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Tara Mae

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Photo courtesy of Theatre Thre

By Tara Mae

Peace, love, and music!  Time to get your groove on and party like it’s 1969 when “Woodstockmania: Woodstock in Concert” returns to Theatre Three, 412 Main Street in Port Jefferson. The tribute concert will take the stage for the first time since 2019 on Friday, August 16, and Saturday, August 17 at 8 p.m. 

Its 17-member band includes ten instrumentalists and eight individual vocalists singing at least two songs each, covering music from the original 1969 Woodstock lineup — an experience so organically soulful its reverberations are still felt today. 

“Woodstock performances have become part of the fabric of Theatre Three. This is a group of outstanding musicians…It’s extraordinary to see these exceptionally talented artists brought together,” said Theatre Three’s Executive Artistic Director Jeffrey Sanzel.

Held on the 55th anniversary of Woodstock, “Woodstockmania” features approximately 34 numbers from 21 of the artists who played the stage at Max Yasgur’s dairy farm in Bethel, New York, including Jimi Hendrix; Sly and the Family Stone; The Who; Grateful Dead; Janis Joplin; Jefferson Airplane; Country Joe and the Fish; Crosby, Stills, Nash & Young; The Band; Santana; Sweetwater; Creedence Clearwater Revival; Joan Baez; and Joe Cocker.

“This music is from a highly creative time in our culture. There was so much varied music to become attached to; everyone could find something that resonated with themselves,” Musical Director Michael Chiusano said. 

More than just a harmonious homage, “Woodstockmania” is a musical tribute to the passionate artists whose creative contributions continue to inspire today. 

Having not performed “Woodstockmania” together in 5 years, the show is an opportunity to reconnect with friends as they honor the woman who first brought many of them together: Theatre Three’s longtime musical director Ellen Michelmore, who passed away in 2016.

“It’s a reunion of friends that have been through the fire together…Mostly though, it’s a tribute to Ellen; to keep the memory of her fresh in our minds and hearts. She was a special lady,” Chiusano said. 

Michelmore developed “Woodstockmania” from Summer of ‘69: Return to Woodstock, which she co-created with Bill Van Horn. The original musical, using songs performed at the Woodstock festival, was a hit for Theatre Three and had an off-Broadway run. 

Following that success, Michelmore organized annual Woodstock tribute concerts. After her death, the show was dubbed “Ellen Michelmore’s Woodstockmania,” according to Sanzel.

While Chiusano has added other songs and musical numbers to the show, much of its repertoire was originally chosen by Michelmore. 

Eight of the songs have been in every incarnation of the show: “Going Up the Country” by Canned Heat; “Somebody to Love” and “White Rabbit” by Jefferson Airplane; “Dance to the Music” by Sly & the Family Stone; “Star Spangled Banner” as done by Jimi Hendrix; “The Weight” by The Band; “Piece of My Heart” by Janis Joplin; “With a Little Help from My Friends” as done by Joe Cocker. 

“That era, roughly 1965 to 1975, was the golden age of pop music. It will never be like that again. I also believe that people need to be reminded of all the great tunes there were,” Chiusano said.

Tunes are not the only entities enjoying this encore; the musicians recognize it as an opportunity to embrace an era that still enraptures performers and patrons. 

“Everyone who’s ever been involved in the production always remembers it fondly when they talk to me…we’re thrilled to be a part of it,” said Theatre Three’s Artistic Associate/Director of Development Douglas Quattrock. An original company member of Summer of ‘69: Return to Woodstock, he is now in the “Woodstockmania” band as the emcee and a vocalist. 

Such consistency underscores the steadfast surety of music. Personal classics and timeless songs are the soundtrack to our lives, dependable narrators of enduring emotions. In this shared language, “Woodstockmania,” is a dialect understood by artists and attendees. If “Woodstockmania” is a celebration of legacy and life, it’s main theme may be appreciating community synchronicity. 

“I think the legacy of the show over the years is that it has brought so much joy and kept so much wonderful music alive for the audiences in our area,” Quattrock added.

“Woodstockmania” is part of Theatre Three’s annual Summer Concert Series that includes special one or two night only performances on its main stage. Tickets are $65 per person. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

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'The Light' by Barry Bernstein
'Mystical' by Barry Bernstein
'Sherwood-Jayne Farm' by William Hammer,

By Tara Mae

Behold the beauty as seen through another’s eyes with the Port Jefferson Photography Club’s (PJPC) exhibit, Through the Camera Lens, at Emma Clark Library, 120 Main Street in Setauket. 

On view through the month of August, the exhibit features approximately 30 photos by club members Ralph Baldasarra, Barry Bernstein, Wendy Beaton, Michael Boren, William Hammer, Terry Murphy, Kathy Pisculli, Darlene Prowse, Anneliese Scheef, Irene Stern, C. Visconti, and Peter Willstein.

Housed on the walls of the library’s new Level Up Kitchen Library Café on the first floor next to the reference desk, all images in Through the Camera Lens have a card that lists the title of the photo, the photographer’s name, and contact information. Many of these photos are for sale; visitors are encouraged to contact the photographer if interested in purchasing a photo. 

The images illuminate a spectrum of perspectives and personalities, taking the viewer on a tour of instances and ideas.

“We have such a diverse, well-traveled membership that we ask members to display what they would like to share with the audience. Travel, black & white, landscape, architecture, animals, portraits, etc,” said Prowse. 

A variety of outlook and style enables attendees to see the world from individual points of view: common sights may reveal uncommon insights and fleeting moments are made forever spellbinding. 

“It gives us an opportunity to share with others the places we have been, the way we see the world and our creativity in unusual and artful creations,” Prowse added. “It is like sharing a family photo album with someone who is really interested in what you are showing them. It is also an affirmation of the work we have put into creating an image.”

Satisfaction comes from sharing their passion not only with each other, but the public. To this endeavor, the PJPC seeks to exhibit its work in community spaces as a means of connection.

Now in its 12th year, the club has an ongoing installation at Port Jefferson’s Pasta Pasta restaurant which changes seasonally. Among other accolades, its booth won first place at a recent St. James Art Walk. And PJPC has also displayed work at Gallery North’s Outdoor Art Show in Setauket, Watermark Galleries in St. James, and Bayport-Blue Point Public Library in Blue Point.

August’s show at Emma Clark Library follows July’s exhibit at the Port Jefferson Village Center. Having both personal and pragmatic benefits — friendships, greater exposure, and refinement of craft — the library exhibit is the members’ latest foray into artistic communication with an audience and one another.

“…it shows that our area has an interest in the arts and appreciates local clubs and organization involvement. Hopefully, this will encourage others to show an interest in the PJPC,” Prowse said. 

In addition to its community involvement, PJPC cultivates its artistic presence in part by facilitating its social network. The club hosts monthly lectures and goes on monthly field trips, visiting museums, beaches, New York City, etc. for group bonding, motivation, and inspiration.

“Photography gives me a chance to be creative and I love to show off my work…I love the social aspect of it,” said the Club’s Vice President Barry Bernstein.

Participating in the organization allows its members to focus the poetic precision of photography while benefiting from the camaraderie of a shared passion. It galvanizes participants to hone their craft and nurture their artistry.

“What I think is most rewarding about photography is the ability to capture a moment in time; to be able to freeze a moment of a bald eagle flying, to capture the colorful sunrises or sunsets, and to add my own creativity to what I photograph. It can be done anywhere, at anytime, with a group of people or by myself,” said PJPC President Anne DePietri.

The PJPC is committed to nurturing the creative nature of its members. Its outreach endeavors are part of a diligent effort to foster imaginative understanding and entice an engaged network. 

“Belonging to a group is so inspiring. There might be a day that is gloomy and I’m not motivated to go out and find something interesting to shoot. It helps to know that my fellow members are expecting me to present something I looked at in a different way and made an interesting photo,” Prowse said 

From those presentations, PJPC expands dialogue to move behind the club: its exhibit at Emma Clark Library is broadening the conversation between artists and audience, inviting individuals not only to observe but to partake in the process.

Photographers of any level are invited to join PJPC, which meets on the second Tuesday of the month at Port Jefferson Free Library and on the fourth Tuesday of the month over Zoom.

“We welcome new members who want to explore photography or enhance their skills,” Prowse said. “Belonging to a group is so inspiring.”

For members of PJPC, getting to show their work with their community is as gratifying and a source of continuous encouragement.

“I think one of the most rewarding parts of being a member of the Port Jefferson Photography Club is the non-judgemental support of everyone and the eagerness to share and learn from each other,” DePietri said.

To learn more about the PJPC, visit portjeffphotoclub.org or email [email protected].

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'Right and Left,' 1850, by William Sidney Mount Image courtesy of the LIM
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'Right and Left,' 1850, by William Sidney Mount Image courtesy of the LIM
Portrait of Captain Jonas Smith by William Sidney Mount. Image courtesy of the Long Island Museum
Portrait of the Mount family. Image courtesy of the Long Island Museum
'Self Portrait with Flute', 1828, by William Sidney Mount. Photo courtesy of Long Island Museum
'The Banjo Player,' 1856, by William Sidney Mount Image courtesy of LIM

By Tara Mae

Art is more than a communion between artist and audience. It is a point of entry into understanding the past, assessing the present, and perhaps even informing the future. A Noble Art: A New Look at the Portraits of William Sidney Mount on display at Long Island Museum’s Art Museum (LIM) through December 15, examines this dynamic through a 27-piece exhibit.

Considered to be the premier American genre painter, William Sidney Mount (1807-1868), who was born in Setauket and spent much of his time in Stony Brook, was a prolific portraitist who expressed the emotional essence of a person and period. 

Mount’s first solo show at the LIM since 2018, A Noble Art encompasses paintings, lithographs, drawings, correspondence, and other artifacts from the 19th century Long Island artist.

“Not many museums in the country have this depth of materials for a single artist, including personal effects…The exhibit showcases rich archival materials and works,” said Joshua Ruff, Co-Executive Director at the LIM and the curator of this exhibit.

LIM houses the largest repository of Mount materials.  A Noble Art spotlights prize items of its collection, such as Right and Left, which has been displayed in previous shows, as well as four pieces that have not previously been on public view at the museum. Among that selection are portraits of Long Island’s reputed first millionaire Captain Jonas Smith and his wife Nancy Williamson Smith, acquired by the LIM at auction in 2022. 

In addition to new acquisitions, the exhibit also reflects new information gathered in the ongoing scholarship about the 19th century Long Island native’s work, particularly his portraiture and its subjects. 

“Our Mount artwork and artifacts are the jewels of our collection — something we are really fortunate to have. It has been a long time since we had an exhibit focused on Mount’s portraiture,” Ruff said. “There have been some changes in research and improvement of knowledge about the portraits’ subjects, so it feels like time to introduce them to visitors.” 

A primary motivating factor for assembling this exhibit is the new details that have been excavated about the individuals immortalized in Mount’s paintings. In recent years, especially with the publication The Art of William Sidney Mount: Long Island People of Color on Canvas by Katherine Kirkpatrick and Vivian Nicholson-Mueller, particular attention is being paid to the Black and Indigenous people who Mount represented rather than caricatured.

“These are sensitive, not stereotypical portrayals…when you really look, there is a lot going on, like subtle symbolic references to the backgrounds of his subjects and nuanced details,” Ruff said. 

From an artistic family, Mount’s most well-known portraits are frequently of people he knew, and their warmth adds elements of intimacy and liveliness. His portraits convey both dynamically diverse and culturally unifying insights into the persons, settings, and circumstances of Long Island during the 1800s. 

A Noble Art even offers context for Mount’s own kin. His family portraits from the 1840s provide a glimpse at a creative clan and further emphasize his progression as an artist. Mount’s sister Ruth and niece Evalina were talented artists in their own right. Mount’s brother Shepard was also a portraitist, and the show features one of his pieces. 

Yet, the heart of the exhibit remains Mount’s ability to forge a connection between creator, subject, and observer. Personable renderings illuminate the evolution of Mount’s artistic intricacies, spanning decades of his work from a self-portrait made when he was 21 years old to two of the three members of his musician series: The Banjo Player and Right and Left. (The third painting of this trio, The Bone Player is on display at the Museum of Fine Arts Boston.) 

His work invites the viewer to appreciate an eternal moment and recognize enduring  humanity. “With portraiture you might anticipate an element of sameness, but if you really look at Mount’s portraits there is a lot happening within them. We are excited to share this opportunity for discovery with the public,” Ruff said. 

The Long Island Museum is located at 1200 Route 25A in Stony Brook. Hours are Thursday to Sunday from noon to 5 p.m. Admission is $15 adults, $10 seniors and students, children under age 6 are free. For more information, call 631-751-0066 or visit longislandmuseum.org.

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'Swallowtail' by Lorena Salcedo-Watson will be on view at Gallery North through Aug. 11. Image courtesy of Gallery North

By Tara Mae

So much of nature exists in the balance of tension and release: the unrelentingly gray palette of winter gives way to the expansive vibrancy of spring blooms; birds sit on their nests for weeks in the hopes that their young will be strong enough to crack through their shells; and, people dare to dream of brighter tomorrows.

Morpholgies: Recent Works by Lorena Salcedo-Watson, on view at Gallery North, 90 North Country Road, Setauket from June 27 to Aug. 11, explores this interplay. Featuring 30 pieces including large-scale charcoal and pastel drawings, lithographs, and first drafts, the exhibit is a meditation on how the environment and nature merge with human experience.

‘Let It Go’ by Lorena Salcedo-Watson

“Having her do a solo exhibit here has been a goal for a while…This exhibit examines our symbiotic relationship with nature, our reliance on it, how we communicate with it,” said Gallery North Curator Kate Schwarting who met Salcedo-Watson while a student at Stony Brook University, where the artist is an art professor. 

Many pieces implement chiaroscuro —contrast between shadow and light — as a means by which to address ideas about the tenacity of life, the inevitability of death, and the determination of survival.

“Working in chiaroscuro — I want the drama, sense of falling into a black hole, you can stick your hand in there; I don’t want you to think in pretty terms — [do] not want color to add any other information. So, color is used to evoke mood in really specific moments,” Salcedo-Watson said.

Elements of color are deliberate contrasts; audacious vibrancy in stark relief. The art’s openness represents the vastness of the outdoors. “The abstract world she creates in her work is very singular; it is a celebration of beauty, nature, and curiosity,” Schwarting said. “The language Lorena creates with her art invokes organisms and structures that inhabit a totally unique space.”

It speaks to an understated grandeur that commands attention as it revels in the more abstract details of an exact image. For Salcedo-Watson, artistic scope and medium reflect the majesty of her subject matter. 

“Large scale gives you a sense of magnitude and awe. There have to be awesome things in your life. I encourage students to work large — it is liberating — keeping your drawing restricted to your wrist can be kind of sad since your experiences are life sized or larger,” she added.

Working in this manner enables Salcedo-Watson to create her own domain, in which she can guide and develop the narrative as she tracks its evolution. 

“I have always loved to draw, which is necessary to be a good printmaker. Lithography is a natural way of drawing, but you have multiples prints from the matrix, which allows you to see how you function as a problem solver. You have a record of your progress the whole way through,” Salcedo-Watson said.

The exhibit illuminates this process while also immersing its patrons in Salcedo-Watson’s interpretation of how nature nurtures. Her work is an invitation to envelop oneself in the wonder of the world while remaining rooted in realism.

“I always draw from observation, take what’s interesting to me, and play around with that,” she said. 

A longtime collector, Morpholgies features items from the artist’s cabinet of curiosities that have inspired her such as leaf fossils and root formations unearthed while gardening; insect exoskeletons gifted by friends; and other found objects that influence Salcedo-Watson’s work. 

Her fascination with nature’s detritus and remnants began at an early age and inspired her artistic practice.   

“I started drawing insects because the possibilities were huge with different varieties, but I also made stuff up and it was okay,” Salcedo-Watson said. “Not feeling like you have to follow the rules or always be accurate gave me permission to enjoy it more.”

Likewise, freedom of thought is what she seeks to convey to her audience. The ability to invoke the imagination is an ultimate endeavor of her art. 

“It’s not what I am trying to show you; it is what you think you are getting out of it. I try to put things forward and make you make sense of it. I could have a title to prompt you that this is what I am thinking about, but I want to actually engage you and make you think,” Salcedo-Watson said.

An opening reception will be held on Thursday, June 27, from 6 to 8 p.m. Salcedo-Watson will give an ArTalk and Print Demonstration on Saturday, July 20, from 3 to 5 p.m. These events are free and open to the public. For more information, call 631-751-2676 or visit www.gallerynorth.org.

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A scene from a previous Maker Faire Long Island. Photo courtesy of Long Island Explorium
A scene from a previous Maker Faire Long Island. Photo courtesy of Long Island Explorium
A scene from a previous Maker Faire Long Island. Photo courtesy of Long Island Explorium

By Tara Mae

Ingenuity and imagination synthesize into innovation. The Long Island Explorium, a science and engineering museum in Port Jefferson, celebrates the projects and persons involved in this process with the 7th annual Maker Faire Long Island at the Port Jefferson Village Center, LI Explorium and Harborfront Park at 101 East Broadway on Saturday, June 8 from 10 a.m. to 5 p.m. 

Featuring more than 75 exhibits and 120 presenters showcasing their creations, this multi-sensory experiential event lauds efforts in science, technology, engineering, arts, and math (STEAM). Exhibits range from robotics and cosplay design to environmental engineering projects, scientific advancements, kinetic art, and fire sculptures.

Highlights include:

Adam Foster’s Royal Trumpets: Majestic 15-foot kinetic pyrotechnic sound sculptures.

Mandalorian Mercs Costume Club: Bringing the Star Wars universe to life. (pictured above)

Long Island Drone Soccer: An electrifying new sport combining drone technology with soccer.

Princesses with Powertools: Empowering young engineers with hands-on projects.

Balloon Bot Brawl: A thrilling robot showdown led by high school maker Ray Rumore.

Learn to Solder Workshop: Taught by Elijah Horland of Mythbusters Jr, sponsored by PCBWay.

Besides individual contributions, organizations such as Suffolk County Community College, Brookhaven National Labs, and Stony Brook University will show some of their work. Scientists and educators from the university will also participate in ‘Ask a Scientist” Q&A sessions that enable young attendees to cultivate their curiosity as they ask scientific questions of professionals. 

In addition to the dialogues, displays, and demonstrations, the Faire will have live musical performances, including a songwriter showcase, from 1 to 5 p.m., and two performances by the Umisora Taiko Drummers.

“Maker Faire is a global movement that combines elements of classic science fairs with innovation, creativity, and STEAM. It is known as the ‘Greatest Show & Tell on Earth,’ showcasing makers’ ingenuity and creativity. Maker Faire Long Island…embodies this spirit,” said Long Island Explorium’s Director of Digital Media/Marketing/Programming Lisa Collet Rodriguez.

With conventions in other locations like New York City, San Francisco, Barcelona, and Berlin, the Maker Faire Long Island is part of a larger international initiative that fuses scientific experimentation with artistic expression. By embracing these pursuits, the family-friendly occasion seeks to engage audiences of all ages, with interactive elements geared towards youth. 

“I wish I had [Maker Faires] when I was younger. They have provided me a platform and support to share my works with tens of thousands of makers across the country, and inspire future generations of makers. It’s a win win,” said maker Adam Foster, of Rochester.

A musician, steel fabricator designer, and engineer, Foster made “The Royal Trumpets,” six 15 foot tall kinetic sculptures. They allude to the trumpets that historically announced royalty. And at the Maker Faire, this grandeur is both a celebration of community and an invitation for new members to join it. 

Encouraging visitors to dream and learn are not the only collective goals shared by many of the participants. The Faire is an opportunity for pragmatic ponderers and methodical mavericks to network with each other.

“Popular subcultures always have places to gather, such as Comic-Con. Maker Faire is that place for people passionate about the intersection of Arts and STEM now called STEAM,” maker Elijah Horland, of Brooklyn, said. “At a Maker Faire we gather, not just to show off our skills, but to collaborate with peers, mentors, and beginners alike in a supportive environment.”

Through his company, Not-A-Bomb, Horland develops mechatronic projects that incorporate engineering lessons curated to entertain and educate. He is a MythBuster from the Discovery Channel reality show and the executive producer of Maker Faire Coney Island. 

A number of the makers participate in other Maker Faires throughout the country, sharing their projects with interested parties and building relationships. 

“Maker Faires are these amazing events where people from all different backgrounds and with all different interests can come together and find a bigger community,” said maker Caeley Looney of Austin, Texas.

Originally from Farmingdale, Looney is the founder and CEO of Reinvented Inc., a nonprofit organization that hosts Princesses with Powertools. The program connects girls with women in Science, Technology, and Math (STEM) professions who, while dressed as princesses, teach them how to operate their first power tools. 

“Innovation is diversity driven. Without having diverse minds and voices working on the leading edge of science and technology, new ideas, products, and solutions will never be created. Women play a huge role in this, but historically have been left out of these fields and conversations — and that bias and pushback is still felt by students today,” she added. 

Bringing STE[A]M to individuals who historically have less access to it is a motivating factor and ongoing endeavor for many Faire associates, according to Long Island Explorium Executive Director Angeline Judex.

“Many people don’t think of museums as agents of social change in communities, but the Long Island Explorium plays a vital role on Long Island as a lighthouse of enriching STEM programs that foster inventive thinking and serve as a catalyst for empowerment,” Judex said. 

“The Maker Faire is strategically aligned with our vision to promote STEM discovery, learning, and innovation that will shape the intellect, social values, and principles of future generations,” she added.

Advanced tickets may be purchased online through EventBrite. Individual tickets, including fees, are $13.36 per person. A family pass, which has tickets for two adults and up to five children, are $57.65 including fees. Tickets at the door for individuals are $16.65, including fees. Tickets at the door for family passes are $62.80, including fees. 

For more information, including a complete list of exhibitors and schedules, visit longisland.makerfaire.com. 

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Scenes from Museum Day 2023 at the Middle Country Public Library. Photos courtesy of MCPL
Scene from Museum Day 2023 at the Middle Country Public Library. Photo courtesy of MCPL
Scenes from Museum Day 2023 at the Middle Country Public Library. Photos courtesy of MCPL
Scenes from Museum Day 2023 at the Middle Country Public Library. Photos courtesy of MCPL
Scenes from Museum Day 2023 at the Middle Country Public Library. Photos courtesy of MCPL
Scenes from Museum Day 2023 at the Middle Country Public Library. Photos courtesy of MCPL
Scenes from Museum Day 2023 at the Middle Country Public Library. Photos courtesy of MCPL

By Tara Mae

Like separate entries in an anthology, different community organizations offer rich options for diverse cultural endeavors that form a cohesive collection of experiences to encourage understanding and appreciation.

In this spirit, Middle Country Public Library’s Centereach branch at 101 Eastwood Blvd. will host Museum Day on Thursday, May 16, from 4 to 7 p.m. The event is free and no registration is required. 

This year 30 local institutions are participating, including the Long Island Museum of American History, Art and Carriages (LIM) in Stony Brook, Three Village Historical Society (TVHS) in Setauket, Whaling Museum and Education Center of Cold Spring Harbor, Railroad Museum of Long Island in Riverhead, and Sweetbriar Nature Center in Smithtown.  

“The purpose [of Museum Day] is to provide a forum for community members to interact with representatives from local museums, historical societies, science and nature centers that participate to share information regarding their collections, programs, and exhibits in a festival type setting,” said Deborah Hempe, Middle Country Public Library’s Coordinator for Outreach Services and Museum Corner.

Held at the Museum Corner section of the library, which is part of the Youth Services Department, Museum Day is geared towards children and their families. Interactive elements across multiple mediums include science experiments, arts and crafts, live animal visits, and interaction with museum displays and artifacts. 

“For many children, looking and listening isn’t enough to activate the desire to learn. At events like this, children are presented with opportunities to also create, explore objects for themselves, and feel a connection that is personal,” said Lisa Unander, Director of Education at the Long Island Museum. “That feeling can be a catalyst to spark wonder and a lifelong love of art and history.”

The LIM will have a collage project inspired by the art of Reynold Ruffins, whose work is featuring in one of its current exhibits, Painting Partnership: Reynold and Joan Ruffins. The activity will concentrate on how using color and geometric shapes can create art. 

TVHS will set up a mini-exhibit and teach hands-on crafts, like making colonial whirligigs. Sweetbriar Nature Center will attend with two of its ambassador animals; traditionally, a resident owl and snake come as its guests. The Railroad Museum of Long Island will set up a train display. 

“I enjoy seeing the families who attend Museum Day and [engaging] with the children on hands-on learning activities we offer during the event,” said Education Coordinator of TVHS Lindsey Steward-Goldberg.

These offerings are made to energize minds and excite imaginations. 

“Museums can be places that introduce new ideas, unique perspectives and often challenge people’s ways of looking and thinking. Giving children a chance expand their way of thinking and encouragement to be creative in unexpected ways is often a goal of museum educators,” Unander said. 

For 35 years, Middle Country Public Library has organized the gathering in conjunction with International Museum Day, which falls on or around May 18. In 2023, more than 37,000 museums in about 158 countries and territories took part in the celebration.

Coordinated by the International Council of Museums, International Museum Day has a distinctive theme every year; 2024’s focus is Museums for Education and Research.

Although the motif changes, primary objectives of the official occasion and the library’s exhibition remain consistent: to alert people to the role museums play in the advancement of society and fortify the cooperation between neighboring operations.

“The public is able to learn about what these local organizations have to offer in a fun and interactive setting…Additionally, it provides a nice way for the organizations to do a bit of networking with each other,” Hempe said.  

A welcome chance to fortify interdisciplinary dynamics for the attending entities while engaging with a new audience and enchanting existing patrons, Museum Day is both a synopsis and preview of the organizations’ services. Many vendors return annually to maximize and solidify their exposure.

“Each year we meet many patrons who know our museum, and also many who have not ever visited the LIM. It is a wonderful way to showcase what the LIM has to offer and to extend a personal invitation to these families to visit for the first time or to come back and see what is new since their last visit,” Unander said. 

Through nurturing partnerships of longevity and consistency, Museum Day invigorates  lifelong interest in learning as well as sustained support for assemblages dedicated to historical preservation and intellectual enrichment. 

“I look forward to further cultivating those relationships, interacting with the staff and volunteers of participating organizations, and seeing the event attendees interacting with them as well…all are welcome,” Hempe said.

Participating organizations include:

American Airpower Museum

Bayard Cutting Arboretum

Bethel Hobbs Community Farm

Cornell Cooperative Extension of Suffolk County Community Education

Fire Island Lighthouse Preservation Society

Fire Island National Seashore

Greater Port Jefferson Arts Council

Hallockville Museum Farm

Hofstra University Museum of Art

Long Island Explorium

Long Island Maritime Museum

Long Island Museum

Long Island Telephone Museum

LT Michael P. Murphy Navy SEAL Museum

Montauk Historical Society/Lighthouse

NY Marine Rescue Center

Old Westbury Gardens

Patchogue Arts Council

Railroad Museum of Long Island

Sagtikos Manor

Smithtown Historical Society

Southampton History Museum

South Fork Natural History Museum

Sweetbriar Nature Center

Three Village Historical Society

Town of Brookhaven Historian

Vanderbilt Museum and Planetarium

Whaling Museum & Education Center of Cold Spring Harbor

Water Mill Museum

To learn more about Museum Day, call 631-585-9393 or visit www.mcplibrary.org.

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Sweetbriar Nature Center is currently taking care of baby owls, ducks, rabbits, opossums and squirrels. Photo courtesy of Sweetbriar

By Tara Mae  

Spring harbors hope for new life. A promise of possibility soars on wings of a compassionate community that sees the specialness of not only the human species.

The most beautiful beasts will be in attendance at Sweetbriar Nature Center’s Baby Shower for Wildlife on Sunday, May 5, from 1 to 3 p.m. Come join staff members, volunteers, and ambassador animals to enjoy a meet and greet, crafts, and a walking tour of the property. 

An annual event, this preparation party is thrown to help offset the practical and monetary strains that hatchling/birthing season puts on the Center. This year has been particularly taxing as a mild winter led to an early baby boom. 

Sweetbriar Nature Center is currently taking care of baby owls, ducks, rabbits, opossums and squirrels. Photo courtesy of Sweetbriar

“Honestly you are never prepared for baby season; it comes at different times every year. This year it was very, very early. Ducklings and goslings were being hatched in January. We never really had a winter so to speak…if it is warm and it never gets cold, animals get confused,” Sweetbriar Curator and Wildlife Rehabilitation Director Janine Bendicksen said.

Although it began sooner, it is not winding down, and so supplies are urgently needed.

Like any well organized shower, this one provides a detailed registry for its guests. Curated to the delicate needs of its charges, Sweetbriar’s Amazon Wish List includes rabbit and squirrel formula, meal and wax worms, and supplies like gallon size ziploc bags, trash bags, white vinegar, baby bottle warmers and latex gloves. Monetary donations are also appreciated. 

“The public support goes a very long way,” Bendicksen said. “We are not allowed to charge for the care of wildlife, so we are not funded by government entities.” Caring for infants is time consuming, but Sweetbriar is determined that it not be cost prohibitive. It hosts the yearly baby shower as a way to gather the supplies it needs and garner public interest. True to its nature, this event offers opportunities for socializing and promises party activities. 

Meet Turnip the Screech Owl at Sweetbriar’s Baby Shower for Wildlife. Photo courtesy of Sweetbriar Nature Center

Its guests of honor are Turnip, a screech owl, and Little Blue, a bluejay. Although they are now adults, the attendance of these creatures is particularly poignant. As babies, Turnip and Little Blue each benefitted from a previous shower. Permanent residents of Sweetbriar, they are unable to be rereleased into the wild. 

Turnip was injured when the tree in which he resided was knocked over, causing him to fall to the ground and sustain life-altering injuries. Little Blue was born blind. Witnessing their individual distress, concerned citizens reached out to Sweetbriar to save them. Neither animal would have survived without the intervention of the nature center. As with the other ambassador animals, Turnip and Little Blue continue to rely on its resources while educating the public about wildlife and conservation. 

These are lessons that Bendicksen hopes citizens heed. 

“If you find wildlife and you know it needs help, make a phone call before doing anything,” she said. “One of the biggest mistakes is feeding the animal, causing the animal to aspirate. It is easier to bring back a dehydrated animal rather than an aspirated animal. On our social media we give you options, including how to re-nest baby birds, baby squirrels, etc.,”

Sweetbriar’s primary service is as a rehabilitation for injured and/or orphaned animals, but part of its efforts include teaching individuals what to do if they encounter an animal they fear may be in distress. Correcting any well-intentioned misconceptions about “saving” wild animals is a large component of that. 

“If you find a nest and everything seems normal — nothing has attacked it — leave it alone and enjoy it. For instance, baby birds fledge [go to the ground], parents feed them on the ground, etc. So educate yourself; do not just Google it. Follow Sweetbriar’s social media — we are constantly educating the public every day. Or just call us,” Bendicksen added. 

It may still be difficult to leave an animal alone if an observer notes that an animal is not in distress but may be imperiled by a potential unfortunate encounter, such as with a feral or free range cat. In this or similar scenario, Bendicksen counsels that the animal still be left on its own but advises certain precautions may be taken.

Sweetbriar Nature Center is currently taking care of baby owls, ducks, rabbits, opossums and squirrels. Photo courtesy of Sweetbriar

“We do not accept wildlife based on the fact that they may get eaten by something. We have come up with ways to protect wildlife. For a baby bunny nest, put a wheelbarrow over it upside down. For a fledgling on the ground, pick it up and put in a basket outside,” she said. 

In general, the objective is to support the animal with as little human interference as possible.  

A main goal of Sweetbriar is to rehabilitate the animals in its care so that they may return to their natural habitat. In instances where the animals would not survive being rereleased, they are able to live out their lives in protected enclosures on the nature center’s 54 acres of woodland, field, garden, and wetland habitats along the Nissequogue River. 

This shower allows animal lovers to aid Sweetbriar and its charges in a way that enables it to continue offering a healing haven for both the temporary visitors and permanent population. “Our work is a service to the public, and any assistance is a great help,” Bendicksen said.

Tickets to the Baby Shower for Wildlife are $5 for adults and $15 for children. To learn more about the event and to shop the Amazon Wishlist, visit www.sweetbriarnc.org. Located at 62 Eckernkamp Drive in Smithtown, Sweetbriar Nature Center is open daily from 9:30 a.m. to 4:30 p.m. Its preserve is open every day from 9:00 a.m. to 4:30 p.m. For more information, call 631-979-6344.

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Photo from Gallery North

By Tara Mae

Beach trash becomes community treasure when Gallery North partners with Big Brothers Big Sisters of Long Island, Atlantic Marine Conservancy, and Center for Environmental Education and Discovery (CEED) to sponsor beach cleanups at the Flax Pond Tidal Wetland Area, 15 Shore Drive, Old Field on Saturday, April 27, and Smith Point Beach, 1 William Floyd Parkway,  Shirley on Sunday, April 28. 

Each clean-up will be conducted in two shifts starting at 9 a.m. and 10:30 am each day. Atlantic Marine Conservancy will provide 50 buckets and trash pickers to volunteers on a first come, first serves basis. 

The cleanups are the brainchild of artist Jack D’Ambrosio, a native of Shirley, who will upcycle gathered plastic garbage into a found object sculpture. With the presentation of repurposed refuse, he hopes to bring awareness to the ongoing dangers of plastic pollution.

“Art is a great way to spread a message and support a cause,” he said. 

Primarily a printmaker, beach cleanups are just one element of D’Ambrosio’s interest in supporting communities through artistic expression. His artistry is immersed in an awareness of illuminating social issues by centering often overlooked subjects. While previous print projects have incorporated found plastic, he has never worked on a sculpture of this scale before. Such an undertaking of reinvention offers D’Ambrosio the chance to create poetic permanence out of problematic potential, an outcome that intrigues Gallery North. 

“The beach cleanup is an opportunity for Gallery North to impact and beautify the community in a different way,” Executive Director Ned Puchner said. “We have never done anything like this before…beyond that, we will be helping to preserve the ecology of the area, making the waterways and beaches cleaner.”

Once the trash has been amassed, D’Ambrosio will sort it and share the loot on Gallery North’s social media. After properly disposing of the non-plastic items, he will clean the plastic articles for the sculpture, the design of which has yet to take shape. 

“I am waiting to see what we find,” D’Ambrosio explained.  Intended to be a permanent installation, the sculpture’s final home is also yet to be determined. “This is a project of many partners, and once plans are drawn up, I will collaborate with one of them to find a location for the piece,” he added. 

A recipient of Gallery North’s 2023 Carmela Kolman Fellowship in Fine Art, in his application D’Ambrosio initially proposed the cleanup and its culmination. 

“Jack shared his desire to involve the community in a beach clean up when he applied for the fellowship and that excited the committee…We were moved by the conceptual aspect of Jack’s work. His idea to use art to educate the community on stewardship interested us,” Gallery North Education Director Larissa Grass said. 

At its core, the beach cleanup/sculpture exercise underscores the need for individual engagement and interpersonal cooperation to ensure the environment and art do not just survive, but thrive. 

“During the pandemic, I went to the beach seeking inspiration. Instead I found garbage. This experience made me want to do something with it, since it will never, ever go away,” D’Ambrosio said. “…I really encourage people to come join us on this journey.”

The clean-ups will be a rain or shine event. Pre-registration is encouraged by visiting www.gallerynorth.org. For more information, call 631-751-2676.

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‘A Disturbance in the Force’ will be screened at John F. Kennedy Middle School in Port Jefferson Station on May 6.
'Story and Pictures By'
OVERCOME WITH NOSTALGIA Catch a screening of the documentary ‘Flipside,’ a comical attempt to save a New Jersey record store and confront a mid-life crisis, at Theatre Three on April 8. Photo courtesy of PJDS
'Stewart Udall: The Politics of Beauty'
'We Are the Warriors'
'Confessions of a Good Samaritan'
'Ukraine: The Other Frontline'

By Tara Mae

From the first actuality motion pictures running a minute or less to present day feature length documentaries, nonfiction films have captured the imagination and provided intimate insight into people and situations that inhabit the world with us.

On select Mondays from March 4 to May 20 at 7 p.m., the Spring 2024 season of the Port Jefferson Documentary Series (PJDS) covers seven tales of the audacity of authenticity, unity in adversity, togetherness in triumph, communal solitude, singular sacrifice for an uncommon goal, and whimsy in misadventure. 

Held at either Theatre Three, 412 Main St., Port Jefferson or John F. Kennedy Middle School, 200 Jayne Blvd., Port Jefferson Station, screenings will be followed by Q&As led by Tom Needham, executive producer and host of “Sounds of Film” on WUSB. Guest speakers, involved in the film or experts in its subject matter, will answer questions from Needham and audience members.

Documentary filmmaking is a frank language of cinema, and these conversations are a means by which to continue the dialogue. 

“Film, like other art forms, provides an emotional connection for people to ideas and to one another,” PJDS co-chair Kelly DeVine said. “…This Spring line-up offers seven films and seven opportunities to celebrate cinema and community. The program spans subject areas and moods.” 

Despite divergent topics, emotional comprehension, whether through trauma or triumph, faith or farce, longing for it or security in it, is a theme that permeates the films. 

Sponsored by Maggio Environmental and Wellness; Covati & Janhsen, CPAs; Port Jeff Storage; and the accounting firm Saranto Clamas, CPA with support from Suffolk County and the Greater Port Jefferson-Northern Brookhaven Arts Council, the season opens with Ukraine, The Other Frontline. It follows five Ukrainian journalists who have the courage to continue doing their jobs, and in doing so, become part of the larger story of Ukrainian resistance to Russia’s war in their country.  

Story and Pictures By explores the efforts of today’s children’s book authors to create stories as diverse as themselves and their readers. 

Flipside chronicles filmmaker Chris Wilcha’s attempt to save the record store that sustained him as a teenager while he examines ideas of artistic identity.

Stuart Udall: The Politics of Beauty traces the life trajectory of Stuart Udall, who served as the Secretary of the Interior for Kennedy and Johnson, championed quality of life over quantity of consumerism, and espoused a political philosophy that celebrated life’s simple pleasures and beauties. 

A Disturbance in the Force honors the seemingly nonsensical “Star Wars Holiday Special” that George Lucas produced in 1978. 

We are the Warriors depicts citizens of Wells, Maine, contending with the town’s colonial history, how its modern manifestations effect the Indigenous residents, and the 2017 incident that galvanized citizens to seek common ground. 

Confessions of a Good Samaritan traces director Penny Lane’s generous decision to donate a kidney to a stranger and how this decision leads her on a quest to unearth the meaning of altruism. 

(For dates and times, please see Film Schedule below)

Those involved in arranging and implementing the Series, including PJDS’ film board as well as volunteers, are eager to enjoy these documentaries with audiences and encounter their original reactions. 

“[We] are looking forward to another exciting season…” co-chair Wendy Feinberg said. She selected Stories and Pictures By. DeVine selected the other six documentaries. It is the first time that the documentaries were not submitted by individual board members and chosen by vote of the board as a whole. 

This change in protocol reflects a shift in leadership. Though they remain on the board, Lyn Boland and Barbara Sverd, co-directors with Feinberg, sought to take a step back from organizing and running the Series. Boland and Weinberg became co-chairs; Sverd is now the community outreach coordinator. Their titles are different this season, but their love for documentaries and PJDS has not waned.

“What I didn’t expect was the bitter-sweet feeling I was left with once I cut the cord. I will miss the relationships made with film makers and the thrill of the chase when trying to land a new film. I do intend to help Kelly during this transition which is going smoothly and remain involved in the PJDS,” Sverd said. 

Once a board member, DeVine was invited by Boland to rejoin and lead the Series. She previously worked as a programmer/acquisitions member for the Independent Film Channel (IFC) and still serves as programmer for the Great Peace Film Festival in Florida.

“I really think this was a very lucky break for the documentary series. Kelly is giving us the benefit of things she has seen. I am staying involved, but my role is changing. People should expect some things to be different and much to remain the same,” Boland said.

Even as alterations to its setup were taking place behind the scenes, DeVine and the other board members made sure that key elements of PJDS’ ethos, such as attention to attendees’ interests, stayed essential to its mission. 

“I start with the audience when considering a film…For PJDS, I am still centering the community in the curation process,” DeVine said. “While a film series like this one provides the opportunity to bring the world to Port Jefferson, I also look to make connections between these stories and our own lives and concerns.”

By identifying commonalities and spotlighting individuality, PJDS strives to foster communication, artistic recognition, and interpersonal acceptance. It continues to incorporate documentaries that appeal to the Series’ existing patrons and invite new appreciators to participate. It is a community that honors its fans and welcomes fresh faces.  

“The most rewarding part of programming is always the audience connection. …I am looking forward to seeing the reaction to the programs, hoping to continue to appeal to the existing audience base for the PJDS while bringing in new audience segments along the way,” DeVine said. “For me, programming is a conversation with audiences, and a conversation that I find enriching.” 

An award winning documentary series, organizers, documentarians, and audiences continue to be inspired by PJDS’ dedication to sharing tales well told and amplifying voices that may otherwise be less audible to the public. For those in attendance, it endeavors to offer insights into the world around them and each other. 

“The stories are important, but almost as important is the opportunity to come together in a  social setting. The purpose of public arts is to celebrate and sustain community. Watching a film by yourself has one effect, but sharing the experience with others and maybe learning something about yourself or others in the process is something else altogether,” DeVine said.

FILM SCHEDULE:

◆ The Spring 2024 season kicks off with a screening of Ukraine, The Other Frontline  at Theatre Three on March 4 at 7 p.m. How is wartime news produced in Ukraine? A gripping and fascinating insight into the upheavals of everyday life in television newsrooms. Guest speaker will be Sarah Baxter, Director of the Marie Colvin Center for International Reporting at SBU.

◆ Story and Pictures By, the first feature documentary to take audiences behind the scenes to meet the boundary pushers who create children’s picture books, will be screened at JFK Middle School on March 25 at 7 p.m. Guest speaker will be filmmaker Joanna Rudnick.

◆ Next up is Flipside at Theatre Three on April 8 at 7 p.m.  Filmmaker Chris Wilcha revisits the record store he worked at as a teenager in New Jersey, he finds the once-thriving bastion of music and weirdness from his youth slowly falling apart and out of touch with the times. Guest speaker will be Director Chris Wilcha.

◆ Stewart Udall: The Politics of Beauty will be screened at JFK Middle School on April 15 at 7 p.m. The film examines the trajectory of Udall’s life from his childhood to his years as Secretary of the Interior under the Kennedy and Johnson administrations, focusing on his effectiveness as a dedicated, bi-partisan public servant. Guest speaker TBA.

‘A Disturbance in the Force’

◆ The season continues with A  Disturbance in the Force at JFK Middle School on May 6 at 7 p.m. A long time ago, in a galaxy far, far away…In 1978 George Lucas was talked in to cashing in on the STAR WARS craze by producing a holiday variety TV special.  What could possibly go wrong? Answer: Everything. Guest speaker will be Director Jeremy Coon.

◆ We Are the Warriors will be screened at JFK Middle School on May 13 at 7 p.m.  For nearly 70 years, students and alumni of Wells High School in Maine have called themselves the “Warriors.” The school’s mascot, variations of a stoic Native American head in profile with braids and feathered headband, has drawn both support and criticism in the past. However an incident in 2017 shocks the town and reignites the debate. Guest speaker TBA.

◆ Confessions of a Good Samaritan heads to Theatre Three on May 20 at 7 p.m. Director Penny Lane’s decision to become a “good Samaritan” by giving one of her kidneys to a stranger turns into a funny and moving personal quest to understand the nature of altruism. Guest speaker will be filmmaker Penny Lane.

Tickets are $10 per person; season passes are $58 each. For more information, visit portjeffdocumentaryseries.com.  

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'Rodney' by Sam Adoquei
Long Island Museum's Co-Executive Director Joshua Ruff with 'The Art Student' and 'Social Studies' by Sam Adoquei. Photo by Tara Mae
LIM's Co-Executive Director Joshua Ruff views 'The Art Student', oil on canvas, by Sam Adoquei in the Cowles Gallery of the History Museum. Photo by Kristin Cuomo/LIM
'Quinces' by Sam Adoquei

By Tara Mae

Perspective and reality merge in imagination, creating art that is tethered to truth and yet unfettered from realism. Finding Hidden Treasures: The Art of Sam Adoquei, a retrospective of the artist’s oil paintings, explores the scope of such interplay.

On view at the Long Island Museum (LIM) in Stony Brook through June 2, the show features 25 oil paintings of various sizes as well as an excerpt of The Unseen Beauty (2012), a film written and directed by Gabriel de Urioste about Adoquei and his work.

The entire exhibit is a milestone for Adoquei. 

“It is the first time in my life to have my large figurative works and small paintings, my traditional pieces and my outdoor oil paintings, my still lifes and my figurative pieces come together in the same room. It is also interesting to see some of my earliest paintings next to some recent canvases,” he said in an email. “Same with technique/approach: there are paintings that were approached with the most careful traditional/classical method while some of the canvases were approached with fun spontaneous innovative spirit.”

Finding Hidden Treasures reveals scenes of certainty and surprise, calmly tranquil or intensely evocative. During a recent guided tour of the exhibit before it goes on view to the public, I was immersed in a world of soothing still lifes, inviting landscapes, and compelling figures. 

For Adoquei, a Ghanaian immigrant who is also a writer and teacher, oil painting is a language through which he communicates, inviting viewers to enmesh themselves in the core of the work and the feelings they invoke. 

“Oils provide that unlimited range of expressing myself: from the leanest and thinnest effects to the thickest layers of impasto pigments,” Adoquei said. 

In many ways, the show is a reflection and meditation on moments in time, both simple and profound. It is an intimate invitation to become acquainted with new characters and reintroduced to uncommon elements of common knowledge.  

“Sam is very ambitious to be taking on some of the subjects he takes on, like these sort of massive scale history paintings. Then there is the sensitivity that he has in his figurative and portrait work, the expressiveness, the fact that you look at the people in the paintings, you feel a connection,” said LIM’s Co-Executive Director Joshua Ruff. 

Such a kinship is formed via a shared visual dialogue between artist and audience. The paintings in this exhibit entice the breadth of human emotion in what they depict and what they evoke. 

“My approach is diverse: traditional, innovative…Creating a painting to me is always communication with the enthusiasts: whether short and poetic, a short essay, or long and epic depends on the subject and what I aim to extract from it,” he added.

Two of the most arrestingly captivating pieces in the exhibit combine narrative tradition with creative interpretation: a 10-foot-wide triptych titled “The Legacy of Martin Luther King Jr. (The Entombment)” which was featured in the New York Times and displayed at the S. Dillon Ripley Center of the Smithsonian Institution in Washington, DC., and “Death of a President (John F. Kennedy).” These history paintings reimagine hauntingly human tragedies with interpersonal, even fantastical, elements.

In these renderings, persons from the artist’s life, as well as Adoquei, appear as bystanders or sympathetic participants. Adoquei frequently includes himself or his associates in his paintings, a practice that adds emotional depth to the works.  

“I love people, I am always inspired by the love of people, and humanistic pursuits are part of sentiments that I try to include in my mission to unveil my vision,” he said.

This generosity and warmth extends to pieces that do not include human figures, like idyllic interpretations of Long Island vistas and other settings. They encourage onlookers to step into them, feel the sand beneath their feet, the breeze as it rustles tall grasses, the sun on their faces, the sound of the sea, the taste of salt in the air. 

Adoquei’s still life paintings are intriguing and alluring, alluding to larger stories of which patrons are only catching a glimpse: two quinces with their stems and leaves attached, lilting sunflowers and daisies in vase, a partially sectioned grapefruit, with what appears to be a thumbprint left on the endocarp. 

“All that I do is inspired by nature, life and living, and the needs of the future. Turning nature and people into beautiful timeless paintings to inspire others inspires me daily,” Adoquei said. “As lives, works, and legacies of great minds took me from oceans and cultures away and offered me the support to create art that hangs on museum walls and in private collections, so do I hope to create meaningful timeless art worthy of inspiring future generations.” 

Versatility of technique underscores the scope and impact of Adoquei’s subject matter. His art contains and honors a multitude of human experiences, including his own journey from Ghanaian art student, to sign and billboard painter in Nigeria, and then working artist, educator, and author in the United States, where he arrived in 1987. 

Adoquei’s paintings welcome patrons to participate in moments fraught and freeing, stunning and serene. Finding Hidden Treasures is an opportunity for artist and art appreciators to enter the field of humanistic imagination.  

“I have never seen this collection of my paintings exhibited together, and knowing they wouldn’t be in the same room together again, I hope art lovers of Long Island will take advantage of the opportunity to come enjoy them at The Long Island Museum,” Adoquei said.

Also on view at the Long Island Museum: 

Painting Partnership: Reynold and Joan Ruffins in the Art Museum from Feb. 8 to June 30

Organized in conjunction with The Power of Two (see next exhibit), this exhibition presents a unique story of love, creativity, and art. Sharing 60 years of marriage and settling in Sag Harbor in 1992, Painting Partnership features close to 25 paintings and sculptures from the remarkable artistic duo, Reynold Dash Ruffins (1930-2021) and Joan B. Young Ruffins (1932-2013). Reynold began making his mark in graphic and advertising design in the 1950s and the 1960s, later working on such publications as The New York Times Magazine, Gourmet, and Essence, and creating award-winning illustrations for children’s books. Meanwhile, as Joan raised the couple’s four children, she created a studio in the family’s St. Albans home, creating art and teaching both children and adults.

The Power of Two: Artist Couples of Long Island in the Art Museum from Feb. 8 to June 30

Experience the dynamic interplay of creativity as The Power of Two: Artist Couple of Long Island exhibition showcases over 50 artworks comparing and contrasting the work produced by 14 artist couples of Long Island. From the 1880s to contemporary couples today, this exhibition provides a captivating insight into the collaborative spirit of artist partnerships.

Colors of Long Island in the History Museum from Feb. 8 to April 7

This year marks the 25th Anniversary of the  Annual Colors of Long Island Student Art Exhibition, a show that affords an opportunity for hundreds of students from across Long Island to display their artwork in a museum setting. Art teachers from public and private schools in grades pre-k through 12th grade were invited to submit up to two pieces of student artwork that capture the essence of the region’s landscapes, history, and cultural diversity through various mediums including watercolor, sculpture, pencil, ink, oil pastel, photographs and computer graphics.

Located at 1200 Route 25A, Stony Brook, the Long Island Museum is open Thursday through Sunday from noon to 5 p.m. Admission is $10 for adults; $7 for seniors (age 62 and older); $5 for students (ages 5-17, and college students with an ID); $3.50 for persons with disabilities (personal care assistants are free); and, free for active and retired military personnel. For more information, call 631-751-0066 or visit www.longislandmuseum.org. 

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