Arts & Entertainment

Barbara Zinna. Photo courtesy of Mather Hospital

Mount Sinai resident Barbara Zinna, a Mather Hospital, Northwell Health volunteer, was elected to a one-year term as president of the Nassau-Suffolk Council of Hospital Auxiliaries. Her term expires June 2020.

Zinna, an auxilian for 30 years, says one of her major roles as an auxilian is to raise awareness about the community services her hospital offers. Evidence of that commitment occurred when the Mather Auxiliary received the Healthcare Association of New York State’s Best Auxiliary Award in 2017. Also current president of Suffolk County Homemakers, an organization with 26 chapters throughout Long Island, Zinna previously served Mather Hospital’s Auxiliary as its president for four years. 

In her role as president of the Nassau-Suffolk Council of Hospital Auxiliaries, Zinna will continue to lead this organization of hospital volunteers that is aligned with the Nassau-Suffolk Hospital Council, the organization that represents Long Island’s not-for-profit and public hospitals.

Hospital auxilians play a vital role in the delivery of compassionate care at each of their facilities and are major fundraisers for their respective institutions. 

Collectively, Long Island’s volunteer auxilians raise millions through gift shop and thrift shop sales, fashion shows, boutiques and other events. In addition, they are actively involved in advocating on federal, state and local levels on behalf of their hospitals and the thousands of patients that these institutions serve each day.

Above, Carl Zorn with two of the plaques overlooking Conscience Bay. Photo by Leah Chiappino

By Leah Chiappino

Visitors to Frank Melville Memorial Park in Setauket have Eagle Scout Carl Zorn to thank for the new informational plaques that have been installed among the tranquil scenery. They include a general welcome sign detailing the history of the park’s founding and species that occupy it and two additional signs detailing the ecology of estuaries and watersheds. The welcome sign is located at the entrance to the park, and the other two signs are located side by side near the second bridge overlooking Conscience Bay. 

A new plaque welcomes visitors to the park. Photo by Leah Chiappino

Zorn, who has been a Boy Scout since first grade, chose to design informational signage for the park as his Eagle Scout Leadership Project because he wanted to do something that would have a lasting impact on the community. “I wanted something where if I moved to a different state and came back here to visit, I could look at it and say that I did that,” he said. The Scouting organization also fostered a love of nature in Zorn who described his childhood as “always being outdoors and camping with the Boy Scouts and my family.”

After getting the idea from a family friend in July, the Setauket resident began his project last September and completed it in early February.

As the Frank Melville Park Foundation, along with the Zorn family, donated the funds for the materials, most of Zorn’s time completing the project was spent researching the content for the plaques. He admits the start of the project was overwhelming. “At first, I had no idea what to do or how to learn about the wildlife here, ” he explained. 

Kerri Glynn, director of education for the park, stepped in to assist Zorn in gathering the information for the plaques with the hope they would help people become more environmentally aware. “I hope people come to understand the fragility of the ecosystem. Many people come to the park and think it is lovely, but they don’t understand the ecology of it,” she said.

Zorn consulted with Town of Brookhaven historian Barbara Russell in order to highlight the unique history of the park, which was built by Ward Melville and donated by his mother Jennie as a memorial to her husband Frank Melville in 1937. “Essentially it’s private land for public use,” she said. 

A community treasure, the 26-acre park features two ponds, an estuary and woodlands. On any given day, visitors can see swans, deer, songbirds, turtles, herons and wood ducks as they stroll along shaded paths past a simulated grist mill and a 20th-century barn. The park and its buildings are included on the National Register of Historic Places.

Local environmentalist and conservation chair of the Four Harbors Audubon Society, John Turner, also assisted Zorn with his research, and highlighted the importance of education on watersheds, or land in which below-ground water feeds into a water source. 

“People live work and play above their water supply. The quality of the waters in the aquifers underneath the Long Island surface are affected directly and intimately by the activities that we conduct on the land surface, so a clean land policy means a clean water policy,” he explained. 

From left, Andrew Lily, Joe Pisciotta, Andrew Graf, Carl Zorn, Aiden Zorn (in forefront), Tim Petritsch and Mark Muratore at the installation in February. Photo by Steve Hintze

Turner called Zorn’s project “well-conceived and well-executed.” He also praised the park’s board of trustees, as well as the park’s president, Robert Reuter, for recognizing the value of the project. “You have a captive audience in the park, but up until now there was limited information. [These plaques] have taken advantage of that captive audience to try to instill a greater appreciation and awareness of the resources around them,” he said.

After gathering the information and submitting several drafts for approval by the board, Zorn then had the task of designing the signs, with pictures provided by the park. He found a sign company, Fossil Industries in Deer Park, to make the signs, a process that took about three months. He then focused on configuring the specific intricacies of the project, such as the location, and making sure the signs were low enough to be at eye level for children but still readable to adults. 

Weather also delayed the installation, as the ground would freeze. Once the signs were finished, Zorn along with eight other Boy Scouts joined together in order to install them. 

Reuter praised Zorn’s work ethic and the final result, calling the project “a long and thorough process and a real achievement.” Russell also added praise for the finished product. “He did a wonderful job. There’s a nice combination of the history and environmental facts affecting the park [on the signs],” she added. Zorn was equally pleased with the results. “This is exactly what I wanted in an Eagle Scout project and I got it,” he said.

The 18-year-old recently graduated from Ward Melville High School and will attend Rollins College in Winter Park, Florida, in the fall as a music business major, combining his passion for music with his ambition to work for the Disney Corporation.

However, according to Reuter, as Zorn wished, the plaques will have a lasting impact on the community. “Frank Melville Memorial Park is now enriched with really useful and attractive interpretive signs that inform park visitors about the park’s history and environment. But, don’t take my word for it — go see for yourself.” 

Frank Melville Memorial Park is located at 1 Old Field Road in Setauket. For more information, call 631-689-6146 or visit www.frankmelvillepark.org.

Candace Bushnell at home in Roxbury, Conn. June 2010

CAC to host Candace Bushnell 

Author and journalist Candace Bushnell heads to the Cinema Arts Centre, 423 Park Ave., Huntington on Monday, Aug. 12 at 7:30 p.m. for Long Island LitFest. In conversation with author Ellen Meister, Bushnell will discuss her life, the impact of “Sex and the City” and her new novel, “Is There Still Sex in the City?”Tickets are $50 and include a copy of Bushnell’s new book, audience Q&A and book signing reception. Visit www.cinemaartscentre.org to register.

For more information, call 631-423-7610.

Jack Licitra and friends at an outreach program, Inside Song, at SBU’s Staller Center in 2018. Photo from Staller Center

By Jack Licitra

Jack Licitra

Music is something to be enjoyed. It entertains us, excites us, soothes us. 

But is it possible that music can change our bodies and our minds? And what if the physical act of making music – the way we move our hands and our bodies, while we play – transforms consciousness? 

I believe it’s possible to shift the intention of music from just entertainment to something more meaningful. And the way we do this is: not just play music, or hear music, but use the music. Use it for healing. And in using music, you are using your own self as the instrument.

As a Reiki practitioner, I’ve seen how hand movements and symbols generate healing energy. And that poses the question: do musical patterns and rhythms and tempo and duration affect brain waves and heart rate? If these things do affect us in beneficial ways, maybe we can apply them specifically to helping people. 

In 2004 I was working at the Long Island State Veterans Home dementia unit in the evenings, playing music for older folks. It was hard to keep them engaged for long periods of time because of their impairments. Then I began to bring a tambourine. I was astonished to see that when I held a steady rhythm, our sessions went from 15 minutes to sometimes more than an hour. 

I already was aware that songs from their youth would elicit emotional responses, like singing along, dancing or even crying, but I was surprised to discover that rhythm could transform their consciousness. 

Fast forward to a few years ago. I was burned-out, exhausted and worried about generating enough income to support my family. So I was happy to be invited to play at an outdoor arts festival in Ithaca, even though it was many hours from my hometown of Garden City. But when I got there, I found that a rainstorm had damaged the fairgrounds, and attendance was dismal. I was playing to an empty field, basically. 

A drumming group was scheduled to play after me. As they showed up for their set, I invited them to jam with me. By the time their teacher arrived – a master drummer from Ghana – a small crowd had gathered and the rhythms were getting very intense. There was a moment when I noticed my hand was unconsciously strumming a pattern on the guitar. It was something I had never played before. Well, when I left there, I felt like my heart had been opened and refreshed. The music healed me.

To use music in this healing way, we take familiar melodies, rhythms and chord progressions and shift the intention to have a transformative impact. It may sound familiar to one’s ears, but because of the new way you’re cooking the ingredients, the impact is different.

I am fascinated by the kora (a traditional West African stringed instrument) and also Carnatic, or classical Indian, music. How do they affect the systems of the human body? It’s worth exploring.

We can make a shared community consciousness, when we use these musical healing tools together. 

Jack Licitra is a Sayville-based singer/songwriter/keyboardist and guitarist; music educator; founder of the music-teaching studio South Bay Arts in Bayport; and is available for musical programs at schools, libraries and other facilities. Join the musician at Emma S. Clark Memorial Library, 120 Main St., Setauket on Aug. 15 for a free outdoor family concert titled World of Stories: Pop Songs from 6:30 to 7:30 p.m. No registration required.

Poached chicken breasts with tonnato sauce

By Barbara Beltrami

Midsummer. Not exactly a dream and more of a nightmare if the temperature hits the 90s and the humidity is high too. No time to turn on an oven or sweat over a grill. Better to cook in the early morning, then refrigerate for later. But what? 

A steak grilled, cooled and refrigerated in a savory marinade, then sliced works well; so do poached chicken breasts immersed in a tonnato (tuna, mayonnaise and capers) sauce. Potato salad is always welcome whether dressed with the traditional mayonnaise, celery and hard-boiled egg or an herbed vinaigrette. 

Salad? Sliced tomatoes with onions or scallions, sprinkled with fresh corn kernels or the ever popular mozzarella and basil; garden lettuce and cucumbers and peppers; watermelon, tomato, cucumber and feta. Here are a few dreamy recipes to help you keep your midsummer nights cool.

Poached Chicken Breasts With Tonnato Sauce

Poached chicken breasts with tonnato sauce

YIELD: Makes 4 servings

INGREDIENTS:

4 medium boneless chicken breast halves

3 cups cold water

1 cup cold dry white wine

1 medium sprig fresh thyme

1 medium sprig fresh flat-leaf parsley

1 handful fresh chives

1 tablespoon kosher salt

1 cup mayonnaise

½ cup extra virgin olive oil

One 6-ounce can Italian dark tuna packed in olive oil

2 anchovy fillets

2 tablespoons freshly squeezed lemon juice

¼ cup capers, rinsed and drained

Freshly ground black pepper

DIRECTIONS:

Place chicken breasts in a large skillet; cover with cold water and wine; add herbs and salt. Bring water to boil over medium heat. When a rolling boil is achieved, turn breasts over with tongs, remove from heat and cover with a tight-fitting lid. Let sit 5 to 10 minutes until an instant read thermometer inserted in the thickest part of a breast reads 150 F. Remove breasts to cutting board; let sit 5 minutes, then slice. Arrange on a platter, cover and refrigerate. 

Put mayonnaise, oil, tuna, anchovies, lemon juice, capers and black pepper in jar of blender and puree until smooth; cover and refrigerate one hour. Pour generously over sliced chicken. Serve cold on a bed of lettuce with potato or rice salad and sliced fresh tomatoes.

Herbed Potato Salad

Herbed Potato Salad

YIELD: Makes 4 servings

INGREDIENTS:

1½ pounds new potatoes, scrubbed and chopped

¼ cup chopped fresh tarragon

¼ cup chopped fresh chives

¼ cup chopped fresh chervil

2 scallions, very thinly sliced

3 tablespoons extra virgin olive oil

1 tablespoon dry white wine

1 tablespoon prepared mustard

1 to 2 tablespoons red wine vinegar

Salt and freshly ground pepper to taste

DIRECTIONS:

In a medium saucepan, boil potatoes in salted water until tender, about 10 to 12 minutes. Place in large bowl to cool to room temperature. In small bowl whisk together herbs, scallions, oil, wine, mustard, vinegar, salt and pepper. Pour over potatoes; toss to coat thoroughly; cover and refrigerate tossing again after 30 minutes, one hour. Serve with poultry, fish or meat. 

Watermelon, Cucumber, Tomato and Feta Salad

Watermelon, Cucumber, Tomato and Feta Salad

YIELD: Makes 4 servings

INGREDIENTS:

2 cups diced cucumber

1 cup grape or cherry tomatoes, halved

3 tablespoons extra virgin olive oil

2 tablespoons apple cider vinegar

¼ cup chopped fresh flat-leaf parsley

¼ cup chopped fresh dill

Salt and freshly ground pepper to taste

4 cups diced watermelon

1 cup crumbled feta

Sliced red onion (optional)

DIRECTIONS:

In a large bowl, toss together cucumber and tomatoes. In a small bowl whisk together the oil, vinegar, parsley, dill, salt and pepper; pour over cucumber and tomatoes. Tossing frequently, let sit one hour. When ready to serve, add watermelon, feta and red onion (if used); toss again. Serve with poultry, meat or fish.

The Three Village Historical Society hosted a Volunteer Appreciation Wine and Cheese event on July 17. Over 40 volunteers and board members attended the celebration under a cloudy thunderous sky and enjoyed wine and cheese, live music by County Line RD and a fudge and wine pairing with Linda Johnson of Chocology, right. The event ended on time at 7 p.m. when torrential rain sent the crowd running inside for cover.

For more information on how to become a volunteer at the TVHS, please call 631-751-3730 or fill out a volunteer application at www.tvhs.org.

Photos by Anthony White

Timothy Glotch. Photo from BNL

By Daniel Dunaief

Several Stony Brook University scientists are studying the health effects of lunar dust on the human body. The accompanying article describes a recent $7.5 million, five-year award that the researchers, led by Tim Glotch in the Department of Geosciences, recently won from the National Aeronautics and Space Administration. See below for email exchanges with some of the other researchers.

Fifty years after astronauts Neil Armstrong and Buzz Aldrin left those fateful first footprints on the moon, a team of scientists is hoping to ensure the safety of future astronauts who remain on the moon for longer periods of time.

Led by Tim Glotch, a professor in geosciences at Stony Brook University, the research team was awarded $7.5 million in funds over five years from the National Aeronautics and Space Administration. The funding will begin this fall. The goal of the multinational team, which includes researchers from Brookhaven National Laboratory, NASA Johnson Space Center, the American Museum of Natural History, among many others, is to explore the health effects of lunar dust.

Different from the dust on Earth, which tends to be more rounded and small, where the sharp edges have been weathered away, lunar dust has jagged edges because the lack of atmosphere prevents the same erosion.

The group, whose work is called the Remote, In Situ, and Synchrotron Studies for Science and Exploration 2 (or RISE2) will determine the effects on exposure on cell death and genetic damage.

Glotch’s team will follow up on an earlier five-year effort that just concluded and will coordinate with seven research groups that received similar funding from the space agency.

Astronauts who were on the moon for a matter of hours sometimes developed a respiratory problem called lunar hay fever, which came from the introduction of these particles into their lungs. In preparing for missions to the moon, asteroids or other planets, NASA is preparing for considerably longer term voyages, which could increase the intensity and accumulation of such dust.

At the same time, NASA is working on dust mitigation strategies, which will hopefully prevent these particles from becoming a problem, Glotch explained.

Joel Hurowitz, an assistant professor in the Department of Geosciences at SBU, is leading the reactivity study. He will take simulated minerals that are common on the moon and put them in simulated lung fluids. He and the RISE2 team may be able to provide a better understanding of the risks and preclinical symptoms for astronauts.

Hurowitz is working with Hanna Nekvasil, a professor and the director of undergraduate studies in the Department of Geosciences at SBU. Nekvasil is synthesizing pure minerals in the lab, which are analogs to the materials people would encounter on the moon.

“One of the problems we counter when trying to assess the toxicity of lunar materials to astronauts is that Earth materials” don’t have the same structure or properties, explained Nekvasil in an email. “For this reason, we plan to make new materials under conditions that more closely simulate the conditions under which the materials formed at depth and were modified at the lunar surface.”

On the medical school side, the researchers will use human lung and brain cell cultures and mouse lung cells to see how the minerals and regolith affects cell viability and cell death, Glotch said.

Nekvasil explained that the research team will also explore the effects of the function of mitochondria, which can have acute and long-term health effects.

Stella Tsirka, a professor in pharmacological sciences at Stony Brook, is leading the cytotoxicity studies and will continue to look at what happens to the lungs and the central nervous system when they are exposed to lunar dust. “What we see is some transient increase in inflammatory markers, but, so far, we have not done chronic exposures,” Tsirka said. The new study will aim to study chronic exposure.

Bruce Demple, a professor in pharmacological sciences at the Renaissance School of Medicine at SBU, is leading the genotoxicity efforts.

In addition to the jagged pieces of lunar dust, astronauts also may deal with areas like the dark spots on the moon, or lunar mare, which has minerals with higher amounts of iron, which can lead to the production of acidity in the lungs.

Ideally, the scientists said, NASA would design airlock systems that remove the dust from spacesuits before they come into the astronaut’s living spaces. The work on RISE2 will help NASA “understand just how big a health problem these astronauts will face if such engineering controls cannot be put into place, and develop reasonable exposure limits to the dust,” Hurowitz explained in an email.

The most likely landing spot for the next exploration is the south pole, which is the largest impact basin in the solar system. That area may have clues that lead to a greater understanding of the chronology of events from the beginning of the solar system.

“I hope future missions will help answer questions about the timing and processes through which the moon formed and evolved,” Deanne Rogers, an associate professor of geosciences at SBU, explained in an email. Rogers, who also participated in the first RISE research effort and is married to Glotch, will conduct thermal infrared spectral imaging and relate the spectral variations to chemistry and mineral variations in surface materials.

Additionally, the south pole holds volatile elements, like ice deposits. Finding ice could provide other missions with resources for a future settlement on the moon. Water on the moon could provide hydration for astronauts and, when split into its elements, could create hydrogen, which could be used for fuel, and oxygen, which could create air.

In addition to working with numerous scientists, including coordinating with the other current NASA research efforts, Glotch is pleased that RISE2 continues to fund training for undergraduates and graduate students.

The current effort is also coordinating with the School of Journalism at Stony Brook. Science journalism classes will involve writing stories about the research, profiling the scientists and going into the field for two weeks.

Glotch, who thought seriously about becoming an astronaut until he was about 23 years old, explained that he is pleased that there appears to be a “real push to go back to the moon. I have hoped to see a new human mission to the moon or beyond since I was a kid.”

————————————————————————————————Q & A with Associate Professor of Geosciences Deanne Rogers:

What role will you play in this work? Is this similar to the contribution you made to the original RISE project?

My contribution is very similar to my role in in the original RISE project. I will be participating in Theme 2, conducting thermal infrared spectral imaging and relating the spectral variations to chemistry and mineral variations in surface materials. A major new component is developing rapid analysis algorithms and pipelines, and evaluating strategies for how to best organize and integrate the various data sets.

How much of your research time will you dedicate to RISE2?
About 15% of my research time. But there will be a graduate student who will be doing the heavy lifting (collecting, processing and analyzing the data, correlating the data with surface materials and chemistry, developing the processing algorithms).
Have you and Tim spent considerable time discussing RISE2 and did you go through numerous drafts of the proposal?
Yes.
Will you also be involved in working with undergraduates and graduate students, as well as journalism school students, through the RISE2 efforts?
Yes, I will be mentoring undergrads and grads and working with the journalism students.
Are you excited to be a part of efforts to ensure the safety of astronauts on future extended trips to the moon, asteroids and/or other planets?
Yes, I am honored and excited.
Is it especially exciting/ compelling to be working on a  NASA funded effort around the 50th anniversary of the first steps on the moon?
Yes!
Are there scientific questions you hope future lunar missions answer? Do you think future expeditions will help ask new research questions?
Yes. I hope future missions will help answer questions about the timing and processes through which the moon formed and evolved to its present state. I am also interested in hydrogen sources and hydrogen mobility on the moon. History shows that we always end up with new questions whenever we send a mission to answer existing questions.

Q and A with Assistant Profess or Geosciences Joel Hurowitz:

Will you be working with Hanna Nekvasil to take minerals she produced and put them in simulated lung fluid. Is that correct? Is this simulated lung fluid a novel concept or have other research efforts taken a similar approach to understanding the effect of exposure to elements or chemicals on the lungs?

Yes, I will be working with Hanna.  Our plan is to produce a suite of high-fidelity lunar regolith simulant materials in her laboratory, characterize them extensively to ensure that they are a good chemical and mineralogical match to the different types of soil on the Moon, and then assess how toxic they are.  Some of those toxicity experiments will involve immersing the materials she creates in simulated lung fluid and assessing what chemical reactions take place between the solid regolith simulants and the lung fluid.  Other experiments will be done in collaboration with our partners in the Stony Brook medical school, and will involve, e.g., assessing how cells, DNA, and lung tissue react to these regolith simulants.  These experiments build on work that has been done by the previous iteration of RISE (1.0), but have the added benefit that we can apply the lessons learned for assessing toxicity from our first round of research, as well as making use of this new suite of very high-fidelity simulants.

Does this work have the potential to provide future missions with early warning signs of exposure, while also generating potential solutions to lunar dust driven lung damage?

This is a question that is probably better posed to our medical school colleagues on the team, Stella Tsirka and Bruce Demple.  They could speak in a much more informed way about what types of signals we might be able to recognize from, e.g., a blood test, that an astronaut is beginning to show signs of a toxicological response to regolith.

Ultimately, I think that the best solution to lunar dust driven lung damage is to engineer the exposure problem away – NASA needs to design airlock systems that remove regolith from spacesuits before they come into the astronaut’s living spaces.  Our work will help NASA to understand just how big a health problem these astronauts will face if such engineering controls cannot be put into place, and develop reasonable exposure limits to the dust.

Is there considerable excitement at Stony Brook about the RISE2 effort? Do you have, if you’ll pardon the pun, high hopes for the research and do you think this kind of effort will prove valuable for astronauts on future long term missions to the moon, asteroids or other planets?
Absolutely – we couldn’t be more excited about all of the new research we’ll be able to perform as part of RISE 2.0, in so many areas, including better understanding the origin of the Moon and asteroids from remote and laboratory analyses, and learning how to live safely and explore efficiently on the surfaces of these solar system bodies.
 Are there novel elements to the work you’re doing?
To me, the real novelty of our part of the RISE 2.0 research lies in the combination of really disparate areas of expertise to produce a very useful research outcome for NASA.  Our team combines the expertise of: (1) geologists who understand the conditions deep within the Moon that result in the formation of the rocks and regolith that are present there today, thus enabling us to better simulate the properties of lunar soil, (2) geochemists who understand how to execute experiments between fluids and soil materials to extract the maximum information about potentially toxic compounds that result from that interaction, and (3) medical scientists who can take the geological materials we make in our labs and apply them to relevant biological materials that are the best models to understand the toxic effect of lunar soil on astronauts.  It’s a truly cross-disciplinary approach that few other groups are taking.
Could this approach also have implications for people working in areas like coal mines or regions where particulates cause lung damage?
Yes – absolutely.  So much of the science we are performing is actually grounded (if you’llpardon the pun) in earlier work that has been done to understand diseases like coal miners lung, silicosis, and asbestosis.  We’re building on that foundation of research and taking it off-Earth to understand if astronauts have to be as worried about their lung health as someone donning a mining hat and heading underground.
Given that it’s been 47 years since the last manned trip to the moon, is it exciting to contribute to efforts that will allow for future safe and extended trips back to the moon?
Of course!  These issues really need to be sorted out if we’re going to ensure that the astronauts traveling to moons, asteroids, and other planets are safe, and I’m really happy to be a part of that effort.
Are there specific geologic questions you hope future missions to the moon answer? Will future samples lead to new questions?
I think one of the biggest questions that future missions that return samples from the Moon can address will relate to the timing of formation of the largest impact basins on the Moon and whether or not they record evidence for a cataclysmic “spike” in the rate of meteorite impacts in the early history of the inner Solar System.  So much of our current thinking about when life on Earth (or anywhere else in the inner Solar System) arose is tied to the idea that it must have happened after this cataclysmic “late heavy bombardment”, and yet, we aren’t completely sure whether this spike actually happened.  If it didn’t, it might force us to rethink what conditions were like on the surface of the Earth early in its geological history and when life could’ve first began.
How much of your time (as a percentage of your research time) will you dedicate to the RISE2 work?

It will vary from year to year.  Early on, I’ll be heavily invested in starting the program of research up, but then starting in 2021, I’ll hand off some of my duties in order to work on mission operations on the Mars 2020 rover mission.  I’m the deputy principal investigator for one of the instruments that is flying aboard that rover, so the year 2021 is going to be consumed with my Mars-related work.  As things start to settle down a bit on Mars (in 2022), I’ll be able to return to my RISE research.  It’ll be really exciting to see how much progress will have been made by that time, but I’ll be planning to keep tabs on the RISE research even when I’m spending more time on the Mars 2020 mission.

Q & A with Hanna Nekvasil, Director of Undergraduate Studies and Professor of Geosciences:

Will you be synthesizing pure minerals in the lab, which are analogs to the materials  astronauts would encounter on the moon?

One of the problems that we encounter when trying to assess the toxicity of lunar materials to astronauts, is that Earth materials make poor analogs, as we know from the materials brought back to Earth from the Apollo missions.  For this reason we plan to make new materials under conditions that more closely simulate the conditions under which the materials formed at depth and were modified on the lunar surface. For this work we use the experimental equipment that we normally use to simulate the processes that form and modify igneous rocks on Earth modified for the special low oxygen conditions of the Moon.  The materials produced will simulate more closely both the compositional and textural characteristics of dust that we expect will be encountered in future manned lunar missions.
Will Joel Hurowitz use these minerals to expose them to lung fluids? 
The RISE4E team will expose cells to the new lunar regolith simulants and assess the molecular effects to understand the cytotoxic and genotoxic potential of the new, more relevant simulants. Beyond the cell-killing and DNA-damaging capacity of the materials, we will also examine their effects on the function of mitochondria: dysfunction in that organelle can have both acute and long-term health effects.
Are you excited to be a part of an effort that may one day help ensure the safety of astronauts who spend considerable time on a lunar habitat? 
I am very excited about this and I think that the diverse team that we have assembled has great potential to really move our understanding of the potential toxicity of lunar materials forward.
Is there a specific question or mission objective you hope future trips to the moon addresses?
My greatest hope is that we encounter a diverse set of new rocktypes as each new rocktype will provide a wealth of information on the origin and evolution of the Moon’s surface and interior.

Stock photo

By Bob Lipinski

Bob Lipinski

With the “dog days of summer” upon us, it’s time to enjoy some refreshing white, rosé and red wines that are light-bodied, fruity, chillable and refreshing. Some of my recently tasted and recommended wines for “beating the heat” are:

2018 Carta Vieja Sauvignon Blanc “D.O. Valle de Loncomilla” Chile: A full aroma and taste of grapefruit, herbs, melon and citrus. It would pair nicely with some grilled clams or oysters.

2019 Domaine Bousquet Rosé: Made from a blend of malbec, cabernet sauvignon, sauvignon blanc and pinot gris grapes. A subtle bouquet and flavor of blueberry and cranberry with a perfume of summer flowers. Dry and tangy tasting with a refreshing citrus aftertaste. Serve with grilled zucchini and eggplant drizzled with extra-virgin olive oil.

2019 Domaine Bousquet Sauvignon Blanc: Pale straw color with an exotic aroma of jasmine and bitter orange. Apples abound in the mouth with a dry, minerally finish and lime-clean aftertaste. Broiled fish with a citrus marinade lightly anointed with some Pernod (anise liqueur) would be an ideal accompaniment.

2016 Ciprea “Pecorino” DOCG Offida, Marches, Italy: Pecorino is a white grape that grows principally in the central regions of Italy. If you like apples, pears and almonds, then this wine is for you. Flavors of peach, citrus and figs fill the mouth. Paired with spaghetti alla carbonara with a hunk of crusty bread works for me.

2016 Ca’Donini Pinot Noir, Veneto, Italy: Intense ruby color, medium-bodied with a delicate fruit taste and hints of cherry and berries. Dry with a pleasant warm finish. Perfect wine for pizza topped with mushrooms and perhaps rosemary.

2017 Bolla Bardolino, Veneto, Italy: Ruby-red color with an aroma and delicate flavor of candy-apple, cherries and raspberries. Dry with a fruity finish and a lightly spritzy aftertaste. Did anyone say ribs or a cheeseburger?

Serving Tips:

Don’t overchill the wine or it will become “numb” in taste. Serve at around 55 degrees and keep an ice-bucket filled with ice and water for a quick chill.

Visit your local supermarket and purchase several bunches of green and red seedless grapes. Remove from the stems, wash and pat dry. Place them in a zip-able bag (separate colors) in the freezer for several hours. When frozen, they make great ice cubes and when they become soft, either refreeze or pop into your mouth.

Regardless if you’re grilling and just entertaining a few friends, nothing beats a chilled glass of wine.

Bob Lipinski is the author of 10 books, including “101: Everything You Need to Know About Whiskey” and “Italian Wine & Cheese Made Simple” (available on Amazon.com). He conducts training seminars on wine, spirits and food and is available for speaking engagements. He can be reached at www.boblipinski.com OR [email protected].

Reviewed by Jeffrey Sanzel

Christopher McKittrick’s Can’t Give It Away on Seventh Avenue, subtitled The Rolling Stones and New York City, is an engaging exploration of the connection between the iconic rock band and the city that embraced it like no other.

Author Christopher McKittrick

McKittrick wisely begins by putting into historical context the decaying New York City of the early 1960s to give a clear backdrop of the world into which the band entered. In the early part of the decade, English rock ‘n’ roll bands were rarely globe spanning. The Rolling Stones, the Beatles and a small handful of others would change this.

Any chronicle of the Rolling Stones touches upon a comparison with the Beatles both in style and popularity. McKittrick gives an insightful perspective of the more wholesome and instantly popular Beatles with the rawness of the Rolling Stones, whose first journey to America, while successful, was by no means the lighting bolt of the rival group.  

In a short time, the Rolling Stones would become synonymous with some of the most infamous stories of decadence. They would continue to reinvent themselves over the coming decades, become symbols of both extreme behavior and the power of marketing. The band will forever be connected to the “bad boy” image. “If your parents didn’t like the Beatles, they really wouldn’t like the Rolling Stones.”

The book describes raucous early performances, including borderline rioting at Carnegie Hall, heralding the insanity that would follow them. There is a detailed account of the Oct. 25, 1964, appearance on “The Ed Sullivan Show.” The word “pandemonium” could easily have been invented to describe the wake that followed the Stones.

McKittrick wends his way through the band’s tours across the country, providing a wealth of details that chronicle its meteoric rise. The book has been meticulous researched: Concerts are dissected, comparing set lists even within the same tour; albums scrutinized; venues described and contrasted; recording sessions reported. Fans will be fascinated by the depth that the author provides in his look at “The World’s Greatest Rock ‘n’ Roll Band.”

The book picks up with the band when it is first establishing itself. We are treated to the intrigue, the late night clubs, the relationships and marriages, the celebrities (everyone from Andy Warhol to Bill Clinton), hotel destructions and, of course, the drugs. The Rolling Stones are almost a history of the changing drug use and drug culture in the 20th century. Wild parties, addictions, police raids and arrests, stints in rehab and recovery were a never-ending cycle.  

At the heart is the conflict between Mick Jagger and Keith Richards, a connection that constantly imploded and exploded for 50 years. These two megastars (with equally mega-egos) would battle and make up endlessly over five decades.  

Throughout the book, McKittrick continually returns to New York City. He mines the Rolling Stones’ lyrics, finding dozens of direct references to New York. There are thumbnail histories of Shea Stadium, Carnegie Hall and other stages where the band played as well as multiple appearances on “Saturday Night Live,” the most New York of New York television shows.  

As New York changes, so does the band. The dark and dangerous “Fun City” of the 1970s gives way to the superficial and capitalist ’80s, turning finally into the sanitized, Disney-fied 1990s and beyond. NYC’s fiscal struggles and strikes, its pop culture events, and its shining moments are all presented in the context of the Rolling Stones’ history.

Eventually, like New York City, the band transitioned to survive — they chose a “corporate face-lift.” The Steel Wheels Tour of 1989-90 represented the band as “a cultural product. The rock ‘n’ roll hell raisers had become an institution. Much like the Some Girls song anticipated, the Stones had become ‘Respectable.’”  

After half a century, the long-standing appeal of the Rolling Stones is summed up by Jim Farber in the Daily News: “However corporate the Stones’ sponsorship, domesticated their fans, and predictable their repertoire, the essence of the band still thrives whenever Keith Richard flicks his riffs, Charlie Watts slaps the snare drum, and Mick Jagger swaggers through the blues.”

McKittrick’s book is not so much a dual history but a striking investigation of a cultural phenomenon reflected in one of the greatest cities in the world.

Published through Post Hill Press, Can’t Give It Away is available at www.posthillpress.com, www.amazon.com and www.barnesandnoble.com.