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Cinema Arts Centre

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Alan Cumming signs a copy of his book,'Baggage: Tales of a Fully Packed Life,' for a fan. Photo by Iris De Vita/ Iris De Vita Photography
Alan Cumming is interviewed by producer and curator Jud Newborn in front of a packed audience. Photo by Iris De Vita/ Iris De Vita Photography
Alan Cumming is interviewed by producer and curator Jud Newborn in front of a packed audience. Photo by Iris De Vita/ Iris De Vita Photography

Alan Cumming has become a stalwart and superbly entertaining supporter of Huntington’s Cinema Arts Centre, making yet another appearance there — his third — on Feb. 24.

As at past events, all ticket holders received a copy of Cumming’s second memoir, Baggage: Tales of a Fully Packed Life. Cumming’s documentary, My Old School, was screened first at the sold-out event, followed by an interview with audience Q&A, hosted by producer and curator Jud Newborn.

Audiences were regaled by examples of Cumming’s kaleidoscopic career and his array of award-winning credits in every genre of entertainment. Apart from audience adoration, the main spirit was one of good-natured hilarity — and Cumming left, with a light-hearted “see you next time!”

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Reviewed by Jeffrey Sanzel

Scottish actor Alan Cumming launched to prominence with the 1998 Broadway revival of Cabaret. Having first played the role at London’s Donmar Warehouse, the Sam Mendes-directed production shifted Cumming from working actor to star. He returned to his award-winning role in the 2014 revival. In the course of a three-decade career, he has amassed a huge list of acting credits: onstage (everything from Noel Coward’s Design for Living to a one-person MacBeth), screen (Titus, GoldenEye, Spy Kids), and television (The Good Wife). 

In addition, Cumming is a director, an LGBTQ+ activist, and a gifted writer. Unlike many celebrities who have found their way onto the printed page via “as told to” or ghosted autobiographies, Cumming’s first work was the novel Tommy’s Tale (2002). The book was a darkly comic and highly revealing roman a clef. He followed this with a fascinating and complicated look at his relationship with his abusive father, Not My Father’s Son (2014), directly resulting from his appearance on the genealogy show Who Do You Think You Are? 

His next work, You Gotta Get Bigger Dreams: My Life in Story and Pictures (2016), presented a mediation on his life through his personal cache of photos. The book served as almost a sketch for his powerful memoir Baggage: Tales from a Fully Packed Life (2021). 

In all his works, he is forthcoming about his struggles, triumphs, doubts, and desires. Baggage is a clear-eyed, sometimes outrageous but always honest account of a career with many highs but also an equal number of challenges. He is forthcoming about his substance use, his relationships, and his struggles. 

Unflinching accounts of partying are juxtaposed with revelations about his family and those closest to him. Whenever possible, he praises his artistic collaborators. He reserves overwhelming gratitude for friends who have stood by him in dark times. He shares his joy and appreciation for meeting his husband, Grant Shaffer. (Cumming discusses the difficulties of his first marriage to actor Hilary Lyon, with whom he planned on having children.) 

Throughout the book, his wit shines through, often in gallows humor when describing particularly difficult outings (such as his work as Nightcrawler in X2). The details in his stage and screen work beautifully portray a performer’s life, recounting and dissecting everything from  auditions to closings. He offers insight into film shoots, red carpets, and press junkets. 

Cumming balances self-deprecation with a sense of accomplishment. He reveals a strong survival streak in a man who has grappled with and overcome his demons. Even his meditation and views on the term “making love” are revelatory. “The more my life has changed, the closer I have come to a place of authenticity. Although I began this book by refuting the notion of having triumphed, I do see great victory in becoming yourself.”

Cumming will appear at the Cinema Arts Centre, 423 Park Ave., Huntington on Feb. 24, at 7:30 p.m. The sold-out event will include a screen of the documentary My Old School. 

A scene from ‘My Old School’

The 2022 documentary deals with the Brandon Lee scandal. In 1995, authorities discovered the supposedly seventeen year-old Bearsden Academy student, Brandon Lee, was actually a thirty-year-old former student, Brian MacKinnon. The film explores the bizarre story with a combination of present-day interviews with MacKinnon’s fellow students and teachers, animated recreations, and archival footage. While MacKinnon agreed to be interviewed, he declined to appear. Instead, Alan Cumming stands in for him, lip syncing the audio of the interviews. The film premiered virtually at the 2022 Sundance Festival. 

Following the film and a discussion, Cumming will sign copies of his book, Baggage, at a reception that includes a live jazz performance by guitarist Mike Soloway and drummer Mike Leuci.

For more information, call 631-423-7610.

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A scene from Cinema Paradiso. 1988. Cristaldi Film. Courtesy of Titanus & Miramax.
The Cinema Arts Centre will host a three-day celebration of Italian Cinema

In the month of January, Huntington’s Cinema Arts Centre will host a celebration of Italian Cinema. The three day series will feature new restorations of several of Italian cinema’s most enduring classics: Giuseppe Tornatore’s Academy Award winning Cinema Paradiso, Federico Fellini’s La Dolce Vita, and Bernardo Bertolucci‘s The Conformist. As well as film screenings, the series will be ornamented by a live concert from Italian vocalist Mafalda Minnozzi.

The series celebrates the vibrant decades-spanning oeuvre of Italian cinema’s greatest artists, presenting the newly restored films for rare big-screen viewings. Each of the three films will feature post-film discussions, where cinema staff and program patrons will examine filmmaking techniques used in the films, the history of Italian cinema, along with the impact these films had on cinema as a whole.

The Cinema Arts Centre’s Italian Cinema program will begin on Sunday, January 29th with a screening of Cinema Paradiso, and an Italian Cinema Concert, and will run for three consecutive days, concluding with a screening of La Dolce Vita on Tuesday, January 31st.

The Films:
Cinema Paradiso (1988)
Sunday, January 29th, Brunch at 10 AM | Film at 11 AM
Winner of an Academy Award for Best Foreign Language Film, Cinema Paradiso is the beautiful, enchanting story of a young boy’s lifelong love-affair with the movies. Set in an Italian village, Salvatore finds himself enchanted by the flickering images at the Cinema Paradiso. When the projectionist, Alfredo, agrees to reveal the mysteries of moviemaking, a deep friendship is born. The day comes for Salvatore to leave and pursue his dream of making movies of his own. Thirty years later he receives a message that beckons him back home to a secret and beautiful discovery that awaits him.

Bernardo Bertolucci’s The Conformist (1970)
Monday, January 30th at 7:00 PM
Bernardo Bertolucci’s masterpiece, set in Mussolini’s Italy, follows a repressed man, Jean-Louis Trintignant, who joins the Fascists in a desperate attempt to fit in and purge memories of a youthful murder. While on his way to assassinate a political refugee, he flashes back through numerous exaggerated, distorted scenes that encompass the formative experiences of his life. A hugely influential film to American cinema of the seventies, Bertolucci marries expressionism with a strain of 70’s realism in this exploration of sex, desire, politics, and responsibility.

Federico Fellini’s La Dolce Vita (1960)
Tuesday, January 31st at 7:00 PM
The biggest hit from the most popular Italian filmmaker of all time, La dolce Vita rocketed Federico Fellini to international success—ironically, by offering a damning critique of the culture of stardom. A look at the darkness beneath the seductive lifestyles of Rome’s rich and glamorous, the film follows a notorious celebrity journalist (Marcello Mastroianni) during a hectic week spent on the peripheries of the spotlight. A sharp commentary on the decadence of contemporary Europe, it provided a glimpse of how fame-obsessed our society would become.

The Concert:

Fotogrammi: Scenes from Life and Music by Mafalda Minnozzi
Sunday, January 29th at 4 PM
In Fotogrammi, internationally renowned vocalist Mafalda Minnozzi presents an intimate soundtrack inspired by the composers who accompanied and inspired her during her 35 year career in Italy, Brazil, and beyond. With a jazz sensibility and unique arrangements featuring accomplished guitarist Paul Ricci, Mafalda taps into her acclaimed albums “Cinema City – Jazz Scenes From Italian Film” and “Sensorial – Portraits in Bossa and Jazz.” Presenting diverse selections such as Ennio Morricone’s “Cinema Paradiso” to Jobim’s “Águas de Março,” and from Bruno Martino’s “Estate” to Piaf’s ”Hymne A L’Amour.”

Location:

Cinema Arts Centre, 423 Park Ave, Huntington

You can purchase tickets or find more information about these and other events on the Cinema Arts Centre website: www.cinemaartscentre.org

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Gerald Dickens

UPDATE on Dec. 5 — This event has been canceled with no immediate plans to reschedule.

Read post from Gerald Dickens here.

By Melissa Arnold

When it comes to Christmas shows, there is perhaps none more iconic or beloved than A Christmas Carol. Since its publication in 1843, Charles Dickens’ famous novella has inspired dozens of theatrical and film adaptations, many with cult followings.

Whether your favorite Scrooge is George C. Scott, Michael Caine or Scrooge McDuck, a one-of-a-kind performance in Huntington next week may just top them all.

On Dec. 5, the Cinema Arts Centre (CAC) in Huntington will welcome British actor and producer Gerald Charles Dickens for a live, one-man performance of “A Christmas Carol.” Gerald is the great-great grandson of Charles Dickens, and his fascination with the author’s life and works led him to create something of his own.

Gerald will portray nearly 30 individual characters as the story unfolds with a touch of humor and deep emotional connection to the man behind the words.

The performance comes in the midst of the center’s Vic Skolnick Life of Our Cinema Campaign, an annual fundraising effort to support programming for the coming year, said Nate Close, CAC’s director of marketing and communications. He added that they like to host events during the fundraiser that are intriguing and fun for a broad audience to enjoy. “It’s always great to see theater performed live, especially when we typically broadcast theatrical performances on-screen here. The theater seats around 190 people, so it will be an intimate performance and we’re expecting a great turnout.”

CAC board member Jude Schanzer said that A Christmas Carol is the perfect holiday classic to set the season’s purpose of generosity, kindness, and goodwill.

“While it is true that Gerald is the great-great grandson  of Charles Dickens, it is his acting skills that make him extraordinary. His command of his voice and movements create unforgettable and completely distinguishable characters from Scrooge to Tiny Tim, all with minimal props,” said Schanzer. 

“How often are you afforded the added perk of having a brush with history? Gerald is passionate about his work as an actor and in portraying characters with whom he has a unique bond. He is also generous with his time and spirit and readily answers audience questions after every performance,” she said.

Copies of Gerald’s new book Dickens and Staplehurst: A Biography of a Rail Crash will also be available at the event. The book examines a deadly rail crash in 1865 and the subsequent investigation. Charles Dickens survived the crash and was profoundly affected by the events of that day. Gerald digs into Charles’ private life and professional motivations before and after the crash.

See A Christmas Carol at 7 p.m. Monday, Dec. 5 at the Cinema Arts Centre, 423 Park Ave, Huntington. Tickets to the performance are $30 per person, $25 for CAC members. Tickets to the performance plus a copy of the book are $45, $40 for CAC members. For To order, visit www.cinemaartscentre.org or call 631-423-7610. 

Learn more about Gerald Charles Dickens at www.geralddickens.com.

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Paul Newman
Based on interviews and oral histories conducted by Stewart Stern; Compiled and edited by David Rosenthal

Reviewed by Jeffrey Sanzel

“I’ve always had a sense of being an observer of my own life.”  — Paul Newman

Paul Newman starred in over seventy films, including Cat on a Hit Tin Roof, Cool Hand Luke, Butch Cassidy and the Sundance Kid, The Verdict, The Sting, The Hustler, Absence of Malice, and many more. From 1986 to 1991, the iconic Newman sat down with writer Stewart Stern (best known for the screenplay of Rebel Without a Cause) for a series of intense interviews. In addition, Stern spoke with friends, relatives, and colleagues for their perspectives. Newman’s driving force in the project was public revelation: “I want to leave some kind of record that sets things straight, pokes holes in the mythology that’s sprung up around me, destroys some of the legends, and keeps the piranhas off.”

For whatever reason, the book was left unfinished. Newman passed away in 2008, and Stern in 2015. They left behind an archive of fourteen thousand pages. 

David Rosenthal has compiled and edited the chronicle into The Extraordinary Life of an Ordinary Man (Knopf Doubleday). Presented as Newman’s memoir, Rosenthal intersperses Newman’s very personal perspective with the additional interviews. The intense, riveting work reflects a man of fascinating contradictions whose legacy lives on in cinematic history and far-reaching philanthropy. Newman’s daughter, Melissa, describes the book as “… a sort of self-dissection, a picking a part of feelings, motives, and motivations, augmented by a Greek chorus of other voices and opinions, relatives, navy buddies, and fellow artists. One overriding theme is the chronic insecurity which will be familiar to so many artists. Objectivity is fickle.”

The book is predominantly chronological, beginning with his difficult childhood. “My brother [Arthur] chose to remember the good things from our childhood, while I best recall the failures and the things that didn’t go right.” Newman grew up in Shaker Heights, Ohio, in an almost pathologically dysfunctional middle-class family, with an alcoholic father and a narcissistic mother. (Later in life, he cut ties with the destructive matriarch.) 

Insecurities, including a sense of intellectual inferiority, plagued him from a young age. “I wasn’t naturally anything. I wasn’t a lover. I wasn’t an athlete. I wasn’t a student. I wasn’t a leader. I measured things by what I wasn’t, not by anything I was. I felt that there was something lacking in me that I couldn’t bridge, didn’t know much about and couldn’t fathom.”

The book follows Newman in college years before and after World War II. There are tales of his early years onstage, a great deal of drinking (including being thrown off the football squad because of a town brawl), and more than fleeting references to his personal life. Of the theatre work, “I never enjoyed the acting, never enjoyed going out there and doing it. I enjoyed all the preliminary work — the detail, the observation, putting things together.”

He met his first wife, Jackie Witte, in a Wisconsin summer stock, and they married in 1949. (Witte speaks frankly but without rancor about her marriage to Newman.) He admits they were relatively clueless: “We were two very young people trying to act grown-up.” They had three children: Scott, Susan, and Stephanie, before divorcing in 1958. Newman highlights his struggle in coming to terms with what it meant to be a father, particularly to Scott, who would die at age twenty-eight from complications due to drug and alcohol use.

After a short and unfulfilling stint at Yale Drama School, and with very few credits, he landed a small role and understudy job in the Broadway production of William Inge’s Picnic (1953-54). Eventually, Newman stepped into the main supporting role. During the run, he met Joanne Woodward. When Newman asked director Josh Logan if he could move into the lead, Logan responded, “I’d like to, kid, but you don’t have any sex threat.” However, this would change over the next several years. “Joanne gave birth to a sexual creature. She taught him, she encouraged him, she delighted in the experimental. I was in pursuit of lust. I’m simply a creature of her invention.”

The volatile, off-again, on-again affair with Woodward eventually dissolved his marriage. Newman and Woodward married in 1958, a union that lasted the rest of his life. The book covers the highs and lows of the famous couple, giving a less hagiographic view of the relationship that endured many personal and professional highs and lows. They would have three children: Elinor, Melissa, and Claire.

Newman details his film career, beginning with The Silver Chalice, and carrying on through some of the most famous movies in motion picture history, working with some of the highest-profile directors, actors (including his good friend Robert Redford), writers, and producers. He generously praises his many collaborators and often denigrates his own talents. Luminaries such as John Huston and George Roy Hill have nothing but admiration for his talent and professionalism.

Throughout, he touches on his politics (including work with the Civil Rights movement), his passion for auto racing (which began with the 1969 film Winning), and his many charitable endeavors. An entire chapter addresses his drinking, which he confesses could be heavy and destructive. In time, he gave up hard liquor, but there is a sense of inconclusiveness in his alcohol-related revelations. 

Over the years, Newman became less responsive to the outside world, reducing his communication to the fewest words possible. However, he is forthcoming about his frustrations with the press and fans and his reluctance to sign autographs and pose for pictures.

The final chapter is both revelatory and ambivalent, reflecting a complicated man struggling to find a center. “But I am convinced that this is only a dress rehearsal.” Newman continued to evolve and grow over the remaining years of his life, finding joy in work and family. This book — “part confessional, part self-analysis” — gives an incredible glimpse into the mind and heart of an enigmatic and fascinating individual. Pick up a copy at your favorite bookstore, amazon.com or barnesandnoble.com.

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As a tribute to Paul Newman, the Cinema Arts Centre, 423 Park Ave., Huntington will host a special event celebrating the publication of The Extraordinary Life of an Ordinary Man on Monday, Nov. 28 at 7 p.m. The evening will feature a screening of Newman’s most enduring film, the 1961 sports drama The Hustler followed by a discussion with Paul Newman’s daughter, Melissa Newman. Tickets are $43 for film and discussion; $25 for the film only. To order, visit www.cinemaartscentre.org.

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From left, Donald O'Connor, Debbie Reynolds and Gene Kelly sing 'Good Mornin' in a scene from 'Singin' In the Rain'

In honor of its 70th anniversary, Singin in the Rain will be screened at the Cinema Arts Centre, 423 Park Ave., Huntington on Tuesday, Nov. 29 at 7 p.m. with new digital restoration. The film will be introduced by film historian and NYS librarian Philip Harwood, who will explore the importance of the classic movie to the history of cinema.

Gene Kelly in ‘Singin’ In the Rain’

On a short list of the greatest screen musicals ever made, Singin’ in the Rain began with legendary MGM producer Arthur Freed giving screenwriters Betty Comden and Adolph Green a stack of songs he’d written early in his career (with partner Nacio Herb Brown) – including “Broadway Melody,” “You Are My Lucky Star” and the title song – with the simple request to weave a story around the numbers.

What emerged was a sublime marriage of song and dance, innocence and nostalgia, heart-tugging romance and surreal comedy (especially in co-star Donald O’Connor’s show-stopping “Make ’Em Laugh” routine). Co-director Gene Kelly shines as silent-movie idol Don Lockwood, whose career (and leading lady, hilariously played by Jean Hagen) is imperiled by the coming of sound – until he hooks up with lovely ingenue Debbie Reynolds. The brilliant supporting cast includes Millard Mitchell, Douglas Fowley and the great Cyd Charisse, whose long-legged “Broadway Melody” ballet with Kelly nearly steals the show!

Tickets are $15 per person at: https://bit.ly/SinginintherainCAC

For more information, call 631-423-7610.

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James Caan in a scene from 'Thief.' Photo from CAC

The Cinema Arts Centre, 423 Park Ave., Huntington will pay tribute to the legendary James Caan with a rare big-screen showing of Michael Mann’s “Thief” (1981), of one of his emblematic roles, on Saturday, July 16. A veteran screen actor known for his work in such films as “The Godfather,” “Misery” and “Elf”,  Can passed away on July 6 at the age of 82.

The contemporary American auteur Michael Mann’s bold artistic sensibility was already fully formed when he burst out of the gate with “Thief,” his debut feature. James Caan stars, in one of his most riveting performances, as a no-nonsense ex-con safecracker planning to leave the criminal world behind after one final diamond heist—but he discovers that escape is not as simple as he’d hoped. Finding hypnotic beauty in neon and rain-slick streets, sparks and steel, Thief effortlessly established the moody stylishness and tactile approach to action that would also define such later iconic entertainments from Mann as Miami Vice, Manhunter, and Heat. Mann used real thieves as technical advisors on the film and that Tangerine Dream soundtrack is a joy.  Also starring Tuesday Weld and Willie Nelson.

Tickets are $15, $10 members. To order tickets in advance, call 631-423-7610 or click here.

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Dawn Riley. Photo from CAC

The Cinema Arts Centre, 423 Park Ave., Huntington closes its Maritime Film Festival with a screening of Maiden on July 12 at 7:30 p.m. 

In 1989, long dismissed and belittled as the only woman crewmember on the ships where she worked, British sailor Tracy Edwards set out to prove herself in the biggest way possible. She assembled the world’s first all-female international crew and entered the Whitbread Round the World Race, a 32,000 mile global circumnavigation competition that, until then, had been the exclusive domain of male seafarers. Featuring a post-film Q&A with Maiden sailor Dawn Riley, Director of Oakcliff Sailing School.

Tickets are $17, $12 members. Call 423-7610 or visit www.cinemaartscentre.org.

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CatVideoFest

Featuring a Pop-up Kitten Adoption from Golden Paw Society 

CatVideoFest returns to the Cinema Arts Centre, 423 Park Ave., Huntington on Sunday July 10 at 2 p.m. (come early for the cats) with a hilarious and adorable compilation reel of the latest, best cat videos culled from countless hours of unique submissions and sourced animations, music videos, and, of course, classic internet powerhouses. The screening will include a kitten adoption pop-up with the local rescue Golden Paw Society, Inc. Everyone is welcome to come and meet the cats, with a portion of the film’s ticket sales going to help support the Golden Paw Society.

Bringing the joy of cat videos to the masses and raising money for cats in need, CatVideoFest is a cute and hilarious collection of the cat videos – brought to the big screen for one special day each year. Come celebrate our love of our feline friends at this great family-friendly screening and adoption event.

Tickets are $17 Public | $12 Cinema Arts Centre Members
Tickets: https://bit.ly/CatVideoFest2022CAC

You can also purchase tickets or find more information about this and other events on the Cinema Arts Centre website: www.cinemaartscentre.org

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Bay House owner Brian Warasila will be featured in A World Within a World: Long Island's Bay Houses. Photo by Martha Cooper, 2015

By Tara Mae

We are all islanders here, whether by birth or by choice. Individual relationships with the water may vary, but for many it is a core component of cultural identity: a source of relaxation, recreation, sustenance, and survival. 

The Maritime Film Festival, presented by Cinema Arts Centre in Huntington in conjunction with Long Island Traditions in Port Washington and The Plaza Cinema & Media Arts Center in Patchogue, explores the flow and ebb of people’s connections to the sea and the lifestyles it provides. 

The festival will feature three films that are anchored in an appreciation of welcoming and weathering the elements of island life. Each documentary will have its own screening and be followed by an audience Q&A session with the filmmakers and others involved in the projects. [See schedule below.]

The festival begins with The Bungalows of Rockaway on Tuesday, June 14 at 7:30 p.m. Narrated by Academy Award winner Estelle Parsons, the film chronicles 100 years in the tragicomic tale of New York’s biggest summer bungalow colony. 

“The Bungalows of Rockaway illustrates, through the detailed, eloquent, diverse voices of historians, bungalow residents, and Rockawayans and the use of archival images, the long history, meaningful to residents past and present and the city as a whole,” said producer Elizabeth Logan Harris who will participate in the post-screening discussion.

A World Within a World: The Bay Houses of Long Island will be screened on Tuesday, June 21 at 7:30 p.m. This film explores from historical and contemporary perspectives the lives, histories, and experiences of bay house owners in the Town of North Hempstead. 

“The bay houses have a rich history going back to the 18th century and are a part of Long Island’s heritage that many, including myself, knew little about. Besides their aesthetic beauty — giving unparalleled access to the beauty of the marshlands on the south shore — they also offer a glimpse into a sub-culture of families who maintain and love the houses for many generations,” co-director Greg Blank said. 

Co-director Barbara Weber and folklorist Nancy Solomon, who helped put together the festival, will join Blank to talk about the documentary after the viewing.

The festival concludes with Maiden, on Tuesday, July 12 at 7:30 p.m. The documentary is the story of the first all female crew, assembled by British sailor Tracey Edwards, to compete in the 1989 Whitbread Round the World Race, a 32,000 mile global circumnavigation competition.  

“We were just people racing around the world and trying to win. The social impact was not apparent to us until later and it is incredible how the story resonates 30 years later,” crew member Dawn Riley, now Executive Director of Oakcliff Sailing Center, said. 

She and Edwards will reunite to answer questions and reflect on their experiences. 

While Maiden has previously been shown at Cinema Arts Centre, this is the first time The Bungalows of Rockaway and A World Within a World: The Bay Houses of Long Island are being presented there.

“We are thrilled to have such a great range of films,” said Dylan Skolnick, co-director of the Cinema Arts Center.

Nancy Solomon, a folklorist who specializes in maritime culture and Executive Director of Long Island Traditions, a nonprofit that focuses on recording local architecture, organized the film festival as a way to promote and ideally preserve the ethnography of Long Island.

“Long Island is becoming overdeveloped, especially along its coastlines. So the traditions of boat builders, boatyards, fishermen, baymen, bay houses, are in danger. If we don’t start learning about people carrying out these traditions, we are going to lose them,” Solomon said.  “The purpose of this festival is to introduce [audiences] to a very rich heritage of people and places that are part of our cultural identity.” 

She pitched the idea to Skolnick, who hopped on board. 

“It is a true collaboration,” Skolnick said. “At the Cinema, we try to bring great movies from around the world and bring great stories from the local community. These movies fit perfectly with the sort of stories we want to tell.” 

A continuation of a film series that began at Plaza Cinema and Media Arts Center in April, Solomon worked closely with both Plaza Cinema and Cinema Arts Centre to create a celebration of coastal culture through cinematic storytelling.

“I want the festival to help educate people about maritime culture of Long Island and how we can preserve it. The films we selected are all about different places in our region and topics relating to struggles of local people,” she said.

The festival was made possible through grants from the Suffolk County Office of Cultural Affairs, Robert L. Gardiner Foundation, and National Endowment of the Arts. 

The Cinema Arts Centre is located at 423 Park Avenue in Huntington. Tickets to the Maritime Film Festival are $17 for the general public and $12 for members of Cinema Arts Centre. For more information about the festival and films, please visit www.cinemaartscentre.org.

Film Schedule:

■ The festival kicks off with a screening of The Bungalows of Rockaway on June 14 at 7:30 p.m. Narrated by Academy-Award winner Estelle Parsons, The Bungalows of Rockaway tells 100 years of the tragicomic story of New York City’s largest summer bungalow colony, that of the Rockaways. With enticing vintage postcards, archival photography, Marx Brothers home movies, hilarious boardwalk tales, personal accounts recounted by bungalow residents and Rockawayans alike, all grounded by historians, the film brings viewers close to the highs and lows of a large, thriving, affordable, urban seaside resort. The film, directed by Jennifer Callahan and co-produced by Jennifer Callahan and Elizabeth Logan Harris, will be followed by a Q&A with Harris.

■ Up next is A World Within a World: Long Island’s Bay Houses on June 21 at 7:30 p.m. A World Within a World explores the lives, history, and experiences of bay house owners in the Town of Hempstead from both a historical and contemporary perspective. Based on fieldwork by folklorist and maritime ethnographer Nancy Solomon of Long Island Traditions, local filmmakers Barbara Weber and Greg Blank capture the essence of how bay house owners have persevered and endured through severe storms and hurricanes as well as eroding marshlands all while preserving traditions that began in the early 19th century. The film profiles Long Island families who have owned bay houses for over 100 years including the Muller, McNeece, Burchianti, Warasila, Jankoski families. The screening will be followed by a Q&A and discussion with directors Greg Blank and Barbara Weber and folklorist Nancy Solomon.

■ The festival closes with a screening of Maiden on July 12 at 7:30 p.m. In 1989, long dismissed and belittled as the only woman crewmember on the ships where she worked, British sailor Tracy Edwards set out to prove herself in the biggest way possible. She assembled the world’s first all-female international crew and entered the Whitbread Round the World Race, a 32,000 mile global circumnavigation competition that, until then, had been the exclusive domain of male seafarers. The screening will feature a Q&A with Maiden Captain Tracy Edwards and sailor Dawn Riley, Director of Oakcliff Sailing School.

 

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