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Reboli Center for Art and History

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‘Cassio’ by Dino Rinaldi

By Melissa Arnold

‘Stable Door’ by Joseph Reboli

Horses, whether ridden, raced, bred or simply beloved, have long been a part of Long Island’s culture. From the Belmont Stakes in Nassau to the Smithtown Hunt and the Old Field Farm in Suffolk, the majestic animals hold a special place in the hearts of many.

Among them was the late artist Joe Reboli, whose 30-year career was defined by bringing both famous places and ordinary views of the Three Village area to life with great care and realism.

The Reboli Center for Art and History in Stony Brook was founded in 2016 to celebrate Reboli’s life and honor the history of the place he called home. Since then, the center has created a number of exhibits blending Reboli’s work with local artists as well as artifacts from Long Island’s past.

On Tuesday, the center opened an exciting  new exhibit, Artistry: The Horse in Art, which will focus on horses and their environment through a variety of mediums. Among the Reboli works in the exhibit is “The Stable Door,” an oil-on-canvas painting.

Roberto Dutesco’s ‘Love’ will be on exhibit at the Reboli Center through Oct. 28.

“Joe had a way of capturing this community that evoked such wonderful feelings from people,” said Reboli Center co-founder Colleen Hanson. “His painting of a stable door in our exhibit was done for [the late publisher] John McKinney. Joe’s ability to paint white was just astounding — there is more to the color white than many people realize; there are so many shades and hues in it and he captured them all.”

In addition to work from Reboli, the exhibit will highlight three other main artists. Roberto Dutesco, a Romanian-born Canadian artist, is well known for his fashion photography. But in 1994, Dutesco began to explore nature photography with a trip to Sable Island, nearly 200 miles off the coast of Nova Scotia. There he photographed the island’s breathtaking wild horses. He has returned to the island six times since then with the goal of inspiring greater conservation efforts through his work. 

‘Zidette’ by Dino Rinaldi

Dino Rinaldi is a Port Jefferson native whose winding career has taken him from illustration to advertising and finally painting full time. As a teen, Rinaldi recalls opening up an issue of the local newspaper and seeing a painting of gasoline pumps by Reboli. 

“I looked at it and thought, someday I want to be able to paint like that. It moved me,” said Rinaldi, who now lives in Setauket with his wife and daughter. “To be able to create art for a living is a dream come true.” Keep an eye out for “Zidette,” Rinaldi’s graphite powder-and-pencil drawing.

Elena Hull Cournot, who originally hails from East Setauket, now provides creative arts therapy in the West Village and owns a studio in Brooklyn. Horses are a mainstay of Cournot’s work, who is known for her large commissioned paintings of horses and soulful works created during her time as an artist in residence at the Burren College of Art in Ireland. Like storytellers who seek to capture the personal essence of their subjects, Cournot strives to spend time with each horse she paints. One of those horses was “Indie,” whose oil-on-canvas portrait is featured in the gallery.

The center’s history gallery will focus on events and places that include horses in a prominent role. The Smithtown Hunt is the only surviving foxhound hunt on Long Island. While it was originally a live hunt when it was first held in 1900, it is now exclusively a drag hunt. The Old Field Farm was built by Ward Melville in 1931 and continues to be a hot spot for the equestrian community. 

“Every year, we sit down and talk about what kind of exhibits we’d like to have. We look at different community events that are going on, and then work to determine the artists we might feature and a theme based around that,” Hanson explained. “This is such an interesting and fun show — there are so many people who love horses and have owned or ridden them at some point. They are beautiful, intelligent creatures that have a wide appeal.”

Hanson also joked that her own history was a factor in the decision. In the decade she spent as the director of Gallery North in Setauket, not a single exhibit featured a horse. Thanks to this exhibit, she’s now hung more than 30 horse paintings, drawings and photos.

The center will hold several special free events during the exhibit’s run, each coinciding with Third Friday activities in the area. Dino Rinaldi and Roberto Dutesco will be at the center Aug. 17; Leighton Coleman, Sally Lynch and Edmunde Stewart will be welcomed on Sept. 21; and on Oct. 19 there will be a screening of the documentary “Snowman,” which tells the story of a simple workhorse saved from the slaughterhouse by a Long Island man. Snowman went on to become a national show jumping champion.   

See Artistry: The Horse in Art through Oct. 28 at the Reboli Center for Art and History, 64 Main St., Stony Brook. Admission is free. For information, call 631-751-7707 or visit www.rebolicenter.org. 

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'Hydrangea Cottage' by Joseph Reboli

STONY BROOK: Following the overwhelming response from its previous painting events, The Reboli Center for Art and History, 64 Main St., Stony Brook will host its fourth Painting Party on Wednesday, May 16 from 7 to 9:30 p.m.

The instructors for the evening, Eileen Sanger and Linda Davison Mathues of The Winey Painters, will lead participants in creating a new painting using Joseph Reboli’s “Hydrangea Cottage” as inspiration. Artists, past and present, lived very interesting lives, and The Winey Painters will combine art history with the painting. 

With the instructors’ many years of teaching experience, everyone leaves happy and sometimes amazed at their own hidden talent. Registration fee is $45 per person and includes all supplies. No experience needed. To sign up, drop by the Reboli Center or call 631-751-7707.

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A beautiful heart wreath in your décor is something special, but a beautiful heart wreath made by you is even better! Just in time for Valentine’s Day, the Reboli Center for Art and History in Stony Brook Village will host a Heart Wreath Workshop on Saturday, Feb. 3 from 10 to 11:30 a.m.

With the guidance of Diana Conklin from Everlastings by Diana, you’ll get to make a Pinterest-worthy wreath using hand-colored dried herbs (lavender, Artemesia annua and more), hydrangea and other dried botanicals that symbolize love to display in your home. You’ll be encouraged to explore your own style within the demonstrated framework. All materials are provided and, of course, you’ll take your creation home with you! Workshop fee is $45. To register, call 631-751-7707 or visit the Reboli Center, 64 Main St., Stony Brook.

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Lucille Betti-Nash. Photo courtesy of Reboli Center

Save the date! Scientific illustrator Lucille Betti-Nash will be the speaker at The Reboli Center for Art and History’s next Third Friday event, Jan. 19 from 6 to 8 p.m. Betti-Nash will talk about the importance of communicating science and how science and art have been interconnected throughout history.

Betti-Nash studied art, printmaking and design with Robert White, Edward Countey and Jim Kleege at Stony Brook University in the late 1970s. During her student years studying fine arts she began working for the Department of Anatomical Sciences as a scientific illustrator where she has been employed full time since 1978. The department is home to a variety of world-renowned scientists working in many different disciplines ranging from human evolution to paleontology.

Betti-Nash’s illustrations have appeared in many scientific journals such as Science, Nature, Science Times and PLOS ONE, as well as in National Geographic, Natural History Magazine and several other scientific publications in print and online.  She has illustrated several books on human and comparative anatomy, primate behavior, ecology and evolution and numerous scientific papers and manuscripts on subjects as diverse as dinosaurs, extinct mammals and amphibians from Madagascar and hominid fossils from Africa, as well as providing human anatomical drawings for teaching students in the School of Medicine at Stony Brook.

In the past she and her husband, who is also a scientific illustrator, taught a class at Stony Brook called Anatomy for Artists, started by Ed Countey and Randy Susman. More recently they have been teaching nature drawing workshops in Peru and Brazil.

In addition to drawing the natural world, she is involved with Four Harbors Audubon Society where she leads bird walks every second Saturday in Avalon and Frank Melville parks. Future art projects include illustrating Long Island native plants, birds and insects that visit her Stony Brook garden.

The Reboli Center for Art and History is located at 64 Main Street, Stony Brook. Its Third Friday program is free to the public and reservations are not required. For more information about the event, visit www.ReboliCenter.org or call The Reboli Center at 631-751-7707.

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The Reboli Center for Art and History is located in Stony Brook at the former site of the Capital One Bank. File photo

It’s much more than a place to go to appreciate the work of late artist and painter Joe Reboli.

Located at the former site of Capital One Bank across the street from where Reboli grew up in Stony Brook, the Reboli Center for Art and History, which opened a little more than a year ago, blends a collection of art from the prolific painter with works by other local artists, rotated every three months.

Housed in an A-frame white building with blue awnings, the center has showcased the work of artists including Ken Davies, who was Reboli’s teacher and mentor.

Reboli was born and raised on Main Street, not far from where his name is memorialized.

He and his family had a long history in the area. His grandfather ran a business across the street from where the center now stands, and decades later his aunt worked in the same building when it was a bank.

He died in 2004 at age 58 after being diagnosed with lung cancer. Since his death, his wife Lois Reboli had been attending makeshift meetings at coffee and kitchen tables across Three Village with a squad self-identified as The Rebolians, working to make sure Joe Reboli’s story lived on.

“[The center is] hopefully a gift back to the community my husband loved so much,” said Reboli, a former art teacher.

The Reboli Center is named in honer of late Stony Brook artist Joe Reboli. File photo

He was on the board of the Three Village Community Trust and Gallery North. When asked by his wife why he attended those gatherings, she said he told her he loved the community and wanted to support it in some way.

“I didn’t really understand it at that point,” she said. “I did after he got sick, and I just really wanted to give something to the community so they would remember Joe.”

As part of the center’s cultural contributions, free talks are given with local artists, and, after a successful musical debut, the center may be the site of future concerts.

Donna Crinnian, a photographer whose pictures of egrets were featured at the center in the fall, called the center a great addition to the community.

“Everybody in the community likes having it there,” she said. “They get a really nice crowd coming in for the speakers.”

Besides Reboli, the idea for the studio gallery came together with the help of Colleen Hanson, who worked as executive director of Gallery North from January 2000 until her retirement in September 2010. She worked alongside Lois Reboli after Joe passed and also helped launch the first Reboli Wet Paint Festival weekend at Gallery North in 2005.  Hanson also worked with B.J. Intini, a former Gallery North assistant and executive director who is the president of the Farmingville Historical Society.

“I made a vow that we would do something for [Reboli],” Hanson said. “If we were to find a space, it had to be in Three Village and it had to have a Joe-like feeling. Now, I pinch myself and think, ‘This is so cool.’ We love this community. We want it to be even better and richer for everybody, and I see this as a beautiful upbeat place where people want to be.”

State Assemblyman Steve Englebright (D-Setauket) is credited with helping to make the purchase a reality, Reboli said. He helped the three, self-dubbed the “tres amigas” create a not-for-profit called the Friends of Joseph Reboli, with a mission of collecting, preserving and exhibiting artwork and artifacts related to Joe Reboli. The group filed for federal 501(c)(3) status in 2012.

Reboli had been looking for a suitable place to share her late husband’s work with the public and had been demoralized by a few false starts when she wondered if she would be able to find the right spot.

“If we were to find a space, it had to be in Three Village and it had to have a Joe-like feeling. Now, I pinch myself and think, ‘This is so cool.’”

— Colleen Hanson

It wasn’t until March 2015 when Hanson said she heard of Capital One in Stony Brook potentially leaving the historic landmarked building at a price tag of $1.8 million. Englebright spearheaded securing a $1.3 million state grant that went toward the purchase of the building, and two anonymous $150,000 donations turned the dream into a reality.

“He went to bat to help us get as much funding as we could,” Reboli said of the lawmaker. “He was remarkable.”

She signed the contract Sept. 25, 2015 — her late husband’s 70th birthday.

“It’s everything I hoped for and more,” Englebright said of the center. “I have heard from dozens of people and they are absolutely thrilled that this is a new part of the cultural dimension in our community.”

Englebright said the late artist’s paintings open up a wide range of conversations about the interaction between nature and development. One of his favorites is of three gas pumps in front of a coastal scene on the North Shore.

“He put this scene together that clearly to me is an expression of concern regarding the impact of overdevelopment, on a way of life, and on the beauty of Long Island,”
Englebright said.

In its first full year of operation, the center, which is free for guests, has hosted a range of crowds and events. In May, it welcomed a visit from the Commack High School Art Honor Society. In late October, world-renowned cellist Colin Carr, who has appeared with the Royal Philharmonic, the BBC Symphony, the Los Angeles Philharmonic and the Montreal Symphony and is teaching at Stony Brook, performed at a benefit concert.

He said the way the sound worked its way through the building was an unexpected
surprise.

“When I went in there and played the cello briefly as a trial run, it was immediately apparent that this was perfect for the cello,” Carr said. “It’s always exciting to walk into a new place, whether it’s a room or concert hall or even a church, to sit down and start playing and feel that there’s an immediate rapport between me, the instrument and the space.”

Carr is the one who suggested that the center would be a “wonderful place for a small music series.”

Reboli said she is thrilled with the direction the center is taking and suggested the showcase is far beyond what she had imagined when she first discussed highlighting her late husband’s artwork.

On a Friday in late November, the building hit a high-water mark with about 180 guests in attendance, Reboli said.

“I would have been happy with a wall somewhere,” Reboli said. “This has morphed into something that would have been unimaginable before. Never did we expect to have a place like this. This is a miracle.”

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From left, photographers Donna Crinnian, Anita Jo Lago and Lorraine Sepulveda and Colleen Hanson, trustee, Reboli Center after the event. Photo by Heidi Sutton

Nature lovers fill Reboli Center The Reboli Center for Art and History in Stony Brook Village hosted a successful Third Friday lecture on Sept. 15. Titled “Photographing Nature,” the event featured three local nature photographers Lorraine Sepulveda, Anita Jo Lago and Donna Crinnian who take their inspiration from the parks, harbors and lakes in the Three Village area. The trio shared their photographs of wildlife taken in the local area with a slide show and offered tips and strategies on how to become a better nature photographer during a Q&A. All three photographers have work on exhibit in the rear galleries of the Reboli Center. For more information, call 631-751-6408.

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Image from Reboli Center

Fresh on the heels of a successful paint night, the Reboli Center for Art and History, 64 Main St., Stony Brook Village will present a Wreath Workshop on Monday, May 15 from 6:30 to 8:30 p.m. A beautiful wreath in your décor is something special, but a beautiful wreath made by you is even better! During this two-hour class, you’ll get to make a Pinterest-worthy wreath with the guidance of Diana from Everlastings by Diana using dried flowers and herbs. You’ll be encouraged to explore your own style within the demonstrated framework. All materials are provided and, of course, you’ll take your creation home with you! Refreshments will be served. Attendance is limited. The workshop fee is $45. To register, please call 631-751-7707.

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'Peony' by Joseph Reboli

By Susan Risoli

The poet/artist William Blake wrote of seeing “a World in a Grain of Sand, and a Heaven in a Wild Flower” and holding “Infinity in the palm of your hand, and Eternity in an hour.” The Reboli Center for Art and History will consider the ways different artists see not only wildflowers but landscape in all its elements, through its latest exhibit In Bloom, which opens May 2.

‘Hydrangeas’ by Ty Stroudsburg

The show features paintings by Joseph Reboli and Ty Stroudsburg’s paintings and pastels. Although Reboli was known for classical realism and Stroudsburg works in a more abstract, less representational way, the artists knew and admired each other, said Lois Reboli in a recent interview. “The exhibit will be a riot of color,” she said, as her late husband’s work is presented side-by-side with Stroudsburg’s.

The Reboli Center opened this past fall to preserve the legacy left by Joe Reboli, a well-known painter and longtime Three Village resident who died in 2004. Every exhibit will show his paintings together with work done by someone he knew.

Stroudsburg will show 12 pieces in the In Bloom exhibit. Some are framed oil paintings on paper, others are oils on linen canvas and the rest are framed pastels. Although she and Reboli shared the same birth date (Sept. 25) and a love of landscape, they respond to their environments differently.

Lush abstraction

“The first thing I deal with is color,” Stroudsburg said in a recent interview. “I just love it.” Her slashing brushwork (“people have called it ‘Zorro-esque’”) grew from her abstract expressionist work done in the 1960s. “I love to experiment with what the paint can do,” Stroudsburg explained.

‘Vineyard’s Edge’ by Ty Stroudsburg

When it comes to interpreting light, “I don’t use it in terms of light and shadow. But obviously, without light there’s no color, so it’s there.” Areas of lush color lead the eye around her pieces, as one takes note of the forms and textures Stroudsburg uses to interpret what she called the “natural, unpopulated world.” The result, she said, is “an effort to record the pervasive qualities of places that excited my vision. In this way, hopefully, the viewers of my work will be able to share that vision.”

Stroudsburg is a self-taught artist who started her career as a teacher. “I lasted three weeks,” she said wryly. A 1962 trip to Long Island changed her life. Inspired by the Parrish Museum, Guild Hall and then-rural South Fork, “I got a part-time job in a dress shop, just continued to paint and that was it,” she recalled. Stroudsburg lives in Southold now, where the North Fork’s farm fields and changing seasons “are a big point of takeoff” for her art.

Yin versus Yang

Presenting Stroudsburg’s landscapes alongside Reboli’s demonstrates how artists can see the same subject with different vision, said Colleen Hanson, co-director of the Reboli Center with Lois Reboli and B.J. Intini. In Stroudsburg’s and Reboli’s interpretations of nature, “you have this kind of yin/yang painting of Long Island. Both are known for color and light, but Ty is abstract and Joe used classical realism.”

‘Hydrangea Cottage’ by Joe Reboli

Sunlit vegetables that almost seem to glow from within, spirited hydrangeas staking their claim against the wall of an old cottage, Stony Brook Village blanketed with snow — all are rendered with Reboli’s attention to light and shadow, and his devotion to interpreting the hallmarks of a season.

“In the 1960s, when Joe went to the Paier School of Art, there was a huge abstraction push” in the art world, Hanson said. “Many schools were deviating from a classical education component” but Reboli embraced and excelled in the tradition. In Stroudsburg’s painting, “Ty’s strokes are looser, the composition is looser. Her work has that color field and movement that just engages you.”

Showing Reboli’s art next to the work of other artists gives people “a way to understand how different origins make for different paintings,” Hanson said. “What we’re trying to do is explore Joe’s origins and his references. We show the contrast with painters who were in the same area at the same time, doing the same subject.”

Third Friday talks

The Reboli Center’s monthly Third Friday talks from 6 to 8 p.m. link the local community with its history, said Lois Reboli, while at the same time focusing on aspects of the exhibits.

On May 19, the center will welcome Christina Strassfield, museum director and chief curator of Guild Hall Museum in East Hampton, who will speak about “My Life in Museums,” a life and career shaped by art.

‘Peony’ by Joseph Reboli

On June 16, Deborah Johnson, deputy director and director of development at the Heckscher Museum of Art in Huntington and author of a book titled “Joseph Reboli,” will speak about Reboli’s work.

On July 21, Katharine Griffiths, director of Avalon Park and Preserve, will discuss the park’s use of native plants. Reboli’s mother Olga Jicinsky Reboli was born and raised in “a little tiny house” that eventually became the renovated building where Avalon Park staff are headquartered, Lois Reboli pointed out.

Third Fridays are a chance for people to gather for stimulating discussion and “a wonderful, fun evening,” Reboli said. “We’re pretty much packed every time we have one.” The talks are free and light refreshments will be served.

The Reboli Center for Art and History, 64 Main St., Stony Brook will present In Bloom from May 2 through July 30. An artist reception is yet to be scheduled. The center is open Tuesdays through Saturdays from 11 a.m. to 5 p.m., and Sundays from 1 to 5 p.m. For more information, call 631-751-7707 or visit www.rebolicenter.org

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Recreate Joseph Reboli’s ‘Beach’ painting like the sample above on April 26. Image courtesy of the Reboli Center

Looking for a fun night out? The Reboli Center for Art and History, 64 Main St., Stony Brook is hosting a painting party on Wednesday, April 26 from 7 to 9:30 p.m.

For a registration fee of $45 each participant will complete a painting in the style of Joseph Reboli. All supplies are included and no experience is necessary. As a special added attraction, Mora’s Wine of Setauket will be having a wine tasting for participants!

The instructors for the evening are Eileen Sanger and Linda Davison Mathues, who are friends in life and art. Both are award-winning, professional artists with representation in art galleries. Recognizing that there is a real interest in picking up a brush and painting in a fun social atmosphere, the two artists formed The Winey Painters. Eileen and Linda bring something unique to the painting party experience. Their projects always are carefully planned around a famous artist, at the Reboli Center that artist is Joseph Reboli. They delve into just what makes a particular artist paint in a unique style.

Artists, past and present, lived very interesting lives, and The Winey Painters combine art history with the painting. With the instructors’ many years of teaching experience, everyone leaves happy and sometimes amazed at their own hidden talent. So come join The Winey Painters and have a great time making your own Reboli masterpiece!

The Painting Party has a limited enrollment, so sign up early. To register, come to the Reboli Center or call 631-751-7707 during business hours, Tuesday through Saturday from 11 a.m. to 5 p.m. or Sunday from 1 to 5 p.m.

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'Setauket Spring' by Eileen Sanger

By Irene Ruddock

Eileen Sanger

Eileen Sanger, the beautiful, vivacious plein air oil painter with a passion for life, talks about her art, her future plans and how she managed to not let personal loss define her life. Sanger’s art can be seen locally at the Reboli Center in Stony Brook, the William Ris Gallery in Jamesport and at www.eileensanger.com.

How would you describe your art?

I consider myself to be a modern impressionist. I paint color, light and shadow creating a fleeting moment in time. I use small and large shapes, layering color, and using current themes such as ocean scenes, farm scenes, boats, etc. It’s about what my eyes can see and what I feel.

‘North Shoreline’ by Eileen Sanger

Who has inspired you along the way?

I have been inspired by Monet, Sorolla, Sargent and even Fairfield Porter. I have also learned from my friend Don Demers, a nationally recognized marine painter. But I have to say that my interest in becoming an artist began with my third grade art teacher, Mrs. Weber, who saw potential in my art and persuaded my mother to let me take lessons. From that point on, I have had either a pencil or a brush in my hand.

Why do you prefer plein air painting?

Painting outdoors opens all my senses and brings out an emotional content. My heart actually beats faster when I am about to begin the painting which reveals the emotion behind the brush, and then intuition takes over.

What is the best thing that art has brought you?

Art has always been the gateway to my soul and true self. It has brought me a sense of purpose and has filled my life with joy. I have met some wonderful artists with whom I have shared the same feelings. It has brought me to new places to paint.

If you could interview one artist, whom would that be?

Claude Monet! I would love to get into his head!

‘To the Water’ by Eileen Sanger

I know that you have been most generous in sharing your art with local charitable organizations. Can you explain why?

I believe that art should be shared and it makes me feel good to contribute in some way. I believe in paying forward.

If there was one word to describe yourself, what would it be?

Survivor! I have had three near death experiences and some significant love losses in my life, but I don’t believe in reliving the past. I look at every experience as a learning lesson and move on. I am an optimist!

After your husband passed away, you chose to move to Riverhead. Why did you choose the North Fork?

I found a small, historic chapel to renovate and love the peace and tranquility in my “little piece of heaven” chapel. The fact that it sits in the middle of wine country and has bucolic views offers wonderful opportunities to paint plein air.

What else are you passionate about?

My other passion is food and wine. I love cooking and coming up with creative recipes. It was my love of food that brought me to work at The Crushed Olive in Stony Brook. I would hand out my recipes, which received such good feedback that it was suggested that I write “The Infused Palate.” It is a collection of my recipes using the flavored olive oils and balsamic vinegars now selling in forty-eight olive oil stores. It can be ordered from my website at www.theinfusedpalate.com.

‘A Summer’s Day’ by Eileen Sanger

What is the most important aspect of you that you would like people to know about you?

Wow, that’s a tough one! I guess that I am a passionate, caring and moral person. I enjoy life and always make plans so that I have something to look forward to.

What is the most important lesson you have learned in life?

My dear, deceased mother has taught me that life is 5 percent living, but your attitude and how you approach life is 95 percent. What a fabulous woman she was! I miss her every day, but she had taught me to always live in the moment.

What excites you the most about your future?

This month, I will be sixty-five and I am retired. I eventually will move to North Carolina with my new love, where I would love to start an art organization where I can teach and show my art and the art of others. I will continue to paint until I die since art soothes me and reaches my soul. It will be a part of me forever.

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