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Smithtown Performing Arts Center shows us ‘It’s A Wonderful Life’

by Julianne Mosher - December 14, 2024

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By Julianne Mosher

Just in time for the Christmas season, the Smithtown Performing Arts Center is now playing It’s a Wonderful Life on its main stage. But this version is slightly different compared to Frank Capra’s award winning 1946 film. In true 40s fashion, the show is cleverly set at a New York radio station where five voice actors tell the whole story as if you’d hear it on the air back in time: a live radio broadcast.

Originally written by Joe Landry, the stage turns into WBFR Radio located in the heart of Manhattan. Old microphones litter the stage while a pianist (Vincent Donnadio) plays the music live. Directed by Jordan Hue, we soon meet the broadcast’s cast — dressed in their best 40s attire — who will then be playing a whole other cast, portraying several different characters each (with different voices) straight from the movie.

And just like during a broadcasted show, there are commercials, too.

While It’s a Wonderful Life is based on the 1943 short story “The Greatest Gift” by Philip Van Doren Stern, the tale is loosely based on the Charles Dickens classic A Christmas Carol. What’s common between the two? Christmas ghosts.

The show starts off with George Bailey (Zach Johnson) who is a generous and well-meaning man. When he was young, he had big plans of traveling the world and going to college. He wanted to get out of Bedford Falls. But things fell through, and fate had some other plans for him.

He marries a neighborhood girl named Mary (Elle Lucksted) and the two move into an old, abandoned house in town. Their family grows quickly while George takes over the family business, but Mr. Potter (Chris Dippel) — who is a member of the board, owns the bank and basically the rest of town — looks to dissolve the company.

Through a string of bad luck and some unfortunate circumstances, George starts to spiral. While he falls further and further into a depression, he’s being closely watched by Clarence (Eugene Dailey), his guardian angel. Clarence is told that if he helps George out, he will soon get his wings.

On Christmas Eve, George gets drunk at a bar and then contemplates jumping off a bridge. Before he can fall to his death, Clarence, straight from heaven, dives into the river forcing George to rescue him. Clarence explains he’s an angel here to help George, but George doesn’t believe him and states out loud that he wishes he was never born.

Similar to the ghosts of Christmas Past, Present and Future haunting Scrooge, Clarence shows George a timeline of events that happened in a world where George was never born. He soon learns that even the smallest interaction with someone made a big difference and his life does matter.

While the cast is small and fast-paced, the actors do a phenomenal job of keeping the audience engaged. While Johnson and Lucksted play just two of the main characters, the supporting actors shine with their impressive voice changes and ability to switch personalities quickly on their feet.

Some other characters include Dippel (Freddie Filmore: Joseph, Tommy, Old Man Collins, Bert the Cop, the Bridgekeeper, Binky and Nick); Dailey (Harry Heywood: Peter, Charlie, Harry, Schultz, Mr. Welch, Pete, Horace, Ed); Christine Boehm (Lana Sherwood: Violet, Rose, Zuzu, Ruth, Mrs. Hatch, Mrs. Thompson, Matilda, Sadie and Janie); and Andrew Lenahan (Sam Seymour: Stage Manager, Old Man Gower, Ernie, Sam Wainwright, Uncle Billy, Dr. Campbell and the Sheriff).

So, be prepared to step into the Smithtown Performing Arts Center and be transported to 1946 for this great rendition of a Christmas classic.

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The Smithtown Performing Arts Center, 2 East Main St., Smithtown presents It’s A Wonderful Life: A Live Radio Play on weekends through Dec. 29. Tickets are $36.50 for adults, $33.50 seniors and $26.50 students. To order, call 1-800-595-4849 or visit www.smithtownpac.org.

Engeman Theater’s ‘Charlie and the Chocolate Factory’ is a sweet adventure on stage

by Julianne Mosher - November 21, 2024

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By Julianne Mosher

Oompa Loompa doopity-doo, here is another theater review for you.

The Engeman Theater’s latest production of Roald Dahl’s Charlie and the Chocolate Factory is as sweet as candy and will have you itching for more sugar by the end of it.

Directed by Drew Humphrey and choreographed by Mandy Modic, the show has similarities between the other Wonka films, but this is entirely its own.

We meet Willy Wonka (Cooper Grodin) who discloses to the audience that he is looking for someone to take over his candy factory. He’s going to hold a genius marketing campaign of placing five Golden Tickets in his famous Wonka bars with a grand prize of visiting the factory, while also working incognito as a candy store salesman, watching the winners revealed on television one by one.

At his store, Wonka meets Charlie Bucket (Matthew Eby), a young boy with a big imagination and very little money. Coming from poverty, he lives in a shack with his single mother (Sarah Colt), and his four grandparents (Steven Bidwell, Caroline Eby, Zoe Gillis and Howard Pinhasik) who all sleep in one bed and haven’t emerged from it in decades.

Grandpa Joe (Pinhasik), who is also Charlie’s best friend, used to work at the factory many years ago. He instilled his love for chocolate and fills the young boy’s head with stories from the good old days. But because of their lack of wealth, Charlie gets just one chocolate bar a year for his birthday.

Wonka has lived in recluse for many years after a spy tried to steal his recipes, but the campaign becomes an international hit with five children finding the tickets: Augustus Gloop (Oliver Cirelli and Elliot Torbenson), Veruca Salt (London DelVecchio and Elyana Faith Randolph), Violet Beauregarde (Briahna Gribben and Satya Mae Williams), Mike Teavee (Benjamin Corso and Luca Silva) and Charlie.

Spoiled rotten and mean to their parents, Augustus, Veruca, Violet and Mike have far different personalities from the last winner, Charlie, who lucked out finding a candy bar with his last remaining pennies after his birthday bar had no winning ticket.

The five kids and their parents, Mrs. Gloop (Caitlin Burke), Mr. Salt (James Channing), Mr. Beauregarde (Rickens Anantua) and Mrs. Teavee (Molly Samson) along with Grandpa Joe, enter the factory and witness all the magic Wonka has created over the years. Greed and the lack of listening skills from the kids, however, results in some pretty bad outcomes which are narrated by the cleverly created Oompa Loompas (small fabric marionettes attached to the dancers of the ensemble).

A more modern take on the original 1971 film and less creepy than the Tim Burton version from the early 2000s, the Engeman’s version is spectacularly done with a dynamic set, innovative props and gorgeous costumes for the kids and adults, alike. They do a great job transforming the stage into Wonka’s factory from the slums of the Bucket’s household with ease and inside the factory itself is a magical interpretation of what a candy factory ought to be.

You’ll be able to sing along to some well-known favorites like “The Candy Man” and “Pure Imagination,” with newer bops like “More of Him to Love” (to introduce Augustus), “When Veruca Says” (to introduce Veruca), “The Queen of Pop” (to introduce Violet) and “Little Man of Mine” (for Mike’s character). The second half of the show has the ensemble of Oompa Loompas singing farewell jingles when the kids are taken away to their individual demises.

The talent from not just the adult ensemble but the child cast is excellently done and each actor shines on stage.

Perfect for audiences of all ages, the theater has also created specialty cocktails (for the grownups) made of sweet syrups and candy while also selling Wonka chocolate bars with the chance to win a real Golden Ticket inside with various prizes including season tickets to the theater.

You’re sure to get a sugar high from this show, where dreams and chocolate collide.

The John W. Engeman Theater, 250 Main Street, Northport presents Charlie and the Chocolate Factory through Dec. 29. The season continues with Heartbreak Hotel from Jan. 16 to March 2 and Waitress The Musical from March 13 to April 27.

For more information or to order tickets, call 631-261-2900 or visit www.engemantheater.com.

See a sneak preview of the show here.

Theatre Three’s ‘A Christmas Carol’ brings back our favorite holiday tradition

by Julianne Mosher - November 15, 2024

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By Julianne Mosher

Celebrating its 40th year, Theatre Three’s production of Charles Dickens’ A Christmas Carol is as great as it is in the present, just as it has been in the past, and as it will be in the future.

A pillar of the holiday season, not only in Port Jefferson but across Long Island, the Dickensian tale of Ebenezer Scrooge (Jeffrey Sanzel) and the ghosts of Christmas Past (Cassidy Rose O’Brien), Present (Scott Hofer) and Christmas Yet to Come (Steven Uihlein) is a story that taps into the hearts of the young and the old, making it the perfect way to kick off the season of giving.

The theater opened its annual show on Nov. 9 to a packed-out house filled with an audience dressed in their best Christmas best. Young girls wore their red velvet dresses with bows, while fathers wore silly, ugly Christmas sweaters and Santa hats. Ushers greeted visitors to their seats in top hats and Victorian-era gowns, a nice touch to the show which is set in the mid-1800s.

When the curtains opened up, the stage turned into the dark, dreary streets of London where the poor and hungry begged for food. We are brought inside Ebenezer Scrooge’s office, that he once shared with the late Jacob Marley (Stephen T. Wangner), where he works during Christmas Eve — a holiday he absolutely despises. Scrooge’s nephew is Fred (Uihlein), a young man who is starting a family of his own, but who yearns for his uncle’s approval since it’s the last piece of his mother he has on earth after her death during childbirth. Scrooge, an angry, frugal man, wants nothing to do with the holiday, and isn’t shy about how he feels about it. Bah-humbug.

Scrooge has an underpaid, overworked clerk, Bob Cratchit (Ray Gobes Jr.), who is a man of simple means and a high spirit. Scrooge is unkind to him, as well, but reluctantly gives him off on Christmas Day.

Later that night, Scrooge is visited by his former partner’s ghost. Marley warns Scrooge that he has the opportunity to avoid the same fate — a dire one where he roams the earth entwined in chains and money boxes because of his lifetime of greed and selfishness — with visits by three ghosts. He must listen to them or he will be cursed and spend eternity in the same purgatory as his friend.

The visits of the ghosts are done spectacularly. The Ghost of Christmas Past brings Scrooge back to scenes of his boyhood and young adulthood where we see the relationships between him, his family, his sister, Fan (Ash Stalker), Belle, his first love (Julia Albino) and his first job — an apprenticeship with Mr. Fezziwig and his wife (Scott Hofer and Ginger Dalton).

The Ghost of Christmas Present enters next and takes Scrooge to the homes of Fred and Bob Cratchit. Fred’s holiday party shows the group making fun of Scrooge, while the Christmas dinner with the Cratchit’s shows how poor the family of six copes with Scrooge’s poor wage. We meet Tiny Tim (Stanley Zinger), Cratchit’s ill son who the family prays gets stronger by the day. This opens Scrooge’s eyes.

Enough so that when the Ghost of Christmas Future comes on stage, the audience lets out an audible gasp.

Upon the stage is a 13-foot grim reaper who towers over Scrooge and his grave. Scrooge watches his possessions be stolen and sold, while mourners mock him during his funeral. He begs for forgiveness to the reaper and he vows he’ll change for good.

On Christmas morning, Scrooge is a new man. He sends a turkey to the Cratchit home, donates money to a charity he previously rejected and attends Fred’s Christmas party where he is welcomed with lovingly opened arms. The next day, Scrooge increases Cratchit’s wage in which Tiny Tim says the famous line, “God bless us, everyone.”

Theatre Three’s rendition of A Christmas Carol is always a treat, but this production was quite magical. Sanzel, who also serves as the show’s director, celebrated his 1,590th performance as the bitter, but complex, Scrooge — and he keeps getting better.

In fact, after performing the show for 40 years, the entire company has perfected the show. They have it down to a science with their special and unique adaptation, impressive set design (by Randall Parsons), stunning costumes (by Parsons and Jason Allyn) and fantastic lighting (Robert W. Henderson Jr.). After performing the show for four decades, we can’t wait to see how the next 40 look at Theatre Three. Don’t miss this one.

CAST and CREW: Julia Albino, Jason Allyn, Karin Bagan, Steven Barile, Jr., Kyle M. Breitenbach, James Bressler, Kelsie Curran, Ginger Dalton, Olivia Davis, Angelina Eybs, Sari Feldman, Roy Fleischer, Brad Frey, Jason Furnari, Christina Gobes, Ray Robes Jr., Skye Greenberg, Tim Haggerty, Kathleen Arabelle Han, Robert W. Henderson Jr., Scott Hofer, Patrick Hutchinson, Zach Kanakaris, Giovanni Ladd, Linda May, Cassidy Rose O’Brien, Randall Parsons, Mia Rofrano, William Roslak, Vivian Leigh Rumble, Jennifer Salvia, Jeffrey Sanzel, Aidan Sharkey, Ash Stalker, Amelia Theodorakis, Melissa Troxler, Steven Uihlein, Stephen T. Wangner and Stanley Zinger

Theatre Three, 412 Main St., Port Jefferson will present A Christmas Carol through Dec. 28. All tickets are $25 in November and range from $25 to $40 in December. To order, call 631-928-9100 or visit www.theatrethree.com.

SCCC Selden brings a taste of Shakespeare to Shea Theatre

by Julianne Mosher - November 13, 2024

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'Shakespeare's Lovers and Fighters' — A scene from Henry V at the Battle of Agincourt. Photo by Julianne Mosher

By Julianne Mosher

It’s time to shake up Shakespeare.

Suffolk County Community College’s latest production of Shakespeare’s Lovers & Fighters is a great approach to the famous playwright and his stories since it’s a compilation of some of his most famous scenes from several different plays.

Serving as an anthology of Shakespeare’s As You Like It, The Taming of the Shrew, Romeo and Juliet, Macbeth, Henry V, A Midsummer Night’s Dream, Twelfth Night and Hamlet director Steven Lantz-Gefroh said this was a way to bring a little bit of Shakespeare and highlight both the lovers and the fighters.

What’s great for this hour-and-a-half long show, with a 10-minute intermission, is that the audience gets snippets of some of Shakespeare’s most beloved plays without having to sit through them in their entirety. Narrated by William, himself, in between the different scenes, the show is a way to either adore some of your favorite Shakespearean tragedies, comedies and histories or immerse yourself into a piece of his work that you might not know of already.

Set on a brilliantly crafted stage that hosts a balcony, stairs and minimal props, the actors are able to adapt quickly and efficiently in between the different stories; some that take place in France (As You Like It), Scotland (Macbeth), Athens (A Midsummer Night’s Dream), Denmark (Hamlet), and Italy (The Taming of the Shrew and Romeo and Juliet).

We start off with scene 3.2 from As You Like It where Rosalind and her cousin, Celia, are met with Rosalind’s love interest, Orlando. Dressed in drag, Rosalind fools Orlando into believing she is a love expert.

We head south to Italy for scene 2.1 of The Taming of the Shrew where we meet Katherine, an angsty, angry shrew of a woman who is being courted by Petruchio after he makes a deal with her father, Baptista. Katherine wants none of this, but could there be chemistry between the two if she tried?

While in Italy, we’re outside Juliet Capulet’s balcony for that famous scene. Enough said.

Up in Scotland, we meet Macbeth who fights Macduff in an intense scene of combat. The artistry behind the fight is stunning and impressive to the audience sitting at the edges of their seats.

Thereafter we’re back in France at Henry V’s court where we see him seduce Catherine of France as part of a plan to end the Hundred Years’ War and place King Henry on the French throne.

Back in Verona, we are in the public square where the Capulets and Montagues fight it out after the two groups have words — which stems from generations of feuding between the two families. As before, the swordsmanship is a dance on the stage that is carefully crafted with every move. Impressive, again, to say the least.

We also are privileged to see scene 4.1 from As You Like It, 3.4 from Twelfth Night, 5.1 from A Midsummer Night’s Dream, and 3.1 from Hamlet during act two.

The show concludes with the entire cast on stage separated into the English and French for an epic battle scene between the two groups from scenes 4.3-7 from Henry V at the Battle of Agincourt. All in all, the show has something for everyone — whether you liked reading Shakespeare in high school or not.

The talent of these actors — which include Gabriel Patrascu, Scott Dowd, Ryan Shaw, Jeremy Bazata, Alani Etheridge, Angie Barrientos, Alani Etheridge, Michaela Fitzsimmons, Haylee Giglio, Talia Mazza and Thomas McGuire — is beyond exceptional. Their ability to become the characters Shakespeare created nearly 500 years ago (and speak-eth in thy tongue) is incredibly difficult but they do it with such ease that it is especially impressive. Each actor shines on stage in their Shakespearean costume, you’ll think that you’re watching New York City’s “Shakespeare in the Park,” — only this is much closer.

The Theatres at Suffolk County Community College present Shakespeare’s Lovers & Fighters in the Shea Theatre, Islip Arts Building, SCCC Ammerman campus, 533 College Road, Selden on Nov. 14, 15 and 16 at 7:30 p.m. and Nov. 17 at 2 p.m. General admission is $15, veterans and students 16 years of age or younger $10. SCCC students with current ID are offered one free ticket. To order, please call the box office at 631-451-4163.

‘A Kooky Spooky Halloween’ celebrates 7th year at Theatre Three

by Heidi Sutton - October 12, 2024

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Time for witches, ghosts and toast!

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By Heidi Sutton

It’s kooky and it’s spooky and it’s hauntingly good. Now in it’s 7th year, A Kooky Spooky Halloween returns to Theatre Three in Port Jefferson to celebrate one of the most popular holidays of the year.

Written by Jeffrey Sanzel and Steve McCoy, the adorable musical tells the story of Abner the Ghost (Steven Uihlein) who has just graduated from Haunting High School and is assigned to be a spooksperson at Ma Aberdeen’s Boarding House, (known for being the most haunted house in Harrison Corner USA and for having the best toast!) as its last ghost, Baron Von Yost, has recently retired. Abner is given a diploma and a medallion of invisibility and is sent on his way with two rules: never haunt before sunset and never, ever lose your medallion.

But Abner has a shocker of a secret — he’s afraid of the dark! When he confides in his best friend Lavinda the Witch (Cassidy Rose O’Brien) she gifts him a nightlight and promises to help him get settled in. With Lavinda’s help, what could possibly go wrong?

It’s Halloween and Abner arrives at the boarding house just as Ma Aberdeen (Ginger Dalton) and her boarders the Petersons — Paul the periodontist (Liam Marsigliano), Penelope the p.r. professional (Katy Snair) and their daughter Pip (Sarita Alvarado) — and Kit Garret (Julia Albino), a girl who “just came from a small town to a big city with a suitcase in her hand and hope in her heart,” are stuffing goodie bags for trick-or-treaters in the kitchen.

In one of the funniest scenes in the show, Abner tries out a series of spells, making the group stuff the bags in double time, dance, do jumping jacks, sing, spin like a top, quack like a duck and stick to each other. Just as he is about to undo the last spell, fellow graduate ghost with a grudge Dora Pike (Josie McSwane) appears, steals his medallion of invisibility and nightlight and heads to the bottom of Black Ridge Gulch, the deepest, darkest gorge in the entire world (where it’s really, really dark). Now visible, Abner must convince the strangers who are still stuck to each other help him get his medallion back or it will “all fade to black.”

Director Colleen Britt has assembled a terrific cast to tell this hilarious story filled with singing and dancing, action and adventure and tons of Halloween jokes. Ginger Dalton as Ma who makes the toast is especially wonderful. “What kind of toast do you serve? Rye, whole wheat, sourdough, french?” she’s asked. “White. No butter, no jelly … and no jam!” she snaps.

This year’s production has amped up the spookiness with floating ghosts, use of the trap door and more special effects, but don’t worry— it is not scary. The show also makes use of the screens on each end of the stage from the set of ‘Matilda The Musical’ to project images. A nice touch.

Costumes by Jason Allyn in shades of black, orange, purple and sparkly white for the ghosts are the icing on the haunted house cake. Don’t miss this one. You and your kids will have a spooktacular good time. Ghostly pumpkin souveniers will be sold during intermission and costumes are encouraged. Meet the cast in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson presents A Kooky Spooky Halloween through Oct. 19. Children’s theater continues with Barnaby Saves Christmas from Nov. 23 to Dec. 28 and Hansel and Gretel from Jan. 25 to Feb. 8. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

‘The Brothers Grimm Spectaculathon’ at SCCC in Selden sheds new light on your favorite childhood fairy tales

by Julianne Mosher - October 10, 2024

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By Julianne Mosher

Not all fairy tales have a happy ending despite what “the mouse” wants you to think.

Don Zolidis’ The Brothers Grimm Spectaculathon is Suffolk County Community College’s latest production at Theatre 119 located on the Ammerman Campus in Selden. The show recreates all 209 fairy tales written by the Brothers Grimm including Rapunzel, Rumpelstiltskin, Hansel and Gretel, Snow White, Sleeping Beauty, Cinderella and more. But don’t expect the fairy Godmother to make an appearance or for the characters to break into song — this isn’t a Disney show.

When the red curtain opens, we’re introduced to two narrators, River Monastero and Krystian Karwowski. Dressed in the most whimsical costumes (from designer Andrew Wittkamper), the two attempt to tell the fables and tales combined into one giant story in a fast-paced and super clever extravaganza. Both have a way of sharing the tales with a great presence on stage.

Directed by Bryan Kimmelman, the show has no intermission, which means the audience gets a full hour-and-a-half of a hysterically fun (and sometimes improved) show that is different than anything else you’ve ever seen before.

Set in various fairy tale locations, the story begins with a dirt-poor girl who makes three deals with the devil, a witch, and Rumpelstiltskin. The girl meets a prince, falls in love, finds riches and has a baby (who ends up being an angsty teenage Rapunzel dressed in her leather jacket and cell phone in hand). We learn that Rapunzel’s grandmother was actually Gretel (of Hansel and Gretel) and from there on several fables and fairy tales intertwine into one large hodgepodge of silly, chaos, magic and randomness.

The show features modern and exaggerated humor, and the actors add modern interpretations to the stories — for example a sassy fashion show where the stage turns into a catwalk to prove who really is the fairest of them all.

The talented students of SCCC play multiple parts — a feat that proves difficult considering the show is so quickly paced. Karwowski shines playing the narrator (along with the devil and as dwarf number 2), while other actors including Nicholas Maggipinto (the actor, Hansel, Johannes), John Woolard (dirt merchant prince, prince number 2), Isabella Romero (Snow White, the enchantress), Kite Harrison (witch number 2, Rumpelstiltskin), Christina Keller (Plinkie Plie, Rapunzel), Aiden Gomez (the king, dwarf number 1, heckling audience member), Mia Lombardi (the girl, Gretel, Cinderella) and Mollie Sebor (the witch, the talking raven and the queen) show off their talent by switching characters not only by act, but within the same scene.

You might want to brush up on your Grimm’s fairy tales, though, because they also delve into some of the more obscure stories like Lean Lisa and The Devil’s Grandmother. The narrators often break the fourth wall, so be prepared to get involved as you are expected to help prevent Hansel and Gretel from going into the witch’s house by yelling, “don’t go in there!” anytime they make a poor decision (as one does in any good horror movie).

You’ll laugh your gold slippers off (no, not glass slippers … again, this isn’t Disney), so be sure to check this show out.

The Theatres at Suffolk County Community College present The Brothers Grimm Spectaculathon in Theatre 119, Islip Arts Building, SCCC Ammerman, 533 College Road, Selden on Oct. 10 at 7:30 p.m. and on Oct. 13 at 2 p.m. General admission is $15, veterans and students 16 years of age or younger $10. SCCC students with current ID are offered one free ticket. To order, please call the box office at 631-451-4163.

Theater Review: Whodunit mystery ‘Clue’ opens at the John W. Engeman Theater

by Julianne Mosher - September 27, 2024

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A hilarious comedy based on the movie and board game comes to life in Northport

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By Julianne Mosher

Not sure what to do next weekend? Well, here’s a clue.

The John W. Engeman Theater’s latest production of CLUE is a witty murder mystery filled with twists and turns all based on the 1985 film starring Tim Curry that was inspired by the classic Hasbro board game.

It begins in 1954 at the Boddy Manor, an eerie, isolated mansion where six random guests are invited under unusual circumstances to a dinner party. Welcomed by the butler, Wadsworth (Michael Keyloun) and Yvette, the maid (Arianne Davidow), each guest comes to the door unsure as to why they were invited by the mansion’s owner, Mr. Boddy (Cody Gerszewski).

Each guest is called by a pseudonym for confidentiality: Colonel Mustard (Danny Rothman), Mrs. White (Christina DeCicco), Mrs. Peacock (Thursday Farrar), Mr. Green (Patrick Harvey), Professor Plum (Ken King) and Miss Scarlet (Lauren Weinberg). All from different backgrounds (for example, Mrs. Peacock is wife to a high-profile senator, Mrs. White’s three husbands mysteriously died and Miss Scarlet is a popular Washington D.C. madam), they share one thing — a secret.

At the start of the evening, the cook of the mansion (Suzanne Mason) brings out dinner and the guests discover they all hold government influence in one form or another. When Mr. Boddy finally arrives, he explains that he is blackmailing the group. Wadsworth is told to call the police and Boddy hands the guests six weapons as “gifts” to kill the butler in order to protect their secrets; a candlestick, rope, lead pipe, wrench, revolver and dagger.

The theater’s lights go out and a there’s a loud gunshot. Mr. Boddy is dead on the floor. But who did it?

To figure out who the killer of the group is, they split up and while walking through the mansion are met with all different shenanigans. They’re met with visits from outsiders who are somehow related to people in the house — like the motorist (Gerszewski), a telegram girl (Mason) and a cop (Jeremy McClelland). They end up dead, too.

In just 90 minutes, the board game comes to life on stage with colorful characters leaving the audience wondering who, where and with what.

With a small cast, each actor embodies the characters of the game and movie with perfection. Keyloun’s portrayal of the butler (made famous by Tim Curry in the film) has the audience belly laugh with his wit and expressive skill as he moves across the stage. Other standout performances include Davidow, Rothman, DeCicco, Farrar, Harvey, King, Weinberg, Gerszewski, Mason and McClelland who are hysterical in their own ways; whether it’s Miss Scarlet’s seductive humor or Mr. Green’s silly clumsiness, there was always a smile in the crowd.

Based on the screenplay by Jonathan Lynn and written by Sandy Rustin, the Engeman’s production is directed by Marc Tumminelli. The costume design from Dustin Cross is representative of the characters we’ve seen on the board games’ cards with a 1950s fashionable flair that colors the eerie stage set (designed by Kyle Dixon).

The stage set as the manor is an impressive one. Not only does one feel like they’re in the foyer of the house, but when they need to be in the parlor, the dining room or the den, the stage has doors that open and pull out to the room where the characters are inside. The doors are used often and usually in a campy way.

So, was it Professor Plum with the revolver in the parlor? Or maybe it was Colonel Mustard with the wrench in the hall? One thing is for sure … it should be you with a ticket in hand parked in a seat to watch this fantastic show.

The John W. Engeman Theater, 250 Main St., Northport presents CLUE through Oct. 27. The season continues with Charlie and the Chocolate Factory from Nov. 14 to Dec. 29. Tickets range from $80 to $100 with free valet parking. To order, call 631-261-2900 or visit www.engemantheater.com.

‘Matilda the Musical’ shines bright at Theatre Three

by Julianne Mosher - September 19, 2024

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By Julianne Mosher

One of the last musical numbers during Theatre Three’s latest production of Matilda the Musical is called “Revolting Children,” but the cast of this show is far from it.

Based on the beloved book by Roald Dahl and the 1996 movie starring Mara Wilson and Danny DeVito, the musical is a fun and enchanting twist that will make all ages in the audience smile.

Written by Dennis Kelly, music and lyrics by Tim Minchin and directed by Jeffrey Sanzel, Matilda follows the story of a spectacularly smart child who lives in an unhappy home with dimwitted parents. Matilda (played by the extraordinarily talented Sadie Mathers — who is readily on the path to stardom), finds solace in the library where she reads books upon books while also sharing tales she makes up in her head to the local librarian, Mrs. Phelps (Michelle LaBozzetta).

Her family, the Wormwoods, don’t read. In fact, they’re lazy and dumb. Matilda’s father, played by Steven Uihlein, is a crooked car salesman who refuses to acknowledge the young girl as his daughter, and her mother, played by Rachel Geiser, is an amateur ballroom dancer who only cares about her looks — not her family. Matilda has a brother, Michael, played by Jax Segal, who does not speak and stares at the TV throughout the entire show, remote in hand.

To teach her some discipline, Mr. Wormwood ships Matilda off to a private academy headed by Miss. Trunchbull (Liam Marsigliano), a former Olympian who hates children and wishes for a world without them. Luckily, Matilda and her classmates find comfort knowing their teacher, Miss Honey (Veronica Fox), loves them and tries to make their school days better despite their dreary and frightening walls.

Throughout the play, Matilda shares a tale of an escapologist (Eric J. Hughes) and his wife, the acrobat (Josie McSwane) that she makes up in her head. The characters, however, seem to match with certain people the young girl meets and encounters in her daily life.

Compared to the movie, the musical version of Matilda is set in England so the ensemble needed to not only learn the lyrics to difficult songs, but do it with a cockney accent — the child actors included. The talent of the entire cast is remarkable with its leadership from musical director Jeffrey Hoffman and choreography from Sari Feldman with dance moves and vocal ranges fit for Broadway.

And if you’re a fan of film, you’ll be surprised with a similar plot but with different twists and turns.

From the campy costumes full of color — minus the school uniforms, of course — (designed by Jason Allyn) to the set design that integrates video using TV monitors framing the stage (Randall Parsons), the attention to detail is nothing short from extraordinary.

So, you better go see this show or else you’ll be thrown in the chokey and give this group of actors the standing ovation they continuously deserve.

Theatre Three, 412 Main St., Port Jefferson presents Matilda the Musical through Oct. 20. Tickets are $40 adults, $32 seniors and students, $25 children ages 5 to 12, $25 Wednesday matinees. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Steve Kyle/Showbizshots

Elle-evate your summer with ‘Legally Blonde’ at the Engeman

by Julianne Mosher - July 18, 2024

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By Julianne Mosher

Get your pink blazer on and swipe on some lip gloss for the John W. Engeman theater in Northport’s latest production of Legally Blonde The Musical.

Based on the 2001 hit movie starring Reese Witherspoon, the 2007 Broadway musical, written by Heather Hach, hints to a lot of the famous movie moments and quotes, but certainly has its own identity and it’s just as good as the famous 00’s comedy.

But it couldn’t have gained the standing ovation it received on the theater’s opening night if it weren’t for the talented cast and crew who took on quite a challenge with Jay Gamboa’s choreography and direction from Trey Compton.

The show starts out with a simple stage design, headed by Kyle Dixon, of a Delta Nu doorframe at Elle Woods’ (Emma Flynn Bespolka) UCLA sorority house. There, we meet her best friends and sorority sisters, Margot (Lara Hayhurst), Serena (Juliana Lamia) and Pilar (Bridgette Carey) who are writing out a congratulations card for Elle who thinks she’s getting engaged to her boyfriend, Warner Huntington III (Nathan Haltiwanger).

The girls, dressed in their best 2000s-styled clothes (low rise jeans, a lot of color and bedazzles) learn from Elle’s dog, Bruiser, (Little Ricky and Cha Cha), that the soon-to-be bride is at the mall finding the most perfect dress. Always on cue with his scripted barks, jumps and licks, Bruiser with his minimal appearances had the audience in awe at what a good boy he is under the stage lights.

After finding the perfect outfit, hair done and makeup on, Elle meets Warner at a restaurant where he tells her he wants to get serious with her … Down on one knee he takes her hand and much to her surprise and dismay breaks up with her. Afterall, he’s going to law school to kickstart his political career and he needs “a Jackie, not a Marilyn.”

Two weeks of mourning of her idea of marriage falling apart, Elle decides to follow Warner to Harvard Law School. Although she has a degree in fashion merchandising from UCLA, with the financial help of her wealthy parents (Emily Bacino Althaus and Matt DeNoto), and a fantastic cheerleading-inspired live dance performance at Harvard clad in glitter and pink, she (shockingly) gets in and heads to the east coast. What, like it’s hard?

At Harvard, she introduces herself to her classmates, Emmett (Quinn Corcoran), Aaron (Christian Melhuish), Sundeep (Yash Ramanujam) and Enid (Haley Izurieta), as a Gemini who once told Beyonce that orange is definitely not the new pink. Everyone except for Emmett doesn’t take her seriously and backs away, heading to the tough Professor Callahan’s class (James D Sasser) where Elle learns Warner is dating a true “Jackie,” Vivienne Kensington (Nicole Fragala).

Throughout the rest of Act I, we see Elle struggle with acceptance as she tries to bring her sunny California personality to the gloomy New England university, while also trying to woo her ex back into her life (and dealing with his judgmental and jealous new girlfriend). The musical brings the iconic scene from the screen when Vivienne and her friends invite Elle to a costume party – but it’s not – and she learns that the hard way as she shows up as a Playboy Bunny.

Luckily for Elle, we meet her new best friend who becomes her support system, Paulette (Chanel Edwards-Frédérick), a hair dresser with a sad backstory. Paulette gushes over the new UPS driver, Kyle (Jeffrey Keller), who doesn’t have a lot of lines, but you’ll laugh until your stomach hurts at his seductive walk through the theater and suggestive jokes that have all the girls (and guys) in the beauty salon swoon. Eventually Paulette wins him over by the 99.99 percent effective “bend and snap.”

Back in Elle’s life, she gets added to Professor Callahan’s legal team to represent a former Delta Nu workout superstar, Brooke Wyndham (Julianne Roberts), who is accused of killing her husband. We’re introduced to her in Act II at the woman’s prison where she is demonstrating what is probably the most intense choreography the audience has ever witnessed – a whole song and dance involving constant jump roping. Roberts, with her impeccable lungs, doesn’t miss a beat and double jump with no flaws in her vocal range receiving a long-winded applause when the number is over. You’ll be tired watching her.

From now on, we’re in court learning about Brooke’s story and who might have actually killed her husband. Using her knowledge of all thing’s beauty, Elle wins the case because everyone knows that you don’t take a shower after a perm…

This show is the most fun you’ll have and with a large cast of 25 talented actors (and two talented pups), you’ll always see something new. The lead role of Elle couldn’t have been better picked as Bespolka truly embodies the character in every sense. In fact, even the ensemble who appeared in only one or two numbers continuously also stole the show.

So, don’t object to this great opportunity and see for yourself what a great play this is.

The John W. Engeman Theater, 250 Main St., Northport presents Legally Blonde The Musical through August 25. The Main Stage season continues with the murder mystery Clue from Sept. 12 to Oct. 27. Tickets range from $80 to $95. To order, call 631-261-2900 or visit www.engemantheater.com.

The John W. Engeman Theater’s ‘Seussical the Musical’ is all the thinks you can think…and more

by Julianne Mosher - June 13, 2024

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By Julianne Mosher

The colorful pages of Dr. Seuss’ stories come to life on the John W. Engeman’s stage for their latest children’s theater production, and their rendition of Seussical the Musical is one for the books.

Directed by Danny Meglio, the story follows the plot of “Horton Hears a Who,” with Horton (Patrick McCowen), the elephant, speaking to Jojo (Sophie Achee and Finn Brown) — the smallest Who in Whoville. Jojo and his community live on a speck of dust on a clover that Horton lovingly carries throughout the show.

The elephant’s big ears allow him to hear the chitter chatter of the people on the clover, while the rest of the jungle thinks poor Horton is crazy, constantly ridiculing him. On top of that, Horton gets tricked into egg-sitting for the sassy, popular Mayzie (Jillian Sharpe), who abandons her egg to go party in Florida. But luckily, he has the support of his friend Gertrude (Natalie Sues), especially when he gets bullied by the Wickersham Brothers (Daniel Bishop, Terrence Sheldon and Will Logan) and Sour Kangaroo (Christina Cotignola). The Bird Girls (Michelle Shapiro, Nicki Winzelberg and Ally Clancy) are a three-piece ensemble who help tell the story through song and great harmonies throughout each number.

Written by Stephen Flaherty and Lynn Ahrens, the show is narrated by the Cat in the Hat (the incredibly talented Jae Hughes) whose mischievous ways will make the entire audience laugh.

Acting as Jojo’s guide, the Cat helps the young dreamer maneuver through all the different scenes he imagines with special mention to the big dance number, “It’s Possible (McElligot’s Pool).” And that’s just the tip of the iceberg in terms of a synopsis — you’ll have to see the rest for yourself.

Meant to appeal to young children, with many families in attendance, this musical is really made for all. Grandparents, parents and babysitters alike smiled along as each scene presented a new musical score sung by this professional cast. They effortlessly danced along with choreography by Jillian Sharpe in the most colorful costumes and wigs led by Laura McGauley.

Anyone who has read Dr. Seuss’ other childhood tales (like “Green Eggs and Ham,” “How the Grinch Stole Christmas” or “There’s a Wocket in My Pocket”) knows that the famous author’s art is truly out of this world and the team at the Engeman Theater and scenic designer Orion Forte did a great job portraying that with funky Seuss-like trees in the jungle of Nool.

Seussical the Musical is a fun play that explores themes of identity, individuality, creativity, loyalty and community. Kids will leave the energetic production knowing the importance of being unique, standing up for one’s beliefs and that “a person’s a person, no matter how small.”

So, get your tickets now, fill up on some green eggs and ham and head over to the Engeman Theater for a fun trip into the creative mind of Dr. Seuss. Meet the cast after the show for photos and autographs.

The John W, Engeman Theater, 250 Main St. Northport presents Seussical the Musical on Saturdays at 10 a.m. and Sundays at 10:30 a.m. through June 30. All seats are $20. To order, call 631-261-2900 or visit www.engemantheater.com.

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theater review

Smithtown Performing Arts Center shows us ‘It’s A Wonderful Life’

Engeman Theater’s ‘Charlie and the Chocolate Factory’ is a sweet adventure on stage

Theatre Three’s ‘A Christmas Carol’ brings back our favorite holiday tradition

SCCC Selden brings a taste of Shakespeare to Shea Theatre

‘A Kooky Spooky Halloween’ celebrates 7th year at Theatre Three

Time for witches, ghosts and toast!

‘The Brothers Grimm Spectaculathon’ at SCCC in Selden sheds new light on your favorite childhood fairy tales

Theater Review: Whodunit mystery ‘Clue’ opens at the John W. Engeman Theater

‘Matilda the Musical’ shines bright at Theatre Three

Elle-evate your summer with ‘Legally Blonde’ at the Engeman

The John W. Engeman Theater’s ‘Seussical the Musical’ is all the thinks you can think…and more

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