie “Green Book” showed how Shirley’s driver had to use the book to find places for them to stay.

Hall said Young was surprised when he saw one of the photos from the festival where there weren’t segregated sections, something that was uncommon in the 1960s and earlier.

“He said he was amazed at how integrated the audiences were in the photographs,” Hall said. “He says when he plays clubs it’s either generally a white audience with a few Black people, or a Black audience with a few white people. He noted that back then, at that festival near the inn, that it was more integrated than he sees today. You could tell he was quite amazed by that.”

Hall said he included Young and Robinson to show them the journey many took in the 20th century.

“They not only hear the stories, but it’s very important that they hear how the people coped with it, but also how the people did not get trapped in bitterness about the situation,” Hall said. “And they emerged from the opposite side of this with grace, and they acknowledged what happened, and they clearly see it, but they did not get trapped in bitterness.”

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Rocky Point High School students helped create this mural of Dr. Martin Luther King Jr. Photo from Seth Meier

“The battles that count aren’t the ones for gold medals. The struggles within yourself — the invisible, inevitable battles inside all of us — that’s where it’s at.” — Jesse Owens

After years of training and dedication, American athletes have been competing on the world stage in Beijing, China, through the Winter Olympics in front of a communist regime that is openly competing with the United States — not only in athletics, but for social, economic, political and military prowess — to be the top superpower. 

Eighty-six years ago, during the beginning of German aggression in Europe, Jesse Owens, an African American track-and-field standout athlete competed in the 1936 Berlin Olympics. In front of fascist powers that were bent on expanding their national power, this Alabama native was a highly regarded runner for the United States. In front of Adolf Hitler, Owen received cheers and along the way he shattered the myth of the Aryan race and the racial superiority of the Nazi regime.

Known as the Buckeye Bullet from his competitive days running at Ohio State, Owens won four gold medals and gained the respect of the global community that was on the brink of World War II. During the games, a fatigued Owens was told with Ralph Metcalfe to replace Marty Glickman and Sam Stoller in the 400-meter relay race.  

At first, Owens was reluctant to run, he was tired, and believed that these men had the ability to win this race for America. While he continued to succeed at these games, he believed in the ability of these runners that had faced anti-Semitism at home and during these games. The American track-and-field athletes won 11 gold medals, six of them were earned by African American athletes.  

Owens confidently represented the character and pride of the United States in front of the Germans, whose government sponsored racism and hatred toward minority groups. But when he arrived home, through the long-standing policy of segregation he was unable to gain the same rights as white citizens until the Civil Rights Act of 1964 and Voting Rights Act of 1965 were passed. 

Rosa Parks

Another native of Alabama that changed the scope of civil rights was Rosa Parks. While she was traveling home by bus in 1955 from her job at the Montgomery Fair Department Store, several Black people were told to leave their seats to make enough room for white riders. Parks refused to stand with the other Blacks, where she defiantly remained seated to oppose the unfairness of segregation. Like other Black citizens who lived in Alabama, she observed the fire department use of hoses to push back civil rights demonstrators, the police using German Shepherd dogs to assault crowds of protesters, and the use of force to physically carry away Blacks who were engaged in sit-ins that were waged at segregated areas such as restaurants, park benches and local businesses.  

By refusing to leave her seat, Parks broke the Jim Crow segregationist laws, was photographed as she was arrested, fingerprinted and sent to jail. Her name has become synonymous for people of all backgrounds to oppose widespread civil rights abuses that have been seen within the United States. 

In 2012, at the Henry Ford Museum in Dearborn, Michigan, President Barack Obama (D) sat in the original bus seat and reflected on the strength of this little woman who was a giant toward the cause of civil rights.

Thurgood Marshall

In 1908, Thurgood Marshall was born in Baltimore, Maryland, to a mother who was a teacher and a father who was a railroad porter. At an early age, his father took him to local courtrooms to observe the legal procedures for the defense and the prosecution of local cases.    

As he grew older, Marshall was concerned about the high death rate of African Americans within the streets of Baltimore and how Blacks were defended in the court of law. He was an outstanding student in high school and attended the African American equivalent to Princeton University at Lincoln University near Oxford, Pennsylvania. 

While he was a brilliant student, Marshall enjoyed his social life and saw some trouble through a hazing incident within his fraternity. He realized the necessity of being more dedicated to his studies, as he joined the debate club and began to see law as his future calling. 

During his college years Marshall lived through the tribulations of segregation, where he helped desegregate a local movie theater. Once he graduated, he began his pursuit of attending law school, but he was denied his first choice of University of Maryland Law School.  

Through the unjust racial policies of this prominent school, he was refused admission to attain this degree, since he was Black. As a married student, Marshall graduated as a valedictorian at Howard University School of Law in Washington, D.C., and later turned down the chance of attending Harvard University to begin his own law office in East Baltimore. 

This emerging legal icon was interested in gaining positive changes to the civil rights laws that prevented the growth of rights for African Americans. Marshall was known for his devotion to fight against police brutality, unfair practices of landlords, and he also supported labor organizations and businesses. 

Always with an eye toward helping others, he had two key cases that saw him fight for the rights of Blacks against segregation. First, he opposed the unfair “separate but equal” parts of the GI Bill that limited the rights African American veterans that served within every component of the Armed Forces at home and overseas during World War II. 

In 1952, he fought against the government to overturn the segregationist policies that were established within the American educational system. 

After excelling within many government legal positions, in 1967 President Lyndon Johnson (D) nominated Marshall to become the first African American associate justice on the U.S. Supreme Court. He was a legal pioneer who always looked forward to change, through the positive beliefs that all Americans were able to get ahead in the United States, where they should receive all of the rights of the constitution.

Aretha Franklin

All I’m askin’ is for a little respect when you come home (just a little bit)

The legendary lyrics of “Respect” were sung by trailblazer Aretha Franklin in 1967. Born on March 25, 1942, in Memphis, Tennessee, her father the Rev. C.L. Franklin was a famous Baptist minister and her mom Barbara was a gospel singer.  

By the time Aretha was 14 years old, she had already recorded her first gospel single, in Detroit. In 1960, she was scouted for Columbia Records by New York’s John Hammond, who also signed Billie Holiday, Bob Dylan and Bruce Springsteen to professional contracts. But it would take a few years before Franklin hit fame in the late 1960s through her association with Atlantic Records and its music savvy heads, Ahmet Ertegun and Jerry Wexler.  

This was the beginning of her pursuit to consistently earn top 10 hits and gold records. Along the way, as the Queen of Soul, she sold millions of records such as with “I Never Loved A Man (The Way I Love You)” and “Respect,” a No. 1 hit. Her music was adored by people of all races, as her records made it through the tumultuous moments of the 1960s. Franklin’s success was felt during this trying decade that saw major Vietnam anti-war and civil rights protests. After the Rev. Dr. Martin Luther King Jr. was assassinated on April 4, 1968, ironically in her birthplace of Memphis, Franklin sang at his service in honor of this noted leader.  

Many fans noticed the soulful feeling of sincerity when listening to the words of Franklin that always struck a chord with people that enjoyed music. Into the early 1970s, she gained big hits with “Bridge Over Troubled Water” and “Spanish Harlem” but at this moment soul music tastes began to change with disco and hip-hop. 

Her popularity never wavered on the national level as she performed at the inaugurations of Presidents Bill Clinton (D) and Obama, and she was given the Presidential Medal of Honor by George W. Bush (R) in 2005.  

The musical grace and strength of Franklin was also recognized in 1987 when she was the first woman to be inducted into the Rock and Roll Hall of Fame. In 1994, she was honored at the Kennedy Center and was given the National Medal of Arts in 1999. 

Franklin represents the countless examples of African American accomplishments that added to the national character and pride of the United States during all periods of time.

Rich Acritelli is a history teacher at Rocky Point High School and adjunct professor at Suffolk County Community College.

TVHS Director Mari Irizarry

The Three Village Historical Society (TVHS) has  announced that Mari Irizarry has been appointed by the Board of Trustees as its new Director. Her appointment comes at an opportune time in the Society’s history, as it will unveil powerful new augmented reality experiences this spring that complement the Spies! exhibit and, plans for the Dominick-Crawford Barn Education Center groundbreaking.

Irizarry has worked with TVHS since 2016 and has emerged as a dedicated visionary after the forced restructuring, in January 2021, brought about by the ongoing COVID-19 pandemic. Mari brings over 20 years’ experience as a leader in non-profit and government sectors, in NYC and Long Island, focusing on leadership, programming, strategy, marketing, and communications.

“The Board is ecstatic to have Mari lead the Three Village Historical Society as we begin our next endeavor of expanding programming in the Three Village area with the addition of the Dominick Crawford Barn Education Center,” said Jeff Schnee, President of the Board of Trustees. “We are thankful that Mari has devoted so much of her time and expertise to the growth of the Society. She has walked with me every step of the way since the Society had to shift operations with Covid-19. In the end, we were compelled by Mari’s unique combination of energy, thought leadership, and experience, as well as her rare ability to toggle effortlessly between vision and action. We could not be more excited about this appointment!”

“I am very proud and honored to be part of this great organization that has been a staple of our Three Village area for nearly 60 years,” said Irizarry. “I look forward to building strategic partnerships and continuing to build on this incredible legacy which has already contributed so much to our community.”

Photo courtesy of LIM

The Long Island Museum, 1200Route 25A, Stony Brook welcomes families for Winter Break Fun in the Carriage Museum on Thursday, Feb. 24 from noon to 3 p.m.

Step back in time and explore their world class carriage collection! You’ll see amazing vehicles that show you what the world was like before cars!  Docents will be onsite to share information, hands-on objects, and activities. All ages are welcome and admission is FREE!

*Please note, the Carriage Museum will be the only building open this day due to exhibition installation in other buildings.

Covid safety protocols remain in effect; physical distancing will be required and all visitors over the age of 2 must wear face masks while indoors. The LIM follows CDC-prescribed cleaning protocols for all buildings.

For more information, visit www.longislandmuseum.org.

Judith Kalaora will portray Revolutionary War hero Deborah Sampson on Feb. 21. Photo by Vincent Morreale
Meet the first woman to secretly serve in the military at TVHS living history event

By Melissa Arnold

If you could spend an hour with any historical person, who would it be?

Many people have answered this question as part of an ice breaker or an online survey. It’s a fun dream to consider.

But what if you actually could meet and talk to someone who left a significant mark on American history? On Feb. 21, the Three Village Historical Society will welcome “Deborah Sampson,” a daring woman who bound her chest and hid her identity to serve in the Revolutionary War. Sampson, played by Judith Kalaora, will share her dramatic and captivating story and take questions from the audience about life in the 18th century.

Judith Kalaora as Deborah Sampson during a livestream event.

Kalaora is the founder and artistic director of History At Play, a living history performance group. She has made it her life’s mission to connect people in personal, immersive ways to fascinating historical figures. But for Kalaora, who holds a Bachelor in Fine Arts degree in Acting from Syracuse University, it’s about so much more than entertainment.

“I’ve always believed that theater is a wonderful teaching tool. I had phenomenal teachers growing up who utilized role playing and activities like Mock Trial, and that’s all acting. It became very clear to me that there was an avenue to explore and that I wanted to teach, but I wasn’t sure what. I was drawn to history because it’s all about stories, and ultimately became a historical interpreter in Boston right out of college.”

A historical interpreter is highly educated in a particular period of history, and teaches by wearing the fashions of the era and playing the role of a historical figure, whether that is a specific person or just a common citizen.

For that first job, Kalaora chose to portray a woman named Deborah Sampson, a self-educated indentured servant who chose to disguise her identity and join the American military. Sampson fought under the alias Robert Shurtlieff and later became the first woman to be honorably discharged.

“She is the official heroine of Massachusetts, but I never learned about her when I was in grade school,” Kalaora explained. “I was always a tomboy, really interested in the military and weaponry from a young age. And as I looked through history books trying to decide who I would portray, I fell in love with Deborah’s life.”

Judith Kalaora will portray Revolutionary War hero Deborah Sampson on Feb. 21.
Photo by Bjorn Bolinder/Find The Light Photography

Tourists of all ages and nationalities were fascinated by Deborah’s story as well, and it inspired Kalaora to write a one-woman play called “A Revolution of Her Own.” Since its debut in 2010, she has taken the show from coast to coast for more than 2,000 performances, including on 42nd Street in New York City.

When the pandemic shut down theater performances around the world, History at Play had to get creative. Thanks to Zoom, audiences can meet Deborah Sampson and learn from her in the comfort of their living rooms. The event is a part of the Three Village Historical Society’s (TVHS) monthly Lecture Series, which hosts prominent and emerging historians, authors, genealogists, archeologists and storytellers from around the nation. 

“The first lecture at TVHS was in 2003, and happened occasionally. It officially became a monthly offering in early 2006,” said TVHS executive director Mari Irizarry. “TVHS has proudly offered an average of nine monthly lectures to the public for nearly 16 years with the intention of furthering the mission of the Society by educating the public about our rich history.”

The historical society was introduced to Kalaora thanks to historian Margo Arceri, who runs Tri-Spy Tours which offers walking, biking and cycling tours around the Three Village area.

“This will be our first living history performance! We’re very excited about introducing this as a new offering from the Society,” Irizarry said. “The event is perfect for the entire family, and we hope that our younger audience attends this online presentation as well. The story of Deborah Sampson is largely unknown and we believe that our audience will be awe-inspired by her legacy.”

“A Revolution of Her Own! Deborah Sampson, Immersive Living History” will be presented online via Zoom at 7 p.m. on Monday, Feb. 21. The evening is free for members of the Three Village Historical Society, and a suggested donation of $5 is requested for all others. For more information or to register, visit www.tvhs.org/lecture-series or call 631-751-3730.

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TVHS lecture series line-up for 2022

All lectures begin at 7 p.m. 

MONDAY, FEB. 21

“A Revolution of Her Own! Deborah Sampson, Immersive Living History”

Presented by Artistic Director of History at Play Judith Kalaora

Sponsored by Tri-Spy Tours

MONDAY, MARCH 21

“History of the LIRR with a North Shore Perspective”

Presented by Railroad Museum of Long Island President Don Fisher

MONDAY, APRIL 18

“A New York Experience: A  Constant Affair”

Presented by art historian Louise Cella Caruso

MONDAY, MAY 23

“A School with a Vision: Celebrating 100 Years of  The Stony Brook School”

Presented by Stony Brook School History Faculty David Hickey

MONDAY, JUNE 13

“The Drafting of a Radical Idea – The Declaration of Independence”

Presented by Stony Brook University Senior lecturer & Faculty Director Tara Rider

MONDAY, JULY 18 

“Winning Votes for Women on Long Island and the Nation”

Presented by author and professor Emerita Natalie Naylor

MONDAY, OCTOBER 17

“Mafia Spies: The Inside Story of the CIA, Gangster, JFK and Castro”

Presented by author, journalist and television producer Thomas Maier

MONDAY, NOVEMBER 14

“William Sidney Mount’s Long Island and the People of Color”

Presented by authors Katherine Kirkpatrick and Vivian Nicholson-Mueller

The evenings are free for members of the Three Village Historical Society, and a suggested donation of $5 is requested for all others. For more information or to register, visit www.tvhs.org/lecture-series or call 631-751-3730.

 

Three Village Historical Society’s Director of Education Donna Smith and historian Beverly C. Tyler. Photo from TVHS

The Three Village Historical Society has been awarded a $125,000 grant from the Robert David Lion Gardiner Foundation. The grant will be used to create and install Digital Tapestry, an augmented reality experience created by the Robert David Lion Gardiner Foundation. Digital Tapestry will focus on core members of the Setauket based Culper Spy Ring during the American Revolution and will incorporate technology that can be experienced through an app utilized on smartphones.

The exhibit is scheduled to open late Spring 2022 at The Three Village Historical Society History Center in Setauket. Digital Tapestry is an innovative, interactive, virtual experience that will use archival imagery that will guide the user through the exhibit. While using the app inside the exhibit, guests will meet key members of the Culper Spy Ring, who lived and operated out of the Setauket area, including Abraham Woodhull, Benjamin Tallmadge and Anna Smith Strong, to name a few of the narrators.

For more information, call 631-751-3730 or visit www.tvhs.org.

The Suffolk County Vanderbilt Museum has just premiered the fifth video in a series of Vanderbilt Moments in History, How William Vanderbilt Created America’s First International Auto Race,  which introduces viewers to the history of the race.

Photo from Vanderbilt Museum

William K. Vanderbilt II, an early auto-racing enthusiast, set a land-speed record in 1904 of 92.3 miles per hour in a Mercedes on a course in Daytona Beach, Florida. That same year, he launched the Vanderbilt Cup, America’s first international auto race.

The video series is being created by Killian Taylor, archives and records manager: “It might come as a surprise to hear that many of the Long Island roads we drive on today were once part of one of the biggest auto events in the country. The Vanderbilt Cup was the brainchild of Mr. Vanderbilt, who wanted to create a race that would encourage American car manufacturers to make race cars that could compete with their European counterparts.

“The races drew thousands of visitors onto the island each year and paved the way for modern auto racing as we know it today. The Vanderbilt Cup was a one-of-a-kind national event, and it happened right in our backyards.”

Watch these other Vanderbilt Moments in History videos:

Suffolk County Vanderbilt Museum

The Suffolk County Vanderbilt Museum and Reichert Planetarium will reopen this weekend, Saturday and Sunday, February 5 to 6, from noon to 4:00 pm.

Starting Friday, February 11, the Vanderbilt will be open Friday through Sunday, 12 to 4 pm, and on Friday and Saturday nights for Planetarium shows at 8:00, 9:00, and 10:00. Masks are required inside all buildings.

On Saturday, February 5, the Planetarium will premiere a new show, Exoplanets: Discovering New Worlds. Visitors will be transported to planets orbiting faraway stars. Discovering exoplanets is one of today’s scientific goals, and finding life on those worlds is the next challenge.

Although science has not yet found evidence of alien life, this exciting program speculates on the existence of such life and explores how scientists are currently searching for exoplanets and their potential inhabitants. Recommended for ages 12 and up.Exoplanets will be showing Saturday afternoons at 3:00 pm from February 5 through March 20.

Another new Planetarium show that premiered recently is Explore, an odyssey to the planet Mars, seen through the lens of human history and scientific development. This visually stunning full-dome film begins with a look at how scholars and scientists throughout the ages used the sky as a clock and calendar to measure the passage of time. Their charts and star catalogs informed the modern science of astronomy.

Dave Bush, director of the Reichert Planetarium, called Explore “one of the finest productions ever made available to our audiences. It’s truly an immersive masterpiece.”

Explore is an adventurous journey from ancient Mesopotamia to modern space exploration. Experience the fascinating history of astronomy, geocentric and heliocentric models, the laws of planetary motion, and discover the principles of orbital maneuvers that enable satellites and space travel.

The museum is located at 180 Little Neck Road in Centerport. For more information, visit www.vanderbiltmuseum.org.

Vanderbilt weathervane. Vanderbilt Museum Archives photo

The Suffolk County Vanderbilt Museum has received a grant of $86,489 from the Robert David Lion Gardiner Foundation that will finance the restoration of two weathervanes that once adorned the Vanderbilt Mansion and the Learning Center.

The mansion weathervane, once atop the Bell Tower, depicts a ship with wind-filled sails plowing through waves, followed by sea serpents, and includes dolphin forms sitting on top of a globe of stars. The sculptural work was created by Samuel Yellin, considered the foremost iron artisan of the twentieth century and known as the “Tiffany of ironwork.”

The large weathervane signifies William K. Vanderbilt II’s love of the seas, his years of circumnavigating the globe, exploring the oceans, and collecting specimens for his marine museum, The Hall of Fishes. The smaller weathervane is simpler — a rotating arrow with scrollwork and embellishments. Deterioration and public safety concerns led the museum to remove both weathervanes 30 years ago.

Restoration will be performed by Spirit Ironworks of Bayport, operated by siblings Rachel and Timothy Miller. For their restoration work at the Henry Street Settlement in New York City, they received the 2020 Stanford White Award for Craftmanship and Artisanship through the Institute of Classical Architecture and Art.

“We are thrilled that the Gardiner Foundation believes in the timeless significance of Samuel Yellin’s magnificent iron artistry — and in the Vanderbilt as stewards of an extensive repository of his unique art. We’re excited that the gifted, award-winning artisans at Spirit Ironworks will be restoring our Yellin collection,” said Vanderbilt Museum Executive Director Elizabeth Wayland-Morgan.

“Willliam Vanderbilt’s Eagle’s Nest is one of the few remaining North Shore estates open to the public. There were more than 1,200 built in the late nineteenth and early twentieth centuries. The Vanderbilt is one of the jewels of our Suffolk County parks system. These weathervanes, initially utilitarian objects, showcase the mastery of Yellin’s artistic interpretation and craftsmanship. Their restoration and re-installation will offer the visitor a new insight into how their Long Island Gold Coast neighbors curated and celebrated even the smallest details of their homes,” said Kathryn M. Curran, executive director of the Robert David Lion Gardiner Foundation. 

“This commitment to preserve the two weathervanes produced by Samuel Yellin for William K. Vanderbilt II represents an incredible gift from the Robert D.L. Gardiner Foundation to Long Island’s rich heritage in the decorative arts. As the foremost artisan in wrought iron, Samuel Yellin fabricated architectural and ornamental fixtures for some of the more culturally significant constructions of the early twentieth century,” said Paul Rubery, director of curatorial affairs.

“In the past year, the weathervane — a unique alchemy of sculpture, scientific instrument, and public artwork — has specifically enjoyed renewed appreciation among art lovers and historians who seek to understand the full breadth of American craft. We look forward to the day when these historically significant works can greet our visitors from their proper positions on the Learning Center and Bell Tower rooftops,” he added. 

“Master blacksmith Samuel Yellin has an incredible body of work at the Vanderbilt Museum. By restoring two of his weathervanes, we gain respect for the elevated level of skill and design he used to create these works of art. Starting with a three-masted ship followed by sea serpents atop a star-filled globe, Yellin transformed a simple weathervane into a sculpture that honored his patron’s love of the sea, adventure, and exploration,” said Rachel Miller of Spirit Ironworks. 

“As fellow artist-blacksmiths here at Spirit Ironworks, we are honored to preserve a small part of his legacy by staying faithful to many of his means and methods used in these lovingly crafted weathervanes.”