Arts & Entertainment

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By Elof Axel Carlson

Elof Axel Carlson

Wishful thinking is part of our lives. As a guide to our hopes, it often is realized and that might mean a happy marriage, a successful occupation and a healthy mind and body.  

But reality often thwarts these ideals and desires. This may be through our faults as well as by bad luck. Scientists hope for success when exploring the unknown, but they are taught not to trust wishful thinking.

In my fields of genetics and biology I have witnessed wishful thinking when science is applied to practical ends. The tobacco industry used wishful thinking for over 50 years, denying that tobacco smoke caused cancers, emphysema and heart disease. They blamed instead an unhealthy lifestyle, an unhealthy work environment or stress itself.  

Similarly, nuclear reactor companies used wishful thinking (and still do) to minimize or deny hazards of radiation except at very high doses of exposure. Most geneticists use a linear relation of dose received to gene mutations produced. They have based this on dozens of peer-reviewed publications. Wishful thinking by those who deny harm to a population from low doses of radiation include a belief that at worst small doses of radiation lead to resistance of radiation or that small doses of radiation are negated by strengthening the immune system to repair any damage done to the DNA.  

In our generation wishful thinking has appeared in discussions of severe and more numerous instances of climate change. Here, opponents of ecological response by international treaty argue that such changes are just normal responses to Earth’s cycles of warming and cooling leading to ice ages or long arid climate or that unpredictable ocean currents might shift and bring about these changing weather patterns.  

Critics of government regulations downplay the discharge of waste into rivers, lakes and oceans, and they use wishful thinking in their arguments, claiming “nature repairs itself” whether it is chopped down forests, over farmed land, open pit mining, fracking for natural gas or lands saturated with pesticides and herbicides. They call scientists raising alarm “tree huggers.”  

It would be a wonderful world if everything we did had no harmful long-lasting unintended consequences of what we do. Wishful thinking saves money and effort to prevent toxic products from entering the environment. It allows abusers to create erosion from bad practices clearing land for agriculture. It allows the discharging of massive quantities of carbon dioxide, believing a dwindling ecosystem will sop up the atmospheric carbon dioxide, producing luxuriant plant growth with massive emissions of oxygen. 

What scientists know is that environments are more complex, and we can disturb it with bad consequences for both local and global environments. The needs of 7 billion people can create substantial changes to Earth and we (thanks to wishful thinking) tend to be unaware or choose to deny such bad outcomes.   

Elof Axel Carlson is a distinguished teaching professor emeritus in the Department of Biochemistry and Cell Biology at Stony Brook University.

The graphic novel ‘Twitcha’ was co-written by Smithtown’s Mary Gregorian.

There’s a new superhero entering the comic book world and she’s a teenage girl with Tourette syndrome. “Twitcha” is the brainchild of three teenage girls who illustrated and wrote the book based on their own experiences with the neurological disorder. NJ Center for Tourette Syndrome and Associated Disorders (NJCTS) published the book this spring.

During the summer of 2017, Sarah Baldwin of Mantua, New Jersey, Mary Gregorian of Smithtown, and Julie Nemerson of Northbrook, Illinois, attended the NJCTS Tim Howard Leadership Academy at Rutgers University. 

The academy is a four-day training for high school students that promotes self-advocacy, self-leadership, resilience and grit — all important skills to succeed while living with TS. As part of the academy, each teen completes a group project. Together the teens dreamed up a superhero that would be living with Tourette syndrome and facing the same struggles that they were, both emotionally and physically. 

“We spent hours each night in the dorms at Rutgers trying to create a character and a story that would empower other kids with TS,” said Gregorian who is a rising junior at Long Island University–Post. “It’s wonderful that our dream was able to take off into a reality.”

Twitcha’s tics are represented by the villain-turned-hero Misfire, who teams up with Dr. Sitstill to destroy anyone who wouldn’t conform to his idea of “normal.” But after their defeat, Misfire sees the error of her ways and teams up with Twitcha. The book will be used by NJCTS during Education Outreach presentations to elementary students, and lesson plans will be created so teachers can add “Twitcha” to their curriculum.

 “When we saw the first rough copy of ‘Twitcha,’ we loved the message,” said Faith Rice, executive director of NJCTS. “It’s truly a labor of love by three young ladies who understand the pain of stigma and isolation that many of our young people with Tourette syndrome face.” 

A digital copy of “Twitcha” is available on Amazon and hard copies are available for classrooms and libraries. Contact NJCTS at [email protected] or 908-575-7350 to request copies or visit www.njcts.org/twitcha.

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By Nancy Marr

In July 2015, New York State Chief Judge Jonathan Lippman made permanent the Commission to Expand Access to Civil Legal Services in New York. To measure the impact of the justice gap on vulnerable litigants and others, a task force had been created in 2010 to assess the extent and nature of the state’s civil legal services crisis. 

It held public hearings with civil legal providers, law firms, law schools and other stakeholders statewide and determined that the chronic lack of  free and low-cost legal assistance has led to a crisis in the courts, reflected by the ever-rising number of unrepresented litigants in these cases whose incomes are too low to pay for legal representation (a low-income family of four in New York State earns about 125 percent of the poverty level of $25,750).   

The mission of the commission is to ensure access to justice for all by using every resource, including self-help services, pro bono programs, technological tools and adequate funding (now $100 million of dedicated state funds annually for civil legal services throughout New York State). In order to add more pro bono attorneys, the commission amended the Rules of Professional Conduct to recommend an increase of annual pro bono hours for lawyers and for law school graduates seeking admission to the New York State bar from 10 to 50.   

The commission sought a site for a local pilot in which a strategic action plan could be developed; its goal would be providing effective assistance to all the persons in need and its success could then inform similar efforts in communities statewide. 

Looking at Suffolk County it found significant assets: a supportive judiciary, engaged providers, an active bar association and an involved law school that provides a variety of legal clinics for residents and trainings for legal service providers are significant assets. 

Suffolk’s challenges include its geography, the highest number of veterans in the state, a high percentage of homeless persons and many unaccompanied minors. A substantial  percentage of the population speaks a language other than English at home. 

Because the needs of many community members were still unmet, Suffolk was selected as a pilot. The gaps in legal services in Suffolk County are largest in three areas: family law, immigration and re-entry of veterans and formerly incarcerated individuals. Housing and health care also loom high in need for legal help. 

With funding from the Public Welfare Association, under the leadership of Administrative Judge C. Randall Hinrichs, Suffolk County launched its program with the Suffolk Planning Group, including civil legal aid providers, the judiciary, the Suffolk County Bar and Touro Law Center. Prior to starting the program, they held listening sessions, attended by 70 of the community organizations that are points of entry for people seeking help. 

Despite the number of service providers, many recognized that they were unfamiliar with each other’s services and that gaps exist that present opportunities for community integration and resource awareness. Training will be provided for these organizations and nonlawyer volunteers on how to make effective referrals. Recognizing the importance of talking to people in their own language, and at their level, these organizations can provide assistance to people in need that can prevent the escalation of issues into court matters. 

To publicize the legal resources that exist in Suffolk, and make it easier to navigate the system, the Suffolk Planning Group is soon to launch a website that would include offerings of the many legal service providers and advocacy groups. The two centers for help are Brentwood Public Library, 34 Second Ave., Brentwood, and Middle Country Public Library, 575 Middle Country Road, Selden. Suffolk residents may call 631-822-3272 for appointments with attorneys who provide advice in areas of law to persons in need. Informational materials are available at the centers, as well as training videos. 

The intersections between individuals and the civil justice system are complex. As we begin to break down barriers, we can enable everyone to access the information and effective assistance they need, and in a form they can use. With an integrated system where communities are empowered; courts participate and support access to justice initiatives; and legal service providers are dedicated to serving those in need, the provision of effective assistance will help people improve their lives. 

To view copies of the Community Legal Help Project information flyers in English and in Spanish, visit https://www.lwv-suffolkcounty.org/TakeAction.html.

Nancy Marr is first vice president of the League of Women Voters of Suffolk County, a nonprofit, nonpartisan organization that encourages the informed and active participation of citizens in government and influences public policy through education and advocacy. For more information, visit www.lwv-suffolkcounty.org or call 631-862-6860.

By David Luces

“I hope I can expose people to some amazing artists and pieces that may have never been seen before,” said Anthony Freda of his vision for Port Jefferson’s newest art gallery, Star Gallery NYC at 206 East Main Street. 

Freda opened the two-room gallery along with his wife Amber with a pop-up event in February and a soft opening in early July, before hosting a grand opening and group exhibit on July 26. 

A Port Jefferson resident and artist, Freda, who is also an adjunct professor at the Fashion Institute of Technology, said he wanted to showcase the works of prominent illustrators and artists that he has gotten to know over the years as well as artist’s work that he is fond of. 

Titled Star Power, the show features work from Freda, Tom Fluharty, Gary Taxali, Steven Tabbutt, Victor Stabin, Hal Hefner, Epyon 5, Craig Larotonda, Nick Chiechi, Insu Lee, Jody Hewgill, Dan Zollinger, Billy the Artist, Erik Probst and Estephany Lopez. Some of the artists’ works have been featured in Time magazine, the New Yorker, Huffington Post and the Library of Congress collection.  

One of the standouts of the show is “Bat-Murray,” a spray paint/resin piece on wood by Epyon 5, an artist from Illinois. Taking inspiration from classic cinema, horror, sci-fi and comics, his stencils and spray paint work have caught the attention of collectors around the globe. 

Another highlight is a watercolor painting by Hal Hefner, titled “Diversity Within.” A Los Angeles-based artist, Hefner has produced work for Heavy Metal magazine and created a pop art series titled CONSUME, which has been shown in galleries all over the world. 

In addition to showcasing a variety of artists, the gallery hosts a special solo exhibition featuring pieces by Port Jefferson artist Grainne De Buitlear, whose work is inspired by the vibrancy of the local landscape. 

A graduate of Ireland’s National College of Art and Design, De Buitlear said she started creating landscape paintings just for herself and her friends a few years ago.

“I love the environment around here; I often feel like Long Island reminds me of Ireland,” she said. “I think it’s just in my head — nature, ambience, the sky, the sea.”

De Buitlear said she was honored to be featured in the event. 

“Anthony had come to one of my first shows three years ago and he called me when he was opening the gallery here, and he said he’d like to feature my work,” she said. “I was just happy to be chosen for this, I know how renowned he is and what a great eye he has. It was nice to know he liked my work so much.”

Freda said he hopes to bring more events to the Port Jefferson area in the future, including an art walk sometime in August. “We have some plans in the works; we really want to help revitalize the art scene here in the village,” he said. 

The exhibits will be on view through the end of August. For more information, call 631-828-4497 or visit www.stargallerynyc.com.

2019 Stony Brook Film Festival Grand Prize winner Priya Ramasubban, director of Chuskit, with Stony Brook Film Festival and Staller Center for the Arts Director Alan Inkles. Photo by Nick Koridis

The 24th annual Stony Brook Film Festival wrapped up with a Closing Night Awards Reception held on July 27. The evening recognized the outstanding new independent films screened at the festival, which was held at SBU’s Staller Center for the Arts from July 18 to 27. 

Dozens of filmmakers, directors, cast and crew attended the event. With support from presenting sponsor Island Federal and other corporate and private donors, the Stony Brook Film Festival was able to welcome and host guests from all over the world including Spain, Austria, Israel, the United Kingdom, Canada and India. 

The opening night film, Balloon, from Germany, was sold out as were many of the other screenings in Staller Center’s 1,000-seat Main Stage theater.

Chuskit, directed by Priya Ramasubban, won the Grand Prize. “When the jury and the audience rank the same film the highest, then it receives a Grand Prize,” said Alan Inkles, festival director. This is the second year in a row and the ninth time in the festival’s 24-year run that a film has received a Grand Prize. “This festival was one of the most competitive yet,” he said. “Nearly 3,000 films were submitted, and only 36 were selected for the festival, so Chuskit was really a very special film – it’s a must-see.”

And the winners are:

 2019 Jury Award for Best Feature

In God I Trust

East Coast Premiere (Canada)

Directed by Maja Zdanowski; written by Paul St. Amand and Maja Zdanowski; starring Marc Senior, John Cassini (Se7en), Steven Roberts, Bilal Oliver and Melissa Roxburgh (Star Trek Beyond).

  2019 Audience Choice for Best Feature

The Silent Revolution

East Coast Premiere (Germany)

Written and directed by Lars Kraume; from the book by Dietrich Garstka; starring Leonard Scheicher, Tom Gramenz, Ronald Zehrfeld (Sweethearts) and Florian Lukas (The Invisibles)

 2019 Jury Award Best Short

Toke Is Cheap

(Canada)

A film by Kerry van der Griend

 2019 Audience Award Best Short

The Portraitist

New York Premiere (Luxembourg)

A film by Cyrus Neshvad

 Entries will be accepted for the 25th Annual Stony Brook Film Festival starting on Dec. 1. For more information, visit www.stonybrookfilmfestival.com.

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Reviewed by Jeffrey Sanzel

“A real failure does not need an excuse. It is an end in itself.”  The Gertrude Stein quote is an epigraph for the novel A Family Failure, August Franza’s story of “an ungrateful son.”

A Family Failure follows Heinz “Hank” Drummer, eldest son of a real estate tycoon.  However, Hank is a perpetual disappointment to his father, “The General,” who preaches one lesson: “Be a killer.”  

Hank has been raised in a world where “The General worked 14 hours a day raising hell and then he’d come home with his pockets filled with gold and raise some more hell and then get on the phone and do the business til midnight, raising more hell.”

The cover of Gus Franza’s latest book.

Hank has no instinct for this life or the drive to find it: “I was number one, ready to take over the business when I was supposed to be ready. But I didn’t want to be ready. I was never ready. I was a dangler.”  

Instead, the empire falls to his aggressively colorful younger brother, Sammy, who becomes the heir apparent. Sammy stumbles into his father’s footsteps and then onto great political heights. Hank has only contempt for “the little squirt.”  

If Sammy resembles a certain person in governmental power, it is by no means a coincidence: “Sammy B. Drummer … turned into Daniel B. Drummer, a disaster of a human being and, following on, through the years and decades, a danger to everyone.”

The book opens with the Village Voice’s announcement of Hank’s death. From there, the majority of the book chronicles Hank’s personal story as he shares it with Gus, bartender at The Purple Mist. 

Forty-three-year-old Hank is many things: an alcoholic whose most reliable friend and “real therapy” is Jim Beam; a self-described failure; a man in search of himself, committing suicide-by-liquor. 

Through his foggy narrative, he shares the fascinatingly ugly family history, beginning with the cutthroat German-born grandfather to his perpetually disappointed parents and finally to his famous sibling.  

A great deal of the narrative focuses on Hank’s banishment to Livonia, a second-rate business college, where he majors in not working, driving a red Corvette and trying to assemble his own niche group: The Fugitives.  

Hank wants to be seen as an outsider and yet find a place to belong. He manages to assemble a handful of disparate souls but the combination is odd and ultimately destructive. Hank attempts to carve out a place as a pseudo-intellectual (knowing The General would despise this) but even fails on this count.

The book is outrageous and crosses many lines. But Franza is a gifted writer who knows how to navigate a strange yet wholly recognizable universe. He is a strong writer with an ear for what is both real and lyrical. When Hank is most inebriated, he is synthesis of poetry and wet brain. It is a unique voice that makes us wonder if these are drunken rants or epiphanous clarity.

The story touches on Hank’s two failed marriages and his current affair with the equally alcoholic Camille. Hank’s relationships, personal and professional, are toxic. There is a gray cloud that has permeated his every choice. His is a brutal story of disconnect that Franza is able to paint in intensely painful shades. 

The final quarter of the book enters the contemporary arena as Hank brings Sammy to the forefront. In an unusual and original shift, the present is seen through the eyes of Hank’s ultra conservative and extremely paranoid dentist. (Dr. Linkoff’s skewed perspective is introduced when Hank is in the chair.)  

It is further explored through the dentist’s posthumous missive that is the close of the book. Here a fascinating take on the current climate. Franza’s wordplay reaches new levels in this bizarre anti-Wonderland.  

With A Family Failure, August Franza has created a postmodern novel bristling with challenging ideas and a wildly insightful core.

About the author: 

August Franza has published 27 novels and is planning to make them an even 30. 

The East Setauket resident has a doctorate in English literature and literary criticism, and his life’s work is held in the archives of the State University of New York at Stony Brook. 

Along with his wife and family, writing is his life’s work. He likes to quote T.S. Eliot who said, “It is necessary for poets to take chances, to go too far and risk complete failure.”

Franza’s latest novel, A Family Failure, is available online from Amazon and Barnes & Noble and through local bookstores. 

Visit the author’s website at www.augustfranza.com.

Honeydew melons are a versatile treat and can be used as an ingredient in salads, side dishes, entrees and even drinks. Stock photo

By Barbara Beltrami

I have found that honeydew melons can often be a rather dicey proposition. I frequently think I’ve picked out a promising one only to get it home where it languishes and never ripens. Or it does ripen but the result is a flavorless disappointment. 

Well, that’s no way to start a food column, is it? Let me start over on a more positive note.  

When a honeydew is good, it’s very good. When it’s perfectly ripened, it is an explosion of mouth-watering fruit worthy of its name. On its own, it sings of summer. With other ingredients it’s a perfect foil for salty or slightly bitter flavors. And it’s such a pretty color; just looking at it is enough to cool one off. 

So, if you’re good at picking out melons, or if you’re lucky enough to find a winner, try some of these honeydew recipes.

Honeydew Salad with Honey-Citrus Dressing

YIELD: Makes 4 servings

INGREDIENTS:

1 avocado, diced

Freshly squeezed juice of half a lemon

½ ripe honeydew melon, diced

2 cups baby arugula

4 red radishes, scrubbed and sliced thin

2 tablespoons extra virgin olive oil

1 tablespoon honey

1½ tablespoons lime or orange juice

Salt and freshly ground pepper to taste

4 slices prosciutto, torn into small pieces

DIRECTIONS:

In a large bowl toss the avocado with the freshly squeezed lemon juice to thoroughly coat.  Add honeydew, arugula and radishes; toss again and set aside. In a small bowl whisk together olive oil, honey, lime or orange juice, salt and pepper. When ready to serve, toss with melon mixture; sprinkle prosciutto on top and serve immediately with prosecco and breadsticks.

Honeydew Sorbet with Candied Ginger

Honeydew Sorbet

YIELD: Makes about 3½ cups

INGREDIENTS:

½ cup sugar

½ cup water

4 cups diced ripe honeydew melon

¼ to 1/3 cup candied ginger, finely chopped

DIRECTIONS:

In a small saucepan over medium heat, cook sugar and water until sugar is completely dissolved, about 5 minutes. Set aside to cool. Measure out ¾ cup; reserve and refrigerate any extra for later use. Puree melon in a blender or food processor until very smooth. Measure out 2½ cups. Cover and refrigerate any extra puree for another use. Combine sugar syrup, melon puree and chopped ginger in bowl of ice cream maker and process according to manufacturer’s directions. Transfer to freezer container, cover and freeze for at least two hours. Serve with ginger snaps.

Shrimp and Lobster Salad in Honeydew Bowls

YIELD: Serves 2

INGREDIENTS:

1 cup chopped cooked shrimp

1 cup chopped cooked lobster meat

¼ cup minced celery

¼ cup minced green bell pepper

 1/3 cup mayonnaise

1 tablespoon freshly squeezed lemon juice

1 tablespoon chopped fresh dill or tarragon

¼ teaspoon celery seed

Salt and freshly ground pepper to taste

1 small ripe honeydew, halved and seeded

DIRECTIONS:

In a medium bowl, combine the shrimp, lobster, celery, green pepper, mayonnaise, lemon juice, dill or tarragon, celery seed, salt and pepper; mix thoroughly and scoop into hollowed out honeydew halves. Cover with plastic wrap and chill for one hour before serving.

The marathon kicks off with ‘Killer Clowns from Outer Space.’

The Cinema Arts Centre, 423 Park Ave., Huntington will host Retro Picture Show’s “Pay to Get Out” Horror Movie Marathon on Saturday, Aug. 3. Doors open at 8 p.m. and the marathon begins at at 8:20 p.m. Enjoy a night of 35mm horror screenings featuring eight terror-ific and sci-fi classics. The Sky Room Cafe will be open all night serving beer, wine, snacks and food. Pillows and blankets are welcome (no backpacks please) and dressing up is encouraged. 

Lineup:

‘Killer Klowns from Outer Space’

1988, Director Stephen Chiodo 

‘The Texas Chainsaw Massacre’ 

1974, Director Tobe Hooper |

‘They Live’

1988, Director John Carpenter

‘The Devil’s Rejects’

2005, Director Rob Zombie

‘XTRO’

1982, Director Harry Bromley Davenport

‘Deranged’ 

1974, Directors Jeff Gillen and Alan Ormsby

‘The Incredible Melting Man’

1977, Director William Sachs

PLUS A BONUS MYSTERY MOVIE!

Tickets are $45 in advance at www.retropictureshow.com and $50 at the box office on the day of the event. If you last from beginning to end, you get $10 back and a free breakfast!

For more information, call 631-423-7610.

Kedar Kirane Photo from SBU

By Daniel Dunaief

Some day, a collection of soldiers in the Army may be sleeping in a bunker near an explosion. Their lives may depend on the ability of their bunker to crack, rather than fracture and collapse.

Kedar Kirane, an assistant professor in the Department of Mechanical Engineering at Stony Brook University, recently received a $359,000 grant from the Army Research Office’s Young Investigator Program to develop a computational model to predict the fracturing behavior of woven textile composites under dynamic loading, such as blasts and other impact loads.

In his work, Kirane hopes to develop a model for how composite materials fracture.

Kedar Kirane. Photo courtesy of Mechanical Engineering/Stony Brook University

Ralph Anthenien, the division chief for mechanical sciences in the U.S. Army Research Office, described the process of granting these awards as “very selective.”

The program supports “innovative breakthroughs,” he said. Part of the charter is to fund “high risk research, which won’t have a 100 percent chance of success,” but could provide a way forward for research.

Ultimately, the hope in the work the Army funds is to “protect soldier’s lives and protect Army systems,” Anthenien continued. The research should “make everything for the Army better.”

Kirane suggested that this research could also have implications in civilian life, such as to predict automotive crashworthiness. While it’s possible to consider fractures and cracks at the atomic scale, he said he is focusing on the macro level because the structures he is studying are so large.

“If you start looking at the atomic scale, it would be impossible because we don’t have the kind of computing power we would need” to convert that into buildings, bridges or other structures, Kirane said.

He is exploring the rates of loading for these fiber composite materials and would like to understand how these objects hold up in response to a blast or a projectile hitting it, as opposed to a more gradual progression of stressors.

Kirane will not conduct any of the laboratory work that explores the fracturing and reaction of the materials. Instead, he will use public data to calibrate and verify his model. The grant supports only the development of the model, not the performance of any physical experiments.

While materials are manufactured with different procedures, he is focused on how the materials fracture, crack and branch. The work is “more of a fundamental study rather than an applied study for a particular material,” he said.

One of the areas of focus in Kirane’s research involves analyzing the branching of cracks during fracture. As the cracks branch, they multiply, causing the material to break into multiple pieces.

The speed at which load builds on an object determines its reaction. A slow buildup typically causes one crack to form, while a more rapid load can cause a single crack that can branch and rebranch to produce multiple cracks.

“Being able to model this is complicated,” Kirane said. “The more it fractures, the more energy it can dissipate.” Ultimately, he would like his model to provide the Army with an idea of how much load a structure can withstand before the developing defects compromises its integrity.

In other projects, Kirane’s work will try to extrapolate from studies of smaller objects up to much larger manufactured structures. Ideally, he’d gain a better understanding of how to extend the information up to the scale at which people live.

He starts with objects that are of various dimensions, at 10 by 10 millimeters and then doubles and quadruples the size to determine the effect on their resilience and strength. There are mechanics-based scaling laws to extrapolate the structure strength to larger sizes, Kirane explained. It depends on the material and its fracturing behavior.

“That is the use of having a model: you can do some experiments in the lab, develop the model, calibrate it, use the model to predict the response and the scaling correctly,” he said.

Kirane explained that he usually tries to get data from a published journal, especially from sources where he knows the principal investigators produce reliable research. 

Indeed, sometimes the models can suggest problems with the data.“There is some back and forth” between the bench researchers and the scientific modelers, he said.

Kirane, who joined Stony Brook two years ago, has two doctoral students in his lab, one master’s student and several undergraduates. 

A resident of Westbury, he commutes about an hour back and forth. He enjoys visiting Jones Beach and appreciates the proximity to New York City. 

Raised in Pune, India, Kirane speaks English, Hindi and Marathi, which is his native language. During his schooling, which was in English, he not only pursued his interest in science but also played a percussion instrument called the tabla and was a gymnast. He says he can’t do any of the gymnastics routines from his youth today, although he does practice yoga and his gymnastics training helps. 

As for his future work, he hopes to start collaborating with scientists at Brookhaven National Laboratory, where he’d like to conduct some research at the National Synchrotron Light Source II. He’d like to understand how rocks fracture at the atomic scales.

In his own life, Kirane said he doesn’t recognize failures but sees any result that falls short of his hopes or expectations as a learning opportunity. “If something doesn’t go as planned, it’s an opportunity to retry,” he explained.

Indeed, in Kirane’s research, scientists call the process of fracturing “failure,” but that judgment depends on the context. When structures are “supposed to be sacrificial and dissipate energy by fracturing,” he said, then that “fracturing is good and not equal to failure.”

 

Brad Pitt, Leonardo DiCaprio and Al Pacino in a scene from the film Photo courtesy of Sony Pictures

By Jeffrey Sanzel

When approaching the films of cinematic auteurs, the tendency is to evaluate based on their entire body of work. While there is a logic to this, it is ultimately of limited value to someone actually experiencing the movie. Often, this is the road taken when the film is disappointing or less than the artist’s previous work. Fortunately, in the case of Once Upon a Time … in Hollywood, Quentin Tarantino has written and directed a strange but truly original love letter to the films of the late ’60s, creating a tapestry of real-life events and fictional characters. The upshot is an epic, enthralling, sometimes chaotic, often messy, but (mostly) satisfying journey.

Brad Pitt as stuntman Cliff Booth and Mike Moh as Bruce Lee in a scene from the film

Once Upon a Time interweaves a trio of threads: the fictional story of Rick Dalton (an amazing Leonardo DiCaprio), a TV western star on his way down, and his stuntman-gopher Cliff Booth (Brad Pitt, iconically charming); neighbor Sharon Tate (a luminous Margot Robbie); and the infamous Manson Family. Throughout, the narratives overlap, diverge and finally come together. The film is long but never boring, painting a vivid portrait of the seedier world of Hollywood.  

The performances are universally strong. Brad Pitt is warm and easy as the good-guy lackey with a past. His easy façade belies the darker shades beneath. Ultimately, he is the true hero in this world of faux cowboys. 

Margot Robbie captures Tate’s innocence. There is an enchanting scene where she attends her most recent film – Dean Martin’s The Wrecking Crew; her face is a wonder as she marvels, childlike, at her own image. With the least dialogue of any of the principals, Robbie manages to capture both Tate’s hopes and fragility. The actors playing members of the Manson Family are appropriately wide-eyed and menacingly mercurial, most notably Margaret Qualley as Pussycat and Damon Herriman, seen only briefly but to great effect, as Charles Manson.

But it is DiCaprio, as the self-destructive Dalton, who is a revelation. The portrait of an actor being pushed from hero to heavy, struggling with the twin demons of inadequacy and alcohol, is spot-on. Whether seen in clips from his ’50s network show Bounty Law, beating himself into a performance, or engaging with an 8-year-old costar (a delightful Julia Butters), he is funny, honest and completely human.  

There are assorted cameos and supporting roles from a who’s who of Hollywood, including Al Pacino (sounding surprisingly like Mel Brooks) as a stereotypical Hollywood player; Dakota Fanning, a chilling “Squeaky” Fromme; Bruce Dern as George Spahn, who rented his ranch to the Mason Family; Mike Moh as a hilariously arrogant Bruce Lee; Kurt Russell, low-key as a stunt coordinator and the film’s narrator; Rebecca Gayheart as Booth’s shrewish wife (whom he may or may not have murdered); and the late Luke Perry as TV actor Wayne Maunder, among others.

In its homage to the 1960s, Once Upon a Time is gritty and peripatetic, resulting in a picture that seems to have actually been shot in 1969. Sparing no detail, this is an immersion in a rough, bygone Los Angeles. The film alternates between satire and drama, reality and fiction, often jarringly so. A comedic moment juxtaposed with the tense shadow of the coming murders is clearly and, we assume intentionally, disturbing.  

But this is part of the greater whole that Tarantino has shaped in his semifictional Hollywood. There are moments and gimmicks that step out of this world but, fortunately, they are few and Tarantino lets the narrative carry the context. The final 10 minutes (and the only true graphic ones) can be best explained by the title. To say more is to detract from Tarantino’s bold and certainly controversial twist.

Rated R, Once Upon a Time … in Hollywood is an audacious, occasionally maddening film, but one that Tarantino fans – and others – will certainly embrace.