Half Hollow Hills senior writes children’s book celebrating local history
Author Jay Nagpal;
Reviewed by Melissa Arnold
It’s Jay Nagpal’s senior year at Half Hollow Hills High School in Dix Hills, and like everyone else in his grade, he’s got a lot to do. There’s classwork to finish, college applications to mail, a social life to keep up and the future to consider. But in the midst of all that, he’s also taken up an unexpected task.
On Nov. 30, Nagpal published his debut book for children, “Miss Kim’s Class Goes to Town.” The 17-year-old wrote the book in hopes of sharing his knowledge and enthusiasm for local historical sites with the next generation. The book plays out just like a real class trip, with questions from students and helpful commentary by “Mr. Robert,” an actual historian in Huntington.
The informative storyline coupled with cartoonish, fun illustrations will capture the imaginations of local children.
What came first for you, the interest in writing or history?
It was history. From a young age, I was lucky enough to do quite a bit of traveling with my family, and we would always make a point of going to the historical sites or museums in the places we were visiting. We’ve gone to Rome, Paris, London and many other places in Europe that are rich in history. I think being exposed to that at such a young age is what’s given me such a great interest in history now.
Do you have a favorite historical time period?
It bounces around, but years ago I was very interested in ancient history like you would see in Rome. Later on, I became more interested in the American Revolution, and last year I spent a lot of time focusing on World War II and postcolonialism.
Why did you decide to write this book?
Last year, I started to see that while I was really passionate about history, a lot of other people just aren’t. In my history classes, I noticed that many of the other students weren’t engaged in the material, and I started to wonder if there was something I could do to engage kids in a meaningful way. I thought that I could create a platform that focused on local history and stir up interest around that for people my age.
Ultimately, I founded the Dix Hills-Melville Historical Association. It was uncharted territory for me, but I had tremendous support from the Huntington Historical Society and the local school district. Robert Hughes from the Huntington Historical Society supported me from the very beginning. I compiled all the important historical sites, landmarks and archives with their help, and created a website that would provide me with a forum to write features and blog posts about history. For example, we just celebrated Walt Whitman’s 200th birthday in May, so it was important to write about that on the website.
Are any of the children in the book named after people you know?
A lot of the names in the book have meaning to me. Early on, one of the students mentions a teacher named Miss Martin. That’s a reference to Karen Martin, who is the archivist at the Huntington Historical Society. Mr. Robert, the town historian, is directly based off of the real Robert Hughes. Dylan is my friend’s brother, whose parents published the book, and some of the other students are also named after friends of mine.
What was it like to see the book for the first time?
It was a surreal feeling, for sure. After months of going through the entire process of publishing and putting everything together, it was so rewarding to finally see the finished product.
How long did writing take?
I started over the summer, and the book was published about six weeks ago. A lot of the research had already been done in founding the historical association, so I already had the information I needed.
How did you go about getting it published?
A close friend’s parents actually run a publishing company called Linus Learning, and they were very open to the idea of publishing my book.
What about the illustrations? Did you do them, or did you work with someone else?
I’m definitely not an artist, and one of the great challenges of the project was finding the right illustrator. I ended up going online and using a service called Fiverr to connect to a very talented illustrator who lives in Sri Lanka. Her name is Thushari Herath, and she really did a phenomenal job. There are a lot of cultural differences between us, so we had to talk about things like what side of the road the bus would drive on, what classes would look like, how people would dress and so on. It took a bit of extra effort, but it was all worth it because she’s so talented.
What is the recommended age for this book?
Older elementary school kids will probably get the most out of it, starting at about third or fourth grade. My goal was to be as accessible as possible, though, so people older or younger than that shouldn’t feel discouraged to read it.
What’s next for you? Do you want to write more books?
Right now, I’m focusing on finishing up my college applications. I’m looking to stay somewhere in the Northeast that has a strong history program − I’d like to pursue some kind of research track through graduate school and maybe a Ph.D. down the road. I’m not totally sure about anything yet, but that’s what I’m thinking about lately.
I hope to do something like this book again in the future, especially if it makes an impact on local students.
Where can we learn more about you?
I share information and thoughts about local history at www.dixhillsmelvillehistory.org.
“Miss Kim’s Class Goes to Town” is available online at Amazon.com, at Huntington Historical Society events and at the gift shops of historical sites around Huntington.
Latkes, aka potato pancakes, are such a Hanukkah tradition that I cannot imagine that holiday without them. Usually made of grated potatoes and fried to commemorate the oil that miraculously burned for eight days when the Macabees purified and rededicated the Second Temple in Jerusalem, they are one of the several fried foods for the holiday. However, there’s nothing that says you can’t make them with veggies, apples or sweet potatoes. You may run into protests from the kids who love the originals, but maybe you can sneak in a few new versions from the following recipes.
Original Potato Latkes
Original Potato Latkes
YIELD: Makes 8 servings.
INGREDIENTS:
2 eggs, beaten
3 cups grated and drained potatoes
¼ cup grated onion
Salt and freshly ground pepper to taste
2 tablespoons matzo meal or flour
½ cup vegetable oil
DIRECTIONS:
In a medium bowl combine the eggs, potatoes, onion, salt and pepper and matzo meal or flour. In a large skillet heat half the oil over medium-high heat and drop the mixture into it by tablespoonfuls; flatten with back of cooking spoon. Fry, turning once and adding more oil as necessary, until golden brown on both sides; drain on paper towels and set aside to keep warm. Serve hot or warm with sour cream or applesauce.
Apple Latkes
Apple Latkes
YIELD: Makes 6 to 8 servings.
INGREDIENTS:
¼ cup flour
Salt and freshly ground pepper to taste
¼ teaspoon baking powder
2 large russet potatoes, peeled, shredded and drained
1 large apple, peeled, cored and shredded
1 small onion, minced
2 large eggs, beaten
½ cup vegetable oil
DIRECTIONS:
In small bowl sift together flour, salt and pepper and baking powder. In large mixing bowl thoroughly combine flour mixture, potatoes, apple, onion and eggs. Heat half the oil in large skillet over medium-high heat. Drop batter by large spoonfuls into hot oil; flatten with back of cooking spoon; fry, turning once and adding more oil as necessary, until golden brown on both sides. Drain on paper towels; set aside to keep warm. Serve hot or warm with applesauce, apple butter, sour cream or honey.
Central and Eastern European (Ashkenazi) Veggie Latkes
YIELD: Makes 6 pancakes.
INGREDIENTS:
2 cups shredded cabbage
2 large baking potatoes, peeled, shredded and drained
2 large carrots, peeled and shredded
3 medium leeks (white and light green parts only), washed and finely chopped
1 cup finely chopped fresh mushrooms
¾ cup flour
1 teaspoon baking powder, sifted with flour
3 eggs, beaten
Salt and freshly ground pepper to taste
½ cup vegetable oil
DIRECTIONS:
In a large bowl thoroughly combine cabbage, potatoes, carrots, leeks, mushrooms, flour and baking powder, eggs, salt and pepper. Heat half the oil in a large skillet over medium-high heat. Drop the mixture by heaping tablespoonfuls into the hot oil; flatten them with back of cooking spoon. Fry, turning once and adding more oil as needed, until golden brown; drain on paper towels and set aside to keep warm. Serve hot or warm with sour cream
Mediterranean (Sephardic) Veggie Latkes
Mediterranean Veggie Latkes
YIELD: Makes 6 to 8 servings.
INGREDIENTS:
2 cups peeled finely diced eggplant
1 large frying pepper, finely diced
1 medium zucchini, finely diced
2 medium tomatoes, diced
1 small onion, minced
2 large russet potatoes, peeled, shredded and drained
¾ cup flour sifted with 1 teaspoon baking powder
3 eggs, beaten
1 garlic clove, minced
1 tablespoon, chopped fresh flat-leaf parsley
1½ teaspoons fresh thyme
1 teaspoon fresh oregano
1 tablespoon chopped fresh basil
Salt and freshly ground black pepper to taste
½ cup vegetable or olive oil
DIRECTIONS:
In a large bowl thoroughly combine eggplant, frying pepper, zucchini, tomatoes, onion, potatoes, flour and baking powder, eggs, garlic, parsley, thyme, oregano, basil, and salt and pepper. Heat half the oil in a large skillet over medium-high heat. Drop the mixture by heaping spoonfuls into hot oil; flatten them with back of cooking spoon. Fry, turning once and adding more oil as necessary, until golden brown on both sides; drain on paper towels; set aside to keep warm. Serve hot or warm with plain yogurt, basil pesto or tomato sauce.
From left, WMHS Visual Arts Coordinator Jennifer Trettner, DGSIR CEO Deirdre O’Connell, aritst Corinne Angeand DGSIR Regional Manager Anthony DeGrotta. Photo by Lianna Kosch
Corrine Ange with her winning artwork. Photo by Lianna Kosch
Daniel Gale Sotheby’s International Realty of Stony Brook celebrated all of the final contestants featured in the Fall 2019 Ward Melville High School Student Art Contest on Dec. 1.
The public voted on their favorite piece of art during the month of November.
The winning artist was Ward Melville High School senior Corrine Ange. Her watercolor piece impressed many with its vibrant colors and lifelike quality. The prize for Ange was a $500 scholarship presented by Daniel Gale Sotheby’s International Realty’s CEO Deirdre O’Connell, who applauded all of the artists for contributing their talents and thanked all attendees for their support for making community events like this possible.
Long Islanders woke up to abeautiful sight last Wednesday morning as the first season’s snow created a winter wonderlandeffect on the trees. Gerard Romano of Port Jefferson Station captured this lovely scene on Old Post Road in Mount Sinai
Security guard Richard Jewell was working the 1996 Atlanta Olympics, at Centennial Olympic Park. On July 27, he spotted a backpack underneath a bench and called in the suspicious package. One of three pipe bombs in the bag went off, causing two deaths and hundreds of injuries. But it was Jewell’s quick thinking that saved thousands of lives. Immediately, Jewell was thrust into the spotlight. These accolades were short-lived as he went from hero to suspect. On July 30, 1996, the Atlanta Journal-Constitution identified Richard Jewell as the FBI’s prime suspect. What ensued was a nightmare for Jewell, an innocent man.
The film Richard Jewell is based on Marie Brenner’s February 1997 Vanity Fair article “American Nightmare: The Ballad of Richard Jewell” and the book The Suspect: An Olympic Bombing, the FBI, the Media, and Richard Jewell, the Man Caught in the Middle (2019), by Kent Alexander and Kevin Salwen. Directed by Clint Eastwood, with a screenplay by Billy Ray, the film is a scathing indictment of the FBI and the media.
Paul Walter Hause in a scene from ‘Richard Jewell’. Photo courtesy of Warner Bros.
The movie opens with a brief prologue setting up Jewell as a college rent-a-cop. Jewell is a sad-sack of a man with the sole ambition of working in law enforcement, who has a hard time finding the line between spirit and letter. In many ways, this desire adds to his later persecution.
The film then jumps to the day before the bombing and follows Jewell through that horrifying event. What follows is his brief shining moments and then the relentless pursuit by government and media.
Jewell engages a lawyer whom he knew years before, a maverick named Watson Bryant. Bryant takes over the case and attempts to control Jewell’s statements to the FBI but is constantly checking Jewell’s desire to be seen as one of them. There are many statements about Jewell fitting a particular profile. These are revealed to be skewed − ungrounded in select and selected facts. Eventually, the FBI is not able to make its case, and he is exonerated, but the damage is done.
It is a dark story that takes its time. With the exception of the bombing itself, the film focuses on one man’s victimization by a system he doesn’t fully understand. There are multiple scenes of interrogation and violation of his privacy. There is not a great deal of action, but the driving force is the knowledge that he is innocent.
Richard Jewell contains three truly excellent performances. The always strong Sam Rockwell is engaging as the wry lawyer, finding variety and nuance in every look and sigh as he marvels with exasperation at his client’s naivete. Kathy Bates finds dimension as Jewell’s mother, Bobi. In what could play into every stereotype, she mines the role for both love and frustration with her son.
At the center of the film is Paul Walter Hauser as Richard Jewell. A large, lumbering figure, he exudes a desperation that reflects his own need to be accepted by a world that has very little use for him. It is a heart-breaking performance, and Hauser presents a fully realized man. Rather than a caricature of a gun-owning mama’s boy, Hauser’s Jewell is a man who loves his mother and whose only goal in life is to protect.
Jon Hamm, as the stone-faced FBI agent Tom Shaw, does little but alternate between grimacing and glowering. Olivia Wilde is given the unenviable job of portraying the reporter from the Atlanta Journal-Constitution, Kathy Scruggs, who first wrote about Jewell being a person of interest. The film has garnered controversy over its portrayal of Scruggs, who is shown offering sex to Shaw in exchange for information. This is an entirely fictious creation with no grounding in fact.The real-life Scruggs was a fascinating person, of great depth, and is given short shrift.
This is not the only place where the film has taken liberties with swaths of the truth. If the Vanity Fair source is to be trusted, there are perhaps too many pieces that have been fictionalized for narrative purposes. In a film that is calling into question the power of the press, one must then ask if it is not equally as dangerous to present a flawed reflection of an historical event.
Ultimately, Richard Jewell is a film with a trio of great performances and strong, simmering storytelling. And, in its own way, it is a cautionary reminder of the power and responsibility of government and media.
Kat Graham and Honoree Brittany Sciavone attends the 14th Annual L'Oreal Paris Women Of Worth Awards at The Pierre on December 04, 2019 in New York City.
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Kat Graham and Honoree Brittany Sciavone attends the 14th Annual L'Oreal Paris Women Of Worth Awards at The Pierre on December 04, 2019 in New York City.
Honoree Brittany Sciavone attends the 14th Annual L'Oreal Paris Women Of Worth Awards at The Pierre on December 04, 2019 in New York City.
L'Oreal Paris USA President Ali Goldstein speaks onstage during the 14th Annual L'Oreal Paris Women Of Worth Awards at The Pierre on December 04, 2019 in New York City.
Chrisy Silva and Brittany Schiavone embrace on stage during the 14th Annual L'Oreal Paris Women Of Worth Awards at The Pierre on December 04, 2019 in New York City.
Chrisy Silva and Brittany Schiavone attend the 14th Annual L'Oreal Paris Women Of Worth Awards at The Pierre on December 04, 2019 in New York City.
Honoree Brittany Sciavone speaks onstage during the 14th Annual L'Oreal Paris Women Of Worth Awards at The Pierre on December 04, 2019 in New York City.
Honoree Brittany Sciavone speaks onstage during the 14th Annual L'Oreal Paris Women Of Worth Awards at The Pierre on December 04, 2019 in New York City.
Aja Naomi King and Brittany Schiavone
Honoree Brittany Sciavone with Ashley Asti and Sue Schiavone
Honoree Brittany Sciavone speaks onstage during the 14th Annual L'Oreal Paris Women Of Worth Awards at The Pierre on December 04, 2019 in New York City.
By Melissa Arnold
It’s been a whirlwind December for Huntington’s Brittany Schiavone.
Earlier this year, 30-year-old Brittany was chosen as one of 10 finalists in the 14th annual L’Oreal Paris Women of Worth national competition, an event celebrating the achievements of amazing women from all walks of life.
Brittany, who has Down syndrome, is the founder of Brittany’s Baskets of Hope (BBOH), a nonprofit organization that delivers care packages to new parents of children with Down syndrome.
Since its inception five years ago, BBOH has mailed or hand delivered more than 850 baskets to families in 49 states and Puerto Rico. The baskets contain educational materials, pampering products for families, a blanket and clever, Down-themed clothing for their little one.
Brittany won $10,000 for being a finalist in the competition. Her story and those of the other finalists were chronicled on L’Oreal’s website, and for one month, anyone could vote for the woman who most inspired them.
On Dec. 2, Brittany and her longtime friend, Ashley Asti, headed to New York City to prepare for the Women of Worth gala later that week, where the top finalist would be named the National Honoree.
“On Monday, a car service was sent for us and we headed into the city. That night, there was a dinner for all the finalists to meet and talk about their initiatives,” said Asti, who has known Brittany for several years. “Brittany walked to the head of the table and spoke to the group with so much confidence. She is so intuitive and took all of it in stride.”
The second day was quieter, with a full day of workshops to help the women learn more about the intricacies of running a nonprofit organization.
Finally, Wednesday arrived. Joined by her mother, Sue Schiavone, the ladies headed to the Pierre Hotel in Manhattan, where they had makeovers from L’Oreal staff. “There were two people doing my hair and makeup. They gave me smoky eyes and curls. It was amazing,” the finalist said.
The star-studded gala paired each finalist with a celebrity who accompanied them throughout the night. Among the attendees were Dame Helen Mirren, Gayle King, Viola Davis, Camila Cabello, Amber Heard and Debby Ryan.
Brittany’s celebrity navigator, actress Aja Naomi King of ABC’s “How to Get Away with Murder,” spent the night sharing stories and laughs and introduced her onstage. And at the end of the night, both women cried tears of joy when Brittany was named the 2019 Women of Worth National Honoree. She had earned thousands of online votes and will receive an additional $25,000 to benefit BBOH.
“I’m so excited that I won, because now I can help even more families like mine know that they’re not alone,” the honoree said, adding that she hopes she can soon send a basket to Alaska, the only state they’ve yet to hear from.
Sue Schiavone finds herself thinking about families all over the world. “It’s nice to know that we’re not going to have to worry about where the money is coming from anymore,” she said. “Shipping costs are so expensive, and we’ve received so many messages from people in other countries asking for us to send baskets. We can start to think about that now. It opens up so many doors for Brittany, and for us.”
To learn more about Brittany’s Baskets of Hope, donate to the cause or to request a care package, visit www.brittanysbasketsofhope.org.
Joan Rockwell with Still Life with Pomegranates, oil on linen
M. Ellen Winter with LI Mechanic (Worker Taking a Break), oil
Cliff Miller with The Age of Innocence, oil on gesso panel
Marsha Solomon with Primary Layers, acrylic and collage on Arches paper
William Wagner with DNA 12816/65, digital print
A visitor to the Long Island Museum enjoys its Anything Goes! exhibit.
The Long Island Museum in Stony Brook hosted an artist reception for its latest exhibit, Anything Goes!, on Dec. 6. The exceptional exhibit features artwork created by 104 participating members of LIMarts, the LIM’s special membership initiative for artists.
Joshua Ruff, deputy director at the Long Island Museum, welcomed the artists and guests to the reception.“It’s quite amazing and impressive how, just within a space of a few miles, we have such incredible talent. I think this is our best show yet − it’s colorful, it’s wonderful.” Most of the artwork is for sale with a portion of the proceeds benefiting the museum’s exhibitions and programs. The show is on view in the museum’s Visitors Center through Jan. 5.
For more information, call 631-751-0066 or visit www.longislandmuseum.org.
Most people are probably unaware that their cells contain ribosomes. They probably know each of their cells has a nucleus and within that nucleus are chromosomes and that the chromosomes contain their genes.
But most people do not know what other organelles in their cells are present and what they do. One of them is the ribosome. When you look at an electron micrograph of a cell, you see the cytoplasm (the goop between the cell membrane and the nucleus) has many membranous folded sheets called the endoplasmic reticulum on which are thousands of tiny dots. Those dots are the ribosomes.
In the 1950s, after DNA was shown to be the hereditary material and present in the chromosomes of cells, some biologists began exploring how the structure of DNA is treated to the functions carried out by genes. One of these was how information (the genetic code) was carried by the genes and how that became the traits we see of the organism.
One theory quickly proven was that DNA made another copy with a slightly different chemical composition, called RNA. In fact, there were three types of RNA − a copy of the gene sequence called messenger RNA, a groups of small RNA molecules that carried one of the 20 different amino acids that compose protein molecules, and an RNA that is present in a molecular machine called the ribosome.
The ribosome takes the messenger RNA coming from the genes, enters the ribosome and begins plugging amino acids whose tips contain a three-letter sequence corresponding to one of the 20 different amino acids.
The ribosome is a complex molecule, much bigger than hemoglobin in our cells, and carries out the protein synthesis for the cell, each messenger RNA producing a specific type of protein from a specific gene.
All that mouthful of scientific events you can translate into this thought. When I eat my three meals a day, how does so much of it become me? Well, one thing to thank is your ribosomes. They take the digested bits of proteins from your foods and convert them into the proteins (enzymes, structural components of your cell organelles, and switches used to turn genes on an off or make fertilized eggs into embryos, fetuses, babies and ultimately you).
I read an interesting memoir by a Nobel molecular biologist (who started his career as a physicist) who worked on the structure of the ribosome. It has a large and a small protein mass. It also has several ribosomal RNA regions that allow the messenger RNA to enter, the transfer RNAs to deposit their individual amino acids, and the ribosomal RNA to move them along and grow the protein chain. It took about 40 years to work out the details of this molecular machine.
For science buffs, I recommend reading Venki Ramakrishnan’s 2018 book “Gene Machine: The Race to Decipher the Secret of the Ribosome.” It is a wonderful memoir about the many blind alleys, goofs, luck, hard work, competition and numerous tools used by scientists to bring about the solution to a complex system invisible to the naked eye and it requires the disciplines of physic, chemistry and biology to solve it.
Elof Axel Carlson is a distinguished teaching professor emeritus in the Department of Biochemistry and Cell Biology at Stony Brook University.
Now through Jan. 16, 2020, the New-York Historical Society is featuring an exhibition Beyond Midnight: Paul Revere, while in East Setauket there’s reason to celebrate a find related to the home of courier and spy Capt. Austin Roe, known as the “Paul Revere of Long Island.”
Roe Tavern, Robert S. Feather Photo Postcard, c. 1916-1918. Photo courtesy of Three Village Historical Society
For the first time in a century, sketches of Old Roe’s Tavern in its original location in East Setauket have come to light courtesy of the New-York Historical Society (N-YHS) after an ongoing search, at my request, for catalogued entries that initially evaded art handlers. Gifted in 1954 to the N-YHS, the sketches remained unheralded for 65 years until brought to light this September on the eve of the recent fifth annual Culper Spy Day sponsored by the Three Village Historical Society, Tri-Spy Tours, The Long Island Museum and The Ward Melville Heritage Organization.
Dating from 1911 to 1917, the sketches in graphite (pencil) with touches of white chalk on buff paper are by Arthur W. Strong, an interior designer and third-generation American sign painter. At my request, they have been photographically digitized for the first time.
Spy Trail captured in Strong’s sketches
On his sketches, Strong inscribed a date of circa 1702 to the future tavern, a year before it’s now believed the first Selah Strong in Setauket built the one-story section seen to the right (east) in the top photo. The Strongs sold to the Woodhulls who, in turn, sold to the Roe family, who added the main section in 1735 and turned it into a tavern. Under cover of his livelihood as tavern-keeper, Roe acted as a courier for George Washington’s spy ring, carrying information between New York City and Setauket at great personal risk during the American Revolution, when Long Island was occupied by the British.
Among the few known views of Roe Tavern in its original location (now marked by a sign), Strong’s sketches predate Route 25A road changes that necessitated the tavern’s move a mile away in 1936. Strong’s 1914 sketch of the tavern conveys the same basic undulations of land and roadway so familiar today on the Spy Trail, which extends from Port Jefferson to Great Neck along 25A, known as the King’s Highway during the Revolution.
Today it’s known as the Culper Spy Trail after Washington’s chief spies on Long Island — Abraham Woodhull, alias Samuel Culper Sr., and Robert Townsend, Culper Jr., who provided key intelligence to Washington in 1780 that helped save West Point from Benedict Arnold’s treason. Also, thanks to the horsemanship of Roe that year, the French Navy was spared at Newport, Rhode Island, so it could sail south to assist Washington in achieving the ultimate Revolutionary War victory at Yorktown, Virginia, the following year.
In 2017, the New York State Legislature recognized the contribution of the Culper Spy Ring, and commemorative Spy Trail signs were installed by the North Shore Promotion Alliance.
Arthur Strong’s 1914 sketch provides the earliest known perspective of the Roe Tavern from the northeast looking west along the dirt road to New York City as it was likely laid out when traveled by Roe as he couriered coded messages for Washington. Riding horseback 110 miles round trip at least once a week, on roads patrolled by British soldiers and frequented by highwaymen and British spies and couriers, the danger persisted when Roe returned home where the enemy, drinking at his tavern, would hopefully drop an unguarded comment on military plans that warranted transmittal to Washington.
Through Strong’s eyes, too, we see the tavern where it stood in 1790 when Washington saw it and recorded in his diary, “thence to Setakit . . . to the House of a Captn. Roe which is tolerably dect. [decent] with obliging people in it.” Washington slept there on the evening of April 22, 1790 during a post-war tour of Long Island to thank those, like Roe, who spied for the American cause.
Out of a cache of six, five sketches are related to the tavern and a sixth (1915) is of the Setauket Presbyterian Church. Strong’s work features a previously stored-away view of the second-floor front southwest bedroom George Washington slept in when visiting Roe Tavern in 1790.
The week of Washington’s birthday bicentennial, a Feb. 26, 1932 Long-Islander newspaper article reported that care had been taken to “preserve the original appearance” of the bedroom and that its central feature was the open fireplace “across the northern end of the room.” That is the focus of Strong’s 1917 sketch, made years earlier, showing the first president’s humble accommodations.
According to census records, Arthur W. Strong was born about 1878. He may have moved from Brooklyn to Port Jefferson in November 1911 at about age 32, when he completed his first sketch, which was of the tavern.
Strong’s sketches appear to have been done during his commissions as a sign painter, and he returned to the tavern on three occasions. The first sketch, drawn in 1911, included an inset of what was likely his proposed sign marking Washington’s visit (that Strong mistakenly recorded as occurring in 1782) and not a word about a tea house. Strong’s last three sketches in 1917 depict the front facade of the tavern without any sign; a proposed sign for the ‘Old Tavern Tea House’ with a full-face picture of George Washington and the correct date of his visit in 1790; and Washington’s bedroom. The latter indicates Strong’s interest in interior decorating that ultimately led to his becoming a partner in his own design business by 1930.
Strong’s 1911 sketch is reminiscent of similarly composed views found in photo postcards of the tavern by English-born photographers Arthur S. Greene (1867-1955), who came to Port Jefferson in 1894, and Robert S. Feather (1861-1937) a jeweler and watchmaker who arrived in Smithtown after 1900.
While Greene’s postcard shows a real estate sign on a post like that drawn in Strong’s sketches, Feather’s postcard circa 1916-1918 shows a boxy tea house sign, framing a view taken east of the signpost. Tea houses were a popular venue in 1917: the same year Strong drew Washington’s visage on his Old Tavern Tea House sign for Roe’s, a new tea house was established to the west on Route 25A, at the Roslyn Grist Mill, the oldest Dutch commercial building in the United States (now undergoing extensive restoration by the Roslyn Landmark Society).
The N-YHS received Strong’s sketches as a Gift of the Estate of Oscar T. Barck Sr., historian to the Sons of the American Revolution, collector of documents signed by Washington and father of Syracuse University professor and noted historian and author Oscar Theodore Barck Jr. (1902-1993), whose papers and ephemera the N-YHS also houses.
Barck Jr.’s book, “New York City During the War for Independence: With Special Reference to the Period of British Occupation” (1931), provides one of the early discussions of Washington’s spy ring, following Suffolk County historian Morton Pennypacker’s “Two Spies” (1930) identifying Robert Townsend of Oyster Bay as Culper Jr. in prelude to Pennypacker’s “George Washington’s Spies” (1939) establishing Abraham Woodhull of Setauket as Culper Sr.
Pennypacker described how Anna Smith Strong hung laundry on a clothesline to signal Woodhull when and where Capt. Caleb Brewster’s whaleboats beached in various coves to receive messages he would relay across the Sound to Washington’s headquarters. Arthur Strong’s interest in Roe Tavern shows an appreciation for Strong family history in Setauket although his father’s family emigrated to the United States from England in 1851. As “Master Painters,” Arthur Strong’s family established their own business of paper hanging and painting in Manhattan and Brooklyn before Arthur moved to Port Jefferson.
Encoded art and architecture lead to rediscovered sketches
Roe Tavern’s two-story three-bay main section with a door to the right, considered a “half-house,” featured nine-over-six windows, a common yet potentially politically significant configuration, also found in the similar facade of a circa 1752 house once the home of Mary Woodhull Arthur and now owned by the Smithtown Central School District on West Main Street, Smithtown. That suggestive fenestration led me to discover Mary’s father was Abraham Woodhull, aka Culper Sr., one of the Culpers for whom the Spy Trail was named. After leaving Roe’s Tavern on April 23, 1790, Washington traveled to Smithtown past the Arthur House en route to Huntington and dined at Platt’s Tavern, no longer extant, making Mary’s home the only one of the three Washington passed that day still located where it stood in 1790.
The locating of Strong’s Setauket sketches comes in conjunction with my current research into the possibility that architectural features of Roe Tavern, the Arthur House in Smithtown and the wall paintings of the Sherwood-Jayne House in East Setauket could be highly political in nature. Owned by Preservation Long Island, the Sherwood-Jayne House is believed to have been built about 1730 with the east addition housing the paintings dated to circa 1780-1790. Without giving away details, I’ll say the Sherwood-Jayne House would not be the first American home documented with frescoes of a similar style said to have been painted to express loyalty to either a British or American political stance close to the end of the American Revolution.
As a clue to understanding the political potential of the Sherwood-Jayne wall paintings, I’ll remind readers of Abigail Adams’ admonition, “Remember the ladies,” written to her husband, John, at a time when he was helping to frame the Declaration of Independence for the new American government in 1776. Abigail’s advice lends meaning to the ciphers that appear to be spelled out on the interior walls of the Sherwood-Jayne House and are repeated in the fenestration of its front facade as well as the windows of Mary Woodhull Arthur’s home and Roe Tavern.
North Shore arts flourish
The southeast parlor, Sherwood-Jayne House, East Setauket Photo courtesy of Preservation Long Island
Within the 1911 to 1917 time frame that Arthur W. Strong sketched Roe Tavern, painter Emile Albert Gruppé was commissioned in 1916 by antiquarian Howard Sherwood, to restore the wall paintings in a downstairs parlor of his nearby East Setauket home (now the Sherwood-Jayne House).
Sherwood discovered the paintings beneath the wallpaper shortly after purchasing the house in 1908.
Strong and Gruppé were working in the East Setauket area while sculptor Charles Cary Rumsey’s early plaster cast of Whisper, the Smithtown Bull (now at the Smithtown Historical Society), was exhibited, beginning in 1913, at the new Smithtown Library (1912), to raise funds for the five-ton bronze Bull.
Gruppé could have seen the model when he arrived in East Setauket and ironically, in 1919, Emile’s brother, sculptor Karl Gruppé, would become Rumsey’s assistant. After Rumsey’s death in 1922, Karl went to Paris for three years to supervise completion of Rumsey’s unfinished works, which included the Smithtown Bull (National Register Eligible 2018).
It was cast in 1926, shortly after Emile Gruppé returned to the North Shore and recorded, in April 1925, that he restored “with much care,” the second-floor frescoes at Sherwood’s home.
The Bull represents not only the time-honored folklore of Richard “Bull” Smith’s famous ride upon a bull circling the land that would become Smithtown but also stands as the secular symbol of the winged ox attribute of St. Luke, patron of painters and architects.
Standing tall at the junction of Routes 25 and 25A, the bronze Bull installed in Smithtown in 1941 serves as a symbol of the arts along the North Shore from the township of Smithtown to Brookhaven. Little known, but locally significant, Arthur W. Strong, creator of the Roe Tavern Sketches, was a figure in that North Shore arts movement.
About the author: Independent Historian Corey Geske of Smithtown also compared sketches at the N-YHS to an Asher Brown Durand painting at the Grand Rapids Art Museum in Michigan, resulting in its correct re-titling as “View in the Valley of Oberhasle, Switzerland” (1842) in the Art Inventories Catalog of the Smithsonian American Art Museums. Geske proposed a National Register Historic District for downtown Smithtown in early 2017, prepared the report resulting in the Smithtown Bull being determined Eligible for the NR (2018) and wrote the successful nomination for recent listing on the National Register of Historic Places of the Byzantine Catholic Church of the Resurrection (1929) designed by Henry J. McGill and Talbot F. Hamlin, and its Rectory, the former Fred and Annie Wagner Residence (1912) designed by Gustav Stickley.
The main symptom of a heart attack is chest pain.
Stock photo
As many as 35 percent of heart attacks may present without chest pain
By David Dunaief, M.D.
Dr. David Dunaief
Heart disease is the most common chronic disease in America. When we refer to heart disease, it is an umbrella term; heart attacks are one component.
Fortunately, the incidence of heart attacks has decreased over the last several decades, as have deaths from heart attacks. However, there are still 790,000 heart attacks every year, and almost three-quarters of these are first heart attacks (1).
If you think someone is having a heart attack, call 911 as quickly as possible and have the patient chew an adult aspirin (325 mg) or four baby aspirins. While the Food & Drug Administration does not recommend aspirin for primary prevention of a heart attack, the use of aspirin here is for treatment of a potential heart attack, not prevention.
Heart attack symptoms
The main symptom is chest pain, which most people don’t have trouble recognizing. However, there are a number of other, more subtle, symptoms such as discomfort or pain in the jaw, neck, back, arms and epigastric, or upper abdominal areas. Others include nausea, shortness of breath, sweating, light-headedness and tachycardia (racing heart rate). One problem is that less than one-third of people know these other major symptoms (2). About 10 percent of patients present with atypical symptoms — without chest pain — according to one study (3).
It is not only difficult for the patient but also for the medical community, especially the emergency room, to determine who is having a heart attack. Fortunately, approximately 80 to 85 percent of chest pain sufferers are not having a heart attack. More likely, they have indigestion, reflux or other non-life-threatening ailments.
There has been a raging debate about whether men and women have different symptoms when it comes to heart attacks. Several studies speak to this topic.
Men vs. women
There is data showing that, although men have heart attacks more commonly, women are more likely to die from a heart attack (4). In a Swedish prospective (forward-looking) study, after having a heart attack, a significantly greater number of women died in hospital or near-term when compared to men. The women received reperfusion therapy, artery opening treatment that consisted of medications or invasive procedures, less often than the men.
However, recurrent heart attacks occurred at the same rate, regardless of sex. Both men and women had similar findings on an electrocardiogram; they both had what we call ST elevations. This was a study involving approximately 54,000 heart attack patients, with one-third of them being women.
One theory about why women are treated less aggressively when first presenting in the ER is that they have different and more subtle symptoms — even chest pain symptoms may be different. Women’s symptoms may include pain in the lower portion of the chest or upper portion of the abdomen and may have significantly less severe pain that could radiate or spread to the arms. But, is this true? Not according to several studies.
In one observational study, results showed that, though there were some subtle differences in chest pain, on the whole, when men and women presented with this main symptom, it was of a similar nature (5). There were 34 chest pain characteristic questions used to determine if a difference existed. These included location, quality or type of pain and duration. Of these, there was some small amount of divergence: The duration was shorter for a man (2 to 30 minutes), and pain subsided more for men than for women. The study included approximately 2,500 patients, all of whom had chest pain. The authors concluded that determination of heart attacks with chest pain symptoms should not factor in the sex of patients.
This trial involved an older population; patients were a median age of 70 for women and 59 for men, with more men having had a prior heart attack. The population difference was a conspicuous weakness of an otherwise solid study, since age and previous heart attack history are important factors.
In the GENESIS-PRAXY study, another observational study, but with a younger population, the median age of both men and women was 49. Results showed that chest pain remained the most prevalent presenting symptom in both men and women (6). However, of the patients who presented without distinct chest pain and with less specific EKG findings (non-ST elevations), significantly more were women than men. Those who did not have chest pain symptoms may have had some of the following symptoms: back discomfort; weakness; discomfort or pain in the throat, neck, right arm and/or shoulder; flushing; nausea; vomiting; and headache.
If the patients did not have chest pain, regardless of sex, the symptoms were diffuse and nonspecific. The researchers were looking at acute coronary syndrome, which encompasses heart attacks. In this case, independent risk factors for disease not related to chest pain included both tachycardia (rapid heart rate) and being female. The authors concluded that there need to be better ways to calibrate non-chest pain symptoms.
Some studies imply that as much as 35 percent of patients do not present with chest pain as their primary complaint (7).
Let’s summarize
So what have we learned about heart attack symptoms? The simplest lessons are that most patients have chest pain, and that both men and women have similar types of chest pain. However, this is where the simplicity stops and the complexity begins. The percentage of patients who present without chest pain seems to vary significantly depending on the study — ranging from less than 10 percent to 35 percent.
Non-chest pain heart attacks have a bevy of diffuse symptoms, including obscure pain, nausea, shortness of breath and light-headedness. This is seen in both men and women, although it occurs more often in women. When it comes to heart attacks, suspicion should be based on the same symptoms for both sexes. Therefore, know the symptoms, for it may be your life or a loved one’s that depends on it.
Dr. Dunaief is a speaker, author and local lifestyle medicine physician focusing on the integration of medicine, nutrition, fitness and stress management. For further information, visit www.medicalcompassmd.com.
Why did you decide to write this book?
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