Arts & Entertainment

By Daniel Dunaief

Paula S. Apsell wants to correct one of the more insidious myths about Jews during the Holocaust.

Director Paula S. Apsell

The award-winning filmmaker is showing the documentary Resistance – They Fought Back at the Cinema Arts Centre in Huntington on July 25, offering numerous examples of Jews who fought against the murderous Nazi regime.

The film from Apsell, who will be at the Cinema Arts Centre screening to speak with the audience, chronicles resistance in many forms, from getting married in secret, to having children, to holding concerts, to caring for the poor, to smuggling food and weapons into ghettos and, ultimately, to guerilla combat.

These stories of courage and a readiness to fight back when any form of resistance could mean severe punishment or death not just for the person rebelling but for many others paint a completely different picture than the one in which Jews surrendered meekly to their fate.

“There were seven rebellions in death camps, and six of them were led by Jews,” said Apsell, who won numerous awards as executive producer for PBS NOVA films. “They still mustered the courage to rebel knowing they would die in the rebellion” and almost all of them did.

The survival rate among Jews in general and those who the Germans found were rebelling, which includes many in their late teens and early 20’s who were fighting to protect and defend their families, was low.

While she was an executive producer at PBS for the Nova science series in 2016, Apsell traveled to Lithuania near Vilnius, where she produced a documentary for PBS about Jews who were brought to a site to burn the bodies of thousands of other Jews whom the Nazis had murdered.

At night with shackles on, they used spoons to dig a tunnel over the course of 76 days. When they escaped, they filed off their shackles and raced towards a forest, with 11 of them surviving through the rest of the war.

Building on this story, Apsell, who worked with Lone Wolf Media and co-directed the documentary with Kirk Wolfinger, started gathering information for the Resistance film in 2019 and completed editing the movie in September of 2023.

Apsell, who herself is conservative about what she shares with her eight and 11-year old grandchildren, suggested the documentary is appropriate for juniors in high school or older, unless they have had some level of education about the Holocaust.

Compelling lives

Amid the many stories of courage and sacrifice, Apsell felt a particular connection with Bela Hazan.

A courier who brought information, money and weapons to the ghettos, Hazan posed as a Polish Christian woman and traveled along dangerous roads surrounded by Nazis who would imprison, torture or kill her if they knew of her work.

After Hazan survived the dangers of the war, her son Yoel Yaari, who hadn’t heard of his mother’s wartime activities, found two notebooks containing details about her work.

Yaari, who is the Henri and Erna Leif Professor for Research in Neurodegenerative Diseases at the Hebrew University Faculty of Medicine in Jerusalem, has told people through articles and his book “Portrait of a Woman” about his mother’s “astounding courage and what she had done for the Jewish people,” said Apsell. “We can all learn about courage in adversity.”

Apsell suggested that scholars knew about the way Jews had resisted, but that lay audiences often say they thought Jews went to their death as sheep to the slaughter.

Other ways to watch the film

Apsell is in the final stages of putting together a broadcast deal, which she hopes will be ready in January to coincide with Holocaust Remembrance Day, which is on January 27.

She also plans to work with organizations that have relationships with schools and libraries so students can access the information.

These stories “ought to be a much more visible part of the history of the Holocaust,” she said.

“I had a mission to tell these stories,” Apsell said. “I felt like it was a personal commitment and a responsibility” to share these stories.

While Apsell appreciates and acknowledges that people who weren’t Jewish helped their Jewish friends, neighbors and even strangers, she felt like the focus on resistance has often been on outside help.

“In this film, my emphasis was on Jews rescuing other Jews,” she said.

The film includes interviews with five Jewish survivors who were among the resistance fighters. Resistance also uses considerable archival footage from organizations that had recorded interviews. The film’s narrators include actors Corey Stoll, Dianna Agron and Maggie Siff.

Dr. Jud Newborn, lecturer, author and curator at the Cinema Arts Centre, had an immediate reaction when he viewed the film.

“I was stunned,” said Newborn, who is an expert on Jewish anti-Nazi resistance and served as the founding historian of New York’s Museum of Jewish Heritage. “No documentary covers the panoply of Jewish resistance in its many forms and in such a moving as well as revelatory manner.”

Newborn, who will host a discussion with Apsell right after the screening, added that he thought this was a “groundbreaking film.”

While Newborn describes all manner of Jewish resistance in his multimedia lecture programs, he learned new stories because the movie pulls together “the most cutting edge information,” he said. “The subject of Jewish resistance breaks stereotypes and is deeply inspiring and energizing and it’s also deeply moving because they had to overcome obstacles unlike any people under Nazi occupation or indirect rule.”

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The Cinema Arts Centre, 423 Park Ave., Huntington will screen Resistance – They Fought Back on Thursday, July 25 at 7:15 p.m. with filmmaker Paula S. Apsell in person followed by discussion with moderator Dr. Jud Newborn. Tickets are $18 per person in advance at  www.cinemaartscentre.org or at the box office.  For more information, please call 631-423-7610.

 

TBR News Media reporter Daniel Dunief recently interviewed Fawzia Mirza, Director and writer of the film “The Queen of My Dreams.” Set across two continents and spanning three decades, the movie, which will be screened at the Stony Brook Film Festival on July 19 at 7 p.m., highlights the similarities and tensions between a Pakistani Muslim mother and daughter during their formative years.

Listen to the episode now.

METRO photo

By Nancy Marr

Have you ever thought about the ways that our country might change if everybody voted? If all the citizens, young and old, could register their opinions by going to the polls?  Where could we start to make that happen?

It has been estimated that by February 2024 a total of 91,089 New York State teens have pre-registered to vote, an increase of 11.4% since February 2023. The Civics Center (www.thecivicscenter.org) pointed out that represents fewer than 20% of the state’s age-eligible teens (New York State allows teens to pre-register at 16, although they do not vote until they are 18).  

We commend NYS Senator Shelley Mayer from White Plains for writing legislation, New York State Election Law 5-507, signed by Governor Hochul, requiring NYS  high schools and boards of education to adopt policies and procedures by July 1, 2024, to promote student registration. Schools are asked to provide registration access, information and assistance during the school year.

In school districts in New York State, students may work to earn a Seal of Civic Readiness. They learn how to identify and address problems in their community or school and earn at least two points in Civic Knowledge and two points in Civic Participation. Students may also earn points by completing a middle school Capstone project or a high school Capstone project. 

What other methods have high schools and colleges found to be successful in increasing voter registration? In many schools a Civics Day in high schools and middle schools highlights the importance of voting and preparing to vote. In many schools, social studies teachers plan their curriculum around the importance of voting, and offer opportunities to register in school. Many college students arrive at their school already registered. 

But for many students, voting is too abstract. They are more likely to register if they see evidence that their vote might address a problem that they know of. Generation Citizen, a nonprofit organization that works with schools, has been successful in leading student efforts to pinpoint problems in their school or community and find ways to correct them. The students research the source of the problem, and possible solutions, sharing their findings with the student body and faculty. Most often they learn which public officials could help them, and how to reach them.

They learn that they can contribute to a better environment for their school or community through their study and actions, and show other students that they can make a difference. The students in the Patchogue-Medford High School were successful in adding sidewalks in front of their high school.

Most important, perhaps, are efforts to involve young people in speaking up about issues that affect the residents in their community. For instance, a Youth Advisory Board was formed in Islip in 2022 to address the pressing issue of youth disengagement in Brentwood, Central Islip, and North Bay Shore. 

Led by the board of their peers, they have held Youth Town Halls to address the issues of climate change and climate justice, and advocated for a local skate board park. Recently, knowing that many college students from families with low incomes rely on the New York State TAP (Tuition Assistance Program), they led, and won, a campaign to raise the TAP stipends each year. 

Gathering support from other students by working through social media, they made contact with NYS Assemblymembers Phil Ramos and Patricia Fahy and NYS Senator Monica Martinez, convincing the state legislators to raise the family eligibility level for TAP from $80,000 to $125,000 and the amount of the awards to at least $1000. In May, the Youth Advisory Board partnered with the NYS Higher Education Services Corporation to present information on the TAP program at a Youth Town Hall meeting at Brentwood High School.  

In each of our communities we need to reach out to the members of the Board of Education to remind them that we support more civic education in our schools, especially the New York State recommendation that schools find ways to encourage and provide registration opportunities for eligible students.                  

Nancy Marr is Vice-President of the League of Women Voters of Suffolk County. For more information, call 631-862-6860.

Simon Birrer Photo by Andrea Hoffmann

By Daniel Dunaief

When he was young, Simon Birrer asked his parents for a telescope because he wanted to look at objects on mountains and hills.

Simon Birrer.  Photo Studio, Mall of Switzerland

While he was passionate about science and good at math, Birrer didn’t know at the time he’d set his sights much further away than nearby hills or mountains in his professional career.

An Assistant Professor in the department of Astronomy and Physics at Stony Brook University, Birrer uses telescopes that generate data from much further away than nearby hills as he studies the way light from distant galaxies bends through a process called gravitational lensing. He also works to refine a measure of the expansion of the universe.

“All matter (including stars in galaxies) are causing the bending of light,” Birrer explained in an email. “From our images, we can infer that a significant fraction of the lensing has to come from dark (or more accurately: transparent) matter.”

Dark matter describes how a substance of matter that does not interact with any known matter component through a collision or pressure or absorption of light is transparent.

While they can’t see this matter through various types of telescopes, cosmologists like Birrer know it’s there because when it gets massive enough, it creates what Albert Einstein predicted in his theory of relativity, altering spacetime. Dark matter is effectively interacting with visible matter only gravitationally.

Every massive object causes a gravitational effect, Birrer suggested.

When a single concentration of matter occurs, the light of a distant galaxy can produce numerous images of the same object.

Scientists take several approaches to delens the data. They rely on computers to perform ray-tracing simulations to compare predictions with the astronomical images.

The degree of lensing is proportional to the mass of total matter.

Birrer uses statistics and helps draw conclusions about the fundamental nature of the dark matter that alters the trajectory of light as it travels towards Earth.

He conducts simulations and compares a range of data collected from NASA Hubble and the James Webb Space Telescope.

Hubble constant

Beyond gravitational lensing, Birrer also studies and refines the Hubble constant, which describes the expansion rate of the universe. This constant that was first measured by Edwin Hubble in 1929.

“An accurate and precise measurement of the Hubble constant will provide us empirical guidance to questions and answers about the fundamental composition and nature of the universe,” Birrer explained.

During his postdoctoral research at UCLA, Birrer helped develop a new “formalism to measure the expansion history of the universe accounting for all the uncertainty,” Tomasso Treu, a Vice Chair for Astronomy at UCLA and Birrer’s postdoctoral advisor. “These methodological breakthroughs lay the foundation for the work that is being done today to find out what is dark matter and what is dark energy,” which is a force that causes the universe to expand at an accelerating rate.

Treu, who described Birrer as “truly outstanding” and one of the ‘best postdocs I have ever interacted with” in his 25-year career, suggested that his former student was relentless even after impressive work.

Soon after completing a measurement of the constant to two percent precision, Birrer started thinking of a “way to redo the experiment using much weaker theoretical assumptions,” Treu wrote in an email. “This was a very brave thing to do, as the dust had not settled yet on the first measurement and he questioned everything.”

The new approach required considerable effort, patience and dedication.

Birrer was “motivated uniquely by his intellectual honesty and rigor,” Treu added. “He wanted to know the answer and he wanted to know if it was robust to this new approach.”

Indeed, researchers are still executing this new measurement, which means that Treu and others don’t know how the next chapter in this search. This approach will, however, lead to greater confidence in whatever figure they find.

Larger collaborations

Simon Birrer. Photo by Rebecca Ross

Birrer is a part of numerous collaborations that involve scientists from Europe, Asia, and Middle and South America.

He contributes to the Legacy Survey of Space and Time (LSST). A planned 10-year survey of the southern sky, the Vera C. Rubin Observatory is under construction in northern Chile.

The Simonyi Survey Telescope (SST) at the observatory will survey half the sky every three nights. It will provide a movie of that part of the sky for a decade.

The telescope and camera are expected to produce over 5.2 million exposures in a decade. In fewer than two months, a smaller commissioning camera will start collecting the first light. The main camera will start collecting images within a year, while researchers anticipate gathering scientific data in late next year or early in 2026.

The LSST is expected to find more strong gravitational lensing events, and in particular strongly lensed supernovae, than any prior survey.

Birrer is the co-chair of the LSST Strong Lensing Science Collaboration and serves on the Collaboration Council of the LSST Dark Energy Science Collaboration.

Birrer is also a part of the Dark Energy Survey, which was a predecessor to LSST. Researchers completed data taking a few years ago and are analyzing that information.

From mountains to the island

Born and raised in Lucerne, Switzerland, Birrer, who speaks German and the Swiss dialect, French and English, found physics and sociology appealing when he was younger.

“I was interested in how the world works,” he said.

While attending college at ETH Zurich in Switzerland, he became eager to address the numerous unknown questions in cosmology and astrology.

“How little we know about” these fields “dragged me in that direction,” said Birrer.

An avid skier, mountaineer and soccer player, Birrer bikes the five miles back and forth to work from Port Jefferson.

In addition to adding a talented scientist, Stony Brook also brought on board an effective educator.

Birrer is “knowledgeable and caring, patient and at the same time, he knows how to challenge people to achieve their best,” Treu explained. “I am sure he will be a wonderful addition to the faculty and he will play a leading role in training the next generation of scientists.”

In terms of the advice he found particularly helpful in his career, Birrer suggested he needed a nudge to combine his passion for theory with the growing trove of available data. His PhD advisor told him to “touch the data,” he said. The data keeps him humble and provides a reality check.

The friction between thought and data “leads to progress,” Birrer added. “You never know whether the thoughts are ahead of the experiments (data) or whether the experiments are ahead of the thoughts.”

Joseph Quinn and Lupita Nyong'o in a scene from the film. Photo courtesy of Paramount Pictures

Reviewed by Jeffrey Sanzel

The A Quiet Place franchise premiered in 2018. The well-received film followed parents (Emily Blunt and John Krasinski) attempting to protect their children in a post-apocalyptic world invaded by blind monsters with an acute sense of hearing. Krasinski directed and co-wrote the screenplay with Bryan Woods and Scott Beck. 

The equally lauded A Quiet Place Part II (2020) gave slightly additional background of the invasion and continued the first film’s timeline, with Krasinski appearing, directing, and penning the screenplay solo. The series will (perhaps?) culminate with the Krasinski-helmed A Quiet Place Part III (scheduled for release in 2025). 

In the meantime, the clock has been rolled back for the prequel A Quiet Place: Day One.

Joseph Quinn and Lupita Nyong’o in a scene from the film. Photo courtesy of Paramount Pictures

For A Quiet Place: Day One, Krasinski turned the reigns over to Michael Sarnoski (Pig), who directs his screenplay based on a story created in collaboration with Krasinski. The film opens at the Little Firs Hospice Center, where Reuben (Alex Wolff), a nurse, negotiates with Sam (Lupita Nyong’o), a terminally ill cancer patient connected only to her cat, Frodo, to go on a New York City outing. 

Reluctantly, she agrees, with the proviso that they have pizza afterward. Much to Sam’s annoyance, the field trip is a marionette show. Immediately following the performance, meteor-like objects fall from the sky, unleashing extraterrestrials that attack, murder, and destroy. Within minutes, the City is post-apocalyptic, with burning cars and hollowed-out buildings. 

Sam takes shelter in the marionette theatre, along with a handful of survivors. The government bombs the bridges surrounding Manhattan to keep the aliens, who cannot swim, on the island. Since the beings are blind, they track their prey by sound. Silence becomes the sole means of survival. 

Announcements via helicopter instruct the remaining citizens to head for the South Street Seaport. A chillingly silent trek of refugees travel downtown. However, as the evacuee number increases, the sound turns the march into a bloodbath. 

Soon, Sam meets Eric (Joseph Quinn), a law student from Kent, England. Though hesitant, Sam allows Eric to join her and Frodo as she works her way north to her Harlem home. A series of scenes follow in which the monsters almost catch them. The film relies almost exclusively on the tension built as they navigate any possible action that could create noise. 

The plot is simple, and the result is a hybrid of traditional science fiction/creature feature with its requisite jump-out scares and action thriller, containing numerous explosions. The film calls to mind elements of I Am Legend and any number of alien and zombie movies. 

Over the three entries, the filmmakers teased bits and pieces of the aliens’ background, but they remain mostly a mystery. (Krasinski has revealed more in interviews about the “Death Angels” than is covered in the films.) 

The creature designers used various elements of prehistoric fish, black snakes, and bats to create the monsters. They also referenced “bog people”—cadavers mummified in peat, turning the skin black to create a sagging, leathery look. Somehow, they are more effective in close-up, with their moist gaping maws of sharp teeth, than in the CGI-swarming over buildings and streets. 

Two aspects raise A Quiet Place: Day One above the predictable. The first is the extremely taut sound design. Whether it is the overwhelming chaos of New York City or a balloon that pops with the crack of gunshot, the sound—and its absence—is the driving design element. The opening of a tin can, feet on gravel, or the dragging of a suitcase result in well-crafted moments of dread. The filmmakers made a less effective choice with a musical soundtrack that is more intrusive than supportive.

The second piece is the chemistry between the two leads. The film is basically a two-hander, with a handful of moments given to a few briefly seen characters. (As Henri, from A Quiet Place Part II, Djimon Hounsou has a particularly powerful and brutal interaction with shades of the Warsaw Ghetto.) 

Nyong’o first came to prominence with her brilliant, raw performance in 12 Years a Slave (2013). Again, she shows she is an actor of rich, resonant truth, who makes every situation visceral and real. Her Sam roils with fear, pain, frustration, and resolve. Glimpses of wry humor peek through her emotional wall. She is the rare actor who conveys a sense of the character’s thoughts, even in the stillest moments. 

Quinn makes an excellent partner, a beta searching for guidance, but with a kindness that plays underneath the terror. A highlight is the moment in which they share primal screams masked by thunder. (Special mention must be made of Nico and Schnitzel, the two cats who share the role of Frodo. Somehow, they convey an honest sense of caring.)

While A Quiet Place: Day One offers nothing new, the result is a mildly entertaining ninety minutes showcasing two strong performances in a world of heightened silence—where even a single breath or the slightest inhale means life and death.

Rated PG-13, the film is now playing in local theaters.

Mt. Sinai Congregational Church, UCC, 233 North Country Road, Mt. Sinai will host a Chicken BBQ on Saturday, July 27 from 3 to 6 p.m. Catered by Tuscany Market, the meal includes 1/2 chicken, corn salad, potato salad, and corn bread for $19.99. Popular, traditional, and some original music will provided by Eddie & Bob, Bluegrass Buddies, and Hunter Caiazzo.  Bring a chair, water and enjoy vendors, raffles and more. For more information including being a vendor at this event, call 631-331-2535. 

Photo by Rob Pellegrino

Three Village Community Trust’s Friends of the Greenway will host its monthly cleanup of the Greenway Trail on Saturday, July 20 starting at a new time of 8:30 a.m. in the Port Jefferson Station trailhead parking lot off Route 112 next to Port Jeff Bowl.  Come help keep our community gem clean for the summer. Questions? Email [email protected].

By Julianne Mosher

Get your pink blazer on and swipe on some lip gloss for the John W. Engeman theater in Northport’s latest production of Legally Blonde The Musical.

Based on the 2001 hit movie starring Reese Witherspoon, the 2007 Broadway musical, written by Heather Hach, hints to a lot of the famous movie moments and quotes, but certainly has its own identity and it’s just as good as the famous 00’s comedy.

But it couldn’t have gained the standing ovation it received on the theater’s opening night if it weren’t for the talented cast and crew who took on quite a challenge with Jay Gamboa’s choreography and direction from Trey Compton. 

The show starts out with a simple stage design, headed by Kyle Dixon, of a Delta Nu doorframe at Elle Woods’ (Emma Flynn Bespolka) UCLA sorority house. There, we meet her best friends and sorority sisters, Margot (Lara Hayhurst), Serena (Juliana Lamia) and Pilar (Bridgette Carey) who are writing out a congratulations card for Elle who thinks she’s getting engaged to her boyfriend, Warner Huntington III (Nathan Haltiwanger).

The girls, dressed in their best 2000s-styled clothes (low rise jeans, a lot of color and bedazzles) learn from Elle’s dog, Bruiser, (Little Ricky and Cha Cha), that the soon-to-be bride is at the mall finding the most perfect dress. Always on cue with his scripted barks, jumps and licks, Bruiser with his minimal appearances had the audience in awe at what a good boy he is under the stage lights.

After finding the perfect outfit, hair done and makeup on, Elle meets Warner at a restaurant where he tells her he wants to get serious with her … Down on one knee he takes her hand and much to her surprise and dismay breaks up with her. Afterall, he’s going to law school to kickstart his political career and he needs “a Jackie, not a Marilyn.”

Two weeks of mourning of her idea of marriage falling apart, Elle decides to follow Warner to Harvard Law School. Although she has a degree in fashion merchandising from UCLA, with the financial help of her wealthy parents (Emily Bacino Althaus and Matt DeNoto), and a fantastic cheerleading-inspired live dance performance at Harvard clad in glitter and pink, she (shockingly) gets in and heads to the east coast. What, like it’s hard?

At Harvard, she introduces herself to her classmates, Emmett (Quinn Corcoran), Aaron (Christian Melhuish), Sundeep (Yash Ramanujam) and Enid (Haley Izurieta), as a Gemini who once told Beyonce that orange is definitely not the new pink. Everyone except for Emmett doesn’t take her seriously and backs away, heading to the tough Professor Callahan’s class (James D Sasser) where Elle learns Warner is dating a true “Jackie,” Vivienne Kensington (Nicole Fragala). 

Throughout the rest of Act I, we see Elle struggle with acceptance as she tries to bring her sunny California personality to the gloomy New England university, while also trying to woo her ex back into her life (and dealing with his judgmental and jealous new girlfriend). The musical brings the iconic scene from the screen when Vivienne and her friends invite Elle to a costume party – but it’s not – and she learns that the hard way as she shows up as a Playboy Bunny.

Luckily for Elle, we meet her new best friend who becomes her support system, Paulette (Chanel Edwards-Frédérick), a hair dresser with a sad backstory. Paulette gushes over the new UPS driver, Kyle (Jeffrey Keller), who doesn’t have a lot of lines, but you’ll laugh until your stomach hurts at his seductive walk through the theater and suggestive jokes that have all the girls (and guys) in the beauty salon swoon. Eventually Paulette wins him over by the 99.99 percent effective “bend and snap.”

Back in Elle’s life, she gets added to Professor Callahan’s legal team to represent a former Delta Nu workout superstar, Brooke Wyndham (Julianne Roberts), who is accused of killing her husband. We’re introduced to her in Act II at the woman’s prison where she is demonstrating what is probably the most intense choreography the audience has ever witnessed – a whole song and dance involving constant jump roping. Roberts, with her impeccable lungs, doesn’t miss a beat and double jump with no flaws in her vocal range receiving a long-winded applause when the number is over. You’ll be tired watching her. 

From now on, we’re in court learning about Brooke’s story and who might have actually killed her husband. Using her knowledge of all thing’s beauty, Elle wins the case because everyone knows that you don’t take a shower after a perm…

This show is the most fun you’ll have and with a large cast of 25 talented actors (and two talented pups), you’ll always see something new. The lead role of Elle couldn’t have been better picked as Bespolka truly embodies the character in every sense. In fact, even the ensemble who appeared in only one or two numbers continuously also stole the show. 

So, don’t object to this great opportunity and see for yourself what a great play this is.

The John W. Engeman Theater, 250 Main St., Northport presents Legally Blonde The Musical through August 25. The Main Stage season continues with the murder mystery Clue from Sept. 12 to Oct. 27. Tickets range from $80 to $95. To order, call 631-261-2900 or visit www.engemantheater.com.

Orange Butter Sponge Cake

By Heidi Sutton

Citrus cakes are perfect for the summer and what better day to make one of the following recipes than on July 20, International Cake Day!

This Orange Butter Sponge Cake enhances every party’s dessert course with the sweet and tangy combination of citrus and bitters while this fragrant and moist Orange Juice Pound Cake flavored with freshly squeezed orange juice and orange zest is a proven winner!

Orange Butter Sponge Cake

Recipe courtesy of Angostura Bitters

Orange Butter Sponge Cake

 

YIELD: Makes 2 cakes

INGREDIENTS: 

8 ounces butter, plus for buttering pan

2 cups cake flour, plus for flouring pan

1 tablespoon baking powder

1/2 teaspoon salt

2 cups granulated sugar

4 large eggs

1 teaspoon vanilla

1 tablespoon Angostura orange bitters

1 cup freshly squeezed orange juice

powdered or extra-fine sugar, for dusting

DIRECTIONS:

Heat oven to 350° F. Butter and flour two 9-inch cake pans. Sift flour three times and add baking powder and salt. Set aside.

With electric mixer, cream butter and sugar until light and creamy, about 10 minutes. Add eggs one at a time, beating well between additions. Add vanilla and orange bitters.

Divide flour mixture into four portions. Set electric mixer on medium low and add flour alternately with orange juice, starting and ending with flour. Mix just until incorporated after each addition.

Divide batter evenly between cake pans and bake 35-40 minutes, or until cake pulls away from sides of pans. Remove from oven and cool 5 minutes in cake pans before turning out. Sprinkle with powdered sugar

Orange Juice Pound Cake

Orange Juice Pound Cake

YIELD: Makes 1 cake

INGREDIENTS: 

1 cup (2 sticks) unsalted butter, softened

1 1/2 cups sugar

4 eggs

1 tablespoon orange zest

1 teaspoon vanilla extract

3 cups flour

2 teaspoons baking powder

1/2 teaspoon baking soda

1/4 teaspoon salt

1 cup fresh orange juice

Powdered sugar

DIRECTIONS:

Preheat oven to 350 F. Grease a 10-inch Bundt pan. Beat butter and sugar until fluffy. Add eggs, one at a time. Add orange zest and vanilla extract. In a medium bowl, combine flour, baking powder, baking soda and salt. Add to creamed mixture alternately with orange juice. Beat 2 more minutes. Spoon batter into pan. Bake for 55 minutes or until cake tester inserted near the center comes out clean. Cool in pan for 10 minutes, then remove cake from pan onto rack to cool completely. Sprinkle with powdered sugar just before serving.

By Serena Carpino

The Setalcott Nation held its annual Corn Festival Powwow on the grounds of the Setauket Elementary School on July 13 and 14.

After a rainy start Saturday morning, the two-day event included storytelling as well as performances from indigenous dancers and drummers. In addition, eventgoers heard speeches from Setalcott Nation chairwoman Helen Sells and tribal members Chiitra Wells and Monique Fitzgerald. 

According to Sells, a graduate of Setauket Elementary School, the powwow is a celebration of Setalcott history.

“We started this 18 years ago and decided that we would try to keep this going because of the history,” she said. “Because history, if you don’t keep it going, gets lost.”

The tribe has successfully kept the tradition alive, with most of the vendors at the event having participated for the last 18 years. 

This celebration has brought some Setalcott members back to their roots, while it has allowed others to connect to their roots in a way they have never done before.

Robin Murdock, a retired Army veteran of 22 years, came back to his former community for the first time in 30 years to attend the event. Although this was his first time present, Murdock explained that the tradition “signifies how we come back together and show community. It’s important for how we pass on the culture, and let people know that we are still here. It’s a time for the kids to see what their ancestors have done and to hopefully carry that on.”

Sells explained that the original deed to transfer ownership by the Setalcott tribe of their land — that became the future Town of Brookhaven — to the British was signed on April 14, 1655. 

The land on which American Legion Irving Hart Post 1766 stands, located on Christian Avenue in Setauket, was given to the American Legion by Sells’ grandmother, who wanted to honor her brother, a veteran of both world wars.

“That’s why it’s called Irving Hart American Legion,” Sells, whose full name is Helen “Hart of the Morning Star” Sells, explained. 

Setalcott Nation’s close community and familial ties also reflect the tribe’s core beliefs.

“We value life and family,” Murdock said. “We cherish our history. We are people of courage, and we try to stand for the right things. Those are our [peoples’] values.”