Arts & Entertainment

Photo from Edward Jones Facebook

By Michael Christodoulou

Michael Christodoulou

The movement of the financial markets can seem mysterious — and yet, if we look back over long periods, we can see definite patterns that consistently repeat themselves. As an investor, how should you respond to these market cycles?

When stock prices begin falling dramatically, it can appear that your only option is to sell to limit losses. But we disagree — if you’re a long-term investor, the difference between success and failure may be determined by your actions during a stock market decline.

To begin with, it’s useful to know something about the nature of a market cycle and its connection to the business or economic cycle, which describes the fluctuations of the economy between periods of growth and contraction. Issues such as employment, consumer spending, interest rates and inflation can determine the stage of the business cycle. On the other hand, the market cycle refers to what’s happening in the financial markets — that is, the performance of all the different types of investments. 

The market cycle often anticipates the business cycle. In other words, the stock market may peak, or hit bottom, before the business cycle does the same. That’s partially because the financial markets are always looking ahead. If they foresee an event that could boost the business cycle and help the economy, such as the Federal Reserve lowering interest rates, they may become more “bullish” on stocks, thus driving the market up. 

Conversely, if the markets think the business cycle will slow down and the economy will contract, they may project a decline in corporate earnings and become more “bearish” on stocks, leading to a market drop.

Once you’re familiar with the nature of market cycles, you won’t be surprised when they occur. But does that mean you should base your investment strategy on these cycles?

Some people do. If they believe the market cycle is moving through a downward phase, they may try to cut their perceived losses by selling stocks — even those with strong fundamentals and good prospects — and buying lower-risk investments. While these “safer” investments may offer more price stability and a greater degree of preservation of principal, they also won’t provide much in the way of growth potential. And you’ll need this growth capacity to help reach your long-term goals, including a comfortable retirement. 

On the other hand, when investors think the market cycle is moving upward, they may keep investing in stocks that have become overpriced. In extreme cases, unwarranted investor enthusiasm can lead to events such as the dotcom bubble, which led to a sharp market decline from 2000 through 2002. 

Rather than trying to “time” the market, you may well be better off by looking past its cycles and following a long-term, “all-weather” strategy that’s appropriate for your goals, risk tolerance, time horizon and need for liquidity. And it’s also a good idea to build a diversified portfolio containing U.S. and foreign stocks, mutual funds, corporate bonds, U.S. Treasury securities and other investments. While diversification can’t protect against all losses, it can help protect you from market volatility that might primarily affect just one asset class.

Market cycles often draw a lot of attention, and they are relevant to investors in the sense that they can explain what’s happening in the markets. Yet, when it comes to investing, it’s best not to think of cycles but rather of a long journey – one that, when traveled carefully, can lead to the destinations you seek. Market declines can test the nerves of even the most patient investors. If you own a diversified mix of quality investments, resist the temptation to sell or make changes based on short-term events.

The next time the market has a hiccup, take a deep breath and remember: 

• Market declines are normal, frequent and not a reason to sell quality investments. 

• Market declines begin and end without warning. 

• Market declines provide an opportunity to buy quality investments at lower prices.

• Market declines return investments to their rightful owners: those who understand why they own what they own.

Michael Christodoulou, ChFC®, AAMS®, CRPC®, CRPS® is a Financial Advisor for Edward Jones in Stony Brook, Member SIPC. This article was written by Edward Jones for use by your local Edward Jones Financial Advisor.

 

Hiro Furukawa Photo courtesy of CSHL

By Daniel Dunaief

Following a relentless drive to succeed, scientists have a great deal in common with athletes.

In addition to putting in long hours and dedicating considerable energy to improving their results, these talented professionals also enjoy moments of success — large and small — as opportunities to appreciate the victories and then build to greater challenges.

And so it is for Hiro Furukawa, a Professor at Cold Spring Harbor Laboratory.

Hiro Furukawa. Photo courtesy of JMSA

Working with a team of scientists including at Emory University, Furukawa recently published a paper in the prestigious journal Nature in which he demonstrated the long-sought structural process that leads to the opening of an important channel in the brain, called the NMDAR receptor.

When this cellular channel doesn’t function correctly, it can lead to numerous diseases, including Alzheimer’s and depression. Understanding the structural details of this channel could, at some point in future research, lead to breakthrough treatments.

“Each moment of discovery is exciting and priceless,” Furukawa explained. “When I finally see what I have sought for many years — in this case, the mechanism of NMDAR channel opening — it fills me with immense euphoria, followed by a sense of satisfaction.”

That sounds like the kind of mountaintop moment that star athletes whose achievements people applaud share once they’ve reached a long-desire milestone, like, perhaps, winning a gold medal in the Olympics.

The thirst for more for Furukawa, as it is for those with a passion for success in other fields beyond science and athletics, is unquenchable and unrelenting.

“This feeling is fleeting,” he added. “Within a few hours, a flurry of new questions arising from the discovery begins to occupy my mind.”

Indeed, Furukawa suggested that he expects that many other scientists share this experience.

Forming a winning team

Furukawa and Stephen Traynelis, Professor and Director in the Department of Pharmacology and Chemical Biology at Emory University School of Medicine in Atlanta, started to work together on a series of modulators for the NMDAR protein about eight years ago.

Hiro Furukawa. Photo courtesy of JMSA

This particular protein binds to the neurotransmitter glutamate and to glycine, which is another compound. Once bound to both, the channel, as if responding to the correct combination in a garage door, opens, creating electrical signals that contribute to brain functions.

To study the way the binding of these molecules opened the channel, the researchers needed to figure out how to keep the receptor in the open position.

That’s where a combination of work in the labs of Traynelis and Dennis Liotta, also a Professor at Emory, came in. Liotta’s lab made over 400 analogs that Traynelis ran in his lab.

Liotta created a compound called EU-1622-A, which is now known as EU-1622-240, that upregulates NMDAR activity, Furukawa explained.

“We used cryo-EM [electron microscopy] to capture the NMDAR structure with the compound, validated its conformation through electrophysiology and elucidated the activation mechanism,” he said.

Incorporating EU-1622-240 along with glycine and glutamate into the GluN1-2B NMDAR sample, which is a specific subtype and is the easiest to work with, enabled a visualization of the open channel.

Furukawa described the compound Traynelis created at Emory as the “key factor in capturing the open channel conformation.”

Determining the structure of a functioning protein can provide clues about how to alter those that may be contributing to the onset or progression of a disease.

To be sure, Furukawa recognizes the work as one step in what’s likely to involve an extensive research journey.

“We still have a long way to go, but we’ve made progress,” Furukawa said. “In this study, a compound bound to NMDAR gave us a clue on how to control the frequency of ion channel openings. Both hyperactive and hypoactive functions of NMDAR ion channels have been implicated in Alzheimer’s disease, so being able to regulate NMDAR activity would be significant.”

Furukawa can’t say for sure if this compound could alleviate the symptoms of certain diseases, but it serves as a new series of potentially clinically relevant options to test.

The researchers are developing a method to purify NMDAR proteins from animal tissues. Once they accomplish that task, they should be able to isolate NMDAR from Alzheimer’s brains to compare them to a normally functioning protein.

Furukawa suggested that it’s probable that specific NMDAR conformations are stabilized to different extents in various diseases compared to normal brains.

The researchers have not yet presented this work at meetings. First author Tsung-Han Chou, who is a postdoctoral fellow in Furukawa’s lab, plans to present the work at upcoming conferences, such as the Biophysical Society Meeting.

The review process for the research proceeded quickly, as the team submitted the paper in February of this year. 

Next steps

As for what’s next, Furukawa suggested that the team planned to solidify their findings.

“We must determine if the channel opening mechanism applies to other types of NMDARs,” he said. “Although we observed that EU1622-A compound binds to NMDAR, its structure was not sufficient resolved.”

To facilitate the re-design of EU1622-240, the scientists will need to improve the cryo-EM map resolution.

Traynelis, meanwhile, said that he and Liotta are synthesizing new modulators in this class and related classes and are working on mechanisms of action for this series at all NMDA receptors as well as actions in neuronal systems.

“We have a robust synthetic program with our collaborator [Liotta], whose laboratory is synthesizing many new modulators in this class and related classes,” Traynelis explained.

Traynelis added that his goal is to “develop new medicines to address unmet clinical needs. We want to find new and effective therapeutic treatments that help patients.”

The Emory professor is excited about the “potential development of positive NMDA receptor allosteric modulators that could enhance NMDA receptor function.”

Broader perspective

Furukawa, who lives in Cold Spring Harbor and whose sons Ryoma, 16 and Rin, 13, attend senior and junior high school, respectively, was interested in international politics and economics when he attended Tufts University as an undergraduate.

These non-science topics provide additional perspective that enrich his life.

“I remain very interested in understanding history and the reasons behind current events in Europe, the Middle East, and the U.S.,” he said. “This endeavor is far more challenging than decoding NMDAR structures and functions.”

As for his collaborations, Furukawa suggested that the findings from this research inspire him to continue to search for more answers and greater scientific achievements.

“We will continue to unravel these mysteries in future studies,” Furukawa said. “The best is yet to come.”

Colleen Rebecca Britt

Theatre Three in Port Jefferson has announced that Colleen Rebecca Britt is the new Director of Children’s Theatre and Educational Programs.

A New York-based freelance director, actor, and teaching artist, Britt will be directing the annual productions of A Kooky Spooky Halloween, Barnaby Saves Christmas, and The Adventures of Peter Rabbit, along with other productions set for 2024-2025. Additionally, she will be taking on the Educational Touring programs, working on the existing shows and curating new works to travel to schools.

Over the course of the year, Britt will bring her vision and experience to expanding and revitalizing Theatre Three’s commitment to theatre for young audiences. She will also direct the Mainstage production of Crossing Delancey, which opens January 18, 2025.

Edward Lange, [Northport, Lower Main Street], 1880. Watercolor, gouache, and lead pencil on paper, 15.375 x 21.625. Collection of Preservation Long Island, 2011.2

Preservation Long Island presents Promoting Long Island: The Art of Edward Lange, 1870–1889, a new exhibition focusing on the life, work, and career of one of Long Island’s most prolific artists of the late nineteenth century. On view August 16 – December 1 2024 at the Preservation Long Island Gallery, 161 Main Street, Cold Spring Harbor, this exhibition of watercolors, photographs, and historical objects from the collection of Preservation Long Island and on loan from collections across Long Island, is inspired by the upcoming release of Preservation Long Island’s latest publication of the same name, arriving September 2024.

Edward Lange grew up in a German family of prominent artists and publishers and arrived on Long Island during one of its most critical moments. For nearly two decades, he watched new industry creep into an older agricultural landscape and used his artwork to record the region’s transformation. With an entrepreneurial spirit, Lange inserted himself into Long Island’s booming economy and created detailed images of main streets, factories, railroad depots, and hotels that resonated with local residents and tourists alike.

“Lange’s artwork represents a tangible connection to a period of Long Island’s history when its people, culture, and landscape were undergoing rapid change,” said Elizabeth Abrams, Preservation Long Island Interim Executive Director.  “The artist’s views of Long Island towns, villages, landscapes, and waterscapes have endeared themselves to Long Islanders and visitors for over 135 years.”

“Artists like Lange played a significant role in a promoting Long Island’s scenery to the larger public during the nineteenth century,” noted Preservation Long Island Chief Curator & Director of Collections, Lauren Brincat. “Not only was Lange’s artwork reflective of a resulting new age of booming tourism on Long Island, but it was instrumental in the region’s growth by advertising hotels, resorts, and experiences to a greater public.”

Peter Fedoryk, exhibition guest curator added, “In the late nineteenth century, Lange’s artwork had immense visual influence in the New York metropolitan area. Today, the artist’s paintings, drawings, prints, and photographic reproductions are celebrated as snapshots of a world before suburbanization permanently reshaped Long Island’s built environment.”

Programming

Exhibition related programs and events will take place throughout the show’s run and include:

Curator Exhibition Tour: September 28, 2024

Northport Walking Tour: October 6, 2024

Authors Panel Discussion & Book Signing: November 16, 2024

Call or visit Preservation Long Island’s  website for more information about the exhibition and related programs and events.

631.692.4664

https://preservationlongisland.org/lange-exhibition/

Lenders to the Exhibition

Brooklyn Public Library, Center for Brooklyn History; Greenlawn-Centerport Historical Association; Heckscher Museum of Art; Huntington Historical Society; Incorporated Village of Northport; The Long Island Museum; Nassau County Department of Parks, Recreation, & Museums; Oyster Bay Historical Society; Raynham Hall Museum, Smithtown Historical Society; Veronica Mollica; Whaling Museum & Education Center of Cold Spring Harbor.

Publication

The exhibition accompanies the release of Preservation Long Island’s latest publication, Promoting Long Island: The Art of Edward Lange, 1870–1889 which presents over two years of new research into Edward Lange’s life and work. The new hardcover publication, arriving September 2024, features over 100 full-color images. Edited and authored by Preservation Long Island’s Chief Curator & Director of Collections, Lauren Brincat, and former curatorial fellow, Peter Fedoryk, the book also includes essays by Jennifer L. Anderson, Thomas Busciglio-Ritter, and Joshua M. Ruff.

https://preservationlongisland.org/pre-order-our-latest-publication/

Generous funding in support of this publication has been provided by The Gerry Charitable Trust and The Decorative Arts Trust

About Preservation Long Island

Preservation Long Island is a not-for-profit organization that works with Long Islanders to raise awareness, appreciation, and support for the protection of our shared past through advocacy, education, and the stewardship of historic sites and collections.

http://preservationlongisland.org

Preservation Long Island maintains and interprets historic sites and collections that embody various aspects of Long Island’s history including:

Joseph Lloyd Manor, Lloyd Harbor http://preservationlongisland.org/joseph-lloyd-manor/

Custom House, Sag Harbor http://preservationlongisland.org/custom-house/

Sherwood-Jayne Farm, Setauket http://preservationlongisland.org/sherwood-jayne-farm/

Old Methodist Church and Exhibition Gallery http://preservationlongisland.org/methodist-church/

The 2023 cast of Theatre Three's 'A Christmas Carol'

Theatre Three, 412 Main St., Port Jefferson will hold Young People’s auditions (ages 8–17) for its 40th annual production of the holiday classic Charles Dickens’ A Christmas Carol on Tuesday, Sept. 17, at 7 p.m. They will be double-casting nine roles (for a total of eighteen young people). Readings are provided. A Christmas carol (“Christmas Is Coming”) will be taught. 

Rehearsals begin late September and are weeknights (beginning at 7 p.m.); Saturdays (mornings or afternoons); and Sundays (mornings, afternoons, or evenings). Young people must appear in half of the performances, including the student matinees. Performances will be held from Nov. 9 to  Dec. 28, 2024.

For full details visit http://theatrethree.com/acc-auditions/. For more information, call 631-928-9100.

Blake Lively and Justin Baldoni in a scene from the film. Photo courtesy of Sony Pictures Entertainment

Reviewed by Jeffrey Sanzel

Colleen Hoover’s romance novel It Ends with Us, released in 2016, drew inspiration from her complicated family history. By 2019, the book sold over a million copies and was translated into over twenty languages. In 2021, the novel and Hoover’s other works gained renewed popularity from the #BookTok on TikTok. In 2022, It Ends with Us reached number one on both The New York Times and Publishers Weekly bestsellers lists, with nearly three million in print. The sequel, It Starts with Us (2018), became Simon & Schuster’s most pre-ordered book ever. (In full disclosure, this reviewer has read neither.)

Blake Lively in a scene from the film. Photo courtesy of Sony Pictures Entertainment

Justin Baldoni (best known as Jane the Virgin’s Rafael Solana) directs his third film, following Five Feet Apart and Clouds. Christy Hall, the director/screenwriter of Daddio and co-creator of the Netflix series I Am Not Okay with This, penned the adaptation. 

The writer and humorist Dorothy Parker once wrote of how often people would say: “Well, you might like it.”

Lily Blossom Bloom (Blake Lively) reluctantly attends her father’s funeral, where she attempts to deliver a heartfelt eulogy. Unable to say anything positive, she flees the church and returns to Boston. Contemplating life out on a random roof (unexplained), Ryle Kincaid (Justin Baldoni) enters in a rage, kicking a chair. Anger management issues, perhaps? Warning signs? He reveals he is a neurosurgeon who just lost a patient. This claim is much more complicated, revealed later in the narrative.

The emotionally elusive Lily and the player Ryle meet cute(ish). “Love isn’t for me; lust is nice,” he confesses. They embark on a friendship that is quickly aborted when Ryle leaves for emergency surgery. Lily opens her dream flower shop and meets quirky Allysa (Jenny Slate), who hires herself to work for Lily. The “twist” is Ryle is Allysa’s brother. Lily and Ryle rekindle the friendship, which shifts to passion. A generic build-up results in an unintentionally sparkless kiss. Love follows, ending up with marriage. 

Through flashbacks, the filmmakers reveal Lily’s father (Kevin McKidd) abusing her mother (Amy Morton). Additionally, high school student Lily (Isabela Ferrer) falls in love with a homeless boy, Atlas (Alex Neustaedter). Thrown out by his mother, Atlas bided his time until he could enter the military. 

In the present, Lily and Ryle coincidentally dine at Root, the restaurant the adult Atlas (Brandon Sklenar) opened upon completing his service. A love triangle results in jealous and violent reactions from Ryle, eroding the already tenuous bond. 

While little new is on offer, It Ends with Us contains enough plot and potential dynamic to make for a passable film. Unfortunately, the characters are so oddly and unevenly drawn that it feels simultaneously repetitive and confusing, as if the story was told over a soundtrack of white noise. The leaden pace emphasizes the clumsy dialogue composed of sentence fragments: “Uh … uhm … okay, okay … sure … yeah … okay. Yes.” Lily describes herself as an unreliable narrator—an intriguing concept if it were true. However, she seems to be almost unimpeachably upfront. 

The entire film seems to be what-you-see-is-what-you-get, down to the predictable montages: “Let’s go have fun” (karaoke and bowling), dating, and cleaning up the shop. Everything plays excruciatingly by the numbers. 

It Ends with Us is a meditation and—appropriately—an indictment of abuse. Eventually, it gets to the point but still pulls its punches. Just as with its whitewashed portrait of Atlas’s homelessness, the approach is facile and softens what should be even sharper and more brutal. The idea that we hurt the ones we love hovers in the background. 

One moment rises above the rest. After Ryle and Atlas lock horns, the next scene teams with raw desperation and emotional confusion. After this, it’s back to business as usual. The story’s final resolution is fair, uncompromising, but unsurprising. 

Lively is a solid actor and always watchable, but the forced layers of faux mystery do not help. Between the incomplete sentences and the nervous laugh, the character is less than indelible. Baldoni tries to balance Ryle’s two sides, but neither is fully realized. Unfortunately for Sklenar, he is saddled with the least variety. Slate’s Allysa is no different from her career’s other oddballs. As Lily’s mother, Morton is capable but uncomfortable. These are strong actors, but the material fails to reach their level. One bright spot is Ferrer, who captures the essence of Lively’s grown-up Lily; it is rare for two actors to assume a role at different points in their lives and truly seem like one person. 

The above opinion will most likely end up in the minority. The film grossed seven million dollars in its Wednesday and Thursday previews and is well on its way to a possible forty million dollar opening weekend. As with the novel, the story will satisfy most viewers. Just not this one.

Rated PG-13, the film is playing in local theaters.

Peach Crostada

By Heidi Sutton

Did you go peach picking this week?  Here are some perfectly peachy dessert recipe ideas that are sure to satisfy, courtesy of the Georgia Peach Council.

Fresh Peach Crostada

Peach Crostada

YIELD: Makes 6 servings

INGREDIENTS: 

4 or 5 ripe peaches, sliced and pitted

¼ cup plain flour

1/3 cup sliced almonds

¼ teaspoon vanilla extract

½ cup sugar

1 refrigerated pie crust

2 tablespoon peach preserves, melted

2 tablespoons unsalted butter

1 tablespoon unsalted butter, melted

DIRECTIONS:

Preheat oven to 400°F. In a large bowl, toss peaches, flour, almonds, and sugar. Lay crust flat on greased baking sheet and arrange peaches in center. Fold edges of crust so that they overlap edges of peaches. Brush peaches with melted preserves and top with pats of butter. Brush crust with melted butter to help with browning. Bake for 40-45 minutes or until golden. Serve with vanilla ice cream.

Fruit Cobbler

Fruit Cobbler

YIELD: Makes 12 servings

INGREDIENTS: 

4 tablespoons butter

3/4 cup self-rising flour

3/4 cup milk

3/4 cup & 2 tablespoons sugar, divided

1 teaspoon vanilla

2 1/2 cups fresh peaches, peeled and sliced

1 cup fresh or frozen blackberries

DIRECTIONS:

Preheat oven to 350. Put butter in a 9 x 13 glass baking dish; bake until butter is melted. Set aside. In a medium bowl, combine flour, milk, 3/4 cup sugar, and vanilla. In a separate bowl, toss peaches, blueberries, and remaining 2 tablespoons sugar. Pour batter into dish over melted butter, but do not stir. Spoon fruit over batter along with 1/2 cup fruit juice from bottom of bowl. (Discard any extra juice.) Do not stir; bake 25 minutes, or until crust browns.

Peach Cobbler

Peach Cobbler

YIELD: Makes 8 servings

INGREDIENTS: 

8 cups sliced Georgia peaches

2 cups sugar

3 tablespoons all-purpose flour

1/2 teaspoon nutmeg

1 teaspoon vanilla flavoring

1/3 cup butter or margarine

Pastry for double-crust pie

Vanilla ice cream

DIRECTIONS:

Combine peaches, sugar, flour and nutmeg in a Dutch oven; set aside to allow syrup to form (approx. 15 minutes). Bring peach mixture to a boil: reduce heat to low, and simmer 10 minutes or until peaches are tender. Remove from heat and stir in vanilla and margarine.

Roll half of pastry to 1/8” thickness: cut into a circle to fit a two-quart baking dish. Spoon half of mixture into lightly buttered baking dish; top with pastry. Bake at 475°F for 12 minutes or until lightly browned. Spoon remaining peach mixture over baked pastry. Roll remaining pastry to 1/8” thickness and cut into 1” strips; arrange in lattice design over peaches. Bake an additional 15-20 minutes until browned. Allow to cool slightly before serving. Serve with vanilla ice cream.

Photo courtesy of Theatre Thre

By Tara Mae

Peace, love, and music!  Time to get your groove on and party like it’s 1969 when “Woodstockmania: Woodstock in Concert” returns to Theatre Three, 412 Main Street in Port Jefferson. The tribute concert will take the stage for the first time since 2019 on Friday, August 16, and Saturday, August 17 at 8 p.m. 

Its 17-member band includes ten instrumentalists and eight individual vocalists singing at least two songs each, covering music from the original 1969 Woodstock lineup — an experience so organically soulful its reverberations are still felt today. 

“Woodstock performances have become part of the fabric of Theatre Three. This is a group of outstanding musicians…It’s extraordinary to see these exceptionally talented artists brought together,” said Theatre Three’s Executive Artistic Director Jeffrey Sanzel.

Held on the 55th anniversary of Woodstock, “Woodstockmania” features approximately 34 numbers from 21 of the artists who played the stage at Max Yasgur’s dairy farm in Bethel, New York, including Jimi Hendrix; Sly and the Family Stone; The Who; Grateful Dead; Janis Joplin; Jefferson Airplane; Country Joe and the Fish; Crosby, Stills, Nash & Young; The Band; Santana; Sweetwater; Creedence Clearwater Revival; Joan Baez; and Joe Cocker.

“This music is from a highly creative time in our culture. There was so much varied music to become attached to; everyone could find something that resonated with themselves,” Musical Director Michael Chiusano said. 

More than just a harmonious homage, “Woodstockmania” is a musical tribute to the passionate artists whose creative contributions continue to inspire today. 

Having not performed “Woodstockmania” together in 5 years, the show is an opportunity to reconnect with friends as they honor the woman who first brought many of them together: Theatre Three’s longtime musical director Ellen Michelmore, who passed away in 2016.

“It’s a reunion of friends that have been through the fire together…Mostly though, it’s a tribute to Ellen; to keep the memory of her fresh in our minds and hearts. She was a special lady,” Chiusano said. 

Michelmore developed “Woodstockmania” from Summer of ‘69: Return to Woodstock, which she co-created with Bill Van Horn. The original musical, using songs performed at the Woodstock festival, was a hit for Theatre Three and had an off-Broadway run. 

Following that success, Michelmore organized annual Woodstock tribute concerts. After her death, the show was dubbed “Ellen Michelmore’s Woodstockmania,” according to Sanzel.

While Chiusano has added other songs and musical numbers to the show, much of its repertoire was originally chosen by Michelmore. 

Eight of the songs have been in every incarnation of the show: “Going Up the Country” by Canned Heat; “Somebody to Love” and “White Rabbit” by Jefferson Airplane; “Dance to the Music” by Sly & the Family Stone; “Star Spangled Banner” as done by Jimi Hendrix; “The Weight” by The Band; “Piece of My Heart” by Janis Joplin; “With a Little Help from My Friends” as done by Joe Cocker. 

“That era, roughly 1965 to 1975, was the golden age of pop music. It will never be like that again. I also believe that people need to be reminded of all the great tunes there were,” Chiusano said.

Tunes are not the only entities enjoying this encore; the musicians recognize it as an opportunity to embrace an era that still enraptures performers and patrons. 

“Everyone who’s ever been involved in the production always remembers it fondly when they talk to me…we’re thrilled to be a part of it,” said Theatre Three’s Artistic Associate/Director of Development Douglas Quattrock. An original company member of Summer of ‘69: Return to Woodstock, he is now in the “Woodstockmania” band as the emcee and a vocalist. 

Such consistency underscores the steadfast surety of music. Personal classics and timeless songs are the soundtrack to our lives, dependable narrators of enduring emotions. In this shared language, “Woodstockmania,” is a dialect understood by artists and attendees. If “Woodstockmania” is a celebration of legacy and life, it’s main theme may be appreciating community synchronicity. 

“I think the legacy of the show over the years is that it has brought so much joy and kept so much wonderful music alive for the audiences in our area,” Quattrock added.

“Woodstockmania” is part of Theatre Three’s annual Summer Concert Series that includes special one or two night only performances on its main stage. Tickets are $65 per person. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

SCWA CEO Jeff Szabo hoists the Long Island Water Conference’s drinking water tasting contest trophy with fellow SCWA employees. Photo courtesy of SCWA

The Suffolk County Water Authority recently received the trophy for winning the Long Island Water Conference’s 36th annual Drinking Water Tasting Contest. SCWA’s water was declared the best tasting among all Suffolk County water providers in May. The trophy commemorating the win was delivered to SCWA and will now be on display all year, until it passes on to the next winner in 2025. 

Water from 14 providers from across Long Island were considered for the contest. The Bayville Water Department took home the title for Nassau County.

“The drinking water taste contest is always a fun time for us,” said SCWA Chairman Charles Lefkowitz. “It is great to see how we stack up against many of our fellow water providers, and our victory shows that our hard work is paying off. We are excited to have this trophy in hand and will be sure to display it with pride.”

More than 240 participants voted for their favorite tasting water and received exciting giveaways during the contest. The SCWA will also participate in the New York State Regional Metro Tap Water Taste Contest held in New York City to compete for entry into the statewide contest held at the Great New York State Fair.

The Suffolk County Water Authority is an independent public-benefit corporation operating under the authority of the Public Authorities Law of the State of New York. Serving approximately 1.2 million Suffolk County residents, the Authority operates without taxing power on a not-for-profit basis.