Music

The Long Island Music and Entertainment Hall of Fame (LIMEHOF) in Stony Brook hosted LIMHOF inductee Albert Bouchard on Feb. 22. The former Blue Öyster Cult member who played the cowbell on the recording “(Don’t Fear) The Reaper” reflected on the impact this Long Island band had on pop culture. 

Bouchard spoke about the writing of the song, the famous Saturday Night Live skit “More Cowbell” which aired on April 8th, 2000 starring Christopher Walken and Will Ferrell, and how the expression “I’ve got a fever, and the only prescription is more cowbell” remains iconic!

“I love being a part of this organization (LIMEHOF),” Bouchard said. “Everyone’s like “How come you’re not in the Rock and Roll Hall of Fame? I don’t really care about that. To me, you look at what’s going on there it’s not all Rock and Roll and that’s a subjective classification anyway. This, you’re talking about music and entertainment. It’s exactly what it is. It’s properly named, and you have the real people. It’s not just a popularity cult contest. It’s people who really made a difference from Long Island so I think this is a fantastic organization to belong to and I’m really delighted to be part of it.”

Norm Prusslin, co-founder LIMEHOF and current board member organized and hosted the event. He said it’s an important part of the organization’s mission to host inductees and local artists to share insights and stories most people might not know about historical events they lived through and the ups, downs and pressures of the music industry.

“Albert has been a good partner of LIMEHOF since we started,” said Prusslin. “Clearly all the hoopla about the Saturday Night Live 50th anniversary year and the fact that the ‘More Cowbell’ skit has been one of the top skits ever in their 50-year history I thought it might be fun to see if Albert was available to come out and talk about the recording of the song and about the skit and the impact that the skit has had to the band and to him and to pop culture itself. I knew that since Albert was a former member of Blue Öyster Cult, and that band was formed in Stony Brook, there’d be a lot of interest for people to come out and to share some stories that people may not know.”

Bouchard said he didn’t know SNL was planning on running a skit about the recording of the song at the time it aired, so it came as a surprise to him when he heard about it. He originally thought it was going to be terrible but after seeing it his reaction was one of delight.

“Oh my God this is so funny!” Bouchard recounted. “This is like just what happened… then I thought, how did he even hear the cowbell? To this day I cannot watch it without smiling. There’s always some little bit that makes me go ‘oh my God’ that was it.”

One major error that the skit made that Bouchard corrected was the producer. The SNL skit had Christopher Walken playing the famous music producer Bruce Dickinson. The original credits list three producers of the song — David Lucas, Murray Krugman and LIMEHOF inductee Sandy Pearlman. Of the three it was David Lucas who had the idea to add in the cowbell.

The back story about the producer mix up is that the writers of the skit saw a credit for Bruce Dickinson from a compilation album, not the original record of the song, which lead to the confusion.

Bouchard went on to explain how it happened in real life and that there were similar debates about including the cowbell at the time. At one point Bouchard wanted to play a triangle instead, but that was changed to a cowbell.

“David wanted to hear the cowbell in it,” Bouchard explained. “I never quite understood why he wanted it and then a couple of years ago he said … ‘I wanted some pulse, some quarter note pulse like a metronome but not a metronome to balance off all those eighth notes. Everything was eighth notes the whole song if you listen to it’… The cowbell balances that with a quarter note pulse. A brilliant idea when you think about it.”

“If it was up to me, it wouldn’t be on the song,” Bouchard continued. “I never would have thought to put a cowbell on it. It was David Lucas’s idea, and I just happened to be his tool to make that happen since I happened to be in the studio at the time…. It worked, that’s the bottom line. The cowbell riff worked, the cowbell skit worked, the song worked. It’s all about making people feel good.”

About LIMEHOF

Founded in 2004, the Long Island Music and Entertainment Hall of Fame is a 501(c)(3) organization dedicated to the idea that Long Island’s musical and entertainment heritage is an important resource to be celebrated and preserved for future generations. The organization, which encompasses New York State’s Nassau, Suffolk, Queens, and Kings (Brooklyn) Counties, was created as a place of community that inspires and explores Long Island music and entertainment in all its forms. In 2022, LIMEHOF opened its first Hall of Fame building location in Stony Brook. To date, the organization has inducted more than 130 musicians and music industry executives, and offers education programs, scholarships, and awards to Long Island students and educators.

To find out more about upcoming LIMEHOF events, check out https://www.limusichalloffame.org/events/

 

University Orchestra at Stony Brook University

By Melissa Arnold

Think about your favorite song. What about it lifts your spirit? Maybe it’s the lyrics that feel so relatable, or the catchy melody that gets stuck in your head for days. For many people, though, good music is all about rhythm — a driving beat that makes you bob your head and want to dance.

The Stony Brook University Orchestra is tuning up to celebrate the power of rhythm at their annual Family Orchestra Concert on Tuesday, Feb. 25. The hour-long performance is meant to expose listeners of all ages to classical music in a relaxed, lighthearted atmosphere.

Alicja Paruch

The orchestra is comprised of more than 70 Stony Brook students from all backgrounds. Some are music majors or minors, while others are studying in STEM fields and race from the lab to rehearsals. Conductor Susan Deaver scours the university’s music collection each year to find pieces that work well together and create a unique theme.

“I tried to highlight a variety of different rhythms with this concert, not just from piece to piece but also varying rhythms within the pieces as well,” said Deaver of this year’s selections. “And as always, we’ll teach people about all the different sounds an orchestra can make — the strings, woodwinds, brass and percussion — along with different dynamics and moods they can create. It’s going to be like a kaleidoscope.”

The concert’s lineup includes Alfred Reed’s “A Festival Prelude,” with sweeping and march-like elements; Jerry Brubaker’s “That Gershwin Rhythm,” a medley of hits from the famous American composer behind “I Got Rhythm”; and a rollicking section called “Hoe-Down” from Aaron Copland’s “Rodeo,” among others.

This year’s featured soloist is 21-year-old music major Alicja Paruch, the 2024 winner of the Undergraduate Concerto Competition. The majority of previous winners played either the piano or violin, but Paruch is playing an instrument that you don’t often see in the spotlight — the marimba. Paruch will perform selections from Ney Rosauro’s Marimba Concerto.

“I started by playing piano when I was young, and when I came [back to the United States] I looked for opportunities to continue but they were hard to come by,” said Paruch, who was born in the U.S. but primarily raised in Poland. “My high school teacher suggested I try the bells.”

The marimba is a percussion instrument in the bells family, and is played using mallets like a xylophone. The layout is similar to a piano, and Paruch made the transition comfortably. She was eventually skilled enough to play with many mallets simultaneously, holding several in each hand.

Paruch admitted she entered the concerto competition just for extra practice. The results shocked her.

“I was hoping to get some extra feedback and improve my playing. I didn’t think that I would win,” she laughed. “I was so surprised!”

A short composition by LeRoy Anderson, “The Typewriter,” will be another highlight. The fast-moving piece puts an actual typewriter in the spotlight, weaving the clacking of the keys and the “ding!” that precedes the carriage return with the orchestral sounds. 

As Deaver was developing the concert list, she was delighted when freshman Maximo Flores approached her with some unexpected news: Flores collects typewriters. In fact, he owns five of them.

“I’m fascinated by antiques, and I love the idea of preserving parts of the past,” said Flores, a biology and music major whose main instrument is clarinet. “I got my first typewriter on Craigslist, and now I try to find them wherever I can.”

Deaver naturally asked Flores if he’d like to learn the typewriter solo for the piece.

“I’m an introvert, so this isn’t something I would usually seek out, but I’m a curious person and I love a challenge,” he said.

All told, the concert will be an exciting mix of selections that anyone can appreciate.

“When we say it’s a family concert, we truly mean the whole family can come and enjoy it, even the littlest ones. Some songs may be recognizable, and others will be a brand new experience,” Deaver explained. “Getting to hear an orchestra live and in person is also about getting to see the different instruments, learn how they work and the different sounds they can create. There’s a misconception that the orchestra is very serious, but the whole point is to enjoy the music. And maybe your feet won’t be able to stay still!”

————————————————–

The SBU Family Orchestra Concert will be held on the Main Stage of Stony Brook University’s Staller Center for the Arts, 100 Nicolls Rd., Stony Brook on Tuesday, Feb. 25 at 7:30 p.m. Admission is free. For more information, call 631-632-7330 or visit www.stonybrook.edu/music.

Huntington ligthhouse. Photo from Pam Setchell

It is still early in 2025, but the Huntington Lighthouse Preservation Society (HLPS) is already working on its list of projects and events for the coming season, including a refocus on renovation projects, additional lighthouse tours, and the end of its annual Musicfest, according to a press release on Feb. 19.

“After 15 successful years, we will not be hosting the Lighthouse Musicfest in 2025,” said Pam Setchell, HLPS President. “This decision was not made lightly, and we want to express our sincere gratitude to everyone who has supported and participated over the years. We deeply appreciate the enthusiasm shown for this event, and also want to thank the Town of Huntington for its support of this event.”

“Musicfest is a massive and monthslong  undertaking for a very small group of volunteers who set aside business and personal activities for extended periods of time to make it happen,” continued Setchell. “With limited resources at our disposal, we have decided  to refocus this year on important construction and renovation projects to ensure the continuation of the Huntington Light for another 113 plus years. In addition, we are working to meet the increasing demand for visitor tours and grow and train our volunteer staff to align with the needs of the lighthouse.”

Renovation focus

The ongoing restoration of a historical structure is never easy, and the unique location of the Huntington Light–it’s literally surrounded by water and has no means of access by land–amplifies the challenges.  Since the inception of the Save Huntington’s Lighthouse group in 1985, and then the Huntington Lighthouse Preservation Society, the preservation and restoration of the lighthouse has remained a top priority.

Through a combination of public and private grants, private donations, seasonal tours, special events, and merchandise sales, HLPS has raised approximately $3.5 million in its 40-year history for improvements and restoration projects. 

In 2025, new, custom-fabricated windows will replace the original windows, made possible by a generous grant from the Gardiner Foundation and a matching private donation. Additional projects include roof repairs and protective matting,  wrought iron railings, repairing cracks in the building’s exterior masonry, and painting and repairing the cupola. A new custom watch deck door is also going to be installed. Each project requires careful planning to ensure that the building’s history and design are maintained. Everything that’s needed, including supplies, tools, and crew must be transported by water and can only be accomplished during a limited season.

Additionally, HLPS is reevaluating its fundraising raising efforts, strengthening its volunteer program, and overhauling  the current HLPS website to provide additional functionality.

Lighthouse Tours 

Offering access and sharing the story of the lighthouse are core to the HLPS’s mission. Last summer saw an increase in public tour participation, and HLPS anticipates another year that may be even busier. The team is working to add more tour dates, including dinner tours, to the schedule; 2025 dates will be announced soon! 

HLPS also makes the lighthouse available for group tours by school groups and others wanting to learn more about maritime history, and visit a working lighthouse. 

“We are incredibly proud of the community we’ve built together and the positive impact our collective efforts have had for the lighthouse,” said Setchell. “We are looking forward to seeing the luster restored to this treasured structure and believe you will, too. We stay committed to preserving the lighthouse for future generations as a welcoming beacon to the entrance of Huntington and Lloyd Harbors.”

Follow the Huntington Lighthouse on Facebook,  and Instagram. 

###

About the Huntington Lighthouse:

The Huntington Harbor Lighthouse was built in 1912 and proudly stands guard at the entrance to Huntington and Lloyd Harbors. It rises 42 feet above the water, marking dangerous rocks and helping to navigate boat traffic. It is unique in both design and construction and the first concrete lighthouse structure on the east coast. The Venetian Renaissance (Beaux Art) style of the lighthouse gives it the appearance of a small castle. The lighthouse was added to the National Register for Historic Buildings in 1989 and was placed on Notice of Availability by the National Parks Service on July 2, 2010. The HLPS was granted ownership of the Lighthouse in 2012.

About HLPS: 

The Huntington Lighthouse Preservation Society, Inc. is a volunteer non-profit, tax-exempt, 501(c) (3) organization. Its mission is to restore, preserve and provide public access to the Huntington Harbor Lighthouse (formerly Lloyd Harbor Lighthouse); to achieve the safe keeping of the building, artifacts, and records; to enhance public awareness and education on lighthouse history; to make the HHL a premier tourist attraction on Long Island; and to serve as a prototype of a restored offshore lighthouse. 

For additional information, visit:  https://www.huntingtonlighthouse.org/

Photo from The Jazz Loft

The Bad Little Big Band, a staple at The Jazz Loft in Stony Brook, has announced that in 2025, the band will be performing on the third Thursday every other month with themed shows, featuring the 12-piece band, directed by composer, arranger and pianist Rich Iacona, and featuring vocalist Madeline Kole.

The band’s first performance of 2025 will be “Our Kind Of Broadway” on Thursday, February 20 at 7 p.m. The BLBB will perform the classic Broadway repertoire done in the BLBB swinging fashion, with all music arranged and conducted by Iacona. Other themes for the coming year’s schedule include: Movie Songs We Get to Hear”; “The Music of Harold Arlen”; “The Music of George Gershwin”; “Slightly Latin” ( Bossas, Rhumbas and Jobim); “Pop Goes the Jazz Tunes” (great pop favorites done in jazz style).

Kole a vocalist, bassist and bandleader, recently completed her latest recording, DON’CHA GO ‘WAY MAD… which is a collection of 14 of her favorite standards.

The Bad Little Big Band was started in 1979 by Iacona, who arranged and composed the band’s repertoire. The group made two recordings in the 1980’s- “Painter of Dreams” and “A Long Way to Go,” which received much airplay and notoriety over the years. Many of the original musicians are still with the group and Iacona has added to the repertoire with many new and fresh compositions. The Bad Little Big Band has featured many great soloists, with Kole being one of the band’s favorites. Fans can look forward to a new collection this year from Iacona.

The Jazz Loft is home to not one, but THREE big bands in residence that perform monthly. The Bad Little Big Band appears on the third Thursday every other month throughout 2025.

Tickets for the Jazz Loft Bad Little Big Band performance are $30, $25, $20 $15.  The Jazz Loft is located at 275 Christian Avenue in Stony Brook.

Judi Lach Veeck

The Long Island Music and Entertainment Hall of Fame (LIMEHOF) in Stony Brook has announced that Judi Lach Veeck, from Hampton Bays, has joined the organization as Executive Director.

“It’s an honor to lead an organization that celebrates Long Island’s rich musical heritage,” said Lach Veeck. “I’m thrilled to contribute to the growth and outreach of our mission, alongside our dedicated board and volunteers! My goals are to diversify funding and to increase awareness of our mission and outreach programs.”

Lach Veeck is a highly accomplished nonprofit executive with proven expertise in fundraising, marketing, image enhancement, and government relations. Her responsibilities for LIMEHOF will include overseeing operations and fundraising activities, organizing and applying for grants, and working with the board of directors to identify prospects.

“We are thrilled to have Judi on our team” said Ernie Canadeo, Chairman of LIMEHOF. “Her experience and expertise will create tremendous opportunities as we continue to grow and fulfill our mission of supporting education and preserving Long Island’s music heritage for future generations.”

A long-time board member of the Association of Fundraising Professionals of LI (AFPLI), Lach Veeck has over thirty years of experience in working with nonprofits and fundraising. She also has a strong track record of identifying organizational needs and developing specific campaigns and initiatives.

Prior to joining LIMEHOF, she served as Administrator for the Education Foundation for Suffolk County Extension, Inc., and as Director, Development & Public Affairs for Cornell Cooperative Extension of Suffolk County.

For more information about the leadership at LIMEHOF, please visit: https://www.limusichalloffame.org/board-of-directors/

Joe Caskey (Elvis Presley) in a scene from 'Heartbreak Hotel,' Photo courtesy of The John W. Engeman Theater

By Rita J. Egan

Ninety years after Elvis’s birth, his music still resonates with rock ‘n’ roll fans. Currently, at the John W. Engeman Theater in Northport, the cast of the biographical musical Heartbreak Hotel are presenting a production overflowing with talent to celebrate the King of Rock ‘n’ Roll’s legacy and music.

With book by Sean Cercone and David Abbinanti, Heartbreak Hotel is based on a concept by Floyd Mutrux, one of the co-writers of Million Dollar Quartet. The musical shares Elvis’s journey from his younger days to the singer’s comeback television special in 1968. The production offers nostalgia for older fans and a bit of rock ‘n’ roll history for younger audiences. 

The fast-paced production, which has been performed in regional theaters across the United States but never on Broadway, encompasses more than 40 of the singer’s hits, including “That’s All Right,” “All Shook Up,” “Heartbreak Hotel,” “Hound Dog,” “Love Me Tender,” “Jailhouse Rock” and “Blue Suede Shoes.” For the Northport stage, Engeman’s director and choreographer, Paul Stancato, has created an energetic and engaging show.

As the musical opens, we see Elvis Presley mentally preparing for The Comeback Special in 1968. He receives a visit from his younger self, who advises that maybe the answers aren’t in the future but in the past. Throughout the musical, the audience witnesses the singer’s rise to fame and flashbacks to his younger days and humble beginnings. His love for Gospel music and the sounds of Beale Street in Memphis, where his family moved to from Tupelo, Mississippi, when he was a young teen, are beautifully commemorated. 

When touching on the singer’s setbacks, the production handles it gracefully by giving enough details but not diving too deep, keeping the musical as upbeat as possible despite some of the downsides of his career.

Joe Caskey, as Elvis, understands the assignment. He embraces the confidence, moves and voice of the King without coming across as a campy impersonator. His vocals are strong, whether belting out “Jailhouse Rock” or serenading baby daughter Lisa Marie with a tearjerking “Can’t Help Falling in Love.” Caskey’s acting abilities are center stage during Act II, especially earlier in the act when it’s apparent that the weight of Elvis’s career and the responsibilities that come with it — including keeping his staff employed — are weighing heavily on him.

Spencer Chase is impressive as a young Elvis Presley. Like Caskey, the teenager has a confidence that one can imagine even young Elvis having. At the same time, he possesses the enthusiasm of a boy falling in love with music. 

Pamela Bob, as Gladys Presley, is ideal as the loving mother, and her and Chase’s singing of “Peace in the Valley” is heartwarming. 

Michel Vasquez plays Priscilla Presley and seamlessly transitions from the young woman exuding enthusiasm for her new love to the frustrated wife vying for his attention as he is distracted by other women.

Sara Rose is delightful as Elvis’s first girlfriend, Dixie. The actress shines even more later in the musical when she plays actress, singer and dancer Ann-Margaret. Rose’s powerful dance moves also take center stage during other numbers.

William Thomas Evans, as Col. Tom Parker, captures the sleaziness of Elvis’s manager. Matthew Schatz is perfect as Sam Phillips, demonstrating the record producer’s stress earlier in the musical and later his enthusiasm in promoting Elvis’s music to DJs. Playing another Phillips is Jeff Gallup, who as DJ Dewy Phillips captures the era’s energy. Hailey Aviva, as Sam Philips’ secretary, Marion Keisker, also adds to the vibrancy of the production. Matt Allen plays both Vernon Presley and Frank Sinatra and is fun to watch playing Sinatra, emulating the crooner’s mannerisms and accent.

Audiences should be prepared for toe-tapping even before the Elvis hits begin with “Welcome to Beale St.” sung by Troy Valjean Rucker, Tarik Ziegler, Lena Richard, Danielle McKnight, Chase and the ensemble. A few scenes later, Ziegler is a scene stealer as Reverend Brewster during the number “This Train is Bound for Glory.”

What makes this musical so unique is the actors playing instruments right on stage instead of an orchestra. The technique makes one feel as if they are actually at a live performance, especially during the closing act, when Caskey is in full concert mode. While several of the actors play instruments, Noah Berry, Chris Coffey and Luke Surretsky, as Elvis’s band members, are on stage most of the show and easily juggle acting and playing instruments.

The show’s cast and crew have gone above and beyond to produce a show that honors the musical legacy that Elvis left behind. During the cold, dark winter months, the Engeman’s Heartbreak Hotel is a shining star, just like the legend the musical honors.

The John W. Engeman Theater, 250 Main Street, Northport, presents Heartbreak Hotel through March 2. Tickets start at $82. For more information, call 631-261-2900 or visit engemantheater.com. 

Alumni and current students perform and pack the house to celebrate popular Rocky Point Music Teacher

Students, former students, colleagues, friends and family of Rocky Point Elementary Music Teacher and Department Chairperson Craig Knapp packed the Long Island Music and Entertainment Hall of Fame (LIMEOHF) recently to honor the 2024 ‘Educator of Note’ winner. The ceremony was held at LIMEHOF’s museum location in Stony Brook at 97 Main Street. The event featured three musical performances by current and former students, live and video recorded speeches from colleagues and students, a video presentation about Knapp’s career and a special citation presentation by New York State Assemblywoman Jodi Giglio. 

“The Long Island Music & Entertainment Hall of Fame is thrilled to honor Craig Knapp with the ‘Educator of Note’ Award and to recognize his extraordinary dedication, innovation, and profound impact on countless students and on music education in our community,” said LIMEHOF Vice Chairman Tom Needham, who manages LIMEHOF’s education programs. 

“I am absolutely honored to be inducted into the Long Island Music & Entertainment Hall of Fame as the 2024 recipient of their ‘Educator of Note,’ said Knapp. “To be included on the list of past honorees—many of whom I have worked with collaboratively in a variety of music education organizations, committees, conferences, and initiatives—is both gratifying and humbling. I am very proud that I carved out a successful career in a rather unconventional and unique way.” 

The event was emceed by LIMEHOF Educational Committee Member Mike Rodgers who is also director of music and performing arts in the Plainview-Old Bethpage School District. Live speakers included Music Department Chair from Rocky Point School District Amy Schecher, 5th Grade Student Emma Wurm, Executive Director of the Metropolitan Youth Orchestra of New York (MYO) Dr. Anthea Jackson, New York State Assemblywomen Jodi Giglio. There were also recorded messages from colleagues including MYO Concert Choir Director Dr. Doreen Fryling.  

“I thought today’s event was absolutely beautiful particularly the students were the highlight of it,” said Rodgers. “Not only to see the work that was done but the reflection from the students themselves.” 

Current and former students honored Knapp with special musical performances. Rocky Point Students Serena Carley and Olna Carley, MYO Treble Choir students Nate Drinkwater and Andrew Nagle. Former student now Deer Park Music Teacher Grace Donofrio sang Georges Bizet’s Carmen accompanied by pianist Sara Ruggerio. 

“Mr. Knapp is one of the most inspiring people and most deserving people of this kind of award,” said Donofrio. “He inspires me to be a music teacher, and I hope that I can be half of him one day as I learn and grow and continue in my career.” 

Former student Julia Brandow traveled in from out of town, driving for over five hours to honor Knapp. 

“Once he told me this was happening, I had to come… it was like no question, Brandow said. “He has done so much for us. The least I could do was be here today for him. Music is the biggest thing in my life and he 100% is the foundation for that.”

Music Teacher Desiree DeMelfi (herself a 2019 LIMEHOF Scholarship recipient) also spoke. She had nominated Craig and was mentored by him when she started her music teaching career. 

“Craig has always wanted me to be the best music teacher and course director I could be,” said DeMelfi. “The impact of a true educator and mentor is evident from my story alone. Craig saw an opportunity to guide a young student from the same town he grew up in. He acted as a leader and decided to give me the best student teaching experience possible.” 

 With an impressive career that spans 27 years on Long Island, Craig Knapp is the 18th music teacher to be recognized by LIMEHOF since the ‘Educator of Note’ Award was established in 2007. This award recognizes exceptional teachers who demonstrate a commitment to music education, play an active role in the community, and have a significant influence on the lives of music students of all backgrounds and abilities. 

Craig Knapp is the director of the Nassau and Suffolk Treble Choirs of the Metropolitan Youth Orchestra of New York, Elementary Classroom Music Specialist and Choral Director in the Rocky Point Public School District, former Adjunct Assistant Professor at Hofstra University, former Director of the Early Childhood Community Music Program at Stony Brook University, music educator, guest conductor, clinician, folk dance leader and author. He says of all his accomplishments, the most significant honor to him is the lasting influence he has had on his students. 

“I have the luckiest job in the world as I get to wake up every Monday morning and make music with incredible children,” Knapp said. “Of all that I have achieved—more important than any accolades I could receive, books I could publish, guest conducting opportunities I could receive, invitations to present at professional development conferences, or performances I direct—my greatest accomplishment, and what I’m most proud of, is that students still come to visit me decades later to tell me that I was their favorite teacher and to thank me for the positive impact I had on their life. What could be better than that?”

For more information about the LIMEHOF ‘Educator of Note’ Award, visit https://www.limusichalloffame.org/educator-of-note/

Photo courtesy of USPS

The U.S. Postal Service on Jan. 30 celebrated the iconic New Orleans musician Allen Toussaint (1938-2015) as the 48th honoree in the Black Heritage stamp series. As a virtuoso pianist, singer, songwriter, composer, arranger and producer, Toussaint played a pivotal role in shaping the unique sound of New Orleans music and introducing it to a global audience.

A dedication ceremony for the stamp was held at the George and Joyce Wein Jazz & Heritage Center in New Orleans.

“The United States Postal Service is deeply honored to dedicate a stamp to the incomparable Allen Toussaint,” said Gary Barksdale, the Postal Inspection Service’s chief postal inspector, who served as the dedicating official. “His profound musical contributions have enriched the world with their soulful melodies and vibrant rhythms. The stamp serves as a lasting tribute to his extraordinary talent and enduring legacy.”

Joining Barksdale for the ceremony were Norman Robinson, former journalist and master of ceremonies; Quint Davis, Festival Productions, Inc. CEO; Elvis Costello, singer-songwriter; Irma Thomas, vocalist; and Toussaint’s children, Clarence Toussaint, and Alison Toussaint-LeBeaux.

“His music has touched the hearts and homes of so many, and now, through the release of a commemorative U.S. Postal Service stamp, his image will continue to inspire and connect with those same people in a deeply meaningful way,” said Toussaint-LeBeaux on behalf of the Toussaint family.

Toussaint, a true son of New Orleans, possessed a unique musical talent that transcended genres. His career spanned nearly six decades, during which he collaborated with a diverse range of artists and produced countless hits. His songs — including “Fortune Teller,” “All These Things” and “Southern Nights” — have become timeless classics, covered by numerous artists and featured in films and television shows. He seamlessly blended elements of R&B, funk, soul and jazz, creating a sound that was both deeply rooted in the city’s rich musical heritage and yet undeniably original.

He received numerous accolades throughout his career. In 2013, President Barack Obama recognized Toussaint with the National Medal of Arts. Previous honors included induction into the Blues Hall of Fame in 2012, the Songwriters Hall of Fame in 2011, the Louisiana Music Hall of Fame in 2009, and the Rock & Roll Hall of Fame in 1998. In 2022, the New Orleans City Council renamed Robert E. Lee Boulevard in honor of Toussaint, who lived on the 4-mile-long thoroughfare during the last years of his life.

Toussaint left an indelible mark on the world of music and his legacy continues to inspire.

The stamp features a photograph of Toussaint at the piano, elegantly dressed in black, with a black background set off by purplish lighting, and his name in red lettering at the lower edge.

Ethel Kessler, an art director for USPS, designed the stamp using an existing photograph by Bill Tompkins taken in New York in 2007.

The Allen Toussaint stamp is a Forever stamp issued in panes of 20. Forever stamps are always equal in value to the current First-Class Mail 1-ounce price.

News about the stamp is being shared with the hashtags #AllenToussaintStamp and #BlackHeritageStamp. A video providing more information and insights into the stamp will be posted on the Postal Service’s Facebook and Twitter pages at facebook.com/USPS and twitter.com/usps.

Postal Products

Customers may purchase stamps and other philatelic products through the Postal Store at usps.com/shopstamps, by calling 844-737-7826, by mail through USA Philatelic or at Post Office locations nationwide. For officially licensed stamp products, shop the USPS Officially Licensed Collection on Amazon. Additional information on stamps, First Day of Issue Ceremonies and stamp inspired products can be found at StampsForever.com.

Craig Knapp Photo courtesy of LIMEHOF
Presentation event on Feb. 1 to honor music teacher Craig Knapp

The Long Island Music and Entertainment Hall of Fame (LIMEOHF) recently announced Rocky Point Elementary Music Teacher and Department Chairperson Craig Knapp as its 2024 ‘Educator of Note’ winner. 

“The Long Island Music & Entertainment Hall of Fame is thrilled to honor Craig Knapp with the ‘Educator of Note’ Award and to recognize his extraordinary dedication, innovation, and profound impact on countless students and on music education in our community,” said LIMEHOF Vice Chairman Tom Needham, who manages LIMEHOF’s education programs.

With an impressive career that spans 27 years on Long Island, Knapp is the 18th music teacher to be recognized by LIMEHOF since the ‘Educator of Note’ Award was established in 2007. This award recognizes exceptional teachers who demonstrate a commitment to music education, play an active role in the community, and have a significant influence on the lives of music students of all backgrounds and abilities.

“I am absolutely honored to be inducted into the Long Island Music & Entertainment Hall of Fame as the 2024 recipient of their ‘Educator of Note,’” said Knapp. “To be included on the list of past honorees—many of whom I have worked with collaboratively in a variety of music education organizations, committees, conferences, and initiatives—is both gratifying and humbling. I am very proud that I carved out a successful career in a rather unconventional and unique way.”

Knapp is the director of the Nassau and Suffolk Treble Choirs of the Metropolitan Youth Orchestra of New York, Elementary Classroom Music Specialist and Choral Director in the Rocky Point Public School District, former Adjunct Assistant Professor at Hofstra University, former Director of the Early Childhood Community Music Program at Stony Brook University, music educator, guest conductor, clinician, folk dance leader and author. He says of all his accomplishments, the most significant honor to him is the lasting influence he has had on his students.

“I have the luckiest job in the world as I get to wake up every Monday morning and make music with incredible children,” Knapp said. “Of all that I have achieved—more important than any accolades I could receive, books I could publish, guest conducting opportunities I could receive, invitations to present at professional development conferences, or performances I direct—my greatest accomplishment, and what I’m most proud of, is that students still come to visit me decades later to tell me that I was their favorite teacher and to thank me for the positive impact I had on their life. What could be better than that?”

Knapp will accept the award at a special presentation ceremony on Saturday, Feb. 1st at the LIMEHOF, 97 Main St., Stony Brook at 2 p.m. The event will feature a performance and visual presentation. The public is invited to attend. Tickets are $29.50 per person at www.limusichalloffame.org and at the door. 

For more information, please call 631-689-5888.

The Paul Taylor Dance Company will close out the season on May 3. Photo courtesy of Staller Center

By Rita J. Egan

Stony Brook University’s Staller Center for the Arts has planned an upcoming spring season filled with diverse entertainment options, from music to dance to comedy and nights out on the town to family-fun experiences.

Season openers

STAR POWER: Two-time Tony® Award-winner Sutton Foster returns to the Staller Center on February 1. Photo courtesy of Staller Center

Alan Inkles, Staller Center director, said the season kicks off on the Main Stage with family fun on Sunday, Jan. 26. The circus act The Great DuBois, featuring Michael DuBois and Viktoria Grimmy, will feature juggling, aerial stunts, comedy and more,

“It’s that time of year where it’s three weeks after the holidays are over, you’re looking for something to do, and I thought a nice family show would be a good time for that,” he said.

Later that week, on Saturday, Feb. 1, the venue will host its annual gala. This year will be An Evening with Sutton Foster, featuring the two-time Tony Award winner in her solo concert. Foster has released three studio albums that mix Broadway and jazz classics along with her own compositions.

Regarding Foster, who has starred in several Broadway productions, including Thoroughly Modern Millie, Anything Goes and The Music Man, Inkles said, “No one is working harder or doing more shows.”

For the first time this year, gala attendees can purchase tickets for the show, a pre-concert dinner and a post-show dessert reception. As in previous years, they can also buy tickets for the show only or the show and reception. 

According to Inkles, the money raised from gala ticket sales helps to produce other Staller Center shows and to fund its educational outreach programs. This outreach includes making tickets available to underrepresented families and university students and bringing petting zoos to various schools, churches and libraries.

Let the music play

Among this season’s musical acts will be Grammy-winning violinist Joshua Bell and soprano Larisa Martinez on Feb. 15 with Voice and the Violin. The husband-and-wife act will play classical art songs and operas to show tunes and selections from Latinx composers. Mardi Gras will be celebrated on Feb. 21 in the Staller Center’s Recital Hall with New Orleans Songbook, presented by Jazz at Lincoln Center.

Melissa Errico, accompanied by prolific jazz pianist Billy Stritch, will return to the Staller Center on March 22 for a tribute concert honoring the late Stephen Sondheim. Inkles described Errico as the “quintessential singer of Steven Sondheim.”

The Tony nominee will interpret the songwriter’s works, including Send in the Clowns and Good Thing Going and offer insights into the stories behind the pieces.

“Every Broadway singer in the world knows if you want Sondheim, Melissa Eririco is your gal,” Inkles said.

Returning on April 2 is Starry Nights. Directed by Colin Carr, Stony Brook University Department of Music musicians will perform chamber selections, including the works of Schubert, Schoenberg and Schulhoff.

On April 14, the Emerson Legacy Series will perform with former Emerson String Quartet member Paul Watkins. While known for being a cellist, Watkins will be playing piano in the April show, accompanying soprano Christine Goerke. The night will feature classical and cabaret styles and also include Eugene Drucker on violin and Larry Dutton on viola.

Make them laugh

The Staller Center will present two comedy productions this season. The Comedy of Errors by The Acting Comedy, in conjunction with the nonprofit Play on Shakespeare, takes place on Feb. 8. The comedy incorporates mistaken identities with whimsical adventures.

Brooklyn native Chris Distefano will perform his comedy show on March 8. Inkles described the comedian, known for his work on MTV’s Guy Code and Girl Code, as charming and having a growing fan base and said the act is a relatively clean show.

More fun for the family

The month of March will end with the classic Prokofiev’s Peter and the Wolf on March 30. The Staller Center Outreach Ensemble, which includes SBU music department students, allows audience members to learn how each instrument represents a character in the tale. The student-actors will also mingle with ticket holders after the show, where attendees can try the instruments. Inkles said the play is a way to introduce young people to the arts. In addition to the performance on March 30, the following day, children from a few of Suffolk County’s school districts will attend free of charge. During the year, the outreach ensemble also performs at schools, senior centers and hospitals.

Circus company The 7 Fingers will present Duel Reality on April 11 and 12. The company blends circus, theater and dance. Inkles said the storyline is loosely based on Romeo and Juliet with two feuding families and includes stunts and illusions.

In addition to the circus element, Inkles said, “I think the adults will enjoy the story that’s going on behind it.”

Dancing feet 

The Syncopated Ladies, known for fusing storytelling with tap dancing and winning the first dance crew battle of So You Think You Can Dance, will perform at the Staller Center on March 14. The all-female tap group is choreographed by Emmy Award-nominated choreographer Chloé Arnold, who collaborated with Beyoncé in the past.

“This is going to be a phenomenal night,” Inkles said. “It’s really great for young people, and people who love tap.”  

A week later, on March 21, audiences can enjoy Rhythm India: Bollywood & Beyond, which features traditional Indian dances from classical to Bollywood hits. Inkles said the production includes approximately 30 to 40 dancers.

Inkles said the Staller Center has partnered with Indu Kaur, owner of Curry Club at SaGhar in Port Jefferson, to bundle a ticket to the show and dinner at the restaurant for $95.

“I want to get the Indian community to our show, and I want the American community, too, because I want them to see the culture,” Inkles said. “I really want this amazing Indian community to make sure they come to this and get to see the culture and share with our audience.”

The last dance performance and show of the Staller Center’s spring season will be on May 3 with the Paul Taylor Dance Company. The modern dance group will perform classics and new works.

And, more

Inkles said in addition to the Staller Center’s spring season, the venue hosts the Stony Brook Symphony Orchestra; and offers the Met Opera: Live in HD series on the Main Stage screen and art exhibitions in the Paul W. Zuccaire Gallery.

Stony Brook University’s Staller Center for the Arts is located at 100 Nicolls Road, Stony Brook. To order tickets, call the box office at 631-632-2787 or visit stallercenter.com.