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The 2023 cast of Theatre Three's 'A Christmas Carol'

Theatre Three, 412 Main St., Port Jefferson will hold Young People’s auditions (ages 8–17) for its 40th annual production of the holiday classic Charles Dickens’ A Christmas Carol on Tuesday, Sept. 17, at 7 p.m. They will be double-casting nine roles (for a total of eighteen young people). Readings are provided. A Christmas carol (“Christmas Is Coming”) will be taught. 

Rehearsals begin late September and are weeknights (beginning at 7 p.m.); Saturdays (mornings or afternoons); and Sundays (mornings, afternoons, or evenings). Young people must appear in half of the performances, including the student matinees. Performances will be held from Nov. 9 to  Dec. 28, 2024.

For full details visit http://theatrethree.com/acc-auditions/. For more information, call 631-928-9100.

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Photo courtesy of Theatre Thre

By Tara Mae

Peace, love, and music!  Time to get your groove on and party like it’s 1969 when “Woodstockmania: Woodstock in Concert” returns to Theatre Three, 412 Main Street in Port Jefferson. The tribute concert will take the stage for the first time since 2019 on Friday, August 16, and Saturday, August 17 at 8 p.m. 

Its 17-member band includes ten instrumentalists and eight individual vocalists singing at least two songs each, covering music from the original 1969 Woodstock lineup — an experience so organically soulful its reverberations are still felt today. 

“Woodstock performances have become part of the fabric of Theatre Three. This is a group of outstanding musicians…It’s extraordinary to see these exceptionally talented artists brought together,” said Theatre Three’s Executive Artistic Director Jeffrey Sanzel.

Held on the 55th anniversary of Woodstock, “Woodstockmania” features approximately 34 numbers from 21 of the artists who played the stage at Max Yasgur’s dairy farm in Bethel, New York, including Jimi Hendrix; Sly and the Family Stone; The Who; Grateful Dead; Janis Joplin; Jefferson Airplane; Country Joe and the Fish; Crosby, Stills, Nash & Young; The Band; Santana; Sweetwater; Creedence Clearwater Revival; Joan Baez; and Joe Cocker.

“This music is from a highly creative time in our culture. There was so much varied music to become attached to; everyone could find something that resonated with themselves,” Musical Director Michael Chiusano said. 

More than just a harmonious homage, “Woodstockmania” is a musical tribute to the passionate artists whose creative contributions continue to inspire today. 

Having not performed “Woodstockmania” together in 5 years, the show is an opportunity to reconnect with friends as they honor the woman who first brought many of them together: Theatre Three’s longtime musical director Ellen Michelmore, who passed away in 2016.

“It’s a reunion of friends that have been through the fire together…Mostly though, it’s a tribute to Ellen; to keep the memory of her fresh in our minds and hearts. She was a special lady,” Chiusano said. 

Michelmore developed “Woodstockmania” from Summer of ‘69: Return to Woodstock, which she co-created with Bill Van Horn. The original musical, using songs performed at the Woodstock festival, was a hit for Theatre Three and had an off-Broadway run. 

Following that success, Michelmore organized annual Woodstock tribute concerts. After her death, the show was dubbed “Ellen Michelmore’s Woodstockmania,” according to Sanzel.

While Chiusano has added other songs and musical numbers to the show, much of its repertoire was originally chosen by Michelmore. 

Eight of the songs have been in every incarnation of the show: “Going Up the Country” by Canned Heat; “Somebody to Love” and “White Rabbit” by Jefferson Airplane; “Dance to the Music” by Sly & the Family Stone; “Star Spangled Banner” as done by Jimi Hendrix; “The Weight” by The Band; “Piece of My Heart” by Janis Joplin; “With a Little Help from My Friends” as done by Joe Cocker. 

“That era, roughly 1965 to 1975, was the golden age of pop music. It will never be like that again. I also believe that people need to be reminded of all the great tunes there were,” Chiusano said.

Tunes are not the only entities enjoying this encore; the musicians recognize it as an opportunity to embrace an era that still enraptures performers and patrons. 

“Everyone who’s ever been involved in the production always remembers it fondly when they talk to me…we’re thrilled to be a part of it,” said Theatre Three’s Artistic Associate/Director of Development Douglas Quattrock. An original company member of Summer of ‘69: Return to Woodstock, he is now in the “Woodstockmania” band as the emcee and a vocalist. 

Such consistency underscores the steadfast surety of music. Personal classics and timeless songs are the soundtrack to our lives, dependable narrators of enduring emotions. In this shared language, “Woodstockmania,” is a dialect understood by artists and attendees. If “Woodstockmania” is a celebration of legacy and life, it’s main theme may be appreciating community synchronicity. 

“I think the legacy of the show over the years is that it has brought so much joy and kept so much wonderful music alive for the audiences in our area,” Quattrock added.

“Woodstockmania” is part of Theatre Three’s annual Summer Concert Series that includes special one or two night only performances on its main stage. Tickets are $65 per person. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

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'Pinocchio' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
'Pinocchio' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
'Pinocchio' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
'Pinocchio' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
'Pinocchio' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
'Pinocchio' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

Theatre Three’s Children’s Theatre closes its summer season with Pinocchio, a musical for the entire family.

Based on Carolo Collodi’s late nineteenth century Italian novel, The Adventures of Pinocchio, the story has been seen on stage and screen, both in animated and live action versions. As with all Theatre Three children’s theatre, the company creates its own musical based on the original material. Pinocchio has a book by Jeffrey Sanzel, with new songs by Jeffrey Hoffman and Douglas J. Quattrock.

Anabelle (Emilia Guzzetta), underling apprentice fairy—third class, is assigned by Ondine, Queen of the Fairies (Ginger Dalton), to help an angry and withdrawn woodcarver, Geppetto (Steven Uihlein). 

After failing to change the recluse through song, the nervous fairy teams with the energetic and outgoing Cassandra, the Enchanted Cricket (Michelle LaBozzetta). Together, they enchant a stick of wood. Hearing the wood speak, Geppetto fashions it into a wooden companion, Pinocchio (Kiernan Urso). When they realize that the puppet is alive but lacks a sense of right and wrong, they cast a spell on his nose to grow when he does not tell the truth.

Meanwhile, two wily crooks—Carpacious Cat (Gina Lardi) and Ferdinand Fox (Ryan Van Nostrand)—set up their scam “Festival El Grande” to fleece the villagers. When they discover the magic wooden boy, the pair embark on yet another scheme. 

Along with the professional acting company, Pinocchio features two dozen students from Theatre Three’s Summer Dramatic Academy.

The score features the original songs “Lovely Thoughts,” “Bad Harmony,” “You Can Count on Me,” “Taran-Tella Da Truth,” “Put Tomorrow in Your Hands,” “Keep Your Chin Up and Smile,” and the calypso “Festival El Grande.”

The production is directed by Sanzel while  Quattrock and Hoffman, who musically directed, form the two-keyboard combo. Choreography is by Kiernan Urso, costume design is by Jason Allyn and Melissa Troxler is the production stage manager.

Theatre Three, 412 Main St., Port Jefferson presents Pinocchio through Aug. 10. Running time is one hour with a 15 minute intermission. Photos with the cast are available in the lobby after the show. Final performances are Friday, August 9, at 11 a.m., and Saturday, August 10, at 11 a.m. and 2 p.m. 

Children’s theater continues with Theatre Three’s annual productions of A Kooky Spooky Halloween from Oct. 5 to 19, and and Barnaby Saves Christmas from Nov. 23 to Dec. 28. 

All seats are $12. Call the box office at 631-928-9100 or visit theatrethree.com for tickets and information. 

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Magic Al

Join Theatre Three, 412 Main St., Port Jefferson for The Silly Sorcery Showcase, a magical event for the whole family, on July 21 at 2 p.m. Hosted by Mike Maione aka The Silly Magician, the fun-filled afternoon will feature  performances by juggler Keith Leaf and celebrated magician Magic Al.

Meet the magicians:

Magic Al

Magic Al

Magic Al Garber is a celebrated magician whose vibrant performances have enchanted audiences for years. With a career rooted in the art of illusion and sleight of hand, comedy, and improv, Magic Al has established himself as a beloved figure in the world of magic. His shows are a delightful blend of mystifying tricks, comedic elements, and engaging storytelling, making them a hit for audiences of all ages. From private parties and school events to corporate gatherings and public festivals, Magic Al’s versatile performances have made him a sought-after entertainer who can adapt to any audience and occasion.

One of the pinnacles of Magic Al’s illustrious career is his successful Off-Broadway show, “It’s a Magic-Al World.” This show brought his mesmerizing tricks and charismatic stage presence to one of the most prestigious platforms in the entertainment industry. “Magic Al Live!” was met with rave reviews, drawing large crowds and solidifying his status as a top-tier magician. His ability to captivate audiences in such a competitive environment speaks volumes about his talent and showmanship. New York magazine recognized this excellence by naming him “Best Kids Magician in New York”, a testament to his skill and the joy he brings to his audiences.

A hallmark of Magic Al’s performances is his ability to create a sense of wonder and excitement, leaving spectators in awe with his impressive array of tricks and illusions. Whether making objects disappear, pulling rabbits out of hats, or reading minds, Magic Al’s acts are executed with precision and flair. Through his performances and educational efforts, Magic Al entertains and inspires, fostering a new generation of magicians who share his enthusiasm and dedication to the art of illusion.

Magic Al’s mom is still disappointed that he didn’t become a doctor.

Keith Leaf

Keith Leaf is an award-winning juggler who has captivated audiences worldwide with his dynamic shows and exceptional skill. Over his extensive career, Keith has become a prominent figure in the juggling community, known for his ability to blend technical expertise with engaging showmanship. His performances are a high-energy mix of intricate juggling routines, comedic elements, and audience interaction, making each show a unique and memorable experience. From local festivals to international events, Keith’s versatile acts have earned him a reputation as a top-tier entertainer who can connect with audiences of all ages.

Keith Leaf’s performances are characterized by his use of diverse props, such as balls, clubs, rings, and even flaming torches, which showcase his extensive juggling abilities. His passion for juggling extends beyond entertaining; he is also a dedicated teacher, often conducting workshops to inspire and mentor aspiring jugglers, thereby reinforcing his commitment to the art form and its future. Keith’s client list is extensive, and he has appeared at numerous prestigious venues like New Year’s Eve in Times Square, the Metropolitan Opera House, and America’s Got Talent.

Mike Maione

Mike Maione

Mike Maione, affectionately known as the Silly Magician, will host the show. Mike is a beloved entertainer known for his unique blend of comedy and magic. With a knack for making audiences laugh while simultaneously leaving them spellbound, Mike has carved out a niche for himself in the world of family entertainment. His performances are characterized by playful humor, clever illusions, and a lively interaction with his audience. Whether performing strolling magic in small, intimate settings or on stage, Mike’s engaging style and infectious energy ensure that his shows are memorable experiences for children and adults alike.

Mike also teaches magic, offering workshops and classes to aspiring magicians. Mike is a member of the prestigious 4F. He has performed at Smoke and Mirrors Magic Theatre in Pennsylvania, The Mohegan Sun in Connecticut, The Dickens Parlour Theatre in Delaware, and on stage at the Magic Circle in London. Mike is a lecturer and magic reviewer with a large following. He is also a magic creator who designs and creates magic for other magicians.

Tickets are $20. To order, call 631-928-9100 or visit www.theatrethree.com.

See preview here.

To purchase tickets, click here.

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The cast of 'Raggedy Ann & Andy' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Raggedy Ann & Andy'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Isabella Scarpa and Will Logan star as 'Raggedy Amy & Andy'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Raggedy Ann & Andy'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Raggedy Ann & Andy'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Raggedy Ann & Andy'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Raggedy Ann & Andy'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
"Jazz Hands!" A scene from 'Raggedy Ann & Andy'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Julianne Mosher

A heart-filled tale of friendship and adventure headed back to Theatre Three this week with their latest children’s theater production of Raggedy Ann & Andy — also known as “Friends and Friends and Friends.”

Based off of characters created by Johnny Gruelle, this special and unique tale, written by Jeffrey Sanzel and Kevin Story, brings these two lovable rag dolls to life in a comical musical that the family is sure to enjoy.

Directed by Sanzel with musical direction by Doug Quattrock, the show starts off at the Tiwilliger sisters’ toy shop where they specialize in creating toys that come to life to bring joy to children in need. They hear of a little girl named Marcella who is ill and decide to make a brother for one of their favorite toys, Raggedy Ann (played by Isabella Scarpa), named Andy (Will Logan).

However, the toymakers, Martha (Gina Lardi) and Abby (Louisa Bikowski) have an evil brother, Mortimer (Steven Uihlein) who wants to use his family’s magic selfishly and to not use it to help local boys and girls. Casting a spell and with the help of his (reluctant) sidekick Rose Carpet (Emilia Guzzetta), the evil Mortimer steals Andy’s heart and the toys team up to get it back.

With the help of the tin soldier (Jason Furnari), the clown (Ryan Van Nostrand), the lion (Liam Marsigliano) and the queen doll (Julia Albino), the group heads to find Mortimor and retrieve Andy’s heart. Through a quest full of twists and turns, the audience waits to see if Andy will go back to his lovable self so he and Ann could help Marcella feel better.

Choreographed by Josie McSwane, the show is full of catchy tunes with themes of friendship, loyalty and love as the actors dance along. This musical will also show children the importance of friendship and how it’s nice to help when a friend is in need. 

And the best part is, while the show is geared for younger audiences, adults can reminisce about their own childhood toys thanks to Jason Allyn’s costume design — Raggedy Ann and Andy’s outfits are to a T, looking as if they just came off the shelves at the store.  Plus, the cast is available in the lobby after the show for photos. It’s a great afternoon out that is sure to bring a smile to everyone’s faces.

Theatre Three, 412 Main St., Port Jefferson presents Raggedy Ann & Andy on Fridays and Saturdays at 11 a.m. through July 27. Children’s theater continues with Pinocchio from Aug. 2 to Aug. 10 and A Kooky Spooky Halloween from Oct. 5 to Oct. 19. All seats are $12. 

Theatre Three will also present a special program, The Silly Sorcery Showcase on July 21 at 2 p.m.  Tickets are $20. To order, call 631-928-9100 or visit www.theatrethree.com.

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Catch a screening of the award-winning documentary 'Honorable But Broken' at Theatre Three on July 11 at 6 p.m.

By Julianne Mosher

A new documentary created by a former producer for ABC News and 60 Minutes, and with the help of different EMS groups across New York State, is heading to Port Jefferson next week for a free viewing of a powerful film that will remind people how important rescue services are. 

Michael Presta, deputy chief at Port Jefferson EMS, said he received a LinkedIn message from the film’s director and producer, Bryony Gilbey, asking if her 2023 award-winning documentary, Honorable But Broken: EMS in Crisis, could be shown in the area.

Catch a screening of the award-winning documentary ‘Honorable But Broken’ at Theatre Three on July 11 at 6 p.m.

After connecting with the Greater Port Jefferson Arts Council and Theatre Three, Presta was able to help get the film to play on Thursday, July 11 at 6 p.m. — for free — and for the first time on Long Island.

Gilbey, whose three children are EMS workers, developed the film after hearing the stories about what it was like being in emergency services pre, during and post COVID-19, plus the lack of funding these operations receive from the state and federal governments. The documentary was shot on location with EMS crews in Ossining, New York, and Montclair, New Jersey.

“The film has been circling the state for about a year now and it shows the challenges of delivering EMS services to the public,” Presta said, adding that local elected officials have been invited to attend.

“It helps paint a picture to the public and our politicians on what delivering EMS services in 2024 is like,” Presta added.

He noted that the Port Jefferson EMS helps and protects all of Port Jefferson and its surrounding communities including Mount Sinai and the Village of Port Jefferson, while also lending support to other local areas. 

When Presta started his career in Port Jefferson almost two decades ago, on average there were less than 1,000 calls per year. Now, he said, they’re around 3,500.

“It’s getting harder with rising costs to deliver EMS, not just here, but everywhere. Funding is needed to support that number of calls,” he said. “This movie will give people insight.”

Narrated by Sarah Jessica Parker, the goal of the documentary is to, “raise awareness of the systemic collapse of EMS and to advocate for change. Shockingly, most states don’t mandate the provision of EMS, so funding is unpredictable and inadequate. There is a critical workforce shortage, particularly in rural areas, which in turn has led to much longer response times.”

The goal, the documentary’s official website says, is to eventually get the film onto a streaming service so everyone can see it. On the film’s official website, people can donate to help fund that endeavor, as well.

And while Honorable But Broken is not part of the Port Jefferson Documentary Series, Kelly DeVine, head programmer of the series, said that when Presta approached her and Allan Varela, president of the Greater Port Jefferson Arts Council, looking for help, both groups jumped to volunteer their resources. 

Working alongside Theatre Three, the arts council offered to lend the theatre their personal movie screen so that the film could be played at the venue.

“The Port Jefferson Documentary Series is focused on bringing high-quality films normally only seen at top festivals or art house screens to our audiences and curating those titles to support our community partners and create impactful communal experiences,” DeVine said. 

As for other films coming to Port Jefferson, the documentary series is moving to a new venue and day of the week. The Methodist Church on Main Street across from Theatre Three will now show its films on Thursdays starting in September.

Theatre Three is located at 412 Main Street in Port Jefferson. The screening is free and no reservations are required. For more information, call 631-928-9100. 

For more information on Honorable But Broken: EMS in Crisis, visit www.honorablebutbroken.org.

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Theatre Three, 412 Main St., Port Jefferson will hold an open cast call for strong singers/actors/dancers ages 8 to 13 (must be under 5 feet tall) for roles in Roald Dahl’s Matilda the Musical on Sunday, July 7 at 6 p.m., and Monday, July 15 at 7 p.m. Rehearsals begin on Sept. 2 and performances will be held from Sept. 14 to Oct. 20. For full details, please visit https://theatrethree.com/auditions-page.

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Briar Rose (Cassidy O'Brien), Snow White (Julia Albino) and Cinderella (Veronica Fox) star in this new musical. Photo by Steven Uihlein/Theatre Three
Cinderella (Veronica Fox). Photo by Steven Uihlein/Theatre Three
Snow White (Julia Albino). Photo by Steven Uihlein/Theatre Three
Briar Rose (Cassidy O'Brien). Photo by Steven Uihlein/Theatre Three
Sean Amato and Cassidy Rose O'Brien in a scene from the show. Photo by Steven Uihlein/Theatre Three
Veronica Fox and Sean Amato in a scene from the show. Photo by Steven Uihlein/Theatre Three
A scene from 'The Mystery of the Missing Ever After'
A scene from 'The Mystery of the Missing Ever After'
A scene from 'The Mystery of the Missing Ever After'
A scene from 'The Mystery of the Missing Ever After'
A scene from 'The Mystery of the Missing Ever After'
A scene from 'The Mystery of the Missing Ever After'
A scene from 'The Mystery of the Missing Ever After'
A scene from 'The Mystery of the Missing Ever After'
A scene from 'The Mystery of the Missing Ever After'
A scene from 'The Mystery of the Missing Ever After'
A scene from 'The Mystery of the Missing Ever After'
The cast of 'The Mystery of the Missing Ever After'
The cast of 'The Mystery of the Missing Ever After'

By Julianne Mosher

What if Snow White, Cinderella and Briar Rose didn’t get their happy endings? Snow White would have been poisoned by the apple, Cinderella forever a maid and Briar Rose would sleep until eternity. These fairy tales have had dozens of interpretations each throughout the years, but one thing is common — there is always a happily ever after. 

But Theatre Three is taking it a step further and switching it up. Making its world premiere, The Mystery of the Missing Ever After, written by Jeffrey Hoffman, Douglas J. Quattrock and Jeffrey Sanzel, brings in a bit of mystery with a lot of original music. 

Directed by Sanzel, the show starts off with what the three princess’ lives looked like after the final chapter closed. Cinderella (Veronica Fox) runs a show emporium, Snow White (Julia Albino) has opened a laundry service with the dwarves and Briar Rose (aka the Sleeping Beauty and played by Cassidy Rose O’Brien) has a successful meditation business, helping other fairytale and folklore creatures calm down. 

They live with their princes, Adrian, Basil and Constantine (all performed by Sean Amato) who each have their own quirky personalities but support their wives. 

In town, we’re introduced to other members of the community including the formerly evil Rumpelstiltskin (Steven Uihlein) who says he changed his ways and now helps children by buying them food and toys. Alice — formerly of Wonderland and played by Louisa Bikowski — now runs a retrieval agency, Alice’s Wonderland Wonders, and her colleague, the White Rabbit (Jason Furnari) struggles with severe anxiety and seeks out help from Briar Rose. 

As the play goes on, the princesses’ start to realize odd things happening — apples appearing out of nowhere, Briar falling asleep at any given moment and Cinderella loses her beautiful blue gown (one of many stunning costumes courtesy of Jason Allyn), transforming into her former self wearing an apron covered in ash. Soon after, their princes begin to forget who they are. That being the final straw, the three then decide that they need to figure out what is going on and why.

Along the way, they meet other favorite characters from different children’s books including Peter Pan (Liam Marsigliano), Little Red Riding Hood (Gina Lardi) and Puss in Boots (Kaitlyn Jehle), just to name a few. 

With the help of families in the audience, the mystery of the stolen happily ever after is solved — and it’s quite the surprise of who’s behind it. 

With a solid score of 12 original songs, written by Hoffman and Quattrock, and performed by this stellar cast, there is something for everyone here. Although it’s caters to young children, parents and older siblings will not be disappointed, either. 

So, get your glass slippers on and head down to Theatre Three in Port Jefferson to see this unique, fun, entertaining and awesome play. Stop by the lobby on your way out for a group photo with the cast.

Theatre Three, 412 Main St., Port Jefferson presents The Mystery of the Missing Ever After through June 15. Costumes are encouraged. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

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Tony Butera and Company in a scene from 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
A scene from Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three
The cast of Theatre Three's 'The Producers'. Photo by Courtney Gilmore/Theatre Three

By Julianne Mosher

Nobody does camp better than Theatre Three. This time with their latest production of Mel Brooks’ The Producers, the Port Jefferson-based venue succeeds, yet again, with a phenomenal production of the hysterical musical that is bound to offend everyone and anyone in the best way possible.

Adapted from Mel Brooks’ 1967 film of the same name, the story follows two producers who scheme to get rich fast by fraudulently overselling interests in a Broadway musical they’re seeking to fail. Plot twist … it’s a smash hit, much to their dismay.

Theatre Three’s production is just as good as the latest Broadway revival (latest being 2001) which starred Nathan Lane and Matthew Broderick. The cast and crew outdid themselves with every detail — from the constant costume and wig changes courtesy of Ronald Green III (and there are quite a few) to Randall Parson’s scenic sets that switch between the office of Max Bialystock (Scott Hofer) and Leo Bloom (Tony Butera) to the rooftop of Nazi-turned playwright Franz Leibkind (Evan Teich). 

Yes, a Nazi. Like I said, this play is going to offend. 

Hofer and Butera in the lead roles of the producers shine on stage, again, on the same level that the show’s former Broadway legends bore in the past.

With several dozen different roles — it’s a Mel Brooks show, so of course it’s going to be chaotic — every person who enters stage right and left are fantastic with an ensemble cast that literally does it all. The singing is master level, the choreography is impressive and you’ll be laughing as soon as the curtain opens during the first number, “It’s Opening Night.”

After Bialystock and Bloom find the most offensive musical out there, Springtime for Hitler, they need to find financial backers. Bialystock, a Casanova to the wealthy elderly, uses his charm on widowers while Bloom meets the beautiful and talented Ulla (Brittany Lacey) who becomes the main female lead in the play they’re hoping fails … as well as Bloom’s love interest. 

The next stop is to get the worst director out there — Roger De Bris (Ryan Nolin), a flamboyant failing director with his long-term, life “roommate,” Carmen Ghia (Jim Sluder). While Nolin and Sluder play near-deadbeats in the theater industry, both have remarkable talent in real life.

Directed by Jeffrey Sanzel, the three-hour-long show is so good you want to sit through it again and again. You’ll be bound to find something new at every showing.

So, like I mentioned earlier, Theatre Three does campy musicals extremely well. “When You Got It, Flaunt It,” right? And the only advice I have moving forward is to continue and “Keep It Gay” with all that talent on stage.

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Theatre Three, 412 Main St., Port Jefferson presents The Producers through June 22. Tickets are $40 adults, $32 seniors and students, $25 children (ages 5 to 12) and Wednesday matinees. Please Note: Contains adult humor and situations. To order, call 631-928-9100 or visit www.theatrethree.com.

See preview here.

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From left, Michelle LaBozetta, Michael Limone and Jeffrey Sanzel in a scene from the show. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.comAyle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.comAyle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com
The cast of Theatre Three's 'Murder on the Orient Express'. Photo by Steve Ayle/Showbizshots.com

By Julianne Mosher

This is the train to… a murder? Full of twists and turns, this is one ride you won’t forget.

Theatre Three’s latest production of Agatha Christie’s Murder on the Orient Express turns the Port Jefferson-based Mainstage into a beautiful, expensive train suitable for travels of only the best of the best. Here, the audience meets eight different passengers who all have a secret with one common denominator. 

When Samuel Ratchett (Angelo DiBiase), a crooked conman, is found dead in his cabin, everyone on the train asks, “Who did it?” That’s when Hercule Poirot (Jeffrey Sanzel), a well-known detective (who can crack any case) steps in — even though this was supposed to be his vacation.

The show, directed by Christine Boehm and adapted for the stage by Ken Ludwig, starts off in a hotel in Istanbul where Poirot is reunited with an old friend, Monsieur Bouc (Michael Limone), owner of the lavish train. Bouc offers Poirot a ride to get back home — even though it’s mysteriously fully booked for the off-season. While on the platform, we meet the rest of the cast: Colonel Arbuthnot (David DiMarzo), Mary Debenham (Cassidy Rose O’Brien), Hector McQueen (Steven Uihlein), Princess Dragomiroff (Sheila Sheffield), Helen Hubbard (Linda May), Countess Andrenyi (Michelle LaBozzetta), Michel the Conductor (Zach Johnson), Greta Ohlsson (Samantha Fierro), and the Head Waiter (Richard O’Sullivan). 

With costume and wig design by Ronald Green III, set design by Randall Parsons and projection design from Brian Staton, it’s impressive how the stage turns into several different settings during pre-World War II Europe — a lavish hotel restaurant, three train sleeping cabins in a row, the train bar. With ease, the sets change between scenes, giving the story a movie-like appeal that is on a higher level than Broadway.

And while the sets turn the stage into 1934, a fun effect that adds even more to the stage is a projector screen above the stage that helps tell the story through video and images. We’re introduced early on to Daisy Armstrong (who was loosely based on the Lindbergh baby) — a little girl who’s playing in the yard with her nanny and who is suddenly kidnapped — which, at first, is confusing. Why do we need to know who she is? She’s essential to the story and is that common denominator mentioned before. 

We can’t give too much away, because going in not knowing the plot twists will only make the experience better. Through the two acts, we learn the supposed backstories of all eight passengers on board — and eventually their truths of where each of them was the night Ratchett was brutally murdered. 

But the investigation couldn’t have been complete without Detective Poirot. Sanzel’s interpretation of the famous crime stopper is jaw-dropping and will leave you wanting more stories with him solving another mystery. Along with Sanzel, the entire cast deserves a standing ovation. The accumulated talent of everyone on stage truly tells an intriguing story, but each bringing their own flair and personality as their character. 

Since the show is based in Europe, many accents are heard on stage. It’s impressive that Limone’s Monsieur Bouc and Johnson’s Michel can speak with ease in a thick French accent for the hour-and-a-half-long show. May’s hilarious Helen Hubbard is the comic relief throughout most of the show with her silly persona and thick Minnesotan accent, while Sheffield’s Dragomiroff, LaBozzetta’s Andrenyi, and DiMarzo’s Arbuthnot’s various monologues continues to show the time and effort each actor rehearsed to make this play as realistic as possible.

And while their stories, backgrounds and nationalities are all different, the entire cast as a whole constantly get reactions out of the audience at every turn. Throughout the show, you’ll hear gasps, laughter and even an “I can’t believe it!” when the murderer is finally caught. 

If you want to find out who killed the horrible, nefarious Samuel Ratchett — and learn more about the stories surrounding this vicious crime — you’ll have to head to Theatre Three yourself. You won’t want to miss this so climb aboard and get your ticket to Murder on the Orient Express.

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Theatre Three, 412 Main St., Port Jefferson presents Murder on the Orient Express through May 4. Tickets are $40 adults, $32 seniors and students, $25 children (ages 5 to 12) and Wednesday matinees. To order, call 631-928-9100 or visit www.theatrethree.com.

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