Book Review

'Rest in Peace'

Reviewed By Melissa Arnold

No matter how old you are, there’s something fun about celebrating all things weird and spooky on Halloween. To get into the spirit with your family, consider Rest in Peace (Scoot Comics), an adorable rhyming picture book from debut author Tyler Ham. 

‘Rest in Peace’

The story centers around Ghoul who just wants to do is go to sleep after a long Halloween but his monster pals  — Dracula, the Werewolf, the Mummy, Frankenstein’s Monster and the Blob — want to keep the party going.  

Raised in California, Ham was not one for horror, but he loved Halloween and “slightly spooky” entertainment. Now a father of two, Ham has embraced that lighthearted spookiness with a cast of funny monsters and a positive message of friendship that even the youngest kids can enjoy. 

Tell me about your childhood. I assume that you loved horror movies.

I was a very timid child, but I loved Halloween, so “spooky” has always been my go-to genre. It’s funny how much I love horror movies now, because when I was a kid, they scared the heck out of me! I wanted nothing to do with it. But at the same time, I always loved Halloween and mildly spooky things. Michael Jackson’s “Thriller” video was about as far as I could go.

I read something in a book once about the array of emotions we can experience in life that really stuck with me. Basically, you can feel happy, sad, excited in the real world, but those emotions typically come from a place of safety. On the other hand, when you’re scared, it’s because you don’t feel safe. That’s not a feeling that you want. But when you watch a scary movie, you can tap into the experience of being scared in a safe way, and there’s something fun about that.

So did you do a lot of writing in that ‘spooky’ genre as a kid?

I was a creative kid, though more artistic – more into drawing, painting, papier mache, that sort of thing – but never writing. 

I wasn’t a great student.  I did the work but didn’t particularly enjoy it. And I didn’t like English class, either. But in high school, I had two really great English teachers who actually loved my writing assignments. They said I was a good storyteller and would even read my stuff in front of the class. 

When I graduated, I went to film school at California University of Monterey Bay wanting to direct, and the same thing happened. I wasn’t interested in the writing aspect, but was often praised in classes for my screenwriting so it was clearly an ability I had.

After college, I moved back home with my parents and was looking for work. My mom met someone at a charity event who had just opened a new school for 3-D art. I was always curious about that, but didn’t know how to begin learning about it. And then this opportunity came along. I took a tour and enrolled for the next semester, which was only six days away. That experience ultimately took me into the visual effects industry.  I spent about 16 years working in the digital effects industry as a 3-D artist for film studios, and then I switched over to the toys and collectibles industry. Writing was something I did for fun.

When did you start thinking about writing a children’s book?

My oldest daughter was one of those babies that just wouldn’t go to bed. She loved to be read to, so we would sit in our chair and read book after book. Over time, I learned that while some kids’ books are great, others are honestly just bad. I knew I wasn’t going to write anything legendary, but I figured I could at least do better than some of the books I’d seen.

So one night, I put my daughter to bed and went into my office. I knew I wanted to write about Halloween, since it’s my favorite holiday and it’s a fun time for kids, and I knew I wanted to have different kinds of monsters. As I wrote, I’d read it to myself and make sure the rhymes felt natural and not clunky. 

Did you pursue traditional publishing or self-publishing? What was the process like?

The first draft was actually completed nine years ago. I shopped it around, but no one was biting. I’d get discouraged and leave it for a while, rewrite parts and try again. Eventually I was working for a publishing company in product development, and they would occasionally have employee submissions. The woman who was reading the manuscripts contacted me and said that while my book wasn’t the right fit for our company, it was really good, and she invited me to join a writing group. She was my first mentor, and the book went through many revisions until it was really polished.

Ultimately, a friend of mine wrote a comic book, and his company was starting a children’s book division. I submitted my original Halloween story, along with ideas for other holiday concepts featuring this cast of monsters, like Valentine’s Day and the Fourth of July. They liked the ideas and agreed to publish me.

Do you relate to Ghoul, the main character of ‘Rest in Peace’?

Yeah! It doesn’t make me look great, but I share a little bit of that lighthearted grumpiness — my kids tease me and say “Hey, you’re grumpy like Ghoul is!” But he has good intentions, just like I do.

What was it like seeing the finished product after all those years?

It was just surreal getting those first copies of the book, especially after nine years of work. This story was meant for my first daughter, and it took so long that now I’m reading it to my second daughter’s kindergarten class. She wasn’t even in the picture when this all began!

How did you find the illustrator, Firulas Ilustra? 

I found Sâmara, who along with her illustration partner Thaís form Firulas Ilustra, on the social media platform reddit. She lives in Brazil — she had some pictures up and I really liked her style. I could tell right away that she really understood what I was envisioning and connected to the idea. 

Do you have plans for future books?

I have plans to publish several holiday-themed books with this cast of monsters! The next book in the series, The Yule Ghoul (available now!) continues the story of Rest In Peace, and has the Ghoul throwing his first Christmas party! He is very excited but is afraid none of his monster friends will come. The follow up Valentine’s day book is written, and a few more are in various stages of completion. 

What’s the target age group for ‘Rest in Peace’?

It’s interesting — originally the target age was 3 to 7. But then I read it to my daughter’s 5th grade class and they really loved it. The publisher also suggested that there are 9- and 10-year-olds that would get a kick out of it as well.

Is there a message you hope kids take away from reading this?

Ghoul has this difficulty where he gets so frustrated with his friends being in his space after a long Halloween, but they really just want to spend more time [with him]. It’s about accepting people into your life and being patient with them, even when they do things that you don’t understand. All of our friends have their own little quirks. And I also hope that people see that monsters can be fun!

‘Rest in Peace’ is available now through your favorite online booksellers. Follow Tyler Ham at his official website, www.tylerham.com.

Ward Melville High School. File photo by Greg Catalano

By Mallie Jane Kim

Internet controversy over a novel taught to Ward Melville High School juniors spilled over into the public comment section of a board of education meeting Wednesday, Sept. 27, when two concerned parents stood up to support the book and caution against efforts to ban it.

The book in question, “The Absolutely True Diary of a Part-Time Indian” by Sherman Alexie and a multi-award winner, is a semi-autobiographical novel about a young Native American growing up on an Indian reservation who leaves his underfunded reservation school in favor of a majority-white public school in a neighboring town. The problem expressed by some parents is that in this coming-of-age story about a teenage boy struggling to discover his identity, there are a few passages where the speaker discusses his sexual self-discovery.

The administration has received calls in favor of and against the novel, but there have been no official requests from parents of students actually studying the book, according to Assistant Superintendent for Educational Services Brian Biscari. “It’s a bigger online issue than an actual issue,” Biscari said.

The controversy started when a parent shared a passage mentioning self-pleasure in a screenshot on a local Facebook group, Three Village Moms, where it was both attacked and supported in a series of nearly 500 comments. Some commenters expressed concern over sexualizing children too early, or that the passages may be too explicit for required reading in a Regents course.

Others asked their peers to consider the passage in context of the entire book, or worried the rhetoric might foment into a movement to ban the book, in light of efforts to censor literature at school districts nationwide.

The American Library Association has noted a “record surge” in requests to remove books from libraries and public schools during the first eight months of 2023, and primarily books “by or about a person of color of a member of the LGBTQIA+ community,” according to a Sept. 19 statement.

At the board meeting, district parent Ian Farber said exposure to an unfamiliar point of view is one of this book’s strengths. “This book provides a valuable perspective of a Native American who grew up on a reservation, a perspective that would be foreign to many of us without books like this one,” said Farber, who has also been a part of the district’s budget advisory committee.

Farber shrugged off the concerns over the passages about an aspect of human sexuality that, he said, most students know about by 11th grade. Instead, he praised the “robust and diverse” curriculum in Three Village school district and emphasized that the passages causing outrage are not even a main point of the book.

“He had a teacher that inspired him to do more with his life than previous generations — we should all want our children to achieve more than we have. This is a key part of the American Dream, and as such this book is patriotic in the best sense of the word.”

Anne Chimelis, a retired teacher and parent in the district, agreed in her public comment. “If we start banning books due to a single word that makes some people uncomfortable, we’re going down a very slippery slope,” she said.

Biscari noted that the district is happy to provide a list of novels taught in Three Village schools to parents who ask, and there is a clear process for parents to request for a materials review for novels in their child’s grade level if they have a concern. If that process does not go the way parents hope, he added, each parent is also welcome to opt a child out of a particular book.

On Alexie’s book, though, Biscari said most of the calls he’s gotten are from parents “who love the fact that there’s a book their kids can read and relate to.”

Steve Matteo discusses his new book ‘Act Naturally, The Beatles on Film’

 Smithtown author Steve Matteo will participate in a Q&A discussion (moderated byTony Traguardo, Fab4Free4All podcast) and book signing event featuring his new book “Act Naturally: The Beatles on Film” at the Long Island Music and Entertainment Hall of Fame (LIMEHOF), 97 Main Street, Stony Brook on Saturday, September 30 at 2 p.m. The event is free with admission and open to the public.

Author Steve Matteo

“I grew up on Long Island and have written for many Long Island music and entertainment publications,” Matteo said. “I’m thrilled to be interviewed at LIMEHOF about my new book on the Beatles. The hall is all about honoring and celebrating the legacy of great music. When I write my books, chronicling musical history that give music fans a deeper understanding of artists and their times is very important to me. Long Island has a rich history of popular music and music fans on Long Island are some of the most knowledgeable and passionate in the world.”

This unique event bridges the mediums of books, music and film and is likely to appeal to audiences of all genres, not to mention Beatles fans. Copies of the book will be available for purchase to be signed at the event. LIMEHOF plans to do more author themed events in the future.

“We are excited to have Steve come speak at The Hall of Fame about his book “Act Naturally” and share his insights on The Beatles on Film,” said Kelly Leung, LIMEHOF Board Member and Director of Community Outreach who organized the event. “Having Tony Traguedo from the Fab4Free4All podcast moderate and speak is also an added bonus to what is sure to be a fun event.  We continue to welcome opportunities to introduce Long Islanders to local authors and podcasters on a regular basis at the museum.”

For details on this and upcoming events please visit https://www.limusichalloffame.org/museum/

About Act Naturally, the Beatles on Film

The Beatles produced five films during their time together: A Hard Day’s Night, Help!, Magical Mystery Tour, Yellow Submarine, and Let It Be. Some were cinematic successes, and some were not, but—along with subsequent reissues, bonus material, and Peter Jackson’s The Beatles: Get Back, a documentary companion to Let It Be—they comprise an endlessly fascinating document of key phases in the group’s career.

In this comprehensive deep-dive into the band’s movies, author and longtime music journalist Steve Matteo follows the origins, filming, and often frenzied fan reception of projects from the 1964 premiere of A Hard Day’s Night through 1970’s Let It Be to the release of Get Back in 2022. Matteo explores the production process, original theatrical film releases, subsequent VHS, DVD, and Blu-ray releases, and bonus materials, along with the US and UK soundtracks. In addition to copious anecdotes and behind-the-scenes details, he also places these films in their larger context, a period of unprecedented artistic and commercial innovation in British and world cinema. Filled with stories and insights that will satisfy collectors, buffs, and casual fans alike, this is the definitive account of an underappreciated part of the Beatles’ creative output.

About Steve Matteo

Steve Matteo is the author of Let It Be (33 1/3-Bloomsbury) and Dylan (Union Square & Company-Barnes & Noble). He recently contributed to The Beatles in Context, which was published by Cambridge University Press.

He is Contributing Editor with The Vinyl District and has written for such publications as The New York Times, The Los Angeles Times, New York magazine, Time Out New York, Rolling Stone, Spin, Rock’s Backpages, Relix, Goldmine, Interview, Elle, Citizen Truth, Literary Hub and Salon.

He has worked for Pete Townshend of the Who in various capacities for Left Field Services, Towser Tunes and Trinifold. His radio career includes working at WLIR-FM, WNYT and FM Odyssey and he often appears on radio, including on the Sirius XM Volume Channel, Q104, Joe Johnson’s Beatle Brunch, Talk More Talk: A Solo Beatles Videocast, 21st Century Radio, WAAM, WFUV, WUSB, WPPB and WHPC and television in his capacity as a music journalist and an author. He has lectured on Bob Dylan at the New School for Social Research in New York and journalism at the University of Alabama in Tuscaloosa. He holds a B.F.A. in Communication Arts from the New York Institute of Technology.

About LIMEHOF

Founded in 2004, the Long Island Music Hall of Fame is a 501(c) (3) organization dedicated to the idea that Long Island’s musical and entertainment heritage is an important resource to be celebrated and preserved for future generations. The organization, which encompasses New York State’s Nassau, Suffolk, Queens, and Kings (Brooklyn) Counties, was created as a place of community that inspires and explores Long Island music and entertainment in all its forms. In 2022 LIMEHOF opened its first Hall of Fame building location in Stony Brook Village. To date, the organization has inducted more than 120 musicians and music industry executives, and also offers education programs and scholarships, and awards to Long Island students and educators. ###

The Whaling Museum and Education Center in Cold Spring Harbor has announced the schedule for its Beyond the Book fall workshops which will include an Author Talk by Kerriann Flanagan Brosky, author of Haunted Long Island Mysteries.  

Beyond the Book workshops invite participants to dive into hand-selected books by museum educators who will explore stories and history related to the museum’s collections for a truly unique experience. Each session includes a close look at artifacts, many of which are not on exhibit, discussion questions that invite participants to make personal connections, and light snacks and drinks to enjoy while chatting.

The first session takes place on Tuesday, Sept. 26 at 6:30 p.m. and covers The Apparitionists: A Tale of Phantoms, Fraud, Photography, and the Man Who Captured Lincoln’s Ghost by Peter Manseau. Participants of this session will explore the intriguing history of Victorian-era spirit photography: supernatural ‘proof’ of ghosts which endured for decades and reflects the human desire to communicate beyond the physical. Historic photographs from the local Jones-Hewlett family will be on view for the group.

“Beyond the Book is one of my favorite programs. We have a regular group of dedicated readers. Discussions are interesting, engaging, and surprising! I love showing people objects from the collections to bring history into the present,” said Baylee Browning, Collections and Exhibit Associate at The Whaling Museum & Education Center who will host the September session.

The October session, held on Tuesday Oct. 17 at 6:30 p.m., is a special edition featuring award-winning author and historian, Kerriann Flanagan Brosky, above, along with medium/paranormal investigator Joe Giaquinto. Participants will be delighted with tales of their ghostly adventures which weave local history with the spiritual realm. They will discuss research and investigations behind the making of Haunted Long Island Mysteries, Brosky’s latest book. The lecture will include a PowerPoint presentation of the places they have visited and listening to EVP’s (Electronic Voice Phenomenon) along with fascinating Ghost Box recordings from their field investigations. Books will be available for purchase and signing following the presentation.

The November session will take place on Tuesday, Nov. 14 at 6:30 p.m. and covers The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann. Participants will explore one of the most gripping true stories from the high seas where in 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell — later challenged by other survivors with shocking twists of disaster, mutiny, anarchy, and murder. With a story based on six years of research, armchair adventurers will enjoy shipbuilding tools from the museum’s collection on view to the group.

“It’s been so rewarding watching our community of readers grow over the months and develop genuine bonds with one another.  I can’t wait for this fall’s sessions!” said Brenna McCormick-Thompson, Curator of Education at the Whaling Museum.

Beyond the Book club sessions are free for museum members and patrons of the museum’s partner libraries, Huntington Public Library and South Huntington Public Library. All others may attend for $15 per session. Register online at www.cshwhalingmuseum.org/bookclub.

The Whaling Museum and Education Center is located at 301 Main Street in Cold Spring Harbor. For more information, call 631-367-3418.

 

By Melissa Arnold

One can hardly travel a half block on Long Island without seeing a bag of Tate’s Bake Shop cookies, but that’s not a bad thing. The ubiquitous green bags are a sure sign of impending happiness.

Tate’s Bake Shop founder Kathleen King opened her first bakery when she was just 21 years old. The dream began long before that, though. Young Kathleen baked her signature thin and crispy cookies from age 11 on, selling them at her father Tate’s East End farmstand and using the profits to buy new school clothes each year. Today, the multi-million-dollar business has made Tate’s a nationwide favorite. 

This summer, King released a children’s picture book called Cookie Queen: How One Girl Started Tate’s Bake Shop [Random House] co-written with Lowey Bundy Sichol and illustrated by Ramona Kaulitzki. It’s King’s first book for children — she also has two cookbooks of baked goods.

Cookie Queen is an autobiographical reflection of Tate’s humble beginnings in a simple home kitchen. Young Kathleen is tired of the puffy and gooey cookies she sees everywhere — what she really wants is a thin, crispy cookie, But King’s process of trial and error shows young readers that reaching a goal isn’t always quick or easy. Kathleen makes batches and batches of cookies that she doesn’t like, experimenting and struggling to find the perfect recipe.

These important lessons of patience, hard work and following your dreams are coupled with beautiful illustrations from Kaulitzki. She captures the sprawling farm, Kathleen’s house and the family’s market with polished, detailed scenes. Little ones will enjoy pointing out farm animals, a house cat, a tractor and other thoughtful extras.

At the end of the book, older readers can learn about the real Tate’s Bake Shop with an easy to digest, single page history. Perhaps the best inclusion is Kathleen and Tate’s personal recipe for molasses cookies to make at home. Who knows, maybe a young reader in your life might discover their own love of baking.

My godchildren, ages 4 and 2, were big fans of the book when I read it to them. No surprise there — after all, what kid wouldn’t like a book about cookies? That said, the vocabulary and overall message would be better understood by elementary school readers. 

Age aside, this book is best enjoyed as a family, then immediately followed by some hands-on time together in the kitchen, especially with dessert-heavy holidays approaching. To order, visit amazon.com, bn.com or your favorite online retailer.

Two Faces of the Moon: A Small Island Memoir

Reviewed by Jeffrey Sanzel

Carolyn McGrath’s Two Faces of the Moon: A Small Island Memoir [Brandylane Publishers, Inc.] first presents as an idyllic echo of the natural world. And while the book touches on the bounty and splendor of nature, the work is much more. Two Faces is a rich, sometimes dark, but wholly truthful familial reflection.

Author Carolyn McGrath

While written during the pandemic, Two Faces of the Moon takes place in 2001, the year of her nonagenarian mother’s passing. McGrath establishes the tone by opening with her delivery by cesarean section—“lifted into the world unsullied by the normal push and pull.”

McGrath’s storytelling is boldly unsentimental. She was born to a mother of thirty-six and a father of forty-seven, a man who had a daughter from a marriage twenty years earlier. McGrath lost her father when she was seventeen but found herself constantly drawn to this “troubled man, an alcoholic, a heavy smoker, a war veteran, whose great talent for cussing often caused my mother to cover my ears. A father who clearly wished he had a son instead.” 

The statement paves the way for years of rumination about their thorny relationship, explored throughout this slender, powerful autobiography. While many works of this nature err towards the hagiographic, McGrath is unflinching and frank in her account.

Each summer, McGrath leaves her Long Island suburban home to drive five hundred miles north to Bob’s Lake, Ontario. There, she spends several months living in the 1926-built log cabin her father bought in 1937 for $400. Life is rustic, with an outhouse and a four-burner kerosene stove. She must drive to the nearby farm to draw drinking water from a well. She is accompanied by her dog, Blue, and is joined by the neighbor’s dog, Ring. 

While pondering the saying, “You could never go home again,” she answers: “The trick is to have two homes and never really leave either. I leave home to come home every summer and find it just the same.”

While the book delves into the history of the island, the house, and the lake, Two Faces of the Moon is, first and foremost, a tale of family. McGrath’s vivid, distinctly raw prose recalls the opening line of Tolstoy’s Anna Karenina: “Happy families are all alike; every unhappy family is unhappy in its own way.” She alternates between the 2001 narrative in present tense and musings on her parents’ lives. The intersection creates friction that leads to constant sparks of insight. 

She celebrates her isolation. “The delicious feeling I have of being alone here is nothing like loneliness.” She examines the motivations for these journeys: “I discovered my craving for solitude when I realized that I was losing myself. There must be many wives like me who feel their lives were commandeered by the demands of marriage and family.” While directly referencing her parents, family, and friends, she never speaks of her husband by name. 

For all the things she admired about her father, she was afraid of him and felt “as a role model, my dad was terrible.” The outdoorsman focused on fishing, hunting, and frogging. “Guns were like wallpaper while I was growing up.” She aimed to please him but was also aware of the complexity of their bond.

In the present, she details visiting her elderly, ailing mother in the nursing home located an hour from the cabin. She paints one of the most vivid and heart-breaking portraits of aging, with a painfully accurate depiction of dementia. Her reaction to her mother’s passing and its aftermath is one of the most insightful moments in the book.

“While I’m here in the cabin, I feel I’m with both of my parents. My dad’s presence is everywhere […] my mother’s apron still hangs behind the kitchen door…” She shares her parents’ histories, scrutinizing their paths as a tool to reflect on her own choices. She accomplishes this without judgment but with a keen self-awareness. “It seems to me that children are born to be conflicted,” asking the questions: “Which parent do you love more? Fear more? Respect more?”

Living on the island is meditative, her own Walden Pond. And while she examines her life, she never loses the chance to be at one with her surroundings. “I wake up to the sound of Ervin’s cattle lowing lazily across the bay, where they’ve come down to drink. Through the window, I watch seven young ducklings following their momma […] all moving as one large duck atom, no sound. Song sparrows have hatchlings in a tree cavity …” 

Her world is a strange mix of stillness and teeming activity, allowing her to think, wonder, and, above all, feel. McGrath imparts wisdom and fallibility in equal measures. In short, she movingly presents a human being in all her dimensions. McGrath knows a long life comes with “pleasures and rewards, its booby traps and tortures.” She shares her experiences, trials, triumphs, and perspectives in the honest, sometimes lyrical, and always memorable Two Faces of the Moon.

ABOUT THE AUTHOR:

Carolyn McGrath has a degree in classics from the University of Iowa and an MA in creative writing from Stony Brook University in New York where she taught for years in the Department of English and directed the Stony Brook $1000 Short Fiction Prize. She now lives in Charlottesville, Virginia. Two Faces of the Moon is available on Amazon.com, and at Barnes & Noble.

The Suffolk County Vanderbilt Museum, 180 Little Neck Road, Centerport presents Storytime Under the Stars in the Charles and Helen Reichert Planetarium on Sunday, Aug. 27 from 6 to 7 p.m. Sponsored by Bank of America, Storytime evenings feature a live narrator at the front of the theater who reads from selected picture books, with pages projected onto the Planetarium dome so families can enjoy the illustrations and follow along. Between stories, an astronomy educator explores seasonal constellations visible from here on Long Island.

Author Ellen Mason will read her book, Patches and Stripes, one of four scheduled that evening. In it, she and co-author—and Vanderbilt Museum colleague—Ed Clampitt, tell the true story of a family that lost an heirloom during a Museum visit. That tale, in which the heirloom eventually “turned up,” is one the authors call “Vanderbilt magic.” 

Mason, a Museum tour guide, and Clampitt, a member of the security staff, will do a book signing in the Planetarium lobby after the show.

All children are invited to wear their comfiest pajamas and bring their favorite stuffed animal. The admission fee is $8 per person and $6 for members. To reserve your spot, visit www.vanderbiltmuseum.org or pay at the door. For more information, call 631-864-5532.

Reviewed by Jeffrey Sanzel

Sarah Beth Durst’s over two dozen books include writings for children, teenagers, and adults, many in the fantasy genre. Among the prolific author’s works are The Bone Maker, The Deepest Blue, The Stone Girl’s Story, and Even and Odd (all reviewed in this paper). With The Lake House (HarperTeen), Durst has crafted a first-rate young adult thriller.

Author Sarah Beth Durst

The novel follows three teenagers sent to an “enrichment retreat” in Maine, a place to “learn new skills, have new experiences, make new friends.” Claire Dreyer is the center: “Claire excelled at three things: ballet, homework, and identifying all the ways there were to die in any given situation.” Claire’s self-awareness is both insightful and crippling. “[She] thought longingly of her bedroom with all her books and a door that closed everyone out.” Ultimately, she hopes the opportunity to be “a new Claire here, a never-before-seen version of herself who made friends easily and didn’t freak out about every little thing.”

Two contemporaries join Claire. The pessimistic Reyva Chaudhari doesn’t “do performative emotions.” But, after some prodding, she discloses her passion: Mixed Martial Arts (MMA) fighting—an endeavor that turns out to be of great value. Reyva’s wry humor and tendency to find amusement in the darker possibilities contrasts with Claire’s need for constant order. Mariana Ortiz-Rodriguez, a Californian transplant, is the perkiest of the three. Fascinated by cars and engines, her skills become vital in the climax. 

All three share complex backgrounds with various parental pressures and complicated home lives. Their parents make choices they perceive as good for their offspring but often fail consideration of their children’s emotional needs. As they venture forward, the girls reveal secrets, voicing fears they have never previously shared. Their vulnerability strengthens their bond, allowing for a genuine evolution of well-placed trust. 

Insightfully—and with no malice—Mariana evaluates Reyva: “My guess: your parents have opinions on what you’re allowed to feel, as well as what you do, and so you respond by controlling what you show the world. Do you want us to think nothing phases you? Fact is, you care a lot, and you’re terrified that someone will realize it and use it against you. Like, you know, I’m doing right now.”

The girls arrive at the end of June, planning to remain through the end of August. A young man, Jack, takes them to the island on his boat, leaving them on the shore. They hike the short distance up a trail to discover the Lake House burned, with the charred remains still smoking. With no cell service or communication with the outside world, the trio contemplates their short- and long-term fates. They discover a dead body in the surrounding woods: a woman dead from a gunshot from an unknown assailant. 

Secluded in a national forest, miles from civilization, they face natural trials: dehydration, starvation, insects, and weather. Additionally, they must accept that they are not alone and are targets of one or even two dangerous island inhabitants. 

Eventually, Durst introduces a fascinating supernatural element. The malevolence merges a camp ghost legend and the concept of “the sins of the father.” Their struggle combines “the strain of the lack of food, and the constant supply of fear.” 

Durst quickly ratchets up the tension, plunging into a face-paced narrative fraught with challenges and revelations. Fortunately, she writes about people, not tropes. As in all her work, the characters have dimension and texture—recognizable but individual. 

While The Lake House is a thriller, it portrays perseverance and rising to extraordinary circumstances. The story lives not in the isolation of Gary Paulsen’s Hatchet or the savagery of William Golding’s The Lord of the Flies. It avoids the world of Mean Girls and Robinson Crusoe. Instead, the book celebrates the ability to thrive on mutual reliance. The mantra is “stick together, and we’ll survive,” and Claire, Reyva, and Mariana grow because they see themselves through the eyes of others—companions who value their potential.

The Lake House offers three strong young women facing a range of demons, both personal and real, in a location that is both doom and destiny. Finally, they learn, “I am enough exactly as I am.” Durst, a gifted storyteller, neatly balances thrills and introspection in this entertaining and engaging story.

———————————————–

Sarah Beth Durst is the award-winning author of over twenty books for kids, teens, and adults. She lives in Stony Brook with her husband, her children, and her ill-mannered cat. Pick up a copy of The Lake House online at www.amazon.com or www.barnesandnoble.com. For more information, visit www.sarahbethdurst.com.

Noted Poet-Farmer reflects on ‘Soil and Spirit’
On Thursday, June 1, the Suffolk County Vanderbilt Museum, 180 Little Neck Road, Centeport  will host Scott Chaskey, poet-farmer and pioneer of the Community Supported Agriculture (CSA) movement, for a presentation of his latest memoir, Soil and Spirit: Cultivation and Kinship in the Web of Life (Milkweed Editions, 2023).
Scott Chaskey. Photo by Lindsay Morris

As a farmer with decades spent working in the fields, Chaskey’s worldview has been shaped by daily attention to the earth. His career as a writer has been influenced by these experiences, showing a profound commitment to the promotion of food sovereignty and organic agriculture. In both writing and farming, his efforts have been animated by a central conviction—namely, that humble attention to microbial life provides us with invaluable lessons for building healthy human communities.

Soil and Spirit is a collection of personal essays, mapping the evolution of Chaskey’s thoughts on ecology, agriculture, and society through decisive moments in his biography. In its pages, he takes readers to his original homestead in Maine; the rugged Irish countryside, complete with blackberries, heather, and Nobel-Prize-winning poets; the ancient granite cliffs of the Cornwall coastline; Santa Clara, New Mexico, where he harvested amaranth seeds alongside a group of indigenous women; and finally, to Amagansett, in Suffolk County, where he recalls planting Redwood saplings and writing poetry beneath a centuries-old beech tree.

The lecture will take place at 7:00 pm in the Suffolk County Vanderbilt Museum’s Charles and Helen Reichert Planetarium. Tickets are available here. Support for the lecture series is generously provided by a grant from the Robert David Lion Gardiner Foundation.


About the lecturer:

Scott Chaskey is the author of Soil and Spirit. He is also the author of a memoir, This Common Ground: Seasons on an Organic Farm, and a book of nonfiction, Seedtime: On the History, Husbandry, Politics, and Promise of Seeds. His poetry, first printed in literary journals in the early seventies, has been widely published over four decades.

A pioneer of the Community Supported Agriculture (CSA) movement, for thirty years he cultivated more than sixty crops for the Peconic Land Trust at Quail Hill Farm in Amagansett, New York, one of the original CSAs in the country. He is the past president of the Northeast Organic Farming Association of New York and was honored as Farmer of the Year in 2013.

Chaskey was a founding board member for both the Center for Whole Communities, in Vermont, and Sylvester Manor Educational Farm, in Shelter Island, New York. He taught as a poet-in-the-schools for over two decades and as an instructor for Antioch International and Friends World College in Southampton. He lives and works on the east end of Long Island, New York.

 

'Shadows We Carry'

Reviewed by Jeffrey Sanzel

Meryl Ain’s debut novel, The Takeaway Men (2020), focused on immigrants Aron and Edyta (Judy) Lubinksi and their twin daughters, Bronka and Johanna. Refugees from Hitler’s Europe, the family settles with Aron’s cousins in Bellerose, Queens. 

Author Meryl Ain

The absorbing story traced their struggles with adjusting to the new world and the burdens and guilt related to survival. Dealing with both the aftermath of the Nazi genocide and the rising Red Scare during the Cold War, The Takeaway Men offered a vivid portrait of a family in transition and ends in 1962.

Ain’s sequel, Shadows We Carry (SparkPress) picks up a year later for a brief prologue on the day of President Kennedy’s assignation. As the teenage Bronka states: “This is the end of the world … Nothing will ever be the same again.” 

In Shadows We Carry, Ain focuses on Bronka, the more serious of the twins. The narrative follows the young woman’s journey from the late 1960s to the early 1980s. Ain once again displays her deft gift for presenting the intersection of historical events and cultural awareness. 

The sisters are a portrait in contrast. Bronka studies history and political science, aspiring to a career in journalism. Johanna (called “JoJo”) studies music education but has no desire to teach. However, her musical theatre dreams are derailed by a pregnancy, leading to an alternately fulfilling and frustrating married life.

Bronka’s odyssey takes her through a range of personal and professional obstacles. A well-drawn character, complicated yet likable, she is a good but flawed individual, often getting in her own way—a case of wrong for the right reasons. Even with her strong Jewish identity, she tends to seek romance with unavailable men. The first is Ned, the Queen’s College newspaper editor-in-chief and a graduating senior. Later, she falls for a priest, the charismatic Father Stan. Even more importantly, Bronka represents the pull between career and homemaking: her passion for making a life in the news world versus her desire for a traditional family constantly battles. 

Shadows We Carry also emphasizes the age of rebellion, reflecting an era of burgeoning self-discovery. Bronka’s neighbor and lifelong friend, Mindy, a middle-class version of anti-establishment, confronts Bronka with a hard truth: “Look, my mother and Tina Rosen and her sisters will all end up in boxes. It’s up to you whether you do or not. I think both of you could go either way. But I sure as hell will not. I’m going to find a different path. But first, I have to find out who I really am.”

In search of self, Bronka is unsure of her niche. Too intellectually curious to accept a narrow conservative marriage, she is conversely uncomfortable with the free-love, drug-taking hippie element. She constantly faces less than thinly veiled chauvinism and misogyny. 

Ain’s gift is the ability to veer from domestic drama to social and political issues. Whether addressing the mother’s Catholic heritage but embracement of Judaism (or the priest’s mirrored journey), she delves into the psychological turmoil of her characters. 

Mother Judy clings to an outdated vision of what women can be, subsuming her dreams to the needs of her often taciturn and haunted husband, Aron. Residuals of the Communist Witch Hunt and the search for Nazi War criminals play out against the age of the Viet Nam War. 

Canvassing for Eugene McCarthy, along with the assassinations of Martin Luther King and Robert Kennedy, are affecting milestones. The beginning of the AIDS crisis is touched upon in a subtle but powerful stroke.

An interesting event occurs in 1973 when Bronka covers the renaming of the Nazi streets in Yaphank’s Fatherland Gardens. She is accompanied by a photographer unaware of his father’s direct connection to Auschwitz. 

If The Takeaway Men focuses on the immigrant experience in the post-1945 world, then Shadows We Carry highlights the assimilating America of the 1960s and early 1970s. Its quick, taut chapters reflect the peripatetic and energetic pacing of the latter part of the 20th century. A book of identity, it asks the twin questions “Can you ever escape history?” and “Can you ever escape your history?” 

A smart and welcome coming-of-age novel, Shadows We Carry is available on Amazon.com.