Arts & Entertainment

in Greek mythology, he Caucasian Eagle was tasked by Zeus to torture Prometheus every day.

By Elof Axel Carlson

Elof Axel Carlson

Science is a way of knowing. In today’s world it is based on reason, experimentation, technology and a belief that the natural world can be explained without invoking the supernatural as an explanation. Components of this definition of science have been around ever since humans formed communities and left traces of their daily lives in caves, burial sites and waste disposal sites.  

But in oral lore and written accounts more than 2,000 years ago, three supernatural explanations were used to explain how science arose. In Genesis, we are told the story of Adam and Eve and how Eve was tempted to eat of one of two forbidden trees in the Garden of Eden. Eve and Adam ate of the fruit from the tree of knowledge. For this disobedience Adam and Eve were cursed with a life cycle ending in death as well as pain and a struggle to survive.  

We owe to Greek mythology two different ways knowledge came to humans. Prometheus felt sorry that humans were helpless victims of difficult environments and he gave them a tool, fire, to warm themselves and make their own tools and form a civilization. For this, Prometheus was punished and chained to a rock by Zeus and had an eagle devour his liver every day only to have it regenerate at night.    

The other Greek myth involves Pandora who was given guardianship of a closed box containing the environments of the future. Her curiosity got the best of her and she opened it, shutting in hope and releasing all the ills of the world — disease, hunger, war, failure and madness.   

Note that the biblical version uses material reward (appetite or self-indulgence) as the motivation for disobedience. Adam and Eve and all of humanity to come are punished for their act. Note that Prometheus, not mankind, is punished for giving a tool to humanity. Note that Pandora’s curiosity is blamed for the ills of society.  

These three mythic views of how knowledge came to humanity reveal a tension between the world seen by those invoking the supernatural and the views of those who innovate, who explore their curiosity about the world and who show how to apply knowledge to advance human happiness and desire for improvement of their circumstances.  

The tension between religion and science is not a winner takes all choice with either one side or the other being correct, historically or in practice. Scientists can betray the ideal of science through fraud, conflict of interest or indifference to real or possible bad outcomes of their work. Religious or not, humans frequently rationalize their behavior.  

It is the Prometheus version of the gift of fire to make tools and apply science to human welfare that most scientists would favor. Science is seen as a way of describing the world and changing harmful environments into safe ones. It is a tool that leads to new knowledge and experiments and endless applications.   

In Pandora’s universe curiosity is not seen as beneficial. It is seen as a dangerous behavior leading to the release of the evils of this world. What kept us safe before Pandora was some supernatural box in which those evils were contained. Pandora, like Eve, could not resist satisfying her curiosity. But unlike Adam and Eve, she was not looking for a material benefit symbolized by forbidden fruit.  

Note the role of compassion in the motivation of Prometheus. Note the lustful anticipation in Eve’s gullible acceptance of the snake’s guile and to the sexual nature of knowledge reflected by Adam and Eve making clothes as their first act after eating the fruit. Note the lack of forethought to unintended consequences in Pandora’s opening the box.  

While all generations of humanity have faced similar hardships of finding food, building shelters, raising a family and finding meaning in their lives, different generations have interpreted knowledge and its applications in many ways. But all three ancient views of the acquisition of knowledge share a belief, regardless of its origins or its occasional shortcomings, in the importance of knowledge and technology in order to live a better life.    

Elof Axel Carlson is a distinguished teaching professor emeritus in the Department of Biochemistry and Cell Biology at Stony Brook University

Photo from WMHO

AND THE FINALISTS ARE …

From left, Max Tuomey (vocalist, Old Bethpage); Caitlin Beirne (vocalist, St. James); Michael Lomando (vocals/guitar, Centereach); Sara Caligiuri (vocalist, St. James); Lydia Korneffel (vocalist, St. James); Ben Fogarty, Mint Band (trumpet, East Setauket); Varun Jindal, Mint Band (drums, East Setauket); Matt Broadbent, Mint Band (guitar, Setauket); Aidan Hopkins, Mint Band (trumpet, Setauket); Tom Manuel, president, The Jazz Loft (judge); Jay Sangwan, Mint Band (trumpet, Setauket); Naomi Pierro, music instructor, Grace Music School (judge); Jordan Amato (vocals, South Setauket); and Edward Decorsia, New York’s Most Dangerous Big Band ( judge)

The Ward Melville Heritage Organization recently revealed the finalists for its 2018 Long Island’s Got Talent competition. Created by the WMHO’s Youth Corps, the annual competition gives students from across Long Island the opportunity to showcase their amazing talents.  

Seven finalists (including a five-person band) were chosen to take part in the final competition on Sept. 7. The finalists will also be given the opportunity to perform at WMHO’s Sunday Summer Concerts series in July and August.

The judges this year will be Tom Manuel, president of The Jazz Loft; Naomi Pierro, a music instructor at Grace Music School; and Edward Decorsia of New York’s Most Dangerous Big Band.

A $500 scholarship will be awarded to the first- through seventh-place winners by Stony Brook University’s Pre-College Music Program, Five Towns College will once again offer a total of $25,000 in scholarships and Green Towers Group will present a $1,000 cash prize to the first place winner.

 For more information, please call 631-751-2244 or visit www.stonybrookvillage.com.

 

By Lisa Scott

At the end of March Gov. Cuomo (D) and the New York State Assembly and Senate agreed to a $168 billion budget that tried to please constituencies in an election year while ignoring reforms that are desperately needed. Budget negotiations were conducted behind closed doors among the governor and three top legislative leaders, out of sight of even other lawmakers. It was clear that the policy issues such as gun control or bail reform would not be addressed until (possibly) after the budget’s April 1 deadline, in favor of financial considerations. 

The governor had drafted initial budget proposals that touched on many progressive reforms, yet the negotiations showed that a Republican-led NYS Senate was able to fight hard against any new taxes and fees, and defer inclusion of social policies, while the NYS Assembly had pushed for a large spending increase in its initial budget proposal. The financial 900-lb gorilla in the room was the impact of the new federal tax plan whose cap on SALT (state and local tax deductions) would fall the hardest on New York’s middle class homeowners and taxpayers. The governor called the tax plan “an arrow aimed at the economic heart of the State of New York.” 

The budget also included $26.7 billion in school funding, which will prove useful to incumbent Senate and Assembly members as they campaign for re-election this November.

The League of Women Voters, along with other good government groups, has lobbied long and hard in two areas that were ignored in the final budget: election reform and campaign finance and ethics reforms. Although including the funding for reforms in the budget is the likeliest way to ensure their adoption, it is still possible for the NYS Senate and Assembly to pass bills on these reform areas stipulating their adoption and funding in the following fiscal year (if funding is actually needed). The NYS Senate and Assembly only meet until June 20, so the time for lobbying and constituent pressure is of the essence.  

Election law reforms advocated by the NYS League of Women Voters

Early voting

The league supports enacting early voting in New York State. Currently 37 states allow for some form of early voting. Early voting should be implemented in a manner that will allow equivalent access to the polls for all voters.

 Voter registration

The league supports Election Day registration, on the same day, as a proven method of increasing voter participation. The league also will support reducing the voter registration deadline to 10 days before an election. The league supports pre-registration of 16- and 17-year-olds.

Ballot design

The league supports improvements to ballot design that would make a clear delineation between offices with a bold vertical bar and a fine line between the candidates, a larger font with an absolute minimum size and fill-in circles in black instead of gray.

Automatic voter registration 

Currently 10 states and the District of Columbia have automatic voter registration (AVR). The league supports an opt-in AVR system that would not require voters to duplicate information. The league supports all state agencies participating in an AVR program.

No-excuse absentee

The league supports a constitutional amendment to allow for no-excuse absentee voting. Currently 27 states and the District of Columbia allow for no-excuse absentee voting.

Single June primary

The league supports legislation that would create a single combined congressional and state June primary date and would bring New York State into compliance with the Military Overseas Voter Empowerment (MOVE) Act. 

Electronic poll books

The league strongly supports replacing printed poll books with electronic poll books to eliminate time and resources spent producing paper poll books and updating voter information and to speed up processing voters at the polls on Election Day. 

Campaign finance and ethics reforms advocated by the NYS League of Women Voters

Ban ‘pay to play’

Strict “pay to play” restrictions on state vendors. The U.S. attorney’s charges that $800 million in state contracts were rigged to benefit campaign contributors to the governor underscores the need to strictly limit contributions from those seeking state contracts.

Close ‘LLC loophole’

Ban unlimited campaign contributions via limited liability companies. LLCs have been at the heart of some of Albany’s largest scandals. 

Strict limits on outside income

Real limits on the outside income for legislators and the executive branch. Moonlighting by top legislative leaders and top members of the executive branch has triggered indictments by federal prosecutors.

Create a database of deals

A “database of deals” will list all state economic development benefits, including grants, loans or tax abatements awarded to a particular business or organization. The database of deals will also include the cost to taxpayers of each job created, and create a uniform definition of what a “job” is across subsidy programs including full time, part time, permanent and contract jobs.

Many good government groups like the league continue to lobby our elected officials in Albany until the end of the session in late June. Please review the above list of reforms, choose one or two, and call or write your NY State senator, Assembly member and Cuomo to express your opinion and priorities. To find the legislators who represent you, enter your street address and ZIP code in the LWV of New York State website link: https://salsa.wiredforchange.com/o/5950/c/8551/getLocal4.jsp.

Lisa Scott is president of the League of Women Voters of Suffolk County, a nonprofit, nonpartisan organization that encourages the informed and active participation of citizens in government and influences public policy through education and advocacy. For more information, visit www.lwv-suffolkcounty.org, email [email protected] or call 631-862-6860.

Front row, from left, MaryAnn Kessler, Ann Debkowski, Marcie Norwood and Marilyn Shanahan (standing); back row, from left, Marie Reese and Marilyn Petriccone with a finished dress and dolls.

By Victoria Espinoza

For four women in East Northport, using their free time to help others feels “sew” good.

Three years ago Agatha Piropato, Leslie Latchford, Karen Bennis and Sue Perillo discovered Dress a Girl Around the World, a campaign organized by nonprofit organization Hope 4 Women International that brings a new dress to girls in need throughout the world. The dresses these women work on have gone as far as Africa to countries including Malawi and Ghana.

Volunteers work on creating dresses for girls in need.

As all four are avid sewers, they saw this campaign as a worthwhile use of their skills and got to work. They would meet at someone’s house or the local library, but soon Perillo said the women wanted to make a bigger impact than what their four hands were producing.

“One of our friends said the Columbiettes are always looking for some activity to do together that doesn’t cost them anything,” Perillo said in a phone interview. “So, we decided to do a sewing night at the hall and they loved it and immediately asked when we could do it again.”

Since then East Northport members of the  Fr. Thomas A. Judge Columbiettes have been meeting as frequently as once a mmonth at the local Knights of Columbus hall and, along with volunteers, have produced over 200 dresses so far. 

“This just got bigger and bigger,” Perillo said. “We’re all about keeping it going now. We’re constantly adding new people, and we get about 20 women each time.”

Each dress comes outfitted with a small doll in the pocket.

The four women create kits before each meeting that have instructions on how to construct the dress, as well as instructions to create a small doll that goes in one of the front pockets of every dress.

Participants at the hall meetings range in all ages. And for the younger volunteers, there is no requirement to know how to use a sewing machine or be an experienced seamstress. Instead, they help iron, cut fabric and learn simple stitches.

“It’s fun for everybody,” Latchford said in a phone interview.

Perillo said someone put a notice on the Knights of Columbus bulletin for fabric and trim and “low and behold tons and tons and pounds and pounds came in.”

Latchford said the rising popularity of the monthly events has surprised her. “Not at all did I expect it to grow this much,” she said in a phone interview. “It just kind of evolved. We started having meetings at the hall and they just took to it. I don’t know how we got to where we are but we’re making a lot of dresses for girls all over the world.”

Karen Sheehan and Susan Heard work on a dress together.

Not only are the women trying to put a clean dress on as many girls’ backs as possible, they are also trying to ensure them a safer life. Perillo said each dress comes with a purple tag on it that bears the organization’s name. She said the idea is intended to dissuade predators from attacking young girls because the tag symbolizes the girl is being monitored and taken care of by an organization.

Both women agreed that seeing a young girl wearing their dress for the first time was an unforgettable experience.

“To see her happy in the dress, it’s so rewarding,” Latchford said.

Perillo echoed the sentiments, holding back tears as she reflected on the first time she saw a young girl in her dress.

“I cried when I first saw a girl in my dress,” she said. “I was speechless because you think how far the dress had traveled. Someone had to walk the barrels [that the dresses are shipped in] four to five miles up and down rivers. It’s incredible, the journey. To see her so happy in the dress, it’s everything.”

Perillo said the group is currently trying to expand to create clothing for young boys as well, testing short designs and instructions. And Latchford said she hopes in the future some of these clothes can go to young girls right here in the United States who are in need of a clean dress, saying sometimes you forget your own when you’re focusing on other parts of the world.

Perillo said a lot of the help with transporting the dresses from Long Island to the other side of the world comes from Carrie Davis, chapter coordinator for Long Island Quilts for Kids, a nonprofit organization that makes quilts for sick children staying in hospitals. Davis has contacts that help ensure the dresses made get exactly where they need to go.

“The women who made this journey to deliver our love made dresses are strangers and will never be known to any of us,” Davis said in a statement. “Their kindness and perseverance will enable our dresses to arrive in a village 5,400 miles away that cannot be found on a map. It is truly our privilege to be able to do this work and we are very grateful for those along the way who have helped to make this all happen.”

The Columbiettes are always looking for more volunteer dressmakers. No experience is necessary and it’s open to all. For more information, please contact Sue Perillo at 631-754-8606 or Agatha Piropato at 631-499-7138.

All photos from Sue Perillo

 

Balsamic Marinated Chicken

By Barbara Beltrami

As often as we may observe or comment that someone is no spring chicken and well seasoned, there are some spring chickens of the farm variety that are young and tender and just waiting to be seasoned. It won’t be long now before we put away our slow cookers and pull out that barbecue, polish it up and start grilling. And nothing takes to the grill like chicken, especially if it’s marinated in or simply coated with a savory seasoning, sauce or rub. 

Whether it’s chicken parts such as thighs or drumsticks, boneless chicken breasts, pounded thin into paillards or left thick and sliced, a cut-up broiler/fryer or a roasting chicken, special seasonings take that bird from plain and ordinary to gourmet glamorous. Apply the seasonings ahead of time, cover and refrigerate, and when it’s barbecue time or meal time, all you need to do is grill that lovely bird. 

Balsamic Marinated Chicken

Balsamic Marinated Chicken

 

YIELD: Makes 4 servings.

INGREDIENTS: 

¼ cup extra virgin olive oil

¼ cup balsamic vinegar

½ cup white wine

1 shallot, finely chopped  

3 to 4 garlic cloves peeled and sliced

1 tablespoon each fresh thyme and oregano leaves, or 1 teaspoon dried

Salt and freshly ground pepper, to taste

4 boneless, skinless chicken breasts 

DIRECTIONS: 

In a small bowl, whisk together the first seven ingredients. Remove fat from chicken, rinse and pat dry. Place everything in a 1-gallon resealable plastic bag. Seal tightly and tilt to be sure all chicken pieces are coated; refrigerate at least 2 hours, preferably more, up to 8 hours. When ready to cook, oil grill rack, then preheat grill to medium high. Grill chicken, turning once and basting frequently with marinade until brown on the outside and clear juices run on the inside, 5 to 10 minutes per side depending on thickness. Discard any unused marinade. Remove from grill, slice across grain and serve hot, cold or at room temperature with grilled veggies and wild rice.

Rosemary, Garlic and Mustard Marinated Chicken Thighs

Rosemary, Garlic and Mustard Marinated Chicken Thighs

YIELD: Makes 4 servings.

INGREDIENTS: 

¼ cup olive oil

1 tablespoon prepared mustard

1 tablespoon chopped fresh rosemary leaves or 1 teaspoon dried

4 garlic cloves, peeled and chopped

Salt and freshly ground pepper, to taste

4 to 8 chicken thighs, depending on size

DIRECTIONS: 

In a small bowl, whisk together the oil, mustard, rosemary, garlic and salt and pepper. Remove fat and skin (if desired) from chicken thighs. Place chicken in a shallow nonreactive baking dish. With a pastry brush or rubber spatula, coat the chicken on both sides with the prepared mixture; cover tightly and refrigerate 2 to 4 hours until ready to cook. Prepare and preheat grill to medium high. Grill thighs 8 to 10 minutes per side. Check for doneness, remove from grill and serve hot, warm or cold with fresh corn on the cob, ratatouille and sweet potato fries.

Chicken in Curry-Yogurt Marinade

Chicken in Curry-Yogurt Marinade

YIELD: Makes 4 to 6 servings.

INGREDIENTS:

3/4 cup plain Greek yogurt

¼ cup olive oil

2 tablespoons curry powder

2 tablespoons freshly squeezed lime juice

½ teaspoon ground cayenne pepper

Salt to taste

1 broiler-fryer, cut up

DIRECTIONS: 

In a small bowl, whisk together the yogurt, oil, curry powder, lime juice, cayenne and salt. Lay chicken parts in a shallow dish and slather marinade over them. Place chicken and any remaining marinade in a resealable gallon bag and refrigerate 4 to 8 hours. 

When ready to cook, prepare and preheat grill to medium high. Place chicken parts over direct heat, meaty sides down. Grill until outsides are a light brown (about 10 minutes), then turn the pieces and grill another 5 minutes. Remove chicken to indirect heat, close grill lid and grill 30 to 40 minutes, until cooked through. Let sit for 10 minutes. Serve hot, warm or cold with tomato, olive and onion salad, rice and sautéed spinach.

SOME SPRINGTIME GREEN

Joe Kelly (www.joekayaker.com) captured this photo of a great egret in breeding colors and plumage at Frank Melville Memorial Park in Setauket on April 18. He writes, ‘You really can’t see much of the plumage in this shot but just look at the green in its face. Even the Hulk would be impressed with that color! Frank Melville Park is a good place to catch these guys in action. Come down to the park and take a stroll. It’s a beautiful place.’

Send your Photo of the Week to [email protected].

Winners honored at art reception on April 20

By Heidi Sutton

Wanderlust: a strong desire for or impulse to wander or travel and explore the world.

The Long Island Museum in Stony Brook kicked off its 2018 juried art competition, Wanderlust, with a standing room only artist reception on April 20. 

Amateur and professional artists were invited to submit up to three pieces using the desire to travel as their inspiration. 

Neil Watson, executive director of the LIM, opened the reception by congratulating the artists.“You deserve a huge hand. This is one of the strongest shows that I’ve seen in five years.” 

“I’ve been a museum director for many years in many different kinds of museums and artists are the core … Whether it’s a carriage that’s made by a group of artisans from the wheels to the fabric … or it’s a painting or a photograph, it’s a maker. I applaud all of you for being makers and continuing to do that and push it because I know it’s really hard.”

Watson went on to mention that the works of 39 members of the LIMarts, a collaborative arts group, were in the show and encouraged the other artists in the room to join. “This museum believes in makers,” he said. 

Museum staff members combed through more than 300 entries submitted to come up with 76 final entries. Debbie Wells, co-founder and partner of Artful Circle, served as juror and was tasked with selecting a first-, second-, and third-place winner along with two honorable mentions. Wells was also present at the reception, a first for a juried exhibit reception at the museum.

Before announcing the winners, Lisa Unander, director of education at the museum, encouraged all the visitors to browse the exhibit to see all of the artist’s works. “It’s a fantastic show. We are so happy for the turnout for [all the artists] tonight,” she said.

Smithtown resident Elizabeth Milward captured first place for her hauntingly beautiful black and white photo,  “All Aboard,” which was taken on the Strasburg Railroad in Pennsylvania. “Just beaming with artistic talent” was a comment overhead from one of the visitors.

Barron Krody of Stony Brook nabbed second place for his oil on canvas painting, “Happiness Is …” depicting a young girl with a big smile sitting on a cloud with arms outstretched as if flying. “When I heard about the theme [for the show] the word that came to mind was exuberance,’’ said Krody at the reception. Mission accomplished Mr. Krody. 

Third place was awarded to Julianna Kirk of the hamlet of Brookhaven for her  colored pencil masterpiece, “Prague Street,” which featured a young girl in the foreground.

Two honorable mentions were awarded as well. The first was to Jovanna Hopkins of Dix Hills for her stunning digital photograph of Zabriskie Point in California’s Death Valley. The second was to Ronkonkoma’s Gabriella Grama for a vintage suitcase decorated with mosaic tile titled “Worldy Possessions.” The work of art is adorned with images of all the places she has visited, including Egypt. Said the mosaic artist, “I made this just for the show because I love to travel.”

Juror’s comments:

1stplace  

 Elizabeth Milward

All Aboard, Photography

“This photograph tells the story of wanderlust – the desire to journey. The composition of the two figures facing the tracks into the misty distance is very strong and quite moving. The atmospheric quality is enhanced by their vintage clothing and the soft landscape ahead of them.  Excellent monochromatic layering and use of photographic techniques makes it worthy of first prize.  It exemplifies the theme of the exhibition.”

2ndplace 

Baron Krody

Happiness is…,Oil on Canvas

“The perfect title for this whimsical take on the Wanderlust theme. Beautiful, painterly clouds float throughout the composition. Like a cherry on an ice cream sundae, the young girl is brave, happy and poised to embark on an adventure.  This piece is colorful and imaginative – the viewer does not know what is going to happen next, but there is much optimism for this girl!”

 3rdplace 

 Julianna Kirk

Prague Street, Pencil

“This storybook-style illustration was executed by an artist with superior skills in colored pencil techniques.  The perspective of the buildings and architectural landscape are charming and beautifully drawn.  By adding the red-headed woman in the foreground, it frames the composition so that the viewer is seeing the world as she sees it.  The color choices are interesting – a terracotta palette with touches of green give the piece an old world feel.  One wonders what this woman is dreaming about in this European courtyard scene.”

 Honorable Mentions

 Gabriella Grama

Worldly Possessions, Mosaic on Vintage Suitcase

“Most exhibitions feature art on the walls, but when a piece made of unusual materials is showcased, it always stands out.  This mixed media artwork is an unexpected combination of materials.  The form underneath is a suitcase, symbolizing travel and carrying one’s belongings from place to place.  By covering it with mosaics, it adds a sense of permanence because mosaics are not mobile. They historically, are adhered to walls and decorative objects. The juxtaposition of movement and stability is intriguing.  The travel stickers are both fanciful and well-created as they document the travel itinerary of the suitcase.”

Jovanna Hopkins

Zabriskie-Point, Death Valley, Ca.,Photography

“This photograph takes a vast landscape and reduces it to a viewpoint that is nearly abstract.  Between the intense colors and the varying textures of the rocks and shadows, the viewer must look at this scene for the beauty of the shapes, rather than its reality. The composition forces the eye round and round with just enough time to stop and appreciate nature at its finest. Sometimes ‘wanderlust’ means one wants to keep going, but there are also times where it is necessary to just sit and really look at where you are!”

Whether you’re a world traveler or just a dreamer, don’t miss this beautiful exhibit. The Long Island Museum, 1200 Route 25A, Stony Brook will present Wanderlust in the Visitors Center through June 3. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

'Fulfillment'

Artist statement:  ‘My process melds classic photography with digital energy,                                               creating a medium I call interpretive photography’ — Mac Titmus

By Irene Ruddock

Mac Titmus

Mac Titmus is a photographer whose work melds classic photography with evolving digital art. He graduated from Adelphi University with a bachelor’s in English and a master’s in education/psychology. After a career in education, he retired to pursue his lifelong passion for photography. Titmus has won dozens of awards with his work appearing on magazine covers as well as being a distinguished judge. He is a leader in the art world and is currently vice-president of the North Shore Art Guild. He resides in Coram with his wife Mary, whom he calls his “best friend.”  

You describe your photography as ‘interpretative photography.’ Can you elaborate on that?  

“Interpretative photography” is a medium that pushes photography in an exciting new direction: one that defies rules and ignores the limitations of in-camera photography. It takes advantage of and explores the evolving techniques of the digital medium. The result is a fluid art form that merges proven old-school photography with the revolution of new-age photography.

What motivated you to begin to expand from the traditional view of photography to the more interpretive digital work?

When the desktop computer became available, I found I had a natural programing ability and quickly merged the two. Digital photography allows me to create what I once spent hours trying to produce in the darkroom. 

‘Think Pink’

What methods do you use?  

My methods are really the same as most two-dimensional artists, the only difference is substance. Digital art is created on transparent canvas layers on a computer rather than paper or canvas. The tools and the artistic instincts are the same: the use of pens, brushes, canvas, color, motion, balance and light. 

You have said that you combine motion and color with energy, which makes for an exciting experience for the viewer. Why is this combination important to your art? 

 I naturally see emotions as color and use it as a language expressing passion, fear, anger, joy or sadness. This reveals itself as shades from vibrant to subdued in my photographs. 

What is the single most important thing about your photography that makes it stand out among others?  

Without a doubt it would be my strong use of color to express emotion. I use colors as both harmony and conflict, hoping to bring out unaware emotions in people. 

‘On the Street’

You have so many incredible awards. Is there one that stands out as a favorite accomplishment?  

Every award is a wonderful validation, but without a doubt, my first-place award in the Wounded Warriors Benefit at Hutchins Gallery was a highlight. Not only was it an honor to be asked to participate, but it was also the first time my photography was recognized with a first-place award in the category of art, not photography.  

Who has been your strongest artistic influence?    

Having a literary background, I find my strongest influences are the images painted in imagination by the literary works of Emerson, Whitman, Thoreau, Cummings, Beckett and Bach. However, my primary visual art inspirations have always been the works of Jackson Pollock, Salvador Dali and Claude Monet.

Your art is now on scarves and articles of clothing.  How did that start?  

People have been telling me for years that my designs would make beautiful scarves, but the problem has been finding a manufacturer that would produce them for a reasonable price. I finally found a manufacturer that reproduces my work on material as I created it. Every scarf is a reflection of me and is unique for its design and vibrancy. In addition to scarves I’ve been experimenting with a line of kimono wraps and yoga leggings. All of my “Wearable ART” can be purchased through Sidewalk Alley Art in Mount Sinai. 

‘Shadow World’

How did you become director for Artists United in the Fight for Cancer?’

Breast cancer is very personal to those that have survived it or lost a friend or family member, as I have. My hope was that by bringing artists together we could be a force to make people more aware of the importance of early detection. We initiated a yearly event for Mather Hospital and the Village of Port Jefferson called Paint Port Pink. I also organized a benefit for the Fortunato Breast Health Center at Mather Hospital as well as an art benefit titled, Through the Eyes of a Child. This benefit raised $20,000 for the art therapy program at Stony Brook University.

Do you feel that photography doesn’t get the respect in the art world that it should? If so, do you know the reason why?  

Absolutely, especially digital photography because its legitimacy as a fine art is often questioned. Many galleries are still hesitant to include digital artists, although they admit its appeal and potential audience. They hesitate embracing it as they are uncertain they can adequately explain its process. The result leaves digital artists floundering for a position in the art community.

Do you have any exhibits coming up?  

Currently I have a solo show at the Clovis Point Winery in Jamesport through April 23 with an artist reception on Saturday, April 21 from 2 to 4 p.m. During the months of April, May and June I’m exhibiting several pieces in joint shows at The Alex Ferrone Gallery in Cutchogue, The Long Island Museum in Stony Brook (LIMarts) and at Expressions Gallery in the Stony Brook Holiday Inn Express. If you can’t attend those exhibits you may see my work online at www.karynmannixcontempary.com of East Hampton or through my website, www.augustusmac.com.

This article was updated on May 3.

Annie Laurie W. Shroyer and Thomas Bilfinger

By Daniel Dunaief

Convenience can come at a cost, even in medicine. When it comes to a heart procedure called cardiac artery bypass surgery, that cost could make a difference in the outcome for the patient.

Annie Laurie W. Shroyer, vice chair for research and professor in the Department of Surgery at Stony Brook University School of Medicine, and Thomas Bilfinger, a professor of surgery in the Division of Cardiothoracic Surgery at SBU, found that the mortality and major morbidity rates were lower for patients of surgeons performing procedures at a single center compared to those performing procedures at more than one center. 

Among physicians who operated at two or more hospitals, these surgeons performed better at their home hospital than at a secondary center.

They’ve published their findings in the Annals of Thoracic Surgery. The Society of Thoracic Surgeons identified the article as the Continuing Medical Education article for the month. The article will provide a much more in-depth learning experience to a subgroup of the journal’s subscribers who seek Continuing Medical Education credits. This, Shroyer explained, will make it more likely that cardiac surgeons will read it thoroughly and discuss it.

“We believe that, based on the results, particularly complex coronary artery bypass grafting (CABG) procedures may have a better outcome at bigger institutions,” Bilfinger explained in an email. Mortality for these procedures overall in the United States is low and the analysis is about differences of a few tenths of a percent, which becomes statistically significant due to the low number.

The central issue, Bilfinger said, is whether “the mother ship does better or worse than the satellite. Decision making about centralizing versus a de-centralized approach seems to be less driven by outcomes and rather by business decisions in many circumstances. The study adds some subjective data to this discussion.”

Using a measure called observed-to-expected mortality ratios based on the health of the patient and risks of the procedure, the ratio for multicenter surgeons was higher for the satellite facilities compared to their home facilities. The ratios were 1.17 for surgeons operating at satellite facilities versus 1.01 for multicenter surgeons performing the procedure at their home hospital.

The volume of surgeries is a complicated issue, Bilfinger cautioned. “There are very well-performing smaller volume places throughout the country,” he explained in an email. “It involves dedication to the procedures from admission to discharge.”

Assuming the surgeon is just as effective in different hospitals, which is “open to discussion,” any observed difference could be attributable to the system, Bilfinger explained. Measuring the effectiveness of the participants in the process, including nurses, anesthesiologists and orderlies, is a question for ongoing research, he continued.

Joseph Carey, a cardiovascular and thoracic surgeon in Torrance, California, conducted a study based on information from California about a decade ago. In an email, Carey suggested that “you pay a price in quality working in unfamiliar conditions and I believe hospital managers do not want their surgeons traveling about.” He added that this paper “is an important reminder” of this.

Carey added that hospital systems and the makeup of the “heart team” may also be important to the outcome of a surgery.

Future research, which Shroyer plans to conduct, will evaluate other factors, such as patient risk, processes and structures of care, that impact cardiac surgical outcomes.

Other researchers could extend this study, which compares the quality of care for surgeons who work at single sites and multisites, to other areas of medical care, enabling hospital networks, insurance companies and patients to make informed risk-based decisions prior to approving difficult procedures.

The challenge, however, with similar studies for other conditions, is in finding national information. “This is the best documented group of procedures there is in the country,” Bilfinger said. For a procedure like back surgery, it might be difficult to come up with a comparable study, although Bilfinger said he “suspects strongly that this is a very similar relationship.”

Shroyer and Bilfinger will extend their work to another cardiothoracic operation. They have submitted a proposal to the Society of Thoracic Surgeons to start a parallel project to look at the difference in risk-adjusted outcomes for mitral valve procedures that compare single-center versus multicenter surgeons. The diversity of procedures may need to be considered in comparing single and multicenter surgeons.

Bilfinger said he recognizes that some doctors and hospital networks may find these conclusions disconcerting. It may give them pause in the internal discussion about value added by new satellites in any system, he explained. “This is worth a public debate. This is one of these aspects of modern health care that the consumer is not aware of.” The average consumer may not put too much emphasis on this, although the sophisticated consumer on Long Island may change or make decisions based on this type of information, he said.

Shroyer and Bilfinger, who have worked on the same floor at the Health Sciences Center since Shroyer arrived from Colorado in 2007, decided to collaborate on this project after a discussion during lunch. The duo were eating at SBU’s Simons Center Café when they were discussing the differences in outcomes for single and multicenter surgical procedures. They submitted a request to access the National Adult Cardiac Surgery Database in 2014 to the Society of Thoracic Surgeons.

For patients who are going to have a cardiac surgical procedure, Shroyer recommends that people choose their surgeon and surgery center “wisely.” She recommends researching the surgeons and their corresponding center’s bypass specific outcomes. She highlights two publicly available resources, which are Adult Cardiac Surgery Database Public Reporting|STS Public Reporting Online and Doctor Ratings — Consumer Reports.

Shroyer cautions that these ratings are somewhat outdated, so she suggests patients ask their surgeons directly about their more recent outcomes. She would also recommend contacting patients.

After conducting this study, Shroyer believes it would likely help patients if they searched for doctors who only perform bypass procedures at a single hospital. She also believes it is important for patients to consider surgeon-specific and center-specific risk-adjusted outcomes.

Ultimately, she said, the decision about a surgeon and a site for surgery is an important one that patients should make based on the likelihood of the best outcome.

“Patients should research their cardiac surgeon-hospital decision even more carefully than if they were buying a new home or a new car,” she explained in an email. “Their future health lies in their cardiac surgeon’s hands.”

MEET DESI!

Looking for love? Look no further than Desi, waiting patiently for her furever home at Kent Animal Shelter. This gal is a 1½-year-old Catahoula mix who needs a family to love and spoil her. Desi is a high-energy dog that would benefit from a fully fenced yard. She comes spayed, microchipped and is up to date on all her vaccines. Please come meet her today! 

Kent Animal Shelter is located at 2259 River Road in Calverton. The adoption center is open from 10 a.m. to 4 p.m. every day. For more information on Desi and other adoptable pets at Kent, visit www.kentanimalshelter.com or call 631-727-5731. 

Update: Desi has been adopted!