CLOSE
Theater

by -
0 416
1 of 9
The Ghost of Jacob Marley (Steve McCoy) pays his former business partner a visit.
Above, Scrooge is confronted with the shadows of what could happen to him if he does not change his ways
Bob Cratchit (Steve Wangner) faces the wrath of his boss, Scrooge (Jeffrey Sanzel).
Antoine Jones as the Ghost of Christmas Present
Jeffrey Sanzel as Scrooge
The cast of 'A Christmas Carol'
'Spirit, show me some tenderness'
Scrooge meets the cheeky Ghost of Christmas Present
From left, Steve Wangner, Jeffrey Sanzel and Dylan Robert Poulos in a scene from 'A Christmas Carol'

By Michael Tessler

Theatre Three delivers perhaps one of my most favorite holiday traditions: a classic retelling of Charles Dickens’ most beloved work, “A Christmas Carol,” right in the heart of downtown Port Jefferson. This stage adaptation is so beautifully conceived and has been so well refined over the years that it’d appear Dickens’ 174-year-old novel jumps quite literally from the pages onto the stage in a fashion that can be best described as magical.

This particular production, which is celebrating its 34th year, is nothing short of miraculous, not just for its stunning set design, incredible wardrobe and perfectly planned lighting and sound … but also for the fact that somehow each and every year the show (while familiar) feels brand new.

Jeffrey Sanzel, the show’s director and the actor behind the famous literary curmudgeon Ebenezer Scrooge, shuffles the cast, set and various elements of the show, refining it and bringing new life to it each and every season. In the long and impressive shelf life of “A Christmas Carol” there has never, in my opinion, been a better Scrooge than Jeffrey Sanzel. No actor has ever lived and breathed that character for so long and with such passion as Sanzel. Watching his character’s transformation unfold on stage is pure delight.

This year’s show beams with talent. One can’t help but admire the incredible skill of the show’s youngest cast members who perform alongside their adult counterparts as equals both in professionalism and talent. Not for a moment does any actor’s performance take you out of this whimsical Dickensian world Sanzel creates.

Steve Wangner shines as Bob Cratchit, bringing to life all the warmth and love of Scrooge’s least favorite employee. Wangner had big shoes to fill, replacing Douglas Quattrock who has long held the role. No doubt Quattrock should be proud of his successor who masterfully carried Tiny Tim (portrayed jointly by Ryan Becker and Cameron Turner) upon his shoulders. His family dynamic especially with his wife (Suzie Dunn) and children is wonderfully endearing.

My personal favorite of the ensemble cast is Mr. Fezziwig portrayed by the cheerful George Liberman. Though I’ve got the bias of loving his character, this actor’s presence puts an instant smile on your face and reminds you of the wholesome fun of Christmas time. His partner in crime, Mrs. Fezziwig, is portrayed by the wonderful Ginger Dalton who also excels as Mrs. Dilber … the cockney maid of Scrooge whose comedic ability is unparalleled in the two-act show.

Megan Bush brings to life Belle, the first and only love of Scrooge and daughter of Fezziwig. Though her character’s time on stage is brief, she so perfectly captures the innocence of a first love and shows us a side of Scrooge we often forget. Steve McCoy, the wildly talented Theatre Three veteran, brings to life (and death) Scrooge’s late business partner Jacob Marley. His performance is haunting in the best kind of way. On the opposite end of the spectrum is the kind and loving Fan performed both by Heather Kuhn and Sophia Knapp. Her special relationship with young Scrooge (Kiernan Urso and Alexander Yagud-Wolek) encapsulates the special bond reserved just for siblings.

This year the three spirits have outdone themselves — beginning with the stunningly talented Jessica Contino whose Ghost of Christmas Past comes to life in almost angelic form. She is followed by the hysterical and larger-than-life Antoine Jones as the Ghost of Christmas Present, whose epic bellowing laughter echoes through the historic Athena Hall. Last, but certainly not least is the incredible puppetry of Dylan Robert Poulos as the Ghost of Christmas Future who also shows off his talent as an actor in the role of Scrooge’s orphaned nephew Fred Halliwell.

Randall Parsons and Bonnie Vidal bring 19th-century England to Port Jefferson with stunning production design and impeccable costuming. Robert W. Henderson Jr. transports you to the past, present and future with some mesmerizing lighting. This year’s production also welcomed newcomer Melissa Troxler as stage manager who ran the set flawlessly from an audience perspective. Brad Frey provides some wonderful musical direction in addition to the late Ellen Michelmore, whose lasting legacy at Theatre Three can be heard with the beautiful musical conception and sound effects that remain a centerpiece of this production.

Leaving the theater I found my heart filled with a joy and merriment only felt in those special moments when you’re surrounded by family and huddled around a great big Christmas tree. For that wonderful moment, I felt the spirit of Christmas itself … and what a wonderful gift it was to receive from the cast and crew of Theatre Three’s “A Christmas Carol.”

Theatre Three, 412 Main St., Port Jefferson will present “A Christmas Carol” now through Dec. 30. Tickets are $35 adults, $28 seniors and students and $20 children ages 5 to 12. (Children under 5 are not permitted.) To order, call 631-928-9100 or visit www.theatrethree.com.

 

All photos by Brian Hoerger, Theatre Three Productions Inc.

by -
0 379

By Rita J. Egan

That jolly, happy soul has returned to Northport. The family musical “Frosty” opened Nov. 18 at the John W. Engeman Theater and families filled the theater eager for the annual holiday treat.

The cast of ‘Frosty’ after last Saturday morning’s performance. Photo by Rita J. Egan

Directed by Richard T. Dolce, the production is a delightful twist on the story “Frosty the Snowman.” On the Northport stage, the snowman comes to life with the help of a scarf that is magical due to love instead of a magician’s hat and quickly becomes best friends with a little girl named Jenny.

When Jenny’s mother, who is also the mayor of Chillsville, is tricked into signing a contract with the evil Ethel Pierpot to build a machine to get rid of all the snow in Chillsville, Jenny must find a way to keep Frosty from melting.

Kevin Burns as the narrator opens the show, and it’s clear from the beginning that the audience will be part of the story. Burns easily interacts with the children and gets them involved. He also draws the most laughs as he goes from being bundled up for winter to wearing less and less each time he makes an appearance on stage to demonstrate how warm Chillsville is getting.

Kate Keating as Jenny is endearing as the sweet young girl who has no friends but possesses a warm heart. With touching vocals during “No Friends,” the audience connects with her at once.

Kate Keating and Matthew Rafanelli in a scene from ‘Frosty’

TracyLynn Conner played Ethel Pierpot on opening day and alternates the role with Cristina Hall. Conner portrays her character with the perfect mix of evilness and silliness reminiscent of Cruella Deville from “101 Dalmatians.” Children knew she was up to no good on opening day but weren’t afraid of her, which was apparent as they chatted with the actress during the autograph session after the show.

Matthew Rafanelli delivers Frosty perfectly with a sweet, friendly speaking and singing voice. He and Keating sound great together when they sing “One Friend Is Better Than No Friends.”

Ashley Brooke rounds out the cast beautifully, playing a loving, nurturing mother and mayor who realizes Chillsville is perfect the way it is no matter what Ethel Pierpot says.

The musical ends on the right note with the whole cast singing the Frosty theme song after doing an excellent job on the ensemble number “Thanks for You.”

Young audience members were delighted with the many opportunities when the actors encouraged them to participate. An especially cute part of the production is when the narrator asks the children in the audience for ideas to solve Frosty and Jenny’s dilemma at the end of the first act. After intermission, those ideas are shared with the characters. “Frosty” also provides a few fun opportunities for the actors to come into the audience, and the show contains many magical moments.

This time of year is perfect to create special memories, and the Engeman’s production of “Frosty” is guaranteed to add magic to any family’s holiday season. While the story is geared toward younger audiences, older siblings, parents and grandparents will find plenty to enjoy in the show, too.

Theatergoers can meet Frosty and friends in the lobby for photos and autographs after the show. An autograph page is located towards the back of the program.

The John W. Engeman Theater, 250 Main St., Northport, will present “Frosty” through Dec. 31. All seats are $15. To order, call 631-261-2900 or visit www.engemantheater.com.

by -
0 2283
Olivia Newton-John
Celebrating the lives of Linda Ronstadt & Olivia Newton-John

By Ed Blair

Olivia Newton-John was born in Cambridge, England, and raised in Melbourne, Australia. Linda Ronstadt was born in Tucson, Arizona. “They were polar opposites in fashion style, song content and personality,” said Sal St. George, longtime creator of productions chronicling the lives of popular stars of the past and present. “And yet,” he continued, “Olivia and Linda had very similar beginnings and successes.”

Thus the reason that St. George has paired the two iconic songstresses in a Living History Production titled Tribute: Linda Ronstadt & Olivia Newton-John, a heartwarming holiday show that will run from Nov. 19 through Jan. 10 at the Ward Melville Heritage Organization’s Educational & Cultural Center in Stony Brook Village.

“Country, pop, opera, rock, Broadway — they successfully conquered all music genres and became music legends,” he added. The celebration of the lives of the two internationally famous singers focuses on their incredible stories, and audiences will thrill once again to their classic songs.

The show’s motif will be familiar to St. George fans. “The program will follow the same format as in the past,” he explained, “except we have two of the most popular singers of the seventies as our stars. We are in the year 1978. Olivia is riding high with the success of ‘Grease.’ Linda is astounding New York audiences in ‘The Pirates of Penzance.’ Both shows will be discussed in the program, and, along with the songs of the stars, seventies’ fashions will be highlighted.”

Linda Ronstadt’s singing career was quite diversified. Beginning with her work as lead vocalist for the folk-rock group Stone Poneys in the mid-1960s (“Different Drum” scored high on the ratings charts), Ronstadt pursued country, alt-country, country rock, pop rock, Latin and classic jazz genres. Along the way, she put together the band that became the Eagles, won a dozen Grammy Awards and was christened the “Queen of Country Rock.”

By the mid-1970s, Ronstadt’s image became just as famous as her music. In 1976, she appeared on the cover of Rolling Stone and was also featured on a TIME magazine cover in 1977. She was the top-selling female vocalist of the 1970s and produced a succession of platinum albums on into the ’80s. Ronstadt’s popularity continued into the ’90s, and beyond.

In a 2011 interview with the Arizona Daily Star, Ronstadt announced her retirement and sadly, in August 2013, she revealed to AARP that she was suffering from Parkinson’s disease, saying “I can no longer sing at all.” In an April 2016 interview, Ronstadt is quoted as saying, “I can’t sing anymore. That’s that. I can still sing in my brain but I can’t sing. It’s just the way it is. If you’re going to have Parkinson’s you’d better have a sense of humor.”

Actress Emily Tafur, who portrays Ronstadt in the WMHO production, noted, “I feel challenged and appreciated and honored to be portraying one of the great music legends of our time.”

Olivia Newton-John was known in the UK and Australia for her performances on television and in clubs, but her fame grew further when she came to the United States. Her hit recording “I Honestly Love You” (1974 Record of the Year) garnered a Grammy Award, and more successful albums followed. Newton-John really rocketed to international stardom, however, for her role in the 1978 film “Grease,” in which she co-starred with John Travolta.

Although she received another Grammy in 1981 for her hit, “Let’s Get Physical,” Newton-John’s musical career waned somewhat in the 1980s. She was diagnosed with breast cancer in 1992 and underwent a partial mastectomy. She has since donated portions of the proceeds of her appearances to cancer research and has recorded songs she designed to provide hope and courage to cancer patients and their families. Continuing her advocacy, Newton-John organized a charity walk along the Great Wall of China with other cancer survivors to raise funds to build the Olivia Newton-John Cancer and Wellness Centre in Melbourne. During the past year, the singer learned that the cancer had returned, and she is currently undergoing treatment.

Cierra Ervin, who portrays Olivia Newton-John, offered these comments: “This is a daunting and exciting experience! To portray such an identifiable entertainer has been a dream come true. We think audiences will have a wonderful holiday experience at the show.”

The Ward Melville Heritage Organization’s Educational & Cultural Center, located at 97P Main St. in Stony Brook Village will present Tribute: Linda Ronstadt and Olivia Newton-John on Wednesdays, Thursdays, and Saturdays at 11:30 a.m., and on Sundays at 12:30 p.m. on the following dates: Nov. 19, 25, 26, 29 and 30; Dec. 6, 7, 9, 10, 13, 14, 16, 17, 20 and 21; and Jan. 3, 4, 6, 7 and 10.

Partially sponsored by the Roosevelt Investment Group, admission is $48 adults, $45 seniors and children under 15 and $40 groups of 20 or more. Performances are followed by a luncheon, tea and dessert. Reservations must be made in advance by calling 631-689-5888. For more information, visit www.wmho.org.

This post was updated Nov. 17 to correct pricing for seniors and children.

by -
0 282
Photo by Brian Hoerger

Join Theatre Three, 412 Main St., Port Jefferson for a special event, Behind the Curtain: A Christmas Carol on Thursday, Dec. 14 at 5 p.m. Executive Artistic Director Jeffrey Sanzel, who has appeared as Scrooge in over 1,000 performances, will guide you through the history of the story, its many adaptations and the journey of Theatre Three’s 33 years of presenting “A Christmas Carol.” The event will be followed by the Mainstage performance of Theatre Three’s production of “A Christmas Carol.” The event is $30 per person and includes a full buffet supper. Tickets for the 7 p.m. performance may be purchased separately. For more information, call 631-928-9100.

by -
0 2555
Presley Ryan as Annie and Moon as Sandy in a scene from 'Annie'

By Melissa Arnold

There are few characters from a musical more enduring across generational lines than the curly-haired, ever positive orphan Annie. The John W. Engeman Theater in Northport is celebrating the holidays with its mainstage production of “Annie” through Dec. 31. Now in its 11th season, the Engeman has once again teamed up with director/choreographer Antoinette DiPietropolo (“Grease,” “Memphis”) to bring Annie and her friends to life.

Presley Ryan and George Dvorsky

The story of New York’s most beloved orphan was partially inspired by “Little Orphan Annie,” a comic strip created by Harold Gray in the 1920s. After his death, the strip was carried on by a number of cartoonists until 2010. The comic followed the adventures of a little redhead girl and her dog while also offering commentary on political issues of the day, including the election of President Franklin D. Roosevelt and his New Deal.

“Annie” the musical debuted on Broadway in 1977, with book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. Since then, the show has toured around the world, won a slew of Tony Awards including Best Musical and Best Score and inspired several film adaptations.

When the play begins, 11-year-old Annie and her fellow orphans are growing up in the shadow of the Great Depression in New York City. Life is tough for these kids, especially living in a run-down, dirty orphanage under the care of calloused Agatha Hannigan. For years, Annie has waited eagerly for the return of her birth parents, who left her at Hannigan’s door with a letter and a locket. But they never come, and when Annie is chosen to spend two weeks with lonely billionaire Oliver Warbucks, her life is forever changed.

The cast of Engeman’s “Annie” will win your heart as soon as the show begins. Young Broadway veteran Presley Ryan embodies Annie’s charisma and unbreakable spirit effortlessly. Ryan’s Annie is appropriately youthful, and her voice is pleasant to listen to — sweet and strong, never shrill. You’ll fall in love with her during the first song, “Maybe,” and it’s hard to resist singing along with her on “Tomorrow.”

Ryan is far from the only young lady to stand out in this show, however. All of the girls at the New York Municipal Orphanage have a key role to play — to remove even one of them would make the ensemble seem incomplete.

Cordelia Comando, Sophia Lily Tamburo, Meaghan McInnes, Emma Sordi and Cassandra LaRocco

At the Engeman, the cast features two teams of orphans that will appear on different nights, but if the “red team” is any indicator, you’re in for a treat regardless of whose turn it is. The chemistry among the girls is natural and endearing — a special note of praise should go to the adorable Sophia Lily Tamburo, who plays Molly, the youngest of the bunch. Her comedic timing and dance moves are so impressive for her age, though all of them are incredibly talented with bright futures ahead.

Lynn Andrews is reprising her role as Miss Hannigan for this production — she and Elizabeth Broadhurst (Grace Farrell) were part of the 30th Anniversary Tour of “Annie” beginning in 2005. Andrews’ character is loud, proud and shameless with bold vocals to match. She’s snarky, funny and foolish, sometimes all at once, which is entertaining to watch. Her rollicking performance of “Easy Street” with Jon Peterson and Gina Milo (Rooster Hannigan and Lily St. Regis, respectively) is one of the best in the show with fantastic harmonies.

Gina Milo, Jon Peterson and Lynn Andrews in a scene from ‘Annie’

George Dvorsky, another seasoned Broadway actor, plays Oliver Warbucks, the billionaire looking to make one orphan’s Christmas a bit brighter. He wasn’t expecting a little girl, however, and the relationship he builds with Annie is full of emotion and nuance. Dvorsky has both comedic and poignant moments in the show, and his performance of “Something Was Missing” will resonate with anyone who has experienced deep love of any kind.

There are also a few special guests in this show. For a brief time, Annie finds a loveable sidekick in a stray dog named Sandy. In this production, Sandy is actually played by two real dogs, Moon and Sandy. Moon was once a stray himself, and Sandy was recently rescued from a kill shelter following this summer’s devastating Hurricane Harvey in Texas. The dogs are amazingly well-behaved onstage thanks to hard work with Happy Dog Training & Behavior and the support of the cast “animal wrangler,” Cassidy Ingram.

While the ensemble serves as the supporting cast for the show, they have plenty of time to shine on their own — keep an eye out for them during the hilarious scenes at the White House and the radio station.

Elizabeth Broadhurst, Presley Ryan and George Dvorsky

New York scenic designers Christopher and Justin Swader are behind the unique and versatile set for this production. Detailed artwork of a hazy NYC skyline remains in the background throughout the show, and scene changes are made by the cast themselves. There’s not a lot of variation, but the transitions are simple and clear, so it gets the job done. Jonathan Brenner leads a seven-man orchestra in performing the classic score.

As of this writing, it still feels a bit early to think about the holidays, but the Engeman is dressed to the nines with garland and lights. And since “Annie” is set just before Christmas, it’s hard not to catch the holiday spirit during your visit. You might even feel like you’re a guest at Warbucks’ elaborate Christmas party.

Each year around the holidays, the John W. Engeman Theater gives back to its community through charitable support. This year, the theater is partnering with the Ecumenical Lay Council Food Pantry at the First Presbyterian Church of Northport, which helps feed more than 160 local families each week. Consider bringing some extra cash to the show, or visit www.fpcnorthport.org to learn more.

The John W. Engeman Theater, 250 Main St., Northport will present ‘Annie’ now through Dec. 31. Tickets are $73 to $78 with free valet parking. For questions or to purchase tickets, call 631-261-2900 or visit www.engemantheater.com.

All photos by Michael DeCristofaro

by -
0 709
Alex Bertolini and Michael Locissano star in SPAC’s Disney’s ‘Beauty and the Beast JR’.
A tale as old as time opens at the Smithtown Center for the Performing Arts

By Heidi Sutton

The French fairy tale, “Beauty and the Beast,” was written by Gabrielle-Suzanne Barbot de Villeneuve in 1740 and then revised and popularized by Jeanne-Marie Leprince de Beaumont in 1756. Translated into many different languages over the years, it has become a tale as old as time. Most children, however, are familiar with the Disney film versions — the 1991 award-winning animated musical and the live-action musical starring Emma Watson released earlier this year.

Now the beloved fairy tale comes to life on the grand stage of the Smithtown Center for the Performing Arts as Disney’s “Beauty and the Beast JR” and does not disappoint.

Gaston (Zak Ketcham) and his admirers

Expecting a shortened version of the story to appease the young children in the audience, many who came dressed as Belle, imagine my surprise and certainly others in the theater when the curtain goes up last Saturday afternoon and for the next 2 hours and 20 minutes, the audience is transported to a small provincial town in France in what feels like a full-blown Broadway production with an amazing set, incredible costumes, wonderful singing, stupendous dancing and terrific acting — all followed by a well-deserved standing ovation.

If that isn’t enough, you’ll get to experience all the wonderful songs by Alan Menken and Howard Ashman again including “Belle,” “Gaston,” “Be Our Guest,” “The Mob Song,” and everyone’s favorite, “Beauty and the Beast” sung by Mrs. Potts.

The classic story of love and sacrifice, a girl by the name of Belle searches to find her place among the townspeople in her village, all while dodging the advances of a self-loving brute named Gaston. When her father is taken prisoner by a monstrous beast in an enchanted castle, Belle chooses to take his place. The Beast is really a young selfish prince who is cursed to live forever as a hideous creature unless he can learn to love and in return find someone who will love him before all the petals on an enchanted rose wither. But time is running out. If the Beast does not learn his lesson soon, he and his staff will be doomed for all eternity. Will Belle be the one to break the spell?

Jordan Hue skillfully directs a cast of 33 talented teens, who all seem to be having the time of their life. Alex Bertolini is perfectly cast as the beautiful Belle. With her sweet voice and mannerisms, she instantly steals the audience’s hearts. Michael Locissano gives a magnificent performance as the Beast, switching effortlessly from losing his temper to a sad and broken man. Zak Ketcham takes the juicy role of the arrogant Gaston, pompadour and all, and runs with it; and Kyle Westgate-Addessi, as Gaston’s dim-witted sidekick, Lefou, is equally impressive.

Lumiere (Luke Ferrari) and Babette (Brooke Miranda)

Although the entire supporting cast is superb, special mention should be made of the castle staff (humans who have been magically transformed into household objects under the curse) — the enchanted candelabra Lumiere (Luke Ferrari), Cogsworth the talking clock (Logan O’Leary), Mrs. Potts the teapot (Aubrey Alvino), Babette the feather duster (Brooke Miranda) and Mme. De La Grand Bouche the wardrobe (Nikki Sponaugle). And last, but certainly not least, the sweet and adorable teacup Chip (played by Raquel Sciacca during last Saturday’s performance).

Costumes by Ronald Green III are rich and colorful and look as if they stepped straight out of the Disney film, especially during “Be Our Guest,” where the stage is consumed with dancing flatware, napkins, plates and a floor rug. The Beast’s costume has both the royal appearance of a prince and the ragged edges of a cursed monster, and Belle’s dinner gown in signature yellow is breathtaking. However, without giving too much away, it is the castle staff costumes that take it over the top. M.E. Jung’s choreography, highlighted during the musical numbers “Gaston” and “Be Our Guest,” pulls it all together brilliantly.

Light-up roses may be purchased before the show and children can meet Belle and the Prince in the lobby after the show for photos. Costumes are encouraged and booster seats are available.

The main cast of Disney’s ‘Beauty and the Beast JR’

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown will present Disney’s “Beauty and the Beast JR” through Oct. 29. All seats are $15. To order, call 631-724-3700 or visit www.smithtownpac.org.

All photos by Courtney Braun

by -
0 341
Above, the cast of ‘A Kooky, Spooky Halloween’ at Theatre Three.

By Heidi Sutton

There’s something kooky going on at Theatre Three in Port Jefferson. As a matter of fact, there’s something spooky going on there as well. In perfect timing with the upcoming holiday, the Children’s Theatre presents a brand new musical treat, “A Kooky Spooky Halloween,” through Oct. 28.

Written by Jeffrey Sanzel and Steve McCoy, the adorable show emphasizes the importance of telling the truth and helping others. Skillfully directed by Sanzel, the talented cast of eight adults embraces the brilliant script and, with plenty of audience interaction, presents a wonderful afternoon of live theater.

The cast sings ‘It’s Ma Who Makes the Toast’

Ghost Abner Perkins (Dylan Robert Poulos) has just graduated from Haunted High School and awarded a medallion of invisibility. His first assignment is to be the spooksperson on Halloween for Ma Aberdeen’s Boarding House, “the most haunted house in Harrison County, USA,” which is also known for serving the best toast. There’s only one problem — Abner is afraid of the dark. “It’s like a vampire who’s afraid of necks!” quips his friend Lavinda (Jessica Contino), a good natured witch, before presenting him with a night-light to wear on his hat. Lavinda promises to help Abner with his haunting duties for the first few days.

When they arrive at the boarding house, they come upon Ma Aberdeen (Ginger Dalton), the finest toast maker in the land, and her boarders, Kit Garret (Meg Bush) and the Petersons — Paul the periodontist (Steven Uihlein), his wife Penelope (Nina Moran) and their son Pip (Eric J. Hughes), whose alliterations using words that start with the letter P are perfectly prodigious!

As the sun sets, Abner plays silly tricks on the unsuspecting group, making them stuff Halloween goodie bags in double time, exercise, sing, dance and get stuck to each other. Things are going hauntingly well until fellow graduate Dora Pike (Elizabeth Ladd) shows up. A ghost with a grudge (she was hoping to be assigned to Ma Aberdeen’s boarding house), Dora steals Abner’s night-light and medallion out of revenge and makes her way to Black Ridge Gulch, the deepest, darkest gorge in the entire world (where it’s really, really dark).

Dylan Robert Poulos and Jessica Contino star as Abner and Lavinda in the show.

Now visible, Abner convinces the boarders, who are still stuck to each other, to accompany him and Lavinda on a quest to retrieve his property. Will Abner be able to overcome his fear of the dark? Will the two ghosts be able to reach a compromise?

From the first number, “A-Haunting We Will Go” by the entire company, to the downright creepy “It Will All Fade to Black” by Dora, and the catchy “It’s Ma Who Makes the Toast,” the original songs by Steve McCoy are the heart of the show. Utilizing the set from the current Mainstage production, “The Bridges of Madison County,” the show features excellent choreography by Nicole Bianco. Ditto the costumes by Teresa Matteson.

“A Kooky Spooky Halloween” is the perfect show to get into the spirit of Halloween and a wonderful way to spend a fall afternoon. But be forewarned — for some strange reason, you’ll exit the theater having a craving for toast! Meet the cast in the lobby for photos on your way out.

Theatre Three, 412 Main St., Port Jefferson will present “A Kooky Spooky Halloween” on Oct. 14, 21 and 28 at 11 a.m. and Oct. 22 at 3 p.m. with a sensory-sensitive performance on Oct. 15 at 11 a.m. Running time is 1 hour and 15 minutes with one intermission, and Halloween costumes are encouraged.

Children’s Theatre will continue with everyone’s holiday favorite, “Barnaby Saves Christmas,” from Nov. 24 to Dec. 30 and “Rapunzel — The Untold Story” from Jan. 20 to Feb. 24. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions, Inc.

by -
0 2407
Photo by Ellen Williams

By Heidi Sutton

The slipper fits! Photo by Jessie Eppelheimer

For many, Disney’s “Cinderella” will always have a special place in their hearts. Released in 1950, it was Walt’s 12th animated feature film and rumored to be his favorite.

Now, under the direction of Matt Kunkel, the timeless, “rags to riches” fairy tale takes on new life in “Cinderella KIDS” at the Engeman Theater in Northport through Oct. 29. Performed by a cast of nine teens, each one more talented than the next, the show features the original story and wonderful songs, much to the delight of the little princesses in the audience, with a comedic twist.

Now, 67 years later Cinderella (Kira Williams) is still at the mercy of her stepmother (Ava Dell’aquila) and stepsisters Anastasia (Katherine Gallo) and Drizella (Lexie Spelman), who seem to take much pleasure in making her miserable. When a messenger from the castle drops by and announces that all unmarried girls are invited to the Royal Ball, the stepmother tells Cinderella she can go if she finishes her chores. Her mouse friends, Gus and Jaq (Melissa Aliotta and Samantha Foti), make her a beautiful gown from items the stepsisters have discarded. When the stepsisters see how beautiful Cinderella looks, they throw a tantrum and destroy the gown.

The three meanies, Drizella, the stepmother and Anastasia. Photo by Ellen Williams

When all seems hopeless, Cinderella’s fairy godmother (Maeve Barth-Dwyer) appears and with a Bibbidi Bobbidi Boo, concocts a beautiful blue gown, glass slippers and a fancy coach and sends the young girl off to the ball. There she meets the handsome prince (Theron Viljoen), they fall in love and dance the night away, that is, until the stroke of midnight. Will Cinderella’s dreams come true? Will she marry her Prince? Will her stepmother and stepsisters finally get their comeuppance?

From the very beginning, the narrator (Danny Feldman) makes it is clear that the audience will be a part of the story. When Cinderella is given a four-foot-long list of chores, the stepsisters ask the audience what else they should make her do. “Bake a muffin!” yells one child. “Scrub the toilet!” offers another. Tough crowd.

When the fairy godmother tries to help Cinderella get to the ball, she asks the children, “What can we use for a coach?” “A pumpkin!” is the immediate response. When Cinderella disappears at the stroke of midnight, the prince and his herald frantically run through the theater searching for her with the help of the children who eventually find the glass slipper. Later on, Cinderella walks through the aisles singing “So This Is Love,” as the young theatergoers sit mesmerized. The interactive concept is genius and works to a T. Even the youngest guests won’t have time to grow restless and that is the greatest wish of all.

So this is love. Photo by Ellen Williams

The beautiful costumes by Jess Costagliola and the delightful choreography by Emma Gassett complete the experience. Disney’s “Cinderella” may be timeless but Disney’s “Cinderella KIDS” is a real fall treat and the perfect show to introduce young children to live theater. I guarantee they’ll love you for it.

Stay after for a meet and greet and autographs with the cast in the lobby. An autograph page is conveniently located toward the back of the program. Running time is one hour with one 15-minute intermission. Booster seats are available and costumes are encouraged. The theater also hosts birthday parties (Happy Birthday, Chloe!).

The John W. Engeman Theater, 250 Main St., Northport will present Disney’s “Cinderella KIDS” through Oct. 29. All seats are $15. To order, call 631-261-2900 or visit www.engemantheater.com.

by -
0 328
Michele Ragusa as Rose in a scene from ‘Gypsy’

By Heidi Sutton 

Since its Broadway debut in 1959, “Gypsy” has often been referred to as one of the greatest musicals of all time, with such classic hits as “If Mama Was Married,” “Together Wherever We Go,” “Let Me Entertain You” and everyone’s favorite, “Everything’s Coming Up Roses.” Now the award-winning show arrives at the Engeman Theater in Northport through Oct. 29 and lives up to its reputation in spades.

Michele Ragusa (as Rose), Kyla Carter (as Baby June) and Amanda Swickle (as Baby Louise)

With book by Arthur Laurents, music by Jule Styne and lyrics by Stephen Sondheim, “Gypsy” is loosely based on the 1957 memoirs of the 1930s burlesque star Rose Louise Horvick, known professionally as Gypsy Rose Lee. Her mother Rose has big dreams for her youngest daughter June (actress June Havoc) to make it in show biz and drags both sisters around the country to perform their Vaudeville act, which isn’t very good.

Rose hires dancers and an agent, Herbie, to help them get gigs, but the act never gets off the ground. When June has finally had enough and runs off to elope with one of the dancers, Rose turns her attention to the less talented Louise. It is then that the audience realizes that Rose is the one craving stardom and Louise is just a pawn to achieve that goal.

With a totally revised show, Louise and her dancers mistakenly end up in a burlesque house. With not a dime to their name, Rose convinces Louise to give stripping a try and Gypsy Rose Lee is born. Now famous all over the world, Louise eventually tires of her mother’s controlling ways and breaks away, leaving Rose devastated and alone in the final scene.

Austen Danielle Bohmer (Louise) and Charity Van Tassel (June) in a scene from ‘Gypsy’

Directed by Igor Golden, the large cast features Michele Ragusa as Rose, Austen Danielle Bohmer as Louise, Charity Van Tassel as June and John Scherer as Herbie. From her first solo, “Some People,” to the finale, “Rose’s Turn,” Ragusa shines in the role of the quintessential stage mother. Last seen on the Engeman stage as the scheming Mrs. Meers in “Thoroughly Modern Millie,” Ragusa can easily take a seat alongside her predecessors Ethel Merman, Bernadette Peters, Bette Midler and Tyne Daly.

Bohmer, making her debut on the Engeman stage, gives a rousing performance as Louise. Watching her transform from a shy, awkward teenager to a burlesque star is truly remarkable. Though only seen in the first act, Van Tassel has her work cut out for her as the star of a failing Vaudeville act that sometimes includes a cow. Scherer is brilliant as Herbie and quickly garners sympathy from the audience as he patiently waits for years for Rose to marry him, only to walk away in the end.

Bryan Thomas Hunt and Austen Danielle Bohmer perform “All I Need Is the Girl.”

There are too many wonderful performances to mention, and the entire ensemble is terrific — particularly when delivering Drew Humphrey’s clever choreography. But special mention must be made of Jennifer Collester Tully, Suzanne Mason and Amber Carson for their showstoppping rendition of “You Gotta Get a Gimmick” and to Bryan Thomas Hunt as Tulsa who gives an incredible performance in “All I Need Is the Girl.”

The set, designed by Nate Bertone, is impeccable and lighting by Zach Blane is brilliantly executed. Kudos to Kurt Alger for capturing America’s fading Vaudeville circuit with beautifully detailed costumes and to the six-member powerhouse band led by Alex Bart that tie the show together in a neat little package that is not to be missed.

Let the Engeman entertain you. Go see “Gypsy.”

The John W. Engeman Theater, 250 Main St., Northport will present “Gypsy” through Oct. 29. Tickets range from $73 to $78. Free valet parking. For more information, call 631-261-2900 or visit www.engemantheater.com.

All photos by Michael DeCristofaro

by -
0 318
TracyLynn Conner and Brian Gill in a scene from 'The Bridges of Madison County'

By Michael Tessler

You know you’ve seen an incredible production when you find yourself pondering your own life and place in the universe after exiting the theater. That was the case last Sunday afternoon after attending a production of “The Bridges of Madison County” at Theatre Three in Port Jefferson.

TracyLynn Conner and Brian Gill with the cast from ‘The Bridges of Madison County’

Based on the award-winning novel by Robert James Walker and the beloved film starring Meryl Streep and Clint Eastwood, this musical adaptation has a score worthy of Broadway, and Theatre Three provides a cast equally deserving of that designation.

For those unfamiliar with the plot, this is an unconventional love story. Not cliched but brutally honest and so refreshingly human.

As not to spoil much, we meet our protagonist Francesca, an Italian refugee fleeing a war-torn Italy and a life she’s ready to leave behind. To accomplish this she marries Bud Johnson, a simple-minded but well-meaning American soldier who left life on the farm to serve his country. Both travel back to the United States where they build a home and a beautiful family. Their son Michael doesn’t want to live the life of a farmer like his father; their daughter Carolyn, however, embraces it as she trains an award-winning steer for the annual state fair.

Francesca, lovingly called Fran by her husband, longs for the life she dreamed of as a little girl. She feels it is far too late to begin anew, and while there is food on the table, there’s no money for her to visit her home in Italy and the life she left behind. So she settles for a life as a farmer’s wife, trying to find contentment packing lunches.

From left, Marissa Girgus, Dennis Creighton, Steve McCoy, TracyLynn Conner, Matthew Rafanelli and Ella Watts in a scene from ‘The Bridges of Madison County’

Everything changes for Fran when her husband and children take a trip to the state fair. She gets a rare opportunity to breathe and relax. That is until a beat up pickup truck rolls into her driveway and with it the arrival of Robert Kincaid — a professional photographer from National Geographic putting together a photo series on bridges throughout the United States. He’s lost and needs some directions. He’s well-traveled, having just recently visited Italy and having seen every corner of the globe. Fran invites him into her home and, by extension, her life. Thus her world changes forever.

Though I won’t spoil the rest, the show is a real treat. You’ll feel just about every emotion in the book in this two-act musical. Once again Jeffrey Sanzel shines as a director capable of any genre. His unique vision can make a timeless story feel brand new again.

Undoubtedly some lines are picked up directly from the book and film adaptation, but Sanzel’s production takes you for a ride in that worn down pickup truck. You get a glimpse into someone’s world, and that’s a beautiful thing. Sanzel guides his incredibly talented cast, making it impossible not to feel for these characters. I found myself so invested in characters who managed to emote so much in such a short time. Sanzel has no problem setting the bar higher and higher with each passing performance.

This show’s phenomenal cast certainly made his job easier though! Leading the production is the show’s star, TracyLynn Conner who portrays Francesca. First off, her accent is marvelous and never breaks even once. Her voice is one of the finest I’ve ever heard on a stage. Operatic, emotional and just so beautiful to listen to.

Much credit goes to Jeffrey Hoffman who handled the show’s musical direction and turned this small cast into an incredible musical ensemble.

Matthew Rafanelli and Ella Watts

Fran’s husband Bud is played by Dennis Creighton, who really captures the essence of the character and shows his musical tenor in the show’s second act and final number. He’s accompanied by two incredible young actors — Ella Watts as their daughter Carolyn and Matthew Rafanelli as her bookish brother, Michael. I was particularly impressed with Watts. This former star of NBC’s “The Sound of Music Live!” has a voice so incredibly refined that you wish she had even more time on stage. Rafanelli really shines in his role and you’ll find yourself constantly rooting for him and his dreams and flashing back to your own childhood sibling drama. No doubt we’ll be seeing both actors on stage many times in the future!

Theatre Three veteran and Bryan Cranston look alike Steve McCoy remains one of my favorite company members. He plays Charlie — the friendly, simpleton neighbor of the Johnsons and provides comic relief throughout some of the show’s tougher moments. His wife Marge provides nonstop laughter followed by some incredibly endearing scenes. She is portrayed by the incredibly talented Amy Wodon Huben.

Brian Gill’s low and powerful voice brings Robert Kincaid, the world traveling photographer to life. His duets with Conner are some of the highlights of the show. His personality is infectious and translates beautifully on stage.

Last, though certainly not least, is the incredibly diversified performances of Marissa Girgus who plays not one but over four roles. She steps into each of them flawlessly, creating performances both touching and comedic. I felt all sorts of emotions during her nothing short of groovy performance of “Another Life.”

Being a smaller cast, you can get a sense that each character was crafted to perfection not just by the actors but by their director. They feel so real and so dynamic, which is exceptional as several actors play multiple roles … something that usually takes you out of an experience but now suddenly enhances it.

Brian Gill and TracyLynn Conner

My favorite part of the show (outside of its cast) was its unique score, which combines two radically different genres to make something genuinely unique. Strings played as though from the Italian countryside, harrowing and haunting — a reminder of an old world, an abandoned life combined with the lively sound of the great American Midwest, and the wholehearted lifestyle of the American farmer. For a brief moment these sounds clash into something unique and unforgettable.

This may be one of the most beautiful sets I’ve seen at Theatre Three. Randall Parsons transports you to the great American Midwest. Robert W. Henderson Jr., the show’s lighting designer, ensures the light breaks through the barn wood in spectacular ways. One can’t help but feel nostalgic when looking at the kitchen they designed as well.

From top to bottom this show is local theater at its finest. Provoking several audible gasps from the audience followed by thunderous rounds of applause, “The Bridges of Madison County” is something you wish you could photograph and treasure forever.

Theatre Three, 412 Main St., Port Jefferson will present “The Bridges of Madison County” on the Mainstage through Oct. 28. Tickets are $35 adults, $28 seniors and students, $20 ages 5 to 12. Children under 5 not permitted. Contains adult subject matter. Parental discretion is advised.

A special event, “Behind the Curtain with ‘The Bridges of Madison County’” will be held on Oct. 22. Join Director Jeffrey Sanzel, musical director Jeffrey Hoffman and actor TracyLynn Conner for a freewheeling exploration of this powerful contemporary musical. The full buffet supper and talk will begin at 5 p.m. $30 per person. The event will be followed by the Mainstage performance of “The Bridges of Madison County” at 7 p.m. Tickets for the performance may be purchased separately.

For more information, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

Prev1...394041...47Next Page 40 of 47
TBR News Media is your local news and entertainment website.
We provide you with the latest breaking news and information for your community.
Contact us: [email protected]

Most Viewed

©