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Tara Mae

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'Dance Siesta' by Cynthia Pascal

By Tara Mae

Art is a form of communication beyond words. It transcends language barriers and is accessible to those who seek to experience it. Cynthia Pascal’s creations speak through muted patterns, rich hues, softness imbued with strength. Her work tells stories of women, sometimes at rest or in repose, but always vibrantly alive. 

As a celebration of art and life, Pascal’s posthumous exhibit, Cynthia Pascal: A Retrospective, at the Art League of Long Island, honors the artist who passed away in 2022 at the age of 92. On view at the Jeanie Tengelsen Gallery from April 15 to 28, this showcase features 46 acrylic paintings and six clay sculptures from the late artist. It is an act of love; a tribute from a daughter to her mother in collaboration with the Art League.

‘Abstract of Women in Pink and Blue’ by Cynthia Pascal

“My son brought Cynthia to the Art League and showed her work to the curator, which resulted in booking the show — one last highlight of her life. After she passed, it was in my head to still do the exhibit. I also thought, that for my mom, there was no other way to honor her than to talk about her surrounded by her work,” said her daughter Jeanne Gambardella.

Pascal’s palette and art projects a subtle warmth, even innate safety, whether the female subjects stare assuredly and directly from the canvas, gaze at something only they see, or relax with eyes closed. The lines of the women may be soft but their presence is strong. 

“I believe that this exhibit covers all styles, but Pascal particularly leans towards abstract impressionism: figures are flattened with colorful brushstrokes and bright colors. She celebrates the world that she knew: her art focuses on women, friendships, relationships, their roles in society. It is full of life and energy,” said Susan Peragallo, coordinator and curator of the Jeanie Tengelsen Gallery.

A prodigious painter up until the very last months of her life, Pascal, who was a resident of Plainview, pursued both a personal and practical interest in interpersonal dynamics and emotions. She studied painting at Old Westbury College as well as the New School for Social Research in New York City, but was a licensed psychotherapist by profession and maintained a practice out of her home for more than 4 decades. 

“I think she innately had a very emotional IQ and got the degree so she could use it. She was really socially, emotionally smart…[and] provided a safe place for everyone who talked to her,” Gambardella said.  

This sense of security is evident in the self-assuredness of her subjects and the apparent ease with which they occupy space. That innate serenity can transcend to the audience and perhaps emanated from Pascal herself. She never lost her appreciation of beauty nor ability to create art, even as dementia dominated other aspects of her life during her last years. 

‘Two Girls Sitting’ by Cynthia Pascal

“We would talk about [her art]. Cynthia could still talk about the work and the process. We had that language until the end. My mother was painting at the highest level,” Gambardella said. “I thought her work would show deterioration, but her painting was still there. It was the one thing that she still had, in addition to her family. She could access painting, and it was a means by which to express herself.”

As her characters commune in the paintings, Pascal was able to communicate through and about art, although words might otherwise fail her. Her art, which includes pastels in addition to different paints and clay sculptures, is an ongoing dialogue that allows connections to continue to develop.

“I was not familiar with her work before she approached us, and I was really thrilled to become acquainted with it. Her work is exciting, it is vivacious. She was around for a long time and I am delighted to have her work up on our walls,” Peragallo said.

Gambardella estimates that Pascal had about 10 shows in her life but was in a constant state of creation. She painted 20 pieces between 2018 and 2022, and most of the 46 works included in Retrospective were made in the past 10 years.

“I really truly feel joy when I look at her work. It is interesting — over the years, her work reflected her growth as an artist and where she was in life. When she was going through a divorce, I can see it reflected. I derive more pleasure in the joy, color, and strength of the women my mother depicted,” Gambardella said, adding that organizing the exhibit and arranging the remembrance were cathartic exercises as she grieved and adjusted to her new normal, having been her mother’s primary caregiver. 

“Organizing this has absolutely been a labor of love for the last 5 months and beneficial to me in handling her passing, working on something to show who she was, her life’s work,” Gambardella said. “I kind of immersed myself in this project. It was a lot going through her decline and death with her, so this was healing. I am her supreme fan; my house has always been filled with her work.”

‘Dance Siesta’ by Cynthia Pascal

Now others will be able to surround themselves with Pascal’s art, and during the opening reception, envelop themselves in an environment resplendent with Pascal’s greatest joys including a soundtrack of her favorite classical music by Antonio Vivaldi, jazz interludes provided by a pianist hired for the evening, the easel she used for more than 60 years, and her favorite hat in her favorite color — pink. 

“I am creating an atmosphere that I know she would love. After she died, people were calling about service details, and we instead decided to have a memorial at the gallery. Everyone in my family was in on it,” Gambardella said. “My mom and I were very close, this was the right thing to do…art and painting were her passions in life.” 

The Art League of Long Island, 107 E. Deer Park Rd, Dix Hills presents the retrospective exhibit of Cynthia Pascal in the Jeanie Tengelsen Gallery from April 15 to 28 with an opening reception on April 15 from 6 to 8 p.m. A celebratory remembrance introduction will be held from 6 to 6:30 p.m., followed by light refreshments. For more information, visit www.artleagueli.org or call 631-462-5400. 

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The award-winning documentayr A House Made of Splinters will be screened at John F. Kennedy Middle School on March 20.

By Tara Mae 

Documentaries are artistic passion put into practice. They require the fervor and drive not only of subjects and crew but also of those who seek to share their stories. 

The Port Jefferson Documentary Series (PJDS) has been honoring and matching such moxie since 2005 and advances the plot this season with the seven films on its spring roster. Held at 7 p.m. on every Monday in March, from the 6th to 27th; April 10 and 17; and May 22, each showing is followed by a Q&A session featuring either the director or producer of the project. 

Emceed by Tom Needham, executive producer and host of “Sounds of Film” on WUSB, the Series is a labor of love for all involved, giving both filmmakers and festival organizers the opportunity to revisit what initially drew them to these stories and share it with an attentive public.  

“I like seeing the films again. With most of these films, we have been working on arranging the screenings for at least 3 months. I really do enjoy being in the audience, seeing the films again, thinking about them for the Q&A, and noticing what the audience reacts to. And then, meeting the documentarians and hearing their stories is one of the most exciting parts of the whole process,” said PJDS co-director Lyn Boland. 

This season starts with Dr. Tony Fauci, which explores the professional and private life of a man striving not to be blinded by the spotlight as he does his job. 

Immediate Family highlights the harmonies of five star session musicians whose notes, if not their names, are famous.

A House Made of Splinters chronicles the efforts of intrepid social workers on the front lines of the war in Eastern Ukraine as they endeavor to create an orphanage oasis for children displaced by war and woe.

I Am Not  follows the journey of Oren Levy, a young adopted Israeli man who travels back to Guatemala in search of his identity. 

Lift illuminates the invisible story of homelessness in America through the experiences of a group of young homeless and home-insecure ballet dancers who are selected to study their craft at the New York Theater Ballet.

Bobi Wine: The People’s President traces the career evolution of a man from musician to politician as he heralds the opposition to Uganda’s 35-year regime. 

Lastly, Unfinished Business offers an inside look at the creation and legacy of the WNBA, as exemplified through the champion New York Liberty’s dramatic 2021 season.

“We try to balance it between serious and entertaining documentaries,” explained PJDS co-director Wendy Feinberg.

Screenings, held either at Theatre Three in Port Jefferson or John F. Kennedy Middle School in Port Jefferson Station, are arranged and organized by PJDS’s co-directors: Boland, Feinberg, and Barbara Sverd. Known as the “Film Ladies,” they are dedicated both to spotlighting the art form of documentary filmmaking and the often lesser-known stories that they champion.  

“When I choose a film to be reviewed by the film board, I feel it must tell a story, have an emotional connection and appeal to a general audience. When I view a documentary for the first time, regardless of its subject matter, I want to feel like I am taking a class and learning something new,” Sverd said. “The greatest pleasure is sharing this experience with our audience and having the director, producer or someone from the film there for the Q&A to enhance the learning experience.” 

Such an opportunity for more informed dialogue is part of the appeal for the documentarians as well; it acts as an avenue for deeper understanding between audience and artist.  

“A smaller series or festival offers a unique and intimate connection with those who come to a theater and watch your film. It’s not about the publicity, or agents, or distributors. It brings us, as filmmakers, back to the fundamental reason we made this work: to listen for an answer back,” said David Peterson, director of Lift. 

In addition to personal, there are also practical reasons that the PJDS and other such events are vital to the endurance of documentaries, a genre that generally has far less star power and thus less funding than its cinema siblings. 

“These films would never have a chance if it was not for festivals and documentary series…to get distribution is really hard. That is where PJDS and other festivals can help.  You have to show distributors that you have an audience,” said Denny Tedesco, director and executive producer of Immediate Family.

After each viewing, audience members are given the opportunity to rate the documentary: Excellent, Very Good, Good, or Poor. At the end of the season, the votes are tallied and the Audience Award winner is announced. 

The members of the Film Board, which in addition to Boland, Feinberg, and Sverd, includes Honey Katz, Lynn, and Lorie Rothstein, then chip in money to donate to an organization of the winning director’s choosing. 

Sponsored the Greater Port Jefferson-Northern Brookhaven Arts Council, Maggio Environmental, Port Jeff Storage, Inc., and Covati and Janhsen, CPAs, with funding from Suffolk County, PJDS is seeking volunteers to assist with screenings, marketing, and social media. 

Theatre Three is located at 412 Main Street, Port Jefferson. John F. Kennedy Middle School is located at 200 Jayne Blvd, Port Jefferson Station.

A season pass for all seven documentaries is $56; single tickets are $10 online or at the door. To purchase passes, tickets, or for more information, visit www.portjeffdocumentaryseries.com.

A scene from ‘Lift.’ Photo courtesy of PJDS
Film Schedule:

■ The season begins with a screening of Dr. Tony Fauci at Theatre Three on March 6. This intimate film chronicles Fauci at home, in his office and in the corridors of power as he battles the ongoing COVID-19 pandemic and the political onslaught that upends his life and calls into question his 50-year career as the United States of America’s leading advocate for public health. Guest speaker is Director Mark Mannucci. Sponsored by Danfords Hotel & Marina and The Waterview at Port Jefferson Country Club.

■ Immediate Family will be screened at Theatre Three on March 13. If you listen to 1970s pop music, you’ve undoubtedly heard these guys play, but do you know their names? The documentary highlights five talented men—Danny “Kootch” Kortchmar, Leland Sklar, Russ Kunkel, Waddy Wachtel and Steve Postell—who shunned the spotlight for themselves, yet enjoyed decades of success as session musicians on iconic tracks. Guest speaker is Director Denny Tedesco. Sponsored by Danfords Hotel & Marina and The Waterview at Port Jefferson Country Club and the Long Island Music and Entertainment Hall of Fame in Stony Brook.

■ Next up is A House Made of Splinters at JFK Middle School on March 20. As the war in Eastern Ukraine takes a heavy toll on poor families living near the frontlines, a small group of strong-willed social workers works tirelessly in a special kind of orphanage to create an almost magical safe space for kids to live in while the state decides the fate of the child and family. The film is nominated for a 2023 Oscar in the documentary film category. Guest speaker is Director Simon Lereng Wilmont via pre-recorded Zoom.

■ I Am Not will be screened at JFK Middle School on March 27. Oren Levy, a young Israeli man, who is an adopted child with Asperger’s, faces challenges adapting. Suddenly, his life changes with the help of the camera, which becomes an extraordinary therapy tool assisting him on a long journey which takes Oren and his family to Guatemala in search of his identity. Guest speaker via Live Zoom will be Ehud Levy, Oren’s father and subject in film. Sponsored by North Shore Jewish Center in Port Jefferson Station and Temple Isaiah in Stony Brook.

■ The season continues on April 10 at Theatre Three with Lift which shines a spotlight on the invisible story of homelessness in America through the eyes of a group of young homeless and home-insecure ballet dancers in New York City. The story centers around ballet dancer and mentor Steven Melendez, who was a seven-year-old boy living in a Bronx homeless shelter who had his life turned around when he was the recipient of the New York Theater Ballet (NYTB) Project LIFT’s generosity. Guest speakers will be Director David Petersen and Steven Melendez, Principal Dancer & Artistic Director at the New York Theatre Ballet and subject in the film.

■ Bobi Wine: The People’s President heads to JFK Middle School on April 17. First-time co-directors Christopher Sharp and journalist Moses Bwayo tell the story of Bobi Wine, the musician-turned-politician leading the opposition to the 35-year regime in Uganda. Withstanding arrests, torture, and violence from the government, Bobi Wine and his wife Barbie risk their own lives and the lives of their children to lead their country towards freedom. Bobi Wine: The People’s President is a brave exposition of an authoritarian government that highlights the power of documentary journalism. The film won the Hamptons Film Festival 2022 Best Documentary Audience Award. Guest speakers via Zoom will be Co-Directors Christopher Sharp and Moses Bwayo. 

■ Unfinished Business, the final film of the season, heads to Theatre Three on May 22. An intimate look at the formation and legacy of the WNBA, and its flagship team, the New York Liberty’s, dramatic 2021 season, as they play for acceptance, respect, and the future of basketball. The film is named for a song “Unfinished Business” written for the New York Liberty basketball team in 2001 by Joan Jett, a Liberty super-fan who appears in the film. Guest speaker is Director Alison Klayman.

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Artist Hulbert Waldroup with his painting, The Life and Legend of Pyrrhus Concer, at the Whaling Museum of Cold Spring Harbor

By Tara Mae

Serving in one of the 19th century’s most profitable and perilous industries, Black mariners risked their lives, livelihoods, and liberty in the pursuit of a meager but available wage. The Whaling Museum of Cold Spring Harbor’s new two year special exhibition, From Sea to Shining Sea: Whalers of the African Diaspora, examines the too-frequently ignored Black heritage and contributions to the whaling industry.  

Guest curated by Dr. Georgette Grier-Key, Executive Director of Eastville Community Historical Society in Southampton, the exhibit opened on Feb. 15 and will run through 2024.

“This exhibit is focused on expanding and expounding on stories of Black mariners in maritime history and sharing the untold/under-told stories of whalers of African descent and whalers of color in our whaling history,” said Gina Van Bell, Assistant Director of the Whaling Museum.

From Sea to Shining Sea exhibit at the Whaling Museum

The exhibit casts the African American whalers for what they were: main characters in their own lives, who took up whaling as a means of survival and, in many cases, transformed it into a stepping stone for other successes.

“We want people to understand the vastness of their lives, which is sometimes missed,” Dr. Grier-Key said. “We really wanted to focus on that, just going a little bit deeper and not stopping at the surface of BIPOC whalers and their lives, probing what they were able to do and what it meant in the context of the times. We want to offer more of a world view, a holistic look at whalers and their lives.”

Like a ship’s crew comprised of many individual roles, this exhibit consists of items from the museum’s own archives as well as items on loan from 10 different historical organizations. It honors the artistic pull the sea has had on creators throughout the centuries by incorporating art inspired by the water and maritime culture.

Awash with primary source documents, artifacts, and artwork, the interactive display explores what life was like at sea and ashore for non-white mariners while contextualizing the greater experience of people of color who in lived in coastal areas during the 1800s. 

The story of one such Black man, Pyrrhus Concer, inspired local artist and Southampton gallery owner Hulbert Waldroup, whose oil on canvas painting The Life and Legend of Pyrrhus Concer (2022), is included in the show. This circular painting, reminiscent of the shape of a porthole, depicts in vibrant colors the nautical scope of Concer’s life, framed in repurposed boat wood rescued from a salvage yard. 

A formerly enslaved Southampton man of African descent, Concer became a sailor after he was freed in 1832 (slavery in New York formerly ended in 1827.) He sailed aboard the whaling ship Manhattan, the first American ship to visit Tokyo, Japan, where he was greeted with wonder, being the first Black man many of the Japanese had ever seen.

“It was painted purely out of love and respect for Concer,” Waldroup said. Drawn to the stories of Black cowboys and whalers, who have traditionally been erased from popular lore, Waldroup was intrigued by Concer, whose career as a whaler enabled him to establish himself as a businessman and philanthropist on the shore. 

Whaling and other maritime endeavors were often precursors for the precarious promise of more stable lives away from the water, but such pursuits were fraught. 

Part of the Sea to Shining Sea: Whalers of the African Diaspora exhibit at the Museum.

“The first Black Americans who were treated as ‘citizens,’ in a way, were sailors. During the nineteenth century, working as a merchant seaman or whaler was one of the few occupations which offered free Black people a relative level of independence and self-sufficiency, along with the opportunity to travel the world with a Seaman’s Protection Certificate,” said Executive Director of the Whaling Museum Nomi Dayan.

From circa 1796-1940, American mariners carried this document as proof as citizenship. It was particularly vital to Black sailors, as they were not defined as citizens under the law until the ratification of the 14th Amendment in 1868. 

African Americans took very big risks for mitigated reward when they sailed with whaling ships. When docking in harbors of the South, for example, they were subject to being jailed or captured and sold into slavery. 

From Sea to Shining Sea features receipts for the imprisonment and release of Alfred Gall, an African American crew member on the Cold Spring Harbor Whaling Company’s Tuscarora, whose captain had to bail him out of jail. His crime? Being a free Black man in a Southern port.

Yet despite the marine and manmade dangers, whaling was considered to be a viable, even comparably steady trade. The sea offered a sort of freedom to men who might not find it on land as long as the voyage did not kill them.

“Whaling employed the most diversified workforce among all other occupations at the time. Many whalers of color who endured hard work, poor pay, awful living conditions, and serious danger, chose to work at sea because work options on land were limited,” Dayan said. “African American whalers who faced work discrimination on land were more likely than other racial groups to continue whaling.”

Whaling records indicate that rank prevailed over the color of one’s skin. Recruiters did not record race, just complexion, which was a subjective categorization. Herman Melville, the white author of Moby Dick was even listed as “dark.” 

Light-skinned African American sailors had more opportunity for advancement. And while Black whalers did encounter barriers to advancing their ranks and were relegated to service-based positions, they usually earned the same rate of pay as other men of the same rank.

“On these voyages, your life and your counterpart’s life depended on how well you did you job. So in that way, you were equal in the sense of doing the work … tough, backbreaking work that was dangerous — you could lose your life but could achieve financial success,” Dr. Grier-Key said.  

This made whaling unique to other industries. Whaling could provide a sort of networking opportunity for the African Americans and other people of color. Ancillary jobs associated with the sea were also available to them, such as being caulkers and coopers. Wives of BIPOC whalers might be seamstresses for the captains’ wives. 

Such a utilization of community building is a trait understood by the team behind this exhibit, for whom From Sea to Shining Sea is a labor of love and longevity, part of the Whaling Museum’s ongoing efforts to share the whaling tales generally omitted from the history books.  

Dr. Grier-Key and Dayan served together on the board for the Museum Association of New York, and Dr. Grier-Key knew of Waldroup through her work in the Southampton community. Together with Van Bell, they coordinated an exhibit that the stories of BIPOC whalers are no longer submerged in the murky annals of time.

RELATED PROGRAMS:

Black History: Whaleboat Chat

Join the special edition of a Whaleboat Chat highlighting the Whalers of the African Diaspora exhibition on Tuesday, Feb. 21 at noon. Gather around the star of the museum’s collection, the whaleboat, and listen as a staff member shares the tale of the dangerous Nantucket Sleighride and the brave whalers. Free with admission. No reservations necessary.

Black History: Build-A-Boat Workshop

Drop by the Museum any time on Feb. 21 and Feb. 24 from 1 to 3 p.m. to learn about African American whalers who designed, built and worked on whaling ships in the 19th century and then imagine, design and create unique wooden vessel models out of a variety of materials in this open-ended workshop. ​Entry: Admission + $10 participant.

Beyond the Book

Join the Whaling Museum’s new book club! Read Whaling Captains of Color by Skip Finley at home and  go on new adventures through history. Then meet at the museum on Feb. 23 at 6:30 p.m. to dive deeper into the story through connections with the Museum’s collection. Adults only. $15 per participant. Registration required.

The Whaling Museum, 301 Main Street, Cold Spring Harbor is open Thursday to Sunday, 11 a.m. to 4 p.m. during the winter months, and Tuesday to Sunday, 11 a.m. to 4 p.m. in the summer. Admission is $8 for adults; $6 for seniors; $6 for children ages 4-17; free for children three years old and younger; and free for members. For more information, visit www.cshwhalingmuseum.org or call 631-367-3418.

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Sweetbriar Nature Center volunteer Dan Defeo with Hoover the Goat. Photo by Janine Bendicksen

By Tara Mae 

Hoover the Goat has foreseen the future…of football. Located in Smithtown, Sweetbriar Nature Center’s resident sports seer has predicted that the Philadelphia Eagles will beat the Kansas City Chiefs in the Super Bowl this Sunday.

Sweetbriar Nature Center volunteer Dan Defeo with Hoover the Goat. Photo by Janine Bendicksen

In a video posted to Sweetbriar’s social media accounts on Feb. 5, Hoover, who normally prefers hay, vegetables, and goat food, can be seen rather emphatically eating up the idea that the Eagles will take home the Vince Lombardi Trophy. 

If there is a method to his magic  (Hoover has correctly predicted the Super Bowl winner for the past five years) he has selected not to share it. When pressed for comment about his decisive digestives, Hoover declined to spill the oats. 

Since he is not one to reveal trade secrets, the origin of Hoover’s psychic prowess remains a mystery. Nonetheless, he is adamant in how he articulates his chosen team. 

“We make up pictures of the two teams, and whichever one he eats is the winner. Hoover is very precise: he thinks about it and then takes a chomp,” said Wildlife Rehabilitation Director Janine Bendicksen. As a rule, Hoover does not deign to get emotionally involved in the team he tastes, but Bendicksen does wonder if they would otherwise cheer for the same one. 

“I am just curious to see if he goes for the underdog or the sure win. I always go for the underdog,” she added.

Rooting for the underdog is a common experience for the staff and volunteers of Sweetbriar, a wildlife education, preservation, and rehabilitation center; they may see and treat hundreds of injured animals in a year. Many come for a recuperative stay and are rereleased when rehabilitated, but others live out their days in structures located on the preserve’s property, tended to and supported by a dedicated group of caregivers.

A Sweetbriar rescue who has lived at his forever home for 13 years, Hoover is one of approximately 100 permanent residents. He is, thus far, the only creature that has exhibited such clairvoyance at the sanctuary.  

“We were looking to figure out an animal that might be able to predict the Super Bowl as a spoof, and Hoover has never been wrong,” Bendicksen said.   

Although Hoover does not perform his talent for a live audience, opting to make his selection with only a couple of his opposable-thumbed friends in attendance, Sweetbriar does offer many other many programs and events that allow patrons to interact with the organization’s ambassador animals. 

Hoover the Goat chomps down on a piece of paper depicting his pick for the winning team.
Photo courtesy of Sweetbriar Nature Center

“Hoover prefers not to participate in our events and we always honor the animal’s feelings,” said Program Coordinator Veronica Sayers.

Still, the impact of Hoover’s social media presence is an asset to Sweetbriar’s efforts to educate and inform the public while protecting and preserving wildlife and its natural habitat. As a nonprofit that relies heavily on donations, Sweetbriar Nature Center utilizes all the tools it has available including social media and community outreach. 

“We mainly use this to educate the public. The more people know about wildlife, the easier our jobs get,” Sayers said. “Social media is a way to get to a lot of people and educate them. For example, in the last five years, possums have gone from being viewed as pests to being appreciated. Social media helped fix that perception.”

To witness Hoover make his prediction, visit Sweetbriar Nature Center on its Facebook page or on Instagram @sweetbriarnaturecenter. 

Sweetbriar Nature Center is located at 62 Eckernkamp Drive, Smithtown. The nature center and preserve are open daily, from 9 a.m. to 4:30 p.m. To learn more about Sweetbriar’s upcoming activities and programs, including a day camp for children ages 6-11, during the February public school break, visit www.sweetbriarnc.org or call 631-979-6344.  

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Abraham Lincoln presenter Garry Rissman heads to the St. James Community Cultural Arts Center on Feb 12.

By Tara Mae

Legacy is where man and myth intertwine. More than a summation of his best ideals, the heritage of President Abraham Lincoln’s humanity takes the stage on his birthday, Sunday, Feb. 12 at 1 p.m. when he visits the St. James Community Cultural Arts Center in Celebrate St. James’ latest Living History event.

Garry Rissman, an Abraham Lincoln presenter, is the conduit for the 16th president. His interactive presentation will consist of scenes from three different plays in which Rissman inhabited the role, a monologue from the movie Lincoln, a game, and an audience Q&A session. 

Abraham Lincoln presenter Garry Rissman heads to the St. James Community Cultural Arts Center on Feb 12.

“Many attendees are history buffs and their questions display their knowledge of the historical figures. So far, the Living Historians have been great — they really assume their character — costumes, persona, mannerisms, etc. They are knowledgeable and able to answer audience questions. You would think you are actually in [the historical figure’s] presence,” said Celebrate St. James President Patricia Clark.

Historical re-enactors and living history interpreters showcase an amalgam of artistry, history, and theatricality. They make the past present, facilitating scenarios in which audiences are not simply observers but rather cooperative collaborators participating in the presenter’s paradigm. 

In this spirit, Rissman’s Lincoln interacts with his supporters, engaging with them throughout the program and creating an immersive experience. 

“The audience members who volunteer to read lines in the Civil War plays really feel more involved by being the characters. It is very fulfilling to see them enjoy a living history lecture,” said Rissman.

A member of the Association of Lincoln Presenters for nearly six years, Rissman, who also belongs to the Screen Actors Guild, has appeared as Honest Abe on stage and screen as well as in private and public occasions. 

Not unlike Lincoln, Rissman’s preferred profession is a second career. Whereas Lincoln was first a lawyer, Rissman was initially a working actor. Both roles benefit from a gift of oration.  “I decided that being a living historian was more fulfilling than being an actor in a play with little to no pay and usually no possibility of getting a copy of my performance. I can do things my way,” he said. 

Abraham Lincoln presenter Garry Rissman

Having found his path, Rissman had not yet selected the persona he would portray as he walked it. Initially, Rissman experimented with representing other prominent men of history, but they were not the right fit, so he sought inspiration from his previous occupation. 

Like the five o’clock shadow that eventually yields a full beard, Rissman’s association with President Lincoln grew from portraying him in a play at the Incarn Theatre in Brooklyn to embodying him as a full time job. 

“I was playing Lincoln in a Civil War play from [the] Incarn Theatre when I decided to go to the yearly Lincoln festival in his hometown of Hodgenville, Kentucky,” he said. “I believed that I needed to experience the Association of Lincoln Presenters first hand before deciding to spend the $200 for a lifetime membership.”

Finding resources and community to support his passion, Rissman, who is based out of New York City, embarked on his campaign of traveling Lincoln presenter. While he has been stumping, the staff and volunteers of Celebrate St. James have been organizing innovative programming to facilitate not only its mission of rejuvenating the town but buying the historic building in which it rents space.  

Celebrate St. James resides in the historic Calderone Theatre. Built in the early 1900s, the organization hopes to purchase the building and restore it as a functional theater and creative arts space. Fundraising efforts are in the early stages and the Living History series, highlighting speakers and living history presenters, is a means of spotlighting the town’s robust history and paying homage to its theatrical roots. 

These talks constitute Act One of the organization’s ongoing initiative to engage the public in local culture by invoking the past into the present. 

“Our goal is to bring attention to the history of St. James, which is a hamlet with a very rich past,” Clark said. “We want to revitalize St. James as the flourishing hamlet it once was by bringing the cultural arts to our community to drive economic growth.”     

Clark and members of her team have been inviting living history presenters to speak at their events following successful visits from Mark Twain, George Washington, and Alice Roosevelt Longworth, President Theodore Roosevelt’s oldest daughter, among others. Rissman and Clark connected via the Association of Lincoln Presenters’ official website.

“The historical recreations have become a regular series of events … Living History: Abraham Lincoln is a very family friendly educational/entertaining event and we encourage attendance from families with school age children to see the Living Historians bringing these historical characters to life,” Clark said. 

Other Celebrate St. James endeavors include art exhibits, art classes, senior fitness classes, comedy shows, a virtual book club, various children’s events, a classic film series, and summer concerts at Celebrate Park this summer. 

St. James Community Cultural Arts Center is located at 176 Second Street, 2nd floor (no elevator), in St. James. Tickets to Living History: Abraham Lincoln are $25 per person, $20 for members, $10 children ages 10 and up. The event will be followed by a Q&A and refreshments will be served. For more information, visit www.celebratestjames.org or call 631-984-0201.

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'Butterfly Exhibit' by Catherine Rezin
'Avalon Pond' by Catherine Rezin
'Reeds' by Karin Dutra
'Empty Comforts' by Paul Mele
'Hairy Coo' by Renee Caine
'Where We Part Ways' by Paul Mele
'Mother Nature' by Rhoda Gordon
'Josh Grobin' by Angela Stratton

By Tara Mae

One of the most generous gifts of an artist is the ability to translate private inspiration into communal offering so that viewers experience, rather than simply assess, art. 

The latest exhibit at the Mills Pond Gallery in St. James, Winners Showcase, features six local artists associated with the Smithtown Township Arts Council (STAC) who employ their craft as a means of communication with the world around them, enabling patrons to appreciate the simple intricacies of both everyday existence and the natural world. 

On display from Jan. 28 to Feb. 24, the exhibition presents approximately 55 pieces in multiple styles by Rhoda Gordon of Port Jefferson Station, Paul Mele of Island Park, Renee Caine of Holtsville, Karin Dutra of Port Jefferson, Catherine Rezin of Nesconset, and Angela Stratton of Selden, all of whom have shown at the gallery before. 

Gordon, Dutra, and Mele were winning artists from the 2022 Winners Showcase while Caine, Rezin, and Stratton were winning artists from the 2022 exhibit Long Island Landscape: From Awe to Action. 

“I love the Winners Showcase, as it is an opportunity to see a larger body of work from each artist. It is so interesting to sometimes discover that even in works of different mediums or color palettes, a common thread connects all their work either in technique or their creative voice and what they are trying to say in their work,” said Allison J. Cruz, Executive Director at the Mills Pond Gallery.

More than entertainment and aesthetics, art is an intimate conversation between creator and consumer. Featuring works in oil, acrylic, and pastel as well as photography and mixed media works in pastel and watercolor, pastel and ink, and watercolor and gouache, this exhibit is a dialogue in which the artists speak through their work. 

 What they choose to say is at their discretion. Winners Showcase has no particular theme and, once invited to participate, artists submit any pieces they choose, demonstrating a range of perspectives and portfolios.

“Even artists who I am familiar with will sometimes surprise me in a Winners show with a style or subject that I had no idea they pursued,” Cruz added.  

Divergent in style and substance, these works include abstract townscapes, reflective portraits, contemplative still life, tranquil nature scenes, and evocative photography. Not bound by an overarching topic, the art is uniquely personal and unflinchingly universal. It encompasses the whimsical and wondrous, the pastoral and pensive. 

Paul Mele’s photography series Confinement,  chronicling his grueling years’ long recovery from a car accident, explores dark, seemingly abandoned spaces that nonetheless offer a hint of relief, from a door ajar or a window that permits stubbornly optimistic sunlight to stream inside. 

“I kind of feel my work balances between a positive and negative, light and dark. I tend to be drawn to images that are more dark, but there is a lighter overtone in my work,” said photographer Paul Mele. “This is the most personal thing I have ever done.”

Hope is perhaps the component that appears in each print and on every canvas throughout the show: hope for a brighter future, hope to be understood. In subdued tones and vivacious palettes, realistic renderings and abstract observations, this ambition transcends from artists to audiences. 

Sharing art is an inherently brave act, making one vulnerable to public consumption while seeking understanding from those who observe and perhaps, admire. “It is nice when people see your work, relate to it, and appreciate it for it is,” Mele said.  

Catherine Rezin, a multi-genre artist, shares this sentiment, and views art as a means to forge a benevolent connection.

“In general, I want to portray the positive feeling I have of the subject to my viewer,” she said. 

Through strokes of watercolor and gouache paints, this attitude is revealed in her vibrant vistas, lush landscape, and affectionate portraits alike. She began exhibiting her art three years ago, after retiring from her career as a commercial artist. 

“I am now enjoying creating art for the love of it,” she added. 

Such passion is evident throughout Winners Showcase, a celebration of the courage of creation and ecstasy of expression. 

The public is invited to an opening reception on Saturday, Jan. 28 from 1 to 4 p.m. to meet the exhibiting artists and view their work. 

Mills Pond Gallery is located at 660 Route 25A, Saint James. Hours of operation are Wednesdays to Fridays from 10 a.m. to 4 p.m. and weekends from noon to 4 p.m. 

For more information, call 631-862-6575 or visit www.millspondgallery.org.

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'Thirteen Moons: Nature Adapts and Transforms' by Anne Seelbach. Image courtesy of Gallery North

By Tara Mae

Nature’s beauty is at once defiantly delicate and stubbornly resilient. Elements Adrift, on view at Gallery North from Jan. 12 to Feb. 19, considers the alchemy and artistry of the natural world as expressed through Long Island artist Anne Seelbach’s oil, acrylic, and watercolor paintings as well as mixed media pieces.

Seelbach’s first solo show at Gallery North, it consists of approximately 35 works from three different series that organically ripple outward, encompassing the serenity of the sea and the perniciously predatory impact of pollution. Elements Adrift explores the inspiration found in the environment and the toxicity inherent in careless encounters with it.  

‘Thirteen Moons: Nature Adapts and Transforms’ by Anne Seelbach. Image courtesy of Gallery North

“Seelbach’s figural abstraction reflects her fascination and love of nature and interest in pointing to those elements that are polluting and deprecating it. In the past, she has tried to bring attention to that through her work,” said Gallery North’s Executive Director Ned Puchner.

Put together, each individual series transforms from island unto itself to an archipelago of artistic expression, chronicling Seelbach’s relationship with the world around her and transitioning the audience from one sequence into another. 

“Some pieces are really fascinating in that they show [Seelbach] moving on…you see her moving from one series into another, and I think that is really where the excitement in her work lies. She goes from series to series and in each series, she will sort of dwell on a topic and then move on, finding new avenues to build off of,” Puchner said. 

The first collection, “Troubled Waters,” follows the ebbing of natural resources as pollution flows into and interferes with sensitive ecosystems. Drawn to the seascapes of Peconic Bay off Long Beach in Sag Harbor and the Napeague Harbor at Lazy Point Beach in Amagansett, Seelbach’s work evolves to encapsulate the devolution of marine life as the disruption and detritus of humankind menaces it. 

“Instead of painting traditional landscapes, I always ask the question, ‘What is happening?’ in nature, rather than painting a beautiful view,” Seelbach said. “The landscape and seascape are created by forces of nature, the change of seasons, with the rotation of the earth. This is what I try to get at.”

Dance into the Unknown, 2014, oil on canvas, 30″ x 30″ by Anne Seelbach. Image courtesy of Gallery North

The vague abstraction of her fish renderings in this series came from fact, as the pollutants were actually getting into aquatic animal reproductive systems and causing deformities.

“When I started the series the fish were more realistic. I had to find a way to represent the effects of the chemicals. So, I stylized the fish form and duplicated it to create stencils of schools of fish,” she explained. 

Seelbach’s fish and other animal stencils are frequently made from repurposed and up-cycled washed up or left behind bits of metal, plastic, and netting from which she rescues the shoreline. 

While nature may have been shifting and changing around her, with rightful residents being harmed by invasive interlopers, Seelbach’s relationship with it remains steadfast and symbiotic, as reflected in her “Moon Paintings” series. 

These works, conjured from summer trips to Monhegan Island, Maine, illuminate the serenity she found walking along the sea cliffs, gazing at the lunar lit waters below. 

“I am still interested in the edge, where land, water, and sky meet…The moon shining on the sea and in tidal pools inspired these paintings,” Seelbach said. “As the sun nurtures the growth of everything by day, I suggest that the moon nurtures creative thought, ideas and possibility at night. I get most of my ideas at night when my mind is drifting, without a particular thought.”

Primarily painted on paper rather than on canvas, the “Moon Paintings” are imbued with deep blues and other hues that convey the depth of the setting’s nighttime repose. Yet, in these works, the moon is both a light and power source, rejuvenating sea, sky, and artist.

In fact “Earth: The Elements,” the third series to be highlighted in the exhibit, was a concept that came to Seelbach as she sat on the cliffside rocks and boulders. 

Earth: mercury (Vermillion), 2020, acrylic and reflective paint on linen, 30″x36″, relates to the planet Mercury by Anne Seelbach. Image courtesy of Gallery North

“They made me ask ‘What is the Earth?’ And immediately I thought of the elements. Thinking about each individual element, what it was and a bit of its history, I realized that many were acknowledged thousands of years ago, by the scientists of that time, the alchemists and philosophers,” Seelbach said.

Breaking down these otherwise immovable objects into their most basic essence, Seelbach sought to honor the individuals of the past who had understood better than to take them at face value. So, within some of these paintings, she includes the alchemical symbol of the historical elements and the periodic table designation.

Each element Seelbach selects is thoroughly, albeit abstractly, examined and expressed. Similar to the other two series, “Elements” inner complexity and vitality is amplified by Seelbach’s color palette and painting style. Rich, earthy tones and texture add dimension and definition to the paintings. 

“I was really drawn to the raw energy of them, dark and muddy in certain places,” Puchner said. “In all of her art, there is a kind of an endless search for beauty in nature. Even in the study of the earth’s elements, at root is her trying to explore the minerals and elements that exist within the nature that she brings into her artwork.”

Seelbach’s art is an outlet for her observations, an investigation of the inquiries raised by striving to be attuned to the world around her. At its core, her art seeks to explore and observe rather than obfuscate. 

“I paint what is. I see landscape as formed by the forces of nature, the seasons, the rotation of the planet. The question I ask sitting on the beach or a rock is ‘What is happening?’ What are the forces of nature that underly what I am looking at?” she said. 

Patrons are invited to make their own discoveries about nature through Elements Adrift. An opening reception will be held tonight, Jan. 12, from 6 to 8 p.m. As a complement to the exhibition, Gallery North will present a lecture on the marine ecology of New York’s waterways by Patricia Woodruff from the School of Marine and Atmospheric Sciences at Stony Brook University on Jan. 20 at 6 pm. Gallery North will also host an ArTalk with Anne Seelbach on Feb. 4 at 3 p.m. 

Located at 90 North Country Road, Setauket, Gallery North is open Wednesdays to Saturdays from 11 a.m. to 5 p.m. and Sundays from 1 to 5 p.m. For more information, call 631-751-2676 or visit www. gallerynorth.org.

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'Witch House' by Bryan Sansivero

By Tara Mae

When a once bustling home has languished into landscape, what lingers in the places where people once lived? Dreams of Decay: Shining a Light on Abandoned Places, a photography exhibit by Bryan Sansivero at the Huntington Public Library, 338 Main St., Huntington from Jan. 6 to Feb. 3, 2023, explores what remains and what may be reclaimed. 

Self-portrait of photographer Bryan Sansivero in front of the ‘Witch House’

Consisting of approximately 30 color photographs, ranging in size from 6”x4” to 20”x30,” the exhibit is Sansivero’s first solo show and chronicles his travels through Europe and North America, showcasing homes and other habitations that have been given up to the ravages of time.

“I have always been interested in abandoned spaces, old architecture,” Sansivero, who grew up in Huntington, said. “I am a very curious person; if something is abandoned and the door is open, I am going in to photograph it. I have seen hundreds of houses; I just photograph the ones that make you go ‘Oh my gosh,’ like the things left behind.”

Reflecting his ties to the community, some of the settings may be familiar to visitors, such as a Huntington mansion, a Commack farmhouse, and Bogheid, a historic estate in Glen Cove.

These deserted structures, frequently abandoned due to inheritance issues and disputes, are time capsules to places and people of the past. In Sansivero’s photos, among the light and shadows, the audience finds hints as to when comfort became careworn: crumbling wallpaper, disowned toys, tintype photographs, artifacts of age. 

With the absence of conventional subjects, the homes and their inanimate inhabitants become the sitters for portraits of ruin and reclamation. Sansivero’s photographs take patrons on a transAtlantic tour of everything from cottages to chateaus, in local, national, and international locations.

“I want some kind of story to be in my photos, almost like you’re reading a novel. People tell me that they see so many stories in my photographs. Sometimes I can research the families that lived there, people may want to know the background, etc., but I think not knowing may be better so you form your own opinions; an intentional mystery,” he added. 

‘American Flag Piano’ by Bryan Sansivero

The inherent intrigue of abandoned places is what first drew Sansivero to them. As a college student studying film, his senior thesis was a short documentary shot at the former Kings Park Psychiatric Center, now the site of Nissequogue River State Park. Then, while visiting family in Pennsylvania, the open door of an abandoned home lured him inside. The rest, as they say, is history.

“When I found that house in Pennsylvania with everything left behind — an old suit in the closet, an old piano, old photographs — it was like a movie set, or the entry into another time period,” Sansivero said. 

It ignited a passion that led Sansivero to sojourn in search of forgotten or abandoned places. Through online and in-person networking, he makes contacts both here and abroad who connect him with deserted houses and institutions. 

This system has created a sprawling body of thousands of images, selections of which he shares with the public. Using Instagram as an interactive catalog for many of his images, Sansivero, who also does editorial and portrait photography, published a photo book in 2021 about his trips through the United States titled American Decay: Inside America’s Forgotten Homes. A follow-up, sharing images from his journeys through Europe, is currently in development. 

Dreams of Decay is a crossroads of his travels; while some of the images in the exhibit have been featured on Instagram or in his book, others will be making their public debut. The resulting exhibit will highlight Sansivero’s most popular photos as well as his personal favorites.

“I am really excited to showcase them,” he said. “I cannot wait to see the reactions from people, particularly strangers, and get some input and insight…see how they are responding, especially to the new work. It is amazing to have my very first show in my hometown.”

‘Dollhouse’ by Bryan Sansivero

Brittany Bowen, the Art Gallery and Display Cases Coordinator for Huntington Public Library, first reached out to Sansivero a few years ago after she discovered his photography while researching local artists online. 

“…I was so taken with his work that I reached out to him immediately. I was very excited when he enthusiastically accepted my invitation to exhibit here. I tend to gravitate toward art and photography that captures mystery and intrigue. Bryan finds beauty in the unconventional, and I appreciate that. I think others will, too,” she said. 

The public is invited to an opening reception on Jan. 6 from 6 to 9 p.m. Viewing hours are Monday to Friday from 9 a.m. to 9 p.m.; Saturday from 9 a.m. to 5 p.m; and Sunday from 1 to 5 p.m. For more information on the exhibit, call 631-427-5165. To learn more about Bryan Sansivero’s work, visit www.bryansansivero.com. 

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Stitch the Red-Tailed Hawk is just one of many raptors living at Sweetbriar Nature Center in Smithtown. Photo by John Davis

By Tara Mae

Birds of a feather, come together to support Sweetbriar Nature Center’s latest event, Rock ‘N’ Raptors, that puts the “fun” in fundraisers! The celebration will be held on Sunday, Dec. 11 at the Bates House, 1 Bates Road in Setauket from 2 to 6 p.m. Proceeds will benefit the Smithtown wildlife rehabilitation and nature preserve.

Meet Lily the Great Horned Owl at the Bates House in Setauket on Dec. 11. Photo by John Davis

“We have never done an event that featured only raptors, though they are the majority of what we have [at Sweetbriar], so it is an important opportunity to promote them. They are really expensive to feed…and since organizations like ours are not funded by the state or local governments, we largely depend on the generosity of our supporters,” said Sweetbriar’s Director of Wildlife Rehabilitation Janine Bendicksen.

The fundraiser will feature live music, raffles, games, and other activities. An auction, currently underway online, will conclude in person that night. St. James Brewery will provide beer and other beverages while Maui Chop House’s food truck will be onsite offering savory snacks. Homemade baked goods, created by volunteers, will be available for purchase. The guests of honor, raptors including a barn owl, Eurasian eagle owl, great horned owl, red tailed hawk, will make a fashionably late entrance as the music fades out, intermingling with guests and performing a demonstration. 

Brimstone (William M. Kucmierowski), a pro-wrestler, author, actor, and host of The Grindhouse Radio, will act as Master of Ceremonies for the afternoon. Three different tribute bands will provide the soundtrack for making merry and raising money: The Petty Rumors, a Tom Petty and the Heartbreakers cover band; Streetfighter, a Rolling Stones cover band; and 70s Rock Parade, a genre cover band. Each will each play a 45 minute set. All of the entertainment is donating their time. 

Having first connected with Sweetbriar through social media when he reached out to Bendicksen to see if he could meet baby squirrels being cared for in its rehabilitation unit, Brimstone is happy to lend his name and talents since he wants to amplify both the center’s work and its needs. 

“As a native Long Islander, I have known about Sweetbriar for many years, but I did not know in detail the true heroes they are until I was going back and forth with Janine on social media,” Brimstone said. “I got to see what they do at Sweetbriar and how they rehabilitate the animals. They are overworked and underappreciated and it kills me that they do not get the help, attention, and assistance that they deserve.”  

Meet Nebula the Barn Owl at Sweetbriar’s fundraiser on Dec. 11. Photo by John Davis

John Davis, who has been volunteering at Sweetbriar for two years, was similarly drawn to work with Sweetbriar after he visited the center and explored the nature preserve while participating in a photo shoot with a photography club. Now, he volunteers there a couple days a week and primarily handles the raptor residents, inspired by their majesty even in adversity. 

“They are majestic, powerful, efficient, streamlined, glorious hunters that are incredibly beautiful. What I find most interesting with our raptors is despite their shortcomings, whether it’s wing injuries or vision loss…or both, they’ve all found a way to adapt. They know their own  aviaries and navigate then with precision despite not being able to fly or see,” he said. 

As a tribute to the raptors and a sign of his dedication to the cause, Davis is coming out of retirement for one night only, resuming his role as the bassist and a vocalist for 70s Rock Parade. (He retired from the group last year.) Davis also helped connect the musicians with Sweetbriar.

The power of community interdependency, both in the animal kingdom and human society, are themes that tie this event and Sweetbriar’s mission together. Located on 54 acres of diverse garden, woodland, field, and wetland habitats, Sweetbriar’s rehabilitation unit, in addition to the raptors, houses other animals, such as rabbits, squirrels, songbirds and even tarantulas. 

There are over 100 permanent residents who call Sweetbriar home. Many of them live inside the center, but most reside in permanent enclosures. The staff and volunteers of the center, who may receive hundreds of calls a day about distressed or injured wildlife, treat more than 2000 patients a year, over half of whom are rehabilitated and released back into the wild.  

Addie the Red-Tailed Hawk is just one of many raptors living at Sweetbriar Nature Center in Smithtown. Photo by John Davis

“What the people of Sweetbriar do is incredible. They care for injured animals rehabilitate them, if they are not able to be released, Sweetbriar keeps them for their lifespans,” Davis added. 

Ultimately, the goal of Rock ‘N’ Raptors is simple: to enable to Sweetbriar to continue its lifesaving work while encouraging people of all ages to appreciate and enjoy the beauty of the natural world and its inhabitants.  

“Sweetbriar is so special, and as a nonprofit, it relies on people’s generosity and good hearts…I show up to the center and my blood pressure goes down; it is my zen,” Davis said.

Tickets to Rock ‘N’ Raptors are $25 each, free for children under the age of 12. To register, visit www.sweetbriarnc.org. For more information, call 631-979-6344. 

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Darren and Sal St. George

By Tara Mae

Seasons greetings from St. George Living History Productions in conjunction with the Leo P. Ostebo Kings Park Heritage Museum! On Saturday, Nov. 19, at 11 a.m., St. George Living History Productions will present the Holly Jolly Holiday Party, at RJO Intermediate School, 99 Old Dock Road Kings Park which houses the museum. 

The two hour extravaganza, featuring a lecture, Q&A session, and luncheon, is St. George Living History Productions’ first in-person event in more than two years. It is a multifaceted celebration of holiday television specials of the past and the festive spirit of the present.  

“This is not just a lecture, it is a holiday party. There will be some games, dancing, and fun. The playlist will consist of classic holiday favorites,” said Sal St. George, co-founder of St. George Living History Productions. “People are going to have a wonderful time and it will bring back so many nostalgic memories.”

Unforgettable musical interludes include clips featuring timeless stars such as Julie Andrews, Lucille Ball, Ella Fitzgerald, Danny Kaye, Nat King Cole, Johnny Mathis, Bing Crosby, and David Bowie. Classic holiday films will also be represented with scenes from “It’s a Wonderful Life” and “White Christmas.” 

Even the lunch menu embraces the theme of holiday nostalgia, featuring recipes from The Frank Sinatra Celebrity Cookbook. “All of the food we serve are celebrities’ favorites,” said Darren St. George, creative director of St. George Living History Productions. 

Bringing history to life and honoring the past as it informs the present and inspires the future are tenets of Sal and Darren personally and St. George Productions professionally. 

The production company is a family affair. Founded over 30 years ago by Sal and his wife Mary, Darren joined his parents in the business at a young age. Now Darren’s wife Cassandra also works for the company. This mini-community formed from strong interpersonal connections is a key force behind-the-scenes, and Sal wants others to be able to create such bonds through the links of shared interests and communal warmth.  

During the start of COVID lockdown, Darren developed a plan to offer Sal’s entertainment lectures via Zoom. This then expanded into virtually touring celebrity and cinema history museums, with proceeds going to benefit those organizations. Sal still does a weekly Zoom lecture on Mondays. 

Envisioned by Sal years ago as a community building event that celebrated the merriment of televised holiday concerts and variety shows, the Holly Jolly Holiday Party strives to invoke the comfort of these viewing experiences while encouraging attendees to celebrate the company of each other. And, as with any St. George production, the underlying theme is entertainment that is both educational and ebullient.  

“This is something I have wanted to do for a long time,” Sal said. “People are going to have a wonderful time and it will bring back so many nostalgic memories. We want people to walk out of there with smiles on their faces.”

That goal is shared by Dr. Timothy Egan, superintendent of the Kings Park School District, which includes RJO Intermediate School. Sal and his wife Mary, the other co-founder of St. George Productions, originally reached out to him about a potential collaboration prior the pandemic. 

“I am looking forward to history being brought to life. I am also looking forward to hosting history-related events at RJO Intermediate School once again. The building (1928) was the original K-12 site of the Kings Park Central School District,” Egan said. 

“There are quite a few people that are by themselves and we welcome them to come and be party of the family — they should not feel funny coming by themselves…People have had such a hard time the past few years, and we want to help them put that behind them,” Sal said. 

$1 of each ticket sale goes directly to the Leo P. Ostebo Kings Park Heritage Museum, which was created in 1994 and officially established by the Kings Park Central School District’s Board of Education to preserve the history of the hamlet of Kings Park.

For individuals who prefer to virtually attend the party, it will be broadcast via Zoom. Tickets may be purchased online at www.stgeorgelivinghistory.com.

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