Arts & Entertainment

By John L. Turner

John Turner

On a warm morning in early August, my wife Georgia and I climbed aboard a pontoon boat stationed along a canal in Freeport between two seafood restaurants, joining two dozen kindred spirits excited to explore the marsh islands dotting Middle Bay. While there were several purposes for the trip — getting to know other individuals committed to conservation through involvement in numerous downstate Audubon chapters being a prime one — once the boat began moving birds became the central focus. We were all interested in seeing what birds might be around as “fall” migration gets under way for a variety of coastal bird species. 

The first highlight was several Black-crowned Night-herons perched on large wooden pilings followed by a family of Killdeer standing around on some earthen mounds in a forgotten lot at the corner of the canal and bay. Killdeer derive their name from their ringing call which sounds like their name — kill-deer! kill-deer! killdeer! Killdeer are a species of shorebirds but typically aren’t found along the shore. Rather they are birds of open places like athletic fields and large gravel patches, vulnerable places that sometimes get them and their chicks in trouble.     

Speaking of shorebirds, this was the group I was most hoping to see. Even though we’re on a boat in mid-summer, many species of shorebirds have embarked on their southbound “fall” sojourns, some heading south from breeding grounds situated north of the Arctic Circle. And where might they be heading? Well, some species like Red Knots eventually make their way to Tierra Del Fuego at the southern tip of South America. Many others select other latitudes in South America and Central America while still others choose the southeastern United States or islands in the Caribbean. 

As all these migratory journeys illustrate, shore bird species —plovers, sandpipers and the larger ones like godwits — are indeed globetrotters of the Western Hemisphere.  Nearly two dozen shorebird species are known to undertake non-stop flights of 3,000 miles or more — that’s roughly the distance from New York to Seattle. The fuel? Subcutaneous fat stored under the skin. Take that you ultramarathoners out there! Long Island is one of the many “migratory motels” these highly mobile species depend upon during migration, a key stage in completing their annual life cycles. 

We soon saw a small flock of shorebirds sitting amidst a few common terns along a small pond in the marsh — a single Whimbrel and half a dozen Black-bellied Plovers. In full breeding plumage the latter species is one of the most striking birds in North America — jet black on the breast, belly, lower flanks and cheeks with a white cap on its head and upper neck (please don’t hesitate to pause your reading of this article to check out the image on the Internet). The back is speckled in a salt-and-pepper pattern. 

In comparison, the Whimbrel (once called the Hudsonian curlew), is a modest, understated bird with a back that contains flecking that’s medium brown in color, a lighter brown neck and a handsome crown with two prominent brown crown stripes and two more brown stripes running through the eyes. More prominent still is the long decurved bill, perfectly suited from pulling fiddler crabs from their burrows. The decurved bill gives rise to the generic part of its scientific name (Numenius phaeopus). Numenius means “of the new moon” a reference of the similarity to the crescent shaped bill to the crescent moon that forms right after the new moon. 

Moving south into the bay we slowly worked along the edge of an island and were rewarded by other shorebird species — some ‘peeps’ like Semipalmated and Least Sandpipers and a few Sanderlings. A pair of Greater Yellowlegs, living up to their name with long, bright yellow legs, stood nearby and in the marsh a few Willets were feeding, a larger shorebird species that nests on Long Island. They were soon joined by a few American Oystercatchers, highly distinctive and large shorebirds with long bright red bills that are also local nesting birds.  

We continued on and two more species were soon tallied — Semipalmated Plovers and the harlequin looking Ruddy Turnstone (another fine time to pause to look up the species on the Internet). This turnstone species, another shorebird with some populations breeding above the Arctic Circle, has a ruddy-colored back and tail with black barring, a white belly, bright orange legs, and a distinctive black and white facial pattern with two white spots between the eyes and the base of the bill. While this bold pattern makes the bird stand out while sitting on a rock, dock, or on the sand at a marsh’s edge, it helps the bird blend in while sitting on eggs in its vegetated tundra habitat in the Far North. Ruddy Turnstones get their name from the aforementioned ruddy back and their habit of flicking over shells and stones while foraging for food on the beach. This unique foraging behavior allows them to find food items other shorebirds cannot find.    

Semipalmated Plovers are a handsome shorebird species. A uniform chocolate brown back and top of head with a clean white belly and throat separated by a bold black bar, adults in breeding plumage have an orange and black bill and orange legs. Their name is derived from the fact their feet are partially webbed but not entirely webbed like the foot of a duck. They’re similar in appearance and shape to Piping Plovers, a small shorebird that nests on beaches around Long Island. In fact, one birder has noted that a Semipalmated Plover looks like a sandy colored Piping Plover after being submerged in water and its plumage darkens.

Along the East Coast shorebirds were once actively hunted for sport and to a lesser extent for food and such was the case on Long Island. There are many written accounts of hunting trips to mud- and sand flats, marshes and the outer beach to gun for shorebirds, often using wooden decoys to draw them in. (There were a number of famous decoy makers on Long Island and some of their decoys can be purchased online). The hunting pressure was so intense and relentless and so many birds killed that many shorebird species declined precipitously. 

One species, the Eskimo Curlew, closely related to the Whimbrel, is feared to be extinct from persistent hunting for the table, as the bird was considered quite delectable, containing lots of fat, a fact that led to their colloquial name of ‘doughbirds’. The last known flock of Eskimo Curlews was seen in Barbados in 1963. It was a common shorebird that passed through Long Island during fall migration. Today, almost all shorebird species are legally protected from hunting. One exception is the most ‘unshorebirdlike’ of all shorebirds — the American Woodcock, a forest dwelling shorebird that is still actively hunted.    

Today, shorebirds face threats of a different nature. Habitat loss, as shorelines are hardened or developed, reduces the availability of feeding habitat, compromising the quality of their ‘motel’ experience, and climate disruption adds a huge layer of concern that is hard to measure in how it might affect the welfare of these iconic species. But there are many individuals and organizations working to safeguard shorebirds — from ending shorebird hunting in the Caribbean to artisanal salt farmers in Honduras working to protect habitat for black-necked stilts (we get a few that pass through Long Island every year) to the creation of the Western Hemisphere Shorebird Reserve Network (WHSRN) that identifies and protects sites critical as stopover habitat for shorebirds.   

For most of us, shorebirds’ lives are invisible, their existence dependent on remote and wild landscapes often in places so very distant from us that our paths rarely cross. When they do it’s a momentary gift — maybe it’s a scurrying flock of sanderlings retreating from the foam of a crashing ocean wave or the piercing tew! tew! tew! of a greater yellowlegs you’ve flushed from a shore edge while kayaking or watching the broken wing act of an adult piping plover trying to distract you away from its nest or young. As the boat experience illustrates, we are in the season of gift giving. 

A resident of Setauket, author John L. Turner is conservation chair of the Four Harbors Audubon Society, author of “Exploring the Other Island: A Seasonal Nature Guide to Long Island” and president of Alula Birding & Natural History Tours.

Porter Beer. Photo by Bob Lipinski

By Bob Lipinski

Guinness Stout, founded in 1759 by Arthur Guinness, ran an interesting ad campaign for Guinness in Ireland, stating that… “Over seven million Guinnesses are drunk every day.” The popular reply was… “I didn’t know it was such a large family.”

Porter and stout, dark-colored ales, mostly from the United Kingdom and Ireland, have been brewed since at least the early 1700s. In the brewing process, grain (mostly barley) is roasted at a high heat, causing a deep browning of its sugars, resulting in a chocolate brown-black color. Stout and porter are also brewed in the United States and should ideally be served at 55˚F.

Porter, the predecessor of stout, is brewed from charred malt and is usually lower in alcohol than stout. It was created in 1722 by Ralph Harwood, a London brewer, who named it after the porters who carried produce to London’s Covent Garden. Porter became a highly popular, exported style in the 1800s before declining around WWI and disappearing in the 1950s. It is made in many countries in various styles, often dependent on local trends or ingredients. During the late 1700s, porter became fashionable in the United States and two of its lovers were Presidents George Washington and John Adams. Porter is very complex, with multi-layered malt and dark fruit flavors like black currants and dried cherries, along with caramel, chocolate, toffee, roasted nuts, and licorice with a bitter taste.

Stout Beer. Photo by Bob Lipinski

Stout, mostly from Ireland, was originally known as extra stout porter, a darker and stronger version of porter, brewed around 1799 by Guinness. There are a few types of stout produced. Among them are “Dry or Irish Stout” (Guinness) and “Sweet Stout” (Mackeson). Dry stout (also called bitter stout) is thick and malty, with intense aromas and flavors of bittersweet chocolate, caramel, coffee, dark molasses, toffee, nuts, hops, and smoky (not burnt) barley. Sweet stout, dark in color, is sweeter with less hops and bitterness. Other types of stout are Foreign Extra Stout, Imperial Stout, and Oatmeal Stout. The terms “Milk” or “Cream” Stout are no longer permitted in England but are acceptable elsewhere.

Porter and stout pair well with a multitude of foods, especially apple pie, fruity desserts, pumpkin or pecan pie, and coffee-flavored cakes. Serve them with barbecued ribs, smoked salmon, or blackened shrimp. Two of my favorite foods with porter or stout are chocolate and raw oysters.

One of the best pairings is blue cheese with porter or stout. Other recommended cheeses are Brie, Dunlop, Cheshire, Caerphilly, Comté, Parmigiano-Reggiano, and Cheddar.

Bob Lipinski is the author of 10 books, including “101: Everything You Need To Know About Whiskey” and “Italian Wine & Cheese Made Simple” (available on Amazon.com). He consults and conducts training seminars on Wine, Spirits, and Food and is available for speaking engagements. He can be reached at boblipinski.com OR [email protected].

From left, Anthony Rizzuto, Director of Provider Relations and Alcohol and Substance Abuse Counselor of Seafield Center, Megan O’Donnell, Executive Assistant District Attorney for Suffolk County; Dr. Gregson H. Pigott, Suffolk County Health Commissioner; Dr. Jeffrey L. Reynolds, President and CEO, FCA; and Steve Chassman, Executive Director, Long Island Council on Alcoholism and Drug Dependence (LICADD).

Press Conference Remembers Long Islanders Lost to Overdose

Family & Children’s Association (FCA), one of Long Island’s largest nonprofit health and human services organizations on Long Island, hosted its annual International Overdose Awareness Day event and press conference on Aug. 30 at its THRIVE Recovery Community and Outreach Center in Hauppauge.

The room was filled with families and friends of those lost to this public health epidemic, people in recovery, social workers, government officials, and the press. The morning’s agenda included a call to action, updated overdose statistics, testimony from community partners, firsthand remembrances and tributes from a variety of speakers, and Narcan training. The event closed with a candlelight vigil and a name reading of those lost to an overdose in the past year.

According to the CDC, between March of 2023 and March of 2024, the reported number of drug overdose deaths decreased by approximately 9.4%, from 110,082 to 99,684, while the predicted number of deaths also saw a decline of about 7.5%.  Compared to the previous year, March 2022 to March 2023, in which there was a slight increase in reported and predicted deaths.  There is still much work left to be done.

International Overdose Awareness Day, traditionally observed on the last day of August, aims to raise awareness of this critical public health issue, end overdose, honor without stigma those who have lost their lives, acknowledge the grief of families and friends, and encourage action and discussion on evidence-based overdose prevention and drug policies.

Speakers at the event included Jeffrey L. Reynolds, PhD., FCA President and Chief Executive Officer; Steve Chassman, Executive Director, Long Island Council on Alcoholism and Drug Dependence (LICADD); Anthony Rizzuto, Alcohol and Substance Abuse Counselor of Seafield Center; Alana Urbont Marino, Director of Community Engagement, Human Understanding & Growth Services, Inc. (HUGS, Inc.); and Dr. Edmond Hakimi, Medical Director at Wellbridge. Victoria “Tori” Sholl spoke about the struggles of her daughter, Jessica and how it affected her entire family. Today, Jessica is in recovery and works as a Certified Recovery Peer Advocate and Program Supervisor in FCA’s Sherpa program, meeting with individuals and families within hospitals and the community who are struggling with Substance Use Disorder.

“Our hope is that this event is meaningful, informative, emotionally charged and ultimately healing for those who attend,” said Dr. Reynolds. “Our goal is always to end this epidemic and eliminate the need for an International Overdose Awareness Day.”

THRIVE envision a community that fosters health, safety, and support for individuals at every stage of recovery. The staff & volunteers assist individuals and families in finding, sustaining, and enhancing their recovery through peer-based support, resource and referral services, and interactive educational programs. They also provide a safe and welcoming environment for substance-free recreational and social activities.

Family & Children’s Association (FCA) leads the operations and oversight of THRIVE Recovery Community and Outreach Center in partnership with the LICADD, LIRA, Families in Support of Treatment (F.I.S.T.), and HUGS, Inc.. THRIVE is funded by the NYS Office of Addiction Services and Supports (OASAS) and through private contributions.

About FCA

FCA is a not-for-profit agency helping more than 35,000 Long Islanders each year. For 140 years, the organization has worked to protect and strengthen vulnerable children, seniors, families, and communities on Long Island.

FCA believes in the potential of Long Island – a place where no child, senior, family or community is left to struggle alone with barriers to health care, education, employment, or economic prosperity. Long Island continues to be one of the greatest places in the world to live and raise a family for many; FCA exists to ensure that be the case for all.

For more information about FCA, visit www.fcali.org

Pixabay photo

By Daniel Dunaief

Benjamin Luft. Photo courtesy of SBU

They bother us, particularly in the summer, but they don’t need us.

The 23 species of Borrelia bacteria, which cause Lyme disease, have been around for millions of years, dating back to when the continents were all linked together like pieces of a puzzle in Pangea. The bacteria likely infected early mammals in those days.

In a recent paper in the journal mBIO, researchers from over 12 institutions put together the genetic sequence of these bacteria, which include 47 strains.

The scope of the work “was enormous and we were lucky” to have so many dedicated investigators, said Ben Luft, Edmund D. Pellegrino Professor of Medicine at the Renaissance School of Medicine at Stony Brook University, including lead senior author Weigang Qiu, Professor of Biology at Hunter College of the City University of New York.

The work, which took about a decade to complete, could provide a valuable resource to researchers and doctors today and in the future. The genetic information could lead to advances in diagnostics, treatment and prevention of Lyme disease.

Scientist could use the database to compare the genomes of different species and variations that cause different symptoms to help diagnose the likely severity of an infection as well as to search for specific pathways that lead to the virulence of an infection.

Some infections can lead to fever, headaches, fatigue and a skin rash. Starting with the bite of an intermediate host such as a tick, these infections, when left untreated, can lead to problems in the joints, heart, and nervous system.

The number of new cases of Lyme disease each year has been climbing, reaching close to 500,000 per year in the United States.

Researchers added that creating a genetic catalog of the different bacterial species can also help current and future scientists and doctors manage new threats from strains of bacteria that move into new areas amid climate change.

These species haven’t interacted with each other in the past, but climate change may create opportunities for bacteria to create recombinant genes, presenting new threats to human health.

“You may start seeing things that you didn’t see before,” said Luft. “We don’t know what’s going to happen” amid climate change. “There might be new forms” of Lyme disease.

The challenge with Lyme is not necessarily what happens in 2024, but how it might change in 20 years, when organisms develop a new pathogenicity.

Lyme on four continents

An international team of researchers sequenced the genomes of many species of Borrelia, the cause of Lyme disease. By comparing these genomes, the researchers reconstructed the evolutionary history of Lyme disease bacteria. The map shows many of the global regions where the team sequenced a species. Borrelia burgdorferi, the most common cause of disease, is indicated in red. Other species are indicated by different colors. Image created by Saymon Akther

In addition to generating a database of the Lyme disease bacterial genome, the researchers wanted to develop an understanding of its phylogenetic history.

“The goal really was to show how genetically diverse Borelia is throughout the world,” said Luft.

The researchers gathered genetic data from this bacteria, which was sampled in Europe, Asia, and North and South America.

By collecting the genetic information in each of these locations, the scientists were able to recreate the history of a bacteria that’s lasted considerably longer than many other organisms that have since become extinct.

“The genetic make up (genes and plasmids) hasn’t changed very much since the last common ancestor on Pangea (otherwise we would see different sets of genes and plasmids from different continents),” explained Qiu.

An extensive collaboration

Qiu and Luft were grateful for all the work scientists around the world did to contribute to this study.

On Long Island, Lyme disease is transmitted mainly by the bite of an infected deer tick, also is known as the black-legged tick.

The team of Claire Fraser and Emmanuel Mongodin at the University of Maryland School of Medicine and Richard G. Morgan of New England Biolabs helped use next generation sequencing to determine the bacterial genome.

Indeed, Fraser was the first to map the complete genetic code of a free-living organisms. She worked with the Haemophilus influenza, which causes respiratory infections and meningitis in infants and young children, according to the University of Maryland School of Medicine.

Qiu, who earned his Phd from Stony Brook in 1999, suggested that the effort required regular, ongoing work. He supervised Dr. Saymon Akther for her thesis work, which was the basis of the paper. He also performed additional evolutionary analysis.

“For the past two years, we have been having weekly meetings on zoom,” said Qiu. “It’s a big relief” that the researchers published the study and shared the information with the scientific community.

Qiu credited Luft with being a consistent coordinator of the sequencing effort and diversity study for over 20 years.

The next steps

At this point, Luft and his colleagues are eager to share the information with the broader scientific community.

The researchers hope experts in artificial intelligence, bioinformatics and computer programming can use the data to understand more about the genome and develop potential therapeutic targets.

Luft is eager to see “how smart people take advantage of a decade’s worth of work that has been very carefully done, to move it all forward,” he said. “We have certain ideas that we are doing” to fill in the gaps.

Qiu has some existing grants he’s using to work on diagnostics and vaccine development.

Qiu, along with chemistry-department colleague Brian Zeglis, and Lyme diagnostic/ vaccine researcher Maria Gomes-Solecki, has a joint NIH/ NIAID grant to develop a novel PET-based technology to detect Lyme pathogens in vivo. They have also proposed a new Lyme vaccine design strategy.

Additional sequencing of the variable plasmid, which is not a part of the chromosomal DNA but can replicate independently, would continue to help determine what genetic codes contribute to the level of virulence for each strain or species.

“That’s like the last mile for the communication network,” said Qiu. The challenges include annotating the genomes, providing comparative analysis and using informatics development to share the genome variability with the research community.

Jian Li

Stony Brook University Assistant Professor Jian Li, from the Department of Applied Mathematics and Statistics and the Department of Computer Science, was recently awarded a U.S. National Science Foundation (NSF) Early CAREER award for his project, “CAREER: Structured Learning and Optimization for Efficient Management in the Wireless Edge Cloud: Theory and Algorithms.”

“This project aims to bridge the gap between prevailing graph-based job services and wireless edge cloud designs via advocating structured learning and optimization solutions with provable performance guarantees,” said Professor Li. “The results will enhance the performance of wireless edge networks for distributed computing loads. At the same time this project develops fundamental theories that pertain to the area of machine learning, specially to reinforcement learning and distributed learning.”

According to the National Science Foundation, NSF CAREER Awards support early-career faculty with the potential to serve as academic role models in research and education and to lead advances in the mission of their department or organization.

“These awards are extremely competitive and are selectively given to the nation’s most promising researchers. We are very proud of Jian,” said Professor Joe Mitchell, chair of the Department of Applied Mathematics and Statistics. “Professor Li’s project seeks to improve our fundamental understanding in areas of reinforcement learning, optimization, and scheduling, with potential broader impacts in the performance and responsiveness of edge and cloud computing, which is a core technology we all rely upon, especially for the ever-expanding suite of AI tools that have become an integral part of our daily lives.”

Li earned his doctorate in computer engineering from Texas A&M University in 2016 and his bachelor of engineering from Shanghai Jiao Tong University in 2012. He was a postdoc with the College of Information and Computer Sciences, University of Massachusetts Amherst from 2017 to 2019 and an assistant professor at Binghamton University before joining Stony Brook in 2023.

A scene from 'Checkpoint Zoo' which will be screened on Oct. 17.

By Tara Mae

Like the next chapter in an ongoing serial, the Port Jefferson Documentary Series (PJDS) returns with new tales to tell in its fall season. Running on select Thursdays between September 5 and November 7 at 7 p.m., seven distinct films explore the strands of connection that galvanize and unite people despite social, economic, and geographic divides.

Held at a new location, the First United Methodist Church in Port Jefferson, the screenings explore interpersonal relationships, honed in common cultures or communal responsibility. 

“When the program began to take shape, that celebration of community became apparent and guided this season’s curation process,” PJDS co-chair Kelly DeVine said. 

Following the documentaries, there will be Q&A sessions between patrons and guest speakers associated with the films’ productions or subject matter.  

Tom Needham, executive producer and host of “Sounds of Film” on WUSB, will reprise his role of moderator for four of the films, leading post-viewing discussions. The moderators of the other three films have yet to be announced. 

This personable exchange invites deeper understanding between artists and attendees, both in intent and practice. 

“There is a theme running through all seven films despite coming from different continents and approaches. That theme is the importance of community and small “d” democracy — citizen engagement and agency,” DeVine said.

Sponsored by Maggio Environmental; Metal Masters; Covati & Janhsen, CPAs; Port Jeff Storage; and the accounting firm of Saranto Calamas, CPA with support from Suffolk County and the Greater Port Jefferson-Northern Brookhaven Arts Council, the Series begins with Happy Campers which chronicles families, both found and of blood, choosing to enjoy the last days in a blue-collar summer colony as they contend with their imminent eviction from the seasonal trailer park that has been sold to developers.

One Person, One Vote? investigates the complications and intricacies of the apparently enigmatic Electoral College as it follows four presidential electors of different parties during the 2020 presidential election. 

Join or Die traces the devolution of the United States’ civic structure over the span of 50 years, through the lens of scientist Robert Putnam’s career and research.

Invisible Nation provides uncommon access to Tsai Ing-wen, the first woman President of Taiwan, and examines the delicate balance she must maintain between the interests of China and the United States. 

Checkpoint Zoo depicts the residents of the Feldman Ecopark animal rescue in Ukraine as well as the courageous zookeepers and volunteers who risk their lives to save the nearly 5,000 creatures from the crosshairs of conflict during the early days of Russia’s invasion of Ukraine. 

It’s Basic traces the expansion of the Guaranteed Basic Income program and how, as it gains popularity, it attracts pushback amidst increasing social and economic disparities. 

Searching for Amani chronicles the journey of 13-year-old Kenyan aspiring journalist Simon Ali who, with the help of his best friend Haron, investigates his father’s mysterious death. 

(For dates and times, please see Film Schedule below)

“Documentaries provide a unique perspective on real-life events and issues, allowing us to learn about the world beyond our own experiences. We can learn about places and people we know just a little about or get a more in-depth look at issues or people or subjects,” PJDS co-chair Wendy Feinberg said.

This season’s nuanced community focus on the screen aligns with the community cohesion behind-the-scenes. Shared passion for a story well-told continues to inspire the team that produces PJDS.  

“What intrigues me is the sense of discovery that dawns when you see a film that opens up a puzzle, reveals a hidden world or unwraps the interior life of someone fascinating,” PJDS co-chair emeritus Lyn Boland said.  

Pre-screened by PJDS’ film board and a selection of long-time volunteers, the documentaries, which this season were chosen by DeVine and co-chair Wendy Feinberg, elucidate as they entertain. 

“For 20 years I have watched documentaries with a critical eye, searching for what I thought would be a perfect fit for our audience. I looked for the basic elements: does it tell a story, what can I learn from it, is there a balance between talking heads and a good narrative,” PJDS community outreach coordinator Barbara Sverd said.

Such attention to detail and dedication extends beyond the board, consisting of DeVine, Boland, Sverd, and Feinberg. 

“We could not put on our fun, friendly events without our amazing volunteers Yvonne Lieffrig, Denise Livieri, Honey Katz, Suzanne Velazquez, Ronnie Levy, and Lise Poulos along with our tech wizard, Jeuel Bryant,” DeVine said. 

With a steadfast support system, PJDS’ upcoming season is a multifaceted testament to the ambition, artistry, and acumen found when a group of individuals come together in support of a common cause.  

“Programming for the film series rests on curating work that resonates with our audience and which lends itself to connecting our audiences to a meaningful communal experience,” DeVine said.

Film Schedule:

 

◆ The Fall 2024 season kicks off with a screening of Happy Campers on Sept. 5. The film chronicles the final days of a working-class summer colony in a scrappy trailer park that just happens to hold the secret to a rich life. When their affordable paradise is sold to developers, the residents brace for eviction and the loss of friendships that span generations. Guest speaker will be Director Amy Nicholson.

One Person, One Vote?, to be screened on Sept. 12, unveils the complexities of the Electoral College, the uniquely American and often misunderstood mechanism for electing a president. Panel discussion including Maximina Juson, the director, and Nancy Marr from the League of Women Voters to follow.

◆ Next up is Join or Die on Sept. 26, a film about why you should join a club … and why the fate of America depends on it. In the spirit of the film’s theme, the PJDS will host various local volunteer & civic groups to join in conversation about our community. Please consider bringing a small dessert to share. Bring a sweet, make a new friend and join a group!

◆ After a brief hiatus, the season continues with Invisible Nation on Oct. 10. With unprecedented access to Taiwan’s sitting head of state, director Vanessa Hope investigates the election and tenure of Tsai Ing-wen, the first female president of Taiwan. Q&A discussion to follow.

Checkpoint Zoo on Oct. 17  delves into the gripping account of a daring animal rescue that unfolded during the early days of the Russian-Ukrainian War, where over 5,000 animals were trapped in a besieged Feldman Ecopark. Panel discussion to follow including the director Joshua Zeman on Zoom.

It’s Basic on Oct. 24 brings the issue of Guaranteed Basic Income (GBI) to national light by following the progress of the program against a backdrop of widening income gaps, politics, and growing social concern. Panel discussion to follow with coordinating producer Elizabeth Sehring.

◆ The season concludes with the heartfelt Searching for Amani on Nov. 7. In the heart of Kenya, a tragedy shatters a young boy’s life. Simon Ali, 13, finds himself in a world of mystery when his father, a respected conservancy guide, is found dead under suspicious circumstances. Armed with his video camera and an unwavering desire for truth, he embarks on a perilous journey to uncover the secrets behind his father’s demise. Panel discussion to follow.

All films begin at 7 p.m.

Tickets to the PJDS fall season are $10 adults and $5 students. Season passes are $58 each. First United Methodist Church is located at 603 Main Street, Port Jefferson, 11777. For more information, visit portjeffdocumentaryseries.com.

Nathan Dean and the Damn Band returned to Smithtown for an unforgettable  end of Summer Country Music concert at Callahan’s Beach. On Saturday, August 24th, 2024, the parking lot and camp grounds were transformed into an outdoor concert venue, as Nathan Dean and The Damn Band made Smithtown the last stop on their coast-to-coast Unsupervised Tour.

The free concert was sponsored by Cosentino Companies, and organized by David Capo in conjunction with Smithtown Supervisor, Ed Wehrheim, the Town Council, the Parks Department and Public Safety. Local families packed the parking lot with tailgate-style picnic setups, while residents wishing to be closer to the band, set up beach chairs and blankets to enjoy the live performance. The Show was emceed by David Capo.

“We were ecstatic when we learned that Nathan Dean and the Damn Band wanted to return to Smithtown. We were doubly blessed when Cosentino Companies generously agreed to sponsor the cost of the event for the second year running, so the community could enjoy a great show absolutely free. I’d also like to thank and acknowledge David Capo, who originally introduced us to the band, in addition to the Parks Department, Public Safety and local foodie favorites Ralph’s Famous Ices and Philly Pretzel Factory. This band is the real deal… They had us all dancing under the stars as the sun set on our gorgeous newly renovated Callahan’s Beach. Kids were playing in the new playground area, while friends found a great spot up by the campgrounds. It was a much needed break after dealing with a week of cleanup and storm damage. Everyone had a blast and I look forward to planning their return next Summer,” said Supervisor Ed Wehrheim.

About Nathan Dean and the Damn Band 
Nathan Dean: Lead Singer and Guitar, Jason Judd: Lead Guitar and Back up Vocals, Bill Bogan: Drums and Back up Vocals, Chris Duke: Bass
Founded in Arizona in 2005, Nathan Dean and the Damn Band are a prime example of hard work paying off. Playing well over 200 shows a year and regularly touring across the country they’ve gone from a weekend warrior bar band to a high energy, crowd pleasing, headlining band, thanks mostly to their drive and their incredible fan base. From catchy and heartfelt originals to country/rock and pop favorites, once you see a show you’ll understand why they’re one of the most sought after bands on the touring scene right now. They’ve shared the stage with artists like: Dylan Scott, LOCASH, Big and Rich, Cody Johnson, Randy Rogers Band, Diamond Rio, Eric Church and countless others… They were recently nominated for 3 Josie awards in 2021 for Entertainer, Artist and Group of the year.

 

Naomi Ackie in a scene from 'Blink Twice.' Photo courtesy of Amazon MGM Studios

Reviewed by Jeffrey Sanzel

After nearly twenty years of high-profile performances (including multiple franchises), actor Zoë Kravitz makes a first-rate directorial debut with Blink Twice. 

Channing Tatum and Naomi Ackie; below, Ackie in a scene from the film.
Photo by Carlos Somonte, Amazon MGM Studios

Kravitz collaborated on the screenplay with E.T. Feigenbaum, a writer from her 2020 Hulu series, High Fidelity. They have created an interesting, edgy, slightly over-long film that nods to The Most Dangerous Game and, more recently, The Hunt. Blink Twice focuses on intertwining issues of memory and power, but the foremost thread is the abuse of women—specifically by rich, white men. While in this context taken to the extreme, the film makes the point no less honest and valuable. 

The opening image of Frida (Naomi Ackie) scrolling through her phone while sitting on the commode perfectly presents her dead-end life. “I need a f— vacation,” she says. This prescient statement provides layers of pay-off.

She and her best friend, Jess (Arrested Development’s Alia Shawkat, in a grounded performance), cater-wait at tech billionaire Slater King’s (Channing Tatum) pretentious high-end gala. After a “meet cute”—that is anything but—King invites the pair to his island. Arriving by private jet, the entourage of King and his buddies and a gathering of young, attractive women land in paradise for days of eating, drinking, bathing, and drugs. Literally, there is “a tsunami of champagne.” 

Stripped of any outside world connection (including the ubiquitous cell phones), continual and unchecked hedonism ensues. The unbridled existence is emphasized by the women’s apparel, diaphanous white dresses provided by their host; these further King’s bacchanalian environment. For nearly forty minutes, Kravitz presents endless days of relaxation, meals of detailed extremes, and nights of excess. 

While the view of no one wanting the trip to end, Frida’s reality begins to jar. The new refrain is that “something is wrong with this place.” This, coupled with the idea that the ability to forget is a gift, spurs the latter half of the film. Indigenous serpents, mysterious perfume, and the shadowy natives serving the guests become increasingly important. The turning point is Jess being bitten by one of the snakes. The film kicks into high gear, building to terrible revelations in the final twenty minutes. The violence is appropriately brutal and relentless and cannot be unseen.

While the plot has been explored in various incarnations, Kravitz shows great skill, imbuing every scene with low-boiling tension. Even the brightest sunlight and the clearest swimming pool project an atmosphere of dread. She employs often-trod tropes—a creaking door, a stack of hidden Polaroids, a particularly sharp knife—but nothing seems gratuitous. Even the omnipresent red gift bags project a menace.

Naomi Ackie in a scene from ‘Blink Twice.’ Photo courtesy of Amazon MGM Studios

Ackie beautifully arcs Frida from uncomfortably passive to a resourceful and righteous warrior. She is matched by the extraordinary Arida Arjona, as Sarah, a C-list celebrity from a “babes-as-survivors” reality show. The adversarial relationship underlies the point that society pits women against women. When the situation shifts, so does their dynamic; together, they own the film’s final stretch. Tatum (in seemingly Brad Pitt mode) is appropriately slimy, if a bit obvious, as the mogul. However, his take on forgiveness provides a brief but pointedly disturbing monologue; he is also effective in King’s flashes of doubt. 

The supporting cast, including Simon Rex, Liz Cabel, Levon Hawke, Trew Mullen, and Haley Joel Osment, serve their functions and play the few notes provided with ease and abandonment. Christian Slater turns in a familiar performance. Likewise, Kyle MacLachlan’s cameo as King’s therapist harkens to much of the actor’s earlier work. However, Geena Davis, as put-upon assistant Stacy, has one of the most memorable and alarming moments in the entire film. 

Blink Twice’s original title directly referenced the #MeToo movement, but presenters balked, and Kravitz changed the title to the more benign moniker. While initially resisting, she eventually embraced the reality that “we’re not there yet. And I think that’s something I have the responsibility as a filmmaker to listen to.”

While the film would have benefited from judicious cuts to the one-hundred-and-fifty-minute running time, Adam Newport-Berra’s exceptional camera work and Kravitz’s smart, taught direction build to a thrilling climax. She slyly introduces gallows humor when the story turns darkest, and her resolution borders on brilliant. 

While Blink Twice is not perfect, it is strong, riveting, and significant. It also heralds Kravitz as a significant new filmmaker who earns the titles of up-and-coming and accomplished.  

Rated R, the film is now playing in local theaters.

Jay Ungar and Molly Mason will headline this year's festival.

By Melissa Arnold

As summer begins to wind down, September ushers in what could be considered the best of the season: Mellower weather, cooler nights, and still plenty of time for outdoor fun.

Benner’s Farm in East Setauket is an ideal spot for celebrating all things Americana when the Fiddle and Folk Festival returns on Sunday, Sept. 8.

Historical records show that the 15-acre property has functioned as a working family farm as far back as 1751, if not earlier. Seven families have called it home since then, with schoolteachers Bob and Jean Benner purchasing the property in 1974.

The concert line-up will include Eastbound Freight Bluegrass — John Brisotti on mandolin; Dave Thompson on guitar; Bill DeTurk on banjo; Bill Ayasse on fiddle and Bruce Barry on bass — who will be joined by two former members, singer Gene Yellin and fiddler Bill Christopherson.

Today, Benner’s Farm provides a much-needed respite from the frenetic pace of life on the North Shore. Visitors can enjoy the grounds and say hello to the sheep and goats, chickens and ducks, and Tippy the cow. 

The Fiddle and Folk Festival was held for many years at the Long Island Museum in Stony Brook. When those festivals were discontinued, Bob Benner found that he really missed attending.

“We’ve always had a love for music on the farm, whether that’s contra dancing or welcoming musicians to come and play,” Benner said. 

At the Long Island Museum, a William Sidney Mount painting of a fiddler at a barn dance (“Dance of the Haymakers”) captured Benner’s imagination. And with a little encouragement from the late Gerry Riemer of WUSB Radio in Stony Brook, Benner made plans to reboot the festival on the farm.

In the years since then, the Long Island Traditional Music Association, Homestead Arts and the Greater Port Jefferson-Northern Brookhaven Arts Council have helped Benner connect with a wide variety of folk, bluegrass, blues and roots musicians.

“The folk community might be smaller than others, but they are global and well-connected to each other,” said Amy Tuttle, the arts council’s program director. “I’ve gotten to know many performers simply through word of mouth from other musicians. They are all creative spirits that are excited to get to know new people, including their audiences.”  

This year’s festival has four performance spaces situated around the farm, each with its own unique vibe. The heart of the action is on the Back Porch, a gorgeous hillside where headliners and larger groups will perform.

Headlining this year’s festival are Jay Ungar and Molly Mason, a married duo best known for their expressive roots tunes. Ungar’s Grammy Award-winning song “Ashokan Farewell” gained notoriety as the theme for the acclaimed Ken Burns documentary The Civil War.

The Sugar Maple Barn will host fiddle and banjo duo Brian Chabza and Bill Ayasse, plus the anticipated “Pick of the Crop” competition, where hopeful performers can step up to the mic. Impress the judges and you could be invited to play on the Back Porch. Keep your ears open for last year’s contest winners, Toby Tobias and Suzanne Ernst, as they make their Big Porch debuts.

If you have musical talent but don’t want to compete,  the open mic “stage”— actually a 100-year-old Model T truck — awaits. And if you’re looking to jam with a group or sing along in the audience, head to the Shady Grove, an acoustic spot featuring the Eastern Long Island Old Time Jam. Beginners and seasoned performers alike are encouraged to pull up a chair and play.

Emceed by Bob Westcott, the lineup will also include The Roger Street Friedman Band, Claudia Jacob’s Say Hey Crew, and Eastbound Freight, among others.

Hot dogs, hamburgers and other picnic fare will be available for purchase. Kids can explore activities just for them, or take the whole family on a nature walk.

The festival is a fun opportunity to get some fresh air and explore new types of music you might not hear all the time, Tuttle said.

“The Fiddle and Folk Festival celebrates Americana in a number of forms, from very traditional old time sounds to contemporary songwriters putting their own spin on traditional instruments, or even Americana interpreted by people from other parts of the world. It’s all different, depending on how the artist approaches the music. You’re not going to be listening to six hours of the same thing,” she explained. “The performers care so deeply about the community and come out to intermingle and talk to people. There’s no ‘wall’ between the audience and the performers.”

As the day draws to a close and the sun begins to set, Benner said there’s nothing like listening to the music play on as the sun filters through the trees, filling the Back Porch area with amber light.

“It’s such a treat for me to do this every year, right here in my own backyard,” he said. 

The 12th Annual Fiddle & Folk Festival will be held at Benner’s Farm, 56 Gnarled Hollow Road, East Setauket on Sept. 8 from 11 a.m. to 6 p.m. Tickets in advance are $22 adults, $18 seniors and $10 for children; tickets at the door are $25 adults, $22 seniors and $12 for children. Bring seating. For more information or to purchase advance tickets, visit fiddleandfolk.com or call 631 689-8172.

Photo courtesy of the Suffolk County Vanderbilt Museum

FOR THE LOVE OF A GOOD BOOK

Long Island LitFest presented an evening with Jodi Picoult at the Suffolk County Vanderbilt Museum in Centerport on Aug. 20. The sold-out event, which was moderated by Broadway star Arielle Jacobs, drew hundreds of excited fans to the courtyard at the Eagle’s Nest mansion to hear the bestselling author talk about her latest book, By Any Other Name. Between the autographed books and photos with Picoult, everyone left with a smile. Pictured above, author Jodi Picoult (left) and moderator Arielle Jacobs with fans. 

Photo by Ben Hartschuh, GH Prime Media

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