Arts & Entertainment

The 2024 cast of Theatre Three's 'A Christmas Carol.' Photo by Steve Able/Showbizshots.com
“Marley was dead, to begin with…”
The holiday season beings TONIGHT with the return of Long Island’s favorite holiday tradition!!!

Celebrate the season with the 40th annual production of A Christmas Carol at Theatre Three, 412 Main St., Port Jefferson from Nov. 9 to Dec. 28. Follow the miser Ebenezer Scrooge on a journey that teaches him the meaning of Christmas — past, present, and future. Tickets are $25 through November; $40 adults, $32 seniors and students, $25 children ages 5 to 12 in December. To order, call 631-928-9100 or visit www.theatrethree.com

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Trees, bushes and grass are dying from lack of rainfall on Long Island including this dogwood tree in a Farmingville backyard. Photo by Heidi Sutton

A fall drought has driven Suffolk County water demand to record-breaking levels, typically seen only during peak summer months. The Suffolk County Water Authority reports that it pumped approximately 7 billion gallons of water in October, about 1.5 billion gallons more than usual for the month, following one of the driest months of September and October on record.

While SCWA’s system is currently meeting demand, the prolonged high-water usage is complicating routine seasonal shutdowns of certain wells. These wells are typically taken offline in colder months to prevent freeze-related damage, as they lack winterized structures. If they must remain operational into the winter, this could present infrastructure risks and potential costs for repairs.

“This fall surge in water demand is certainly concerning,” said SCWA Chairman Charlie Lefkowitz in a press release. “It isn’t putting immediate strain on the system as a summer drought might, but it does complicate our winter preparations. Demand levels are resembling those seen in late spring and early summer.”

SCWA attributes the higher water usage to increased outdoor irrigation, with customers running sprinklers later into the season to maintain lawns during the dry spell. SCWA has long promoted an odd/even lawn watering schedule as an effective measure for managing demand. Under this schedule, homes with odd-numbered addresses water on odd-numbered days, while even-numbered addresses water on even days.

This conservation measure has successfully reduced strain on SCWA’s systems over the summer and is part of SCWA’s broader strategy to ensure the reliability of Suffolk County’s water infrastructure.

About SCWA:

The Suffolk County Water Authority is an independent public-benefit corporation operating under the authority of the Public Authorities Law of the State of New York. Serving approximately 1.2 million Suffolk County residents, the Authority operates without taxing power on a not-for-profit basis.

By Daniel Dunaief

A male mouse embryo surrounded by a group of female embryos during development in some cases is protected against developmental delays caused by a viral infection of their mother.

That’s one of a host of intriguing observations and findings from a recent set of experiments conducted by postdoctoral researcher Irene Sanchez Martin, who works in the lab of Assistant Professor Lucas Cheadle at Cold Spring Harbor Laboratory.

Irene Sanchez Martin and Lucas Cheadle at Cold Spring Harbor Laboratory. Photo by Justin Park

Sanchez Martin is studying how maternal exposure to viruses triggers immune responses, particularly inflammation, which can contribute to developmental delays characteristic of autism. 

In mice as in humans, males are much more susceptible to the onset of the kinds of neurological developmental behaviors that are characteristic of autism than their female counterparts.

“The advantage of our model is that it helps us understand why this happens, providing insights into the underlying mechanisms driving this increased vulnerability in males,” Sanchez Martin explained.

Researchers have been studying viral exposure and developmental disorders for a while. The new element in Sanchez Martin’s research is that she can observe phenotypic changes as early as 24 hours after a pregnant mouse is exposed to a virus, providing a much earlier window into how maternal immune activation affects development.

At an early stage of gestation, when sensory organs, the head, spine and other organs are starting to develop, the male mice demonstrate disruptions in normal development, which affects these structures in different ways. Sanchez Martin hopes these kinds of studies help uncover the pathways through which environmental factors contribute to the development of some cases of autism.

Sanchez Martin’s work is part of a broader effort in Cheadle’s research.

“My lab is interested in understanding how interactions between the nervous system and the immune system shape the development and plasticity of the brain,” Cheadle explained. One goal is to understand how systemic inflammation during prenatal stages leads to heightened risk of autism in offspring.

To be sure, the genetic component suggests that inflammation is not necessary for the development of autism. Nevertheless, exposure to prenatal inflammation can increase autism risk by about three times, making inflammation a likely “key contributor to the development of autism in some, but not all, individuals,” said Cheadle.

Sanchez Martin found that female mice did not develop the same changes as males. She believes this is one of the most valuable applications of the model she’s working on with Cheadle, as it can reveal the biological and developmental differences that contribute to this gender disparity.

Timing

Sanchez Martin studied mice that were exposed to a virus between 12 to 13 days after fertilization, which is similar to the end of the first trimester in a human embryo. Mice develop more rapidly, so the process doesn’t track exactly the same as it would in humans.

About a day after the maternal exposure, some males looked different through ultrasound than they would during typical development. The differences are subtle and it is still too early to assume these changes could serve as a diagnostic marker for autism spectrum disorder.

A host of disruptions could affect the growth of the embryo. The placenta serves as a bridge between the mother and the developing embryo, allowing communication, filtering substances, and protecting the embryo during development. Each mouse embryo has its own placenta and its own amniotic fluid in its amniotic sac, creating a unique microenvironment.

In her lab work, Sanchez Martin is collaborating with Dr. Brian Kalish at Boston Children’s Hospital, who is helping to analyze molecular changes in the placentas of affected and unaffected embryos. Sanchez Martin has data indicating differences between the placentas of affected and healthy individuals, as well as in the amniotic fluid.

“This suggests a dysfunction in the placenta in affected cases” indicating it is not adequately performing its protective and filtering function, she explained.

Female mouse embryos may be more protected in part because of their more active immune response. Other studies have shown that female immune systems, as early as the developmental stage, express higher levels of interferon-stimulated genes and have stronger responses to infections, which may offer better protection than males.

While male mice in some cases benefit from the protection provided by their nearby sisters, Sanchez Martin and Cheadle are “still working to fully understand the underlying mechanism,” she explained.

Epidemiology

By looking at the prevalence of conditions such as autism in the aftermath of larger viral infections, researchers have demonstrated that these illnesses can and do have impacts on the incidence of autism and schizophrenia, among other conditions. It’s not only the pathogen that is responsible, but also the immune response triggered by the infection, as well as the timing of the infection during pregnancy.

Covid, which infected over 100 million Americans, may cause an increase in the number of children born with autism.

“There is precedent from studies of other viral infections during pregnancy, which suggest that maternal immune activation can contribute to altered neurodevelopment in offspring,” Sanchez Martin said. “There is some evidence that male children exposed to SARS-CoV-2 during pregnancy might have a slightly elevated risk of other neurodevelopmental disorders.”

Additional research with longer-term follow up is necessary to confirm these findings. The timing and the immune response during pregnancy could be key factors in determining the outcomes​​.

Cheadle appreciated the effort and dedication of Sanchez Martin, whom he described as being “bright, talented, motivated and an excellent experimentalist. Her work is among the most important projects in the lab.”

From Madrid to CSHL

Born and raised in Madrid, Spain, Sanchez Martin has been a master of motion. During her final years of her Veterinary Medicine studies at Universidad Alfonso X El Sabio in Madrid, she moved to the University of Helsinki to complete her clinical rotations.

She later earned her PhD at the Centre National de la Recherche Scientifique in Marseille, France and defended her thesis at the Aix- Marseille University. During her PhD, she was a visiting student at Biocenter Oulu in Finland.

Her first job was at Laboklin in Bad Kissingen, Germany, where she worked in a clinical laboratory.

She did her first postdoctoral research in the Microbiology Department at Mount Sinai. During the pandemic, she was involved in studying innate and adaptive immune responses in different in vitro models, focusing on vaccine candidates for Covid-19 and influenza.

A resident of Manhattan, Sanchez Martin has contributed to Cheadle’s lab for two years.

She enjoys listening to classical music, reading, and swimming, which she likes to do several times a week as she has some of her best ideas when she’s in the water.

As for her work, Sanchez Martin appreciates the opportunity to conduct her research as a part of Cheadle’s team that is hoping to identify the molecular mechanisms that contribute to autism in mice.

“It’s an ongoing effort and we hope that with time and collaboration, we can gain more insight,” she explained.

Louis Jordan

By John Broven 

The Jazz Loft at Stony Brook will be presenting an illuminating doubleheader on Friday, Nov. 15.

The main event will be the “Louis Jordan Tribute” starting at 7 p.m. Danny Bacher, also a soprano saxophonist, will be singing many of Jordan’s hits of the 1940s including “Caledonia,” “Choo Choo Ch’Boogie,” “G.I. Jive” and “Let The Good Times Roll,” accompanied by an all-star group of musicians.

In effect, Jordan introduced the small swing combos which took over from the big bands, popularized the saxophone as a lead instrument and made music fun.

Initially, at 6 p.m., music author John Broven of East Setauket will give a presentation entitled “Who Is Louis Jordan?” Included will be a video outlining Jordan’s impactful history, featuring film clips and excerpts from the artist’s key recordings, prepared by Debbi Scott of Stony Brook.

The evening will bring into focus the influential music of Louis Jordan, an all-time American great and Rock and Roll Hall of Famer.

Tickets to the 6 p.m. event are $10 per person. Tickets to the 7 p.m. event are $30 adults, $25 seniors, $20 students, and $15 children ages 6 and up at www.thejazzloft.org.

The Jazz Loft, which features a Louis Jordan exhibit in its museum, is located at 275 Christian Ave., Stony Brook. For more information, call 631-751-1895.

SMM Advertising Davey Awards Winner 2024

SMM Advertising, a full-service advertising, branding, and lead generation agency in Smithtown, has won three Davey Awards for their website work for Applied Technologies of NY (ATI), a leading manufacturer’s representative in the commercial and industrial boiler industry.

The awards include General-Manufacturing, Silver 2024; Best Home Page, Silver 2024; and Best Visual Appeal — Aesthetic, Gold 2024.

“We’re beyond appreciative of the Davey Awards’ recognition of our work with ATI,” said SMM Managing Director Judy DeBiase. “This large, complex project was a welcome challenge for the agency, and the fact that it has become not only a source of substantial lead generation for ATI, but also an award winner, is very gratifying.”

The website, designed and developed by SMM’s web development team, includes custom and CMS programming, in addition to dynamic product pages. Its launch last year has resulted in better positioning in searches, more user-friendly content, a better experience for ATI’s customer base, and an increase in leads.

The Davey Awards is an international awards program tailored to recognize and honor “small shops” with big ideas and outstanding creative and marketing work. 

Brookhaven Town Councilwoman Jane Bonner and Suffolk County Legislator Chad Lennon joined the McDonald’s at 463 Route 25A in Rocky Point for a grand re-opening celebration on Oct. 26. The long-time fast-food restaurant was completely renovated, both inside and out. McDonalds mascot “Grimace” (center) and staff were presented with a Certificate of Congratulations from both local officials.

'The Girl Who Wore Freedom'

Join the Cinema Arts Centre, 423 Park Ave., Huntington for a special screening of The Girl Who Wore Freedom on Wednesday, Nov. 13 at 7:30 p.m. The documentary explores the untold stories of the men, women, and children of Normandy, France, who lived through German occupation, the D-Day invasion, and the liberation by Allied forces.

Long forgotten by the world, twenty thousand French civilians were killed during the Battle of Normandy. But those still living in Normandy haven’t forgotten, and continue to celebrate and embrace Americans for their liberation and the ultimate gift of freedom. Exploring D-Day through the personal stories of French survivors and American veterans, The Girl Who Wore Freedom captures the journey from war to forgiveness, and gratitude, honoring the legacy of those who fought for freedom.

Trailer

80 Years After Witnessing the D-Day Invasion, Their Memories of Liberation Come Alive in NormandyTuic

Tickets are $16,  $10 members. To purchase in advance, visit www.cinemaartscentre.org or click here.

The Port Jefferson Lions Club holds a Food Basket Drive every year around the holidays.

By Toni-Elena Gallo

The Port Jefferson chapter of the Lions Club is an organization that strives to make a difference in the community in which it serves.

Founded in Chicago back in 1917, the club was launched by a “group of businessmen who wanted to do more for their communities,” according to the Lions International website, and reiterated on a phone interview with Rick Giovan, a member of the Port Jeff chapter’s board of directors and former president. Today, the Lions Club has over 48,000 clubs with 1.4 million members in more than 200 countries and geographic areas, working by the credo “we serve.”

According to Giovan, the Port Jefferson chapter is committed to helping people of all backgrounds, specifically those facing food insecurity, substance use problems — as well as their families — sight and vision problems and people with disabilities.

The emphasis on helping people who suffer from low vision came to be in 1925, when Helen Keller encouraged the Lions to become “the knights of the blind in the crusade against darkness” at their international convention.

Among the charities that are supported, “we work with the Guide Dog Foundation [in Smithtown], the Cleary School for the Deaf [in Lake Ronkonkoma] and the Port Jefferson Library, where we help fund certain devices to help members with low vision,” Giovan said.

“We’ll sometimes get a call from a school guidance counselor saying something like, ‘This fourth grader really needs glasses, and the family just can’t afford it,’ and it is so nice to be able to help in those situations.”

The club membership is made up of people from “all different socioeconomic backgrounds,” Giovan said.

“There is no requirement to pay the club. Some members may offer a $1,000 check to a cause, while another member may be more generous with their time and has their hands and feet on the ground more. Everyone does what they can,” he added.

The Port Jeff Lions Club community fund raises money through donations, as well as numerous yearly fundraisers. There is a golf classic, movie nights — where theaters are rented out for guests and members — and car shows, to name a few.

Two initiatives that the club is especially passionate about are its annual Holiday Food Baskets and Christmas Magic events.

According to Giovan, every Nov. 22 prior to Thanksgiving, Lions members along with community volunteers and school children, unpack the food trucks they have ordered from, and bag groceries — three for each family with some money used to purchase the merchandise coming from local businesses, and the rest from donations.

“The club asks for $50 donations for this event, but you can give less or more — whatever people can. And, if they would like to donate, they can send a check to P.O. Box 202, Port Jefferson, NY 11777,” Giovan said.

“After that, we make deliveries on the 23rd, and give each family a ham, as well,” he continued. “It is very satisfying to see people so grateful. Oftentimes, we’ll see a young, single woman, with a couple of kids, living in a very modest apartment, and they just appreciate the food so much.”

The Christmas Magic night has been run by the Port Jeff Lions Club president, Linda Eicholz, for the past three years. This unique occasion sees a Lions Club member take the wish list of a local child, and “purchase all of their requests,” Giovan said.

“One of the members will dress up as Santa, and say, ‘I have a big bag for Nicole,’ for example, and hand that child a wrapped bag of all of their presents. It brings such a smile to their faces.”

For more information about the Port Jeff Lions Club events, how to donate and how to become a member, please visit the website: e-clubhouse.org/sites/portjefferson.

Jeffrey Sanzel has portrayed Ebenezer Scrooge in 'A Christmas Carol' more than 1500 times. Photo by Steven Uihlein/Theatre Three Productions, Inc.
 A spirited foreword from Executive Artistic Director, Jeffrey Sanzel

By Stephanie Giunta

As the holiday season approaches, the air in Port Jefferson fills with the unmistakable spirit of Christmas—a joyous and abundant feeling that resonates throughout the community. Amid the festive hustle and the cherished traditions, we are thrilled to celebrate a special milestone: the 40th anniversary of Charles Dickens’ timeless classic, A Christmas Carol, at Theatre Three.

This enduring tale of redemption has been masterfully adapted year after year by Jeffrey Sanzel, who not only serves as the production’s director but also takes on the beloved and complex role of Ebenezer Scrooge. The cast’s heartfelt performances continue to attract both new audiences and long-time fans alike, with Sanzel sprinkling different nuances into the mix to keep the production unchanging yet fresh. 

In honor of the show’s ruby anniversary, I had the pleasure of speaking with Sanzel about his enduring passion for the role, some of his fondest memories, his unique adaptation of Scrooge, and more.

How many times have you played Scrooge in the production of A Christmas Carol?

The opening night of this year’s A Christmas Carol, November 9, will be my 1,590th performance.

How did you come about to play Scrooge? What first sparked your interest in the role?

I first played Scrooge when I was teaching at John F. Kennedy High School in Somers, New York. I produced and directed a student-faculty production. None of the teachers wanted to play Scrooge, so my assistant director suggested I do it. That was my first real encounter with the story beyond watching movies and cartoons growing up. I don’t think I had even read the story until then.

Are there any particularly memorable shows you can recall over the years?

During one performance there was torrential downpour, and we lost power. We ended up playing the rest of the show using lanterns. Another time, we had an onstage mishap and had to finish the show in the parking lot.

What are some of your favorite memories that you look back on?

I’ve worked with hundreds of actors over the years. Some of them grew up in the show—starting as The Girl/Want and going right through to Fan—even one who came back and played Belle.

There have been milestones—my 500th and 1,000th performances come to mind. Douglas Quattrock, a long time Bob Cratchit, his 500th was a special show. Probably, the most exciting and memorable was a special show we did in the 25th  anniversary season. It was the first year we had the new set—a brilliant design by Randall Parsons [complemented by Robert Henderson’s powerful lighting design]—the set we continue to use 15 seasons later. On the Sunday night of opening weekend, we had a performance just for A Christmas Carol veterans—actors, designers, technicians, front of house staff—all people with a connection to the production over two and a half decades. They were the best audience reacting to every new piece—a wall opening or steam coming off the goose.

In each year’s production, do you put a different twist on Scrooge or have you preferred consistency in persona?

As I am the adaptor, I am always reworking and tweaking the production. Sometimes I make large changes—rewriting scenes or removing dialogue and replacing it with tableau or music. As far as the character goes, I think it is influenced by who I am playing opposite. There was one year that I took a completely different approach to the character. I pulled him way back, took a lot of the vocal size and energy out of it. I was aiming to make him as real as possible. Unfortunately, it was a bit of a mess. My performance ended up lacking impact. Maybe it played well to the first few rows, but overall, I think I learned that a bit of “more” is important. With the exception of that year, the growth in the character has been gradual. I’m sure some years are better than others.

What are some lessons you have learned in playing a complex character like Scrooge? 

From a technical perspective, finding a moment in the few seconds offstage to take a drink of water. It’s a lot of talking!

I guess on a personal level, the theme is always how one person can make a difference for good or ill in the world.

We know that Scrooge has a change of heart and grows to love and exude the true meaning of Christmas. How does being a key part of A Christmas Carol impact your love and appreciation for the Christmas season?

My Christmas is A Christmas Carol. I am Jewish, so Christmas growing up was watching Christmas specials, maybe decorating a neighbor’s tree, that sort of thing. Obviously, after 37 years, I have a whole different experience. It is part of my life year-round and certainly from the end of September to the end of December.

Over the years, I’ve become a collector of A Christmas Carol memorabilia—books, tapes/DVDs, audio recordings, sketches and paintings, figurines, bookmarks, comic books, candle snuffers, trivets, board games…I’ll pretty much watch or read anything with A Christmas Carol in them. I’ve been to Dickens’ house in London. I met his great-grandson, Cedric Dickens, there.

I also have rituals. Before we go into rehearsal, I start by re-reading Tom Mula’s extraordinary Jacob Marley’s Christmas Carol—one of my favorite books. Immediately following every performance, I have to set-up for the next show—I won’t leave the building until that’s done. I’ve used certain props for over 30 years.  

Outside of A Christmas Carol, my favorite thing about the holiday is driving around looking at Christmas lights.

Theatre Three’s A Christmas Carol is a long-term collaborative effort. My predecessor, artistic director, Bradlee Bing; managing director Vivian Koutrakos, who has been the show’s champion even prior to my coming to the theatre, resident musical director, Ellen Michelmore, and associate artistic director, Brent Erlanson, both who have passed away, made contributions that still resonate with the current production. Actors, designers, and behind-the-scenes people give a piece of themselves and leave a mark on the production.

And then, of course, the audience that comes year after year. Having done it for nearly four decades, I’m now meeting the children of the people who saw the show as children. Paul Davis wrote a comprehensive study of the story, The Lives and Times of Ebenezer Scrooge (1990). He captures its power: “[Charles Dickens] may have framed our thoughts and established the broad outlines of the story, but the Carol is rewritten each Christmas, and Scrooge, an altered spirit, appears anew with each retelling.”

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Theatre Three, 412 Main St., Port Jefferson will present A Christmas Carol from November 9 through December 28. All tickets are $25 in November and range from $25 to $40 in December. To order, call 631-928-9100 or visit www.theatrethree.com.

METRO photo

By Nancy Marr

We frequently hear the mandate “Reduce, Re-use, and Recycle,” but is that really the answer to our waste problem?  

Yes, recycling can work, but it’s not perfect. A recycling business can refurbish and recycle goods or can even create new products from recycled materials. It reduces  the amount of waste sent to landfills, and conserves resources like water, minerals, and timber by reducing the need to collect new raw materials. 

Local government must provide incentives for businesses to invest in research to develop ways to recycle and reproduce products that can be sold. Modern urban recycling, which began with the passage of New Jersey’s mandatory recycling law in 1984, has successfully created a tremendous supply of recycled newspapers, glass bottles, office paper, and other materials. But when it comes to creating markets to meet consumer and business demand for the products made from these materials, the economics of recycling falls apart.

The U.S. has a national recycling goal to increase the recycling rate to 50% by 2030, from a rate of 7% in 1960 and 32% in 1923. Between 70% and 90% of all items that could be recycled now end up in the landfill.  An important success has been the Better Bottle Bill that was passed originally in New York State in 1983. 

Purchasers of bottled water, beer, wine coolers or soda are charged a fee, and are reimbursed when they return them to be re-produced. Returned bottles are sorted based on the type of material (glass, plastic, aluminum), and cleaned. The plastics are then shredded into small flakes and melted down into small pellets which can be used for new bottles. 

To make it more effective, the New York Legislature has written a Bigger, Better Bottle Bill, which would add glass bottles with non-carbonated liquids and iced tea, and increase the deposit price and the reimbursement price to ten cents. It  did not pass in this year’s Albany Legislature, although it will surely be legislated again, or re-written into a bill that mandates the return of bottles.

In fact, as David Biddle, Executive Director of the Public Recycling Officials of Pennsylvania, points out in the Harvard Business Review, recycling is not just a matter of recovering recyclable material; it’s a total economic system. Few people realize that their local curbside collection program is only the beginning of a recycling loop. Unless consumers want to buy the recycled products, the markets for the material they put out at the curb will remain depressed.

While public policymakers are still trying to improve their recycling programs, large corporations and small entrepreneurs alike are in the best position to take the lead. Top managers of companies like American Airlines, Bell Atlantic, and Coca-Cola have made buying recycled products and investing in green R&D part of their overall business strategies, which has allowed them to cut down on waste, increase profit  margins, and, in some cases, truly close the recycling loop. The success of recycling—indeed, its true value in the long term—won’t depend on how much landfill space is saved but on whether or not recycling makes economic sense. 

U.S. manufacturers haven’t always been so slow to invest. For decades, the steel and aluminum industries have successfully developed their respective technologies to incorporate large quantities of post-consumer recycled materials. Aluminum cans all contain a high percentage of recycled content, and virtually all products made with steel contain at least 25% reclaimed steel. In general, these two industries couldn’t survive without the heavy input of recycled material; and in this, they are models for the lagging paper and plastics industries. The universal recycle icon (three arrows in a Mobius loop) shows whether the item can be recycled, or may have been recycled.

Government also needs to enlist university scientists and train students to find additional ways to process glass, plastics, fabrics, and other items that now end up in the landfill. Local governments need to provide education about the importance of recycling and the materials consumers place in their curbside recycle bins. 

By mandating recycling and setting extremely high recovery goals for both paper and plastics, government has challenged U.S. industry to develop the necessary infrastructure for incorporating these materials into manufacturing processes. Yet for this challenge to be met, local government needs to find ways to involve business and industry in using and creating recycled products. 

Nancy Marr  is first vice-president of the League of Women Voters of Suffolk County, a nonprofit, nonpartisan organization that encourages the informed and active participation of citizens in government and influences public policy through education and advocacy.  For more information, visit www.lwv-suffolkcounty.org or call 631-862-6860.