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D: None of the Above

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Daniel Dunaief

By Daniel Dunaief

What better day than today, March 14, to celebrate numbers? In case you haven’t heard, math teachers around the country have been getting in on the calendar action for 31 years, designating the day before Caesar’s dreaded Ides of March as pi day, because the first three numbers of this month and day — 3, 1, 4 — are the same as pi, the Greek letter that is a mathematical constant and makes calculations like the area and circumference of a circle possible.

We can become numb to numbers, but they are everywhere and help define and shape even the non-perfectly circular parts of our lives.

We have a social security number, a birth date, a birth order, height and weight, and a street address, with a latitude and longitude, if we’re especially numerically inclined.

Numbers save us, as computer codes using numbers keep planes from flying at the same altitude. Numbers tell us what to wear, as the temperature, especially around this time of year, dictates whether we take a sweatshirt, jacket or heavy coat.

We use them when we’re ordering food, paying for a meal in a restaurant and counting calories. They are a part of music as they dictate rhythms and tempos, and of history, allowing us to keep the order of events straight.

We use numbers to keep track of landmarks, like the year of our graduation from high school or college, the year we met or married our partners, or the years our children were born.

Numbers help us track the time of year. Even a warm day in February doesn’t make it July, just as a cold day in June doesn’t turn the calendar to November.

People complain regularly that they aren’t good at math or science, and yet they can calculate the time it takes to get to school to pick up their kids, get them home to do their homework, cook dinner and manage a budget, all of which requires an awareness of the numbers that populate our lives.

We know when to get up because of the numbers flashing on the phone or alarm clock near the side of our bed, which are unfortunately an hour, 60 minutes or 3,600 seconds ahead thanks to daylight savings time. Many of our numbers are in base 10, but not all, as our 24-hour clocks, 24-hour days, 12-month years and seven-day weeks celebrate other calculations.

Numbers start early in our lives, as parents share their children’s height and weight and, if they’re preparing themselves for a lifetime of monitoring their children’s achievements, their Apgar scores.

Children read Dr. Seuss’ “One Fish, Two Fish, Red Fish, Blue Fish.” We use numbers to connect the dots in a game, drawing lines that form an image of Dumbo or a giraffe.

Numbers progress through our elementary education — “I’m 10 and I’m in fifth grade” — and they follow us in all of our activities: “I got a 94 on my social studies test.”

Imagine life without numbers, just for 60 seconds or so. Would everything be relative? How would we track winners and losers in anything, from the biggest house to the best basketball team? Would we understand how warm or cold the day had become by developing a sliding scale system? Would we have enough ways to capture the difference between 58 degrees Fahrenheit and 71 degrees?

Objects that appear uncountable cause confusion or awe. Look in the sky and try to count the stars, or study a jar of M&Ms and try to calculate the number of candies.

A picture may be worth a thousand words, but a number tells its own tale — it was a six-alarm fire, I had 37 friends at my birthday party or I walked a mile in a circle, which means the diameter of that circle was about 1,680 feet — thanks to pi.

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By Daniel Dunaief

Daniel Dunaief

When my daughter drives to a crosswalk and a pedestrian is crossing, she feels terrible if the person on foot starts to jog or sprint, pushing him or herself to move more quickly so my daughter can continue on her way.

My daughter also gets annoyed if the person suddenly slows down.

Life is full of those “just right” moments. If our hot chocolate is too hot, we risk burning the roofs of our mouths. If it’s too cold, it doesn’t have the desired effect of warming us up. 

It’s what makes the Goldilocks story so relatable. The father’s bed is too hard, the mother’s is too soft, but the baby’s bed is just right.

When my family searched for new beds, we collapsed into one mattress after another, imagining a good night’s sleep, just the right book or a good movie with perfectly balanced sound.

Most salespeople spend their careers trying to find the right fit for someone, whether it’s a shoe, bed, car, house or any of the myriad items that fill my email box overnight while I sleep.

Life involves the constant search for just right. If we won every game we played, the competition wouldn’t be strong enough and we wouldn’t push ourselves to get better. A movie with absolutely no adversity can be charming, but it can also wear thin quickly, as the lack of suspense can lead us to wonder whether a dystopian conflict is pending.

Even in the world of friendships, we search for just-right friends. We generally don’t seek friends who want to talk to us all the time, or who can barely make time for us. We also don’t want friends who agree with everything we say. A few people, public figures and otherwise, seem eager to find people who reinforce their brilliance regularly. I would prefer to find people with viewpoints that differ from my own, which force me to defend my ideas and allow me incorporate new perspectives into my thinking or behavioral patterns.

Just right for any one person can and often is different from just right for someone else, which enhances the notion that we can find someone who is a great match or complement for us.

Ideally, the non-just-right shoes, weather, girlfriends, boyfriends or jobs teach us more about ourselves. Why, we wonder, didn’t that work? Once we figure that out, we have a better chance at understanding what does.

Sometimes, like the bed that doesn’t feel comfortable at first but eventually becomes the only one that affords us a quality sleep, we grow into a role and find that the previous tasks or conversations, which had seemed so odious initially, are a much better fit than we originally thought, as a result of the changes in ourselves.

And, as Shakespeare wrote in Hamlet, “There’s the rub.” The pursuit of just right in any context can change as we age. Our high school tastes in music, clothing, cars, houses, jobs or any other choices can and do change with each landmark reunion, making it more difficult to know what we want or what we’re searching for.

While I share my daughter’s guilt when a pedestrian rushes across the crosswalk to let me go or prevents me from running down that person, I’m not as frustrated by someone who slows down. I try to determine, watching that person pause in the middle of the street, how this might be a “just right” moment for the pedestrian.

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By Daniel Dunaief

Daniel Dunaief

Wait, was that at me? How am I supposed to know? She’s still waving. I could wave back, but what if she’s waving to someone else. Should I put my stupid hand in the stupid air and risk the possibility of looking stupid?

Yes, this happened to me many times during my adolescence. How was I supposed to react when someone I kind of knew, or maybe wanted to know, was waving in my direction? Sometimes, I pretended I didn’t see the person waving, while I casually looked around to see if anyone near me was responding. I probably looked like I had a neck twitch, as I scanned the area to see if it was safe to wave.

These days, the waving conundrum has taken a different form, especially after we moved away from the tristate area. It appears that the Northeast and Southeast have different rules for waving. In the Northeast, we wave when someone we know well walks by us in the car. If they don’t see us, perhaps we offer a quick and polite tap on our horn, just to let them know we saw them and we’ll likely text or email them later.

If someone we’re pretty sure we don’t know waves, we immediately assume that someone else is the recipient of their gesture — they have a small dog on the loose and we better slow down, or their children are playing a Nerf gun game and might dart into the street. If they continue to wave, we squint for a while, trying to figure out if maybe they’ve lost weight. It could be they’re someone we might have met casually at one of our kids sporting events, or they want us to sign a petition, or even buy a product we’re sure we don’t need because we can’t stand all the crap we already have in our own house.

Of course, if we have our defensive curled upper-lip action going too quickly, we might scare away our son’s teacher, our daughter’s assistant coach or a new neighbor who has introduced herself to us four times.

In the Southeast, however, the rules are different. Most of the people in the passing cars wave when I walk the dog. Yes, we have a dog and, no, you can’t pet him even though he’s pulling as hard as he can to get to you because I have to bring him back inside so I can do some writing. I’ve stopped trying to figure out the source of the amicable gesture and I wave back. My son, who sometimes accompanies me on these dog walks, wondered, “Hey, do you know that person?” He is still playing by the rules of the Northeast.

I explained that I wave at every car, even the likely empty parked vehicles in case someone is sitting in them, because that’s what you do here. I told him I’ve conducted my own experiment, where I don’t wave and I see what happens. More often than not, the person slows down and waves even more vigorously, as if to say, “Hey, I’m waving here. Now it’s your turn.”

Kids in the modern era seem to have solved the waving problem. They do a quick head nod, which could be a response to a similar gesture from someone else or it could be a way of reacting to music no one else hears. Then again, they’ve probably figured out how to make a thinner, acne-free virtual version of themselves wave at cartoon versions of their friends.

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By Daniel Dunaief

Daniel Dunaief

So, what was it like to be in Charlotte, North Carolina, Sunday during the?

For starters, employers warned their staff about heavy traffic around the Spectrum Center and about parking challenges. They suggested working from home on Friday and over the weekend, if possible, to avoid delays.

As a result, for the entire weekend, the car traffic around this manageable city seemed even lighter than usual. People couldn’t drive too close to the Spectrum Center, but it was nothing like Yankee Stadium or Citi Field before or after a game against a heated rival, or even against a middling team on a warm Saturday in July.

The city rolled out much tighter security than usual, putting up fences around a nearby bus station and restricting walking traffic into the outskirts of the stadium to ticket holders only. 

Once inside, I felt as if I had become a Lilliputian in “Gulliver’s Travels.” Men and women of all ages made 6 feet seem like a minimum height for admission. I felt like a kid who sneaks onto a ride at Disney World despite falling well below the clown’s hand that indicates “you must be this tall to enter.”

The clothing choices reflected a wide variety of fashion statements. Some had come to be seen, decked out in fine suits, flowing dresses and high-heeled shoes. Others strutted around in sweatpants and sweatsuits, donning the jerseys of their favorite players.

Celebrities walked among the commoners, much the same way they do at the U.S. Open. Several people approached a slow-moving and frail-looking Rev. Jesse Jackson to shake his hand. Jackson later received warm applause from the crowd when he appeared on the jumbotron large-screen display.

As taller teenagers, who were well over 6 1/2 feet tall, brushed past us, we wondered whether we might see any of them at this type of event in the next decade. They were probably thinking, and hoping, the same thing.

The game itself, which was supposed to start at 8 p.m., didn’t commence until close to 8:30, amid considerable pomp and circumstance.

The crowd saluted each of the players as they were introduced. The roar became considerably louder for local hero Kemba Walker, the shooting star for the Charlotte Hornets who scored 60 points in a game earlier this season.

The crowd also showered old-timers Dwyane Wade and Dirk Nowitzki with affection, saluting the end of magnificent careers that included hard-fought playoff battles and championship runs. The two elder statesmen didn’t disappoint, connecting on 3-point shots that also energized the crowd.

While the All-Star game sometimes disappoints for the token defense that enables teams to score baskets at a breakneck pace, it does give serious players a chance to lower their defenses, enjoying the opportunity to smile and play a game with the other top performers in their sport.

Wade and Nowitzki, who each have infectious smiles, grinned on the court at their teammates, competitors and fans after they sank baskets.

A first-half highlight included a bounce pass alley-oop from North Carolina native Steph Curry to team captain Giannis Antetokounmpo. In the end, Team LeBron beat Team Giannis, 178-164.

The halftime show proved an enormous success, as rapper and North Carolina product — via Germany — J. Cole performed “ATM,” “No Role Modelz,” and “Love Yourz.” The young woman sitting near us knew every word of the songs, swaying, rocking and bouncing in her seat.

I asked her if she knew Cole would be performing and she said, “Of course.” I asked her whether she liked the basketball or the halftime show better. She said she enjoyed both.

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By Daniel Dunaief

Daniel Dunaief

We’ve all had moments when we wonder: Is this good enough?

The answer depends, in part, on the importance of the outcome. If we’re a cardiac surgeon and we have our hands inside the chest of someone who needs a new valve or stent, good enough doesn’t cut it. We need to make absolutely sure we’ve done everything we can because no one wants to open up someone’s chest a second time to correct a small error or to retrieve something we should have removed.

If we’re driving a car on a slippery road, a turn that’s good enough on a sunny day may not be sufficient in the rain or on ice. We may need to slow down enough that we don’t need to hit the brakes as we head into the turn.

Those are, of course, more extreme examples. Fortunately, most of us live in a world where what we do doesn’t seem so critical. We might be writing a paper about Shakespeare, filing legal briefs, collecting receipts for tax purposes or shoveling snow from our driveway. Each of those tasks, in and of themselves, may not seem to require our best because we have better things to do, we want to get through the class, or we’re tired and we need to give ourselves a rest.

Nonetheless, the smaller efforts can, and do, add up. When we’re shoveling snow, good enough might miss a slick patch of ice that our wife or best friend might slip on while they’re walking to the car. Going beyond good enough could prevent the discomfort or injury from falling.

Even an essay about Shakespeare may require us to think more deeply about what it means to be in love. Down the road, that might help when we’re considering ways to express our admiration or appreciation of a partner, giving us wisdom and words beyond our years. Great words boost the power of our sentiments, just as the sight of a whale breaching transforms a trip to the beach into a memorable outing.

Of course, operating at full strength or beyond good enough for everything may be so physically and mentally draining that we might spend too much time on activities we consider trivial, leaving us with fewer resources to tackle bigger challenges.

So, how do we determine the difference between an activity that requires us to be good enough and another responsibility that mandates something more?

For starters, we may not be capable of more than a few extraordinary efforts in a day. That may be a product of how much sleep we get, how much we can control in our day or how we feel, especially if we’re battling a head cold or some chronic condition.

Keeping ourselves healthy and making sure we have enough energy can and will give us the ability to vault us over the good-enough threshold.

Good enough can become a habit, just like so many other efforts. We can run a mile every other day or we can go a bit farther each time. We may find that good enough for others, or even for former versions of ourselves, is just a start. We may raise the bar for the expectations we set for ourselves to the point where good enough today is so much better than earlier efforts.

Routine or even mundane activities likely don’t require perfect performance. Doing them well, or even beyond “good enough,” keeps us sharp and focused for our more important tasks and also sets a good example for our children, who are watching and listening.

We can and will improve our lives when we decide to raise our own expectations for good enough.

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By Daniel Dunaief

Daniel Dunaief

Ah, Cinderella. The glass slipper. The handsome prince. A story that even frustrated, annoyed, irritable teenagers can love, right?

That’s what we thought when we bought the tickets. My wife and I enjoy good music, lyrical singing and creative costumes. So we figured we’d share some of that with our teenage children before we pack them up and ship them off to the next chapter of their lives.

The outing started out with such promise. I drove my teenagers to meet my wife. We connected with her outside a garage, where she used her parking pass to get us into a building several blocks from the show.

As soon as she got in the car, she could tell the mood was dark and foreboding.

“What’s the matter?” she asked.

“Nothing,” Angry 1 and Angry 2 muttered in unison.

“Do you not want to see the show?”

No answer.

“Well? Would you rather go home? Dad can take you back.”

No answer.

“Can I please have my ticket?” my wife asked, sticking out her hand. “I will go alone.”

“No,” I replied. “I want to go, too.”

Walking through a city we didn’t know well, we raced to get to the theater before 7 p.m. It wasn’t easy, but we got in by 6:58 and race-walked to the door.

“You can’t come in,” the usher said.

We slumped our shoulders.

“But it’s not 7 p.m.,” my wife observed.

“Yes, but the show doesn’t start until 7:30. We’ll open the doors in a few minutes.”

Funny, right? Well, no, not in the moment.

“Wait, this starts at 7:30 p.m.?” my son asked. “How long is it?”

The usher informed us it was three 45-minute acts, with two 15-minute intermissions. That meant we’d get home around 11 p.m.

“I have so much homework,” he lamented.

We decided I would retrace our steps back to our car so he could get his backpack, order an Uber and send him on his way. I took a ticket and ran with him to the car. Fortunately, the Uber transfer went well. As I trotted back to the theater, I realized I was missing something. I called my wife.

“What’s the matter?” she asked, sensing the continuing unraveling of the evening.

“I can’t find the ticket. It must have fallen out of my pocket.”

“Oh no, how are you going to get in?”

We talked for a moment and then I realized we could show my wife’s two tickets to the usher with whom I spoke to on the way out. Our daughter could hover near the seats. Fortunately, the usher let me return.

Once the show began with frenzied music and considerable dancing, we waited. And waited. And waited. No one spoke. No one sang. It was, to the surprise of all three of us, a ballet.

Now, I know many fine people who love the ballet. Just as I know many wonderful, albeit misguided, people who love the Patriots. For the three of us, however, a ballet was not only unexpected, it was also unwelcome.

By the time intermission began, we were laughing.

“Should we stay for the second act?” my wife asked.

We stayed for another 45 minutes and left the theater.

“You know, it could have been worse,” our daughter said, as we were driving back home.

“Oh yeah, how?” my wife and I wondered, incredulous.

“All four of us could have seen it,” she said.

We chuckled as we hit every red light on the way home from the shattered glass slipper of an evening.

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Daniel Dunaief

By Daniel Dunaief

The film “Bohemian Rhapsody” is far better than the critics suggest, while “Green Book” isn’t as deep or powerful as it could be. After watching four movies recently, including “Aquaman” and “Mary Poppins Returns,” I want to share my reactions to each of these films.

Featuring my favorite superhero, “Aquaman” had the opportunity to inspire and demoralize me at the same time. The movie was going to be a CGI (computer-generated imagery) extravaganza, with numerous impossible-to-imagine scenes filmed underwater. I don’t generally crave spectacular and splashy visuals, especially if they are designed to compensate for a weak script or disappointing acting.

Unfortunately for the water hero, the CGI was considerably more polished than the script, with attempts at humorous dialogue that were so underwhelming that it was tempting to urge the actors to stop talking and continue to swim through the scenery. Nonetheless, the movie did have its escapist and captivating elements. Perhaps the best way to enjoy a movie like this is not to think too much and to appreciate the ride. The spectacular visual spectacle almost merited the effort of seeing the movie on a large screen, instead of waiting for it to appear on a movie channel in a few months time.

Making a “Mary Poppins” sequel immediately asks the film to build on its successes, while introducing something new and engaging in its own right. The film succeeded on the first front, but fell a bit short, at least for me, on the second. Emily Blunt captured Mary’s supreme self-confidence, and magic magnificently. She took an iconic character owned by Julie Andrews and made it her own. The animated sequences, which were more lavish and extended than in the original, helped the movie create its own indelible images. The lyrics to the songs, however, weren’t quite as memorable as the original, at least for me.

“Green Book” maneuvers through the societal challenges that arise from a white driver who is transporting an African-American pianist, Don Shirley, through the South for performances in 1962. The movie feels important because it addresses bias and stereotypes during a period when the struggle for Civil Rights took root. Set against racial tensions, the film addresses the developing relationship between its two stars and has moments of tenderness and transformation for the duo at the heart of the story. It also addresses the remarkable contradiction between white society eager to enjoy the talents of an African-American entertainer and the inability of that same audience to respect the person as an equal.

Still, the movie felt like it could have been so much more. The film shows details of the life story of the driver Tony Lip, played with his usual energy and passion by Viggo Mortensen. Shirley, portrayed by Mahershala Ali, tells the background of his life. The movie would have benefited from a deeper and better understanding of Shirley’s life, which, some members of his family have suggested was different from the portrayal in the film.

That leads me to “Bohemian Rhapsody.” I didn’t know a great deal about the musicians or their backstory. For me, the film was an enormous hit for two reasons: Rami Malek, who played lead singer Freddie Mercury, and the music itself. Malek embodied the energy, spirit, and unique character that was Mercury, parading around the stage, commanding every scene and blending bravado with an underlying vulnerability. The story doesn’t turn Mercury into a saint but, rather, shares his complicated life.

For fans of Queen’s music, the movie is a satisfying compilation of familiar hits that allow the legend of a wildly successful group to resonate.

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By Daniel Dunaief

Daniel Dunaief

We have abbreviations for laughter, LOL; for humble opinions, IMHO; and for love, ILU. We need shorthand for something that’s “not about you” (NAY).

We live complicated lives and can often travel along a superhighway of speeding emotions. When someone we know sees us, we may be reacting to something we are feeling that has nothing to do with them. We may have received an email that we got the job, that we won a contest or that our bid for a house was accepted. At the same time, we may not want to share whatever someone else sees in us. It’s why the following conversation is repeated throughout the world:

“What’s up?”

“Nothing. I’m good.”

“Are you sure?”

“Yup, thanks.”

So, maybe the conversation doesn’t track with exactly those mundane words, but the idea is the same: it’s NAY. Whatever someone is feeling in the moment, someone else appears who may have nothing to do with the arriving person. The facial expression, body language or vibe someone may have been transmitting has nothing to do with the other person.

The NAY phenomenon is a concept middle schools should teach their students. After all, most adults recognize the middle school years as among the toughest and least enjoyable periods in life, as each day is a battle to overcome fatigue, acne, self-conscious moments, and that impossible transition from adorable youth to uncomfortable adolescence. Middle school teachers work in a building that is a simmering cauldron of strongly held emotions that can and do change as rapidly as shifting winds during a storm.

After reminding students not to bully each other, to treat others the way they would like to be treated, to take responsibility for their actions and to stay ahead in their classes, schools should also encourage students to understand that snickering, laughing, eye rolling and head shaking are often NAY. If someone disapproves of something or someone, it’s quite likely that something in that person’s life is bothering him or her and that it has nothing to do with you.

When we become parents, we relive so many of the stages of our own lives vicariously, watching our children as they search for new friends, speak to their teachers, pick up a bat to hit a ball or put together the pieces of an instrument. Each step they take is their step, not ours. We can and do help and encourage them, transporting them to rehearsals, suggesting they practice singing arpeggios and providing structure for their lives. Ultimately, however, they reach their goals because of their efforts, their talents and their commitment. Our lives have become so linked to those of our children that we can feel the gut-dropping moment when the ball skids behind them into the goal, when they learn their test scores, or when their boyfriend or girlfriend ends a long-term relationship with them.

Our role, however, is not to pile our emotions on top of the teetering pile or to insert ourselves into our children’s lives. We have to step back, realize that their incredible successes or momentary setbacks are not about us, and try to figure out what they might need.

Children offer us an incredible opportunity for connection, commitment and love. They are not, however, a way to correct the slights we felt when we were young or a chance to become the winners instead of the losers. When anything or everything our children do becomes about us and not about them, then what they do is no longer for themselves, which deprives them of owning their mistakes and accomplishments. So, next time you’re drawn into their lives, make sure you remember it’s NAY.

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By Daniel Dunaief

Daniel Dunaief

From birth, hair has been a signal. I had hair when I was born, which probably doesn’t come as too much of a surprise to people who have known me for years.

When I was young, my haircutter used to imagine becoming wealthy by figuring out what made my hair grow so rapidly.

For those without hair, this isn’t a boast; it’s a part of a genetic heritage that cuts both ways. My hair, as it turns out, is also thick and fast growing on my eyebrows or, as people have preferred to say, eyebrow. The space between my eyebrows is just as eager to grow hair as the area just above my eyes.

In college, I tried to grow my hair longer to see how I’d look with shoulder-length hair. That was a failed experiment as my hair grew out instead of down, turning it into a heavy tangle of thick hair.

When I met my wife, I convinced her that I couldn’t disconnect the hair between my eyebrows, or I would be like Sampson and loose my strength. Amused as she was by the story, she let it slide. The afternoon of our wedding, she was stunned to see me with two eyebrows. She wanted to know what had happened and, more importantly, how I was still standing?

I told her that I went for a professional shave so that my usual facial shadow wouldn’t appear during the wedding. While I had my eyes closed, the barber removed the hair above my nose with a quick wrist flick.

Fortunately, my wife didn’t ask for ongoing removal of that hair when it returned.

As I’ve gotten older, hair has emerged from unwelcome places, making appearances from my ears and nose. Who needs hair there — and how could Charles Darwin possibly explain the presence of such unwelcome hair? Does the ear hair announce my advancing age and lower social value?

That brings us to today. As I was maneuvering through the usual deep thoughts, resolutions and promises for the start of the new year, an errant and unwanted fellow emerged from my nose. He was clearly long enough to attract attention, but what was especially surprising about “Jedediah” wasn’t just that he was long or that he seemed to rappel out of my nose. It was his color that offered such an unwelcome but realistic signal — Jedediah was gray.

Ugh! Who wants or needs a gray nose hair, not only offering the world a clue that my hair growth was out of control, but that I’m also so much older that even my nose hairs have started to show signs of aging? Do people dye their nose hairs?

Should I pluck him, trim him or wear him with pride, hoping that he distracts people from the progressively bushier pile of hair pouring out of my ears?

Wouldn’t a rugged individualist defy convention and wear the years and the hair growth with pride, despite the lack of magazine covers with contemporary studs like Hugh Jackman with hair coming out of their noses? If Hugh made gray nose hair fashionable, would I feel less self-conscious about Jedediah?

Poor Jedediah, who worked so hard to emerge from the nose cave, suffered the same fate as the errant hairs that grew out of my ears. He reluctantly left the warm comfort of my nose and was discarded into the trash.

While hair may tell a story about each person, Jedidiah will no longer be sharing mine, except for readers of this column.

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By Daniel Dunaief

Daniel Dunaief

I have no doubt “Alice,” which is not her real name, is a dedicated dancer. I haven’t seen her perform, I haven’t read reviews of a show or even seen a sparkling résumé with copious awards. I also have no way, just by looking at her, of recognizing whether her movements are so refined and controlled that she clearly expresses the majesty of music through movement.

How do I know about her talent? A recent family acquaintance, Alice is a senior in high school who is applying to college. When I asked about her essay, she generously shared it. As a condition for reading her work and writing about it, I agreed to allow her to remain anonymous.

The college application process forces young adults to distill their lives onto the lines of a page. They have the unenviable task of sifting through experiences, memories, hopes and aspirations as they try to figure out what to include and what to exclude.

The latter is perhaps more challenging. Most of us could tell stories about our lives, mentioning the day of the week, the time of year, the names of other people on a trip to New Zealand or the food we ate that day. Those details could be relevant if they indicate something specific about the writer, or they could provide a dense fog through which a reader struggles to find a truth, passion or personal meaning.

Tempting as it might have been for Alice to mention her dancing success or memorable performances, she excluded those details.

Alice honed in on a sensory experience linked to her practices, performances and passion for dance: the smell of her shoes. Indeed, the first line of her essay draws the reader into her world immediately, suggesting that she’s worried about the foul aroma of her shoes spreading through her car.

Beginning an essay with a sensory experience generates an immediately relatable experience, even among those of us who have never stood under hot lights on stage and contorted our bodies in carefully choreographed productions. Readers, whether they are admissions officers, high school teachers or contest judges, have all had moments when they worry a smell can give us away. It doesn’t have to be an unpleasant scent, as we may have cooked a surprise dinner for our partner and don’t want that person to know about it until mealtime.

Alice goes on to describe how the smell reflects the hard work, pain and beauty connected with her dancing. We all have seen the bright light moments when people perform, whether they’re dancing ballet, catching a ball on a Major League Baseball field or sharing a poem they’ve written.

These moments and concerns in between the performances occur more frequently and capture more about Alice’s inner thoughts and drive. The smell becomes an unpleasant but hard-earned badge of honor.

Alice goes on to describe how these shoes mirror her participation in a pursuit that requires her to reach a level of perfection she suggests the body doesn’t achieve naturally. She adds an awareness of the individual nature of the performance, coupled with the fact that she’s never alone, surrounded by others whose feet have the same smell.

Through descriptions like these, Alice is revealing fine details of what she’s doing, the by-product of the effort she exerts and the shared sense of purpose she has with her fellow dancers.

College essays require a mental perspiration akin to that which affected Alice’s shoes. Through those efforts, however, writers not only reveal more about themselves, but they also create lasting impressions for readers searching for evidence of commitment and passion.

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