Optical Outfitters in Port Jefferson held a ribbon cutting on March 22. Pictured on left, chamber members Ron Schlumpf, Mary Joy Pipe, John Huber, Brett Sceraviao and Steve Munoz; pictured on right, Alan Paulus, owner Danielle Cossari Paulus (with scissors), Natalie Cossari, Anne Cossari, staffer Amelia Bass and Dr. Alfred Cossari.Photo courtesy of Port Jefferson Chamber of Commerce
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Optical Outfitters in Port Jefferson held a ribbon cutting on March 22. Pictured on left, chamber members Ron Schlumpf, Mary Joy Pipe, John Huber, Brett Sceraviao and Steve Munoz; pictured on right, Alan Paulus, owner Danielle Cossari Paulus (with scissors), Natalie Cossari, Anne Cossari, staffer Amelia Bass and Dr. Alfred Cossari.Photo courtesy of Port Jefferson Chamber of Commerce
Optical Outfitters. Photo courtesy of Port Jefferson Chamber of Commerce
Optical Outfitters. Photo courtesy of Port Jefferson Chamber of Commerce
The Port Jefferson Chamber of Commerce, celebrated new chamber partner, Optical Outfitters, with a grand opening ribbon cutting ceremony on March 22 at 158 E. Main Street & Arden Place, Suite 2 in Port Jefferson.
The new shop offers affordable quality prescription eyewear for children and adults with an added focus on specialty collections, quality sunglass brands and a gift section.
Upcoming events include Mother’s and Father’s Day Wishlist gatherings with a jewelry making demonstration and sunglass fittings to be announced on the shop’s website, opticaloutfitters.com. Operating hours are Tuesday through Saturday from 11 a.m. to 4 p.m. and extended concierge appointment hours are available by calling 631-928-6401.
This bar graph shows the various forms of violence victimization over a 24-hour period as reported in more than 12,000 mobile phone surveys of almost 500 adolescent boys. Credit: Rachel Kidman
By Daniel Dunaief
Rachel Kidman
Researchers have long connected exposure to violence, particularly at a younger age, to expressions of violence as people age.
In a recent study of boys between the ages of 15 and 19 years old published in the journal PLOS One, lead author Rachel Kidman, Core Faculty in the Program in Public Health and Associate Professor in the Department of Family, Population and Preventive Medicine in the Renaissance School of Medicine at Stony Brook University, however, has made a connection between various types of violence adolescent boys witnessed or were subjected to and violence within 24 hours towards intimate partners.
“Those boys who experience violence that day are much more likely to act out and engage in intimate partner violence against their girlfriend or boyfriend,” said Kidman.
Adolescent boys are getting “trapped in a cycle” in which they experience and then perpetuate violence, Kidman said.
In parts of Africa, in particular, intimate partner violence could be particularly dangerous as the rate of HIV infection — the virus that causes AIDS — is higher.
This study, which was conducted with 498 adolescents living in Soweto, South Africa who responded to cell phone surveys from November of 2020 to June of 2022, expands the understanding of the development of abuse and violence.
Amy Hammock, Associate Professor in the School of Social Welfare at Stony Brook University, who has collaborated on research with Kidman but was not a part of this paper, lauded the work for its “strong design” which relies on surveys that measure violence within 24 hours. The surveys allow for “more accuracy in reporting” than a typical question about violence within the last year.
“Many of the boys in the sample experienced significant violence, both at the community level and the interpersonal level,” Hammock explained.
Previous evidence indicates that men who experienced or witnessed childhood trauma or domestic violence between their parents perpetrate intimate partner violence at higher rates.
“We don’t have a lot of evidence of what happens during the teenage years,” said Kidman. “This could be setting the course for relationships in the future.”
Adolescents could be responding to triggers and may not know how to cope with their own emotions, which leads to their own violent actions.
Working with boys
Public health programs typically focus on ways to protect people in relationships, often women, against violence, by encouraging them to take self-defense classes and to recognize the signs of an abusive relationship. Many of these approaches place the onus on the victim, which seems too narrow, Kidman said. As a next step, “we can work with boys, acknowledge the trauma.”
By exploring the link between physical, verbal and sexual violence perpetrated against adolescent boys, researchers are taking a first step towards developing methods that might help boys cope with their own emotions without lashing out at their partners.
“We need to learn more to design the right intervention,” Kidman explained.
Breaking the cycle
The real-time mobile phone surveys revealed a sharp increase in the odds of intimate partner violence (IPV) when teenage boys were victims of violence within 24 hours, particularly sexual violence. Credit: Rachel Kidman
Kidman chose to work with adolescents in this area of South Africa in part because she had forged connections with researchers in the area in previous studies and in part because of the high levels of HIV and violence for an underserved population.
She feels it’s important to understand the epidemics of violence in low and middle income countries.
“The area we work in has a history of apartheid and racial and economic segregation and a long history of violence and a high rate of HIV,” Kidman said.
To be sure, ideally, these adolescents wouldn’t experience any violence. Many of the adolescents who participated in this study experienced intimate partner violence directed against them as well, which could be initiated by a girlfriend or be used by a girlfriend in self defense.
“Some of this may be in the context of bi-directional violence in the relationship,” said Kidman.
Participants in this study could ask to speak with a counselor. Kidman appreciates the adolescents who shared personal and painful details their lives.
“These are not easy topics to talk about and they get a lot of credit for being so open,” she said. “This gives us insights into how we can help.”
Meaningful semester abroad
The direction Kidman’s research has taken springs from research she did during her undergraduate training at Swarthmore College, particularly during a semester abroad in Zimbabwe. She was interested in the social dimensions of HIV. During her master’s degree at the Harvard School of Public Health, she studied the survival and education of orphaned children.
As she conducted that research, Kidman considered the many adversities affecting children, including violence, child abuse, neglect, and living with someone who has substance abuse problems, among others. The current project is exploring how these experiences during childhood and adolescence, including child abuse, verbal violence and bullying, affect youth and their behavior towards intimate partners.
Indeed, when youth with HIV experience violence, they sometimes don’t take their medications, which increases the health risks to themselves and their partners.
Role models
Born and raised in Portland, Maine, Kidman received considerable support for her broader interests in the world from her parents Joan and Bruce Kidman.
“When I announced that I was going to Zimbabwe for the semester, they were absolutely on board,” said Kidman.
Indeed, both of her parents, who met in college, worked together for the Peace Corps in Micronesia after they graduated. When she was in college, Kidman was eager to learn about a different culture.
Kidman and her husband Sean Clouston, Professor in the Department of Family, Population and Preventive Medicine in the Renaissance School of Medicine at SBU, live in Stony Brook with their 10 and 12-year old children Riley and Quinn.
As for her work, Kidman suggested numerous questions remain. She urged further studies that could assist with preventing violence and supporting those people who can be victims and perpetrators.
If you’re thinking of buying or selling a home anytime soon, it’s time to take note: the real estate rulebook has been revised. As usual, any revision results in additional conferring and completion.
In a landmark settlement finalized late last year, the National Association of Realtors (NAR) agreed to pay a whopping $418 million to settle claims that it helped keep real estate commissions artificially high. The changes that came out of that lawsuit aren’t just for the courtroom—they’re now working their way into everyday real estate deals, including right here in New York.
Even though NAR is a national organization, the New York State Association of Realtors (NYSAR) has agreed to follow suit. That means both buyers and sellers on Long Island will notice some new rules—and possibly new costs—when they enter the housing market.
So what’s changing?
Let’s start with the basics. Traditionally, the seller paid both their own agent’s commission and the buyer’s agent’s fee, typically 4% of the sale price in Suffolk and Nassau Counties. Those fees were typically split between the agents and baked into the transaction. Notwithstanding the rule change, this continues to be the practice—for now—although under the new rules, that structure is expected to shift.
Most notably, the buyer’s agent’s commission can no longer be advertised in the Multiple Listing Service (MLS)—the go-to database for real estate listings. That alone could shake up how properties are marketed and sold.
Buyers also face a brand-new requirement: before they can even tour a home with an agent, they’ll need to sign a formal written agreement. This agreement must clearly set out what the agent will be paid, how the fee is calculated (flat rate, hourly, or percentage), and—critically—that the terms are negotiable.
No more handshakes and “we’ll figure it out later.” These are binding contracts now.
The key takeaway? Call your attorney first
And here’s the part that cannot be overstated: before you sign anything with a broker—even just to start looking—consult a real estate attorney. These agreements are legal documents, and buyers are now expected to enter into them at the earliest stages of the home-buying process, often before they’ve even settled on a budget or location.
The language in these contracts can be complex, and the financial implications are significant. An attorney can help you understand the terms, negotiate provisions that may be unfavorable, and ensure you’re not committing to obligations you don’t fully grasp.
Why all the fuss?
The aim here is transparency—and fairness. One major concern raised in the lawsuits was the practice of “steering,” where some agents allegedly guided clients toward listings that offered higher commissions, rather than those best suited to the buyer. The new rules are designed to bring those incentives into the open.
A changing landscape—and the need for legal guidance early
If all this sounds a little confusing, you’re not alone. Many prospective buyers and sellers are just now learning about these changes. But the consequences of signing a contract prematurely or without fully understanding it can follow you throughout the transaction.
That’s why having an attorney in your corner from the outset—someone who is not working on commission and who is bound by law to act in your best interest—is more important than ever.
So whether you’re a first-time buyer or preparing to list a home you’ve lived in for decades, slow down, ask questions, and get the right professionals involved before you sign anything. Because in real estate, success isn’t just about finding the right house—it’s about making the right deal.
Shannon L. Malone, Esq. is an Associate Attorney at Glynn Mercep Purcell and Morrison LLP in Setauket. She graduated from Touro Law, where she wrote and served as an editor of the Touro Law Review. Ms. Malone is a proud Stony Brook University alumna.
Mairead Carroll designed the most efficient bridge at this year's Bridge Building Competition.
Photo by Kevin Coughlin/Brookhaven National Laboratory
And the results are in! Mairead Carroll, a senior from Northport High School, captured first place at the 2025 Bridge Building Competition hosted by the U.S. Department of Energy’s (DOE) Brookhaven National Laboratory in Upton on March 14.
Students from 13 Long Island high schools followed a strict set of specifications to try to construct the most efficient model bridge out of lightweight basswood and glue.
The annual event shows high schoolers what it means to be an engineer in a fun, hands-on way and is one of many activities organized by Brookhaven Lab’s Office of Workforce Development and Science Education to cultivate the next generation of science, technology, engineering, and math professionals.
“Because many students spent the whole day at the Lab as a field trip, they were able to take some time to talk to our engineers and educational staff about their career journeys, making the experience about more than just building,” said Educational Programs Administrator Michele Darienzo. “Plus, we all had so much fun!”
Commack High School students Joshua Kim, left, Vincent D’Angelo, and Jordan Gleit earned three out of the four top spots awarded at the competition. Photo by Kevin Coughlin/Brookhaven National Laboratory
Carroll and second-place winner Vincent D’Angelo, a junior from Commack High School, qualify to bring their designs to the International Bridge Building Contest in Chicago, Illinois on April 26.
“Participating in the Brookhaven National Lab Bridge Competition was an incredible experience, and I’m so thankful for the opportunity to be part of it,” Carroll said.
“It was a great chance to learn and grow as an aspiring civil engineer, and I’ve gained so much from the talented competitors I had the chance to meet. I’m excited to continue this journey and look forward to representing Northport at the International Bridge competition in Chicago,” she added.
Students and judges watched closely as Brookhaven Lab staff and volunteers tested 95 bridges under a crushing machine that slowly added more and more weight from above until the bridges broke or bent more than one inch. Bridges were ranked based on efficiency scores that are calculated from the load the bridge supports divided by the mass of the bridge — all in grams. The structures could not have a mass greater than 25 grams.
D’Angelo, who visited the Lab with classmates on competition day, said he focused on simplicity and keeping his bridge light. His fellow Commack High School students swept the contest’s remaining awards: junior Joshua Kim earned third place with a bridge that used trusses to maximize efficiency, and junior Jordan Gleit won an aesthetic award for bridge design thanks to a structure with lots of cross beams.
While bridge testing was underway, students toured the National Synchrotron Light Source II and Center for Functional Nanomaterials, two DOE Office of Science user facilities at Brookhaven with unique capabilities that draw scientists from all over the world to Long Island. Students met staff scientists and engineers and learned about the paths that led them to careers at BNL.
Competitors further tested their engineering skills during an activity that challenged them to craft five increasingly difficult structures out of Geomag magnetic toys and earned Brookhaven Lab goodies if they were successful. Competition organizers also quizzed students with Brookhaven Lab and science trivia for chances to win more prizes.
Spring has sprung at The Jazz Loft in Stony Brook! Here is their musical line-up for the month of April:
Friday, April 4 at 7 p.m.
The Jazz Loft Orchestra: Cuban Fire Suite
The Jazz Loft presents a Cuban Fire Suite Orchestra performance at the Staller Center in Stony Brook.
Tickets: $40 Adult, $35 Senior, $30 Student, $25 Child
Saturday, April 5 at 7 p.m.
The Jazz Loft Orchestra: Cuban Fire Suite
The Jazz Loft presents a Cuban Fire Suite Orchestra performance.
Tickets: $35 Adult, $30 Senior, $25 Student, $20 Child
Monday, April 7 at 7 p.m.
Bright Moments Series: Jeremy Carlstedt
The Jazz Loft presents Jeremy Carlstedt, drums for the Bright Moments Series, presenting some
of the newest upcoming voices in the Jazz scene.
Tickets: $10
Thursday, April 17 at 7 p.m.
The Bad Little Big Band
The Jazz Loft presents a 12-piece Big Band featuring vocalist Madeline Kole, directed by
composer, arranger, and pianist, Rich Iacona.
Tickets: $30 Adult, $25 Senior, $20 Student, $15 Child
Friday, April 18 at 7 p.m.
Harry Allen Quartet
The Jazz Loft presents a Quartet including Harry Allen, tenor saxophone, Rossano Sportiello,
piano, Mike Karn, bass, and Aaron Kimmel, drums.
Tickets: $30 Adult, $25 Senior, $20 Student, $15 Child
Saturday, April 19 at 7 p.m.
The Del Segno Trio feat. Dayna Stephens, tenor sax
Tickets: $30/$25/$20/$15
Thursday, April 24 at 7 p.m.
Interplay Jazz Orchestra
Interplay Jazz Orchestra, 17-piece big band co-directed by Joe Devassy, trombone & Gary
Henderson, trumpet performs original compositions and arrangements written by band
members.
Tickets: $30 Adult, $25 Senior, $20 Student, $15 Child
Monday, April 28 at 7 p.m.
Bright Moments Series: Elliott Brown
The Jazz Loft presents Elliott Brown, trombone for the Bright Moments Series, presenting some
of the newest upcoming voices in the Jazz scene.
Tickets: $10
The Jazz Loft is located at 275 Christian Ave., Stony Brook. For more information, call 631-751-1895 or visit www.thejazzloft.org.
“My mother is a willow. She stands by a stream that burbles like a toddler’s kisses, and her leaves dip into the water whenever the wind blows …” So opens the gifted Sarah Beth Durst’s latest novel, The Warbler.
Author Sarah Beth Durst with a copy of her latest novel.
“If I stay, then one day, beneath the watchful blue sky, I too will grow roots, my skin will harden to bark, and the strands of my hair will blossom.” Elisa’s curse—what her mother called “our family inheritance”—condemns the family’s women to become trees if they remain in any place for too long.
“I’m packed before I’m ready to leave.” This statement embodies the nomadic Elisa, The Warbler’s central figure. She is never going to but “coming from.” Living under different names, she has taken on Beatrix, Wanda, Gitana, and Barbara, all of which mean “traveler” or “stranger.” Elisa’s quest is threefold: find her familial origins, understand her inability never to remain, and how to break the curse. The sole clue is the location must possess enough “unexplained oddities.”
Until her mother Lori’s passing two years before, mother and daughter crisscrossed the United States, visiting strange and out-of-the-way towns.
As the book opens, Elisa leaves Tyler, with whom she has lived for ten months. She lived in the “now, now, now.” But her life is governed by strong tenets: “Don’t form ties. Don’t take mementos. Don’t keep in touch.” Elisa must always run. A particularly poignant memory is Elisa reflecting on a gift to her mother: a novelty pillow. But the simple offering was left behind because it tied them to that place. Elisa desires something as simple as a junk drawer or a jar of peanut butter “that I don’t have to ration.”
Elisa lands in Greenborough, Massachusetts (The verdant name hints at the possibility of answers to a nature-based enchantment.) Drawn by a cat in the window, her first stop is The Book Cellar, “overflowing with books, exactly as a bookstore should be. Every shelf is stuffed, with volumes wedged horizontally on top of vertical rows and crammed between the top shelf and the ceiling, so many that they look as if they have been quietly breeding for years.”
Elisa is drawn to books because “they’re portable and replaceable.” Owen, the shop’s proprietor, befriends her. She immediately applies and is given a job in the store. But quickly, the town’s nature reveals itself when she witnesses a strange accident and its peculiar aftermath.
‘The Warbler’
The town’s charming surface belies a roiling strangeness beneath its seemingly bucolic surface. Greenborough’s inhabitants include a musician who plays a stringless guitar, a writer whose fingers never touch the keys, a waiter who is perpetually wiping a dessert carousel, and a woman who keeps dozens of birds caged in her yard. Even the most benign statement can be ominous: “You know, I’ve lost track of when I came here. Guess time flies when you’re having fun.” The driving force of the peculiar but well-drawn cast of characters is a nameless trio of elderly sisters who suggest the fates in their many forms.
Ultimately, The Warbler chronicles three generations: grandmother Rose, daughter Lori, and granddaughter Elisa. The book’s chapters alternate in three timelines, exploring the women’s lives and challenges. What seems, at first, a traditional fantasy grows into a complex and emotional narrative. Durst addresses the power of choice and the spirit (and danger) of wishing. Of her many works, Durst’s The Warbler is probably her most visceral and raw, compelling in Elisa’s passion to find truth but also a sense of self.
Having been condemned to wander, the idea of home burns deeply. Elisa is one of Durst’s finest creations, an individual struggling with loneliness and looking for a sense of the whole. “I love music. It’s something that’s actually supposed to be ephemeral. You experience it, then move on, carrying it only as an imperfect memory of how it made you feel. It’s one of the few things that I can experience exactly like everyone else.” Glimpses of her various “lives” help create a wholeness as Elisa puts the pieces together.
Once again, Durst celebrates nature in its beauty and mystery. The metaphor of roots plays as a grounding but equally as a trap. Each woman yearned for a different life, but their choices or those around them failed to complete them. The novel’s resolution shows depth and insight into the fragility of human nature.
In previous novels, Durst demonstrated her skill as a world-builder with fantastical and wholly original universes. She inverts this idea with The Warbler, constructing her story in the very real, recognizable here-and-now. While no less effective, the immediacy becomes a driving force. Durst addresses the idea of home, the struggle between living free and being caged.
In turns sinister and heartfelt, The Warbler is a tale of bravery in facing supernatural and wholly human adversity, looking beyond the shadow of danger, and embracing the healing power of self-reflection and understanding.
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Sarah Beth Durst is the New York Times and USA Today bestselling author of over twenty-five books for adults, teens, and kids. She lives in Stony Brook with her husband, her children, and her ill-mannered cat. Pick up a copy of The Warbler at your local bookseller or online at www.amazon.com or www.barnesandnoble.com. For more information, visit sarahbethdurst.com.
The Reverend and Mrs. H. W. Floyd Allen, minister of the Allen A.M.E. Church, Church Street circa 1950. Photo courtesy of NHSM
By Tara Mae
More than merely a necessity or form of self-expression, throughout history fashion has been a means of storytelling, a type of communication. The Northport Historical Society (NHSM) and Museum’s newest exhibit, In Fashion, which opens on April 5, examines local sartorial dialect and how it is part of a communal language.
A photograph of female impersonator Julian Eltinge. Photo courtesy of NHSM
“In Fashion explores identity through historic fashion and fashion movements, and what it means culturally for those groups,” said NHSM curator Elizabeth Abrahams Riordan.
The exhibit showcases multimedia items: textiles, archival pieces, digital and print photographs, recorded oral histories, etc. A focal point of the collection is church hats on loan from local residents, many of whom have ties to the Northport African Methodist Episcopal (AME) Church, which closed in 1955.
In Fashion is part of an ongoing discussion about the different communities and cultures that comprise the larger Northport enclave: part of the exhibit’s run will correspond with Pride month in June and complement it.
“[This] is a way for individuals to access history about how people share their identity and life through fashion: what they are wearing can be a sort of spiritual connection, an extension of community and cultural groups as well as an indication of what was [socially] permitted,” Abrahams Riordan said. “The exhibit is hopefully opening dialogue in the community for people to have a better understanding of communities within the Northport community.”
Style is a statement without speech, but a purpose of In Fashion is to inspire conversation. Personal objects and archival items weave together a narrative of truths less told.
In an effort to highlight Northport voices, Abrahams Riordan sought the contribution of Thelma Abidally, author of African American in Northport, an Untold Story (Maple Hill Press 2000) for insight into how articles of clothing are emblems of different identities.
“Fashion can teach us several lessons about our ancestors. In particular African American women culturally were known to wear their Sunday best to church. My ancestors believed that this is how a woman should dress in going to church,” Abidally explained.
Magazine from 1904 promoting the work and life of female impersonator Julian Eltinge. Photo courtesy of NHSM
Such cues were, and remain, both a celebration and a means of connection, solidifying heritage while affirming clothing’s ever evolving contextual message. Fashion is another entry into assessing the past and how it affects the present.
“I really want to tell histories, but I also really want to bring people together in a way that they have their own personal perspective and also humanize other experiences. It is all about making personal connections and wanting to come back and learn more,” Abrahams Riordan said.
The Northport Historical Society and Museum, 215 Main St., Northport presents In Fashion through June 30 on Wednesdays to Sundays from 1:30 p.m. to 4 p.m. Admission is $15 per person, $12 for members.
The exhibit is one of several events planned at the NHSM for the month of April. Other programs include a Doll Tea Party on April 5 from 11 a.m. to 1 p.m.; Volunteer Open House on April 12 from 11 a.m. to 1 p.m.; and a Historical Main Street Walking Tour on April 27 at 1:30 p.m. For more information, call 631-757-9859 or visit www.northporthistorical.org.
The Town of Brookhaven’s Parks & Recreation Department has announced an array of upcoming spring programs at their various recreation centers for 2025:
Henrietta Acampora Recreation Center
39 Montauk Highway, Blue Point, NY 11715
631-451-6163
Yoga Yoga that meets you where you are today. This class includes standing postures, strengthening exercises on the mat, seated stretches and guided relaxation. Our practice supports strength, agility, flexibility and balance while reducing stress. Please bring a yoga mat, yoga blocks or a rolled towel. Day/Time: Mondays, 1:00PM – 2:00PM Dates: April 7, 14, 21, 28, May 12, 19 Fee: $47.00 per 6-week session Register: Click HERE
Watercolor Art Class Meet fellow artists, try a new hobby or work on an old project. Bring your own materials and work in a relaxed environment. Instructor will give demonstrations along with group and individual guidance. Day/Time: Tuesdays, 10:00AM – 12:00PM Dates: April 15, 22, 29, May 6, 13, 20, 27, June 3 Fee: $47.00 per 8-week session Register: Click HERE
Sprouts & Friends Join Sprouts & Friends for a fun, safe and creative way to learn to move through music and release energy. Our mission is to create joy while helping your little ones grow, learn, develop and explore through playful activities. Day/Time: Mondays, 11:30AM – 12:15PM Dates: April 21, 28, May 5, 12, 19, June 2 Fee: $47.00 per 6-week session
Per caretaker & child
(Ages 6 moths to 5 years) Register: Click HERE
Sprouts & Friends Baby Class Join Sprouts & Friends for a fun, safe and creative way to learn to move through music and release energy. Our mission is to create joy while helping your little ones grow, learn, develop and explore through playful activities. Please bring a blanket for your baby to lay on. Day/Time: Fridays, 1:00PM – 1:45PM Dates: May 2, 16, 23, 30, June 6 Fee: $47.00 per 6-week session
Per caretaker & child
(Ages 3 – 12 months. Non-walkers only.)
New Village Recreation Center
20 Wireless Road, Centereach, NY 11720
631-451-5307
Watercolor Art Class Meet fellow artists, try a new hobby or work on an old project. Bring your own materials and work in a relaxed environment. Instructor will give demonstrations along with group and individual guidance. Day/Time: Wednesdays, 10:00AM – 12:00PM Dates: April 9, 16, 23, 30, May 7, 14, 21, 28 Fee: $47.00 per 8-week session Register: Click HERE
Studio Art Acrylics & Drawing Class Unleash your creativity and explore the versatile mediums of pencil, charcoal and pastels. This hands on course is designed for artists of all levels. Students will learn to capture light, texture and depth, using pencil for fine details, charcoal for bold contrasts, and pastels for vibrant, expressive color. Join us and discover new ways to bring your drawings to life. Day/Time: Fridays, 10:00AM – 12:00PM Dates: April 11, 25, May 2, 9, 16, 23, 30, June 6 Fee: $47.00 per 8-week session Register: Click HERE
Robert E. Reid, Sr. Recreation Center
Defense Hill Road & Route 25A, Shoreham, NY 11786
631-451-5306
Sketch-N-Stretch Looking for some fun for your little one during spring break? Join us in this spring themed yoga and art program. We will blend yoga and art to inspire movement, meditation and creativity. All children will have the opportunity to bring home a completed 8 x10 painted canvas. All supplies included. Date: Tuesday, April 15 Time: 10:30AM – 11:30AM Fee: $25.00 per child
(Grades K-2) Register: Click HERE
The Jazz Loft houses more than 10,000 pieces of jazz history and memorabilia. Photo courtesy of The Jazz Loft
Every month is Jazz Appreciation Month at The Jazz Loft in Stony Brook, but in April 2002, the Smithsonian Institution’s National Museum of American History designated April as the official Jazz Appreciation Month, with the aims to draw greater public attention globally to the extraordinary heritage and history of jazz. The Jazz Loft is announcing FREE admission to its museum for the entire month of April.
It’s also a great time to join The Jazz Loft’s Friend’s Circle, a membership with seven levels of support, which can include unlimited access to memorabilia displays; discounts on selected events; VIP pre-sale; discounts on special lecture events; free gifts; and complimentary passes to popular shows and festivals and more!
Already a Friend’s Circle Member? Joining for the first time? Sign up or renew during the month of April and get a FREE TJL car magnet!
The Jazz Loft’s museum boasts more than 10,000 pieces of jazz memorabilia and most recently, a new Tony Bennett exhibit, which features over 100 items, including several awards and Grammy nominations; letters from presidents, Louis Armstrong and Fred Astaire; and the Gold Records from his signature hit I Left my Heart in San Francisco. Other exhibits include one of the largest collections of Charlie Parker memorabilia in the nation; Keely Smith’s Grammy Award and designer gowns worn by Ella Fitzgerald.
“The Jazz Loft is without question the anchor for cultural outreach within our Long Island community,” says Tom Manuel, founder of The Jazz Loft. “Our 30-plus archive collections celebrate some of the most important figures in American popular music: Charlie Parker, Ella Fitzgerald, Keely Smith, Louis Jordan, Tony Bennett, John Coltrane and many others. Our stage is alive with over 200 performances annually and over 12,000 people come through our doors each year. Our education program is fostering a new generation for Jazz and I’m happy that in April we can especially put the spotlight on this relevant, important and meaningful organization within our community.”
For more information visit The Jazz Loft’s Friend’s Circle. The Jazz Loft, located at 275 Christian Avenue in Stony Brook, is a non-profit organization, established in 2016 by Dr. Thomas Manuel, its founder, curator, jazz historian and artistic director. The Jazz Loft aims to help preserve, educate on all things jazz and it is also the only music venue on Long Island that exclusively features jazz music. For more information visit: The Jazz Loft
Faculty, administrators, staff and current students at Suffolk County Community College will welcome new and prospective students to open house on Sunday, April 6, from 12 noon to 2 p.m. Open House will take place at all three of the college’s campuses in Riverhead, Selden and Brentwood, as well as its Culinary Arts and Hospitality Center in Riverhead. Explore scholarships, tour the campuses, speak with Admissions and Financial Aid counselors, learn about student clubs and more. RSVP at www.sunysuffolk.edu/openhouse/