Smithtown Township Arts Council (STAC) has announced In a press release that the works of Port Jefferson artist Robert Wallkam will be on view at Apple Bank of Smithtown, 91 Route 111, Smithtown from Oct. 4 to Dec. 6. The exhibition, part of the Arts Council’s Outreach Gallery Program, may be viewed during regular banking hours Monday – Thursday 9 a.m. to 4 p.m.; Friday 9 a.m. to 6 p.m.; and Saturday from 9 a.m. to 1 p.m.
Robert Wallkam received a Bachelor of Art Education from the University of Bridgeport followed by receiving a Master of Arts from New York University. He pursued a career at the Half Hollow Hills School District in Dix Hills, teaching all grade levels and subjects related to art. At the same time, he enjoyed acting as set designer for the Half Hollow Hills high school plays.
Always immersing himself in creative pursuits, Robert served on the Board of Directors at Theatre Three in Port Jefferson. His work has been widely exhibited throughout Nassau and Suffolk counties. His paintings are derived from his mind’s visions and childhood memories reflecting his love for Long Island and its many beaches.
“STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!” read the press release.
Smithtown Township Arts Council is a 501 (c) (3) not-for-profit organization.
What dreams may come from revelatory reflection? A spark of imagination need not always ignite a blazing inferno; a steady, bright flame may sustain the psyche and soul.
The serenity of memory and tranquility of nature are inherent in Terra Bella, artist Nicholas Nappi’s newest exhibit at North Shore Public Library in Shoreham.
On display from September 9 to October 30, Nappi’s third show at the library includes approximately 18 paintings, many of them mixed media of ink, watercolor, and acrylics.
Moments of deceptive depth and exacting nuance are imbued with a welcoming warmth that draws the onlooker into the ambient action. The dynamic combination of textures and color is reminiscent of the often overlooked, bountiful allure of Long Island.
“I am trying to communicate with people about the beauty of Long Island…I do not think a lot of people realize how pretty it is, which why I am calling [the exhibit] Bella Terra, which means ‘beautiful earth’ in Italian,” Nappi, of Rocky Point, said in an interview.
This appreciation speaks through bright colors filtered in soft focus, idyllic settings, and people included as part of nature as well as the landscape, not in opposition of them.
Immersed in this internal world, they entice the audience to become participants in these nostalgic scenes of environmental equanimity. As though experienced via the romantic haze of memory, pictorial conversations with the past invite dialogue in the present.
“Mr. Nappi’s work is colorful and atmospheric and draws the viewer into daily life,” said North Shore Public Library’s Adult Reference Librarian/Adult Program Coordinator Lorena Doherty, who organized the exhibit. “There is such a beautiful sense of light and softness, love and memory in these pieces. When a story, a performance, an image…walks with you, it has power.”
Utilizing art as a means of communication with the public has been an integral element of Nappi’s professional and personal perspective. While a vice president and award-winning art director for Serino, Coyne, & Nappi, a theatrical ad agency, he designed and art directed logos and posters for Broadway mega hits like A Chorus Line, Les Miserables, and Phantom of the Opera.
As a print advertisement is meant to appeal to the eye and ensnare interest, Nappi’s independent works also contain the essence of a narrative. Each piece reveals its own enrapturing tale, conveying charisma and character. With his paintings, he seeks to educate, beguile, and entreat viewers into both recognizing and revering the resplendent nature that surrounds them as island dwellers.
“The growth, the bushes, the trees, the flowers, it is just a gorgeous place, but [Long Islanders] are so used it they do not pay attention to it too much. They really should,” Nappi said.
Terra Bella encompasses paintings Nappi created specifically for the exhibit, using it as an opportunity to express his scenic thesis. Invoking emotional resonance, he invites people to learn this visual language, simultaneously communing with those already attuned to his paintings and their presence.
After the conclusion of his second show at the library, Color is Song in 2017, patrons and staff missed the ruminating reprieve his art provides, according to Doherty. So when he sent her examples of his recent paintings, she was enamored with the selection and eager to put it up in a space that hosts community and international artists alike.
“Many months ago, Mr. Nappi sent an email with the images of his new body of work. I viewed them several times and was delighted to have this new show at North Shore Public Library,” Doherty said.
“Several days passed and I found myself thinking of these paintings. The paintings were walking with me and telling a story, their story.”
At its heart, the tale Nappi tells is that of individual insights predicated on the notion of universal understanding. The show allows him to convey his feelings and entrust others with their messages.
“I try to put a piece of myself in each painting. I hope people feel what I feel. If that happens, I am very, very happy. Painting is a very, very personal thing; I forget everything but what I am working on. When you paint, you start with a blank piece of paper, and it is up to you to make it special to anyone who looks at it. I hope I do,” Nappi said.
The community is invited to an artist reception for Nicholas Nappi hosted by the Friends of the Library on Saturday, September 9, from 2:30 to 4 p.m. North Shore Public Library is located at 250 Route 25A, Shoreham. The exhibit may be viewed during library hours — Monday to Thursday from 9:30 a.m. to 9 p.m., Friday and Saturday from 9:30 a.m. to 5 p.m. For more information, call 631-929-4488 or visit www.northshorepubliclibrary.org.
Smithtown Township Arts Council presents Outside the Box, a fine art exhibition at the Mills Pond Gallery in St. James from Aug. 26 to Sept. 23. The exhibit will feature four Long Island artists — Ron Becker of Deer Park, JoAnne Dumas of Wading River, Sejal Mehra of Levittown, and Felecia Montfort of Melville — who are stretching the boundaries of their art to give us new avenues to explore the meaning of art and its relationship to our lives.
By JoAnne Dumas
Photographer JoAnne Dumas has an affinity with nature and, in particular, water. Her work with experimental modes of display has allowed her to push the boundaries of her photography as both medium and art form. Constantly seeking new ways to engage audiences with her subject, Joann experiments with new mediums and innovative uses of materials to create her work, hoping that viewers will feel the swirling of the water, and see the shimmering, wind-driven ripples of the waters in her exhibited work.
‘Mercy Rising’ by Ron Becker
Ron Becker is a professional artist who is known for his realistic landscapes and nature paintings. Working in acrylics and oil, his techniques and skill set are self-taught through experimentation and discovery. Seeking to expand his creativity, he envisioned an exhibit on social justice issues. The topic of prison reform and justice was inspired through his daughter Amanda’s advocacy, while attending theSilberman School of Social Work at Hunter College. His vision took shape and grew after starting correspondence with Bartholomew Crawford, an inmate in a NYS Correctional Facility. Bartholomew’s writings, recent social unrest related to minorities and those in prison, helped to inspire his exhibit “My Block.”
‘The Windmill’ by Sejal Mehra
Sejal Mehra’s Engineering Art is a unique and inspiring combination of creativity, engineering, and sustainability. With a mission to change the face of STEM through art, Sejal transforms discarded computer and electronic parts, as well as plastic waste, into stunning works of art that showcase the beauty of science, technology, engineering, and math. Her art carries a powerful message about the importance ofrecycling and reducing waste.
Ceramic Angel by Felecia Montfort
Felecia Montfort has spent her life making magical art. Ceramics and painting are her favorite mediums. Her creations range from practical to surreal. She is happiest when she has clay or a brush in her hands. After exploring art in high school, Felecia went on to receive her BA at University of Bridgeport, Connecticut and completed her MA at Adelphi and Post in Garden City enhancing her skills of art set at the University of Texas and Post in NY.
The public is invited toan opening reception on Saturday, Aug. 26 from 1 to 4 p.m. meet the artists and view their works.
Mills Pond Gallery is located at 660 Route 25A in St. James. Gallery hours are Wednesday through Friday from 10 a.m. to 4 p.m. and Saturday and Sunday from noon to 4 p.m. Admission to the gallery is always free. For more information, call 631-862-6575, or visit www.millspondgallery.org.
'COVID Driveway Quince' by Bruce Lieberman. Image courtesy of Gallery North
By Tara Mae
It is an art form to recognize one’s daily surroundings as fecund food for thought despite their familiarity. Gallery North’s new exhibit, Poetic Visions: Recent Works by Bruce Lieberman, explores the eponymous artist’s appreciation and perception of his own backyard as he cultivates its curated wildness. On view from Aug. 24 to Oct. 1, the show will feature approximately 35 of Lieberman’s oil paintings. While canvas sizes vary, the world within them is universally expansive.
‘Yellow Thirst’ by Bruce Lieberman Image courtesy of Gallery North
“The paintings are vivid, luscious, gardenscapes spanning summer through winter, when it is more bleak. Even then, he still pulls out colors and textures in the browns and other, more muted, [tones] that he paints,” said Gallery North’s Curator Kate Schwarting.
Immersing the audience in a verdantly vivacious, incrementally abstract atmosphere, these renderings inspired by his Water Mill property are rooted in realism, yet blossom with imagination.
“This is a presentation of paintings that blur the line between representation and abstraction. It also presents a painter who is very far along in his career trying to move into something new and push boundaries of his artistic practice. [Lieberman] revels in color and gets others excited about the interaction between color and form,” Gallery North’s Executive Director Ned Puchner said.
Poetic Visions, Lieberman’s fifth solo show at Gallery North amid many group exhibitions, is the latest harvest of a long, fruitful relationship. Making their public debut, the paintings invite viewers to seek the serenity of soulful solitude.
For Lieberman, these works reflect an introspection born out of necessity: they were primarily started during the COVID-19 lockdown, when he ceased teaching painting and figure drawing as an adjunct professor at Stony Brook University.
‘Crape Myrtle Pool’ by Bruce Lieberman. Image courtesy of Gallery North
Informally referred to as the “COVID Driveway Series” by Lieberman, the paintings reference a time when circumstances encouraged him to find novelty in the known as he navigated the unprecedented pandemic.“It has become rather a cliché to speak about how ‘COVID made me do it.’ Or how one’s COVID experience framed and affected their work.’ But…it sort of did. It gave me an excuse to cut my ties with everything. I stopped teaching, stopped going out, stopped going to openings, stopped going to New York,” Lieberman said in an email. “[My wife and I] canceled everything! It, the COVID experience, removed guilt from the decision…For us, we were lucky to have the ability—the luxury—to withdraw from the world.”
Setting up an easel at the furthest point of his property line and painting whatever he saw in all directions, Lieberman experimented with different points of view, paint techniques, and previously untapped styles of brushstrokes.
Such interior creativity born of outside chaos is evidenced in the precise details and less defined boundaries of Lieberman’s paintings. Using the landscape as his muse results in a sort of inherent optimism; even as trees appear bare, traces of green can be found — the promise of fertile rebirth.
“My garden has become a big giant motif — a living still life with endless variations…my Giverny,” Lieberman said.
Almost impressionistic brushstrokes illustrate different types of foliage and lighting as well as rich bright colors for the plants, beautiful blue reflections on fencing, and similar nuances, according to Schwarting.
“Bordering on abstraction, it is a very identifiable scene, but areas of canvas draw you in and almost become an abstract moment on the canvas. It happens very organically, a natural process of him exploring the medium through his paintings. There is an amazing juxtaposition of abstract, painterly brush marks, with drips of the paint. I love how you can have both in one place,” she added.
A singular entity containing multitudes is a recurrent theme in the art of Lieberman, who began his career in the figurative art world of New York City.
Traces of the genre are apparent in elements of Poetic Visions. Representative objects contrast and complement the somewhat subjective wonderland Lieberman’s paintings project, revealed to onlookers by the revelations of his paintbrush.
“He developed a sort of a new vision of his home during [lockdown] and it came through daily examination of his surroundings. When you look at something long enough, you begin to see it differently and start to think about the larger meaning behind the growth of a flower, the changing of a season, or how light can illuminate colors,” Puchner said.
Lieberman’s contemplative examination was a three year study that he now strives to share and shed. Like most acts of creation, the process of producing the paintings was a labor of love; Poetic Visions is a culmination of Lieberman’s efforts as he looks towards the next endeavor.
“I worked hard, I worked for three years on these paintings. So I care about them. I look forward to getting them on the wall and looked at. An added bonus — [having] my studio clean so I can move on to the next thing. Trying to make great paintings is always the goal,” he said.
Gallery North, 90 North Country Road, Setauket invites the community to an opening reception for Poetic Visions on Thursday, Aug. 24 from 6 to 8 p.m. and a free ArTalk with Lieberman on Saturday, Sept. 9 at 3 p.m. For more information, call 631-751-2676 or visit www.gallerynorth.org.
'Great South Bay Bridge and Sailboats' by Lisa Claisse
'Long Island Clammer' by Julie Dock
'Along the Path' by Angela Stratton
'Gathering at the Sandbar' by Rob Roehrig
'The Gathering Place, Stony Brook Duck Pond' by Lynn Strain
'Wildwood - A Place for Serious Play' by Judy Stone
'Long Island Sound Setauket' by Dorothy Fortuna
By Heidi Sutton
From July 15 to Aug. 11, the Smithtown Township Arts Council’s Mills Pond Gallery in St. James will present a very special art exhibit capturing snapshots of the place we all call home.
Titled A Sense of Place, the juried exhibit features 62 works by 54 artists from 35 communities across Long Island in a variety of mediums including acrylic, charcoal, ink, watercolor, oil, pastel, photography, torn paper collage, collage quilt, and etching.
According to Mills Pond Gallery Executive Director Allison Cruz, artists were asked to creatively capture what they experience, appreciate, or connect to in their Long Island homeland. The resulting submissions will fill the gallery walls with scenes of Long Island beaches, lakes, sunsets, parks, wineries, farms, and wildlife, exactly was Cruz was hoping for when she came up with the theme of A Sense of Place several years ago after reading an article in an Early Childhood Education Journal while serving as a school board member.
“I was reading the Journal and this [passage] caught my eye:‘Places shape the stories of our lives. These stories become ongoing “ecological conversations”—i.e., expressions of the dialogue between ourselves and the environment (Lutts, 1985). When this conversation ends, so will our future.
The development of healthy environmental awareness and concern starts with a feeling response to nature. Such a response comes primarily by way of firsthand positive experiences in the out-of-doors, especially in environments fostering a “sense of place” experience.'”
The recurring exhibit has become a favorite among the community, the artists and Cruz.
“I really love the Long Island exhibits! I have done six or seven of them and every one has been unique. Long Island artists always step up to the plate and submit me unique works every time. I never fail to find a work that makes me add a new place to my personal list of “must visit” Long Island places,” said Cruz. “And that is what I hope gallery visitors will be inspired to do…find new local places to explore. This Island we call home has so many amazing, unique places to see and learn about!”
Exhibiting artists include Marsha Abrams, Bonnie Bennett Barbera, Shain Bard, Ron Becker, Kyle Blumenthal, Sheila Breck, Joyce Bressler, Carlo Buscemi, Lou Charnon-Deutsch, Rocco Citeno, Lisa Claisse, Kirsten DiGiovanni, Julie Doczi, Karin Dutra, Paul Edelson, Ellen Ferrigno, Dorothy Fortuna, Stacey Gail Schuman, Vivian Gattuso, Kathleen Gerlach, Maureen Ginipro, Jan Guarino, Susan Guihan Guasp, John Hunt, George Junker, Julianna Kirk, Myungja Anna Koh, Mark Levine, Christine MacDonagh, Kathleen McArdle, Kerri McKay, Paul Mele, Patricia Morrison, Annette Napolitano, Gail Neuman, Sean Pollock, Robert Roehrig, Oscar Santiago, Kathee Shaff Kelson, Stephen Shannon, Gisela Skoglund, Lynn Staiano, Mike Stanko, Madeline Stare, Judy Stone, Angela Stratton, TracyTekverk, Dominique Treboux, Nicholas Valentino, Steve Walker, Robert Wallkam, PattyYantz, Theodora Zavala and Tianzhou Zhao.
Cruz is excited to unveil the exhibit to the public this Saturday, July 15 at an artist reception from 1 to 4 p.m.
“Visitors will see wonderful artwork created by artists living and working right here on Long Island. And all the works are actual places here on Long Island that people can visit…no need to travel too far to be exposed to wonderful history, ecology, and culture,” she said.
Mills Pond Gallery is located at 660 Route 25A in St. James. Gallery hours are Wednesday through Friday from 10 a.m. to 4 p.m. and Saturday and Sunday from noon to 4 p.m. Admission to the gallery is always free. For more information, call 631-862-6575, or visit www.millspondgallery.org.
Smithtown Township Arts Council has announced that the works of Smithtown artist Sandra Ray will be on view July 4 to August 24 at Apple Bank of Smithtown, 91 Route 111, Smithtown. The exhibition, part of the Arts Council’s Outreach GalleryProgram, may be viewed during regular banking hours Monday to Thursday from 9 a.m. to 4 p.m.; Friday from 9 a.m. to 6 p.m.; and Saturday from 9 a.m. to 1 p.m.
Sandra Ray was born Alessandra Bocchi in Brooklyn, NY, July 14, 1924. She is 99 years old and is a smart, outgoing, and humorous woman who loves animals and good conversation. Her parents, Rose Oddo and Gino Bocchi were Italian immigrants. She had one sister, Yolanda. She met and married her husband, Charles Ray after WWII, and lived in Brooklyn, Ohio, Rochester, and Kings Park before moving to Smithtown in 1961. She has three daughters, Linda (now deceased), Pamela, and Amy, and four grandchildren. She attended both Hunter College and Hofstra University where she earned her Bachelor of Science degree in education. Sandra still lives at her home in Smithtown to this day and worked as a teacher for the Smithtown Central School District, retiring in 1986. Having lived and worked in Smithtown for so many years, everyone seems to know her, and she sees former students all the time who remind her of how much they loved having her as a teacher.
Her passion for art and painting started as a young adult. While living in Brooklyn, Sandra worked for Whelan’s in the photo restoration and retouching department. She loved the feeling of the oils and started to purchase her own art supplies and began her painting in her small backyard. She also worked for a photographer when she and Charles lived in Rochester, New York. In the studio, Sandra worked in the Heavy Brush department retouching portraits and painting photographs. She used thick oils to tint faces. If you ask her about oils as a medium, she will tell you that oils fascinate her because oils “Project life in the way that they flow. They have a velvet flow.” She has always enjoyed the arts and attended several galleries throughout the years, joining painting groups and going on tours. One of her art teachers recommended that she try other mediums, so she started to work with pastels, acrylics, and watercolors.
Sandra’s daughter Pam says, “My mother is very funny, and she is sharp as a tack!” Smithtown Arts Council is pleased to feature the work of this incredibly special local lady and artist at Apple Bank!
“STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!,” read the press release.
'Shortwing on Acacia' by Diane Motroni. Image courtesy of STAC
'The Last Unicorn' by Joseph Weinreb. Image from STAC
'The Alchemist' by Julia Jenkins. Image from STAC
'Fisherman' by Teresa Cromwell. Image from STAC
'Haberdasher of Old Bethpage'. Image from STAC
'The Messenger' by Tyler Hughes. Image from STAC
Up next at the Smithtown Township Arts Council’s Mills Pond Gallery isFigurative/Narrative, a juried fine art exhibition featuring 58 works from 36 artists from 10 states including CA, FL, MA, MI, NJ, NY, PA, SD, TX, VA and 14 Long Island communities. The show opens June 3.
Through figurative or narrative paintings, artists give shape and character to the stories and people of our lives. Whether real or imagined, their art invites us to connect and engage with their characters and stories. We invite viewers to enjoy the expressions of the portraits or the illustrated scenes and imagine the untold stories of the lives of the subjects.
Exhibition juror Zimou Tan’s exhibit called for entries that celebrate contemporary realism and figurative and narrative paintings. Zimou is an Art Renewal Center Living Master (true masters in the visual arts…training and inspiring the next generation of artists, scholars, and teachers, to protect, preserve and perpetuate traditional painting techniques). Zimou noted that selected artists captured the essence of the human form and communicated compelling stories through their art.
Exhibiting artists include Diana Aliberti, James Xavier Barbour, Joanna Burch, Mónica Carmona, Yen-Ching Chang, Teresa Cromwell, Collin Douma, Christine Dupuis, Andrew Elsten, Ryan Flannery, Connie Gisi, Hank Grebe, Jennifer Hartzler, Gia Horton, Tyler Hughes, Julia Jenkins, Natreka Kelly, Frank Loehr, Avrel Menkes, Drigo Morin, Diane Motroni, Susan Perrish, Kai Lun Qu, William Dunham Reed, Anita Schnirman, Barret Schumacher, Eileen Shaloum, Angela Stratton, Mark Sweeney, Tracy Tekverk, Robert Tuska, Zoë Walker, Joseph Weinreb, Ashley Williams, Ni Zhu and Doug Zider.
Mills Pond Gallery, 660 Route 25A, St. James presents Figurative/Narrative from June 3 to July 1. Gallery hours are Wednesday through Friday from 10 a.m. to 4 p.m. and Saturday and Sunday from noon to 4 p.m.
The community is invited to an opening reception on June 3 from 1 to 4 p.m. to meet the artists and view their work. For more information, call 631-862-6575, or visit www.millspondgallery.org.
Art is a form of communication beyond words. It transcends language barriers and is accessible to those who seek to experience it. Cynthia Pascal’s creations speak through muted patterns, rich hues, softness imbued with strength. Her work tells stories of women, sometimes at rest or in repose, but always vibrantly alive.
As a celebration of art and life, Pascal’s posthumous exhibit, Cynthia Pascal: A Retrospective, at the Art League of Long Island, honors the artist who passed away in 2022 at the age of 92. On view at the Jeanie Tengelsen Gallery from April 15 to 28, this showcase features 46 acrylic paintings and six clay sculptures from the late artist. It is an act of love; a tribute from a daughter to her mother in collaboration with the Art League.
‘Abstract of Women in Pink and Blue’ by Cynthia Pascal
“My son brought Cynthia to the Art League and showed her work to the curator, which resulted in booking the show — one last highlight of her life. After she passed, it was in my head to still do the exhibit. I also thought, that for my mom, there was no other way to honor her than to talk about her surrounded by her work,” said her daughter Jeanne Gambardella.
Pascal’s palette and art projects a subtle warmth, even innate safety, whether the female subjects stare assuredly and directly from the canvas, gaze at something only they see, or relax with eyes closed. The lines of the women may be soft but their presence is strong.
“I believe that this exhibit covers all styles, but Pascal particularly leans towards abstract impressionism: figures are flattened with colorful brushstrokes and bright colors. She celebrates the world that she knew: her art focuses on women, friendships, relationships, their roles in society. It is full of life and energy,” said Susan Peragallo, coordinator and curator of the Jeanie Tengelsen Gallery.
A prodigious painter up until the very last months of her life, Pascal, who was a resident of Plainview, pursued both a personal and practical interest in interpersonal dynamics and emotions. She studied painting at Old Westbury College as well as the New School for Social Research in New York City, but was a licensed psychotherapist by profession and maintained a practice out of her home for more than 4 decades.
“I think she innately had a very emotional IQ and got the degree so she could use it. She was really socially, emotionally smart…[and] provided a safe place for everyone who talked to her,” Gambardella said.
This sense of security is evident in the self-assuredness of her subjects and the apparent ease with which they occupy space. That innate serenity can transcend to the audience and perhaps emanated from Pascal herself. She never lost her appreciation of beauty nor ability to create art, even as dementia dominated other aspects of her life during her last years.
‘Two Girls Sitting’ by Cynthia Pascal
“We would talk about [her art]. Cynthia could still talk about the work and the process. We had that language until the end. My mother was painting at the highest level,” Gambardella said. “I thought her work would show deterioration, but her painting was still there. It was the one thing that she still had, in addition to her family. She could access painting, and it was a means by which to express herself.”
As her characters commune in the paintings, Pascal was able to communicate through and about art, although words might otherwise fail her. Her art, which includes pastels in addition to different paints and clay sculptures, is an ongoing dialogue that allows connections to continue to develop.
“I was not familiar with her work before she approached us, and I was really thrilled to become acquainted with it. Her work is exciting, it is vivacious. She was around for a long time and I am delighted to have her work up on our walls,” Peragallo said.
Gambardella estimates that Pascal had about 10 shows in her life but was in a constant state of creation. She painted 20 pieces between 2018 and 2022, and most of the 46 works included in Retrospective were made in the past 10 years.
“I really truly feel joy when I look at her work. It is interesting — over the years, her work reflected her growth as an artist and where she was in life. When she was going through a divorce, I can see it reflected. I derive more pleasure in the joy, color, and strength of the women my mother depicted,” Gambardella said, adding that organizing the exhibit and arranging the remembrance were cathartic exercises as she grieved and adjusted to her new normal, having been her mother’s primary caregiver.
“Organizing this has absolutely been a labor of love for the last 5 months and beneficial to me in handling her passing, working on something to show who she was, her life’s work,” Gambardella said. “I kind of immersed myself in this project. It was a lot going through her decline and death with her, so this was healing. I am her supreme fan; my house has always been filled with her work.”
‘Dance Siesta’ by Cynthia Pascal
Now others will be able to surround themselves with Pascal’s art, and during the opening reception, envelop themselves in an environment resplendent with Pascal’s greatest joys including a soundtrack of her favorite classical music by Antonio Vivaldi, jazz interludes provided by a pianist hired for the evening, the easel she used for more than 60 years, and her favorite hat in her favorite color — pink.
“I am creating an atmosphere that I know she would love. After she died, people were calling about service details, and we instead decided to have a memorial at the gallery. Everyone in my family was in on it,” Gambardella said. “My mom and I were very close, this was the right thing to do…art and painting were her passions in life.”
The Art League of Long Island, 107 E. Deer Park Rd, Dix Hills presents the retrospective exhibit of Cynthia Pascal in the Jeanie Tengelsen Gallery from April 15 to 28 with an opening reception on April 15 from 6 to 8 p.m. A celebratory remembrance introduction will be held from 6 to 6:30 p.m., followed by light refreshments. For more information, visit www.artleagueli.org or call 631-462-5400.
'Shadow's Delight' by Ron Becker will be on view at the Mills Pond Gallery through April 1.
Image courtesy of STAC
'Little Bay; by Robert Walkam. Image courtesy of STAC
'Egret' by Robert Tuska. Image courtesy of STAC
'Sunburst Peeking Out From Corners' by Kyle Blumenthal
'Nature' by Joyce Greenbaum. Image courtesy of STAC
Join the artists for a reception on March 4 from 1 to 4 p.m.
Smithtown Township Arts Council’s Mills Pond Gallery highlights the talents of 72 of its artists with its annual Member Artist Showcase exhibit of original fine art for sale from March 4 to April 1.
Exhibiting artists, who hail from 41 communities across Long Island as well as New York City, New Jersey, North Carolinaand Maryland, were able to select the work that they wish to display, affording them the opportunity to show public audiences a work that may be new, or something they created experimenting with a new medium or a work they love but have never had an opportunity to exhibit anywhere.
Works were created using a wide variety of mediums including acrylic, bronze, charcoal, etching, graphite, mixed media sculpture,oil, origami, pastel, photography and watercolor.
Participating artists include Marsha Abrams, Ross Barbera, Shain Bard, Ron Becker, Karen Bennett, Kyle Blumenthal, Daniel C. Boyer, Joyce Bressler, Renee Caine, Linda Ann Catucci, Karen Celella, Carol Ceraso, Lou Charnon-Deutsch, RoccoCiteno, Donna Corvi, Teresa Cromwell, Julie Doczi, Jacqueline DuBarry, JoAnne Dumas, Karin Dutra, Paul Edelson, Deidre Elzer-Lento, Ellen Ferrigno, Modern Fossils, Vivian Gattuso, Joyce Greenbaum, Francesca Guddemi, Michael Hennessey, David Herman, Gia Horton, George Junker, James Kelson, Lynn Kinsella, Myungja Anna Koh, Susan Kozodoy Silkowitz, Paul Mele, Fred Mendelsohn, Patricia Morrison, Karen George Mortimore, Roni Murillo, Annette Napolitano, Gail Neuman, Diane Oliva, Eileen WPalmer, Sean Pollock, Catherine Rezin, Robert Roehrig, Oscar Santiago, Lori Scarlatos, Anita Schnirman, Joan Schwartzman, Kenneth Schwartzman, Hillary Serota Needle, Kathee Shaff Kelson, Stephen Shannon, Gisela Skoglund, Sílvia Soares Boyer, Lynn Staiano, Mike Stanko, Madeline Stare, Angela Stratton, Mark Strodl, Robert Tuska, Nicholas Valentino, Mary Ann Vetter, Pamela Waldroup, Steve Walker, Robert Wallkam, Don Weber, M. Ellen Winter, Patricia Yantz and Theodora Zavala.
The public is invited to an opening reception Saturday, March 4 from 1 to 4 p.m. to meet the exhibiting artists and view their work.
Mills Pond Gallery is located at 660 Route 25A in Saint James. Hours of operation are Wednesdays to Fridays from 10 a.m. to 4 p.m. and weekends from noon to 4 p.m. Admission is free. For more information, call 631-862-6575 or visit www.millspondgallery.org.
One of the most generous gifts of an artist is the ability to translate private inspiration into communal offering so that viewers experience, rather than simply assess, art.
The latest exhibit at the Mills Pond Gallery in St. James, Winners Showcase, features six local artists associated with the Smithtown Township Arts Council (STAC) who employ their craft as a means of communication with the world around them, enabling patrons to appreciate the simple intricacies of both everyday existence and the natural world.
On display from Jan. 28 to Feb. 24, the exhibition presents approximately 55 pieces in multiple styles by Rhoda Gordon of Port Jefferson Station, Paul Mele of Island Park, Renee Caine of Holtsville, Karin Dutra of Port Jefferson, Catherine Rezin of Nesconset, and Angela Stratton of Selden, all of whom have shown at the gallery before.
Gordon, Dutra, and Mele were winning artists from the 2022 Winners Showcase while Caine, Rezin, and Stratton were winning artists from the 2022 exhibit Long Island Landscape: From Awe to Action.
“I love the Winners Showcase, as it is an opportunity to see a larger body of work from each artist. It is so interesting to sometimes discover that even in works of different mediums or color palettes, a common thread connects all their work either in technique or their creative voice and what they are trying to say in their work,” said Allison J. Cruz, Executive Director at the Mills Pond Gallery.
More than entertainment and aesthetics, art is an intimate conversation between creator and consumer. Featuring works in oil, acrylic, and pastel as well as photography and mixed media works in pastel and watercolor, pastel and ink, and watercolor and gouache, this exhibit is a dialogue in which the artists speak through their work.
What they choose to say is at their discretion. WinnersShowcase has no particular theme and, once invited to participate, artists submit any pieces they choose, demonstrating a range of perspectives and portfolios.
“Even artists who I am familiar with will sometimes surprise me in a Winners show with a style or subject that I had no idea they pursued,” Cruz added.
Divergent in style and substance, these works include abstract townscapes, reflective portraits, contemplative still life, tranquil nature scenes, and evocative photography. Not bound by an overarching topic, the art is uniquely personal and unflinchingly universal. It encompasses the whimsical and wondrous, the pastoral and pensive.
Paul Mele’s photography series Confinement,chronicling his grueling years’ long recovery from a car accident, explores dark, seemingly abandoned spaces that nonetheless offer a hint of relief, from a door ajar or a window that permits stubbornly optimistic sunlight to stream inside.
“I kind of feel my work balances between a positive and negative, light and dark. I tend to be drawn to images that are more dark, but there is a lighter overtone in my work,” said photographer Paul Mele. “This is the most personal thing I have ever done.”
Hope is perhaps the component that appears in each print and on every canvas throughout the show: hope for a brighter future, hope to be understood. In subdued tones and vivacious palettes, realistic renderings and abstract observations, this ambition transcends from artists to audiences.
Sharing art is an inherently brave act, making one vulnerable to public consumption while seeking understanding from those who observe and perhaps, admire. “It is nice when people see your work, relate to it, and appreciate it for it is,” Mele said.
Catherine Rezin, a multi-genre artist, shares this sentiment, and views art as a means to forge a benevolent connection.
“In general, I want to portray the positive feeling I have of the subject to my viewer,” she said.
Through strokes of watercolor and gouache paints, this attitude is revealed in her vibrant vistas, lush landscape, and affectionate portraits alike. She began exhibiting her art three years ago, after retiring from her career as a commercial artist.
“I am now enjoying creating art for the love of it,” she added.
Such passion is evident throughout Winners Showcase, a celebration of the courage of creation and ecstasy of expression.
The public is invited to an opening reception on Saturday, Jan. 28 from 1 to 4 p.m. to meet the exhibiting artists and view their work.
Mills Pond Gallery is located at 660 Route 25A, Saint James. Hours of operation are Wednesdays to Fridays from 10 a.m. to 4 p.m. and weekends from noon to 4 p.m.
For more information, call 631-862-6575 or visit www.millspondgallery.org.
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