Arts & Entertainment

Photo by Julianne Mosher

By Nancy Marr

What can we say about our recent election?  In Suffolk the loss of their seats by many local Democratic legislators was a surprise. Although a majority of voters in Suffolk County tend to vote Republican, Democratic legislators had been doing well for many years with little opposition. Was it because voters were critical of the dissension among the Democrats in Washington, as many analysts said? 

Editor and columnist Ezra Klein quoted data scientist David Shor, who said that the Democrats lost many lower income voters, particularly Hispanics, because of their emphasis on issues like defunding the police. Shor also said they should have talked up the issues that were the most popular and kept quiet about the others. Or did the struggle between the parties cause a lot of “no” votes on principal? 

But, coming back to Suffolk County, why were three of the five NYS ballot propositions defeated so profoundly? Many voters reported robocalls urging them to vote “no” for propositions one, three, and four. Proposition #1 would have removed a requirement included in the amendment of 2014 (that first created New York State’s independent redistricting commission), which said that there must be at least one vote from the minority on the maps that are submitted. (The League of Women Voters opposed Proposition #1, believing that it was important to give both parties a chance to have meaningful participation in redistricting).  

Propositions #3 and #4 would have made voting much easier. #3 would have it possible for a citizen to register closer to the day of the election, instead of having to register ten days before the election, as specified in the NYS Constitution. And proposition #4 would have removed the restrictive requirements to get an absentee ballot, allowing voters to vote at home if they wished, or if their work schedule interfered with the election schedule. 

Were Suffolk voters agreeing with voters in many other states who didn’t seem to want to make voting easier? Were the election results just an example of the flow of history? Perhaps the election was the natural response of Republican party leaders who found ways to convince voters to fight to gain control, while the Democratic leaders did not effectively work to get out the vote. There were issues that voters were concerned about: educational issues around teaching black history; privacy issues around mandated vaccinations; and the dilemma of schools being closed for much of the year, that Republican and Conservative campaigners emphasized to build support.   

Many voters may not know how, or do not make the effort, to evaluate the candidates who are actually running and instead rely on information on flyers and social media. The League of Women Voters, which is nonpartisan and never supports or opposes any candidate or party, sponsors candidate debates, on zoom and in person when possible, where candidates introduce themselves and answer questions. 

The League provides information from all the candidates in an online database, VOTE411.org, which provides information to each voter about their registration status, where they will vote, and their entire ballot, including all offices and any propositions.  Newsday and most of the local newspapers also print information about all the candidates and their experience and opinions, explaining why they are endorsing them, if they do.  

Voters who are informed are better able to select candidates who will represent their interests. Voters will now also have a chance to ensure that the election districts for New York State Assembly and Senate and the United States Congress are fair, representing their community and its population. 

Prior to the 2020 Census, the changes in district lines were drawn by a legislative committee, representing the political parties. In 2014, a Constitutional Amendment was passed creating an independent redistricting commission (NY IRC) for New York State. It is charged with revising the district lines to accord with the findings of the United State Census in a manner that is fair and nonpolitical. 

On November 23, the IRC will hold a hearing for Suffolk County at Stony Brook University’s Wang Center. To learn more about the new district lines and how to attend or testify at the hearing, go to https://nyirc.gov/ and review the current maps and the revisions. The testimonies at the hearing will influence the New York State Legislature, which will either accept the maps or send them back for revisions. If after two revisions no plan is approved by the IRC, the redistricting will go back to the Legislature to be drawn.  

The IRC hearings offer every citizen the opportunity to give input about how they will be governed, just as casting a vote in an election will help select a candidate who represents you. 

Nancy Marr is vice-president of the League of Women Voters of Suffolk County, a nonprofit nonpartisan organization that encourages the informed and active participation of citizens in government and influences public policy through education and advocacy. Visit www.lwv-suffolkcounty.org or call 631-862-6860. 

Photo from Town of Brookhaven

On Saturday, November 20, the Town of Brookhaven and Special Olympics New York will host the 12th Annual “Polar Plunge: Freezin’ for a Reason” at Cedar Beach in Mount Sinai. The annual event raises funds and awareness for Special Olympics New York athletes in the Long Island region. Pictured at a special presentation during the November 4 Town Board Meeting are (left to right) Councilmember Jonathan Kornreich; Councilman Kevin LaValle; Special Olympics New York Director of Development, Casey Maloney; Councilwoman Jane Bonner; Special Olympics New York athlete, Danielle Birnbaum; Supervisor Ed Romaine; Councilman Michael Loguercio; Councilman Neil Foley; Town clerk Donna Lent and Councilman Dan Panico.

A scene from the 10th annual Brookhaven Polar Plunge. Photo by Kyle Barr

All Special Olympics New York Polar Plungers are encouraged to comply with the Center for Disease Control and Prevention’s social distancing guidelines to prevent the spread of the COVID-19 virus (www.cdc.gov). Masks are recommended, but not required for unvaccinated plungers. To create more social distancing, there will be Personal Protective Equipment (PPE) available at the event for a sanitized experience.Plungers will be able to select their smaller group plunge times which start at 11:30 am. There will be a large group plunge at 12:30 pm. Online registration for the Polar Plunge is required prior to the event and there will be no on-site registration. All registrants must raise or surpass the fundraising goal of $150 to participate and to receive the signature Polar Plunge “Freezin’ for a Reason” sweatshirt. For more information, social distancing guidelines or to register online please visit www.polarplungeny.org\brookhaven. Donations are also accepted, and all funds raised help to support the cost for athletes to participate in training and competitions.

Supervisor Ed Romaine said, “The Polar Plunge is a great opportunity for the community to make a difference in the lives of the Special Olympics athletes. I thank all the volunteers, Town employees, police, fire and ambulance staff who work so hard to support the Special Olympics athletes every year.”

Councilwoman Jane Bonner said, “We are back on track to have a successful event in 2021 and I look forward to making my 12th consecutive plunge for the Special Olympics. As always, I have a great team of people to plunge with and I encourage everyone to join us and support these wonderful athletes.”

About Special Olympics New York
Special Olympics New York is the largest state chapter in the country, serving more than 68,000 athletes across New York with year-round sports training, athletic competition, and health screenings. The organization also partners with more than 170 schools statewide to offer Unified Sports. All Special Olympics New York programs are offered at no cost to athletes, their families or caregivers and are never charged to participate. It costs $400 to support training and competition for one athlete for one sports season.

For additional information about Special Olympics New York, to learn more about getting involved, or to make a donation, visit www.specialolympicsNY.org.

By Heidi Sutton

The holidays have arrived at Theatre Three in Port Jefferson with the 37th annual production of A Christmas Carol. In the lobby the garland is hung and the tree is trimmed and in the Mainstage theater the Victorian London set awaits the wonderful imagination of Charles Dickens and the beloved retelling of a classic tale of redemption.

Based on Dickens’ 1843 novella of the same name, A Christmas Carol introduces the audience to Ebenezer Scrooge, a bitter and miserly man who has chosen “the world of business” over love, friendships and community. We first meet Scrooge “of all the good days of the year” on Christmas Eve, exactly 7 years since his business partner Jacob Marley died, as he snaps at his clerk Bob Cratchit, dismisses his nephew Fred Halliwell and chases carolers away. We see Want in the corner, a specter who will haunt Scrooge the entire show.

Later that evening Scrooge is visited by Marley’s ghost who offers him a precious gift — one last chance at redemption. Draped in the heavy chains he has forged in life, Marley warns Scrooge he will be visited by three spirits — the ghosts of Christmas past, present and future – in an attempt to save his immortal soul.

In one of the most important parts of the show, the Ghost of Christmas Past shows Scrooge “the shadows of things that have been” — a series of events that led him to become the man he is today — from his mother dying at childbirth; his time at Wellington House, the boarding school where he spent many Christmases alone as a boy; his loving relationship with his sister Fan and his apprenticeship with the kind-hearted Fezziwig where he proposes to his first and only love, Belle.

The shadows also reveal the exact moment when he chooses to go into a business partnership with Marley (“and so it began”) and is overtaken by greed; when Belle walks out of his life; how he turns on Fezziwig; and the death of Fan.

The cheeky Ghost of Christmas Present arrives to teach Scrooge the joys of mankind. The first stop is Bob Cratchit’s home where he finds out about Tiny Tim’s failing health and that Cratchit’s oldest daughter works long hours in the workhouses to help the family pay their bills. Scrooge’s concern is evident. The mood lightens at a dinner party hosted by his nephew where the guests mock him in spirit during a game and compare him to a bear.

A daunting 14-foot Ghost of Christmas Yet to Come shows Scrooge the shadows of what is yet to come, including his own death and how it affects those he has wronged. The frightening notion is exactly what the miser needs to turn his life around. His transformation on Christmas Day, especially in his interaction with Want, is a joy to watch. In the end, Scrooge discovers that old Fezziwig was right all along and that love is the only thing in life worth having.

Adapted for the stage by Theatre Three’s Executive Artistic Director Jeffrey Sanzel, the show evolves and changes every year, keeping it fresh and exciting. This year the show features a revised underscoring created by musical director Brad Frey, slight changes to the opening and closing, a shivaree, and due to COVID regulations, Tiny Tim is a puppet, designed by gifted puppet designer Austin Michael Costello. 

The entire cast is excellent, with many playing multiple roles. Sanzel, who has played the role of Scrooge in over 1400 performances, is fascinating to watch. Slightly hunched over, his character walks slowly with a cane and eases into a chair with a groan. But when the Ghost of Christmas Past brings him to Fezziwig’s Christmas Party, he jumps out of the shadows with a straight back and becomes a young man again dancing the night away with Belle. 

Special mention must also be made of Douglas J. Quattrock in the role of Scrooge’s loyal clerk Bob Cratchitt (a role he has played over 750 times) whose love for his family and the holidays is unconditional. His character’s attempt to be strong for his family while his child is very sick tugs at the heartstrings.

The Victorian set, designed by Randall Parsons, is most impressive with fireplaces that glow, a four-poster bed that tucks away neatly into the wall when the set transforms to the London streets, a church with stained glass windows, and a living home decked out for the holidays. The period costumes, also designed by Parsons, are perfectly on point and the lighting and sound design by Robert W. Henderson Jr. is truly magical, a word that also best describes the entire production.

Sanzel says it best in his director’s notes.“A Christmas Carol is a beautiful reminder that we are members of a community and that our responsibilities go beyond ourselves. Scrooge’s pledge to Tiny Tim’s future shows his ability to help those in his life; his embrace of the specter of Want shows his commitment to the world entire. Dickens’ message is one not just for Christmas but for always.”

Don’t miss this beautiful show.

Arrive early and be treated to a selection of Christmas carols by the actors on the Second Stage on the lower level and stay after for a Polaroid photo with Scrooge for $5 to support the theater’s scholarship fund or take one with your cellphone at no charge. 

Theatre Three, 412 Main St., Port Jefferson presents A Christmas Carol through Dec. 26. A special abridged sensory-sensitive performance will be held on Nov. 28 at 11 a.m. Running time is 2 hours with one intermission. Tickets are $20 each in November; $35 adults, $28 seniors and students, $20 children ages 5 to 12 in December. For more information or to order tickets, call 631-928-9100 or visit www.theatrethree.com.

By Barbara Anne Kirshner

Phenomenal music, dance, comedy with romance sprinkled on top all wrapped up in a giant red velvet bow, that’s White Christmas, Engeman Theater’s gift to ring in this joyous season.

Last year, the holidays were dismal with theatres shut across our great nation due to COVID, but not even a sweeping pandemic could extinguish its spirit for long. Theater fought back, reigniting marques with brilliant neon lights announcing that the show would most certainly go on.

The Engeman proudly swung open its grand glass doors welcoming all who enter to enjoy the magic of live theatre once more and to celebrate the holidays it is treating audiences to an irresistible White Christmas. With music and lyrics by Irving Berlin and book by David Ives and Paul Blake, this musical is based on the much loved 1954 movie starring Bing Crosby, Danny Kaye, Rosemary Clooney and Vera Ellen. The first stage adaptation did not happen until 2004 when it premiered in San Francisco before playing a limited engagement on Broadway from Nov. 14, 2008, until Jan. 4, 2009.

The story revolves around two former WWII army buddies Bob Wallace and Phil Davis who, after the war, become successful entertainers, then big time producers. They get a letter presumably from an army buddy asking them to check out his sisters’ act at a local club. Sparks fly when they meet these sisters who are leaving that night for a Vermont Inn to fulfill a booking engagement. In pursuit of romance, Bob and Phil follow the ladies and discover that their former general who now owns this inn has fallen on hard times. The plot proceeds with mad cap comedy and extraordinary musical numbers.

With producing artistic director, Richard Dolce and managing director Kevin J. O’Neill at the helm, the Engeman is dedicated to creating Broadway caliber experiences for their audiences and White Christmas is professionalism at its very best. 

This multi-talented ensemble is captivating. From the rollicking open numbers of Happy Holidays and White Christmas, Aaron Young as Bob Wallace and Daniel Plimpton as Phil Davis grasp us and never let go. Young’s voice richly floats through his every song while his stage presence is beguiling. Davis is a true song and dance man. The I Love a Piano duet featuring Darien Crago as Judy Hayes, is a tour de force tap number. Crago’s skill and energy mesmerizes in all her dance routines, making them appear effortless. Meadow Nguy as Betty Haynes soaring soprano sends chills especially in Love, You Didn’t Do Right by Me. 

Rounding out this ensemble is an impressive supporting cast. Keith Lee Grant is riveting as the stern General Henry Waverly shouting out commands until he reaches a moment of reflection that allows the caring man within to materialize. Suzanne Mason as Martha Watson sporting red curls reminiscent of Lucille Ball and impeccable comedic timing takes center stage belting out Let Me Sing and I’m Happy and nearly stops the show. The general’s granddaughter, Susan Waverly, played by AnnaBelle Deaner, mimics Martha with a rousing reprise of the same song.

Director Matt Kunkel has created sheer perfection taking us on a memorable musical journey of sight and sound. Music Director Camille Johnson maintains energetic fluidity from start to finish with a band that is beautifully synchronized to the performers in every number.

Choreography is central to this show and Drew Humphrey’s lively routines from the tap numbers to a chorus line done with the precision of the Rockettes is outstanding. Sound design is essential in a musical and Laura Shubert has the levels just right.

This is a period piece musical therefore costumes must allow for ease of movement while reflecting the 1950’s era and Dustin Cross has created breathtaking silhouettes most notably the dreamy coats decorated with clouds in Blue Skies, the dazzling black and white ensembles in I Love a Piano with Judy’s belt that unwinds into piano keys and all those stunning red confections in the White Christmas and I’ve Got My Love to Keep Me Warm finale. Hair design is another essential element in a period piece and Conor Donnelly’s 1950’s hairstyles look authentic.

Kyle Dixon’s scenic design sets the tone and is functional as it morphs easily from one scene into the next giving the continuous feel of the magical holiday season by emphasizing reds, greens and whites. Dixon’s giant frames of white bark against green matting outlines the set and emphasizes a rural feel for the Vermont Inn. Aaron Bowersox’s lighting design adds brilliance to the big numbers and subtle touches for gentler moments.

White Christmas is a must-see festive treat for the entire family so ring in the holidays with this spectacular musical now through January 2, 2022. And be sure to return for the rest of their 2021-2022 season of exciting shows.

The John W. Engeman Theater is located at 250 Main Street in Northport. Tickets to the show range from $75 to $80 with free valet parking. To order, call 631-261-2900 or visit www.engemantheater.com.

The team celebrates after Sunday's game. Photo from Stony Brook Athletics

The Stony Brook University women’s basketball team (3-0) had not defeated a current Big East member since Dec. 7, 2004, that changed on Nov. 14 as it toppled St. John’s (1-1), 72-60, to improve to (3-0) on the young season. With the win, head coach Ashley Langford became the first Stony Brook head coach in program history to start their career with a (3-0) record.

The Seawolves and Red Storm played an all but even first quarter as St. John’s led, 21-20, after the first 10 minutes of play. Stony Brook took full control of the game in the second quarter as it outscored St. John’s, 20-8, in the stanza. The Seawolves used a 9-0 run early in the second quarter to create separation.

Stony Brook took a 40-29 lead into the halftime break as it was firing on all cylinders. The Seawolves were locked in on the defensive end as they limited St. John’s to 29.7 percent shooting from the field and 18.2 percent shooting from three in the first half. In the second quarter, Stony Brook held the Red Storm to 19.0 percent shooting from the floor and did not allow a three-pointer (0-of-6) in the frame.

The Seawolves carried that first half momentum into the third quarter as they added to their lead through the duration of the stanza. Stony Brook went on to outscore St. John’s, 19-17, in the third quarter as it took a 59-46 lead into the fourth. The Seawolves’ lead grew to as large as 21 points, 72-51, with 4:18 to play in the game.

Stony Brook used a balanced scoring attack to knock off St. John’s as it had six student-athletes score eight or more points in the contest. Senior guard Anastasia Warren led the way with 19 points as the Seawolves went on to close out the Red Storm by the final score of 72-60.

“We came out ready to play today. I really got on them about transition defense and that was the key to the game – really keeping St. John’s from fast break points and we did that. I told them from the beginning defense is going to win us games. I’m really happy with the intensity that we came out with and it was a collective group effort, it wasn’t just one person. Everyone’s stepping up; we got some people in foul trouble that couldn’t play in the first quarter, and our bench was ready to go,” said coach Ashley Langford.

“Everybody’s contributing and I know that makes them feel good, everyone’s got their back, and everyone’s ready to go. I am really pleased with our effort and happy with our team that we were able to realize this win because they deserve it,” she said. 

Stock photo

Join the Whaling Museum of Cold Spring Harbor for an online music-themed night of trivia on Nov. 18 at 7 p.m. From whale songs to sea shanties to cricket chirps to Mozart to Broadway to the Beatles to Beyonce, join them for a tune-filled evening with trivia questions about music in film, television, art, nature, and history. For adults. Free to play, $10 donation appreciated. To register, visit www.cshwhalingmuseum.org. For more information, call 631-367-3418.

By Daniel Dunaief

Long-finned pilot whales can’t stand the heat, so they are heading north.

Amid increases in ocean temperatures caused by global warming, long-finned pilot whales have moved the center of their range to the north, according to a 25-year study Lesley Thorne, Assistant Professor in the School of Marine and Atmospheric Sciences at Stony Brook University and Janet Nye, Associate Professor at the University of North Carolina Institute of Marine Sciences and Adjunct Professor of SoMAS, recently published in the journal Scientific Reports.

What’s more, these whales are swimming farther north despite the fact that some of their prey, including fish and invertebrates such as squid, aren’t shifting as far north, while others are moving into deeper offshore waters.

That could have broad ecological consequences for both regions, as whales may head towards areas to compete against other predators for the same prey, while some fish populations in deeper waters offshore may increase, putting pressure on the creatures that live in those areas.

“We know that different species are responding in different ways to climate change,” Thorne said. “That will impact all the dynamics” including food webs and competition. 

Climate change may change the predator-prey dynamics in unexpected ways, Nye explained in an email. “We know that it would be wrong to assume that all species would shift at the same rate in response to changing environmental patterns, but this is one of a growing number of papers to illustrate that the rate at which individual species” in different feeding groups changes can be different, which alters the way ecosystems function.

Nye explained that researchers don’t yet have a good sense of how such mismatches would affect productivity of fisheries or the ecosystem as a whole, but they are “working on answering those questions with food web models and climate models.”

To be sure, Thorne indicated that the researchers would need considerably more data to validate any ecological conclusions, as they only looked at one species of whale and four main prey species.

“Understanding the specifics of the broader implications for a location would require looking at a range of important predator and prey species and assessing how the strength of interactions” might be affected by their responses to climate change, she said.

According to Thorne, this study and others suggested that species characteristics such as body size, mobility, thermoregulatory strategy and longitudinal range, in addition to the speed of change in the climate, can help predict the responses of marine species to climate change.

Whales such as the long-finned pilot whale examined in this study are challenging to observe because they have wide geographic ranges, could be difficult to track, and spend most of their time underwater, where they are difficult to see or track.

Additionally, even people with considerable maritime experience sometimes have difficulty differentiating between the long finned pilot whale and the short finned pilot whale, which are different species.

To address the central range of these long-finned pilot whales, Thorne and Nye used two data points: strandings, when whales strand on land, and bycatches, when people catching other fish with bottom trawls also bring up these whales in their nets.

Bycatches occur in part because pilot whales and other cetaceans depredate fishing gear, removing fish from fishing lines or trawls, which presents an easier meal than searching for food themselves. These whales, however, sometimes get caught in the nets themselves. 

People in the fisheries business sometimes use acoustic deterrents to keep the whales away. These efforts, however, can backfire, as the whales hear these sounds as something akin to a dinner bell and head for nets that could inadvertently trap them.

Strandings data is useful for looking at trends in the distribution of cetaceans because networks provide standardized observations throughout the coastline, dating back for decades.

Thorne is in the process of looking at strandings data more broadly. Her team is also looking at strandings of odontocete, or toothed whale, species along the east coast of the United States more broadly. She will also examine whether short-finned pilot whales, which are adapted to warmer waters, show similar trends.

“We are already examining the strandings data and testing our hypothesis that fish species may be shifting both horizontally (latitudinally or north-south) and/or shifting vertically (in depth),” Nye wrote. “I suspect that are doing a bit of both.”

Strandings represented about two thirds of the data in this study, while bycatch constituted the rest.

The shift in the central range represents a fairly dramatic geographic change in the center of the whale range and was considerably higher than that observed for their prey species.

Nye, who worked at Stony Brook from 2012 to 2020, said she was “shocked” that pilot whales were shifting much faster than the fish species, mostly because she knows how much the distribution of many species has changed over the last half century in the northeastern United States.

Whales are heading in the opposite direction that Thorne took in her career path. Thorne grew up in Kingston, Ontario and did her undergraduate work at the University of Guelph. She earned her PhD from Duke University and started as a lecturer at Stony Brook and was offered a tenure track position three years later.

During college. Thorne spent three years at the Huntsman Marine Science Center on the Bay of Fundy. Seeing the impact of the tides in the bay and taking field courses was “amazing,” she said. She first started working with whales at a research station on Grand Manan Island in the Bay of Fundy in future years.

Married to Bernd Distler, who is a surface materials engineer, Thorne and her husband have a four-year- old daughter Annika and two-year- old daughter Franka.

As for what her work tells her about the changing world, Thorne said it was sobering to see first hand the rapid changes in temperature occurring in the Northeast and, specifically, in New York.

This kind of study, along with others that highlight the increases in temperature, should be “more than enough information” to encourage action, she said.

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Pablo Pauly and Bill Murray in a scene from the film. Photo from Searchlight Pictures

Reviewed by Jeffrey Sanzel

Auteur Wes Anderson’s works are an eclectic mix. From Rushmore and The Royal Tenenbaums to The Fantastic Mr. Fox and Moonrise Kingdom, his voice and vision are unique among filmmakers. Quirky characters in fast-paced comedies carry an underlying melancholy and introspection. His films have received a total of fifteen Academy Award nominations. The Grand Budapest Hotel (2014) received nine nominations and won four.

Now Anderson has written and directed a star-studded omnibus, The French Dispatch of the Liberty, Kansas Evening Sun. Newspaper editor Arthur Howitzer, Jr. (Bill Murray) dies of a heart attack, leaving instructions to close the paper following a farewell issue. The final publication is to feature three articles from past editions, along with Howitzer’s obituary.

This thin framework is the basis for an anthology of three peculiar tales from the Liberty, Kansas Evening Sun’s French foreign bureau, located in Ennui. Each vignette focuses on one of the staff writers. Perhaps the stories are meant to be a send-up of a particular genre; the overall tone is firmly tongue-in-cheek, more spoof than satire.

In the first (“The Concrete Masterpiece”), J.K.L. Berensen (Tilda Swinton) tells of an artist, Moses Rosenthaler (Benicio del Toro), serving a prison term for double murder. While incarcerated, he paints a series of prison guard Simone (Léa Seydoux), that comes to the attention of another prisoner, Julien Cadazio (Adrien Brody). Cadazio (based on controversial British art dealer Lord Duveen) feels he has found the ideal modern artist. When released, he approaches his uncles (Henry Winkler and Bob Balaban) to embark on an exhibition of Rosenthaler’s work. The fly in the ointment is that Rosenthaler has painted the works on the prison walls.

In “Revisions of a Manifesto,” Lucinda Krementz (Frances McDormand) is a correspondent reporting on the “Chessboard Revolution.” While becoming involved with a much younger Zeffirelli (Timothée Chalamet), the bumbling leader of the revolt, she claims that she can maintain journalistic distance and integrity. In addition to their romantic liaison, Krementz rewrites Zeffirelli’s manifesto, including an appendix. 

The final chapter is “The Private Dining Room of the Police Commissioner.” Reporter Roebuck Wright (Jeffrey Wright), a nod to James Baldwin and A.J. Liebling, recounts the kidnapping of Gigi (Winston Ait Hellal), the son of the Ennui police commissioner (Mathieu Amalric), by a criminal syndicate. Police officer/noted chef Lt. Nescaffier (Stephen Park) becomes the hero through an elaborate poisoning. 

The plots are simple: a send-up of modern art (with a prison movie slant); a parody of young rebels and pointless causes; and a cops-and-robbers noir. But the telling is either brilliantly twisted or frustratingly convoluted, depending on the point-of-view. While ostensibly an homage to the day of the printed magazine (i.e., The New Yorker), the visual gymnastics are the driving force. Both cinematically steroidal (including rich black-and-white and vivid pop-art color, an awareness of the artifice of the sets, and even an animated car chase) and meta-theatrical (tableaux vivant), The French Dispatch is an often absorbing, wholly strange, and indefinable two hours.

The first-rate cast is clearly game for Anderson’s world. They play in a style that could be described as hyper-low key—sly, wry, and somehow conscious of the audience. In addition to the previously mentioned, appearances include an extraordinary ensemble in roles both large and small: Owen Wilson, Elizabeth Moss, Jason Schwartzman, Fisher Stevens, Lois Smith, Larry Pine, Christoph Waltz, Liev Schreiber, Edward Norton, Willem Dafoe, and Saoirse Ronan. Anjelica Huston is the omniscient narrator.

Some will find The French Dispatch a delightful and engaging absurdist meringue, visually striking, playing on multiple levels. Others might see it as a pretentious shaggy dog story, an in-joke of epic and head-scratching proportions. In any case, it would be impossible to experience this movie and not have an opinion.

Rated R, The French Dispatch is now playing in local theaters.

By Barbara Anne Kirshner

One year ago, TBR News Media published my first of what would become many articles on a variety of topics. This first article, Park’s Bench, was a personal account of my now 15- year-old dachshund, Park, my travel buddy, and our special visits to a bench in Stony Brook Village where we have gone for years to celebrate our July birthdays or simply to retreat from our busy lives. Little did I know then that Park and I were on the threshold of a traumatic event that would change our lives.

On Saturday, May 15, 2021, Park appeared a little uncomfortable. I immediately called our vet and got an appointment for the following morning. By nightfall, Park sat down and couldn’t move; his back legs had become paralyzed.

Even as a senior dog, he had been happy and active, running with his sister, Melissa Tulip, half his age. I marveled at the energy of our little man. This drastic change combined with his age had me fearing our time together was about to abruptly end.

Dr. Gucciardo examined Park, but instead of suggesting the worst, he gave us hope. He said through acupuncture and laser therapy combined with medications and herbs, there was a chance Park could regain the use of his hind legs.

I held on to that glimmer of hope and we began the long road back. Once a week, Park and I were at the vet for his treatments. Weeks turned into months —  still we were at the vet every Thursday for his therapies. Though our boy couldn’t walk, it seemed half of him was perfectly normal. He had energy. It amazed me how he managed to move so quickly on his two front legs. He was still interested in everything, especially meal and snack times. 

We started our road trips again to our favorite places including Stony Brook Village and Park’s bench. While we sat there on one recent visit, I watched as a breeze delicately ruffled his fury ears and we enjoyed our moment in time.

By late August, it seemed Park might not be able to walk again, but he was certainly not ready to leave us. That’s when discussions started with Dr. Gucciardo about a doggie wheelchair so Park wouldn’t have to exert himself as he dragged across the floor.

But Park had something else in mind. While we continued discussions about the wheelchair, Park suddenly pushed up his hind legs. He especially did this around mealtimes. By the beginning of September, he applied pressure to his hind legs and took a few wobbly steps. He was much weaker on the right side, but he progressed. Soon he was up on all four legs, very frail, but he was walking. Each day he improved. With movement returning to his hind legs, his hips strengthened. He had gone to scary protruding bones in his hips, but he even developed muscle tone again.

Park continues improving daily now and we keep up with his weekly therapies. Though his right leg turns in a little, he has started to gallop down the hall, a spring in his step. It is as if he has turned back the hands of time on his 15 year 4 month-old body. Dr Gucciardo, with his alternative therapies, saved our boy and gave us back the active Park ready for a stroll around town.

When I wrote Park’s Bench, I never could have imagined the traumatic events we would face together. Now, I watch our little man run through the yard or down the hall or on the rolling greens near Park’s bench in Stony Brook Village and I am thankful for the precious time I have with our happy, active boy.

I share our story in the hopes that we might help others going through similar life altering circumstances with their beloved fur babies. There is hope. Paralysis is not a death sentence. It may not happen quickly, but if it is possible for my senior boy to regain the use of his hind legs, it can happen for your dog too.

Miller Place resident Barbara Anne Kirshner is a freelance journalist, playwright and author of “Madison Weatherbee —The Different Dachshund.”

Pixabay photo

By Michael Christodoulou

Michael Christodoulou
Michael Christodoulou

It’s human nature to want to make things easier for our loved ones — and to have great concern about adding any stress to their lives. In fact, 72% of retirees say that one of their biggest fears is becoming a burden on their families, according to the Edward Jones/Age Wave Four Pillars of the New Retirement study. 

How can you address this fear? First, don’t panic. In all the years leading up to your retirement, there’s a lot you can do to help maintain your financial independence and avoid burdening your grown children or other family members. Consider these suggestions:

Increase contributions to your retirement plans and health savings account. The greater your financial resources, the greater your financial independence — and the less likely you would ever burden your family. So, contribute as much as you can afford to your IRA, your 401(k) or similar employer-sponsored retirement plan. At a minimum, put in enough to earn your employer’s matching contributions, if offered, and increase your contributions whenever your salary goes up. You may also want to contribute to a health savings account (HSA), if it’s available.

Invest for growth potential. If you start investing early enough, you’ll have a long time horizon, which means you’ll have the opportunity to take advantage of investments that offer growth potential. So, in all your investment vehicles — IRA, 401(k), HSA and whatever other accounts you may have — try to devote a reasonable percentage of your portfolio to growth-oriented investments, such as stocks and stock-based funds. 

Of course, there are no guarantees and you will undoubtedly see market fluctuations and downturns, but you can help reduce the impact of volatility by holding a diversified portfolio for the long term and periodically rebalancing it to help ensure it is aligned with your risk tolerance and time horizon. Keep in mind, though, that diversification does not ensure a profit or protect against loss in a declining market.

Protect yourself from long-term care costs. Even if you invest diligently for decades, your accumulated wealth could be jeopardized, and you could even become somewhat dependent on your family, if you ever need some type of long-term care, such as an extended stay in a nursing home or the services of a home health care aide. The likelihood of your needing such assistance is not insignificant, and the care can be quite expensive. In fact, the median cost for home health services is nearly $55,000 per year, while a private room in a nursing home can exceed $100,000, according to Genworth, an insurance company. To help protect yourself against these steep and rising costs, you may want to contact a financial professional, who can suggest an appropriate strategy, possibly involving various insurance options.

Create your estate plans. If you were ever to become incapacitated, you could end up imposing various burdens on your family. To guard against this possibility, you’ll want to ensure your estate plans contain key documents, such as a financial power of attorney and a health care directive.

It’s safe to say that no one ever wants to become a financial burden to their family. But putting appropriate strategies in place can go a long way toward helping avoid this outcome.

Michael Christodoulou, ChFC®, AAMS®, CRPC®, CRPS® is a Financial Advisor for Edward Jones in Stony Brook. Member SIPC.