History

By Peter Sloniewsky

Six Harbors Brewing Company, located at 243 New York Ave. in Huntington, held a special label release event on Friday, Aug. 16, to raise money for the restoration of the Van Wyck-Lefferts Tide Mill in Lloyd Harbor. 

Built in the late 1790s and owned by a few different people, the mill completely passed in ownership to the Lefferts family by 1850. However, around that time, the mill was forced to reduce its output because of the dramatic changes taking place as a result of the Industrial Revolution on Long Island. The mill was shut down by 1893 because it couldn’t compete with steam roller mills and due to the shift in Long Island agriculture from grain to vegetables. It is described on its website as “a remarkable testament to the craftsmanship and endurance of its past owners and present-day benefactors.”

While the mill is maintained by the nonprofit Van Wyck-Lefferts Tide Mill Sanctuary dedicated to its survival, it has been in need of donations for a myriad of repairs for several years. The mill, located at 255 Southdown Road in Lloyd Harbor, is situated on a dam protecting a waterfowl sanctuary, which also requires repair. Additionally, the nonprofit is dedicated to raising funds for repairs to the foundation, structure, mechanism and roof of the mill. Lastly, the organization hopes to shore up the bulkhead that protects the mill’s stone foundation.

In an interview with Mark Heuwetter, president of the Six Harbors Brewing Company, he made it clear that part of Six Harbors business model is community outreach. Six Harbors has embarked on a number of local beer can releases for a variety of causes in the past.

Heuwetter said that the mill “is a historical site … [Six Harbors] just wanted to make sure that the project wouldn’t fall into disrepair so that we could preserve the history of the community.” He went on to depict the mill as broadly symbolic of Long Island industry and the history of Huntington as a town.

The design of the special can was sourced from a local competition advertised via Instagram, by the mill’s nonprofit, through the Town of Huntington’s website and the Huntington Chamber of Commerce. Heuwetter received around 30 entries, and the finalist was eventually printed as the can’s design.

Heuwetter recognized the event as largely successful, describing it as “well received” with a “couple hundred” attendees. Between attendance revenue, sponsor donations and the portion of proceeds that go directly to the mill, he was confident that the brewery’s event had raised a meaningful amount of money to preserve the mill.

In addition to this event, Six Harbors is no stranger to charity work. In the near future, Heuwetter is planning a number of local can releases. First, the Huntington Young Professionals, an organization looking to recognize upstanding young individuals from the town, is scheduled for another release. Additionally, Six Harbors plans to collaborate with both the Ancient Order of Hibernians and the 1653 Foundation, which “restores, manages, and enhances the parklands and public spaces of the Town of Huntington.” 

Overall, Heuwetter is more than grateful for the support that Six Harbors receives from the Huntington community, describing it as “tight knit” and as willing to support worthy causes. He made clear that the tide mill project could not have been possible without the support of the entire community.

“I would say that it takes a village — it’s not one person that can make everything happen, it takes everybody to make things happen,” he said.

Edward Lange, [Northport, Lower Main Street], 1880. Watercolor, gouache, and lead pencil on paper, 15.375 x 21.625. Collection of Preservation Long Island, 2011.2

Preservation Long Island presents Promoting Long Island: The Art of Edward Lange, 1870–1889, a new exhibition focusing on the life, work, and career of one of Long Island’s most prolific artists of the late nineteenth century. On view August 16 – December 1 2024 at the Preservation Long Island Gallery, 161 Main Street, Cold Spring Harbor, this exhibition of watercolors, photographs, and historical objects from the collection of Preservation Long Island and on loan from collections across Long Island, is inspired by the upcoming release of Preservation Long Island’s latest publication of the same name, arriving September 2024.

Edward Lange grew up in a German family of prominent artists and publishers and arrived on Long Island during one of its most critical moments. For nearly two decades, he watched new industry creep into an older agricultural landscape and used his artwork to record the region’s transformation. With an entrepreneurial spirit, Lange inserted himself into Long Island’s booming economy and created detailed images of main streets, factories, railroad depots, and hotels that resonated with local residents and tourists alike.

“Lange’s artwork represents a tangible connection to a period of Long Island’s history when its people, culture, and landscape were undergoing rapid change,” said Elizabeth Abrams, Preservation Long Island Interim Executive Director.  “The artist’s views of Long Island towns, villages, landscapes, and waterscapes have endeared themselves to Long Islanders and visitors for over 135 years.”

“Artists like Lange played a significant role in a promoting Long Island’s scenery to the larger public during the nineteenth century,” noted Preservation Long Island Chief Curator & Director of Collections, Lauren Brincat. “Not only was Lange’s artwork reflective of a resulting new age of booming tourism on Long Island, but it was instrumental in the region’s growth by advertising hotels, resorts, and experiences to a greater public.”

Peter Fedoryk, exhibition guest curator added, “In the late nineteenth century, Lange’s artwork had immense visual influence in the New York metropolitan area. Today, the artist’s paintings, drawings, prints, and photographic reproductions are celebrated as snapshots of a world before suburbanization permanently reshaped Long Island’s built environment.”

Programming

Exhibition related programs and events will take place throughout the show’s run and include:

Curator Exhibition Tour: September 28, 2024

Northport Walking Tour: October 6, 2024

Authors Panel Discussion & Book Signing: November 16, 2024

Call or visit Preservation Long Island’s  website for more information about the exhibition and related programs and events.

631.692.4664

https://preservationlongisland.org/lange-exhibition/

Lenders to the Exhibition

Brooklyn Public Library, Center for Brooklyn History; Greenlawn-Centerport Historical Association; Heckscher Museum of Art; Huntington Historical Society; Incorporated Village of Northport; The Long Island Museum; Nassau County Department of Parks, Recreation, & Museums; Oyster Bay Historical Society; Raynham Hall Museum, Smithtown Historical Society; Veronica Mollica; Whaling Museum & Education Center of Cold Spring Harbor.

Publication

The exhibition accompanies the release of Preservation Long Island’s latest publication, Promoting Long Island: The Art of Edward Lange, 1870–1889 which presents over two years of new research into Edward Lange’s life and work. The new hardcover publication, arriving September 2024, features over 100 full-color images. Edited and authored by Preservation Long Island’s Chief Curator & Director of Collections, Lauren Brincat, and former curatorial fellow, Peter Fedoryk, the book also includes essays by Jennifer L. Anderson, Thomas Busciglio-Ritter, and Joshua M. Ruff.

https://preservationlongisland.org/pre-order-our-latest-publication/

Generous funding in support of this publication has been provided by The Gerry Charitable Trust and The Decorative Arts Trust

About Preservation Long Island

Preservation Long Island is a not-for-profit organization that works with Long Islanders to raise awareness, appreciation, and support for the protection of our shared past through advocacy, education, and the stewardship of historic sites and collections.

http://preservationlongisland.org

Preservation Long Island maintains and interprets historic sites and collections that embody various aspects of Long Island’s history including:

Joseph Lloyd Manor, Lloyd Harbor http://preservationlongisland.org/joseph-lloyd-manor/

Custom House, Sag Harbor http://preservationlongisland.org/custom-house/

Sherwood-Jayne Farm, Setauket http://preservationlongisland.org/sherwood-jayne-farm/

Old Methodist Church and Exhibition Gallery http://preservationlongisland.org/methodist-church/

The cover of Beverly Tyler's latest book.

Reviewed by Jeffrey Sanzel

Imagine sailing five months on a ship from New York to China, while not knowing whether you will survive storms at sea or attacks by pirates.

Imagine living in a Japanese temple recently made over to accommodate British and American visitors in a country where most of the population has never seen a person from another country or another race.

Imagine exploring a country where you are not sure of your own safety and where many men, including Samurai warriors, carry two visible swords.

The cover of Beverly Tyler’s latest book.

These are just some of the thoughts posited by author Beverly C. Tyler in his latest book, Mary Swift Jones: Love and Letters from Japan, published by History Close at Hand and the Three Village Historical Society. The multi-hyphenate Tyler (writer-photographer-lecturer-local historian) is the author of Caroline Church, Founders Day, Down the Ways—The Wooden Ship Era, and Setauket and Brookhaven History (all reviewed in this paper). 

Mary Swift, who was Tyler’s great- grandaunt, married Captain Benjamin Jones sometime in the mid-1800s. In September of 1858, at only twenty-four years of age, she embarked with him from New York on an extraordinary journey on the Mary and Louisa, a 145-foot square-rigged medium clipper bark that was constructed in Setauket. 

The voyage would last three years and take Mary to China and Japan. While abroad, she wrote extensive letters to family and friends and returned with remarkable furniture, fine china, fabrics, and spices. Tyler touches on the ship’s traveling from port to port, carrying cargo between the Chinese ports of Hong Kong and Shanghai to the Japanese ports of Nagasaki and Yokohama. 

Mary’s letters give the perspective of an American in a world completely foreign to her knowledge and experience. She reflects on the Mary and Louisa’s shifting crew; she shows fascination with the citizens of the various towns and cities; she pays tribute to the breathtaking landscapes. 

Tyler highlights the appreciation of the countries and cultures with quotes from a range of visitors, often selecting lyrical passages from a variety of letters.

Voyages of this breadth faced storms, strong winds, illness, the threat of piracy, and the fear of the ship sinking. Additionally, violence was a shadow cast by the Japanese, who were less welcoming to a foreign presence. 

The Mary and Louisa

In his journal on April 15, 1860, a passenger on the ship, New York Tribune reporter Francis Hall wrote, “It seems odd to start out for a walk by putting a revolver in one pocket and a copy of Tennyson in the other.” The possibility of losing family members at home was something that deeply concerned Mary. Of course, the Civil War broke out during their time at sea. 

Tyler gives perspective on the perils of such undertakings. Quoting from the memoir of Egbert Bull Smith (the ship’s cabin boy, who later published Voyage of the Two Sisters): “Mrs. Jones did not know, nor did I, at the time, that when we sailed none of her friends expected to see her again in this life, and that all of the necessary articles for preserving her body had been placed on board.” 

Mary survived the journey but contracted consumption, dying shortly after her return to the States at the age of 26. She is buried in the Setauket Presbyterian Cemetery. 

Like all of Tyler’s work, the material is meticulously researched with exceptional documentation, details extracted from both primary and secondary sources. The book is highlighted with color illustrations, photographs, maps, and woodcuttings, giving his “narrative alive” tomes an almost three-dimensional quality.However, Tyler’s inherent sense of history and commitment to telling the American story are what truly imbue his works.

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Copies of Mary Swift Jones: Love and Letters from Japan by Beverly C. Tyler are available for purchase for $10 at the Three Village Historical Society’s gift shop at 93 North Country Road in Setauket. Tyler will also be selling  and signing copies of the book at the Three Village Farmer’s Market at the same location on Fridays from 3 to 7 p.m.

Keynote speaker was Holocaust survivor Rosalie Simon with music by Toby Tobias

Huntington Town Supervisor Ed Smyth, in conjunction with the Suffolk YJCC, hosted the Town of Huntington’s 13th Annual Anne Frank Memorial Ceremony on July 19. The event took place at Arboretum Park in Melville, home of the Anne Frank Memorial Garden.

The ceremony was held mid-way between Anne Frank’s June 12th birthday and the August 4th date of her capture. Frank would have been 94 this year. Frank died in 1945 at the age of 15 in the Bergen-Belsen concentration camp in Germany.

This year’s event featured Holocaust survivor Rosalie Simon, and students, Alexa Nissenbaum and Chloe Swartz, who participated in Suffolk Y JCC’s Names, Not Numbers program, a unique program where students learn to combine research, journalism, and video production to capture and share the stories of Holocaust survivors so that they are never forgotten. 

The ceremony also featured special musical guest, South African-born guitarist, and composer Toby Tobias. Tobias shared his stories of hope through music, during a time of war and upheaval across three continents, from Johannesburg to Jerusalem — then here in the United States.

Commander Harry Arlin and members of Jewish War Veterans Post #488 provided a color guard to present the colors for the ceremony while Rabbi Jeff Clopper of Temple Beth El in Huntington led the prayers.

“Every year, we strive to make this event memorable and thought provoking. This year is no different. What happened to Anne Frank, her family, and all victims and survivors of the Holocaust could have happened to anyone, at any point in time,” said Superviser Smyth. 

“Abroad today, in places like Ukraine. At home, with targeted attacks against different groups and the population at large. We must counter the voices that seek to divide us. We can teach love, acceptance, and unity. We can and should resolve ignorance with education,” Smyth added.

The Anne Frank Memorial Garden, was unveiled by the Town in June 2010 at Arboretum Park. The park symbolically captures the journey of Anne Frank’s life. It features a circular pathway that surrounds a garden, which leads to the sculpture of a young girl’s dress. 

The Memorial Garden serves as tribute to Anne’s legacy of wisdom and genuine belief in the goodness of mankind and human nature, despite the ugliness of war and discrimination.

By Daniel Dunaief

Paula S. Apsell wants to correct one of the more insidious myths about Jews during the Holocaust.

Director Paula S. Apsell

The award-winning filmmaker is showing the documentary Resistance – They Fought Back at the Cinema Arts Centre in Huntington on July 25, offering numerous examples of Jews who fought against the murderous Nazi regime.

The film from Apsell, who will be at the Cinema Arts Centre screening to speak with the audience, chronicles resistance in many forms, from getting married in secret, to having children, to holding concerts, to caring for the poor, to smuggling food and weapons into ghettos and, ultimately, to guerilla combat.

These stories of courage and a readiness to fight back when any form of resistance could mean severe punishment or death not just for the person rebelling but for many others paint a completely different picture than the one in which Jews surrendered meekly to their fate.

“There were seven rebellions in death camps, and six of them were led by Jews,” said Apsell, who won numerous awards as executive producer for PBS NOVA films. “They still mustered the courage to rebel knowing they would die in the rebellion” and almost all of them did.

The survival rate among Jews in general and those who the Germans found were rebelling, which includes many in their late teens and early 20’s who were fighting to protect and defend their families, was low.

While she was an executive producer at PBS for the Nova science series in 2016, Apsell traveled to Lithuania near Vilnius, where she produced a documentary for PBS about Jews who were brought to a site to burn the bodies of thousands of other Jews whom the Nazis had murdered.

At night with shackles on, they used spoons to dig a tunnel over the course of 76 days. When they escaped, they filed off their shackles and raced towards a forest, with 11 of them surviving through the rest of the war.

Building on this story, Apsell, who worked with Lone Wolf Media and co-directed the documentary with Kirk Wolfinger, started gathering information for the Resistance film in 2019 and completed editing the movie in September of 2023.

Apsell, who herself is conservative about what she shares with her eight and 11-year old grandchildren, suggested the documentary is appropriate for juniors in high school or older, unless they have had some level of education about the Holocaust.

Compelling lives

Amid the many stories of courage and sacrifice, Apsell felt a particular connection with Bela Hazan.

A courier who brought information, money and weapons to the ghettos, Hazan posed as a Polish Christian woman and traveled along dangerous roads surrounded by Nazis who would imprison, torture or kill her if they knew of her work.

After Hazan survived the dangers of the war, her son Yoel Yaari, who hadn’t heard of his mother’s wartime activities, found two notebooks containing details about her work.

Yaari, who is the Henri and Erna Leif Professor for Research in Neurodegenerative Diseases at the Hebrew University Faculty of Medicine in Jerusalem, has told people through articles and his book “Portrait of a Woman” about his mother’s “astounding courage and what she had done for the Jewish people,” said Apsell. “We can all learn about courage in adversity.”

Apsell suggested that scholars knew about the way Jews had resisted, but that lay audiences often say they thought Jews went to their death as sheep to the slaughter.

Other ways to watch the film

Apsell is in the final stages of putting together a broadcast deal, which she hopes will be ready in January to coincide with Holocaust Remembrance Day, which is on January 27.

She also plans to work with organizations that have relationships with schools and libraries so students can access the information.

These stories “ought to be a much more visible part of the history of the Holocaust,” she said.

“I had a mission to tell these stories,” Apsell said. “I felt like it was a personal commitment and a responsibility” to share these stories.

While Apsell appreciates and acknowledges that people who weren’t Jewish helped their Jewish friends, neighbors and even strangers, she felt like the focus on resistance has often been on outside help.

“In this film, my emphasis was on Jews rescuing other Jews,” she said.

The film includes interviews with five Jewish survivors who were among the resistance fighters. Resistance also uses considerable archival footage from organizations that had recorded interviews. The film’s narrators include actors Corey Stoll, Dianna Agron and Maggie Siff.

Dr. Jud Newborn, lecturer, author and curator at the Cinema Arts Centre, had an immediate reaction when he viewed the film.

“I was stunned,” said Newborn, who is an expert on Jewish anti-Nazi resistance and served as the founding historian of New York’s Museum of Jewish Heritage. “No documentary covers the panoply of Jewish resistance in its many forms and in such a moving as well as revelatory manner.”

Newborn, who will host a discussion with Apsell right after the screening, added that he thought this was a “groundbreaking film.”

While Newborn describes all manner of Jewish resistance in his multimedia lecture programs, he learned new stories because the movie pulls together “the most cutting edge information,” he said. “The subject of Jewish resistance breaks stereotypes and is deeply inspiring and energizing and it’s also deeply moving because they had to overcome obstacles unlike any people under Nazi occupation or indirect rule.”

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The Cinema Arts Centre, 423 Park Ave., Huntington will screen Resistance – They Fought Back on Thursday, July 25 at 7:15 p.m. with filmmaker Paula S. Apsell in person followed by discussion with moderator Dr. Jud Newborn. Tickets are $18 per person in advance at  www.cinemaartscentre.org or at the box office.  For more information, please call 631-423-7610.

 

Pixabay photo

By Leah S. Dunaief

Leah Dunaief,
Publisher

In some ways, the 2020s appear to be similar to the 1920s. We humans like to look for historical parallels, I think, in hopes of using the past to predict the future, futile as that might be. Call them coincidences between the two centuries, if you will, but let’s look at them and judge if history is repeating itself.

The most obvious is the raging coronavirus pandemic of this century and its resemblance to the Spanish Flu that began in 1918 and lasted into the early 1920s.The flu killed some 50 million people worldwide, with 675,000 being Americans. Covid killed 6.5 million, including 1.1 million in the United States. 

And although no plans existed for coping with a pandemic in 1918, individual cities did implement  school closings, banned public gatherings, issued quarantines and encouraged social isolation. Public health and medical advances have made huge strides, which account for the global change, although the world population has quadrupled in the last 100 years.

We can compare cultural shifts, too. Liberal views toward equality of women and minorities, drug use and sexuality blossomed then, as well as backlashes to these ideas, setting us up for issues that have followed. Marijuana became popular in what was termed “The Jazz Age,” especially among musicians and those in show business. These themes, along with their inherent tensions, are prominently with us today, even if we consider that we have made significant progress in some ways. 

Geographically, more of the population began to live in cities than on farms then, and that holds true for our cities and suburbs now. But the divide today is not so much physical as generational. Social media and video games are the provenance of the young, while older Americans still read, watch TV and film.

The stock market and the financial world are strikingly similar while a century apart. Stocks are roaring today, much as they did in the Roaring Twenties. America’s wealth more than doubled in the decade of the 1920s. But it was a time of immense economic prosperity for upper-class white American men. Most Americans, with minimal wages, only experienced income inequality. It was also a time of the one percent owning a widely disproportionate share of that wealth, some 23.9 percent. 

Sound familiar? And because the wages of the working class were not brought along with that of the wealthy, as consumers, they could not keep up their vital role. Consumers are responsible for as much as 70 percent of the economy. Depression followed. Again, today the top one percent own some 26 percent, and again income inequality is rampant.  

Then there was Prohibition. In 1920, the 18th Amendment banned the making and selling of alcohol. But alcohol didn’t simply go away. It went underground, making petty gangs who transported and sold liquor into powerful forces in the country. Fast forward 100 years and we have drug lords with the same sort of influence over society as a result of similar incredible profits. The legalization of pot is clearly an attempt to learn from the century-old Temperance Movement. The turnaround in policy toward cannabis has provided a big economic boon, as the product has made its way into fiber, food and medicine.

Technology in the 1920s was dramatic and had a profound effect on people’s lives. Fridges, vacuums, telephones, radios, electricity and automobiles changed daily living. Again, major technological innovations, coming along at an exponentially faster pace, are transforming lives today. Consider internet expansion, 5G connectivity, 3D printing and artificial intelligence among most recent debuts. A few people are amassing unprecedented wealth with these marvels. Here we go again with an ever-increasing wealth gap. Plus, both centuries saw workers worried for their job, first with industrialization and now with knowledge. Advancing technology provides miracles and threats. It is also a crucible for social unrest in both centuries.

And then there is transportation. Lindbergh crossed the ocean in 1927. We are on course to fly to Mars in 10 years. Both centuries’ 20s hosted marvels. But the 1920s set the stage for WWII. 

Are we learning from history?

By Scott Ferrara

Three Village Historical Society partnered with the Setauket United Methodist Church in East Setauket June 22 for the latest cemetery cleanup event.

The historical society has recently reformed its Cemetery Committee to address the conditions of the 20 cemeteries in the area. These committee projects invite community members to help in the organized cleaning of cemetery grounds, correcting leaning or fallen gravestones, and using professional methods and materials to clean gravestones.

Participants in the program previously attended the Cemeteries 101 workshop at TVHS headquarters to learn the basics of Long Island cemetery history. They received hands-on lessons in the proper application of D/2, a biodegradable and eco-friendly chemical compound that removes stains caused by mold, algae, lichens and air pollutants. Participants, additionally, learned the do’s and don’ts of working with different types of headstones, and what kinds of permissions are needed to organize a gravestone cleaning project.

The Cemetery Committee has taken on varying duties over the past four decades, including the mapping and recording of headstones, cemetery cleanings and the organizing of numerous Eagle Scout cemetery restoration service projects. The current goals of the committee are focused on addressing the many headstones in need of cleaning and repair to preserve these cultural resources, and to create an updated database to aid local history and genealogical researchers.

The most recent project invited workshop attendees to participate in the organized cleaning of the Setauket United Methodist Church graveyard. The graveyard dates to the mid-19th century, and includes gravestones of many notable families in Three Village history such as the Terrells, Van Brunts, Darlings and Bryants — all of whom were early founders and patrons of the church. 

Volunteers and guests at the cleanup day included current residents of historic homes and communities once lived in by people buried at this cemetery.

Cemetery Committee chair, Robert Von Bernewitz, remarked that the D/2 cleaning solution applied to the gravestones will continue working over the next few months, slowly breaking down stains and growths.

Those who wish to participate in future cemetery cleaning projects should contact TVHS, and follow its social media and newsletters for future announcements. The website is: www.threevillagehistoricalsociety.org. 

Scott Ferrara is exhibits & collections coordinator at Three Village Historical Society.

Pixabay photo.

By Rich Acritelli

It was 248 years ago when men such as George Washington, John Adams and Benjamin Franklin declared their intention of working toward a permanent separation from the British Empire. After years of protesting “no taxation without representation,” Thomas Jefferson was given the task of writing the Declaration of Independence — a declaration against King George III with the intention of creating a new nation.

Once written, this document had to be signed before it could be delivered to the king. Patriots like William Floyd, who lived among loyalists, became one of two signers of the declaration from Long Island. Floyd ran a prosperous farm in Mastic. Entering local and state politics, he represented this part of Long Island in the First and Second Continental Congress and later became a general in the Suffolk County militia. Although not as well known, Francis Lewis was the second Long Islander to add his signature to the Declaration of Independence.

Once the war moved onto Long Island, Floyd was a targeted patriot who was forced to move his family to Philadelphia. From the British takeover of Long Island to the Treaty of Paris in 1783, Floyd experienced both the difficulties and triumphs of this conflict. He later served in the First Congress in 1789, which carried out the earliest functions of the Constitution and saw the election of President George Washington. Today, thousands of people visit the 613-acre William Floyd Estate — with its impressive Old Mastic House — part of the Fire Island National Seashore in Mastic Beach.

Setauket native Benjamin Tallmadge was only 22 in 1776. While attending Yale University, Tallmadge became friends with Nathan Hale. After the battles of Lexington, Concord and Bunker Hill, Tallmadge enlisted as a lieutenant in a Connecticut regiment in the Continental Army. Like Floyd, Tallmadge experienced the dark moments of the Revolutionary War that saw the Continental Army on the brink of defeat by the British.

Culper Spy Ring

Rising in rank, Tallmadge served in the cavalry, fought in the battles of Brandywine and Germantown, and by 1778 Washington utilized him to establish an intelligence network. The Culper Spy Ring collected information on the actions of the British in New York City, sent it to Setauket and later guided it across the Long Island Sound to Tallmadge in Fairfield, Connecticut. Tallmadge’s work with the Setauket spy ring increasingly targeted British operations on Long Island through his contacts in this North Shore loyalist area.

This successful operation was aided by Tallmadge’s friends Abraham Woodhull and Caleb Brewster to prevent the British from attacking the 6,000 French soldiers expected to land at Newport, Rhode Island. The British were given incorrect information that Washington intended to attack New York City, creating a safe passage for these allied soldiers. Tallmadge also discovered the treachery of Gen. Benedict Arnold and the failed British capture of the West Point military base on the Hudson River. 

The Culper Spy Ring was supported by Setauket tavern owner Austin Roe, who often traveled to Manhattan to purchase supplies for his business. As a secret patriot courier collecting enemy intelligence, Roe worked with Anna Strong, who defied the British and helped ensure it was safe for patriot whaleboats to land near Setauket Harbor to transport this information back to Tallmadge in Connecticut, where it was eventually read by Washington.

Throughout the war, Tallmadge supported activities to help the Americans win their independence and was promoted to lieutenant colonel and remained in Connecticut, where he later became a Federalist Party representative in Congress from 1801 to 1817. Millions of television watchers enjoyed the AMC series “Turn” that chronicled the patriotic and dangerous activities that took place on Long Island. Characters such as Floyd and Tallmadge helped ensure the permanent freedom of the patriots who fought in order to bring the meaning of the Declaration of Independence to the new nation. 

This Fourth of July, may we never forget the past, present and future importance of service to always protect and preserve the ideals of America.

With July 4 just around the corner, here are some Independence Day-themed facts to share at your backyard barbecue.

• The Continental Congress voted in favor of declaring independence from Great Britain on July 2, 1776. The Declaration of Independence was officially adopted two days later, marked by the ringing of the Liberty Bell at Independence Hall in Philadelphia. It apparently wasn’t signed by everyone until a month later on August 2.

• Every July 4, descendants of the signers of the Declaration of Independence tap the Liberty Bell 13 times in honor of the original 13 colonies.

• In 1778, General George Washington gave his soldiers a double ration of rum and an artillery salute to celebrate on July 4.

• The first public 4th of July event at the White House took place in 1801 with music, food and horse racing.

• Thomas Jefferson, John Adams and James Monroe all died on July 4.

• Independence Day became a federal holiday in 1870.

• There have been 27 different official versions of the flag. The last addition was Hawaii’s star after it was added in 1959.

• One World Trade Center in New York City is 1,776 feet tall to mark the year the U.S. declared its independence from Britain.

• The United States is not the only place to celebrate American independence. Such celebrations also occur in Australia, Denmark, Ireland, and Norway. 

• This year, Americans are expected to spend around $9.5 billion on food alone, and in 2022 revelers spent $2.3 billion on fireworks. 

• Americans typically eat 150 million hot dogs on Independence Day, “enough to stretch from D.C. to L.A. more than five times,” according to the National Hot Dog and Sausage Council.

• About 50 million Americans travel more than 50 miles from home during the holiday weekend, according to WalletHub data from 2023.

• About 16,000 July 4 fireworks displays happen around the country each year, according to the American Pyrotechnics Association.

• The famed Macy’s fireworks show in New York City uses more than 75,000 fireworks shells and costs about $6 million.

Setauket High School seventh-grade class as pictured in the 1951 Sachem Setauket School yearbook.

By Beverly C. Tyler

My neighbor, whose brother-in-law graduated from Setauket High School 73 years ago this month, gave me his copy of the “1951 Sachem,” the yearbook of that class — the last class to graduate from Setauket High School. There were just 12 in the class of ‘51, four girls and eight boys. The junior class of ‘51, set to graduate in ‘52 with 12 students, five girls and seven boys, would have to go elsewhere to complete their senior year, most likely to Port Jefferson.

The yearbook shows individual pictures of each member of the senior class and group pictures of sixth grade through the junior class. After pages dedicated to the graduating seniors, the booklet includes photos of the sports teams and seven other school activities, followed by advertisements from local businesses supporting the publication of the yearbook.

However, this isn’t a story about the class of ‘51 or ‘52. This is a story about my class, the seventh grade in 1951, destined to graduate in June 1953 from the new Setauket Junior High School. The picture shows 20 of 21 students, with only Patricia Hart absent. My class photo included

and our teacher, Mr. Good.

I don’t remember if Mr. Good taught the seventh grade the year before, but I believe he was gone the next year. In the 1951-52 school year, we spent most of the year at the old school, located on the south side of Route 25A, on the hill above where the stores, including the Village Chemist, are today. My class was on the second floor of the old wooden school building in the northeast corner room.

Mr. Good was a very no-nonsense teacher who had a humorous side that almost none of us appreciated. He told us, very proudly, that his foot was exactly twelve inches in length and intimated that if he had any troubles in the classroom, he could put his foot where it would do the most good. Mr. Good could also throw an eraser with pinpoint accuracy and did so with some frequency before the majority of students got to know him better.

One of the classmates I got along well with was Abigail Pope. She was a budding artist and loved to draw, which she often did during classes that didn’t interest her. Paying strict attention to the lesson at hand was absolutely necessary in Mr. Good’s classroom, and Abby had been presented with an eraser at least once before she was called to the front of the classroom.

I don’t know what she did that drew Mr. Good’s ire, but it could easily have been one of her very artistic nude drawings, which she often did. In front of the entire class, Mr. Good had Abby put out her right hand, palm up, and struck it with a ruler more than once. I remember that Abby never made a sound in response.

The best students in my class were Naida Hutchinson, Sarah Sells, Linda Schnee, and Everett Hart. Everett, who we called Bub, was also the best athlete. Margaret Jarvis was the cutest girl. All of this is, of course, subject to the passage of time and memory. Phyllis Schmeelk lived on a farm at the intersection of Bennett Road and North Country Road. What made it special for me were the horses in her side yard, right along the road. Katherine Bossey was a friend who often told me things I needed to hear. Her father ran a variety store in East Setauket. I once stole a baseball from the store, and Kathy set me straight. I always appreciated that from her.

John Emma’s father, Joe, was a barber. His shop was along East Setauket’s Main Street. I think at the time the family lived upstairs — I believe I got my first haircut there. My father took me, and when it was my turn, Mr. Emma put on a special seat that went across the arms of the barber chair to raise me to the proper level. It was a special day a few years later when I sat up in the chair as tall as I could and was told I didn’t need the booster chair anymore.

Larry Payne and I talked a lot about people in the community, and I remember Larry taking me down the hill from the old school to the small house just behind the stores at the corner of Main Street and Station Road — currently Gnarled Hollow Road. This was the home of Sarah Ann Sells. Mrs. Sells always offered us a peanut butter sandwich. She really seemed to enjoy being visited by kids from the school. When we moved to the new Setauket School and away from downtown East Setauket, some friendships seemed to change, and I don’t remember visiting Mrs. Sells or walking downtown at lunchtime or after school.

Jean Lewis lived on her family farm on Hub Road in South Setauket. The special feature of the area was Lewis’s Pond, where we would often ice skate in the winter, as it froze much earlier than the mill ponds in Setauket. Jean often invited some of her classmates to her home after skating, and I remember going as often as I could.

Jerry Gerlach was my best friend from the class, but the ones I hung out with most of the time after school and on weekends were all living on my street or close by, including Don Macauley, Paul Acker, Jackie Bennett, and Gene Cockshutt. We explored the woods around our houses, played stickball on Main Street at a time when few cars disturbed our games, rode our bikes all over the area, and spent a lot of time on and in the two mill ponds.

Moving to the new Setauket School was a pleasure for us. Everything was new and colorful and all on one floor. Each classroom had a door that opened directly to the outdoors. The students even helped by carrying books to the new library and classrooms. We were not just moving; we were helping. There were probably things we missed about the old school, but we said goodbye and embraced the new with enthusiasm.

Beverly Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. http://WWW.TVHS.org