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art exhibit

'Trumpets' by Lori Horowitz

Fragile ecosystems will be on view as Gallery North, 90 North Country Road, Setauket presents Lori Horowitz: Undergrowth, from April 3 to May 11.

Undergrowth is Lori Horowitz’s first solo exhibition at Gallery North. The exhibition features mixed media sculptures, reliefs, and photographs. Larger than life carnivorous pitcher plants erupt from a frame immersing the viewer in a unique perspective.

‘Saracenia study 1’ by Lori Horowitz

Inspired by the study of the pristine and precious environment surrounding her family home, Horowitz explores the cycles of nature and the social complexities that threaten the delicate balance. Her works transform photographs into three dimensional compositions in a physically demanding sculptural process that mirrors the competing natural and man- made forces of growth and decay. The resulting botanical and organic forms reflect the often-hidden discourse encompassing the literal and symbolic dangers that threaten a fragile ecosystem. Viewers are invited to explore their connection to nature and the impact of its survival on humanity.

Lori Horowitz is a New York based artist. In addition to her studio art practice, Horowitz has worked as an arts educator, scenic designer, curator and gallerist. Each role has brought new perspectives to the development of her work. Horowitz serves on the Board of Directors for the NY Society of Women Artists and Long Island Craft Guild. Her work has been featured in numerous solo and group exhibitions throughout the region.

The community is invited to an opening reception on Thursday, April 3, from 6 p.m. to 8 p.m. As a complement to the exhibition, Gallery North will host an ArTalk on Sunday, April 27 from 2 p.m. to 4 p.m. Additional programming will include “Bringing the Woodland Home: Shade Gardening with Native Plants” a presentation by Kimberly Simmen of KMS Gardens on Sunday, April 13 from 2 p.m. to 3 p.m. The exhibition, reception, ArTalk and presentation will be free and open to the public.

This exhibition is generously sponsored the Field Family, Pet ER 24/7, Jefferson’s Ferry, and Suffolk County’s Department of Economic Development and Planning. 

For more information, call 631-751-2676 or visit www.gallerynorth.org.

'Parallax (Candles)' by Berenice Abbott, 1951, Gelatin silver print. Gift of Mr. Morton Brozinsky.

Currently on view at the Heckscher Museum of Art in Huntington is Embracing the Parallax: Berenice Abbott and Elizabeth McCausland. The exhibition, which runs through March 30, features twenty-two gelatin silver prints from the collection with a focus on photographs from the important Changing New York series of the 1930s.

The celebrated photobook Changing New York (1939) was a collaboration between photographer Berenice Abbott (1898–1991) and her lifelong romantic partner, art critic and writer Elizabeth McCausland (1899–1965). Although recognized by art historians as a pivotal text of documentary photography, the published product was radically different from what the two women had envisioned.

‘Newsstand (32nd and Third Avenue)’ by Berenice Abbot, 1935. Gelatin silver print

“Abbott and McCausland wanted to redefine documentary photography’s function by examining transformation through the lens of a rapidly modernizing New York City. Instead, their publisher diluted their message, producing a tourist guidebook for visitors to the 1939 New York World’s Fair,” explained Jessica Rosen, Curatorial Assistant, who organized the exhibition.

Embracing the Parallax offers a new understanding of the women’s partnership by reuniting several of Abbott’s photographs with portions of McCausland’s original text.

The word parallax refers to an optical phenomenon where the position of an object appears to shift when observed from different viewpoints—whether it be a shift between the camera’s viewfinder and lens, or a shift in one’s perspective.

Rather than simply documenting modernization from the perspective of aesthetic shifts, Abbott and McCausland intended to capture the invisible social, economic, and political factors that catalyzed these changes in the built environment. They believed that documentary photography was a tool to initiate dialogue and foster civic responsibility.

“We cannot go on just looking at things on the surface,” Abbott said. “Real things today are conflict, contradictions, warfare, unbalance, lack of order, lack of reason—contrasts in a rapidly changing civilization.” Abbott and McCausland’s philosophy of photography demands that we relearn how to see.

As part of the Heckscher’s 2025 Pride initiative, this exhibition raises questions about the politics of visibility and invisibility by examining Abbott’s and McCausland’s intellectual partnership and romantic relationship. Abbott and McCausland’s collaborative projects demonstrate how documentary photography can be used as a tool to foster civic responsibility by exposing the invisible factors that shape our world.

Sponsored by Susan Van Scoy, Ph.D., Brian Katz & Olshan Frome Wolosky LLP. This project was made possible in part by the Institute of Museum and Library Services.

About The Heckscher Museum of Art

Located at 2 Prime Avenue in Huntington, The Heckscher Museum of Art is in its second century as a source of art and inspiration on Long Island. Founded by philanthropists Anna and August Heckscher in 1920, the Museum’s collection comprises 2,300 artworks spanning the nineteenth century to the present. The Museum is committed to growing the collection to develop public awareness for the artists whose careers and life experiences can broaden our understanding of the past, foster community connections to the present, and create diverse possibilities for the future.

Located in scenic Heckscher Park in Huntington, the building is listed on the National Register of Historic Places. Continuing the legacy of the founders, free admission to the Museum for 2025 is supported through a generous grant from Bank of America. For more information, visit Heckscher.org.

 

'Turn Around' by Edward Acosta

Up next at Gallery North, 90 North Country Road, Setauket is an exhibit titled Contours & Currents: Recent Works by Edward Acosta, on view from Feb. 20 to March 30.

Contours & Currents is Edward Acosta’s first solo exhibition at Gallery North. The exhibition features a selection of large and medium-scale acrylic paintings inspired by views of sunrises and sunsets on Long Island. 

‘United in Division’ by Edward Acosta

Influenced by Pop Art, Street Art, and Geometric Abstraction, Acosta’s work is defined by vibrant and dynamic compositions with precise linework and layered refined organic forms. His bold designs appear to place the viewer on expansive topographic contours of an island or within the strikingly prismatic currents of the atmosphere and ocean. Acosta’s juxtaposition of shapes and tones are used to create regions of tension, tranquility, motion and harmony.

Born in Puerto Rico, Edward Acosta is a New York-based visual artist whose paintings have been exhibited at notable institutions, including the Heckscher Museum of Art and The Long Island Museum, where one of his works is part of the permanent collection. He has also collaborated with leading brands to create innovative, immersive art installations. Acosta currently works from his studio in Commack.

An opening reception will be held on Feb. 20, from 6 p.m. to 8 p.m. As a complement to the exhibition, Gallery North will host an ArTalk on March 15 from 3 p.m. to 5 p.m. The exhibition, reception and ArTalk will be free and open to the public.

This exhibition is generously sponsored the Field Family, Pet ER, Jefferson’s Ferry, and Suffolk County’s Department of Economic Development and Planning. 

For more information, call 631-751-2676 or visit www.gallerynorth.org.

Smithtown Township Arts Council has announced that the works of Saint James artist Josephine Puccio will be on view at Apple Bank of Smithtown, 91 Route 111, Smithtown from Feb. 5 to April 3.

From a very young age, Puccio loved art. Growing up in Brooklyn, her family would visit her grandparents in the country (now known as Howard Beach). The artist fell  in love with the beauty of the trees, flowers and natural landscape and at age 7 she begged her parents to buy her crayons and paper so she could draw what she saw.

“Till this day I can sit for hours upon hours and paint what I see in hopes of bringing to everyone the beauty, excitement and love for nature that I feel in my heart!” said Puccio.

The artist moved to Florida for eight years, returning to Long Island in 2022. Before her move, she was an award-winning artist exhibiting her work and winning many prizes at galleries across the island from East Hampton to East Meadow having exhibited at Guild Hall, Suburban Art League, Wet Paints Studio Group among many others. Happy to return to the Art scene on Long Island, Puccio continues to exhibit her art and win prizes!

The exhibition, part of the Arts Council’s Outreach Gallery Program, may be viewed during regular banking hours Monday -Thursday 9 am – 4 pm; Friday 9 am – 6 pm; Saturday 9 am – 1 pm.

'Social Center/Barbershop' by Robert Graham Carter will be on view at The Heckscher Museum through May 25. Image courtesy of Heckscher Museum

By Tara Mae

Heritage, humanity, and hope are explored through works of legacy and lineage in Robert Graham Carter: The Art of Reflection. The exhibit at the Heckscher Museum of Art, from February 2 to May 25, 2025, encapsulates as it illuminates the past six decades of the artist’s career. 

“It’s a retrospective—a little glimpse into virtually all the stages and turning points within my art career. It’s interesting for me to see it put together like this—it gives you a perspective that you don’t get working day to day,” said Carter, who is also a long-time art professor at Nassau Community College.

Robert Graham Carter, Proud Queen, Tribute To My Wife, 1995 Wood and acrylic, Robert Graham Carter Family Collection

Featuring 22 artworks and several archival pieces, the show explores three themes central to Graham’s work: charm of childhood; importance of spirituality in his life; and, social inequities, with a concentration on topics that connect to Black experiences. 

“Mr. Carter came up with the three messages, or themes, he wanted to have the exhibit explore.  We selected the works with that focus,” Heckscher guest curator Sarah Battle said. Battle is affiliated with the Speed Art Museum in Louisville, Kentucky, where Carter is set to have an exhibition in 2027. 

Influenced by his youth in Louisville, Kentucky, during Jim Crow, and his adulthood and career on Long Island, the exhibit is an exchange between past and present as well as Carter and the audience. 

“It is really special to be able to see some early works in conversation with larger pieces,” Battle said. 

Art is the language Carter uses to discuss his individual narrative and how it is a chapter of a larger story. It evokes memories, moments, and imagination. 

“All of us wear many masks. For example, I am a father, a husband (before my wife passed), an educator, an artist, a neighbor, a friend, and on and on,” he said. “I found myself responding to the things that were interesting and important to me within these roles. I would end up making a series of works based on one of these masks.”

Robert Graham Carter
If Der Be Angels Then Some Must Look Like Me, c. 2000s,
Wood and acrylic, Robert Graham Carter Family Collection

His examination and meditation on these concepts are expressed through mixed media works from the 1970s-2010s, including pencil or pastels on paper; sketches; multi-scale paintings; and  sculptural components. One of Carter’s high-relief sculptural paintings, “Mama Taught Me Piano and Much More,” is part of the Heckscher’s permanent collection. 

The versatility of his form underscores the sometimes subtle vibrancy of his scenes, like striking portraits or snippets of everyday life.

“What draws me to them and his art in general is that it works on a couple of different levels; they usually reveal something personal, like a memory or experience of the artist and makes you reflect on your own memories or experiences,” Battle said. “Or, his art acts as commentary for the artist.”

These elements offer insight into both process and progress. Both the singular perspective and the collective understanding are presented as Carter’s art evokes emotional introspection and community celebration through subject and substance. 

“This has been a positive experience for me, and I hope that the people who see this exhibit are positively affected also. Basically, I feel that art is a communication process and for me I am hoping visitors have a good response,” Carter said. 

Admission to The Heckscher Museum of Art is free. Located at 2 Prime Avenue in Huntington, the museum is open Thursday through Sunday, from noon to 5 p.m. For more information, call 631-380-3230 or visit www.heckscher.org.

Smithtown Township Arts Council’s Mills Pond Gallery in St. James kicks off the new year with its annual Member Artist Showcase Exhibition celebrating the creativity and tapestry of talent that defines our communities. Featuring the work of 97 Long Island artists, the exhibit runs from Jan. 25 through Feb. 23.

The featured artwork was created in a wide variety of mediums including acrylic, charcoal and pastel, conte, gouache,mixed media, monotype print, oil, pastel, pen & ink, pencil, photography, pigment ink, archival substrate on panel, resin sculpture, solarplate etching, watercolor and more. 

“This exhibit allowed the artists to select the art they wanted to show… each of them offering their distinct approach to seeing and representing their artistic passion. We hope gallery visitors enjoy the artwork presented and we hope once they leave, they suddenly catch the beauty in something because a painting brought their mind into a different focus,” said Allison Cruz, Executive Director of the Smithtown Township Arts Council and Mills Pond Gallery.

Exhibiting artists include Adam D. Smith, Adriena Masi, Andrea Fortunoff, Andrea Tonty, Arlene Gernon, Barbara Jones, Bernice Corbin, Bernice Rausch, Bob Stone, Christopher Buckley, Constance Sloggatt Wolf, CW Max, Daniel Van Benthuysen, David Herman, Debra Baker, Diane Motroni, Dominique Treboux, Ellen Ferrigno, Felecia Montfort, Frederic Mendelsohn, Gia Horton, George Junker, Heather Jablon, Hillary Serota Needle, Jacqueline DuBarry, Jacques Garant, James Kelson, Jane Corrarino, Jeanette Martone, Joan Rockwell, JoAnne Dumas, John Mansueto, John Morris, Josephine Puccio, Joyce Bressler, Judy Stone, Karin Dutra, Kathee Shaff Kelson, Kathy Brown, Khrystyne Robillard-Smith, Kusuma Bheemineni, Kyle Blumenthal, Linda Hartman, Linda Ann Catucci, Lisa Marie Scrima-Castelli, Liz Jorg Masi, Lori Scarlatos, Lou Deutsch, Louise McClellan, Lynn Kinsella, Lynn Staiano, M. Ellen Winter, Madeline Stare, Mark Levine, Mary Difronzo, Mary Waka, Mary Ann Vetter, Matthew Lombardo, Mike Stanko, Myungja Anna Koh, Nicholas Valentino, Pamela Waldroup, Pat Forie, Patricia DiGiovanni,Patricia Lind-Gonzalez, Patricia Yantz, Patti Napolitano Kern, Paul Edelson, Paul Mele, Renee Caine, Robert Wallkam, Robert Tuska, Robert Roehrig, Roberta Rogers, Ron Becker, Roni Murillo, Ross Barbera, Sally Anne Keller, Sandra Feinberg, Sandra Riddle, Scott Hartman, Sean Pollock, Sebastian McLaughlin, Shain Bard, Stephen Shannon, Steven Walker, Susan Guihan Guasp, Terence Mcmanus, Terry Tramantano, Theodora Zavala, Theresa Graff, Thomas Dicicco, Tracey Alemaghides, Victoria Beckert, Virginia Mallon, Whitney Bell, and William Drost.

The community is invited to an opening reception on Saturday, Jan. 25 from 1 p.m. to 4 p.m. to meet the artists and enjoy their wonderful creations. 

Mills Pond Gallery is located at 660 Route 25A in St. James. Regular gallery hours are Wednesdays to Fridays from 10 am. to 4 p.m., Saturdays and Sundays from noon to 4 p.m. Admission to the gallery is always free. 

For more information, call 631-862-6575 or visit www.millspondgallery.org.

The Long Island Museum (LIM), 1200 Route 25A, Stony Brook and LIMarts are delighted to announce the opening of the 11th Annual Members’ Exhibition, Milestones. This year’s exhibition holds special significance as the museum celebrates its 85th anniversary, reflecting on its legacy as a cultural cornerstone in the community.

On view hrough December 22 in the LIM History Museum, Milestones brings together the creative visions of over 100 LIMarts members. Each piece represents a unique interpretation of personal and collective milestones, highlighting moments of growth, change, and reflection through art.

‘Fam*ly of Humans – THEY ARE US!,’ mixed media installation by Linda Louis

Embracing the goal of enhancing and supporting Long Island’s rich artistic talent, LIM established LIMarts: a collaborative arts group for visual artists. LIMarts provides its members with opportunities to exhibit and sell artwork, participate in programming events and lectures, and engage with both fellow artists and the public. Designed to foster a creative forum within the cultural community, LIMarts has become an essential resource for the region’s artists.

In addition to showcasing exceptional artwork, Milestones offers art enthusiasts an opportunity to acquire pieces from some of Long Island’s finest artists. Most works on display are available for purchase, with a portion of proceeds benefiting LIM’s ongoing programs and initiatives. All purchased pieces will remain on view for the duration of the exhibition.

“The annual LIMarts exhibition is one of the most exciting highlights of the year,” said Alexandria D’Auria, Director of Development. “With its eclectic group of talented artists, Milestones showcases the creative spirit of our members while offering an opportunity for the community to support and connect with local artists. This year’s exhibition is a testament to the power of art to inspire, celebrate milestones, and bring people together.”

The exhibition is generously supported by: Robert W. Baird Incorporated, The Carol & Arnold Wolowitz Foundation, The Smithtown Community Trust.

For more information about Milestones or to become an LIMArts member please visit longislandmuseum.org 

q*bicles by Jeremy Teipen

The Flecker Gallery, located in the Southampton Building on the Ammerman Campus of Suffolk County Community College in Selden, will present a solo exhibition featuring the innovative works of visiting artist Jeremiah Teipen from Nov. 14 through Dec. 17. Titled q*bicles, This special event will showcase an immersive installation highlighting Teipen’s recent work, which explores the complex relationship between the digital and physical realms in our increasingly interconnected world.

An opening reception and gallery talk will take place on Thursday, November 14, from 2 to 3:30 p.m. During the gallery talk, Teipen will share insights into his creative process and the inspirations behind his thought-provoking themes. Light refreshments will be served, and all are welcome to partake in an afternoon filled with art and conversation.

Jeremiah Teipen is a visual artist based in Brooklyn. He holds an MFA from the School of Visual Arts and a BFA from the Columbus College of Art & Design. Teipen has received numerous awards and grants, including a production grant from the Asia Culture Center in Gwangju, the Asian Cultural Council Japan/United States Grant, and exhibition grants from the Seoul Foundation of Arts and Culture and ARKO and Arts Council Korea.

His work has been featured in various national and international exhibitions, including notable venues such as the Circulo de Bellas Artes in Madrid, Centro de Arte de Burgos, and the Queens Museum in New York. Teipen’s art has also been showcased at prestigious institutions like Tokyo Geijutsu Daigaku, Gallery Factory in Seoul, and the Asia Culture Center in Gwangju. His work has garnered attention in multiple journals and publications, including the Leonardo Journal of Arts and Sciences by TheMIT Press and The New York Times.

The Flecker Gallery is open Monday through Thursday from 12:30 to 5 p.m., with additional hours available by appointment.

Suffolk County Community College’s Ammerman campus is located at 533 College Road in Selden. For more information, call 631-451-4110.

Smithtown Township Arts Council has announced that the works of Kings Park artist Gisela Skoglund will be on view at Apple Bank of Smithtown, 91 Route 111, Smithtown from Oct. 28 to Jan. 3. The exhibition, part of the Arts Council’s Outreach Gallery Program, may be viewed during regular banking hours Monday to Thursday from 9 a.m.to 4 p.m., Friday from 9 a.m. to 6 p.m. and Saturday from 9 a.m. to 1 p.m.

Skoglund’s life has taken her through many artistic expressions. Early on her original passion was for oil on canvas. In high school she was awarded a scholarship to Pratt Institute where she pursued advertising art.

All her endeavors have brought her to the use of painting in a wide variety of mediums including watercolor, acrylic, oil pastel, pen, and ink. Skoglund’s inspirations come from the beauty of nature and other sights which appear in everyday life. She has exhibited her work in juried and invitational shows across Long Island. “I find that painting transports me to a place where time is forgotten, and I am totally immersed in creativity,” she said.

STAC is grateful to Apple Bank for its continued support of culture in our communities.

Smithtown Township Arts Council is a 501 (c) (3) not-for-profit organization.

Greg Fasolino with the exhibit. Photo from Huntington Public Library

Currently on view in the glass lobby cases at the Huntington Public Library’s main branch through Oct. 31 is an exhibit titled Paperbacks from Hell: Exploring the Wild, Weird World of the 70s and 80s Horror Pulp Fiction.

Greg Fasolino with the exhibit. Photo from Huntington Public Library

Inspired by Grady Hendrix’s 2017 bestseller Paperbacks from Hell: The Twisted History of ’70s and ’80s Horror Fiction, this spinetingling exhibit at Huntington Public Library highlights the wild and wacky retro cover artwork of that era’s beloved and highly collectible pulpy paperbacks. As Tor.com’s Theresa DeLucci said of Hendrix’s compendium, “It’s a gorgeous, lurid deep-dive into horror’s heyday and a must-read for any self-respecting horror fan.”

Sparked by the unexpected mania for William Peter Blatty’s iconic The Exorcist in 1971, followed in 1974 by the rise to fame of Stephen King with Carrie and the massive success of Peter Benchley’s Jaws, horror paperbacks in those two decades infested every mall bookstore as well as the spinner racks of candy stores, supermarkets and airports, touching on every and any possible nightmarish theme or creepy category. These “paperbacks from hell” sold in the millions, whether they were efforts by more mainstream authors like King, Peter Straub, Ramsey Campbell and Clive Barker, or works from more obscure cult-classic writers like James Herbert (The Rats), Graham Masterton (The Manitou), Guy N. Smith (Night of the Crabs), Gregory A. Douglas (The Nest), Ken Greenhall (Hell Hound), Shaun Hutson (Slugs), John Lutz (Bonegrinder), Nick Sharman (The Cats) and Eric C. Higgs (The Happy Man).

The display was curated by local horror lit fan Greg Fasolino, who has been a collector of these sinister softcovers for almost 50 years. All of the eerie items on display date from the 1970s through the end of the 1980s, and all but two are original copies purchased when they were new.

For more information, call 631-427-5165.