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Yearly Archives: 2019

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Reviewed by Jeffrey Sanzel

“A real failure does not need an excuse. It is an end in itself.”  The Gertrude Stein quote is an epigraph for the novel A Family Failure, August Franza’s story of “an ungrateful son.”

A Family Failure follows Heinz “Hank” Drummer, eldest son of a real estate tycoon.  However, Hank is a perpetual disappointment to his father, “The General,” who preaches one lesson: “Be a killer.”  

Hank has been raised in a world where “The General worked 14 hours a day raising hell and then he’d come home with his pockets filled with gold and raise some more hell and then get on the phone and do the business til midnight, raising more hell.”

The cover of Gus Franza’s latest book.

Hank has no instinct for this life or the drive to find it: “I was number one, ready to take over the business when I was supposed to be ready. But I didn’t want to be ready. I was never ready. I was a dangler.”  

Instead, the empire falls to his aggressively colorful younger brother, Sammy, who becomes the heir apparent. Sammy stumbles into his father’s footsteps and then onto great political heights. Hank has only contempt for “the little squirt.”  

If Sammy resembles a certain person in governmental power, it is by no means a coincidence: “Sammy B. Drummer … turned into Daniel B. Drummer, a disaster of a human being and, following on, through the years and decades, a danger to everyone.”

The book opens with the Village Voice’s announcement of Hank’s death. From there, the majority of the book chronicles Hank’s personal story as he shares it with Gus, bartender at The Purple Mist. 

Forty-three-year-old Hank is many things: an alcoholic whose most reliable friend and “real therapy” is Jim Beam; a self-described failure; a man in search of himself, committing suicide-by-liquor. 

Through his foggy narrative, he shares the fascinatingly ugly family history, beginning with the cutthroat German-born grandfather to his perpetually disappointed parents and finally to his famous sibling.  

A great deal of the narrative focuses on Hank’s banishment to Livonia, a second-rate business college, where he majors in not working, driving a red Corvette and trying to assemble his own niche group: The Fugitives.  

Hank wants to be seen as an outsider and yet find a place to belong. He manages to assemble a handful of disparate souls but the combination is odd and ultimately destructive. Hank attempts to carve out a place as a pseudo-intellectual (knowing The General would despise this) but even fails on this count.

The book is outrageous and crosses many lines. But Franza is a gifted writer who knows how to navigate a strange yet wholly recognizable universe. He is a strong writer with an ear for what is both real and lyrical. When Hank is most inebriated, he is synthesis of poetry and wet brain. It is a unique voice that makes us wonder if these are drunken rants or epiphanous clarity.

The story touches on Hank’s two failed marriages and his current affair with the equally alcoholic Camille. Hank’s relationships, personal and professional, are toxic. There is a gray cloud that has permeated his every choice. His is a brutal story of disconnect that Franza is able to paint in intensely painful shades. 

The final quarter of the book enters the contemporary arena as Hank brings Sammy to the forefront. In an unusual and original shift, the present is seen through the eyes of Hank’s ultra conservative and extremely paranoid dentist. (Dr. Linkoff’s skewed perspective is introduced when Hank is in the chair.)  

It is further explored through the dentist’s posthumous missive that is the close of the book. Here a fascinating take on the current climate. Franza’s wordplay reaches new levels in this bizarre anti-Wonderland.  

With A Family Failure, August Franza has created a postmodern novel bristling with challenging ideas and a wildly insightful core.

About the author: 

August Franza has published 27 novels and is planning to make them an even 30. 

The East Setauket resident has a doctorate in English literature and literary criticism, and his life’s work is held in the archives of the State University of New York at Stony Brook. 

Along with his wife and family, writing is his life’s work. He likes to quote T.S. Eliot who said, “It is necessary for poets to take chances, to go too far and risk complete failure.”

Franza’s latest novel, A Family Failure, is available online from Amazon and Barnes & Noble and through local bookstores. 

Visit the author’s website at www.augustfranza.com.

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A honey bee drinks nectar and transports pollen through the process. Photo by Polly Weigand

They buzz and flutter and are disappearing from Long Island’s environment.

Monarch caterpillar eats milkweed, its only food source. Photos by Polly Weigand

Pollinators, bees and butterflies are in decline on Long Island and nationwide, a situation that experts say is threatening the food supply. Ladybugs, too, are a threatened population.

To address a range of human health concerns, Executive Director of Long Island Native Plant Initiative Polly Weigand aims to repopulate the Island’s communities with native species plants and shrubs to re-establish important lost habitat for pollinators. The idea is to protect human healthy by preserving food and water supplies.

“Native plants provide food and habitat for wildlife,” Weigand said. “And it reduces the need for pesticides, fertilizers and irrigation, ultimately protecting Long Island’s groundwater supply.”

Avalon Park & Preserve in Stony Brook and St. James is a big supporter of the initiative. The site’s 140 acres were restored to include only native plants and shrubs. As it expands to 210 acres, it’s repopulating the land with a palette of native flora.

Homeowners can also take part in the movement.

Creating native habitats in your own landscape contributes solutions to many serious concerns and therefore, can be rewarding for Long Islanders.

The caterpillar then forms its chrysalis on the underside of the milkweed leaf before it emerges as a butterfly. Photo by Polly Weigand

“Protecting Long Island’s aquifer — the sole source of all our drinking water — is critically important,” said Seth Wallach, community outreach coordinator for Suffolk County Water Authority. “We also strongly encourage all Long Islanders to visit www.OurWaterOurLives.com to learn how they can help, and take the pledge to conserve water.”

The native solution

The first step for any landscape project, Weigand said, is to identify the light, soil and water conditions. 

“When you plant native species in the right location, that’s it,” she said. 

Milkweed and asters are two very versatile plants to consider, she added. The milkweed’s leaves provide habitat for Monarch butterfly eggs and forage for the caterpillar. Its blossoms can also provide nectar once the caterpillar becomes a butterfly. Butterfly metamorphosis, a miraculous process to witness, can potentially take place in your own yard.

“People plant gardens for butterflies but perhaps they could consider planting gardens or areas for caterpillars,” Dan Gilrein, entomologist at Cornell Cooperative Extension.  “This might help support some butterfly populations as well as help birds, many of which include some caterpillars as a large part of their diet, and many caterpillars are quite beautiful and interesting.” 

Three of Long Island’s more abundant native milkweed varieties include common milkweed, butterfly milkweed and swamp milkweed. Common milkweed and butterfly weed are good choices for sunny and dry locations. The swamp and butterfly weed habit grows in clumps, whereas the common milkweed is a rhizome that tends to spread across larger areas through an underground root system.

Goldenrod is also a good choice, she said.

“It’s a myth that it causes allergies,” Weigand said. “Goldenrod pollen is not dispersed by wind.”

For shrubs, bayberry is a nice option. Its fragrance lingers on your fingertips after touching it and evokes the scent of a beach vacation. It’s also beneficial to birds.

Butterfly drinks nectar from the milkweed. Photo by Polly Weigand

“Its waxy fruit is crucial high-energy food for migrating birds in the fall,” Weigand said. 

Choke berries and service berries are also good landscape options. Aronia not only flowers in the spring and displays bright foliage in the fall, Weigand said, its berries are edible and is similar to the acai, which has become a popular breakfast food.

Long Island Native Plant Initiative operates a website chock full of information with images on native plants (www.linpi.org). The nursery sells both wholesale and retail. Weigand encourages people to request native plants at your local garden center to help create demand.

“I love sitting and watching the many different types of pollinators attracted to native plants,” Weigand said. She recommends observing and learning to appreciate the show. “It’s native plant television.”

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Liam Whitworth
Updated: Liam Whitworth was located in Stony Brook Aug. 3, unharmed.
Suffolk County Police have issued a Silver Alert for a missing man who has been diagnosed with depression and may be suicidal.
Liam Whitworth, 21, who was residing in Centereach, went missing from his residence on Callan Lane Aug. 2 at approximately 6:30 p.m. after leaving a suicide note. He was last seen driving a 2009 Silver Nissan Sentra with NY license plates AGG-4918. He is 5 feet 9 inches tall and approximately 140 pounds, with blue eyes and brown hair. He has family in Rocky Point and employment in Lake Grove.
Anyone with information on Liam Whitworth’s location is asked to call 911 or the 6th squad at 631-854-8652.
As a reminder, Silver Alert is a program implemented in Suffolk County that allows local law enforcement to share information with media outlets about individuals with special needs who have been reported missing.

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Honeydew melons are a versatile treat and can be used as an ingredient in salads, side dishes, entrees and even drinks. Stock photo

By Barbara Beltrami

I have found that honeydew melons can often be a rather dicey proposition. I frequently think I’ve picked out a promising one only to get it home where it languishes and never ripens. Or it does ripen but the result is a flavorless disappointment. 

Well, that’s no way to start a food column, is it? Let me start over on a more positive note.  

When a honeydew is good, it’s very good. When it’s perfectly ripened, it is an explosion of mouth-watering fruit worthy of its name. On its own, it sings of summer. With other ingredients it’s a perfect foil for salty or slightly bitter flavors. And it’s such a pretty color; just looking at it is enough to cool one off. 

So, if you’re good at picking out melons, or if you’re lucky enough to find a winner, try some of these honeydew recipes.

Honeydew Salad with Honey-Citrus Dressing

YIELD: Makes 4 servings

INGREDIENTS:

1 avocado, diced

Freshly squeezed juice of half a lemon

½ ripe honeydew melon, diced

2 cups baby arugula

4 red radishes, scrubbed and sliced thin

2 tablespoons extra virgin olive oil

1 tablespoon honey

1½ tablespoons lime or orange juice

Salt and freshly ground pepper to taste

4 slices prosciutto, torn into small pieces

DIRECTIONS:

In a large bowl toss the avocado with the freshly squeezed lemon juice to thoroughly coat.  Add honeydew, arugula and radishes; toss again and set aside. In a small bowl whisk together olive oil, honey, lime or orange juice, salt and pepper. When ready to serve, toss with melon mixture; sprinkle prosciutto on top and serve immediately with prosecco and breadsticks.

Honeydew Sorbet with Candied Ginger

Honeydew Sorbet

YIELD: Makes about 3½ cups

INGREDIENTS:

½ cup sugar

½ cup water

4 cups diced ripe honeydew melon

¼ to 1/3 cup candied ginger, finely chopped

DIRECTIONS:

In a small saucepan over medium heat, cook sugar and water until sugar is completely dissolved, about 5 minutes. Set aside to cool. Measure out ¾ cup; reserve and refrigerate any extra for later use. Puree melon in a blender or food processor until very smooth. Measure out 2½ cups. Cover and refrigerate any extra puree for another use. Combine sugar syrup, melon puree and chopped ginger in bowl of ice cream maker and process according to manufacturer’s directions. Transfer to freezer container, cover and freeze for at least two hours. Serve with ginger snaps.

Shrimp and Lobster Salad in Honeydew Bowls

YIELD: Serves 2

INGREDIENTS:

1 cup chopped cooked shrimp

1 cup chopped cooked lobster meat

¼ cup minced celery

¼ cup minced green bell pepper

 1/3 cup mayonnaise

1 tablespoon freshly squeezed lemon juice

1 tablespoon chopped fresh dill or tarragon

¼ teaspoon celery seed

Salt and freshly ground pepper to taste

1 small ripe honeydew, halved and seeded

DIRECTIONS:

In a medium bowl, combine the shrimp, lobster, celery, green pepper, mayonnaise, lemon juice, dill or tarragon, celery seed, salt and pepper; mix thoroughly and scoop into hollowed out honeydew halves. Cover with plastic wrap and chill for one hour before serving.

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The marathon kicks off with ‘Killer Clowns from Outer Space.’

The Cinema Arts Centre, 423 Park Ave., Huntington will host Retro Picture Show’s “Pay to Get Out” Horror Movie Marathon on Saturday, Aug. 3. Doors open at 8 p.m. and the marathon begins at at 8:20 p.m. Enjoy a night of 35mm horror screenings featuring eight terror-ific and sci-fi classics. The Sky Room Cafe will be open all night serving beer, wine, snacks and food. Pillows and blankets are welcome (no backpacks please) and dressing up is encouraged. 

Lineup:

‘Killer Klowns from Outer Space’

1988, Director Stephen Chiodo 

‘The Texas Chainsaw Massacre’ 

1974, Director Tobe Hooper |

‘They Live’

1988, Director John Carpenter

‘The Devil’s Rejects’

2005, Director Rob Zombie

‘XTRO’

1982, Director Harry Bromley Davenport

‘Deranged’ 

1974, Directors Jeff Gillen and Alan Ormsby

‘The Incredible Melting Man’

1977, Director William Sachs

PLUS A BONUS MYSTERY MOVIE!

Tickets are $45 in advance at www.retropictureshow.com and $50 at the box office on the day of the event. If you last from beginning to end, you get $10 back and a free breakfast!

For more information, call 631-423-7610.

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Kedar Kirane Photo from SBU

By Daniel Dunaief

Some day, a collection of soldiers in the Army may be sleeping in a bunker near an explosion. Their lives may depend on the ability of their bunker to crack, rather than fracture and collapse.

Kedar Kirane, an assistant professor in the Department of Mechanical Engineering at Stony Brook University, recently received a $359,000 grant from the Army Research Office’s Young Investigator Program to develop a computational model to predict the fracturing behavior of woven textile composites under dynamic loading, such as blasts and other impact loads.

In his work, Kirane hopes to develop a model for how composite materials fracture.

Kedar Kirane. Photo courtesy of Mechanical Engineering/Stony Brook University

Ralph Anthenien, the division chief for mechanical sciences in the U.S. Army Research Office, described the process of granting these awards as “very selective.”

The program supports “innovative breakthroughs,” he said. Part of the charter is to fund “high risk research, which won’t have a 100 percent chance of success,” but could provide a way forward for research.

Ultimately, the hope in the work the Army funds is to “protect soldier’s lives and protect Army systems,” Anthenien continued. The research should “make everything for the Army better.”

Kirane suggested that this research could also have implications in civilian life, such as to predict automotive crashworthiness. While it’s possible to consider fractures and cracks at the atomic scale, he said he is focusing on the macro level because the structures he is studying are so large.

“If you start looking at the atomic scale, it would be impossible because we don’t have the kind of computing power we would need” to convert that into buildings, bridges or other structures, Kirane said.

He is exploring the rates of loading for these fiber composite materials and would like to understand how these objects hold up in response to a blast or a projectile hitting it, as opposed to a more gradual progression of stressors.

Kirane will not conduct any of the laboratory work that explores the fracturing and reaction of the materials. Instead, he will use public data to calibrate and verify his model. The grant supports only the development of the model, not the performance of any physical experiments.

While materials are manufactured with different procedures, he is focused on how the materials fracture, crack and branch. The work is “more of a fundamental study rather than an applied study for a particular material,” he said.

One of the areas of focus in Kirane’s research involves analyzing the branching of cracks during fracture. As the cracks branch, they multiply, causing the material to break into multiple pieces.

The speed at which load builds on an object determines its reaction. A slow buildup typically causes one crack to form, while a more rapid load can cause a single crack that can branch and rebranch to produce multiple cracks.

“Being able to model this is complicated,” Kirane said. “The more it fractures, the more energy it can dissipate.” Ultimately, he would like his model to provide the Army with an idea of how much load a structure can withstand before the developing defects compromises its integrity.

In other projects, Kirane’s work will try to extrapolate from studies of smaller objects up to much larger manufactured structures. Ideally, he’d gain a better understanding of how to extend the information up to the scale at which people live.

He starts with objects that are of various dimensions, at 10 by 10 millimeters and then doubles and quadruples the size to determine the effect on their resilience and strength. There are mechanics-based scaling laws to extrapolate the structure strength to larger sizes, Kirane explained. It depends on the material and its fracturing behavior.

“That is the use of having a model: you can do some experiments in the lab, develop the model, calibrate it, use the model to predict the response and the scaling correctly,” he said.

Kirane explained that he usually tries to get data from a published journal, especially from sources where he knows the principal investigators produce reliable research. 

Indeed, sometimes the models can suggest problems with the data.“There is some back and forth” between the bench researchers and the scientific modelers, he said.

Kirane, who joined Stony Brook two years ago, has two doctoral students in his lab, one master’s student and several undergraduates. 

A resident of Westbury, he commutes about an hour back and forth. He enjoys visiting Jones Beach and appreciates the proximity to New York City. 

Raised in Pune, India, Kirane speaks English, Hindi and Marathi, which is his native language. During his schooling, which was in English, he not only pursued his interest in science but also played a percussion instrument called the tabla and was a gymnast. He says he can’t do any of the gymnastics routines from his youth today, although he does practice yoga and his gymnastics training helps. 

As for his future work, he hopes to start collaborating with scientists at Brookhaven National Laboratory, where he’d like to conduct some research at the National Synchrotron Light Source II. He’d like to understand how rocks fracture at the atomic scales.

In his own life, Kirane said he doesn’t recognize failures but sees any result that falls short of his hopes or expectations as a learning opportunity. “If something doesn’t go as planned, it’s an opportunity to retry,” he explained.

Indeed, in Kirane’s research, scientists call the process of fracturing “failure,” but that judgment depends on the context. When structures are “supposed to be sacrificial and dissipate energy by fracturing,” he said, then that “fracturing is good and not equal to failure.”

 

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Brad Pitt, Leonardo DiCaprio and Al Pacino in a scene from the film Photo courtesy of Sony Pictures

By Jeffrey Sanzel

When approaching the films of cinematic auteurs, the tendency is to evaluate based on their entire body of work. While there is a logic to this, it is ultimately of limited value to someone actually experiencing the movie. Often, this is the road taken when the film is disappointing or less than the artist’s previous work. Fortunately, in the case of Once Upon a Time … in Hollywood, Quentin Tarantino has written and directed a strange but truly original love letter to the films of the late ’60s, creating a tapestry of real-life events and fictional characters. The upshot is an epic, enthralling, sometimes chaotic, often messy, but (mostly) satisfying journey.

Brad Pitt as stuntman Cliff Booth and Mike Moh as Bruce Lee in a scene from the film

Once Upon a Time interweaves a trio of threads: the fictional story of Rick Dalton (an amazing Leonardo DiCaprio), a TV western star on his way down, and his stuntman-gopher Cliff Booth (Brad Pitt, iconically charming); neighbor Sharon Tate (a luminous Margot Robbie); and the infamous Manson Family. Throughout, the narratives overlap, diverge and finally come together. The film is long but never boring, painting a vivid portrait of the seedier world of Hollywood.  

The performances are universally strong. Brad Pitt is warm and easy as the good-guy lackey with a past. His easy façade belies the darker shades beneath. Ultimately, he is the true hero in this world of faux cowboys. 

Margot Robbie captures Tate’s innocence. There is an enchanting scene where she attends her most recent film – Dean Martin’s The Wrecking Crew; her face is a wonder as she marvels, childlike, at her own image. With the least dialogue of any of the principals, Robbie manages to capture both Tate’s hopes and fragility. The actors playing members of the Manson Family are appropriately wide-eyed and menacingly mercurial, most notably Margaret Qualley as Pussycat and Damon Herriman, seen only briefly but to great effect, as Charles Manson.

But it is DiCaprio, as the self-destructive Dalton, who is a revelation. The portrait of an actor being pushed from hero to heavy, struggling with the twin demons of inadequacy and alcohol, is spot-on. Whether seen in clips from his ’50s network show Bounty Law, beating himself into a performance, or engaging with an 8-year-old costar (a delightful Julia Butters), he is funny, honest and completely human.  

There are assorted cameos and supporting roles from a who’s who of Hollywood, including Al Pacino (sounding surprisingly like Mel Brooks) as a stereotypical Hollywood player; Dakota Fanning, a chilling “Squeaky” Fromme; Bruce Dern as George Spahn, who rented his ranch to the Mason Family; Mike Moh as a hilariously arrogant Bruce Lee; Kurt Russell, low-key as a stunt coordinator and the film’s narrator; Rebecca Gayheart as Booth’s shrewish wife (whom he may or may not have murdered); and the late Luke Perry as TV actor Wayne Maunder, among others.

In its homage to the 1960s, Once Upon a Time is gritty and peripatetic, resulting in a picture that seems to have actually been shot in 1969. Sparing no detail, this is an immersion in a rough, bygone Los Angeles. The film alternates between satire and drama, reality and fiction, often jarringly so. A comedic moment juxtaposed with the tense shadow of the coming murders is clearly and, we assume intentionally, disturbing.  

But this is part of the greater whole that Tarantino has shaped in his semifictional Hollywood. There are moments and gimmicks that step out of this world but, fortunately, they are few and Tarantino lets the narrative carry the context. The final 10 minutes (and the only true graphic ones) can be best explained by the title. To say more is to detract from Tarantino’s bold and certainly controversial twist.

Rated R, Once Upon a Time … in Hollywood is an audacious, occasionally maddening film, but one that Tarantino fans – and others – will certainly embrace.

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Players and professionals work with children with special needs

Ryan was instrumental in facilitating an inclusive lacrosse clinic in Centereach. Photo by Michael Gargiulo

By Leah Chiappino

Sensory Solutions of Long Island, along with Middle Country Boys Lacrosse located in Port Jeff Station, sponsored their first All Inclusive Lacrosse Clinic, a program that pairs special needs children with an experienced player, July 30. The event was what the organization hopes to be the first of many, and is meant to not only teach lacrosse skills, but to build friendship and camaraderie. 

In a statement, the Inclusive Lacrosse League said their mission was to create an inclusive environment “that grows friendships as well as encourages the acceptance of all children. We are hoping to build the foundation where children with disabilities can increase their confidence and social skills through lacrosse, as well as create lifelong memories and positive experiences for all involved.”

With more than fifty children and fifty volunteers, the field at James D. McNaughton Memorial Park in Centereach was split up into stations, one to teach ground ball, another to teach passing and two to teach shooting. Volunteers consisted of high school lacrosse players, coaches, professional players and even some younger kids that play regularly. 

Jeff Reh, a two-time all-American Division I champion at Adelphi University and special education teacher, is president of the program. Having coached lacrosse, he partnered with Regina Giambone, one of four owners of Sensory Solutions, along with Michael Gargiulo, Larry Ryan, and Michelle Boschto, to launch the clinic. He has ideas to expand the program, which include possibly starting a league, or taking the children to Major League Lacrosse and Premier Lacrosse League games. He says the group received such a positive response, they had to cut down the capacity of participants. 

“Once we know what to expect and how to run things, this will grow and grow,” he said 

There are plans to start fundraising to help expand the program, for which the equipment was donated by Maverik Lacrosse. 

The coach says the work is worth it because of the impact it will have on building relationships for the special needs population. 

“The kids are going to really enjoy getting out of the house and meeting somebody,” he said. “Lacrosse is second. It’s really about the music and hanging out with their friends. They really just want to be part of something.”

Troy Reh, Jeff’s nephew and a player for the Chaos, a Premier Lacrosse League team, volunteered for the event. 

“I’m excited to see their smiles on their faces, and how happy they are to be out here,“ he said.  

Justin Reh, Troy’s twin and New York Lizards lacrosse team player, added, “These kids don’t get to do this every day and for us in our family to be able to give back is very special to us.”

Whitney Wolanski, a parent of one special needs child participating in the program, as well as another child who is volunteering, praised Giambone for her efforts. 

Lacrosse players and professionals help young people with special needs. Photo by Michael Gargiulo

“Regina is amazing, and I can’t say enough nice things about her,” she said. “My son would never get to experience this otherwise. It’s an incredible opportunity for not just the special needs population but for children who don’t have special needs, because if they’re not part of a JV team or varsity team, there aren’t a lot of opportunities for them to play either.”

Sensory Solutions of Long Island offers not only occupational, physical and speech therapy for the special needs population but also social groups, Zumba classes, art and music. 

“It allows kids to have an outlet in a fun, safe space that is not overwhelming for them,” Gargiulo said. 

Giambone added that the lacrosse clinic will help build bridges for the special needs community. 

“It’s going to help integrate the community because a lot of these kids cannot play sports competitively, and this gives them an opportunity to connect with professional players and the varsity lacrosse team,” she said. “We want to teach awareness and empathy, and at the same time give the kids a good experience.”

Ryan explained that the clinic could begin a wider impact in order to help integrate the special needs population. 

“I hope that those without special needs learn to interact with those who do have special needs and gain a little more understanding so when they see a classmate that’s struggling, they’re going to be more apt to help.”

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Tree graffiti damages trees in Avalon Park. Photo by Donna Deedy

When Avalon Park & Preserve on Harbor Road in St. James and Stony Brook first opened in 2001, it welcomed on average 50 to 550 people each week. Today, during the peak seasons of spring and fall, an estimated 3,000 to 5,000 people frequent the 140-acre preserve on a weekly basis, and its popularity has become the source of a problem: protecting the integrity of the place. 

Ducklings found in Avalon park. Photo by Donna Deedy

People are carving initials into trees, walking off trails and otherwise damaging habitats.

The park is trying to find ways to instill lessons on park etiquette without becoming too obtrusive. The task, though, according to Park Director Katharine Griffiths, has become more complicated with the rising popularity of Instagram and its geo-location features. 

Foot traffic has spiked over the last five to seven years, Griffiths said, just as the phone app’s use has increased.

“We don’t do publicity or have a social media presence,” she said. People are sharing photos of themselves at the park and certain social media posts, she noticed, seem to invite trouble.

After people climbed on top an art installation on site, she said, in violation of one of the preserve’s only posted rules, other people saw the image and tried the same antic. 

In talking with other park directors, Griffiths has found that they are experiencing similar concerns with social media.

To address the problem, Griffiths is looking at the efforts of a nationwide campaign called Leave No Trace, developed by the Center for Outdoor Ethics, a nonprofit organization that is raising public awareness on how to preserve and enjoy the outdoors. 

Nine out of 10 people are uninformed about the impact they have on their environment, the center’s website states. The organization has developed seven principles that people should adopt to minimize their impact. The guidelines were founded for back-country excursions, but the center states that the approaches can be easily adapted to any park setting. Griffiths agrees.

The ideas are mainly common sense:  Properly dispose of waste, respect wildlife, be considerate of other visitors. Other principles are more nuanced and need to be more widely practiced.

Leave what you find/avoid damaging trees and plants

A major concern at Avalon centers on bark damage caused by people carving their names or initials into trees. Trees along the boardwalk at the park’s main entrance on Harbor Road in St. James at the Stony Brook Mill Pond are badly scarred. Some tree species are now suffering from disease. Griffiths said it is unlikely that the tree graffiti caused the problem. 

“But it certainly stresses trees and doesn’t help,” she said.

The park has hired park rangers 24/7, which has helped curb the issue. The problem, however, continues. 

Many of the couples who have carved their initials in hearts, Griffiths notes, are likely no longer together. The tree damage, she said, is permanent.

Stay on trails 

Avalon has carefully created meandering trails through five different wildlife habitats populated entirely with native fauna. The trails are an important part of its successful land management strategy. Straying off those trails damages vegetation or disturbs communities of organisms beyond recovery. Wildlife ecosystems are often interdependent, and when you harm one species it can cause a chain reaction. 

A Black Egret found in Avalon park. Photo by Donna Deedy

Avalon has had to incorporate fencing to rope off the nesting areas of woodland ducks, for instance, because people were venturing off its boardwalk at the park’s main entrance into the pond’s edge. Griffiths said that the park’s managers prefer to leave nature unobstructed, but the fence became essential to protect the habitat.

Dogs are welcomed at Avalon, but dog owners need to be mindful of picking up waste and keeping the animals on a leash. Frank Melville Memorial Park in Setauket, another privately owned public parkland, asks dog owners to be diligent. 

“People like that we allow pets, but its a constant challenge,” said Robert Reuter, president of Frank Melville Memorial Park. 

Respect wildlife

The center states that people should quietly observe wildlife from a distance. Do not disturb animals or plants, they say, “just to get a better look.”

Tree graffiti damages trees in Avalon Park. Photo by Donna Deedy

Lucille Betti-Nash from Four Harbors Audubon Society recommends investing in binoculars or a super-zoom camera, sometimes called a bridge camera, if people want close-up views of wildlife.

Wertheim National Wildlife Refuge, a U.S. Fish and Wildlife Service park in Shirley, is dealing with similar issues. Park Director Ann Marie Chapman said that she is also trying to better educate the public. 

“The wildlife on Long Island have very few places left to go,” she said. “We should keep these public parklands pristine.”

Like Griffiths, she hopes people adopt good outdoor habits.

Carry in, carry out

“Remember we are guests,” Chapman said. “Just like when you’re visiting someone else’s home, you need to respect the surroundings when you visit parkland.” 

Suffolk County Legislator Robert Trotta (R-Fort Salonga) said that he visits and walks through Avalon once a month and has never seen a speck of garbage.

“I love the fact that there’s no garbage cans,” he said. “It forces people to carry out any trash they bring in.”

He’s looking forward to the park’s 70-acre expansion. When completed sometime next year, the park’s trails will extend to the Long Island Sound waterfront. 

“The place is heaven on earth,” Trotta said. 

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Feeding Frenzy, ink, bamboo brush and pastel on canvas, by Diane Lundegaard
Diane Lundegaard reflects on life through art in latest exhibit

By Melissa Arnold

When Diane Lundegaard set off for college in the 1960s, she took business classes, dreamed of going to France and hoped to build a stable career. Those dreams would ultimately come true, but not in the way she expected. 

Diane Lundegaard

As Lundegaard marks her 70th birthday, the lifelong artist is looking back on her journey from student to teacher, environmental activist to educator at the Cold Spring Harbor Fish Hatchery & Aquarium. To celebrate, she’s put together a stunning exhibit from nearly every chapter of her life so far, on display at the Cold Spring Harbor Library now through Sept. 11.

“I had an interest in drawing from the time I was very young. It seemed like a reprieve, and a beautiful thing to enter into,” said the Dix Hills resident. “My mother loved to paint, and with eight children at home, she only truly relaxed when she was painting. That inspired me.”

As a teen, Lundegaard would wander around her Deer Park neighborhood and the surrounding areas with a sketchbook, drawing houses and horses with a ballpoint pen, and the marshes of Babylon in charcoal. She went on to pursue a business degree at Staten Island College, and in 1967 she had the opportunity of a lifetime: a school trip to Paris.

“I didn’t have the money to travel all of France with my friends, so instead I stayed in Paris for the entire trip,” Lundegaard said. “I spent a lot of the time sketching the cathedrals and statues I could see from the room where I was staying.”

It was also in Paris where she had a chance meeting with a young man from Denmark named Hans who would capture her heart. The pair exchanged letters for several years before marrying in Copenhagen when Lundegaard was just 20. 

‘Near the Tidal Raceway’

Later, Lundegaard studied art history, education and social studies at Stony Brook University, where she received both a bachelor’s of fine arts and a master’s degree. She launched a successful writing career covering art as a freelancer in publications including Sunstorm Art Magazine, Newsday and the New York Times, ultimately becoming an art teacher at the East Woods School in Oyster Bay.

Along the way, the educator studied under the new realist painter Bill Beckman and later had the opportunity to study Asian techniques with May Wong Moy, a distinguished brush painter. 

Outside of the classroom, she continued to draw and paint but admitted she struggled to find her own personal style of artistic expression. 

In 2005, a sudden layoff forced Lundegaard to search for a new career. She found renewed fulfillment in pursuing her other great passion: helping the environment. 

Lundegaard first developed an interest in environmental activism when, as a young mother, she grew concerned with plans to build a massive, multitown resource recovery plant adjacent to the former Pilgrim State Hospital. She later became involved with local civic and environmental efforts, including a federal water study. 

In 1982, she received the Coastal Barrier Resources Act Commendation from the National Wildlife Federation.  

Her commitment to the environment and love of teaching made for a natural fit at the hatchery, where she started working as an educational assistant in 2005.

The artist with artwork from the exhibit

The hatchery would also provide Lundegaard with the artistic inspiration and unique voice she’d always longed for.

“Working at the hatchery, I got to study pond life up close on a daily basis, and learned to draw and paint what I was seeing,” she said. “I feel that undersea art hasn’t been tapped into fully in the fine art world simply because people don’t often get to see what’s under there, if at all. But the hatchery allows me to visualize aquatic habitats and creatures from a perspective that most people don’t have regularly.”

The Asian technique of painting with a bamboo brush on rice paper works especially well for underwater scenes, the artist said. Her experience with the perils affecting the local environment made painting aquatic life deeply personal and meaningful.

“One of my goals for creating art is to share a concern for protecting aquatic environments. Painting expresses the beauty of nature so well,” she said. “I also hope to touch people’s hearts and make them want to become proactive in helping the environment, even if it’s in small ways. It’s a terrible thing to see people and animals that are suffering because of harm to the environment, and beauty is a wonderful way to open people’s eyes.”

Titled Looking Back, Looking Ahead, A Retrospective of Paintings, the exhibit will feature 39 pieces of Lundegaard’s artwork, from childhood scribbles to the cathedrals in Paris and contemporary work from the hatchery.

The Cold Spring Harbor Library has hosted Lundegaard’s work in previous solo and group exhibits, and it is glad to welcome her back, said adult program director Kathy Olsen.

“We like to promote environmental awareness here at the library, so Diane’s exhibit fits well with that goal,” Olsen said. “I took my children to the hatchery many times when they were small. It’s a very interesting place, and we’re pleased that Diane is calling attention to their work. From simple line drawings to colorful, impressionistic paintings, there’s a little something for everyone to enjoy.”

A portion of the sales from Lundegaard’s exhibit will benefit the hatchery’s new Turtle Pond area, said hatchery director Steve DeSimone.

“Diane has been such an asset to us here at the hatchery. We are excited to celebrate her and her artwork,” DeSimone said. “ It has been a pleasure to watch how the fish hatchery and aquarium environments have taken on new interpretations through Diane’s beautiful work.”  

See Diane Lundegaard’s retrospective exhibit now through Sept. 11 at the Cold Spring Harbor Library, 95 Harbor Road, Cold Spring Harbor. For hours and information, call 631- 692-6820, ext. 202 or visit www.cshlibrary.org. View more of Lundegaard’s artwork at www.lakeartstudiopaintings.com. For information about the hatchery, visit www.cshfishhatchery.org. 

All photos courtesy of Diane Lundegaard

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