History

Photo from Vanderbilt Museum

Suffolk County Vanderbilt Museum, 180 Little Neck Road, Centerport continues its lecture series at the Charles and Helen Reichert Planetarium Theater on Thursday, April 18 from 7 to 8:30 p.m. Rachel Miller and Timothy Miller of Spirit Ironworks in Bayport will give a presentation titled Restoring Historic Ironworks, with a focus on Samuel Yellin.

Samuel Yellin was born in 1884 to a Jewish family in Ukraine. At the age of 11, he was apprenticed to a master ironsmith and completed his apprenticeship in 1900 at age 16. He traveled throughout Europe, emigrated to the United States, and settled in Philadelphia. He set up a blacksmith shop there and began to build his reputation.

From museums to skyscrapers, to private homes, churches, hotels, banks, and universities, Yellin left his mark on the American architectural landscape. His metal designs, craftsmanship, and artistry can be seen throughout the country. He was sought after by the elite for his skills and creativity, and his legacy lives on, not only in his works but also through his family business, passed down from generation to generation – from Samuel to his son Harvey, to his granddaughter Claire Yellin, who oversees the Samuel Yellin Metalworks Company today.

Rachel Miller and Timothy Miller have recently restored the 18-foot weathervane that once topped the bell tower above the entrance to the mansion courtyard. This major undertaking gives them a unique insight into Yellin’s works and a rare opportunity for attendees to see images of his Vanderbilt work and to hear first-hand about the restoration process and its challenges.

Tickets to the event are $10 per person, members free. To register, visit www.vanderbiltmuseum.org or click here.

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Spirit Ironworks, Inc., was formed in 2001 as a collaboration and partnership between siblings Timothy and Rachel Miller who share a passion for the art of metalwork and blacksmithing. Rachel has a degree in fine art and Timothy in metalsmithing. They have distinguished themselves in their field and create hand-forged scrollwork, repoussé, and decorative elements in-house to ensure control over the quality of their product. Their business has grown over the years and includes a team of skilled artisans.

The Millers are active members of the National Ornamental and Miscellaneous Metals Association, The New York City Landmarks Preservation Commission, The Institute of Classical Architecture, Artist Blacksmiths Association of North America, and The Patchogue Arts Council.

Joseph Smith Hawkins and his wife Henrietta. Photo courtesy Beverly C. Tyler

By Beverly C. Tyler

A fine example of the many Colonial farmhouses in the Three Village area is the two-and-a-half story farmhouse on Main Street in Stony Brook, just west of the mill pond, at the corner of Hawkins Road. This attractive white farmhouse with its nine-over-six small-pane windows was built about 1750. 

The earliest known resident of this farmhouse was Joseph Smith Hawkins, son of George and Ruth Hawkins. He was born in Stony Brook on February 7, 1763. Like his father, Joseph was a farmer. He married Phebe Williamson and they had two sons, Nathaniel – born 1791 – and Joseph Smith – born 1796. 

Sometime after 1810, Joseph Smith Hawkins built the house diagonally across the street. When their father died in 1827, the brothers traded houses. Joseph moved across the road to the original family farmhouse and Nathaniel moved into his brother’s house. Nathaniel was a wheelwright and operated a shop near his home.

Joseph Smith Hawkins built this Federal-style house, circa 1810, which was Victorianized and subsequently restored to its Colonial appearance by Ward Melville. Photo courtesy Beverly C. Tyler

Joseph was a farmer his entire life and his son Joseph Smith Hawkins – born 1827 – continued to live in the farmhouse. Joseph married Henrietta Sophia Davis on February 10, 1858 and together they farmed the land until the early 20th century. Henrietta died June 6, 1907 and Joseph died April 12, 1911. The farm, until about 1950, included a number of barns and related outbuildings.

Joseph Hawkins’ grandson Percy Smith, born 1892, and a Stony Brook resident his entire life, remembered, in an interview in 1976, when his grandfather ran the 65-acre farm. “He used to raise wheat and rye and corn, no small vegetables except in the family garden. There was a big barn on the south side of the house, a hog pen and many other buildings which are all gone now. There was, as I remember, six horses and ten to twelve cows. I used to, when I was a boy, drive the cows to pasture each morning and back in the evening. The pasture was more than a mile away and I got 75 cents a week.”

“He used to make butter and take it to the store and trade it in and get groceries. Farming used to be a mainstay of the village, plus the boats that used to bring things in and take things out. My grandfather used to cut and ship cordwood to New York City. The dock at Stony Brook used to be covered with hundreds of cords of wood.” 

Percy also remembered how Stony Brook families relied on each other for many of their necessities of life. The farmers supplied the food products and the ship captains supplied transportation for the goods that were sold in New York City and Connecticut. The coastal schooners also brought to Stony Brook many items that were not grown or manufactured here. The merchants then bought and sold from both the farmers and the schooner captains. 

The 19th century brought many changes that affected the close interdependent relationship of the farmers, ship captains, and merchants. The opening of the Erie Canal in 1826 brought coal for fuel from Pennsylvania and other states and hastened the decline of the use of cord wood for fuel in New York City. 

Wheat and other grains from the midwest, first from Ohio, were shipped on the Erie Canal and began arriving in New York City in large quantities. Most of the local grist mills found it difficult, if not impossible, to match the low price of midwest grains and either adapted or went out of business. Percy Smith also noticed these changes. 

Joseph Smith Hawkins house, circa 1750. Photo courtesy Beverly C. Tyler

“The older people died off and the younger ones didn’t want to bother with farming because they could make more money doing something else. They didn’t want the drudgery that their fathers had so the farms were sold off.”

 Thus ended most of the small individual farms in the Three Village area. The local farmer was always a hardworking individual who took a great deal of pride in his work. Most of the farmers continued to work their farms as long as they were able and, in the decades leading up to the 20th century, they usually passed the farm on to their sons and grandsons. 

The farms are gone, but many of the farmhouses remain as witnesses to a lifestyle that has passed on. With a bit of imagination you can stand in front of these homes and visualize what it was like to be a part of that era.

Beverly Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. 

Lefferts Tide Mill and Preserve

An old gristmill in Huntington has a new name. 

The not-for-profit organization entrusted with the preservation of the mill and the adjoining bird sanctuary is now known as Lefferts Tide Mill & Preserve. Previously called Van Wyck-Lefferts Tide Mill Sanctuary, the shorter, simpler name still conveys the group’s dual mission of preserving the most complete 18th-century tide mill in the country and its mill pond, which has become a sanctuary for a wide variety of birds and other wildlife.

The Lefferts Tide Mill & Preserve is an 18th-century treasure. A state-of-the-art machine when it was built between 1794 and 1797, it ceased operating in the 1870s when more efficient steam-powered mills elsewhere supplanted its older technology. Harnessing the power of the tides, by the 1860s, the mill was producing 4,000 bushels of wheat, 500 bushels of corn and 300 bushels of feed, according to the 1860 U.S. census. 

The Lefferts Tide Mill & Preserve board of directors partners with the Huntington Historical Society to provide tours of the mill, which is accessible to the public by boat. Proposed tour dates for this year are: June 10, June 21, July 8, July 19, Aug. 2, Aug. 19, Sept. 9, Sept. 16, Oct. 4 and Oct. 18. 

Since taking ownership of the mill from The Nature Conservancy in 2019, Lefferts Tide Mill & Preserve has secured funding through foundation grants and public donations to undertake a $300,000 stabilization of the dam and structural repairs to the mill building, including re-supporting its 18th-century wooden gears and installing a new wood shingle roof. To see a 12-minute video of the repairs, go to: www.huntingtontidemill.org/millrenovation. Currently, contractors are working to install a new timber bulkhead to protect the mill’s stone foundation from waves and ice. An earlier timber bulkhead was constructed in 1983 and has reached the end of its lifespan. 

The Lefferts Tide Mill & Preserve’s mission also includes maintaining the preserve as a sanctuary for native and migratory waterfowl and as an important contributor to the biodiversity of the surrounding area. 

For more information, contact Claudia Fortunato-Napolitano at [email protected].

Veterans gather at the Long Island State Veterans Home at Stony Brook University on March 29. Photos by Rich Acritelli

By Rich Acritelli

On March 29, 51 years after the last American troops were withdrawn from South Vietnam and the acknowledged prisoners of war were released by Hanoi, the war officially ended. 

The Long Island State Veterans Home at Stony Brook University held a symbolic Remembrance Day for Vietnam War residents, family members and local veteran organizations. After a special invocation by Rabbi Joseph Topek and the presentation of the colors by Rocky Point VFW Post 6249, the packed audience remained on their feet for The Star-Spangled Banner and the Pledge of Allegiance. 

Patriotism was personified by longtime Executive Director Fred Sganga who has cared for many veterans since 9/11 as he presented a hearty “Welcome Home.”

In 1975, two years after American troops pulled out, South Vietnam was finally defeated by the communist regime in North Vietnam. Today there are an estimated 610,000 living Vietnam War veterans who arrived home originally to open hostility toward their military efforts. This generation of veterans faced over 58,000 killed and there are over 1,500 missing in action from this war. 

On May 28, 2012, during a Memorial Day ceremony, President Barack Obama (D) mandated the National Vietnam War Veterans Day and in 2017 President Donald Trump (R) signed it into a federally recognized moment to fully honor Vietnam veterans. 

Many local Vietnam veterans were in attendance to help honor their comrades. 

Suffolk County Legislator Nick Caracappa (C-Selden) from the 4th Legislative District spoke about the military experiences of his family in numerous conflicts. As a chairman of the Suffolk County Veterans Committee, he identified the devotion of these local veterans who served in Vietnam and their generous efforts to support veterans’ causes. 

Since 9/11, groups like VFW Post 6249 in Rocky Point and the Suffolk County Chapter of Vietnam Veterans have aided War on Terror veterans at home and overseas. They have organized Wounded Warrior golf outings, PTSD 5K runs, provided their posts for family military reunions, speaking at schools and have created patriotic memorials. 

As Suffolk contains the largest number of veterans in New York state and the second largest in the United States, their goal is to provide significant support toward our many local armed forces members.

A Marine Corps major who is a decorated Purple Heart recipient and a current reservist is 6th District county Legislator Chad Lennon (R-Rocky Point). He echoed the feelings of Caracappa and fully recognized the sacrifices in South Vietnam. Lennon identified the shameful treatment of these veterans and said, “This generation of veterans, not only fought battles in Vietnam but also at home. They were spat on and discarded as less than other Americans. However, they took those experiences and made changes that allowed future generations to be properly welcomed home.”

A resident of Port Jefferson Station, and now Bayport, military advocate Richard Kitson spoke about the two wars that Vietnam veterans faced overseas and at home. After this Marine Corps mortarman returned home to Levittown, his younger brother John at 19 years old enlisted into the Marines and was killed in action in South Vietnam. 

Understanding the early national, local and family heartache that is still felt by many of these veterans, Kitson spoke about the Vietnam veterans who served 240 days in the field, one out of 10 were casualties, and 97% received honorable discharges. He told an astonished crowd that many of these veterans who were from low-income families earned high school and college diplomas. 

Kitson described these southeastern Asia veterans as trailblazers who have fought for the expanded rights of veterans. From his earliest adult years, Kitson has always helped other veterans, spearheaded the Vietnam War memorial at Bald Hill, is a senior figure at Northport VA Medical Center and continues to help those men and women who have become afflicted with Agent Orange. 

Speaking on behalf of VFW Post 6249, “Lieutenant” Dan Guida was an armor commander during the heavy fighting in Vietnam. A daily volunteer at this veteran’s home, Guida addressed his “comrades” about the hardships that Americans absorbed against the enemy and at home. Like most of the veterans in this program, Guida observed that only family members and friends understood the early challenges of Vietnam veterans. Armed with a big smile, Guida constantly supports this facility with an unyielding friendship to care for residents with PTSD. Directly after Guida spoke, all the residents had their names called out, where they received applause and praise for their time in Vietnam.

On March 22, Guida helped Cmdr. Joe Cognitore of VFW Post 6249 create the first-ever veterans affairs workshop. 

Agencies from all over Long Island spoke to veterans about key services and programs that are provided to them and their families. A Vietnam veteran and a platoon sergeant who fought in Cambodia in 1970, Cognitore has been one of the most vocal local, state and veterans advocates over the last several decades. Since the First Gulf War, Cognitore has been a vital pillar of support and a source of information to help aid veterans of all ages. 

At the end of this ceremony, VFW Post 6249 retired the colors at this endearing program to “Welcome Home” our Vietnam veterans some 51 years after the last Americans pulled out of South Vietnam.

Anthony Hopkins stars as Sir Nicholas Winton in 'One Life'. Photo courtesy of See-Saw Films

Reviewed by Jeffrey Sanzel

Early in One Life, twenty-nine-year-old London stockbroker Nicholas Winton (Johnny Flynn) visits a makeshift camp in the center of Prague in 1938. Here, the mostly Jewish displaced families from Germany and Austria who fled the Nazi regime live in homeless squalor and starvation. 

Encountering child after child, he produces a half-eaten chocolate bar, which he proceeds to divvy among the starving children. Of course, there is not enough. In this moment, director James Hawes brilliantly shows Winton’s tacit epiphany: he must rescue these young victims. 

Above, Johnny Flynn as the young Nicholas Winton. Photo courtesy of See-Saw Films

Over the next ninety minutes, the brisk, brutal, and beautiful film alternates between young Winton and the seventy-nine-year-old Winton (Anthony Hopkins) struggling with divesting remnants of his mammoth undertaking, symbolized by the briefcase given to him when he committed to helping the refugees’ plight. The briefcase is home to a scrapbook chronicling the entire undertaking.

While the film shifts in time, each section proceeds in a simple, linear fashion. The narrative is clear, with the story focusing on the action played out under the shadow of the encroaching Nazi invasion. Winton takes on the British government, negotiating immigration. Additionally, he finds hundreds of foster families. One Life makes paperwork and red tape a visceral issue of life and death. The scenes in Prague are vivid and harsh and truly haunting, calling to mind equally difficult images of current events. 

Winton becomes an active member of the Prague office of the British Committee for Refugees from Czechoslovakia (BCRC), headed by the formidable Doreen Warriner (Romola Garai). Devastating scenes of parents sending their children away and of sibling separation contrast with the cold British offices. 

Winton managed to get eight trains, with six hundred and sixty-nine children, from Czechoslovakia to London. The Nazi invasion of Poland stopped the ninth train, which contained three hundred and fifty children. Their fate, like so many, would be the Nazi death camps.

Anthony Hopkins plays the older Winton.
Photo courtesy of See-Saw Films

One Life is about faith in regular people, a tribute—as Winton declares of their coterie—to “an army of the ordinary.” Quiet but adamantly dogged in his pursuit of humanitarian aid, Winton is joined by his mother, Babi (Helena Bonham Carter). Babi is a Jewish-German immigrant who converted to the Church of England. Both sensitive and a voice of reason, she reminds Winton, “You cannot save them all. You must forgive yourself that.”

The 1988 section of the film shows Winton trying to decide what to do with the final remnants of these historical records. His internal struggle leads to his appearance on the crass but popular television show That’s Life. The recreation of his two appearances highlights the contemporary portion, allowing Winton to reconnect to the lives he saved. (The actual footage of the real Winton is available online and featured in the documentary The Power of Good: Nicholas Winton.)

Lucinda Coxon and Nick Drake thoughtfully crafted a tight, taut screenplay from daughter Barbara Winton’s account of her father, If It’s Not Impossible … The Life of Nicholas Winton. James Hawes’ powerful direction is matched by Zac Nicholson’s stark, desaturated cinematography and perfectly complemented by Lucia Zucchetti’s sharp editing.  

The ensemble cast is uniformly strong. Hopkins, one of the greatest actors of our time, offers nuance, introspection, and pain, presented with subtlety and sensitivity. He is the rare actor that you can watch think. Flynn is his equal as his contemplative, anxious, younger self.

As Babi, the terrific Bonham Carter is a matriarchal force of nature, balancing raw honesty and wry humor. Garai brings depth and pain to the no-nonsense Warriner. As Winton’s wife, Grete, Lena Olin provides a luminous grounding, showing her deep love for the conflicted Winton. Jonathan Pryce is warm and knowing as Martin Blake, the older version of one of the BCRC members. Samuel Finzi’s scene as the Prague Rabbi Hertz presents a poignant meditation on complicated fears in the Czech Jewish community. 

But the performances that resonate above all are the children who play the refugees: they transcend the screen to create a heartbreaking reality.

According to the film, twenty-six thousand Jewish Czechoslovakian children were interred in concentration camps. Fewer than two hundred and fifty survived. Sir Nicholas Winton died at age one hundred and six, a man who never wanted the work to be about him. His legacy is some six thousand descendants because of the rescue mission. One Life is a genuine, gut-wrenching, but ultimately uplifting account of the ability of one person to make a difference.

Rated PG, the film is now playing in local theaters.

Captain Edward R. Rhodes installs the first Three Village Historical Society historic house marker in 1964. Photo courtesy of TVHS

By Kimberly Phyfe

As you travel throughout the Three Village area, you might notice houses quietly boasting white signs with blue writing on them. These markers are adorned with Setauket-built sloop The Daisy and perhaps the names of original home owners. They are an indication that something special is happening here, and it’s about to get even better!

Sixty years ago, one of the first projects the Three Village Historical Society (TVHS) took on was marking the homes of ship captains and ship builders in the Three Village area. To commemorate their 60th anniversary, they are embarking on a new leg of that journey with the re-imagined Historic House Marker program — and everyone is invited!

A historical marker was presented for the Nehemiah Hand House on Bayview Avenue in East Setauket. Photo from TVHS

“In honoring six decades of dedication, reflection, and growth, we commence an initiative close to our hearts: ’60 for 60.’  This updated version serves as a revival of our esteemed Historical House Markers program, a pioneering endeavor initiated by Captain Rhodes, a founding member of our Society,” says TVHS Director Mari Irizarry. “The Historical House Markers program pays tribute to the cherished residences, remarkable individuals, and pivotal events that have shaped the very fabric of our community over centuries.  Each marker unveiled becomes a beacon of remembrance, a testament to the resilience and spirit of those who came before us.”

This is not only the first project undertaken by the Three Village Historical Society back in 1964, but it reflects what the Society considers one of its most important ideas, that “it regards the entire Three Village area as its museum; the homes, the people and the natural environment as its collection; and the homeowners as its curators.” (Three Village Guidebook, 1986)

The new TVHS house marker mock up.

Scott Ferrara, Exhibits & Collections Coordinator at TVHS, is leading the committee on the revamping of the Historic House Marker program. He noted that “if you drive around the Three Village area, you see a lot of historic homes. However, only some are marked with the iconic white historic house marker, but even those are sun-faded, have cracked paint, and are well worn. They need to be updated and replaced. It’s about time this program is revived. This committee has been formed to bring back this program and offer updated information and materials to the stewards of historical homes in the area.” 

Ferrara says that the program will also include research packets about each of the homes, digital and printed copies of the findings, and photographs, deeds, or documents pertaining to the property found in the TVHS archives. The Society is also happy to teach willing home owners how to do research on their own, and what resources are available to them to find out more about the historic houses they live in.

Why empower home owners to do their own digging? TVHS Historian Beverly C. Tyler believes “many homeowners in the Three Village community are ready to embrace the idea that they are — together with many others — the curators of their homes, and that they wish to understand everything that gives their home its special significance.”

TVHS Education Coordinator Lindsey Steward-Goldberg “hopes this new version of the program will continue to inspire owners of historic houses to learn more about not only the history of their house but also how that history of the house fits into the historic narrative of Three Village as a whole.”

A house marker presented for 40 Main Street in Stony Brook in 1997. Photo from TVHS

Perhaps best known as the birthplace of the Culper Spy Ring and the heart of the Washington Spy Trail, the Three Villages are a popular destination both for tourists and local Long Islanders looking to connect to their roots. Margo Arceri of Tri-Spy Tours uses the homes with historic markers as a reference point on her walking, biking, and kayak tours throughout the area. Arceri loves the fact that “since our town was founded in 1655, there was at last count over 75 pre-Revolutionary homes still in existence in the Three Village area. That’s an incredibly special part of our story that not many other places can say. Our community is full of homes belonging to spies, ship builders, philanthropists, educators, and business owners — those are the true artifacts of our living museum!”

So why is the Society bringing back the Historic House Marker program now? Tyler is determined that “while celebrating the Society’s 60th anniversary, there is no better time to work within the community to emphasize the importance of maintaining and celebrating the homes in the Three Village area which make a significant contribution to the quality of life here.”

There are a few simple qualifications such as: the house must be at least 60 years old and be connected to an historic event or an individual, or have architectural significance. Starting April 1, home owners can see if their houses are eligible with a quick screening on the Society’s website: www.tvhs.org

Irizarry hopes to get at least 60 historic homes to qualify for the markers this year. “As we embark on this journey of reflection and celebration, we invite our community to join us in commemorating this significant milestone. Together, let us honor our past, celebrate our present, and pave the way for a future rich in history and heritage.”

Author Kimberly Phyfe is the Communications Engagement Manager at the Three Village Historical Society.

Historian Kate Strong drawing by Carol Petty. Photo courtesy Three Village Historical society

By Beverly C. Tyler

As detailed by Kate Strong, “In 1675 [in Tangier] Colonel William Smith…bought a great book, sometimes called ‘The Tangier Book’ and  sometimes ‘The First Pigskin Book.’ The first entry was a statement of his marriage. After that he recorded the baptisms [including minister and godparents], and some deaths, of his numerous children. As he wrote on only one side of the page, his wife, Martha, turned the book upside down and wrote her recipes — in some cases telling the name of the person giving her the recipe.”

The recipes and notes Martha made in the first pigskin book were most likely entered during the years on Long Island. “She sometimes added a few bits of news,” Kate Strong wrote, “as when she told that Colonel William’s sickness came from a strain he had incurred in lifting her off the horse…later she recorded that her dear Billy was better.”

Kate Strong listed just a few of the recipes including: “To make pancakes –  take the yokes of six eggs, add ye one white and one pint of cream and half a pint of sacke & nutmeg and a little salt and some sugar. Make the batter of a reasonable thickness, work in some flower [sic] and fry them…” Martha also included recipes for medicinal purposes, including one from her daughter. “For a sore throat or Quinsey — take Rue and pound it pretty fine and make a poultice and plaster, must be an inch thick & lay it on ye side of ye throat. It is a sure cure. You may sprinkle it with brandy…”

“This prescription is said to work like a charm for sore throat; Roast some apples very soft, smash them with as much butter as an English walnut, with a spoonful of molasses, mix well together. Take it hot and go to bed – given by daughter Heathcott.” 

Martha also wrote down some of the “old wives tales” of the period as well as recipes for household items that were not always easy to come by on rural Long Island. “When you gather apples or pears, to keep them you must gather them when the moon is at the full…. A recipe to make good ink. Take two quarts of strong vinegar, half a pound of galles or hard oak appels, Two spoonfuls of Coperas, putt all these ingredients into a glass bottle with a wide mouth, let it stand in ye sun or some hot closett & you have a very good ink, there must be 2 spoonfuls of Gunpowder!”

As related by Kate Strong “She was not too busy to enjoy riding with her husband,..I imagine they had fine horses. I know their saddles were covered with velvet. They went to the South Shore not only to enjoy the ocean breezes in the summer but on business.”

When William “Tangier” died in 1705, the Smith children included Henry, later second Lord of the Manor, age 26; Mrs. Martha Heathcote, age 23; Jeane, age 17; William Henry, later to inherit the south shore manor house and estate, age 15; Gloryana, later to marry the Rev. George Muirson, age 14; and Charles Jeffery, who would die of smallpox in 1715, age 11. Lady Martha was now faced with raising her young family and running her late husband’s vast holdings and business interests.

Entries in the Pigskin Book had been started by William Smith as an estate account book of farm transactions, the Indian whaling crews and the amount of whale “Ogle” and “Bane…” The entries began in 1697, as detailed by Dr. John Strong, “From 1696 until 1721, the Smiths used the book to keep the accounts of Native Americans working for their whaling company… Lady Martha Smith, for the 1706-07 whaling season made  a net profit of 120 barrels of whale oil out of 180 barrels, a sizable profit.”

“Off shore whaling was a fine business in those days and Madam Martha had her own whaleboat,” Kate Strong wrote. “The crew was mostly Indians. She kept her records in a second pigskin book, which was almost lost in the San Francisco fire. A member of the family had taken it west. During the fire, a gentleman saw a trunk which had fallen from a truck and examined the contents. Finding the pigskin book he restored it to its owner. I once held the book in my hands. It was after a small luncheon at Miss Ruth W. Smith’s at Mastic. After the luncheon she handed me the book and said I could go in the other room and make what notes I wanted. Alas, a member of the party followed me in there and, while we had a nice talk on mutual ancestors, I never had a chance to open the book.” 

As detailed in “Bellport and Brookhaven,” published in 1968, “The Lady Martha, was a remarkable woman…managing not only the vast estate, but carrying on the whaling business successfully.”

Also noted by Kate Strong, “Fifteen Indians, the whaling crew, are listed by name; their wages, and the charges made against them, for shot, powder, rum, ‘cotes,’ ‘britches,’ etc… She must have had trouble controlling them, for there are quite a few complaints. ‘He [Will Bene] got nothing this season, stayed away ten days at a time, when he went to see his Shua. Was a great loss to me.’ But there were more cheerful entries too.  ‘I thanks God, my company killed a yearling whale. Maid 27 barrels ogle.’ Listed was the weight in pounds of whalebone from each whale, as well as the number of barrels of oil.”

“As to what the early settlers thought of Martha in their plans for the meeting house church,” wrote Kate Strong, “they wrote that at the table was to sit no woman of any kind except Madam Martha Smith… She died five years after her husband on September 1, 1709 and was buried beside him on the spot he had chosen overlooking the little bay on the neck, now called Strong’s Neck, but we old timers think of it by its real name, St. George’s Manor, part of the Manor of St. George.”

Beverly Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. 

'Voices and Votes' exhibit

‘Voices and Votes: Democracy in America’ will be on view in Cold Spring Harbor from March 22 to May 3

Preservation Long Island has been chosen to be the first venue in New York State to host the “Voices and Votes: Democracy in America” exhibition which examines the nearly 250-year-old American experiment of a government “of, by and for the people,” and how each generation since continues to question how to form “a more perfect union.”

This initiative is all part of the Smithsonian’s Museum on Main Street program — a national/state/local partnership to bring exhibitions to small town and rural cultural organizations across America. The exhibit will be on view at the Preservation Long Island Exhibition Gallery, 161 Main Street, in Cold Spring Harbor from March 22 to May 3 before touring eleven more communities across New York through January 2026.

“Preservation Long Island is excited to serve as the inaugural site for “Voices and Votes: Democracy in America,” said Alexandra Wolfe, Preservation Long Island Executive Director. “The exhibition’s focus on freedom, civic participation, and political engagement resonates strongly with our commitment to making the past relevant to the present.” 

The exhibit engages multimedia interactives with short games; and historical objects like campaign souvenirs, voter memorabilia, and protest material and will include a section that incorporates art and artifacts drawn from Preservation Long Island and other local collections. 

“The objects we chose connect the broader historical narratives of Voices and Votes with Long Island people and stories—addressing themes such as the ways people make their voices heard, who is left out of the conversation, and the roles and responsibilities of citizens,” said Lauren Brincat, Preservation Long Island Curator.

Among the local highlights in the exhibition is an original essay by Jupiter Hammon (1711–ca. 1806), America’s first published African American poet, written while he was enslaved at Joseph Lloyd Manor in Lloyd Harbor shortly after the American Revolution, advocating for the citizenship of Black New Yorkers in the new nation. Other items include a bracelet and ring made from scrap sheet metal by women aircraft factory workers on Long Island as the United States fought to preserve democracy abroad during World War II, and the drawings and models for the national monument to African American civil rights leader and women’s rights activist, Mary MacLeod Bethune (1875–1855), created by Long Island artist, Robert Berks (1922–2011) in 1974. 

“‘Voices and Votes’ allows us to reflect on Cold Spring Harbor and the surrounding community history and explore what it means to be an active participant in the governance of not only the country but also this community,” said Andrew Tharler, Preservation Long Island Education and Engagement Director.

The series of local exhibition-related programming and free events include a community quilt project, curator-led exhibition and walking tours, lectures, community conversations and an oral history series. To preview the full schedule, visit preservationlongisland.org/voices-and-votes/.

Chocology’s Linda Johnson shares insights on savoring chocolate akin to tasting wine. Chocology’s Linda Johnson shares insights on savoring chocolate akin to tasting wine. Photo by Rob Pellegrino

By Mallie Jane Kim

Do you scarf chocolate or savor it? According to chocolatier Linda Johnson, tasting chocolate is akin to tasting wine: Take small bites and let the flavor develop in your mouth. 

“That started for me 10 years ago when I would see people just pack chocolate into their mouth and swallow it and say, ‘Oh, that was good,’” Johnson told the 30 attendees at a Three Village Historical Society tea hosted by the Reboli Center for Art and History in Stony Brook on March 11. “I was like, ‘Wait a minute, it took me two days to make that.’”

Linda Johnson, owner of Chocology in Stony Brook. Photo courtesy Three Village Historical Society

In the sunlit art-lined Reboli Center, Johnson, who owns Chocology in Stony Brook, shared that her appreciation of chocolate springs from her knowledge of cacao’s rich history, from its position as a sacred tree and a currency among the Mayan and Aztec people through its evolution as a sweetened treat in Europe and to the “bean to bar” movement toward quality ingredients and good, child-labor-free processing today. She punctuated her presentation with delicious tastes of various high-quality chocolates from around the world.

Tea with a Spot of History has traditionally been held in the historical society’s cozy circa 1805 homestead on North Country Road in East Setauket, but according to TVHS community engagement manager Kimberly Phyfe, taking the event on the road allows for more attendees and solidifies partnerships among aligned organizations around the Three Village area. 

“Going on the road is a win-win-win,” Phyfe said. “It’s a win for us as the historical society, for our community partners and also for our presenters.”

Phyfe pointed out that several attendees were hearing about Johnson’s shop for the first time, and also that many people were browsing and making purchases from the Reboli Center gift shop. 

“Everybody wins, and that’s what we’re about,” Phyfe said. “We look at the whole community as our living museum.”

The Reboli Center hosted the Tea with a Spot of History on March 11. Photo courtesy Three Village Historical Society

For its next on-the-road installment, Tea with a Spot of History will visit The Long Island Museum on April 5 to celebrate the history of quilting with the Smithtown Stitchers, and Phyfe said she is in talks with other area venues to secure two other teas to round out the spring.

The tea events, in contrast with the more formal lecture series THVS holds at The Setauket Neighborhood House, are a chance for people to sit elbow to elbow, learn a bit of history interactively — and with some tasty treats. Phyfe said the teas used to draw mainly retirees, but have started to also attract others looking for “bite-sized infotainment” during a weekday, from stay-at-home parents to remote workers to those who are able to take a long lunch.

One attendee, Bianca Dresch of Stony Brook, volunteers for TVHS with her husband Dan, but can’t usually attend weekday activities due to work. Both found this event irresistible. “I try to attend whenever something grabs our attention — I saw this combination with the chocolate and Reboli, and I thought, ‘Oh, we’ve got to do this,’” she said. 

Teagoer Bonnie Dunbar of East Setauket does usually attend the teas and found the new venue refreshing: “It’s a nice way to get to know what’s around the neighborhood.”

Dunbar said the event piqued her interest in the history of chocolate, and she would have preferred to focus even more on that history. As for the tasters? Those left her satisfied. 

“I like the idea of putting the chocolate on your tongue and letting it melt, instead of gobbling it down like I usually do when I eat chocolate,” she said.

Photo courtesy of WMHO

The Ward Melville Heritage Organization (WMHO) recently unveiled a new self-guided audio experience at T. Bayles Minuse Mill Pond Park in Stony Brook Village. Titled “Beyond the Plaque,” this new audio experience gives participants the opportunity to learn about the people named on 16 plaques at the picturesque park. As they wander through the tranquil pathways, they’ll discover more than just names and dates — they’ll delve into the compelling stories and extraordinary journeys of the individuals commemorated on the plaques.

Many of the plaques are dedicated to members past and present of the Stony Brook community, each leaving a lasting impact on those they touched in their lives. Among the notable individuals you can learn about is T. Bayles Minuse, the very namesake of the park.

“Our idea of creating an audio experience dedicated to the people beyond the plaques originated two years ago during the unveiling of the newly rehabilitated T. Bayles Minuse Mill Pond Park,” said Dr. Richard Rugen, WMHO Chairman. “We are thrilled to unveil this to the public, just in time for spring.”

The Beyond the Plaque Audio Experience is offered completely FREE of charge, and accessible to all, anytime, and anywhere. To embark on this captivating tour, individuals can simply scan the QR codes located on informational signs within the park or visit audio.stonybrookvillage.com.

To learn more about events and activities in Stony Brook Village Center, please visit stonybrookvillage.com.