History

Above, the Vanderbilt Marine Museum. Vanderbilt Museum Archives photo

Why should we care about historic houses that have been turned into museums? How can these inert structures speak to us and how, a century or two later, might their histories and the lives of their famous inhabitants be relevant to contemporary life, and to museum visitors?

These are a few of the questions raised by Preserving Eagle’s Nest: Labor and the Aesthetics of Stasis, the newest exhibition at the Suffolk County Vanderbilt Museum, which opens to the public on Sunday, September 18, in the Lancaster Gallery. The presentation explores the preservation of Eagle’s Nest, the summer estate of William K. Vanderbilt II (1878-1944) one of the heirs to a powerful railroad and shipping empire.

Paul Rubery, the Vanderbilt Museum’s Director of Curatorial Affairs, created the exhibition after considering the purpose and future of historic house museums and examining hundreds of artifacts and documents, as well as the century-old buildings under his care.

Vanderbilt curator Santo Vitale, circa 1980. Vanderbilt Museum Archives photo

Preserving Eagle’s Nest explores the architectural significance of the estate and considers the skill, labor, expertise, and care invested in maintaining the appearance of the property and emphasizes the processes and outcomes of preservation initiatives.

“If historic house museums hope to communicate their value to contemporary society,” Rubery said, “they must develop a new language to describe their activities. 

“Specifically, these institutions must articulate how, in remaining static, the buildings under their stewardship convey something essential about the historical process. To do so, they must direct their attention to the basic unit of historical experience and understanding: time.”

Questions about temporality present conceptual issues for the interpretation of house museums. In the mid-twentieth century, many private estates were converted into museums when social historians popularized a historiographic method centered on the role places played in forming the biographies of “great individuals,” Rubery said.

These scholars believed that, if the public was presented with the life of a person at a specific moment in time, they would form an intimate connection with the past in a way that supports the development of character and virtue. Today, our fondness for explaining historic events through biography has largely waned — and with that, the school of social history — leaving behind countless mummified homes, farmsteads, and other structures that no longer serve their intended purpose.

Preserving Eagle’s Nest explores this theme through artifacts and documents. It examines the historic house museum’s language of time by concentrating on the broken, damaged, and decayed aspects of the Vanderbilt Museum’s collections and grounds. The exhibit also examines the time and labor invested in preserving the historic appearance of the Museum and finds value in the multigenerational care and expertise given to the project.

By focusing on the tension that develops between degradation and preservation, Preserving Eagle’s Nest directs our collective interest toward questions of temporality, effort, and historical stasis, Rubery said.

This exhibition is made possible by the generosity of Eric and Laura Gerde, Milcon Construction Corporation, Farrell Fritz, P.C.; People’s United Bank; PFM Asset Management; and H2M Architects + Engineers.

The Suffolk Cound Vanderbilt Museum, 180 Little Neck Road, Centerport presents Preserving Eagle’s Nest  through Dec. 4. 

Viewing hours for the fall are Thursday, Friday, Saturday, and Sunday from 11 a.m. to 5 p.m. For more information, call 631-854-5579 or visit www.vanderbiltmuseum.org.

Robert Archer. Photo from The Whaling Museum

The Whaling Museum in Cold Spring Harbor welcomed special guest and Huntington resident Robert Archer to its museum last week. Bob’s great-great grandfather, Benjamin Archer (1825-1868), sailed as a greenhand, or an inexperienced crew member on Cold Spring Harbor’s whaleship, the Monmouth. According to FindAGrave, Benjamin was an immigrant from England, and he married Phebe Wall (1827-1898) from Ireland. At the young age of 17, he signed on as a greenhand on the bark Monmouth, as shown in the Museum’s archives.

The Monmouth was Cold Spring Harbor’s first and smallest vessel, built in Massachusetts at 100  feet long. John H. Jones, agent for the Cold Spring Whaling Company, purchased the Monmouth in  1836. The bark had a relatively long career with multiple whaling voyages for the Long Island  village.

Benjamin sailed on the Monmouth from 1842-1843, which journeyed to the Indian, North Atlantic,  and South Atlantic oceans. The captain of the voyage was the well-liked Hiram B. Hedges of East  Hampton (1820-ca.1861), who himself started as a greenhand and worked his way up to captain.  Although just a few years older than Benjamin, Hiram was known as “always kind to his men, and  highly respected by them.” He was also “the handsomest captain who made port in the Sandwich  Islands in his time.” Benjamin would have had to follow Hiram’s no-liquor regulation on the  voyage.

Like all greenhands, Benjamin’s earnings were small – a cut of 1/150. As a whole, the voyage was  comparatively short and profitable, yielding 75 barrels of sperm oil, 1,550 barrels of whale oil, and  12,400 pounds of baleen & whalebone. One voyage seems to have been enough for Benjamin,  because we do not see record of him returning on a future voyage. However, he kept his connection  to working on the waters, sailing as a local captain of several schooners and sloops in the 1850’s-60s in Cold Spring Harbor (you can check out his licenses in the museum’s digital collection).

1855 License for the sloop Dispatch 

Benjamin had four children; all but one lived past childhood. Our last record of Benjamin’s  maritime career was an 1865 license; he passed away just a few years later in 1868. Benjamin  was only in his early 40s.

Interestingly, Capt. Hiram B. Hedges – like Benjamin – also retired from whaling. Although  Benjamin and many of his descendants remained local to our area, 37-year old Hiram called it  quits and moved to Oregon with his wife and son where he became a farmer before vanishing  around 1861, possibly in a boating accident – or by committing suicide while facing onsetting Huntington’s disease, which ran in the Hedges family. He left behind three young children.  (See “The Woman Who Walked Into the Sea.”)

Bob Archer noticed some of the museum’s recent Facebook posts, and he came to see the  collection for himself in person. As an added connection to the museum, Robert’s wife, Kathleen,  was a descendant of Captain James Wright, whose home is used today for the museum offices  and collection storage.

Interestingly, Bob shared that years ago, Cold Spring Harbor was not loally regarded as the  “well-off” location it is thought as today — Cold Spring Harbor residents were nicknamed humble  “clammies”!

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About The Whaling Museum & Education Center 

The Whaling Museum & Education Center is the only museum in the world open year-round which explores  the whaling history of the Long Island region. The Museum engages the community in exploring the diversity  of our whaling heritage and its impacts to enrich and inform our lives. The museum is located at 301 Main  Street, Cold Spring Harbor, NY 11724. Visit cshwhalingmuseum.org and follow The Whaling Museum on  Facebook, Instagram, and Twitter @cshwhalingmuseum

This Sunday, Sept. 11, marks 21 years since of one of the darkest episodes in U.S. history. Pixabay photo

“You can be sure that the American spirit will prevail over this tragedy.” — Colin Powell 

Those were the words of the former U.S. secretary of state who passed away last year. As a prominent military and political figure, Powell understood the terrible impact that the attacks of Sept. 11, 2001, would have on the nation. 

Though the 9/11 attacks were 21 years ago, the American public was and remains forever changed. Yet Powell was confident that America could overcome this tragedy.

This year marks the first time that the U.S. has not had a major military force in Afghanistan since the weeks after 9/11. A year ago, President Joe Biden (D) ordered the final withdrawal of soldiers from this war-torn nation. After the withdrawal, Afghanistan was quickly overrun by the Taliban. 

The long-term fighting in Afghanistan contributed to the increase in post-traumatic stress disorder among American servicemen with many other soldiers who were severely wounded fighting in this conflict. For almost two decades, Americans tied yellow ribbons around their trees and kept stars in their windows to represent the military service of their loved ones who served in Afghanistan.  

On May 1, 2011, Americans learned during a New York Mets game against the Philadelphia Phillies that Osama bin Laden was finally killed. Flying from military bases in Afghanistan, members of SEAL Team 6 were transported by helicopters to Abbottabad, Pakistan, where they cornered bin Laden in his compound. Chants of “USA” were heard throughout Shea Stadium once baseball fans learned of the death of this al-Qaida leader. The demise of the coordinator of the terrorist plot on 9/11 provided a sense of justice to the victims on that day and their families.

Despite ongoing political polarization domestically, many can still recall the moments of national solidarity in the wake of the attacks. After 9/11, citizens put their political differences aside for the good of the nation, just as they had done after the attack on Pearl Harbor in 1941. Americans in 2001 rallied around the importance of helping local rescue workers and first responders who worked around the clock in Lower Manhattan.  

New Yorkers lined the streets with American flags and handed out food and water to the police officers, firefighters, demolition workers and medical personnel who heroically sifted through the debris at Ground Zero. A plume of smoke hung in the air, blocking visibility of downtown Manhattan. Yet within this cloud, rescue workers operated 24/7.

At Shea Stadium, the New York Mets organized supplies that were sent to the rescue workers. Prominent members of the New York Yankees — Derek Jeter, Bernie Williams and Tino Martinez — visited firehouses near the World Trade Center and thanked these public servants for their efforts. Both the New York Giants and Jets invited military and rescue workers to spread flags across their football fields. With tears in their eyes, football fans nationwide watched fighter planes soar through the skies above the stadiums. Rival fans who rooted against New York teams wore “NY” on their hats, showing support for the residents of the City.

Here on Long Island, locals need not look far to see patriotism that stirred from that day of infamy. Countless memorials depict the importance of this date. Pieces of steel that were collected by the NY/NJ Port Authority was given to towns across Brookhaven and Suffolk County that were placed at post offices, schools, libraries, and police and fire stations. 

This past spring, the Rocky Point VFW organized the first annual 5K race to support War on Terror veterans as they work to better handle post-traumatic stress disorder.

And so 21 years ago, politics was put aside for the good of the nation. Americans from every corner of this country sent rescue, salvage and fire crews to help the search, and later recovery efforts at Ground Zero.  

In a moment of profound despair, our nation came together. Through shared tragedy, people from diverse economic, social and ethnic backgrounds illustrated the meaning of national unity. 

America today is a deeply divided nation. In the face of unlikely odds, the American people should never doubt their power to resolve their differences and overcome adversity. 

Rich Acritelli is a history teacher at Rocky Point High School and adjunct professor at Suffolk County Community College.

By Cayla Rosenhagen

Cayla Rosenhagen

The past teaches us invaluable lessons about unity, courage, and overcoming challenges. By studying our community’s deep history, we not only celebrate and learn from the tales of historic heroes and heroines, but also form stronger bonds with those we share our community with.

The Three Village Historical Society seeks to strengthen those ties through its work in preservation and education. Their museum at the Bayles-Swezey House in Setauket evokes the passion for history of its curators in an environment that emphasizes the important roles the Three Village area has played throughout the years. 

I recently had the honor of interviewing Mari Irizarry, appointed earlier this year as the Director of the TVHS, who has brought a wealth of expertise and passion to the Three Village community. According to Irizarry, the organization was founded by volunteers in 1964 to preserve the stories and artifacts of the community. “Sixty years later, that mission is at the backbone of the Society. We are stronger than ever, and it is because of community members and volunteers who dedicate their time and expertise to preserving and sharing stories with the public,” she said.

Did you know Setauket and its ancestral residents played a pivotal role in the American Revolution? In fact, General George Washington employed the help of several Long Island spies to gather intelligence on the British army’s operations in what is known as the Culper Spy Ring. The TVHS’s exhibit, “SPIES!” features a large, interactive space where you can follow the daring stories of members of the Ring and learn how they conveyed coded and hidden messages without being discovered by the British troops occupying Long Island.

The history center’s other exhibit, “Chicken Hill: A Community Lost to Time” sheds light on a diverse community that used to reside in a small area of Setauket. The bygone village still has lessons to teach us all about neighborliness and unity. Over the course of its existence from the Industrial Revolution to the mid-20th century, the area was a melting pot for several minorities including Eastern European Jews, African Americans, and Indigenous Americans.

Despite the fact that its residents practiced different religions and customs and spoke in many languages, Chicken Hill was a cohesive community. The museum has preserved its legacy by showcasing the stories of former residents in the “I Remember” portion of the exhibit, and what life was like then through its informative displays and artifacts.   

The museum grounds are also home to the Three Village Farmer’s Market on Fridays currently from 3 to 7 p.m. and in October from 2 to 6 p.m. Stop by to pick up some groceries and handmade gifts and enjoy the museum’s pay-what-you-can open house and access to all the exhibits.

In addition, celebrate Revolutionary War heroes by attending the TVHS’s 8th annual Culper Spy Day at the museum grounds on Sept. 10. Throughout the day, guests can enjoy an immersive colonial-era experience and participate in interactive activities such as crafts and games. 

Irizarry was eager to share some more highly-anticipated events:

“Next up, after Culper Spy Day, we’re excited to bring back the Spirits Tour on October 22 where guests will join guides through the Setauket Presbyterian and Caroline Church graveyards to listen to stories from costumed actors who will portray the unknown spies during the American Revolution. We’ll cap off the year with the time-honored tradition of the Candlelight House Tour that will take place in the historic neighborhood of Old Field on Dec. 2 and 3. Five homes will be expertly decorated for the holiday season and guests will tour each home learning about the historical architecture and design.”

Visit the museum located at 93 North Country Road in Setauket on Thursdays from 1 to 5 p.m., Fridays from 3 to 7 p.m., and Saturdays and Sundays from 1 to 5 p.m. Admission is $10 for adults, $5 for children, and is free for TVHS members. For more information about the TVHS’s events, including tours of the exhibits, visit their website at www.tvhs.org or call 631-751-3730. 

Cayla Rosenhagen is a local high school student who enjoys capturing the unique charm of the community through photography and journalism. She serves on the board of directors for the Four Harbors Audubon Society and Brookhaven’s Youth Board, and is the founder and coordinator of Beach Bucket Brigade, a community outreach program dedicated to environmental awareness, engagement, and education. She is also an avid birder, hiker, and artist who is concurrently enrolled in college.

In 1916, Joseph Vandall opened his own meat market on East Broadway at what was previously Lester Davis’ store. Photo from the Kenneth C. Brady Digital Archive

Joseph Vandall was a well-known resident of Port Jefferson and one of the village’s prominent businessmen.

In 1892, he was hired as a butcher at Lester Davis’ Meat Market, which was located on today’s East Broadway. After purchasing Davis’ shop in 1916, Vandall found that he needed more space for his growing business.

Vandall bought land to construct a modern store in 1923 and broke ground the next year. The building was situated on the south side of East Broadway between the Harbor View Hotel and Smith’s Plumbing.

The brick and concrete structure, known locally as the Vandall Building, provided room for three shops on the first floor. A large meeting area, Vandall’s Hall, filled the entire second floor.

The Vandall Building opened in 1925 and was occupied on the ground level by Vandall’s Meats and Groceries, Lerch’s Music Shop and Azenaro’s Fruits and Vegetables.

While these establishments were important to the local economy, Vandall’s Hall quickly gave the building its identity. Soon a landmark in Port Jefferson, the hall became “the” place for a variety of events including dances, fundraisers, recitals, musicals and wedding receptions.

Among the booths and exhibits at Vandall’s Hall during the Second Industrial Show, March 1930. The event promoted local businesses, their products and services. Photo from the Kenneth C. Brady Digital Archive

In February 1929, local businessmen exhibited their products and services at Vandall’s Hall during the village’s first Industrial Show. Sponsored by the Port Jefferson Chamber of Commerce, the event proved so popular that another show was held in March 1930. 

In one of the more unusual uses of the Vandall Building, a miniature golf course, requiring all of the space on the second floor, opened at the hall in November 1930 but closed the following year.

In 1932, the Port Jefferson Moose Lodge leased the hall and, in turn, rented the venue to other groups, reducing Vandall’s active involvement in the business.

Following Vandall’s retirement in 1940, the South Bay Consolidated Water Company moved its Port Jefferson office into what had been Vandall’s Meats and Groceries. The Suffolk County Highway Department rented the entire second floor for its quarters, ending the hall’s days as a place for social gatherings.

After Vandall’s death in July 1945, the Vandall Building was sold and rented to various tenants with one redefining the East Broadway property. 

Max “Mac” Snyder opened an Army & Navy Store in the Vandall Building on Sept. 3, 1954, days after Hurricane Carol wreaked havoc in Port Jefferson.

Born in Pennsylvania in 1912, Snyder had moved to Brooklyn in 1932 with his wife Florence. The couple and their children later relocated to Valley Stream before being drawn to Port Jefferson.

Snyder saw the village’s downtown near the waterfront as an ideal location for his store, believing that harbor improvements, suburbanization, population growth, road construction and cultural tourism would bring potential buyers to Port Jefferson.

The Vandall Building was located on the south side of East Broadway. (Left to right) Lerch’s Music Shop, Azenaro’s Fruits and Vegetables, and Vandall’s Meats and Groceries. Photo by Arthur S. Greene. Kenneth C. Brady Digital Archive.

These customers found a variety of merchandise in Snyder’s store, which was stocked with clothing, footwear, fishing rods, camping gear, marine supplies and military items.

Snyder also developed a niche market, advertising his store as a skin-diving center where sportsmen could purchase scuba equipment, wet suits, masks, fins and snorkels.

Snyder became so well known in Port Jefferson that the Vandall Building was soon called “Mac Snyder’s,” supplanting the original owner’s name in the local vocabulary. 

By 1968, Snyder’s Army & Navy Store was still on the ground level of his building, but the first floor was also occupied by a laundromat. The Mary Beth dress manufacturing company, which specialized in piecework, filled all of the second floor.

While the Vandall/Snyder Building had survived hurricanes, a fire on Jan. 21, 1968, left the property in ruins. What remained was later demolished.

The blaze brought an end to a building but not to one business. Just months after the fire, Snyder opened a new Army & Navy Center in Port Jefferson at 214 Main St., opposite what was then the Brookhaven Town Tax Office.

The approximate site of the former Vandall/Snyder Building is now occupied by what was formerly Ecolin Jewelers, across from Brookhaven Town’s Mary Bayles Park.

Kenneth Brady has served as the Port Jefferson Village historian and president of the Port Jefferson Conservancy, as well as on the boards of the Suffolk County Historical Society, Greater Port Jefferson Arts Council and Port Jefferson Historical Society. He is a longtime resident of Port Jefferson.

Port Jeff village historian Chris Ryon, above, poses with a Revolutionary War era whaleboat. The planned “Resolution“ will be similar in style and scale to the above vessel. Photo courtesy Ryon

American history and local tradition are on a collision course here in the Village of Port Jefferson.

Last month, public officials announced that the village government would partner with the Port Jeff-based Bayles Boat Shop to recreate a whaleboat from the American Revolution era. The boat shop is an offshoot of the Long Island Seaport and Eco Center, also known as LISEC, a nonprofit dedicated to the preservation of maritime history on Long Island. 

Mayor Margot Garant said the village government entered into conversations with LISEC because it sought a way to promote the story of Port Jefferson’s role in the Culper Spy Ring.

“We would have never considered it without having LISEC as a partner,” Garant said. “They just absolutely loved the concept. We brought it to them for the historical component and for helping us tell the story about Port Jefferson’s instrumental role — and the Roe family’s role, in particular — in the spy ring.” She added, “We felt the whaleboat would be a unique way of embracing the history, telling the story and engaging the community.”

In an interview, LISEC president Len Carolan indicated that the buildout would last for up to two years or so. “The boat will be a little bit longer than 25 feet, 6 feet wide, and it will weigh up to a ton,” Carolan said. He added that a project of this scale will also require additional steps: “This is the first time we’re going to be using a lofting platform.”

Lofting is a practice in wooden shipbuilding that enables designers to produce full-scale drawings used as templates. These renderings will help the builders to cut wood pieces with precision and to create a vessel that is as true to the source as possible.

The designers even hope to use the same building materials as the original whaleboats. “Typically, the boats then were built with white oak and white cedar,” Carolan said. “We have access to white oak because that grows here on Long Island. The white cedar, though, is no longer available here, so we’ll have to go a little further north to get the kind of wood we need.”

The term “whaleboat” is a misnomer, denoting the style of the vessel rather than its intended function. Carolan stressed that the operators of the original whaleboats did not use them for hunting whales.

“It’s similar to the design of the boats used to hunt whales, but those boats were much bigger — they were like 32 to 36 feet long,” he said. However, the boat’s design likely offered the patriots certain tactical advantages at sea. “It was easy to maneuver and row, and they were able to raid British ships and get away quickly using these whaleboats.”

Local historian Mark Sternberg is among the key figures involved in this project. Sternberg said he cultivated an interest in local history while growing up in the Port Jefferson School District. Back then, the stories of local patriots left an early impression upon him, inspiring him to pursue the subject more deeply.

“I’m from Port Jefferson … and grew up surrounded by the history here,” he said. “There is a lot of stuff here in Port Jeff that hasn’t been well documented. We have barely even started to scratch the surface of what we know about the spy ring.”

Sternberg foresees the whaleboat serving an array of educational purposes. An operational whaleboat makes possible various historical reenactments, such as Valentine Rider’s misguided plundering of the Roes — whom he had falsely believed were loyalists — and scenes of the numerous whaleboat battles fought in the Long Island Sound.

Sternberg added the whaleboat would help to tell the story of Caleb Brewster, a Setauket native who assisted the American war effort through his participation in the spy ring. Brewster also joined in the famous whaleboat fighting on the Sound. 

Though the name of Brewster’s whaleboat is lost to history, Sternberg recommends naming it “Resolution.” He said this title could still honor the Brewster legacy.

“My recommendation is to call the boat Resolution,” he said in an email. “This was the name of Valentine Rider’s whaleboat; [he was] a patriot privateer who launched from Connecticut to harass perceived loyalists on Long Island. It will work for plundering reenactments, as Valentine Rider and his men plundered the families of Nathaniel and Phillips Roe in May 1781 — the Roes were portraying themselves as loyalists as part of their roles in the Culper Spy Ring.” He added, “The name will also work if we ever try to reenact the intense whaleboat fight of 1782, as Valentine Rider fought alongside Caleb Brewster in that battle.”

Port Jeff village historian Chris Ryon also supports the whaleboat project. He sees the whaleboat as a unique opportunity to showcase two previously distinct strands of local history, connecting the village’s shipbuilding roots to its contributions to the Revolutionary cause.

The whaleboat “pulls it all together,” Ryon said. “It’s one of the earliest histories we have and pulls our Revolutionary War history in with our maritime history.”

Carolan expressed similar enthusiasm for the project. He said he hopes for the public to be able to follow the various stages of the buildout, from the construction of the lofting platform to the completion of the whaleboat. 

He also holds that the whaleboat could be a precursor to similar projects down the road, generating momentum and boosting confidence among those working on it. “We are hoping that it becomes a visible sign to students and local school districts,” the LISEC president said. “And that the entire build from beginning to end is open for the public to see the progress.” 

Carolan added that he hopes the build is the first of many large undertakings for the Bayles Boat Shop and added, “I think it’s going to give us so much more exposure.”

For Garant, sharing the local history of Port Jefferson is essential. By educating locals about their historical origins, she believes residents can better understand who they are, where they come from and their place within that history.

“I think the history is key to who we are,” the mayor said. “I feel one of the responsibilities of local government is to not only embrace that history, but to enrich and save it and work with the community to celebrate it and talk about it.”

The Joseph Lloyd Manor property will serve as a pilot site for the grant project.

Preservation Long Island (PLI) has been awarded an Inspire! Grant for Small Museums from the Institute of Museum and Library Services (IMLS). Collecting since its founding in 1948, Preservation Long Island’s diverse and comprehensive collections comprise approximately 3,000 objects and 185 cubic feet of archival materials.

The grant will enable PLI to undertake an assessment of its inventory practices to improve access and the long-term care and maintenance of the collections displayed and stored at its historic sites and facilities — the PLI Headquarters building in Cold Spring Harbor, Joseph Lloyd Manor and Collections Storage in Lloyd Harbor, Sherwood-Jayne Farm in Setauket, and the Custom House in Sag Harbor. The grant funded project runs from September 1, 2022 through December 31, 2023.

Ranging from artistic and technological masterworks, to documentary imagery and everyday artifacts, PLI’s collections represent the social, cultural, political, and economic history of Long Island over four centuries.

“PLI holds its collection in trust for the public. The IMLS grant represents a strategic investment in the management of its permanent collection,” said Alexandra Wolfe, Preservation Long Island Executive Director.

“Organizationally, the project will enhance how PLI preserves and cares for its important artifacts of Long Island’s history,” said Lauren Brincat, Curator, Preservation Long Island. “Nationally, this project will promote access to and interest in Long Island’s history and cultural heritage.”

“As pillars of our communities, libraries and museums bring people together by providing important programs, services, and collections. These institutions are trusted spaces where people can learn, explore and grow,” said IMLS Director Crosby Kemper. “IMLS is proud to support their initiatives through our grants as they educate and enhance their communities.”

The Joseph Lloyd Manor property will serve as a pilot site for the grant project.  The house was the center of the Manor of Queens Village, a 3,000-acre provisioning plantation established in the late 17th century on the ancestral lands of the Matinecock Nation. Jupiter Hammon (1711–before 1806), one of the first published African American writers, was one of the many people of African descent enslaved at the site.

The collections inventory project will help bring to light new stories that can be told with the existing collections at PLI’s historic sites. In addition, with the information gathered through this project, PLI will be able to seek new acquisitions that help make PLI’s collection—and the public programs, exhibitions, interpretations, and digital content the collection supports—more relevant to more people while also enhancing public knowledge of unrepresented stories.

About Institute of Museum and Library Services

The Institute of Museum and Library Services is the primary source of federal support for the nation’s libraries and museums. We advance, support, and empower America’s museums, libraries, and related organizations through grantmaking, research, and policy development. Our vision is a nation where museums and libraries work together to transform the lives of individuals and communities. To learn more, visit www.imls.gov and follow us on Facebook and Twitter.

 About Preservation Long Island

Preservation Long Island is a not-for-profit organization that works with Long Islanders to raise awareness, appreciation, and support for the protection of our shared past through advocacy, education, and the stewardship of historic sites and collections.

http://preservationlongisland.org

Visit the Digital Collections page on Preservation Long Island’s website to explore a sample of their extensive collections online.

Preservation Long Island maintains and interprets historic sites and collections that embody various aspects of Long Island’s history including:

Joseph Lloyd Manor, Lloyd Harbor http://preservationlongisland.org/joseph-lloyd-manor/

Custom House, Sag Harbor http://preservationlongisland.org/custom-house/

Sherwood-Jayne Farm, Setauket http://preservationlongisland.org/sherwood-jayne-farm/

Old Methodist Church and Exhibition Gallery http://preservationlongisland.org/methodist-church/

The entrance to Cedar hill Cemetery. Photo by Chris Ryon

By Tara Mae

From slightly spooky to sublimely serene, the Port Jefferson Village Center’s latest exhibit captures the majesty and tranquility of Port Jefferson’s historic Cedar Hill Cemetery.

Titled Cedar Hill Cemetery: Hidden Sanctuary of Our Past, the exhibit of approximately 60 photos offers insight into the still-operational, non-denominational cemetery as seen through the lens of Port Jefferson Historian Chris Ryon and historic photographs from the Library of Congress.  

The Hulse family plot at Cedar Hill Cemetery.
Photo by Chris Ryon

Located on the second floor mezzanine of the Center, the show, which opens Sept. 5, features black and white, color, and near-infrared photographs, evoking different emotions and transcending different periods of time. 

The photos trace the seasons, years, and decades of the cemetery, which was established in the mid-19th century and houses the grave markers for some of the area’s most prominent and historic names, including members of the Woodhull, Roe, and Mather families. 

Ryon, who began regularly photographing the cemetery about ten years ago, curated the exhibit and contributed most of the images, including all of the near-infrared pictures, which require a specially outfitted camera. He said he is fascinated by the distinctive, haunting images it can yield. 

One striking example is the Mather family marker, a 41-ton obelisk that is the largest memorial in Cedar Hill. Standing high above its neighbors, a focal point in any photo, it features the names of John R., prominent shipbuilder, and his son, John Titus, founder of Mather Hospital. 

With the near-infrared, details such as snow covered tombstones and skylines framed by trees and awash in clouds, the hint of the harbor in the background, take on a gothic luster. The cemetery’s gates appear stark and imposing. Names and details of the gravestones are frequently in sharp focus, names clearly visible. 

“I just keep going back to infrared; it is just so ominous looking … green turns white, shadows become more pronounced, etc,” Ryon said, adding that he was drawn to the cemetery as a subject because of his dual appreciation of photography and history. However, he sees the exhibit and cemetery appealing to more than photography and history buffs. 

The gates of cemetery came from the 71st regimental armory on Park Ave. in NYC. Photo from Library of Congress

“This cemetery has everything: photographic interest, history, insight into the lives of people in Port Jefferson … I return because it is a serene, moody place different from our everyday lives,” Ryon explained. “Through this exhibit, we are trying to encourage people to visit the cemetery; they will be rewarded for it.” 

Situated on 23 acres of carefully tended rolling hills (the highest point is 271 feet above sea level), grass roads, and reimagined sheep pasture at the end of Liberty Avenue, Superintendent of the cemetery Ken Boehm described Cedar Hill as “an oasis in the middle of suburbia.”  An additional few acres of untouched wooded property enhances the feeling that the cemetery complements and almost sprouts from the natural world. 

Architectural details, such a somewhat squat, “brick house” that once housed the deceased awaiting burial and now holds landscaping equipment, are testaments to the cemetery’s evolution from privately owned land to publicly accessible final respite. And, of course, historic Cedar Hill Cemetery continues to function as originally intended. 

“Not to sound corny or anything, but we are helping people at the worst time in their lives, so to be able to maintain this place, make it a sanctuary any way we can, is very rewarding,” Boehm said. 

In April of 1859 Hubbard Gildersleeve sold 13 acres of his land to the Cedar Hill Cemetery Association, which had been established on March 30, 1859, with the express purpose of establishing a public cemetery. Prior to this, residents had largely continued the long held custom of burying loved ones in family plots on private property. 

“These larger cemeteries were all established around the same time; there was a change in the way we thought about the dead, and how we wanted to respect them,” Ryon said. 

The Association still exists today and oversees the cemetery’s operations. 

Back row, from left, Nick Hartmann, Will Hatfield, Spencer Woolley, Tom Cove and Ken Boehm. Front row, from left, Nick Koban and Dennis Jourdain. Photo by Chris Ryon

Cedar Hill’s first official burial was of Mary B. Hulse, wife of Charles L. Hulse, who died March 27, 1859. Gravestones, belonging to people who predeceased her, soon joined Mrs. Hulse. 

Since it was considered both disrespectful and unwise to disinter the actual bodies from their more informal resting places, bits of soil from those locations were moved with the markers to their new homes. Families who visited would often picnic and tend the gravesites; photographs from different eras may show them sitting among the graves or looking towards the water. 

People still come to visit their loved ones, do some plantings at the family plots, and take in the views, though they rarely picnic, according to Boehm.

Other modifications, not just in behavior but appearance, have been made over the years. The tall gates, somehow both welcoming and austere, which greet or guard the entrance to the cemetery depending on the time of day, were purchased from a salvage yard in 1971. They once protected the 71st Regiment Armory on Park Avenue in New York City, and need some TLC after so much time on the job. 

“The gates will be restored; people want to restore them. Fundraising and other efforts are in development,” Ryon said. 

This ties into the larger goal of Hidden Sanctuary: to bring more public awareness to its existence and garner more support for its preservation and maintenance. The Cemetery Association and Village of Port Jefferson are discussing plans to create QR codes, implement cemetery tours, and generally invite people to take advantage of all the cemetery has to offer. 

“The exhibit is important to make the public aware of this beautiful sanctuary right in our village. Many do not know it exists. We are hoping to share our cemetery with everyone and take some of the stigma out. We are non-denominational, all are welcome,” President of the Cemetery Association Gail Tilton said.

The Port Jefferson Gallery at the Village Center, 101 E. Broadway, Port Jefferson presents Cedar Hill Cemetery: Hidden Sanctuary of Our Past from Sept. 5 to Oct. 31.  Join them for an opening reception on Sunday, Sept. 11 from 1 to 3 p.m. Viewing hours are 9 a.m. to 9 p.m. daily. For more information about the exhibit, call 631-473-4778 or visit www.portjeff.com/gallery. To learn more about Cedar Hill Cemetery, call 631-371-6113 or visit www.cedarhillcemeterypj.com.

Meet Big Bill the Tory aka William Jayne II (David Burt) , pictured with, from left, Major Benjamin Tallmadge (Art Billadello) and Abraham Woodhull (Beverly C. Tyler) at the Sherwood-Jayne House during Culper Spy Day. File photo by Heidi Sutton/TBR News Media

By Heidi Sutton

Mark your calendars! Culper Spy Day returns on Saturday, Sept. 10 from 10 a.m. to 5 p.m. (rain date is Sept. 11). Presented by the Three Village Historical Society (TVHS) and Tri-Spy Tours in collaboration with more than 30 local historical and cultural organizations, the day will feature activities related to the Culper Spy Ring which was founded by Benjamin Tallmadge, George Washington’s chief intelligence officer during the Revolutionary War.

Kyle Parker of the 23rd Regiment of Foot. John Neely Photography

Now in its 8th year, the annual event is the brainchild of Margo Arceri, who first heard about Washington’s Setauket spies (including her favorite spy Anna Smith Strong) from her Strong’s Neck neighbor and local historian, Kate W. Strong, in the early 1970s. 

“My love of history grew from there,” Arceri explained. “Everywhere you turn in the Three Villages you are looking at an artifact, and as the historical society believes, the community is our museum and I would really love to put that on the forefront of people’s minds.”

Participants will have the opportunity to visit 10 locations in Setauket, Stony Brook and Port Jefferson (see list on right) to learn about Long Island’s brave Patriot spy ring through historic church, home and museum tours, spy stories, colonial cooking demonstrations, military encampments, historic letters, musical performances, children activities and more. Admission to all locations, with the exception of the Sherwood-Jayne House tour and the Spies! exhibit tour at the TVHS, is free.

“Culper Spy Day is an educational and fun day of adventure for the whole family, designed to honor and commemorate the ordinary men, women and children that risked their lives day to day to fight for what they believed in and in turn, helped win the American Revolution,” said Mari Irizarry, Director at the TVHS.

“Visitors will learn stories of how Patriots outwitted the British to win the American Revolution. They’ll also learn what life was like on Long Island during the 18th century — what they ate, what they wore, what kind of jobs they had, etc. Prepare yourself to hear the true story of sacrifice that many citizens of Setauket undertook on behalf of their new nation,” said Irizarry.

One of the highlights this year is the Revolutionary War encampment in the field next to the TVHS with the Huntington Militia and the 23rd Regiment of Foot (Royal Welch Fusiliers in America). After a reading of Redcoats and Petticoats by Anna Smith Strong at 12:30 p.m., children will be invited to join the 23rd Regiment in a march around the encampment at 1 p.m. Sample some colonial cooking, an authentic recipe of Mary Floyd Tallmadge, courtesy of Stirring Up History‘s Diane Schwindt, resident historic cook at the Ketcham Inn in Center Moriches, on the grounds as well.

 

Big Bill the Tory. Photo courtesy of Preservation Long Island

If you don’t have time to visit all the locations, Arceri recommends the Caroline Church of Brookhaven’s cemetery and history center which “is such a treat for visitors to explore and learn about” and Arceri and Irizarry both recommend the tour of the Sherwood-Jayne House with Big Bill the Tory. 

Rarely open to visitors, “it is one of the best examples of colonial living and the house is in pristine condition. It’s also one of the few times guests will get to hear ‘the other side,'” said Irizarry. “Additionally, we’re so excited that the Drowned Meadow Cottage Museum chose Culper Spy Day as their grand reopening day.” 

“I hope that we have new visitors to ‘Culper Country,'” said Arceri. “Setauket has really become a tourist destination and Culper Spy Day is certainly a highlight for these visitors as they are able to see many of the sites and visit with many of the organizations that make up our Revolutionary story.” 

The 8th annual Culper Spy Day is made possible by the generous support of Heritage Spy Ring Golf Club with additional sponsorship provided by the Three Village Chamber of Commerce. For more information, call 631-751-3730 or visit www.culperspyday.com.

23rd Regiment of Foot. Photo by North Island Photography
Participating locations for Culper Spy Day:

THREE VILLAGE HISTORICAL SOCIETY, 93 North Country Road, Setauket. Located in the circa 1800 Bayles-Swezey House. Here you can take part in outdoor events from 10 a.m. to 4 p.m. including “building” a timber frame house with Abraham Woodhull; children’s story hour; colonial crafts with the Daughters of the American Revolution – Anna Smith Strong Chapter; an invisible ink demonstration; printmaking with Gallery North; Culper Spy-themed authors and book signings; Anna Smith Stron’s famed clothesline, a colonial cooking demonstration;  23rd Regiment of Foot (Royal Welch Fusiliers in America) and Huntington Militia encampment; a potato sack race; augmented reality demonstrations; mobile exhibits, and much more. Docent led tours of the Spies! exhibit will be held every 30 mintues at $10 per person. 631-751-3730.

SETAUKET NEIGHBORHOOD HOUSE, 95 Main St., Setauket. The original part of the house, where the central chimney is located, was built in the early 1700s. In 1820 it was moved to its present location from its original site on Setauket (Conscience) Bay by Dr. John Elderkin. The building has served as an inn, and has housed a general store, post office, bank and a Franklin Library. Docents will give tours of the historic home from 10 a.m. to 4 p.m. 631-51-6208.

PATRIOTS ROCK HISTORIC SITE, Main Street, Setauket (across from the Setauket Post Office). This glacial erratic boulder is said to be the location of the Battle of Setauket on Aug. 22, 1777. Stop here between 10 a.m. and  2 p.m. to meet representatives from the Three Village Community Trust who will discuss the importance of Patriots Rock and its local and environmental history. 631-689-0225.

CAROLINE CHURCH AND CEMETERY, 1 Dyke Road, Setauket. Built in 1729, this timber frame building has maintained its Colonial appearance. Now an Episcopal church, during the Revolutionary War the Caroline Church was Anglican and a Colonial extension of the Church of England. The graveyard contains the remains of six Patriot soldiers as well as soldiers from World War I and II. The inside of the church will be open for guided tours from 10 a.m. to 3:45 p.m. from the vestibule and tour the cemetery your leisure with a docent present for questions.  631-941-4245. 

The grave of Abraham Woodhull at the Setauket Presbyterian Churchyard. File photo by Heidi Sutton/TBR News Media

SETAUKET PRESBYTERIAN CHURCH AND CEMETERY, 5 Caroline Ave., Setauket. The previous church (1714–1811) was a part of British fortifications during 1777. The fort was under the command of Loyalist commander Col. Richard Hewlett. The present building dates from 1812. Come tour the interior of the church from 11 a.m. and 2 p.m. and then tour the cemetery with the grave of Abraham Woodhull of  Washington’s spy ring at your leisure. 631-941-4271.  

EMMA S. CLARK MEMORIAL LIBRARY, 120 Main St., Setauket. The library (circa 1892) will present a concert featuring the trio Rose Tree, a traditional folk group which includes musicians Larry Moser, Mary Nagin and Maria Fairchild, from 11 a.m. to 1 p.m. on the Library lawn. They will be performing 18th century songs and tunes from America, Ireland, England and Scotland. View Revolutionary War soldiers’ equipment in the Library’s lobby. Kids can enjoy a craft from noon to 3 p.m. and check out related materials at the information tent adjacent to the front entrance. 631-941-4080. 

SETAUKET ELEMENTARY SCHOOL AUDITORIUM, 134 Main St., Setauket. Completed in 1951, the auditorium contains the murals of artist Vance Locke. A gift of Ward and Dorothy Melville to the community, the murals tell the stories of Setauket/Brookhaven history. The auditorium will be open to the public for self-guided tours from 10 a.m. to 1 p.m. 631-730-4600.

SHERWOOD-JAYNE HOUSE, 55 Old Post Road, East Setauket. Originally built around 1730 as a lean-to saltbox dwelling, the house and farm were maintained as an operational farmstead for over 150 years by members of the Jayne family. Visit with Big Bill the Tory aka William Jayne III, who will explain the noble intentions and virtuosities of King George III and tells you the TRUTH about Washington’s pesky band of renegade spies! Tours run continuously from 11 a.m. to 3 p.m. $5 per person, children under 5 free. Pre-registration is recommended at www.preservationlongisland.org. 631-692-4664.

THE LONG ISLAND MUSEUM, 1200 Route 25A, Stony Brook. The museum is a Smithsonian Affiliate with permanent and changing exhibitions on American history and art, along with the finest collection of horse-drawn carriages in the country, some of which belonged to Revolutionary War heroes. Visit the History Museum between noon and 5 p.m. to view the newly uncovered Culper Spy Ring letter by Benjamin Tallmadge to Robert Townsend. Tour the museum’s galleries and grounds for free. 631-751-0066.

DROWNED MEADOW COTTAGE MUSEUM, corner of West Broadway and Barnum Avenue, Port Jefferson. The Revolutionary War-era Roe House was originally constructed circa 1755 and Phillips Roe, a member of the Culper Spy Ring along with his brother Nathaniel and cousin Austin, was known to have lived there. Visit the cottage between 11 a.m. and 4 p.m. for their grand reopening and enjoy a new exhibit, Privateers: Pirates with Permission, tours, privateers re-enacting the plundering of the Roe family and colonial-themed storytelling for children.

* Please note: Public restrooms are located in the Setauket Neighborhood House and Emma S. Clark Memorial Library.

 

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Battle of Long Island engraving, 1874, from painting by Alonzo Chappel on display at Three Village Historical Society exhibit SPIES!

By Beverly C. Tyler

“The first major battle in the American Revolution following the Declaration of Independence was fought [beginning on August 27th] 1776 on the western part of Long Island in Brooklyn. This proved to be the largest battle of the entire war. It resulted in a devastating loss for General Washington. His army was vastly outnumbered. Many of his farmer-soldiers had no bayonets, little ammunition, and almost no training. They were fighting the most experienced, strongest and best-equipped army in the world.” (Three Village Historical Society exhibit SPIES!)

The British attack on American forces was described by Sir William Howe, British commander. “ … the British, with Colonel Donop’s corps of Chasseurs and Hessian Grenadiers, disembarked near Utrecht on Long Island without opposition, the whole being landed, with 40 pieces of cannon, in two hours and a half, under the direction of Commodore Hotham-Lieutenant-General Clinton commanding the first division of troops. … The general learning … that the Rebels had not occupied the [Jamaica] pass, detached a battalion of Light-infantry to secure it; and advancing with his corps … possessed [Brooklyn] Heights … the attack … by the main body of the Army … was commenced by the Light-infantry and Light-Dragoons upon large bodies of the Rebels … had they been permitted to go on, it is my opinion they would have carried the redoubt; but … I would not risk the loss that might have been sustained in the assault, and ordered them back.” (Long Island as America, A Documentary History — pages 75-78)

The next day British and Hessian troops pressed the attack on American lines and won the day. As detailed by Sir William Howe, “The force of the enemy … was not less, from the best account I have had, than ten thousand men … Their loss is computed at about three thousand three hundred killed, wounded, prisoners, and drowned, with five field-pieces and one howizer taken. In the evening of the 27th, the Army encamped in front of the enemy’s works. On the 28th, at night, broke ground six hundred yards from a redoubt upon their left, and on the 29th, at night, the Rebels evacuated their entrenchments … with the utmost silence … At daybreak on the 30th, their flight was discovered.”

General Howe’s estimate of American killed, wounded and captured is more than double the current estimate. By not pressing the attack, General Howe allowed time for the retreating American troops to regroup and eventually escape back to Manhattan. During the attack, General Washington sent additional troops from Manhattan to Brooklyn, including 15-year-old Private Joseph Plumb Martin, a native of Connecticut who would, years later, write a detailed story of his seven years in the army. Martin’s account is the singular most important recollection by an ordinary soldier telling the story of the Revolutionary War from the bottom up. Martin was in New York City with his regiment in June of 1776. In August, following the British attack, he wrote, 

“… the regiment was ordered to Long-Island, the British having landed in force there. . . We soon landed in Brooklyn … marched up the ascent from the ferry, to the plain. We now began to meet the wounded men, another sight I was unacquainted with, some with broken arms, some with broken legs, and some with broken heads. The sight of these a little daunted me, and made me think of home, but the sight and thought vanished together.” During the following day, Martin noted that the battles were often fought within sight of his unengaged regiment. The next day, as he wrote, “We were soon called upon to fall in and proceed … Just at dusk, I, with one or two others of our company, went off to a barn, about half a mile distant, with intent to get some straw to lodge upon, the ground and leaves being drenched in water, and we as wet as they … When I arrived [back at the regiment] the men were all paraded to march off the ground … We were strictly enjoined not to speak, or even cough, while on the march. All orders were given from officer to officer, and communicated to the men in whispers. What such secrecy could mean we could not devine. We marched on, however, until we arrived at the ferry, where we immediately embarked on board the batteaux, and were conveyed safely to New-York.” Memoir — Joseph Plumb Martin

Thus began Washington’s miraculous escape, the evacuation of troops from Long Island under the very noses of the British. It continued all night and into the next morning when a thick fog gave cover as the last of the soldiers were transported across the East River to Manhattan. Setauket’s Benjamin Tallmadge, also in his first engagement with the British, wrote in his autobiography a graphic account of the retreat after the battle.

“On the evening of the 29th, by 10 o’clock the troops began to retire from the line in such a manner that no chasm was made in the lines … General Washington took his station at the ferry, and superintended the embarkation of the troops. It was one of the most anxious, busy nights that I ever recollect, and being the third in which hardly any of us had closed our eyes in sleep, we were all greatly fatigued … When I stepped into one of the last boats … I left my horse tied to a post at the ferry … The troops having now all safely reached New York, and the fog continuing as thick as ever, I began to think of my favorite horse, and requested leave to return and bring him off. Having obtained permission, I called for a crew of volunteers to go with me, and guiding the boat myself, I obtained my horse and got off some distance into the river before the enemy appeared in Brooklyn. As soon as they reached the ferry we were saluted merrily from their musketry, and finally by their field pieces; but we returned in safety.” 

Much of the Battle of Brooklyn was fought across what is now Green-Wood Cemetery’s grounds. For years, the Old Stone House, as pictured in Alonzo Chappel’s painting, has partnered with Green-Wood to commemorate this important historic event on their grounds. For more information, see the list of events for Battle Week Aug. 20 through Aug. 28 at: theoldstonehouse.org/event/battle-week-8-20-8-28/2022-08-20/.

Beverly C. Tyler is a Three Village Historical Society historian and author of books available from the society at 93 North Country Road, Setauket. For more information, call 631-751-3730. or visit www.tvhs.org.