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Book Review

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Jerry Seinfeld revisits his best work across five decades of comedy in new book

Reviewed by Jeffrey Sanzel

“Is this anything?” is what every comedian says to every other comedian about any new bit. Ideas that come from nowhere and mean nothing. But in the world of stand-up comedy, literal bars of gold. You see that same comedian later and you will be asked, “Did it get anything?” All comedians are slightly amazed when anything works.

— Jerry Seinfeld

Jerry Seinfeld. Photo by Mark Seliger

Is This Anything? (Simon & Schuster) is a wonderful window into the brilliant mind of one of the most successful comedians of the last thirty years. Jerry Seinfeld started out as a stand-up comic, playing clubs on both coasts, before launching to stardom in his eponymous sitcom, Seinfeld, which ran for nine seasons (1989 to 1998). The 180 episodes have been a syndication mainstay, and it is a rare day when you can’t settle down to an episode or three. It was awarded Emmy’s, Golden Globes, and Screen Actors Guild Awards; in 2002, TV Guide named it the greatest television show of all time.

The driving force behind the show was the wit and insight of its star, Jerry Seinfeld. The plot was simple: It followed the mostly minor trials and tribulations of a New York stand-up comic named Jerry and his oddball friends. It became known as the “show about nothing.” But it really was a mirror of Seinfeld’s take on the world; a point of view he had been developing since he entered the comedy scene in the 1970’s.

Seinfeld’s new book is an assemblage of all his material created over the years, broken down by decades. Each section is preceded by a short introduction, and, while they are amusing, they are also introspective. Here, he will use a joke to illustrate a point but mostly he’s giving an intimate access to his process as well as reflecting on that period of his life.

At the outset, he shares his earliest influences: Phil Berger’s book The Last Laugh, about the world of stand-up comedy, and Dustin Hoffman in Lenny, the film based on the stage play about the life of Lenny Bruce. Even at a young age, he marveled: “Comedians seem to hurtle through space and time untethered to anything but the sound of a laugh.”

Even in exploring his own work,Seinfeld  remains unsure. “I still don’t know exactly for sure where jokes come from. I think it’s from some emotional cocktail of boredom, aggression, intense visual acuity and a kind of Silly Putty of the mind that enables you to re-form what you see into what you want it to be.” He also zeroes in on the main challenge. “The real problem of stand-up, of course, is that you must constantly justify why you are the only one talking while a room full of people sit quietly.”

The book records the dozens of jokes that have been part of a four-decade career. It is like visiting old friends, full of ah-hah moments of remembering a particular line or seeing the source for an episode of Seinfeld. (A perfect example is “Dry Cleaning” where he imagines bumping into his dry cleaner wearing his clothes.) It is fortunate that he has kept all his material from the beginning of his career, every idea, every scrap of paper. Even some of his earliest jokes remained in his repertoire twenty and thirty years later. It is a pleasure to read the book and, of course, hear his flawless timing in your mind’s ear.

Seinfeld is unique in his domination of the world of observational humor. (Perhaps the only challenger would be the late George Carlin.) All of the wonderful pieces are here:  dogs and pockets, ruining an appetite, musings on laundry, etc. Some topics are just in passing and others get the epic treatment: milk, coffee, cereal, cars, driving. There are moments of tirade — friends we could do without, other people’s children, the post office. These are contrasted with more existential thoughts, such as in “Northeast Guy.” “TV Flip,” with its refrains, sings almost as a tone poem.  Seinfeld’s ability to anthropomorphize reaches true heights with “Cookies”: “You can almost feel their little chocolate chip eyes on you.”

In “Halloween/Candy,” he traces a child’s whole history of Halloween from costume to trick-or-treating to aging out of it. He also shows that everything with children is “up” — wait up, hold up, shut up, clean up, stay up — while everything with parents is the opposite — calm down, slow down, come down here, sit down, put that down, you are GROUNDED. They’re wry observations but underneath is something much more profound.

It’s not just that his observations are funny; they are also reflections of the truth. His perception of relationships is dead-on. He bridges his dating years into his marriage at 45 and subsequent fatherhood. As he grew, so did the depth of his understanding.

The stories in the sections titled “2000’s” and “The Teens” focus a great deal on marriage and weddings. Seinfeld skillfully compares marriage to “a bit of a chess game … except the board is flowing water, and all the chess pieces are made of … smoke.” He easily shifts to a comparison of marriage as a game show and “you’re always in the lightning round.”

Throughout, the book briefly touches on the milestones: his debut on The Tonight Show with Johnny Carson, his television show, and his HBO special, I’m Telling You for the Last Time, in which he retired his material to date. When he decided to return to the stand-up world two years later, it meant that he had to embark on a whole new leg of his career, starting in small clubs, night after night, month after month, to develop new material.

Is This Anything? could simply be looked at as a compendium of Seinfeld’s jokes. But it is more than that. It’s a peek into a brilliant and insightful performer’s inner thoughts, someone who is able to dissect and articulate a unique view of the world. We both get inside his mind as he gets inside ours. The simplicity of a statement like “it’s not hard to not go to the gym” speaks volumes to the listener. He manages to be every man and yet no one is quite like him.

In the end, Seinfeld says he has returned to where he began — like a horse in a race who ends up back at the start. But, unlike the horse, he is where he wants to be.

Is This Anything? offers select but deeper insight into one of the great comedic minds of our time. It presents his fears and his doubts. It shows that success is a combination of perseverance, hard work, and more than a touch of genius. But, ultimately, the book is just very funny. Really, really funny.

Is This Anything? is available in hardcover, ebook, and audio formats at Book Revue in Huntington, Amazon.com and BarnesandNoble.com.

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Parallel Perspective cover

Reviewed by Jeffrey Sanzel

‘It was uncanny how we discovered that similar subject matter had attracted our attention, as did our affinity for color and light.  When Ward explained that he changed color, moved things around and added and replaced shapes according to his inner vision, I laughed and replied that that was exactly how I created my images!  Parallels between his painting and my photography continued to reveal themselves as our relationship developed. Pure serendipity … or were we destined to meet?’ — Holly Gordon

The word “celebration” echoes within Parallel Perspectives (City Point Press), and that word — “celebration” — perfectly reflects the work of Holly Gordon and Ward Hooper. The book celebrates the extraordinary joining of an aesthetic. It shows the work of these exceptional artists, but, like in all great art, it is impossible to fully define. The fusion of these talents is alchemical. Striking, beautiful, mesmerizing on their own … but together, something that is harmoniously “more than.”

In her preface to the book, Denise Bibro uses words like “combustible” and “urgency” contrasted with “companionship.”  How these disparate concepts came together is what the Gordon-Hooper connection is about.

Authors Ward Hooper and Holly Gordon

As Peter Pitzele sites in his foreword:  “Far from wishing to mark how different brush is from lens, I think Holly Gordon and Ward Hooper say something about how the two can relate to one another as dancers rather than adversaries.” The idea of unification rather than the conflict is what creates the synergy in their works. He takes this further:  “If one thinks of color metaphorically as having, say, a musical quality, then part of what you ‘hear’ in their work is their harmonies, the color duets, their riffs …”

As a rule, the visual arts — as opposed to the performing arts — are a solo venture. It is an isolating endeavor, even after creation. Here, the creative impulse has found a complementary existence for two exceptional and exceptionally bold artists, and Parallel Perspectives gives insight into its root and growth.

On a personal level, art — and this collaboration — was a lifesaver. Their work brought them together when they were both dealing with challenging life-events. A brief sketch is offered on their individual histories before focusing on their joint ventures.

Hooper, who lives in Northport, was a package designer and design director in New York City. Sketches made on the LIRR grew to bold watercolors, influenced by the “West Coast School” (Brandt, Wood, Kingman, etc.). He painted for many years, winning awards and having his work published. When his wife became ill, he stopped painting to care for her. “My wounds were still open from my wife’s death when Holly walked into my life.”

Gordon was first given a camera at 5 years old, and the photographic passion has stayed with her ever since. The Bay Shore resident studied and created art throughout her entire life. But it was her husband’s sudden death that brought her back more intensely to photography.  “Traveling at every opportunity, I photographed my way throughout the world with no preconceived notions it would lead anywhere except to keep me afloat during this turbulent time.”  In 2001, she began working with a digital camera and this expanded her range of styles.

Gordon and Hooper were brought together by a journalist who had written about them independently but was unaware of their personal struggles. Gordon first saw Hooper’s work — his painting Long Island City — on Facebook and immediately thought of her own Night Lights. She reached out to him to see if he saw a correlation. Thus began dialogue that led to a meeting. “Here were two strangers,” says Hooper “serendipitously brought together who found that within our own individuality and mediums of expression, we had been living, working, and creating in parallel lives.”

Throughout the book, they share artistic as well as personal anecdotes. These include frustrations born of health issues. The mutual support in this unique and intimate relationship is honestly disclosed.

Parallel Perspectives cover

The book offers not just the finished works but the preliminary sketches and photos that would metamorphize into fully realized pieces. This glimpse behind the curtain further enhances the richness of the book’s offerings. Noted is the similarity with the collaborative work of artists Arthur Dove and Helen Torr. Much of this is neatly clarified by Bree Shirvell, who also provides excellent perspective on the mediums and their historical significance. Gordon’s photo-liminalism (creating layers by adding and removing shapes and adjusting opacities) is also explained, along with much of her process.

The pleasure of the book is also in the ability to flip back and forward, tracing certain visual themes. And while seeing art in the context of a show is always satisfying, the tome allows for a more extended perusal that grows with each viewing. As much of the work is of Long Island, there is the additional pleasure of recognizing many of the subjects and seeing the breath-taking transformations. (On a personal note, over the days of reading the book, I found myself returning to about a half a dozen studies that I found particularly moving and inspirational. To know that I can revisit these pictures at will is a further reminder of the power of a book of art.)

One can only hope that their work becomes the subject of a documentary. The added layer of seeing the works as well as the artists in process would be an additional record of this unusual and fascinating story.

Through his or her work, an artist gives a glimpse into thought and soul. There is power in a single image that often hundreds of words cannot match. Here, we are treated to nearly two hundred of them, exquisite in their vivid colors and intriguing invention. Their work is a mutual reflection of life, heart, and mind and Parallel Perspectives celebrates that art.

Distributed by Simon & Schuster, Parallel Perspectives is available at Book Revue in Huntington, Amazon.com and BarnesandNoble.com.

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By Leah S. Dunaief

Leah Dunaief

For some reason, this book tickles me, maybe because of the ending. And maybe because I am always interested in how women manage to balance being a wife, mother, housekeeper and cook with a demanding job outside the home. I haven’t read the book yet, only the review, but that was enough to hook me.

The book is Agent Sonya by Ben Macintyre, and yes, it is a spy story. The reviewer, Kati Marton, writing in the Book Review section of the Sunday New York Times, calls the author “John le Carre’s nonfiction counterpart.” The main character in the book, Sonya, is based on a real person, Ursula Kuczynski. Born in a prosperous, bourgeois German family, she suffered a blow from a policeman’s rubber truncheon when she was 16 and participating in a street demonstration in the 1920s as Nazis and Communists brawled. It was enough to cause her to sign up with the Communists, who were the only ones apparently willing to shed blood in fighting the Nazis. She was further seduced by their promise of a workers’ utopia.

Her story, a “panoramic account of espionage from Weimar Germany through the Cold War is, above all, a woman’s story.” It is based on Sonya’s own journals, in which she captures “the stressful balancing act of spymaster, mother and lover of several men during the most dangerous decades of the 20th century. Like many supremely successful women, Sonya benefited from men underestimating her.” And by the way, the name, Sonya, means dormouse in Russian.

Are you hooked yet?

The scene shifts from Chiang Kai-shek’s Nationalists and Mao Zedong’s Communists to Japanese-occupied Manchuria, to the bucolic Cotswolds of England, where she lived during much of WWII as a housewife and mother. In addition to caring for a husband (who was himself a lower level spy with no idea of his wife’s top level position) and two children, she managed spy drops and transmitted coded messages as an expert radio operator and in Morse code, all the while eluding the German, British and American secret services hunting for her. Without ever wearing a military uniform, she held the rank of colonel in the Soviet army. “Domesticity was the perfect cover,” according to reviewer Marton.

Sonya was right up there at the top of intelligence gathering. She was the spymaster to pass along secrets about the atom bomb from brilliant German theoretical physicist Klaus Fuchs. Fuchs worked in Britain and Canada and ultimately at Los Alamos, and she was his handler, sending critical information to Stalin and the Soviet Union. Throughout the war, Fuchs played a seminal role in helping to develop the powerful new weapon. He ultimately confessed to the British to having spied for the Soviets and served a nine-year sentence there, then promptly emigrated to East Germany.

The reviewer delights in descriptions of the flat-footedness and sexism of the British secret services as revealed in the book. Only one member of British M15 “smelled a rat” regarding the Cotswolds “housewife,” another woman, Millicent Bagot. “But her less shrewd (male) colleagues prevented [Bagot] from bagging her prey.” Sonya was interrogated twice inconclusively in 1947 by British intelligence agents. Years later, she was dubbed by the media as “Stalin’s
best spy.”

Sonya too spent the Cold War years in East Germany, leaving England the day before Fuch’s trial began. He did eventually unmask her. And this is the part that tickles me the most. She became an author, assumed the pseudonym of Ruth Werner, and wrote knowingly about spy adventures. Her books became best sellers. She died in Berlin in 2000 at age 93.

Almost all the spies she worked with were caught at some point, but she survived two intense decades, the 1940s and 50s. She led a fascinating life and was clearly exceptionally intelligent. The only pity is that she worked on the wrong side of history, believing in an ideology that was made up of lies.

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Johnny Cuomo

Reviewed by Melissa Arnold

Johnny Cuomo has worn a lot of hats over the years. He’s a musician, storyteller, nature lover, teacher, husband, father, and each role has had a profound impact on his life. The 46-year-old Mount Sinai resident is full of stories and lessons he’s learned while working with all kinds of children.

Most recently, he’s been focused on how important it is to treat others with compassion in his new book, Katy Didn’t. When a new bug arrives at school, the other bugs won’t accept him — that is, except for Katy the katydid, whose kindness makes all the difference. The book shares a powerful message within an easy-to-grasp and vividly illustrated story. It’s also a great read for young bug lovers, who will be thrilled with the variety of insect characters.

I recently had the opportunity to interview Cuomo about his latest venture.

Did you grow up on Long Island? What was your childhood like?

Yes, I grew up in Stony Brook. Interestingly, when I was a kid I was more interested in sports, like skateboarding, wrestling, and martial arts. I was also very interested in making music, which is a major part of my life today. My artistic interests were focused mainly on singing and playing instruments.

Did you always dream of being a writer?

Not quite. I’ve been able to do a lot of traveling throughout my life, and one of my favorite things is to learn about the folk tales of different places and cultures. I also got to work closely with Native American children on a reservation in California for two summers when I was in my early twenties, and that was very formative for me. Working with those children was what led me to go back to school.

What did you choose to study?

I got my undergraduate degree in education from Dowling College, and then I went on to do a Master’s in history at Stony Brook University.

So how did you start writing?

As a songwriter, I tend to write a tune and then think about lyrics that could go with it. That process forces me to write mini stories. Many years ago, I actually wrote a short story called Moonglow, something I’m still proud of. It gave me a foray into the publishing world. I also put together a CD sharing some original folk tales that I had written, based on the stories and cultures of the people I’d lived with.

Where did the idea for ‘Katy Didn’t’ come from?

Even after I began teaching, I was still really grounded in nature. I’m an avid birdwatcher and the natural world is a daily part of my life. If you’ve ever seen or heard a katydid during the summers here on Long Island, you know they have a very rhythmic chirping. Some people even say it sounds like a repetition of, “katy-did, katy-didn’t, katy-did, katy-didn’t.” I always thought that was clever, and one day I started to wonder if I could work that into a story for kids — that Katy didn’t do something hurtful, even when everyone else was doing it. I ended up having a dream about some of the characters and storyline. I created about 95% of the framework for the story within a week of that dream.

Tell me a bit about the illustrator. How did you find one another?

A good friend of mine has a brother named Benjamin Lowery who is an artist. We became friendly about 10 years ago. I got lucky — it turned out that Ben was working on his portfolio and was looking for stories to illustrate. He heard that I was putting this new story together and asked if he could be a part of it. It was really exciting that we both found something we needed in each other and the timing was perfect. I gave him general themes, and then he sent me sketches. He had an amazing sense of knowing what we needed. When I saw the first full-color picture he created, I said, “This is fantastic — just go for it!” We’ve really enjoyed this process and looking out for each other.

How did you publish the book? Did you pursue self-publishing or find an agent?

It was a touch-and-go process. We had an agent for a while, but it didn’t work out, and we sent it to some publishers, but that didn’t work out either. They gave great feedback, but it wasn’t quite what they were looking for. Finally, we connected with Peter Pauper Press, and they said they were going to share the book at their board meeting because they had a great feeling about it. A few days later, they sent us an email that said, “Katy did it!” It was great. They’ve been a really wonderful, straightforward company to work with. The deadline was just before all the pandemic shutdowns began, so we were very fortunate to get it published when we did.

What message do you want kids to take away from reading your book?

I want kids to know that whenever they go somewhere new, there will always be a person out there ready to welcome them. You may face struggles and tough times, but there will always be at least one person willing to help you through it and support you with a positive outlook, even if everyone else is ignoring or teasing you. It’s also an encouragement to be that person for others, whether you’re visiting the park, at someone’s house or meeting someone from a different town.

Is there a recommended age group?

Kids from age 3 to age 8 will get different things from the book, whether that’s their interest in bugs, early reading, or the message about how to treat people. It’s worth noting that the bugs in the book are drawn in a cute, but scientifically correct way, so there are so many things you can teach and do with it.

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Katy Didn’t is available at many online retailers, including Amazon, Barnes and Noble, and Target. For more about the book, visit www.facebook.com/katydidntbook or www.johnnycuomo.com. Teachers and librarians are welcome to contact Cuomo for information about online or in-person educational events by emailing [email protected].

Book Revue in Huntington will welcome Johnny Cuomo and Benjamin Lowery at 7 p.m. on Oct. 15 for a free, online event featuring readings, music, conversation and more. Registration is required by visiting www.bookrevue.com or by calling 631-271-1442.

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Reviewed by Jeffrey Sanzel

At the outset, I must confess that I am allergic to self-discovery. I break out in hives of disinterest. Mostly when I read these accounts, they make me want to be a less successful, unhappier person. Call it the Self-Enlightenment Repellent Effect.  And yet …

Author Stephanie Hayman

Who would think that a book entitled Surviving My First Decade in Corporate America, written by a thirty-year-old marketing strategist, would be one of the most engaging and enlightening books of the last year?

Stephanie Hayman’s slender tome is a clever, informative, and beautifully written account of her twenties in the workplace. Her prose is crisp, laugh-out-loud funny, and smart. The book is flawlessly constructed and her advice is logical and practical; her point-of-view is personal, which makes it all the more valuable. She never speaks in generalities and backs up her ideas with personal experiences and well-placed anecdotes. Her style is breezy and conversational but never feels flippant or dismissive.

This is a tremendous book.

Her target audience is young people entering the professional world for the first time. Upon graduation, the book should be required reading, perhaps handed out with diplomas if necessary. While she deals predominantly with corporate, office, and business workplaces, there is a universality to her perspective that applies to most jobs and careers.

The book is composed of about two dozen quick chapters, with some shrewd interludes. She actually opens the book with “An Ode to Change,” composed of eight comical haikus, reflecting her shift from college to the world beyond. A personal favorite: “Met for two hours today/This could have been an e-mail/What a waste of time.”

Her prologue sets the tone for what is to come: When I was a bright-eyed and bushy-tailed 22-year-old college senior, I wish I had some insight into what to expect as I entered the business world. I imagined that I’d pop out of bed with a smile on my face, shut the alarm on the first ding, and brush my teeth with such gusto, feverishly anticipating the exciting work day ahead. LOL, clearly my young self had quite the active imagination and didn’t quite grasp the concepts of commuting, 9 a.m. meetings, and overall exhaustion.

And so it began and so it begins.

The first chapter is titled “Social Paparazzi vs. Background Checks.” Right out of the starting gate, she tackles the dangers and pitfalls of social media and how it effects how one is perceived in the greater world. She strikes home with the reality that those bar pictures might have been fun at the time, but they will do you no good (and possible ill). 

In “Trading College for a Cubicle,” she gives an overview of some of the unexpected challenges in her first job. An amusing story about a difficult bad weather commute is followed by an honest, self-revelatory conclusion: “As much as everyone tells you their stories, and you feel like you know what to expect, you will never truly understand or grasp the transition to professional life until you experience it yourself.” 

“Friends, Foes and Corporate Beaus” deals with romance in the workplace. It can be done as long as you are open and honest. It worked for her but she cautions “the personal and professional not only intersect, but become emotionally entangled with one another.” This segues into “Spoiler Alert: Work/Life Balance Doesn’t Exist.” After years of hearing how important it is to separate work and life, she makes the point that it is more myth than method. “Working doesn’t stop and life doesn’t stop” — and that’s not necessarily a bad thing.  It is about sensible integration.

One of the most pointed chapters — “Sorry Doesn’t Cut It!” — addresses the mis- and over-use of “I’m sorry.” (This was an ah-hah moment for me and will resonate with any reader.) In an age of responsibility deflection, this is a reminder to choose the words that address what is actually happening, rather than resort to meaningless clichés and social dodges. Her advice on networking is succinct and pragmatic; anyone wondering how to begin developing the necessary skills are given a sensible and accessible approach.

Hayman pulls no punches. “Asking for a raise without proper justification just straight up makes you look dumb. As a millennial asking for a raise without anything to back up your claim, just makes you look like … well, a millennial.”

She takes on challenging topics with the same clear-headed, no-nonsense tactic: organizational culture, the importance of personal days, interaction in a multigenerational workforce, gender disparity, graduate degrees, and, ultimately, the pandemic. No matter how difficult the situation, she is neither self-aggrandizing or self-pitying.

One of the interludes compares reactions of her age twenty-two self to her age twenty-nine self. She covers cold calls, meetings, traveling, high heels, getting ready, bosses, emails, and availability, all with wicked accuracy and a sense of how we grow. It is also a reflection of how priorities mature with experience.

Throughout, there is a refrain of learning to trust your gut and speaking up and speaking out: “In the workplace if you don’t speak up, you’re forgotten. You become the friend that shows up to every family gathering without bringing an app, dessert or bottle of wine. Quickly everyone begins to wonder: why are you here and what do you actually contribute?”

At the end of each chapter, she has “What I knew then, but know now.” It is composed of three points summing up the material addressed in the previous pages. They are as witty and well-crafted as the body of the chapter and offer an excellent way for the book to be used as an ongoing source. After the reader has gone through the entire book, he or she can use those points as a constant refresher. Once again, the book is highly entertaining and completely practical. 

“This is not high school and you are not defined by a ‘label.’ Every day you have a new chance to reinvent or grow your existing persona. Who you are at 22 will not be who you are at 30. Don’t lump yourself in a box, and celebrate all of the differentiated parts of you.”  Wise words and good advice.

It would be easy to quote the entire book in this review. Instead, go out and get a stack of copies for the young people in your life who are graduating college (or even high school). Along with the card and the check, give them Stephanie Hayman’s Surviving My First Decade in Corporate America. And while you’re buying a copy for them, pick up a copy for yourself. You won’t be sorry.

Author Stephanie Hayman is a marketing strategist with 8+ years industry experience at Fortune 500 companies and boutique businesses. A graduate of Stony Brook University, the Hauppauge resident frequently publishes her thoughts on her blog, www.bystephaniehayman.com and will host a virtual and in-person event at SBU for current students and alumni this coming fall.

Surviving My First Decade in Corporate America is available online at Amazon, iBooks, Google Books and Barnes & Noble.

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'Eight Paths of Purpose'

Reviewed by Jeffrey Sanzel

“We are internally wired to make the world a better place for ourselves and our children.  Every time we take a step along this path, we feel an inner sense of accomplishment.  Even if we have but a very small part in this process, we feel connected to the larger goal.”

Author Rabbi Tuvia Teldon

Rabbi Tuvia Teldon explores the nature and power of purpose in his inspirational Eight Paths of Purpose [Outskirts Press]. 

His journey began in 1977 with the birth of his son, Boruch: “What happens when you thought you boarded the plane for Paris, but you land in Timbuktu?” Within five hours of the birth, the boy was diagnosed with a form of cystic fibrosis (CF) and required immediate life-saving surgery. Instantly, he and his wife faced a reversal of expectation. Dark questions crowded his mind — “How could this happen to us?” and “What did we do to deserve this?”  They were presented with a difficult challenge to the family’s projected road.

Teldon worked to accept and embrace this seismic shift. Over the years, Teldon’s family grew, gaining four more children. Boruch’s health was relatively stable until he was nine, where things became worse. In June 1991, at age twelve, Boruch received a double lung transplant, giving the family greater hope.  Sadly, the boy’s body rejected the transplant, and he died.

The devastation was unfathomable. “My burning question was what purpose could this Higher Power possibly have for bringing such suffering into the world, and specifically to my family?” In his quest for understanding, he began writing this book during the seven-day mourning period. He proceeded to work on it over the ensuing twenty-eight years.

For a piece of work that was born in such deep pain, it is an uplifting treatise on finding our way into the light of purpose. At the outset, Teldon delves into this concept, defining and clarifying purpose before exploring it in detail throughout the next hundred pages.

The book’s central concept is that human beings inherently desire to make a difference and that this driving force, whether active or passive, is at our core. It is about embracing this idea and mining the possibilities it presents. Teldon also readily acknowledges that people are unique and have different things to offer.

It is this notion — what we have to offer — that is paramount. Tikan olam — fixing the world — should become our primary focus. (In the Japanese culture, it is known as Ikigai.) How we do this is an individual journey. Teldon lays out ways to delve within ourselves. He recognizes that people face different challenges — financial, emotional, etc. — and that often through accepting adversity, life experiences can guide us. Reframing negatives as positives and “turning tragedy into something good, even if only in some small way” are possible in our personal odyssey. Also, it can be the small things that have as much value as the large. Only we restrict our choices:

It is not limited to accomplishing some great feat or reaching a lofty goal. Purpose in life should be felt on Main Street and in our kitchen, just as much as in a place of worship, in the halls of Washington, or during an inspiring personal experience […] At one moment, purpose may be expressed through our attendance at a PTA meeting; at another moment, how we handle a difficult situation or fix a broken appliance at home; at yet another it could be our decision to donate to an environmental cause in South America.

He reminds that goals are not the endgame but that they will help us to fulfill our larger purposes. “A life of purpose inspires us to see all imperfections as opportunities for us to go beyond our limits and, one hopes, create meaningful personal growth while making the world a better place.”

Teldon breaks down his eight paths and also introduces a vocabulary to flesh them out. He discusses elements of life, personality, relationships, ethics, and happiness. Fate, faith, and God are all strong components. It is a book to be read carefully and — appropriately — with purpose. These are big concepts and demand to be taken in, thought through, reviewed, reflected upon, and returned to.

(On a personal note, even after a single reading, I found an immediate application; I found myself sharing the thrust of the book in a discussion with colleagues on a current project. The clarity of his terms and vision are invaluable.)

Rabbi Teldons family

Many of the chapters end with a series of pointed questions followed by exercises to implement the precepts. Cumulatively, this gives Eight Paths a strong mix of the practical and the philosophical, alternating between explanation and narrative examples. Interspersed throughout the book are anecdotal and statistical insertions that liven Teldon’s discussion. Many of these enhance his central concepts with views on the history and evolutionary progress of the world. He quotes an interesting range of people from Thomas Carlyle and Helen Keller to Maria Shriver and Marla Gibbs.

Tuvia Teldon’s Eight Paths of Purpose is small only its length; it is huge in its scope. It is formidable in its insight and inciting the bridging meaningful acts into a purposeful existence. It is a both a primer and an advanced text on living a life of greater value and satisfaction. Ultimately, it can be summed-up in his choice of quotes from Ralph Waldo Emerson: “The purpose of life is … to be useful, to be honorable, to be compassionate, to have it make some difference that you have lived and lived well.”

A resident of Commack, author Rabbi Tuvia Teldon is the Senior Rabbi on Long Island and  oversees a staff of over 50 rabbis in 38 centers. Eight Paths of Purpose is available at Book Revue in Huntington, www.outskirtspress.com, www.barnesandnoble.com and www.amazon.com.

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An article in a 1920 issue of Science and Invention showed the 'Topsy-Turvy" wheel sporting a lighted star motif and its original name, Dip the Dip. Photo courtesy of the Coney Island History Project
This aerial shot shows Coney Island in the 1930s. West 16th Street and Bushman's Baths are in the foreground. Above that is Stillwell Avenue with Stauch's bathhouse and the narrow Tornado roller coaster. The serpentine tracks of the Virginia Reel are just to the left of the Wonder Wheel, which appears ghostly white. The Bowery is at left, leading up to the heavily wooded Feltman Bavarian Village on West 10th Street. Two roller coasters side by side at top are the 1927 Cyclone and the 1921 Wildcat. The long, narrow structures throughout the photograph are wooden bathhouse lockers and rooms. The open rooftop deck on top of the Stauch's building just below the Tornado was used for nude sunbathing. Photo courtesy of Charles Denson
Crowds flocked to Deno's Kiddie Park on Memorial Day in 2016. Photo by Charles Denson
An aerial view shows the variety of rides and attractions along the beach and boardwalk at Coney Island around 1963. Photo courtesy of Coney Island History Project
An aerial view shows Coney Island and the Wonder Wheel under construction. The spokes of the partially constructed wheel can be seen to the left of the large chimney of the Feltman powerhouse. Luna Park is at top and the Giant Racer roller coaster is at right. The coaster to the left of the Wheel is Jackman's Thriller. Feltman's outdoor movie theater is at bottom center. Photo courtesy of Charles Denson
Among the many West 12th St. amusements was the Looper, a circular steel cage that rolled on a track and was controlled by riders using foot pedals to adjust the speed of the spin. A Looper ride still exists today at Knoebels Amusement Resort in Pennsylvania. Photo courtesy of Sheila Amato

By Jeffrey Sanzel

Arcadia Publishing Co.’s Images of America Series’ latest offering is Charles Denson’s illuminating and handsomely constructed Coney Island’s Wonder Wheel Park. The book doesn’t just explore the area’s oldest and most famous attraction, the Wonder Wheel, but honors Brooklyn’s Coney Island as a vibrant neighborhood of variety and independence. It also celebrates the importance of our country as a melting pot:

The story of the Wonder Wheel is the story of immigration in America.  The century-old landmark comes with a narrative:  this incredibly complex machine was designed, built, owned, operated, and ultimately saved by immigrants with little formal education who came to the United States penniless and wound up realizing the American Dream.

In 1907, 17-year-old Romanian-born Charles Hermann immigrated to the United States. While working in San Francisco, he saw the Aeroscope at the Panama-Pacific International Exposition. It was this device that most likely inspired him to design his “perpetual motion machine.” (His early concept bore a resemblance to one of Leonardo da Vinci’s sketches for a similar invention. The book smartly shows the drawings together.)

Above, the Wonder Wheel viewed from the Bowery and West 12th St. in Brooklyn during the 1940s.
Image courtesy of the Coney Island History Project

In New York, Hermann teamed with the more business savvy Herman Garms (born Rosenfeld) to form the Eccentric Ferris Wheel Company. (Coincidentally, Garms and Hermann both arrived in the U.S. in the same year; the latter from Germany). It was realist Garms who suggested that it become a wheel and be used for an amusement ride. The pair were joined by businessman William J. Ward who was instrumental in the development of Coney Island. It was Ward who enabled the erection of the Wheel on the site of the torn-down Roosevelt’s Rough Riders roller coaster.

The book succinctly traces the building and opening of the Wonder Wheel in 1920 and notes that once built, Hermann walked away from it to pursue other projects. Typical of Hermann, he was more interested in creation and innovation than he was in financial gain. His life was a series of sometimes brilliant inventions for which he received little financial renumeration. In contrast, Garms stayed with the Wheel and his descendants would operate it for the next sixty years.

Throughout the 1920’s Coney Island flourished. Between 1917 and 1923, the City bought back the beachfront property from private holders to create a wide beach and public boardwalk. Rollercoasters — the Thunderbolt, Tornado, and Cyclone — were joined by two luxurious theaters: the RKO Tilyou and the Loew’s Coney Island. The Half Moon Hotel, fourteen stories high, opened in 1927.  Ward was the driving force behind much of the renaissance.

The book continues by briskly tracing the events of the ensuing decades, highlighting the ups and downs with interesting and informative anecdotes. It shows the shifts in the attractions (changes in the businesses, various fires, etc.) and leads up to the purchase of the Wonder Wheel by Greek immigrant Denos Vourderis, in 1983.

Vourderis (born Constantinos Dionysios Vourderis in 1920) joined Greece’s merchant marine at the age of fourteen and then fought for the Americans in World War II. He began with a hotdog pushcart before growing his business to restaurants and food concessions. Fulfilling a life-long dream, he bought the Wonder Wheel and its environs, creating Deno’s Wonder Wheel Park, a family business that endures today. Vourderis is another wonderful example of the fulfillment of the American Dream.

One of the great joys of the Images of America series is, of course, the pictures. There are literally hundreds of photos spanning a century, each telling its own story. There are fascinating sketches and blueprints that show Hermann’s process and progress. There are maps and admission tickets, promotional stills, and candids. There is artwork from the popular Spook-A-Rama and behind the scenes photos revealing many of the innerworkings. There are also publicity pictures from films that have used the area as a location juxtaposed with the myriad visitors and employees. And, of course, dozens of pictures of the families that have been integral to its upkeep, survival, and improvement.

One particularly fun photo is an advertisement that includes the Wheel’s statistics (Height:  150 feet; Weight:  150 tons; Cars: 24—8 “dip” cars; Capacity: 132 riders) with “THRILLS” emblazoned across the Wheel along with  “CONEY’S COLOSSUS!” and “STUPENDOUS!  AWESOME! THRILLING!” in the text. The Wonder Wheel did not come with an operating manual; there is a photo of the only existent instructions, jotted down on the inside of a cigarette carton. At the end of the two columns is “Good Luck.”

The Wheel is more than an amusement ride. It’s a work of art and the ultimate survivor in an ephemeral world — a link to Coney’s remarkable past.

Coney Island’s Wonder Wheel Park is an the ideal tribute to a ride, a place, and a way of life.

The executive director of the nonprofit Coney Island History Project, author Charles Denson grew up in Coney Island and began documenting his neighborhood as a boy, a passion that continues to this day. Pick up a copy of Coney Island’s Wonder Wheel Park at Book Revue in Huntington, www.amazon.com or www.barnesandnoble.com.

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Photo from Christine Pendergast

Reviewed by Jeffrey Sanzel

The name of the book is Blink Spoken Here. It is written by Dr. Christopher Pendergast and Christine Pendergast of Miller Place.

That’s really all you need to know.

That, and please buy the book.

Blink Spoke Here. Dr. Christopher Pendergast and Christine Pendergast.  Buy the book.

You don’t need to finish reading this review.

You just need to buy the book.

Blink Spoke Here. Dr. Christopher Pendergast and Christine Pendergast.  Please buy the book. Now.

For those who want to know more …

It is easy to say that this is an important book — because it is. It is about exceptional bravery in the face of unfathomable adversity.  It is about a man who has defied the odds and lived with one of the single most difficult and devastating diseases:  ALS (amyotrophic lateral sclerosis), also known as Lou Gehrig’s disease. Emphasis on lived with. It is told in his words, with the assistance of his wife.

Authors Dr. Christopher Pendergast and Christine Pendergast

The title refers to how he wrote the book, with an eye-controlled device, as he does not have the use of his hands or his voice. His journey began with the diagnosis in 1993 and continues to this very day — to the very moment that you are reading this sentence. The average lifespan with ALS is two to five years; Dr. Pendergast has survived for twenty-seven. There is no medical answer as to why. But perhaps the Universe has chosen him for bigger reasons. Two of them? First: his bringing awareness to this monstrous affliction through his inspirational Ride For Life. Second: He has written this book.

In 1993, Dr. Pendergast had been a teacher for twenty-three years, married to his childhood sweetheart, Christine.  At the time of his diagnosis, he was in the Northport school district, and he continued to teach in the classroom for as long as possible. When that was no longer an option, he continued as a teacher for the world. Blink Spoken Here is a portrait of a teacher in the best sense of the word.  His passion to impart knowledge has infused his entire life.

Beginning with a description of the disease’s arc, he brings us into his world:

“It was not a dramatic event like a building collapse but a more steady deterioration similar to a bridge failure. I was imploding. In 1993, my physical presence began shrinking before my very eyes. My contact with the world was severing, one function at a time.  Angry, scared and saddened I was like a stubborn mule fighting with tenacity for each inch I surrendered. First it was dressing, followed by grooming, driving, toileting, walking, feeding, and breathing. Now I cling to my last vestiges of talking. It forced me retreat towards within. The exterior husband, father, and friend was left behind.”

Dr. Pendergast is unflinching in his brutal honesty about the pains and the challenges. He shares some of the darkest moments in his life. But, just as often, he speaks of hope and appreciation and deep faith. Many of the simplest things that we take for granted have been taken from Dr. Pendergast.  And yet, in all of this, he manages to find not just the good in life but the lessons that are offered every day. 

If these are not good enough reasons to read this book (and they should be), it is also a beautiful piece of writing. Dr. Pendergast writes with extraordinary eloquence and sincerity, with humor and insight. His prose is exquisite. He shares anecdotes and parables, free verse and personal accounts. The craft is equal to the art and both are worthy of the humanity that created it.

The memoir is split into two sections.  The first focuses on his coming to terms with the disease and its myriad challenges. (The first half even concludes with a wicked send-up of Dr. Seuss.)

The second half of the book focuses on the Ride for Life, which began in 1998 as the Ride to Congress. It follows his goals of bringing national awareness to ALS as well as an increase in services, knowledge, and fundraising. Taking his cue from the activism of the late 1960’s and early 1970’s, he finds his inspiration:

“For me, the remarkable results of these movements underscored the power of choosing to make a difference. The activists of those movements did more than complain about these wrongs; rather they opted to fight for change.  This activism formed a model in my subconscious. I followed this model 40 years later.” 

The initial support of his home school in Northport proves that it takes a village — or at least a district. Over the years, the Ride has evolved and has focused its activities in New York and Long Island.

From the “weight of secrecy” to his global advocacy, this is an odyssey that is both far-reaching and personal. His love for his wife and family and for his community comes through at every turn. This is a man who does not curse the darkness but moves towards the light. 

“Life is too short to spend wishing things were not so. Things are what they are. Some occurrences are not our choice. However, we do choose how to respond. We decide how to live the life we get.”      

There are too many incredible moments to enumerate. Even the description of the challenge of opening an envelope is a revelation. There is a particularly telling incident with his son and church. It is a lesson in forgiveness and perspective, and its reverberations reflect his own continuing journey.

The final chapter, entitled “The First Amendment,” is a crushing account of his loss of the ability to speak: “To the educator, the voice is a powerful tool. It commands respect, informs and on occasion, inspires. The voice becomes our signature for the world. Losing it is catastrophic.” 

Dr. Pendergast describes the gradual decline in his vocal power and the various methods of communication. His frustration is honest and palpable just as his deep belief that his and all voices should be heard in one form or another.  He advocates for those who are desperately ill with ALS and that this basic human right should not terminate at the hospital door.

“Speech is freedom. Communication is the connection to the outside world. We all have a right to be heard … I want to be able to speak, even if it is only one blink at a time.” 

This chapter brilliantly closes the book. Because while he may have lost the physical voice, his spiritual voice continues. It is powerful. It commands respect. It informs. And, truly and always, it inspires.

Once again.

Blink Spoken Here. Dr. Christopher Pendergast and Christine Pendergast.

Don’t wait. Please buy this book. Now.

Blink Spoken Here: Tales From a Journey Within (Apprentice House Press) is available at Book Revue in Huntington, Amazon.com and BarnesandNoble.com.

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Suzanne McKenna Link with her third novel, 'Finding Edward'

By Jeffrey Sanzel

Looking for a life-affirming summer romance? Finding Edward, Suzanne McKenna Link’s third novel in her Save Me Series, is a first-rate diversion.

Author Suzanne McKenna Link

The stand-alone story follows Eddie Ruddack, a Long Island boy of twenty-six, in a time of challenge and transition.  The novel opens with him reluctantly leaving his family home. His brother, Ray, is moving in with his fiancée, so Eddie is going to live with his boss, Toby, his pregnant wife, Claire, and their two daughters. And while he lives in the basement, it is clear he is a welcomed addition to the household.

Toby is a benevolent and involved employer; Claire is the ideal confidant and surrogate mother; both are things that Eddie desperately needs. In the meantime, Eddie, Ray, and their mother are awaiting news of the maternal grandmother’s will and their shared inheritance. 

Eddie is a nice “getting-by” guy in search of answers but isn’t sure of the questions.  And while he claims to want the perfect relationship (i.e., family, children), he just hasn’t found himself. He’s not so much a slacker as he is floater, much due to a spotty and inconsistent upbringing. His interests are clothes and art, without ever committing to a passion or landing on who he is or what he wants to be.

Even when taking a look at his room for the last time, there is a sense of disconnect: “A trash bag of dried up dreams filled with old tubes of paint, brittle paintbrushes, sketchbooks with yellowed pages, and several near-finished canvases. Bulky with squared edges that threatened to poke through the plastic, the bag was heavier than all the others. I dropped it off at the curb for waste pickup.” 

His beloved grandmother’s bequeathal brings forward some life-altering truths, the most important of which is that Tom Ruddack, the father who walked out his family years before, is actually not Eddie’s biological father. His mother had a brief affair with a man named Giovanni Lo Duca, an Italian who was on a short-term work visa.

According to his grandmother’s wishes, Eddie needs to travel to Positano, on the Amalfi Coast. After the trip, he will receive money that she hopes will go towards tuition for art school, the interest that had bonded them in his childhood.

Eddie departs bruised — both figuratively and literally:  the former from the news of his unknown paternity, the latter courtesy of her mother’s boyfriend, Mike. He arrives feeling “like a randomly placed pushpin on a wall map.” Immediately, the situation becomes fraught with problems, including the loss of his wallet with his debit card.

His disastrous first day in this idyllic setting is an excellent juxtaposition of a contradictory adventure. However, a chance act of bravery in the hotel lobby makes him a local hero, changing the course of his visit.

Through this he earns first the respect and then the friendship of the beautiful doctor, Ivayla, and ends up as her guest, staying in the house she shares with her two fathers, the gregarious Mario and the taciturn, reclusive, but gifted artist, Paolo. Ivayla becomes his guide as well as the object of his ardor. Their growing attraction fuels the book’s more personal and eventually intimate moments.

The cover of ‘Finding Edward’

The book is full of rich detail, painting a vibrant Italian countryside, along with celebrating its people, its culture, and, of course, its food. Link is an engaging storyteller and shows us this magical foreign country through Eddie’s eyes. The descriptions reflect Eddie’s artistic bent and enhance the sense of a potentially bright and welcoming new world.

“Sun-bleached pastel houses, in gold, peach, white, and red, stacked high like a seawall. Precariously perched, they appeared ready to tumble into the sea at any moment. I imagined the people who lived in such a vertically challenged geography would be mentally tenacious and squat, physical powerhouses.” It is this artistic whimsy through which Link gives us a glimpse of Eddie’s creative potential.

Eddie experiences a reluctant but powerful awakening. He realizes that prior to Italy he had been living but not alive. “If I’d been home, I probably would have been in my basement apartment on the computer. I was here in an Italian city sharing wine and olives on a warm sunny evening with a local man and a mature, beautiful woman. Heightened by the foreign sights, sounds, and smells, my senses were becoming acutely discriminating, picking up scents and flavors I hadn’t known I was capable of.”

Ultimately, art and love become deeply intertwined. Eddie needs both to take the next step in his growth. The tale comes to a satisfying conclusion:  Scritto nelle stelle … “It is written in the stars.” It is the incomplete Eddie who leaves for Italy but it is the maturing Edward who returns home. Finding Edward is a charming journey with just enough Italian sun to warm the heart.

A resident of Sayville, Suzanne McKenna Link (suzannemckennalink.com) is also the author of Saving Toby and Keeping Claudia. Pick up a copy of Finding Edward at bookrevue.com, Amazon.com or BarnesandNoble.com.

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Reviewed by Jeffrey Sanzel

Mike Domino’s seventh novel, Camp Hero, is a vigorous thriller with hints of noir around the edges.

Author Mike Domino

Private investigator Bobby Fallon takes on a case in Montauk that becomes more complicated the deeper he goes. Fallon, a former Manhattan detective, was accused of killing the man who murdered his brother, another New York City cop.  He was tried and acquitted but has been branded the Vigilante Cop. While it cost him his position on the force, it cuts a strong swathe with the townsmen of Montauk, an important fact as he enters the world of eastern Long Island.

Fallon has been dispatched from the City by the high end law firm for which he works to help clear the Montauk sheriff of an accusation that is most likely a set-up. Sheriff Kemp has been accused of sleeping with an underaged prostitute, which he flatly denies. Kemp, who cares for his two adult special needs children, is a tight-lipped fellow who gives Fallon little information to go on. Fallon trusts his instincts and realizes there is much more to the investigation. 

In the midst of this, Senator Vance Hildreth is in league with multi-millionaire Matilda Wong, a Wall Street demagogue whose fortune was in pharmaceuticals, specifically a wonder drug called Zioxyn, a painkiller used for late stage cancer.

Fallon stays in a group of nearly deserted bungalows called The Beehives. There he meets and teams up with successful mystery writer Jennifer Connery, who becomes not just his assistant but an astute set of eyes on the case. They quickly become romantically involved as well.

At the center of the story is Camp Hero.  Hildreth and Wong want to turn the old army base into a national park. But their motives are clearly not as pure as they sound. Hildreth is connected to organized crime and has no problem engaging help from the wrong side of the law. This he does to the tune of twenty-five million dollars.

There is a great deal about Camp Hero’s use during and after World War II. Top-secret experiments, the CIA, SAGE (Semi-Automatic Ground Environment) radar, and Operation Paperclip (that covertly brought top Nazi scientists to the United States to work on rocket missile propulsion technologies) have all swirled around the site’s history.

In addition, alleged drums of nuclear waste dating back to 1958 are rumored to be beneath the empty facility. These speculations are important both to the building mystery and the final outcome. Domino knows how to lead the reader down one path and then swiftly alter to a separate course.

There is a nice peripheral piece introduced about Bonackers. These are the descendants of the original European settlers of Scottish and German lineage; much of the Bonacker lore is centered around the Hamptons and its environs. The early Bonackers were fisherman, cattlemen, and farmers. In later years, those still active are fisherman. Again, what seems like randomly introduced trivia and character background becomes germane to action later in the book.

Domino writes in an easy style, moving quickly from scene to scene and event to event. It has the right energy and pace for a thriller, and it is dialogue-rich, allowing the characters to speak for themselves, avoiding lengthy descriptions. One of the few places Domino goes for detailed narrative is a disturbing incident during a demolition. Both the accident and the reaction of those involved are well presented and have the complete ring of truth.

Mike Domino’s Camp Hero is a swift and entertaining thriller — and it takes place right in our own backyard.

A resident of Port Jefferson, author Mike Domino is also a feature filmmaker (“Mott Haven: Cash for Keys”) and the owner of Domino Plastics Company. Pick up a copy of his latest novel in paperback or on kindle at www.amazon.com. For more information, visit www.campheromontauk.com.

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