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art exhibit

PaJaMa (Paul Cadmus, Jared French, Margaret French) Jared French, Fire Island 1949 Vintage gelatin silver print Museum Purchase

 

For the first time, The Heckscher Museum of Art in Huntington is exploring its collection through the lens of LGBTQ+ identities and histories. Spanning more than 150 years, the Museum-wide exhibition All of Me with All of You: LGBTQ+ Art Out of the Collection includes significant paintings, sculptures, and works on paper acquired over decades for the Museum collection. The exhibit opened on June 7 and runs through Sept. 14.

Artists who lived and worked on Long Island will anchor All of Me with All of You. Among the 86 works on view are six photographs taken on Fire Island by the collective PaJaMa (Paul Cadmus, Jared French, and Margaret French) expressing the artistic and personal freedoms that LGBTQ+ communities nurtured on Long Island in the first half of the twentieth century. Photographs by Huntington artist Joanne Mulberg capture the spirit of Fire Island in the 1970s and 1980s. 

“The artworks that I selected for this exhibition reveal profound, often overlooked connections between the Museum, its surrounding landscape and the queer communities that shaped it. By recognizing these works as queer—and honoring their historical and cultural significance —the Museum offers pivotal support and inspiration, not only to artists but to LGBTQ+ communities,” said Guest Curator Victoria Munro, Artist, and Executive Director of the Alice Austen House.

“This is an expansive, groundbreaking exhibition developed by guest curator Victoria Munro, with valuable input from an intergenerational advisory group, teen community members, and local non-profit partners,” noted Heather Arnet, Executive Director and CEO.

“By amplifying the stories of artists such as Marsden Hartley, Emma Stebbins, and Emilio Sanchez, long represented in the collection, and placing their art in dialogue with more recent acquisitions by the PaJaMa collective, Amy Adler, Laylah Ali, vanessa german, and Mickalene Thomas, the exhibition highlights the depth of the permanent collection and the rich history of LGBTQ+ art history on Long Island. We hope visitors will be excited to engage with one another in dialogues inspired by the works, fostering a broader understanding of our past and deepening connections to the present,” said Arnet.

All of Me with All of You —along with all the exhibitions and programs planned in 2025—”contribute to presenting a fuller, more accurate story of American Art,” said Chief Curator, Karli Wurzelbacher, Ph.D.

The exhibition title All of Me With All of You reflects a spirit of collective strength and acknowledges the networks and spaces where queer artists create, uplift, and sustain one another, said Munro. In addition to her leadership at The Alice Austin House, she is Board President of the Museums Council of New York City. She consults and speaks on LGBTQ+ curriculum development, and LGBTQ+ interpretation in public and private institutions. 

Exhibition Highlights:

The delicate yet profound imagery found in the private trove of photographs by the PaJaMa collective captures an era of queer artistic collaboration and self-exploration   These images offer a rare glimpse into the private lives and intimate bonds of figures who shaped 20th-century art and culture, serving as a visual archive of a community that often thrived in the margins.

At the other end of the spectrum, Emma Stebbins’ neoclassical marble sculpture of her partner Charlotte Cushman embodies a different yet equally powerful artistic statement. As a celebrated 19th-century actress known for her gender-fluid performances and her defiant embrace of a life outside traditional norms, Cushman’s presence in the collection serves as a testament to both personal and artistic courage. Stebbins’s sculptural tribute to her reinforces the museum’s recognition of important historic figures who challenged societal conventions and left an indelible mark on art history.

Betty Parsons, widely recognized as a pioneering art dealer and champion of Abstract Expressionism, appears in the collection not just as a tastemaker but as an artist in her own right. Her handcrafted wooden tugboat, reminiscent of a child’s toy, exudes a charming, playful innocence, contrasting with the depth and expansiveness suggested by her abstract oil painting Gulf of Mexico. 

Mickalene Thomas draws inspiration from the interiors of her childhood and the women who played formative roles in her life. Through her signature use of texture, pattern, and bold cold, she creates rich, layered spaces that evoke warmth, nostalgia, and strength. Her work is both a personal homage and a broader celebration of Black womanhood, family, and the idea of home as a space of identity and empowerment. 

The Heckscher Museum of Art is located at 2 Prime Avenue in Huntington. For more information, call 631-380-3230 or visit www.heckscher.org.

This project is made possible with support from the Institute of Museum and Library Services. With this generous support, the Museum will engage youth and intergenerational community members in a robust year of exhibitions and public programming highlighting and celebrating works, histories, and legacies of LGBTQ+ artists in their permanent collection.

By Tara Mae

On view from June 12 to September 21 at the Long Island Museum (LIM) in Stony Brook, The Triumph of Nature: Art Nouveau from the Chrysler Museum of Art explores the sense and sensation of an art form that lauds the intricate vibrancy and nuances of nature.

The Triumph of Nature celebrates the florid, languorous curves, natural motifs, and refined elegance of Art Nouveau furniture, glass, and other works that have entranced generations of collectors and museum-goers since the apex of this brief but intense movement around the turn of the twentieth century,” said LIM Co-Executive Director Joshua Ruff.

Large enough to span two of LIM’s galleries, this 120 piece exhibit is visiting from the Art Nouveau collection of the Chrysler Museum in Norfolk, Virginia. 

It includes glassworks, furniture, paintings, and sculptures from artisans and artists of the late 1800s and early 1900s, including Louis Comfort Tiffany, Tiffany & Co., Gustav Klimt, Louis Majorelle, Alphonse Mucha, Emmanuel Lansyer, and Émile Gallé. 

LIM’s showcase is just one stop on a 13 museum national tour. 

“We heard about this traveling exhibition in 2022 and signed on as soon as we could, excited to share this incredible collection of objects with our audience. We are glad that we booked it when we did, it was fully scheduled almost immediately,” Ruff said. “It is traveling to art museums all around the country, including California, Texas, Florida, Ohio, Pennsylvania, and Virginia, so we are pleased to be the only museum hosting it in New York.”

Both The Triumph of Nature and the Chrysler Museum have ties to Long Island. Tiffany lived on a 600-acre estate in Laurel Hollow, Laurelton Hall, an 84-room mansion of Art Nouveau design that blended Islamic and nature motifs. Walter P. Chrysler and his family, for whom the Chrysler Museum is named, had a summer home in Kings Point; it is now Wiley Hall at the US Merchant Marine Academy. 

Walter P. Chrysler Junior grew up visiting the house and with his wife, Jean, established the Chrysler Museum’s extensive Art Nouveau holdings. 

This is LIM’s first exhibit solely dedicated to the genre. A style generally inspired by natural imagery, defined by foliate forms and sinuous lines, its influence is found in many mediums. Popularized during the Belle Époque period, which started in France and swept Europe, Art Nouveau celebrates the whimsy, wit, and wonder of the movement, as well its ongoing impact on art. 

“I think people are much more familiar with Art Deco, and this exhibition indicates the inheritance that Art Deco had from Art Nouveau. But I think that the curves and beautiful forms influenced much modern design, and you can see the continuing influence of Nouveau in contemporary graphic design, textile design, furniture, and fashion,” Ruff said. 

Its narrative thread also weaves through two exhibits LIM will be installing later this season: Gatsby at 100, which looks at the centennial of F. Scott Fitzgerald’s The Great Gatsby, and Giants and Gems, which examines scale in art and design. 

“I think that there is a lot of synergy between these three exhibitions, and I’m looking forward to seeing it all through our visitors eyes and see what they take away and enjoy and learn from,” Ruff said. 

Located at 1200 Route 25A in Stony Brook, the Long Island Museum is open Thursdays from 11:30 a.m. to 7 p.m.; and Fridays through Sundays from 12 p.m. to 5 p.m. Admission is $15 for adults; $10 for seniors, age 62 and older; $10 for students, ages 6-17 and college students with ID; $5 for persons with disabilities, personal care assistants are free. Admission for children under age six, active and retired military, and LIM members are also free.

For more information about The Triumph of Nature and other upcoming shows and events, visit www.longislandmuseum.org. 

Lyla Petroske, a rising talent in the local art scene, is set to unveil her recent work at Studio 268, located at 268 Main Street in Setauket. Titled The Paintings of Lyla Petroske, the exhibition, opening Saturday, June 7th from 5 to 8 p.m., not only showcases Petroske’s artistic talent but also serves a philanthropic purpose: all proceeds from the show will be donated to Long Island Cares, Inc., The Harry Chapin Regional Food Bank.

Utilizing a variety of mediums including pastel, oil paint, printmaking and mixed media, the Port Jefferson resident who attends The Stony Brook School draws inspiration from her fascination with the shapes and color that appear naturally in nature, as well as those of the human form. 

Her featured piece, A Moment with a Stream, is a pastel rendering of a serene scene from the Adirondack Mountains. This work was previously spotlighted at the Reboli Center for Art and History in Stony Brook as part of their Emerging Artist Spotlight, as well as Plein Air Magazine for “Best Plein Air Pastel.” 

A student of Mary Jane van Zeijts of Studio 268 for almost 10 years, Petroske has recently been accepted into the prestigious pre-college art intensive program at NYU, where she will study this July. Additionally, the artist is excited to bring her work to Gallery 90 in Center Moriches this August with nine of her peers.

The decision to donate the exhibition’s proceeds to Long Island Cares reflects Petroske’s concern about addressing food insecurity in her community. Long Island Cares, founded in 1980 by singer-songwriter Harry Chapin, is the region’s first food bank, distributing over 14 million pounds of food annually to nearly 400 partner agencies across Nassau and Suffolk Counties. The organization also operates several food pantries and offers programs targeting the root causes of hunger.

Petroske has said that “my ability to fill my life with painting is the biggest blessing, one that I’m often consumed by. I needed to use this exhibit to step out of my bubble and spread love to my struggling neighbors. To be able to paint is a privilege, but to be able to eat is a rudimentary human right.”

In addition to the June 7th opening reception, the exhibition will be open to the public every Sunday of June from 2 to 4 p.m. Visitors will have the opportunity to view and purchase Petroske’s artwork, with the knowledge that their contributions will support Long Island families in need.

For more information, call 631-220-4529.

Smithtown Township Arts Council has announced that the works of Smithtown artist Lynn Staiano will be on view at Apple Bank of Smithtown, 91 Route 111, Smithtown from May 26 to July 25. The exhibition, part of the Arts Council’s Outreach Gallery Program, may be viewed during regular banking hours Monday to Thursday from 9 a.m. to 4 p.m.; Friday 9 a.m. to 6 p.m.; and Saturday from 9 a.m. to 1 p.m., according to a press release.

Lynn Staiano is a self-taught artist who discovered a passion for painting during the pandemic. “Inspired by my late mother, a talented artist who nurtured creativity in our home, I found comfort and purpose in art during a time of global uncertainty. Though I had never formally painted before, I began exploring acrylics, later transitioning to oils, with occasional work in pastel and watercolor mediums,” she said.

The artist is particularly drawn to abandoned or fractured houses, barns, bridges, charming old windows, intriguing doors, and elements of antiquity. 

“I am moved to express well-lived environments; loved, forgotten, and vintage items. I enjoy painting plein air and in the studio, with a focus on landscapes and still life compositions,” she explained.

Staiano’s art has been exhibited in galleries across Long Island. “Committed to continually growing as an artist, I honor my mother’s dream through classes, practice, experimentation, and exploration.”

“STAC is grateful to Apple Bank for its continued support of culture in our communities,” read the release.

Just in time for Mother’s Day, the Smithtown Township Arts Council presents Between Artist, Artwork and Audience — Emotional Connections in Art at the Mills Pond Gallery in St. James from May 3 to May 31. 

Have you ever wondered about what is going on in a painting? For the viewer, art can be a doorway into the soul, passion, conflict, or love that is woven into each artwork. The artist’s creations sometimes reveal unspoken personal struggles or achievements, which cause the viewer to connect with a familiar experience in their life or inspire a new way of seeing the world. How we see art is uniquely affected by the lives we have lived. 

In this latest exhibit, artists were asked to communicate their thoughts, feelings, and experiences in their artwork and 96 artists from 48 Long Island communities as well as Brooklyn, Queens, Irvington and Larchmont  NY, NJ, OH, MA and NV answered the call. 

Works were created using acrylic, charcoal, conte, gouache, watercolor, acrylic, colored ink, oil, graphite, ink, mixed media, monotype print, oil, pastel, pencil, watercolor, and woodcut.

All of the artists have all shared brief personal connection statements which will be available to gallery visitors.

A statement by one of the exhibiting artists Joseph Gattulli helps to define the essence of this exhibit … “My art is not just about visual aesthetics; it is an invitation to engage with the deeper, often unspoken aspects of our emotional lives. I hope that viewers find a sense of connection and empathy, recognizing their own journeys within the narrative of my art.”

“We hope the exhibited work will touch our viewers whether they are intrigued, nostalgic, uplifted, calmed, hopeful or otherwise,” said Allison Cruz, Executive Director of the Smithtown Township Arts Council and Mills Pond Gallery.

Exhibiting artists include Debra Baker, Brenda L. Bechtel, Ron Becker, Kusuma Bheemineni, Kyle Blumenthal, Joyce Bressler, Kathy Brown, Renee Caine, Al Candia, Linda Ann Catucci, Carol Ceraso, Bernice Corbin, Jane Corrarino, Trisha biSha Danesi, Karen B Davis, Jennifer DeMory, Bernadette Denyse, Thomas DiCicco, William Drost, Paul Farinacci, Ellen Ferrigno, Bernadette Fox, Stuart  Friedman, Peter Galasso, Joseph Gattulli, Joan Genchi, Arlene Gernon, Michele Gonzalez, Meghan Goparaju, Rhoda Gordon, Susan Guihan Guasp, Alexandra Guma, Regina Halliday, Christopher L. Hanson, David Herman, Tyler Hughes, Heather Jablon, Julia Jenkins, George Junker, Sally Anne Keller, James Kelson, Angelica  Kempa, Mary Kiernan, Catherine Knight, Myungja Anna Koh, Sara Kohrt, Scott Lawson, Matthew Lombardo, Tracy Mahler, John Mansueto, Jeanette Martone, Adriena Masi, Liz Jorg Masi, Kathleen McArdle, Avrel Menkes, Romalia Mitchell, John Morris, Diane Motroni, Judith Musaro, Mary Nagin, Judy Pagano, Maureen Palmieri, Patti Peterson, Vanessa Pineda Fox, Denis Ponsot, Jeff Potter, Kelly Powell, Nicole Pray, Josephine Puccio, Bernice Rausch, William Reed, Robert Roehrig, Lori Scarlatos, Adriana Serban, Kendra Singh, Gisela Skoglund, Lynn Staiano, Mike Stanko, Maddy Stare, Judy Stone, Amanda Szczurowski, Gia Dianna Taylor, Joanne Teets, Ashley Thorbjornsen, Andrea Tonty, Robert Tuska, Diane Van Velsor, Robert Wallkam, Joseph Weinreb, Marie Winn, Marie Winn, Nina Wood, Patty Yantz, and Theodora Zavala.

The public is invited to an opening reception on Saturday, May 3 from 1 p.m. to 4 p.m. to meet the exhibiting artists and view their work.

The Mills Pond Gallery is located at 660 Route 25A in St. James. Regular gallery hours are Wednesdays to Fridays from 10 am. to 4 p.m., Saturdays and Sundays from noon to 4 p.m. Admission to the gallery is always free. For more information, call 631-862-6575 or visit www.millspondgallery.org.

'Trumpets' by Lori Horowitz

Fragile ecosystems will be on view as Gallery North, 90 North Country Road, Setauket presents Lori Horowitz: Undergrowth, from April 3 to May 11.

Undergrowth is Lori Horowitz’s first solo exhibition at Gallery North. The exhibition features mixed media sculptures, reliefs, and photographs. Larger than life carnivorous pitcher plants erupt from a frame immersing the viewer in a unique perspective.

‘Saracenia study 1’ by Lori Horowitz

Inspired by the study of the pristine and precious environment surrounding her family home, Horowitz explores the cycles of nature and the social complexities that threaten the delicate balance. Her works transform photographs into three dimensional compositions in a physically demanding sculptural process that mirrors the competing natural and man- made forces of growth and decay. The resulting botanical and organic forms reflect the often-hidden discourse encompassing the literal and symbolic dangers that threaten a fragile ecosystem. Viewers are invited to explore their connection to nature and the impact of its survival on humanity.

Lori Horowitz is a New York based artist. In addition to her studio art practice, Horowitz has worked as an arts educator, scenic designer, curator and gallerist. Each role has brought new perspectives to the development of her work. Horowitz serves on the Board of Directors for the NY Society of Women Artists and Long Island Craft Guild. Her work has been featured in numerous solo and group exhibitions throughout the region.

The community is invited to an opening reception on Thursday, April 3, from 6 p.m. to 8 p.m. As a complement to the exhibition, Gallery North will host an ArTalk on Sunday, April 27 from 2 p.m. to 4 p.m. Additional programming will include “Bringing the Woodland Home: Shade Gardening with Native Plants” a presentation by Kimberly Simmen of KMS Gardens on Sunday, April 13 from 2 p.m. to 3 p.m. The exhibition, reception, ArTalk and presentation will be free and open to the public.

This exhibition is generously sponsored the Field Family, Pet ER 24/7, Jefferson’s Ferry, and Suffolk County’s Department of Economic Development and Planning. 

For more information, call 631-751-2676 or visit www.gallerynorth.org.

'Parallax (Candles)' by Berenice Abbott, 1951, Gelatin silver print. Gift of Mr. Morton Brozinsky.

Currently on view at the Heckscher Museum of Art in Huntington is Embracing the Parallax: Berenice Abbott and Elizabeth McCausland. The exhibition, which runs through March 30, features twenty-two gelatin silver prints from the collection with a focus on photographs from the important Changing New York series of the 1930s.

The celebrated photobook Changing New York (1939) was a collaboration between photographer Berenice Abbott (1898–1991) and her lifelong romantic partner, art critic and writer Elizabeth McCausland (1899–1965). Although recognized by art historians as a pivotal text of documentary photography, the published product was radically different from what the two women had envisioned.

‘Newsstand (32nd and Third Avenue)’ by Berenice Abbot, 1935. Gelatin silver print

“Abbott and McCausland wanted to redefine documentary photography’s function by examining transformation through the lens of a rapidly modernizing New York City. Instead, their publisher diluted their message, producing a tourist guidebook for visitors to the 1939 New York World’s Fair,” explained Jessica Rosen, Curatorial Assistant, who organized the exhibition.

Embracing the Parallax offers a new understanding of the women’s partnership by reuniting several of Abbott’s photographs with portions of McCausland’s original text.

The word parallax refers to an optical phenomenon where the position of an object appears to shift when observed from different viewpoints—whether it be a shift between the camera’s viewfinder and lens, or a shift in one’s perspective.

Rather than simply documenting modernization from the perspective of aesthetic shifts, Abbott and McCausland intended to capture the invisible social, economic, and political factors that catalyzed these changes in the built environment. They believed that documentary photography was a tool to initiate dialogue and foster civic responsibility.

“We cannot go on just looking at things on the surface,” Abbott said. “Real things today are conflict, contradictions, warfare, unbalance, lack of order, lack of reason—contrasts in a rapidly changing civilization.” Abbott and McCausland’s philosophy of photography demands that we relearn how to see.

As part of the Heckscher’s 2025 Pride initiative, this exhibition raises questions about the politics of visibility and invisibility by examining Abbott’s and McCausland’s intellectual partnership and romantic relationship. Abbott and McCausland’s collaborative projects demonstrate how documentary photography can be used as a tool to foster civic responsibility by exposing the invisible factors that shape our world.

Sponsored by Susan Van Scoy, Ph.D., Brian Katz & Olshan Frome Wolosky LLP. This project was made possible in part by the Institute of Museum and Library Services.

About The Heckscher Museum of Art

Located at 2 Prime Avenue in Huntington, The Heckscher Museum of Art is in its second century as a source of art and inspiration on Long Island. Founded by philanthropists Anna and August Heckscher in 1920, the Museum’s collection comprises 2,300 artworks spanning the nineteenth century to the present. The Museum is committed to growing the collection to develop public awareness for the artists whose careers and life experiences can broaden our understanding of the past, foster community connections to the present, and create diverse possibilities for the future.

Located in scenic Heckscher Park in Huntington, the building is listed on the National Register of Historic Places. Continuing the legacy of the founders, free admission to the Museum for 2025 is supported through a generous grant from Bank of America. For more information, visit Heckscher.org.

 

'Turn Around' by Edward Acosta

Up next at Gallery North, 90 North Country Road, Setauket is an exhibit titled Contours & Currents: Recent Works by Edward Acosta, on view from Feb. 20 to March 30.

Contours & Currents is Edward Acosta’s first solo exhibition at Gallery North. The exhibition features a selection of large and medium-scale acrylic paintings inspired by views of sunrises and sunsets on Long Island. 

‘United in Division’ by Edward Acosta

Influenced by Pop Art, Street Art, and Geometric Abstraction, Acosta’s work is defined by vibrant and dynamic compositions with precise linework and layered refined organic forms. His bold designs appear to place the viewer on expansive topographic contours of an island or within the strikingly prismatic currents of the atmosphere and ocean. Acosta’s juxtaposition of shapes and tones are used to create regions of tension, tranquility, motion and harmony.

Born in Puerto Rico, Edward Acosta is a New York-based visual artist whose paintings have been exhibited at notable institutions, including the Heckscher Museum of Art and The Long Island Museum, where one of his works is part of the permanent collection. He has also collaborated with leading brands to create innovative, immersive art installations. Acosta currently works from his studio in Commack.

An opening reception will be held on Feb. 20, from 6 p.m. to 8 p.m. As a complement to the exhibition, Gallery North will host an ArTalk on March 15 from 3 p.m. to 5 p.m. The exhibition, reception and ArTalk will be free and open to the public.

This exhibition is generously sponsored the Field Family, Pet ER, Jefferson’s Ferry, and Suffolk County’s Department of Economic Development and Planning. 

For more information, call 631-751-2676 or visit www.gallerynorth.org.

Smithtown Township Arts Council has announced that the works of Saint James artist Josephine Puccio will be on view at Apple Bank of Smithtown, 91 Route 111, Smithtown from Feb. 5 to April 3.

From a very young age, Puccio loved art. Growing up in Brooklyn, her family would visit her grandparents in the country (now known as Howard Beach). The artist fell  in love with the beauty of the trees, flowers and natural landscape and at age 7 she begged her parents to buy her crayons and paper so she could draw what she saw.

“Till this day I can sit for hours upon hours and paint what I see in hopes of bringing to everyone the beauty, excitement and love for nature that I feel in my heart!” said Puccio.

The artist moved to Florida for eight years, returning to Long Island in 2022. Before her move, she was an award-winning artist exhibiting her work and winning many prizes at galleries across the island from East Hampton to East Meadow having exhibited at Guild Hall, Suburban Art League, Wet Paints Studio Group among many others. Happy to return to the Art scene on Long Island, Puccio continues to exhibit her art and win prizes!

The exhibition, part of the Arts Council’s Outreach Gallery Program, may be viewed during regular banking hours Monday -Thursday 9 am – 4 pm; Friday 9 am – 6 pm; Saturday 9 am – 1 pm.

'Social Center/Barbershop' by Robert Graham Carter will be on view at The Heckscher Museum through May 25. Image courtesy of Heckscher Museum

By Tara Mae

Heritage, humanity, and hope are explored through works of legacy and lineage in Robert Graham Carter: The Art of Reflection. The exhibit at the Heckscher Museum of Art, from February 2 to May 25, 2025, encapsulates as it illuminates the past six decades of the artist’s career. 

“It’s a retrospective—a little glimpse into virtually all the stages and turning points within my art career. It’s interesting for me to see it put together like this—it gives you a perspective that you don’t get working day to day,” said Carter, who is also a long-time art professor at Nassau Community College.

Robert Graham Carter, Proud Queen, Tribute To My Wife, 1995 Wood and acrylic, Robert Graham Carter Family Collection

Featuring 22 artworks and several archival pieces, the show explores three themes central to Graham’s work: charm of childhood; importance of spirituality in his life; and, social inequities, with a concentration on topics that connect to Black experiences. 

“Mr. Carter came up with the three messages, or themes, he wanted to have the exhibit explore.  We selected the works with that focus,” Heckscher guest curator Sarah Battle said. Battle is affiliated with the Speed Art Museum in Louisville, Kentucky, where Carter is set to have an exhibition in 2027. 

Influenced by his youth in Louisville, Kentucky, during Jim Crow, and his adulthood and career on Long Island, the exhibit is an exchange between past and present as well as Carter and the audience. 

“It is really special to be able to see some early works in conversation with larger pieces,” Battle said. 

Art is the language Carter uses to discuss his individual narrative and how it is a chapter of a larger story. It evokes memories, moments, and imagination. 

“All of us wear many masks. For example, I am a father, a husband (before my wife passed), an educator, an artist, a neighbor, a friend, and on and on,” he said. “I found myself responding to the things that were interesting and important to me within these roles. I would end up making a series of works based on one of these masks.”

Robert Graham Carter
If Der Be Angels Then Some Must Look Like Me, c. 2000s,
Wood and acrylic, Robert Graham Carter Family Collection

His examination and meditation on these concepts are expressed through mixed media works from the 1970s-2010s, including pencil or pastels on paper; sketches; multi-scale paintings; and  sculptural components. One of Carter’s high-relief sculptural paintings, “Mama Taught Me Piano and Much More,” is part of the Heckscher’s permanent collection. 

The versatility of his form underscores the sometimes subtle vibrancy of his scenes, like striking portraits or snippets of everyday life.

“What draws me to them and his art in general is that it works on a couple of different levels; they usually reveal something personal, like a memory or experience of the artist and makes you reflect on your own memories or experiences,” Battle said. “Or, his art acts as commentary for the artist.”

These elements offer insight into both process and progress. Both the singular perspective and the collective understanding are presented as Carter’s art evokes emotional introspection and community celebration through subject and substance. 

“This has been a positive experience for me, and I hope that the people who see this exhibit are positively affected also. Basically, I feel that art is a communication process and for me I am hoping visitors have a good response,” Carter said. 

Admission to The Heckscher Museum of Art is free. Located at 2 Prime Avenue in Huntington, the museum is open Thursday through Sunday, from noon to 5 p.m. For more information, call 631-380-3230 or visit www.heckscher.org.