Yearly Archives: 2020

Deer ticks are widely known as the sole carrier of the bacteria that causes Lyme disease in humans. Stock photo
The lingering effects of Lyme can be debilitating

By David Dunaief, M.D.

Dr. David Dunaief

After a spring where we’ve spent more than our fair share of time indoors, summer’s heat is finally here. Many of us are taking advantage of the weather to enjoy day hikes and picnics along the shoreline or bike rides through wooded areas.

The summer’s heat also means that tick season is in full swing. This means we need to be aware of Borrelia burgdorferi, better known as the bacterium that causes Lyme disease. This bacterium is typically found in the deer tick, also known as the blacklegged tick.

What do deer ticks look like? They are small and can be as tiny as a pencil tip or the size of a period at the end of a sentence. The CDC.gov site is a great resource for tick images and other information related to Lyme disease.

If you have been bitten by a tick, you should remove it with forceps, tweezers or protected fingers (paper) as close to the skin as possible and pull slow and steady straight up. Do not crush or squeeze the tick; doing so may spread infectious disease (1). In a study, petroleum jelly, fingernail polish, a hot kitchen match and 70 percent isopropyl alcohol all failed to properly remove a tick. The National Institutes of Health recommend not removing a tick with oil (2).

When a tick is removed within 36 to 48 hours, the risk of infection is quite low (3). However, a patient can be given a prophylactic dose of the antibiotic doxycycline, one dose of 200 mg, if a bulls-eye rash — a red outer ring and red spot in the center — has not occurred, and it is within 72 hours of tick removal (4). Those who took doxycycline had significantly lower risk of developing the bulls-eye rash and thus Lyme disease; however, treatment with doxycycline did sometimes cause nausea.

Lyme Symptoms

Stock photo

There are three stages of Lyme disease: early stage, where the bacteria are localized; early disseminated disease, where the bacteria have spread throughout the body; and late stage disseminated disease. Symptoms for early localized stage and early disseminated disease include the bulls-eye rash, which occurs in about 80 percent of patients, with or without systemic symptoms of fatigue (54 percent), muscle pain and joint pain (44 percent), headache (42 percent), neck stiffness (35 percent), swollen glands (23 percent) and fever (16 percent) (5).

Early disseminated disease may cause neurological symptoms such as meningitis, cranial neuropathy (Bell’s palsy) and motor or sensory radiculoneuropathy (nerve roots of spinal cord). Late disseminated disease can cause Lyme arthritis (inflammation in the joints), heart problems, facial paralysis, impaired memory, numbness, pain and decreased concentration (2).

Lyme carditis is a rare complication affecting 1.1 percent of those with disseminated disease, but it can result in sudden cardiac death (6). If there are symptoms of chest pain, palpitations, light-headedness, shortness of breath or fainting, clinicians should suspect Lyme carditis.

Preventing Lyme

According to the Centers for Disease Control and Prevention, we should wear protective clothing, spray ourselves with insect repellent that includes at least 20 percent DEET and treat our yards (4). Always check your skin and hair for ticks after walking through a woody or tall grassy area. Many of us on Long Island have ticks in the yard, so remember to check your pets; even if treated, they can carry ticks into the house.

Diagnosing Lyme

Lyme disease often can be diagnosed within the clinical setting or with a blood test. When it comes to serologic or blood tests, the CDC recommends an ELISA test followed by a confirmatory Western blot test (3). However, testing immediately after being bitten by a tick is not useful, since the test will tend to be negative, regardless of infection or not (4). It takes about one to two weeks for IgM antibodies to appear and two to six weeks for IgG antibodies (5). These antibodies sometimes remain elevated even after successful treatment with antibiotics.

Does chronic Lyme disease exist?

There has been a debate about whether there is something called “chronic Lyme” disease. The research, unfortunately, has not shown consistent results that indicate that it exists. In one analysis, the authors note that the definition of chronic Lyme disease is obfuscated and that extended durations of antibiotics do not prevent or alleviate post-Lyme syndromes, according to several prospective trials (7).

The authors do recognize that there are prolonged neurologic symptoms in a subset population that may be debilitating even after the treatment of Lyme disease. These authors also suggest that there may be post-Lyme disease syndromes with joint pain, muscle pain, neck and back pain, fatigue and cognitive impairment.

Ultimately, the IDSA (Infectious Diseases Society of America) argues in favor of recognizing post-Lyme disease syndromes, while the ILADS (International Lyme and Associated Diseases Society) believes chronic Lyme exists.

Regardless, the lingering effects of Lyme can be debilitating. This may be as a result of systemic inflammation (8). Systemic inflammation and its symptoms can be improved significantly with dietary and other lifestyle modifications.

The CDC recommends that physicians look beyond Lyme for other possible diagnoses before diagnosing someone with chronic Lyme disease (9).

Prevention is key to helping stem Lyme disease. If this is not possible, treating prophylactically when pulling off a tick is an important step. Contact your physician as soon as you notice a tick. If you have a bulls-eye rash and it is early, then treatment of antibiotics for two to three weeks needs to be started right away. If it is prolonged and disseminated, then treatment should be for approximately three to four weeks with antibiotics. If it has affected the central nervous system, then IV antibiotics could be needed.

References:

(1) Pediatrics. 1985;75(6):997. (2) nlm.nih.gov. (3) cdc.gov. (4) Clin Infect Dis. 2008;47(2):188. (5) uptodate.com. (6) MMWR. 2014;63(43):982-983. (7) Expert Rev Anti Infect Ther. 2011;9(7):787-797. (8) J Infect Dis. 2009;199(9:1379-1388). (9) JAMA Intern Med. online Nov. 3, 2014.

Dr. David Dunaief is a speaker, author and local lifestyle medicine physician focusing on the integration of medicine, nutrition, fitness and stress management. For further information, visit www.medicalcompassmd.com.

Uno

MEET UNO THE NUMBER ONE PUP!

Uno

This week’s shelter pet is Uno, a handsome and loving 1 1/2 year old Australian Cattle Dog/Shepherd mix currently up for adoption at the Smithtown Animal Shelter.

Uno adores people and kids and is an energetic and highly intelligent young man that needs an active home where he is challenged with new tricks/tasks and exercised often. He makes a great running partner too! He does prefer to be the only pet in the home.

If you are interested in meeting Uno, please fill out an adoption application online at www.townofsmithtownanimalshelter.com. The Smithtown Animal & Adoption Shelter is located at 410 Middle Country Road, Smithtown. For more information, call 631-360-7575.

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The Three Village Central School District board of education trustees were sworn in July 8. Back row, Vinny Vizzo, Irene Gische, Inger Germano and Deanna Bavlnka. Front row, Dr. Jeff Kerman, Bill Connors and Jonathan Kornreich. Photo from Three Village Central School District

By Andrea Paldy

The first in-person Three Village school board meeting since schools closed due to the coronavirus pandemic July 8 was eventful. Everyone wore mandatory face masks, and seating was arranged for social distancing. Most notable was the tense public participation session marked by sharp opinions.

“It is important tonight that we distinguish the personal from the political.”

— David McKinnon

There was also the routine swearing in of board members — incumbents Inger Germano, Irene Gische and Dr. Jeff Kerman — for new terms. The board elected Germano as its new president. She succeeds Bill Connors, who continues to serve as a trustee. Gische was reelected vice president.

Rising to the forefront, though, were recent parental criticisms of the district, though those who spoke during the meeting sought to balance their criticism about distance learning and district governance with their support for teachers.

“It is important tonight that we distinguish the personal from the political,” said David McKinnon, a professor of Neurobiology at Stony Brook University and recently an unsuccessful school board candidate.

“At a personal level, there’s a high level of respect for the teachers in our district, and there are deep ties of gratitude within the community to individual teachers for their efforts to advance the education of our children,” said McKinnon, who was not on the slate of candidates endorsed by the Three Village Teachers Association.

However, he said, when it came to the political system, the school board elected to “facilitate parental oversight” of the district wasn’t doing its job. The TVTA, he said, is both a labor union and a special interest lobby group, which “aggressively pursues its own agenda,” and has made decisions for the district that exacerbated an already challenging situation.

McKinnon went on to say that he believed that the nearly 3,800 votes cast for both him and Shaorui Li respectively represented “a massive vote of no confidence” in the board and union leadership. In order to win back the trust of a large segment of parents, McKinnon said the district would need to have a “clean and functional school board, with independent, parent-backed candidates who know and care about education.”

Li said that she and other parents wanted to help teachers, not attack them.

“In the Asian culture, we have a very high respect for teachers, and we rely on teachers to give our kids their education,” the engineer and entrepreneur said.

McKinnon’s wife, Barbara Rosati, who is president of the Three Village Parents Alliance, which counts more than 250 district families among its members, also spoke. She made the distinction between her concerns about TVTA president Claudia Reinhart’s “role in the governance of our district and its consequences on our children” and her appreciation for the district’s teachers.

“I cannot believe I was dragged here tonight to say unequivocally that we support and we love our teachers, that we believe in their expertise and guidance,” she said, alluding to the pandemic. Rosati, a research assistant professor at the Department of Physiology and Biophysics at SBU, questioned the leadership of Reinhart, who she said “is not teaching currently and is not involved in any parent-teacher interaction.”

She added that it was “irresponsible and cruel to let teachers believe that our community is at war with them.”

Addressing teachers and administrators, Rosati added: “We have your backs. We will be here to help and support you like we have always done.”

“I am here because we, along with our administrator colleagues and the board of education, are under attack.”

— Claudia Reinhart

Reinhart rejected claims that the criticism was not directed at the teachers, paraprofessionals and teaching assistants the union represents.

“I am here because we, along with our administrator colleagues and the board of education, are under attack,” she said.

The union president said they’d been forced to listen to people “like Ms. Rosati” and others who had written to the board to “demand answers and reactions to nothing more than hearsay — hearsay that is usually completely incorrect.”

Reinhart, who taught music in the district, said the union does not try to hide the fact that it endorses candidates.

“Why would we?” she asked. “We want people on the board who understand public education and the needs of students and staff. We want people on the board with a proven record of overcoming challenges and moving us forward in good times and bad. Your candidates lost the election. The community has spoken. You need to get over it.”

Reinhart directed comments to the many teachers at the meeting.

“We must stand together united against this attack,” she said. “We must stand together to defend our professions, the work we do and the job we have done. We have nothing to be ashamed of. It is time we started saying that out loud.”

She urged parents, teachers, administrators and the community “to stand up and say, ‘Enough.’” She ended by drawing from the words of the late Albert Shanker, former president of the United Federation of Teachers and American Federation of Teachers, saying, “Along with the responsibility of negotiating good contracts, it is the obligation of teacher unions to preserve public education.”

“That is our goal,” Reinhart told the audience. “There is nothing less at stake than our future,” she added, sparking enthusiastic applause.

Fall Plans

Besides those who spoke in-person at last week’s meeting, three parents sent letters that included appreciation for teachers, but also expressed concern about the district’s spring execution of remote learning, plans for the fall and limited communication from the school district.

“We must be prepared for whatever the decision may be from the state Education Department and the governor.”

— Kevin Scanlon

Responding, Superintendent Cheryl Pedisich said that she shared parents’ frustration about the upcoming school year.

“I feel as though we are all navigating in the dark at this point because we have not received any direction at all from our governor [Andrew Cuomo (D)] or the SED [New York State Education Department],” she said.

Earlier that day Pedisich had sent a letter acknowledging parents’ “unanswered questions about the reopening of school this fall” and shared the governor’s most recent plan to release guidance July 13 [see details at end of article] and require districts to return their plans for reopening by July 31.

During the meeting, Pedisich noted that other states — Connecticut, New Jersey, Massachusetts, among them — had already provided their school districts with plans for reopening.

“I will tell you that we are working very hard … over the last several weeks, and I apologize for the lack of communication,” she said, adding that she would not “deal in conjecture and supposition,” because she didn’t think it was fair to families and staff.

The superintendent specifically addressed concerns about remote learning.

“We are looking at all options to make it more effective for our families,” she said. “We understand that there were numerous challenges, and we won’t make excuses for those. But moving forward, I think we are in a much better place. And I have great confidence in the members of our team, and I have confidence in our administration, our staff and our parents. We will do the best for the community. We owe it to them, and they deserve nothing less.”

So far, Pedisich said, the district plans for every student from kindergarten to 12th grade to have access to a Chromebook for remote instruction, and a survey about distance learning was sent out to parents and staff last week.

In an email, Kevin Scanlon, assistant superintendent for educational services, said the district has also offered more than 90 courses to its staff, with the majority focused on online instruction. There are more than 1,500 teachers, administrators, assistants and paraprofessionals enrolled in the courses to prepare for the fall, he said.

“We must be prepared for whatever the decision may be from the state Education Department and the governor,” Scanlon said.

The state released its reopening guidelines on Monday. The document offers districts guidance on face coverings for staff and students, configuring classrooms, hallways, lunchrooms and other shared spaces to maintain social distance and safety, as well as recommendations for ways to maximize in-person instruction. While the document states that “the goal is to return all students to in-person instruction,” it encourages districts to prepare “a phased-in approach or hybrid model” because of “the dynamic nature and risk of community transmission” of the virus.

District plans will have to address how they will conform to state recommendations on social distancing, personal protection equipment, hygiene and disinfection, extracurriculars and transportation, as well as health monitoring and containment.

John Flanagan and his father in the assembly circa 1972. The photo is one that the former state senator kept in his office. Photo from John Flanagan

New York recently ended its 48-year streak of having a John Flanagan representative in the State Assembly or Senate.

“I thought about him when I was fighting for school aid for the entire state.”

John Flanagan Jr. retired from public service June 28, after spending 16 years in the Assembly and 18 years in the Senate, which included three years as Senate majority leader. When his political career began, Flanagan Jr. succeeded his father, John Flanagan, who served for 14 years in the state Assembly until 1986.

The younger Flanagan was 25 years old when his father died. Within a week of his father’s death, Flanagan, who, like his father is a Republican, was campaigning for his seat in the Assembly.

“It was a whirlwind of a time,” Flanagan said. “If my father had died a week later, based on what the law was, he would have been on the ballot as someone who was deceased.”

When he started campaigning, he was attending law school at night. When he won the election, he was sworn in in January and got married 10 days later.

Flanagan attributes his ability to stay grounded and deal with all the changes in his life at the beginning of his political career to a collection of people who loved his father and supported and guided him.

Throughout his over three decades in public service, Flanagan often thought of his father, who he describes as his “hero. If I’m going to be like anyone, I wanted to be like him.”

Flanagan sees similarities in their approach to public service, which is something his father and mother emphasized when he was young.

Both Flanagans were passionate believers in education. The senior Flanagan was a teacher for 10 years, while his son chaired an education committee.

“I thought about him when I was fighting for school aid for the entire state,” Flanagan said.

They also shared a commitment to swift and consistent justice for criminals and advocating for victims’ rights.

The younger Flanagan, who is 59 and is a divorced father of three, said he still has energy left in the tank and is eager to embrace his new role as vice president for government affairs at Northwell Health.

“I didn’t leave after 33½ years so I could go back,” Flanagan said.

He is, however, allowed to interact with state agencies and to work locally to help build the brand name in Suffolk County.

As for his work in the Legislature, Flanagan is proud of his efforts on behalf of people who live in group homes, which are, as he put it, “public policy issues that won’t always be on the front page” but are important.

Flanagan felt that taking care of children with special needs was the “ultimate reflection of who we were as a state.”

As a public servant, he felt it was his responsibility to help people feel that the government is there for them and is operating on their behalf.

He is “extraordinarily proud” of the work he did in education, where he felt the need to advocate for children across the state. He said he was “not afraid to mix it up” on anything, in rural, upstate, downstate, urban, suburban or other areas.

Flanagan is also pleased with the work he did to encourage organ donations through Lauren’s Law, which required the New York State Department of Motor Vehicles to ask anyone applying for a license to answer the question of whether they would like to be an organ donor.

“There’s not enough legitimate discourse on things the way they should be.”

“We have a lot more work to do and a lot further to go,” Flanagan said. “That’s something I’m going to continue to work on in my new endeavor.”

The greatest part of his political career, he said, was the people. He appreciated meeting the direct care workers, the hospice care workers and the staff with whom he felt privileged to work.

The part he misses the least is the backbiting and not having people always be honest and forthright with him.

While he has seen a collection of people who have left political office in the last few years, he said he can only speak for his retirement.

“Social media and changes in technology have made the economy better, [but] it’s a sound bite world of the highest order,” he said. “There’s not enough legitimate discourse on things the way they should be.”

He also said he doesn’t miss the drives to Albany, which he did for so many years that he’s convinced he went at least a million miles.

Before he left office, he walked around the state capitol, where he took in the architecture and made videos of pictures and paintings and narrated a description he “wanted to share with my family.”

While he said he’s going to miss 90 percent of his working life, he appreciated the joy of being “in the game. Doing the stuff I did, I felt like I was playing for the Yankees and I was in the playoffs. I got to be the majority leader.”

To those who believe he left because the Republicans lost the majority, he says that isn’t the case. He felt like he had a “very good run” and wanted to do other things. He considers himself a part of a select and small group of people who served in the Legislature, in both houses, and who became the majority leader.

He prides himself on his ability to work with so many people and on his consistency.

“I didn’t change my stripes,” he said.

He said he went public with his battle with sobriety. He appreciates the support of people who stood with and by him through those challenges. The low point of checking into rehab also helped bring him to a higher point in his life and career, he said.

Flanagan wanted to ensure that every child, no matter what their community, demographic, background and history had the same opportunities his children had.

Children with special needs have an Individual Education Program, which provides a personalized plan for their specific strengths.

“If education is being done properly, every child should have an IEP,” Flanagan said.

He is pleased with the work he did with Sen. Ken LaValle (R-Port Jefferson), who is also retiring this December, to secure millions of dollars for programs at Stony Brook University.

As for modern politics, Flanagan has mixed feelings about President Donald Trump (R).

“I wish he weren’t on Twitter,” Flanagan said. “He’s done strong things for the economy all across the country. The dialog on both sides should be at a better level.”

Flanagan, who earned his bachelor’s degree from the College of William & Mary and his law degree from Touro Law School, tried never to engage in insults.

“People have a right to expect from elected officials, whether trustees or school board members, to act a certain way,” he said.

“People have a right to expect from elected officials, whether trustees or school board members, to act a certain way.”

When he texts, Flanagan uses full sentences, correct grammar and punctuation and doesn’t use emojis. He believes politicians should use the English language to the greatest effect and to serve as educational role models for their constituents.

Flanagan is a fan of Chairman of the Suffolk County GOP Jesse Garcia, who has “done a great job of being a standard bearer for the party.”

Flanagan mentioned the Town of Babylon supervisor and chair of the county Democratic committee Rich Schaffer as one of his favorite Democrats.

“He and I don’t have to agree,” Flanagan said. “I respect who he is, his work ethic and his experience.”

In his office, Flanagan kept a a 2×7-inch placard that was in his house and also in his father’s office. It read: “God so loved the world that he didn’t send the committee.”

Flanagan said he believes that the saying suggests that “we have a tendency to overcomplicate things.”

For the current public servants just starting their political careers, Flanagan urged them to “be who you are. Do not forget the people you represent. They are the ones who are your bosses. Never lose sight of who you should be representing.”

Left, the Broadway Beach ramp was destroyed by Hurricane Sandy in 2012; right, the newly recostructed stairs and drainage system installed by Brookhaven town in 2020. Photos from Town of Brookhaven

Last week, the Town of Brookhaven highway department announced it had completed the $1.165 million stormwater treatment and shoreline stabilization project at the northern end of Broadway in Rocky Point, finishing a slate of over $6 million projects since Hurricane Sandy ravaged Long Island’s coastline eight years ago.

Town officials said the Broadway Beach sustained extensive damage including substantial sand, beach grass and vegetation erosion, as well as the destruction of the gabion-basket wall system, the beach access stairway and the concrete walkway after Sandy in 2012. 

At the end of last year, the town voted to enter into an agreement with the North Shore Beach Property Owners Association to start the project, which was set to start in early 2020 and finish by Memorial Day, May 25. 

In order to reduce risk of damage from future storm events, the gabion-basket walls were completely removed and replaced with steel bulkhead for toe of slope stability and an armor stone revetment wall. Highway officials said the bulkhead — which now protects areas of the bluff that have experienced significant levels of erosion in the past — has a much longer life span than the gabion-basket walls and will better protect the drainage infrastructure and shoreline from high storm surges, nor’easters and hurricanes. A new drainage system and stormwater treatment unit were also designed and incorporated into this project, ensuring that polluted stormwater is not directly discharged into the Long Island Sound.

“The completion of this project will ensure that we are less vulnerable to damage from future storms,” said Highway Superintendent Dan Losquadro (R) in a release.

The U.S. Federal Emergency Management Agency Hazard Mitigation Program has approved for 90 percent reimbursement of the total project cost of $1,165,000. U.S. Rep. Lee Zeldin (R-NY1) helped secure a total of $4.5 million in FEMA grants. The last 10 percent, or $116,500, comes from the town’s highway budget as a capital project.

In the release, Zeldin said the project is “bolstering our area’s storm resiliency,” and is “preventing future water damage.”

This project is the last of a $6 million total Hurricane Sandy response for nearly a decade. This includes:

• Gully Landing Road, Miller Place — Total Cost: $1.4 million; 90 percent funded by FEMA

• Shore Road and Amagansett Drive, Sound Beach — Total Cost: $1.3 million; $233,651 FEMA funded

• Friendship Beach, Rocky Point — Total Cost: $1,045,648; 90 percent FEMA funded

• Hallock Landing Road, Rocky Point — Total Cost: $996,829; 90 percent funded by FEMA

• Sills Gully Beach, Shoreham — Total Cost: $875,000; 90 percent FEMA funded

• Riverhead Drive, Sound Beach — Total Cost: $239,210; 90 percent FEMA funded

• Landing Road, Miller Place — Total Cost: $145,845; 90 percent FEMA funded

• Woodhull Landing Beach, Sound Beach — Total Cost: $70,000

• Hagerman Landing Road, Rocky Point — Total Cost: $43,572

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The concept drawings for the Port Jefferson Crossing development include the sight of Station Street, a one-way road which will be built by the Village of Port Jefferson to connect the eastern side of the project. Image from design plans

Conifer Realty had its first public hearing in front of the Port Jefferson Village planning board July 9. Amongst a few comments about safety and general aesthetics, Conifer representatives also revealed they were requesting that the planning board, and later the board of trustees, consider a renovated sidewalk and other amenities in place of village parkland fees.

The project, called Port Jefferson Crossing, would be located directly adjacent to the Long Island Rail Road train station and would take over the property of a now-decrepit cafe.

Kathleen Deegan Dickson, of Uniondale-based law firm Forchelli Deegan Terrana, said the developer was requesting such reduced parkland fees because of its plans to renovate the sidewalk on the southern side of the project which borders a still-to-be constructed road called Station Street. The developer plans to add trees, benches and other plantings near the intersection with Main Street, then gift that stretch of sidewalk with added amenities to the village.

“It was certainly our hope that the planning board would give some consideration to either a reduced or eliminated parkland fee in light of the fact we are improving and dedicating land back to the village,” Dickson said. “While we’re not going to pretend it’s a park it will have some features that will add a nice community benefit to the areas.”

Alison LaPointe, special village attorney for building and planning, said the determination of parkland fee is a two-step process, first with the planning board determining if there is parkland fee that needs to be assessed based on availability of parkland in the vicinity of the project, accounting for the number of new residents coming in with the planned apartments. If the planning board finds a parkland fee is necessary, the matter gets transferred to the board of trustees to determine a reasonable fee for that need. The planning board doesn’t have the availability to assess specifics of the fee, though it can account for what is already available, which may include the Texaco park just a little over a block away from the proposed site.

“The planning board has the ability to assess whether or not additional parkland facilities are deemed necessary in the vicinity,” LaPointe said.

The village has usually used the Town of Brookhaven’s formula for assessing price on parkland fee, namely a multiplier formula that requires 1,500 square feet of public green space per unit in a housing development or $1,000 fine per unit if that space can’t be provided.

The issue of parkland fees has come up in the village before, namely with The Shipyard apartments developed by Tritec on West Broadway. Original parkland fees for that development were reduced due to Tritec then saying they were providing amenities on their rooftop and in a plaza. At the time, in 2018, the village building and planning department ruled it could satisfy the parkland requirement for about 21 of that complex’s 112 units based on square footage.

In 2019, the village changed code to eliminate rooftop decks, patios and other common areas not accessible to the general public from being considered park or recreational facilities for the purposes of developers reducing the parkland fee paid to the village.

Planning board member Barbara Sabatino requested the applicant provide the total value of what Conifer plans to dedicate to the village. 

The project currently has plans for three floors, with the first floor being 3,200 square feet of retail and the next two containing 37 one-bedroom apartments and eight two-bedroom apartments. The front part of the project will take up 112 lineal feet of frontage on Main Street, and current designs show two different designs for the two halves of the building, one a “lofty style,” as put by the developer’s architects, and the other a red-brick Georgian style. Some planning board members commented on the general flatness of the exterior, but LaPointe said more of these comments will be ironed out after meetings with the Architectural Review Committee.

Only one resident commented on the proposed plans. Rebecca Kassay, the co-owner of the Fox and Owl Inn in Port Jeff, asked whether Conifer plans to have solar panels on its roof. Joanna Cuevas, senior project director for Conifer Realty, said there are currently no plans for solar panels, but the developer could assess the cost benefit of including those.

Another planning board meeting is set for Aug. 20, and is available for further public comment.

Above, a painting of Frank Melville Memorial Park in Setauket by artist John Koch at a previous Wet Paint Festival. Photo courtesy of Gallery North

By Melissa Arnold

It’s been a tough season for the plethora of local events that have either been canceled, postponed or restructured. Thankfully, technology like livestreaming and video chat have made it possible for some events to go on as scheduled, albeit a bit differently.

For the past 16 years, the Wet Paint Festival has given Three Village residents and visitors an up close look at the creative process of local artists as they work. The event was founded to honor the memory of beloved Long Island painter Joe Reboli, who died in 2004.

But inviting artists and community members to gather for creative fun and conversation doesn’t exactly fit in this quarantined, socially distant time. So what to do?

It’s been a baptism by fire of sorts for Ned Puchner of Gallery North in Setauket, which has sponsored the event from its beginnings. Puchner, who became the gallery’s executive director in December, was looking forward to his first Wet Paint Festival. Now, he’s been called upon to dream up an alternative.

“It’s been one of those unique experiences where you get to know people really fast,” Puchner joked. “But I’ve also learned very quickly how much support there is here for the arts and the art community, even despite the pandemic and its challenges. It’s been very encouraging for me to see that outpouring.”

Originally founded by former Gallery North director Colleen Hanson and the Reboli family, the Wet Paint Festival invites artists from Long Island and beyond for a relaxed weekend of plein air (outdoor) painting. The artists paint at the same location from vantage points of their choosing, allowing each put their own spin on well-known scenes and landmarks.

In the past, the festival has been held at West Meadow Beach and the adjoining Old Field Farm, Frank Melville Memorial Park, the Stony Brook railroad, the Thompson House, and Avalon Park & Preserve, among other places.

This year’s event will celebrate each artist’s originality as Wet Paint goes virtual. Painting sessions will be either livestreamed online or pre-recorded from a location the artist selects, whether it’s their own backyard or a public spot. During each session, the artist will talk about their creative process and take questions from viewers, just as they would in person.

To accommodate for the new format, the artists will paint for an entire week, from July 18 through July 25. The completed artwork will then be on display on the Gallery North website throughout the month of August.

The virtual festival is the latest in Gallery North’s ongoing effort to provide engaging online experiences during the pandemic.

“We had the Wet Paint Festival completely planned and were starting to gather sponsors and registrants when we had to close the gallery on March 14. When we closed, we decided to postpone the event, not realizing how long we would be unable to function and be outside,” Puchner explained.

“As time went on, we took it as an opportunity to get creative not only with Wet Paint, but with everything we do,” he said. The gallery began to share daily art activities, host “virtual open studio” events, film screenings, lectures, and opportunities to give and receive feedback on work in progress. As the staff grew more comfortable with video chat platforms such as Zoom, they knew they had to find a way to present the Wet Paint Festival, too.

Angela Stratton of Selden has enjoyed painting at the festival for the past 15 years, and while she’ll miss the connection and camaraderie of the typical event, she’s excited to see what comes of the online version.

“I’m the kind of person that likes to be outside anyway, so getting to paint at the same time is really a double treasure,” said Stratton, an oil painter. “Of course, there can be issues with painting outdoors ­— the sun goes in and out, it can be windy, it can rain — but it gives you the real depth of color you just can’t get from a photo.”

Stratton is still up in the air about where she’ll be painting, but she enjoys the challenge provided by the Old Field lighthouse.

Annette Napolitano, a realist painter who works in both watercolor and oil, would normally go out once a week to paint with a group of friends. She’s participated in Wet Paint for several years now.

“The first time I did the festival, I was so excited to be with the other artists, all of us working in the same place. The world is so big, and it can be a challenge to grab just a piece of it,” said Napolitano, of Rocky Point.

“I think bringing the festival online is a good solution because it’s like a pop-up event — people can come and go as they please. It’s also nice that we have a whole week to work, and it’s going to be fun to see people share their work from different parts of Long Island,” she said.

Puchner hopes that the event will inspire creativity not only in the participating artists, but people at home as well.

“At the center of the arts is expression. Everyone has had different experiences during the pandemic, but it has been significant for all of us,” he said. “There’s a fundamental need to discuss how we’re feeling, and the arts are a safe space for expression of all kinds.”

Livestreamed and recorded artist visits will be available for public viewing the week of July 27 at www.gallerynorth.org. Then, all completed works will be on the site for viewing and purchase throughout the month of August, with commissions split equally between the artist and the gallery. A virtual reception will be held from 3 to 5 p.m. Aug. 8 via Zoom; registration is free but required.

For further information, visit www.gallerynorth.org or call 631-751-2676.

*Article from TBR News Media’s Summer Times 2020, free on newstands today.

Suzanne McKenna Link with her third novel, 'Finding Edward'

By Jeffrey Sanzel

Looking for a life-affirming summer romance? Finding Edward, Suzanne McKenna Link’s third novel in her Save Me Series, is a first-rate diversion.

Author Suzanne McKenna Link

The stand-alone story follows Eddie Ruddack, a Long Island boy of twenty-six, in a time of challenge and transition.  The novel opens with him reluctantly leaving his family home. His brother, Ray, is moving in with his fiancée, so Eddie is going to live with his boss, Toby, his pregnant wife, Claire, and their two daughters. And while he lives in the basement, it is clear he is a welcomed addition to the household.

Toby is a benevolent and involved employer; Claire is the ideal confidant and surrogate mother; both are things that Eddie desperately needs. In the meantime, Eddie, Ray, and their mother are awaiting news of the maternal grandmother’s will and their shared inheritance. 

Eddie is a nice “getting-by” guy in search of answers but isn’t sure of the questions.  And while he claims to want the perfect relationship (i.e., family, children), he just hasn’t found himself. He’s not so much a slacker as he is floater, much due to a spotty and inconsistent upbringing. His interests are clothes and art, without ever committing to a passion or landing on who he is or what he wants to be.

Even when taking a look at his room for the last time, there is a sense of disconnect: “A trash bag of dried up dreams filled with old tubes of paint, brittle paintbrushes, sketchbooks with yellowed pages, and several near-finished canvases. Bulky with squared edges that threatened to poke through the plastic, the bag was heavier than all the others. I dropped it off at the curb for waste pickup.” 

His beloved grandmother’s bequeathal brings forward some life-altering truths, the most important of which is that Tom Ruddack, the father who walked out his family years before, is actually not Eddie’s biological father. His mother had a brief affair with a man named Giovanni Lo Duca, an Italian who was on a short-term work visa.

According to his grandmother’s wishes, Eddie needs to travel to Positano, on the Amalfi Coast. After the trip, he will receive money that she hopes will go towards tuition for art school, the interest that had bonded them in his childhood.

Eddie departs bruised — both figuratively and literally:  the former from the news of his unknown paternity, the latter courtesy of her mother’s boyfriend, Mike. He arrives feeling “like a randomly placed pushpin on a wall map.” Immediately, the situation becomes fraught with problems, including the loss of his wallet with his debit card.

His disastrous first day in this idyllic setting is an excellent juxtaposition of a contradictory adventure. However, a chance act of bravery in the hotel lobby makes him a local hero, changing the course of his visit.

Through this he earns first the respect and then the friendship of the beautiful doctor, Ivayla, and ends up as her guest, staying in the house she shares with her two fathers, the gregarious Mario and the taciturn, reclusive, but gifted artist, Paolo. Ivayla becomes his guide as well as the object of his ardor. Their growing attraction fuels the book’s more personal and eventually intimate moments.

The cover of ‘Finding Edward’

The book is full of rich detail, painting a vibrant Italian countryside, along with celebrating its people, its culture, and, of course, its food. Link is an engaging storyteller and shows us this magical foreign country through Eddie’s eyes. The descriptions reflect Eddie’s artistic bent and enhance the sense of a potentially bright and welcoming new world.

“Sun-bleached pastel houses, in gold, peach, white, and red, stacked high like a seawall. Precariously perched, they appeared ready to tumble into the sea at any moment. I imagined the people who lived in such a vertically challenged geography would be mentally tenacious and squat, physical powerhouses.” It is this artistic whimsy through which Link gives us a glimpse of Eddie’s creative potential.

Eddie experiences a reluctant but powerful awakening. He realizes that prior to Italy he had been living but not alive. “If I’d been home, I probably would have been in my basement apartment on the computer. I was here in an Italian city sharing wine and olives on a warm sunny evening with a local man and a mature, beautiful woman. Heightened by the foreign sights, sounds, and smells, my senses were becoming acutely discriminating, picking up scents and flavors I hadn’t known I was capable of.”

Ultimately, art and love become deeply intertwined. Eddie needs both to take the next step in his growth. The tale comes to a satisfying conclusion:  Scritto nelle stelle … “It is written in the stars.” It is the incomplete Eddie who leaves for Italy but it is the maturing Edward who returns home. Finding Edward is a charming journey with just enough Italian sun to warm the heart.

A resident of Sayville, Suzanne McKenna Link (suzannemckennalink.com) is also the author of Saving Toby and Keeping Claudia. Pick up a copy of Finding Edward at bookrevue.com, Amazon.com or BarnesandNoble.com.

The North Fork Cruisers hosted a car show in Port Jeff to support the Rocky Point VFW Post 6249 July 11. Photo by Kyle Barr

The sweet sounds of ’50s ’60s and ’70s pop and blues drifted out over the cars settled in front of the Port Jefferson Frigate ice cream and candy shop Saturday, July 11. Despite the humidity from tropical storm Fay passing by the day before, crowds gathered in the small parking lot to look at a host of cars in all varieties to support the local VFW post that has struggled financially from the pandemic.

The nonprofit North Fork Cruisers hosted its first Car Show for Veteran Suicide Awareness, with proceeds going to the Rocky Point VFW Post 6249. The post has taken a significant financial hit due to the pandemic to the tune of approximately $10,000 to $12,000, according to post Commander Joe Cognitore. The post takes in a lot of its revenue from renting out the VFW hall during the year, but all of that was halted since March. 

Present at the show were classic Mercedes from the ’50s and other novelty cars like a pink Thunderbird and the much renowned Batmobile often seen around the North Shore. The music was provided by Long Island’s DJ Night Train and Larry Hall, of Brazier Insurance Agency, donated the trophies handed out at the end of the show. Also present was Louis Falco, the founder of Operation-Initiative Foundation, a nonprofit that supports veterans with post-traumatic stress disorder. 

Peter Oleschuk, of the North Fork Cruisers, said with the event they were “just looking to do something nice for our VFW which has been closed these past few months and hasn’t been able to fundraise.”

The event raised around $440 for the VFW post, which Cognitore said was generous of the numerous people and veterans who donated at the show. He also thanked Roger Rutherford, the general manager of The Frigate, for facilitating the car show in front of his business.

Post 6249 is planning further ways to fundraise to plug its funding hole, including a GoFundMe page which should be available to donate to within the next week. The VFW is also planning for its 13th annual golf outing to support veterans organizations come Sept. 21. 

For more information on how to support the VFW, call 631-744-9106. 

For more on Operation-Initiative, visit www.opinitfdn.org.

From left, Robyn Nevin, Emily Mortimer and Bella Heathcote. Photo courtesy IFC Midnight

Reviewed by Jeffrey Sanzel

First-time director Natalie Erika James takes a new spin on the possessed residence genre with the atmospheric psychological horror film, Relic. James has co-written the heady screenplay with Christian White, and the result is ninety minutes of introspective dread that are grounded more in family than in fright. Relic had a buzzy debut at Sundance last year; it is equally arthouse and haunted house.

Three generations of women confront the dark but unexplained spirits possessing their family. When the elderly Edna (Robyn Nevin) disappears for three days and then suddenly reappears without explanation, daughter Kay (Emily Mortimer) and granddaughter Sam (Bella Heathcote) respond differently to the older woman’s erratic behavior.

The core of Relic is the portrait of a dysfunctional family staring down its matriarch’s slip into dementia. What is revealed is that years before, Edna’s grandfather suffered a fate similar to Edna’s.  He died alone in a cabin on the property — the first structure put up on the land.  (Kay has visions of both the old man and the cabin.) And while it no longer exists, pieces of it had been incorporated into the existing house, most notably the stained glass window now found in the front door.

It is as if the evil that destroyed the man followed it into the house, biding its time to possess its owner, in this case, Edna. But is it evil or illness? The answer is both.

While there are many traditional images, they feel fresh in James’s hands. In the opening moments, the house “breathes.” While an overflowing bathtub is a well-known trope, there is something about the water’s flow down the stairs that sets the tone for what will be the film’s creeping malevolence. 

Initially, the house itself looks benign and suburban, if a bit cluttered. Yes, it is large and well-appointed, but this is not a caricature of the old dark house, and this is a very different kind of haunting. The black mold appears to be an insidious manifestation of the dementia, and it is consuming the family homestead.

At first, Edna seems to have a bruise on her chest. In actuality, the same mold is overrunning house and body. The possession is a slow poison that hovers around the edges before taking over; the metaphor is clear. Scattered around the house are Edna’s notes to herself — ranging from the simple “Flush” to the alarming “Don’t let it in.”

The layers and twists are neatly woven, alternating between the ever weakening bond between Edna and Kay and the malign forces that are present. The fact that they are joined makes the film unique as it is impossible to disconnect one from the other.  The evil dwelling in the house is just as real as what has clearly been a disintegration of Edna’s mind.

This is a film that allows the narrative to slowly unravel. The scenes are short with staccato dialogue but the tempo remains at a slow burn for a majority of the time. It does not rely on gore or even visual scares.  Instead, it allows us to peer into the shadows, unsure of what they — or we  — are seeing.

It helps that all three actors — Mortimer, Nevin, and Heathcote — give understated and grounded performances. Nevin’s descent into confusion is marked by flashes of anger and disturbing behavior. There is a moment where she wanders away from the house and attempts to eat photographs before trying to bury the album itself. Wide-eyed, she looks at her daughter and cries, “Where is everyone?” It is a moment that is both horrifying and heart-breaking.

Mortimer’s struggle with ambivalence and obligation are palpable. Her love is mixed with resentment. She shows equal amounts of frustration and hurt in witnessing her mother’s desolation. Heathcote strikes the right balance in trying to be a loyal daughter and an attentive granddaughter. She also makes the climax (an extended sequence lost in the house’s impossible labyrinth) a showpiece in discovery. Both the spoken and unspoken pain and disappointment of this trio build the narrative.

Cinematographer Charlie Sarroff has effectively desaturated the color to the point of almost being absent. Robert Mackenzie’s eerie sound design — with ambient noise tamped down or oddly amplified — greatly enhances the off-kilter world. The distorted sounds of an empty washing machine and the gunshot bang of a bolt into a lock are jarring in just the right (wrong?) way.

For those looking for something different in the genre, Relic is an evasive but mysterious tale, cleverly flying in the face of traditional horror movie expectations. It masterfully blends many of the everyday fears for our loved ones with darker forces. Give it the time and it will stay with you long after its bizarre final moments.

Rated R, Relic is now streaming On Demand.