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Theatre Three

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The award-winning documentayr A House Made of Splinters will be screened at John F. Kennedy Middle School on March 20.

By Tara Mae 

Documentaries are artistic passion put into practice. They require the fervor and drive not only of subjects and crew but also of those who seek to share their stories. 

The Port Jefferson Documentary Series (PJDS) has been honoring and matching such moxie since 2005 and advances the plot this season with the seven films on its spring roster. Held at 7 p.m. on every Monday in March, from the 6th to 27th; April 10 and 17; and May 22, each showing is followed by a Q&A session featuring either the director or producer of the project. 

Emceed by Tom Needham, executive producer and host of “Sounds of Film” on WUSB, the Series is a labor of love for all involved, giving both filmmakers and festival organizers the opportunity to revisit what initially drew them to these stories and share it with an attentive public.  

“I like seeing the films again. With most of these films, we have been working on arranging the screenings for at least 3 months. I really do enjoy being in the audience, seeing the films again, thinking about them for the Q&A, and noticing what the audience reacts to. And then, meeting the documentarians and hearing their stories is one of the most exciting parts of the whole process,” said PJDS co-director Lyn Boland. 

This season starts with Dr. Tony Fauci, which explores the professional and private life of a man striving not to be blinded by the spotlight as he does his job. 

Immediate Family highlights the harmonies of five star session musicians whose notes, if not their names, are famous.

A House Made of Splinters chronicles the efforts of intrepid social workers on the front lines of the war in Eastern Ukraine as they endeavor to create an orphanage oasis for children displaced by war and woe.

I Am Not  follows the journey of Oren Levy, a young adopted Israeli man who travels back to Guatemala in search of his identity. 

Lift illuminates the invisible story of homelessness in America through the experiences of a group of young homeless and home-insecure ballet dancers who are selected to study their craft at the New York Theater Ballet.

Bobi Wine: The People’s President traces the career evolution of a man from musician to politician as he heralds the opposition to Uganda’s 35-year regime. 

Lastly, Unfinished Business offers an inside look at the creation and legacy of the WNBA, as exemplified through the champion New York Liberty’s dramatic 2021 season.

“We try to balance it between serious and entertaining documentaries,” explained PJDS co-director Wendy Feinberg.

Screenings, held either at Theatre Three in Port Jefferson or John F. Kennedy Middle School in Port Jefferson Station, are arranged and organized by PJDS’s co-directors: Boland, Feinberg, and Barbara Sverd. Known as the “Film Ladies,” they are dedicated both to spotlighting the art form of documentary filmmaking and the often lesser-known stories that they champion.  

“When I choose a film to be reviewed by the film board, I feel it must tell a story, have an emotional connection and appeal to a general audience. When I view a documentary for the first time, regardless of its subject matter, I want to feel like I am taking a class and learning something new,” Sverd said. “The greatest pleasure is sharing this experience with our audience and having the director, producer or someone from the film there for the Q&A to enhance the learning experience.” 

Such an opportunity for more informed dialogue is part of the appeal for the documentarians as well; it acts as an avenue for deeper understanding between audience and artist.  

“A smaller series or festival offers a unique and intimate connection with those who come to a theater and watch your film. It’s not about the publicity, or agents, or distributors. It brings us, as filmmakers, back to the fundamental reason we made this work: to listen for an answer back,” said David Peterson, director of Lift. 

In addition to personal, there are also practical reasons that the PJDS and other such events are vital to the endurance of documentaries, a genre that generally has far less star power and thus less funding than its cinema siblings. 

“These films would never have a chance if it was not for festivals and documentary series…to get distribution is really hard. That is where PJDS and other festivals can help.  You have to show distributors that you have an audience,” said Denny Tedesco, director and executive producer of Immediate Family.

After each viewing, audience members are given the opportunity to rate the documentary: Excellent, Very Good, Good, or Poor. At the end of the season, the votes are tallied and the Audience Award winner is announced. 

The members of the Film Board, which in addition to Boland, Feinberg, and Sverd, includes Honey Katz, Lynn, and Lorie Rothstein, then chip in money to donate to an organization of the winning director’s choosing. 

Sponsored the Greater Port Jefferson-Northern Brookhaven Arts Council, Maggio Environmental, Port Jeff Storage, Inc., and Covati and Janhsen, CPAs, with funding from Suffolk County, PJDS is seeking volunteers to assist with screenings, marketing, and social media. 

Theatre Three is located at 412 Main Street, Port Jefferson. John F. Kennedy Middle School is located at 200 Jayne Blvd, Port Jefferson Station.

A season pass for all seven documentaries is $56; single tickets are $10 online or at the door. To purchase passes, tickets, or for more information, visit www.portjeffdocumentaryseries.com.

A scene from ‘Lift.’ Photo courtesy of PJDS
Film Schedule:

■ The season begins with a screening of Dr. Tony Fauci at Theatre Three on March 6. This intimate film chronicles Fauci at home, in his office and in the corridors of power as he battles the ongoing COVID-19 pandemic and the political onslaught that upends his life and calls into question his 50-year career as the United States of America’s leading advocate for public health. Guest speaker is Director Mark Mannucci. Sponsored by Danfords Hotel & Marina and The Waterview at Port Jefferson Country Club.

■ Immediate Family will be screened at Theatre Three on March 13. If you listen to 1970s pop music, you’ve undoubtedly heard these guys play, but do you know their names? The documentary highlights five talented men—Danny “Kootch” Kortchmar, Leland Sklar, Russ Kunkel, Waddy Wachtel and Steve Postell—who shunned the spotlight for themselves, yet enjoyed decades of success as session musicians on iconic tracks. Guest speaker is Director Denny Tedesco. Sponsored by Danfords Hotel & Marina and The Waterview at Port Jefferson Country Club and the Long Island Music and Entertainment Hall of Fame in Stony Brook.

■ Next up is A House Made of Splinters at JFK Middle School on March 20. As the war in Eastern Ukraine takes a heavy toll on poor families living near the frontlines, a small group of strong-willed social workers works tirelessly in a special kind of orphanage to create an almost magical safe space for kids to live in while the state decides the fate of the child and family. The film is nominated for a 2023 Oscar in the documentary film category. Guest speaker is Director Simon Lereng Wilmont via pre-recorded Zoom.

■ I Am Not will be screened at JFK Middle School on March 27. Oren Levy, a young Israeli man, who is an adopted child with Asperger’s, faces challenges adapting. Suddenly, his life changes with the help of the camera, which becomes an extraordinary therapy tool assisting him on a long journey which takes Oren and his family to Guatemala in search of his identity. Guest speaker via Live Zoom will be Ehud Levy, Oren’s father and subject in film. Sponsored by North Shore Jewish Center in Port Jefferson Station and Temple Isaiah in Stony Brook.

■ The season continues on April 10 at Theatre Three with Lift which shines a spotlight on the invisible story of homelessness in America through the eyes of a group of young homeless and home-insecure ballet dancers in New York City. The story centers around ballet dancer and mentor Steven Melendez, who was a seven-year-old boy living in a Bronx homeless shelter who had his life turned around when he was the recipient of the New York Theater Ballet (NYTB) Project LIFT’s generosity. Guest speakers will be Director David Petersen and Steven Melendez, Principal Dancer & Artistic Director at the New York Theatre Ballet and subject in the film.

■ Bobi Wine: The People’s President heads to JFK Middle School on April 17. First-time co-directors Christopher Sharp and journalist Moses Bwayo tell the story of Bobi Wine, the musician-turned-politician leading the opposition to the 35-year regime in Uganda. Withstanding arrests, torture, and violence from the government, Bobi Wine and his wife Barbie risk their own lives and the lives of their children to lead their country towards freedom. Bobi Wine: The People’s President is a brave exposition of an authoritarian government that highlights the power of documentary journalism. The film won the Hamptons Film Festival 2022 Best Documentary Audience Award. Guest speakers via Zoom will be Co-Directors Christopher Sharp and Moses Bwayo. 

■ Unfinished Business, the final film of the season, heads to Theatre Three on May 22. An intimate look at the formation and legacy of the WNBA, and its flagship team, the New York Liberty’s, dramatic 2021 season, as they play for acceptance, respect, and the future of basketball. The film is named for a song “Unfinished Business” written for the New York Liberty basketball team in 2001 by Joan Jett, a Liberty super-fan who appears in the film. Guest speaker is Director Alison Klayman.

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The cast of 'Dorothy's Adventures in Oz' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Dorothy's Adventures in Oz.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Dorothy's Adventures in Oz.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Dorothy's Adventures in Oz.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Dorothy's Adventures in Oz.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Dorothy's Adventures in Oz.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
THERE'S NO PLACE LIKE HOME Catch a performance of 'Dorothy's Adventures in Oz' at Theatre Three this weekend. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Dorothy's Adventures in Oz.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Dorothy's Adventures in Oz.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Dorothy's Adventures in Oz.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Dorothy's Adventures in Oz.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Dorothy's Adventures in Oz.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Dorothy's Adventures in Oz.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
The cast of 'Dorothy's Adventures in Oz' Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Heidi Sutton

Fans of the classic movie The Wizard of Oz will fall in love with Theatre Three’s current children’s production, Dorothy’s Adventures in Oz. Adapted from the stories of L. Frank Baum, the show, written by Jeffrey Sanzel and Douglas J. Quattrock, features an original score, a clever script, and wonderful cast — Samantha Fierro, Danielle Pafundi, Steven Uihlein, Sean Amato, C.J. Russo, Louisa Bikowski, Stephanie Moreau, Liam Marsigliano and Kaitlyn Jehle with a special appearance by Shay Francis Feldman — who bring this magical story to life. 

Dorothy Gale, chief editor of her high school newspaper, the Baum Bugle, is busy putting the paper to bed when a fierce storm blows in and knocks her to the ground. When she wakes up, she finds herself in Munchkinland.  Her news stand has landed on the Wicked Witch of the East causing her demise, much to the delight of the Munchkins. 

When the scary Wicked Witch of the West shows up, Dorothy is protected by Glinda the Good Witch who gives her those famous ruby slippers and sends her down the Yellow Brick Road to the Emerald City to find the Wizard of Oz who can help her get home. Along her journey, Dorothy meets a Scarecrow who wants a brain, a Tinman who yearns for a heart, and a Lion who longs for courage. The three join her on her quest and the adventure begins.

Directed by Jeffrey Sanzel, all of the iconic scenes are here, from the talking apple trees, the enchanted poppies, to meeting the Wizard in the Emerald City, the flying monkeys, the Witch’s castle, the Winkies and the melting scene (what a world!). A nice touch is the flawless scene changes — each time Dorothy meets a new friend, they walk through the aisles of the theater (the yellow brick road) as the next scene is set up. The costumes by Jason Allyn are just perfect and the special effects are top notch. And did I mention there is a special surprise with four legs and a tail? 

In the end, the show reminds us to be true to our hearts and that there truly is no place like home. Don’t miss this one. Stop by the lobby on your way out for a group photo with the cast.

Theatre Three, 412 Main St., Port Jefferson presents Dorothy’s Adventures in Oz through March 18. Running time is 1 hour and 20 minutes with one intermission. Children’s theater continues with The Adventures of Peter Rabbit from April 5 to 29 and Cinderella from May 27 to June 17. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

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Brittany Lacey and Evan Teich in a scene from 'First Bite' by Larry Brenner. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Steven Uihlein and Steve Ayle in a scene from 'Accepting Adina'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Melissa Norman and Tristan Prin in a scene from 'A Citrus Day'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Tamralynn Dorsa, Phyllis March, Ava Andrejko, Samantha Fierro and Brittany Lacey in a scene from 'The Dating Pool'.Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Danielle Pafundi and Samantha Fierro in a scene from Julia Everitt's 'Down to the Wire'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Jason Furnari and Angelo DiBiase in a scene from Keith Whalen's 'Unclaimed Baggage'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Antoine Jones in a scene from Mark Loewenstern’s The Slightly Exaggerated True Story of “Civic Virtue”. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
The cast of the 2023 Festival of One-Act Plays at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Julianne Mosher

For 24 years, Theatre Three’s “Festival of One-Act Plays” has been bringing new voices to the not only Port Jefferson, but to all of Long Island. 

Festival founder and director Jeffrey Sanzel told the audience on opening night that the festival, which is nearing a quarter-of-a-century next year, received 750 submissions for the 2023 season from all around the world. “I’m expecting 1,000 next year,” he said.  

And of those 750 submissions, eight were selected, directed, rehearsed and will now be performed through March 25. Of those eight, none disappoint. 

For an hour-and-a-half, the audience sits quietly, engaged, watching, listening to what the actors have to say. And the lineup is unique — as a viewer, you don’t really know what to expect coming in.

The festival starts off with “Down to the Wire,” written by Julia Everitt, a New York City-based playwright with 37 stage plays to her name. This piece shows us what goes on inside a college dormitory, when a roommate played by Danielle Pafundi is hilariously losing her mind thanks to procrastinating an assignment. And despite what you might think, the play is not about camels. 

Then comes “A Citrus Day,” by Mark Cofta, a Pennsylvania-based playwright, who sadly passed away last July. With a minimalist set of just a bus bench and a suitcase, the audience watches two strangers together unearth a dark family secret. While sad and thought-provoking, it reminds you that you just need to make lemonade when life gives us lemons. Performances by Melissa Norman and Tristan Prin are top notch.

Following the more-somber bus stop story is Leslie Dianne’s “Accepting Adina.” Father Steve Ayle and son Steven Uihlein sit side-by-side in the patriarch’s living room, packing away mementos. Together they talk about the mother, Rebecca, and how her illness and assisted living stay is impacting them both. “Accepting Adina” is a tough look at grief, but Ayle’s and Uihlein’s performances are so raw that you feel the sadness, but also the hope of the future, we all feel when a loved one is lost. Tissues are required for this one. 

The best performance of the night by far was by Phyllis March in “The Dating Pool.” The scene opens up with Phyllis, 61, standing at a diving board in a dark pool. She’s visited by her 16-year-old self (Ava Andrejko), then herself at 23 (Samantha Fierro), 36 (Brittany Lacey) and 49 (Tamralyn Dorsa), where present day 61 is reminded of her lost loves of each of those lovers impacted her in that moment. The scene ends with her four former selves encouraging her to take the plunge. “The Dating Pool,” written by Arianna Rose is a thoughtful piece, and full of laughs, that can relate to any age in the audience. 

After a brief intermission, we’re inside an airport with Keith Whalen’s “Unclaimed Baggage” — a hysterically funny look at coming back to the real world after a relaxing trip. Not only does Marvin (but shhh… don’t tell the clerk his name), played by Angelo Dibiase, have to pick up his suitcase and some medicine after a long plane ride, but he has a special encounter with Finn, played by Jason Furnari, who just wants to help. 

Another audience favorite was Larry Brenner’s hilarious supernatural dating story “First Bite.” Here we learn about Wanda’s (Brittany Lacey) past dating history — and let’s just say she has a type — while out to dinner with John (Evan Teich). The scene starts out with a normal looking couple enjoying drinks and each other’s company, until Wanda asks John her place or his? You’re going to laugh a lot, but make sure you leave your garlic at home.

And finally, Mark Loewenstern’s “The Slightly Exaggerated True Story of ‘Civic Virtue’” concludes the show with a fascinating exploration of the intersection of the public eye and the power of art. Based loosely on the famous statue and fountain that once stood in front of New York City Hall in Manhattan, we watch a fast-paced history of architect MacMonnies’ (incredibly played by Antoine Jones) thought process behind sculpting the nude man and two sirens. 

We go through nearly two centuries of the public’s opinion on it, how it moves, and have visits from some well-known elected officials including Mayor La Guardia, Anthony Weiner and Robert Moses. Not only is it a brief, inside look of a famous piece of art, but it reminds the audience how statues (no matter how sexist, racist or now-deemed inappropriate they may be) are still a part of our history. While you’ll learn from this one, you’re also going to laugh. 

Tickets are $20 for the show, plus there’s a cash bar as you walk in. Make sure you visit Theatre Three’s second stage at The Ronald F. Peierls Theatre in Port Jefferson this month for a great night out. You’ll laugh, you’ll cry and you might learn a fact or two about “Civic Virtue” for your next trivia night.

Theatre Three is located at 412 Main St., Port Jefferson. For more information, or to order tickets, call 631-928-9100 or visit www.theatrethree.com.

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The cast of 'Side By Side By Sondheim'. Photo by Steven Uihlein/Theatre Three Productions, Inc.

By Rita J. Egan

The cast and crew at Theatre Three have once again created an entertaining production of music and laughs with Side by Side by Sondheim. The show debuted on the Port Jefferson stage Feb. 18. 

Countless songs throughout the decades have been loved for generations, and Broadway tunes are no exception. The late composer and lyricist Stephen Sondheim is among the talents who created those gems, and Side by Side by Sondheim is a testament to his immense talent by celebrating his earlier works.

From left, Linda May and Emily Gates in the duet ‘If Momma Was Married’ from Gypsy.

The production featuring music and lyrics by Sondheim as well as music by Leonard Bernstein, Mary Rodgers, Richard Rodgers and Jule Styne debuted in London in 1976 and on Broadway in 1977. The musical revue may leave some in the audience wanting to know more about Sondheim, as he composed so much more after the late 1970s. Despite this factor, it’s the perfect starting point to enjoy his contributions to the arts.

In Theatre Three’s version, director Christine Boehm has expertly directed a cast of five, and conductor Jeffrey Hoffman, on piano, leads bassist Logan Friedman and percussionist Don Larsen seamlessly from one number to another. The three are visible on stage the entire show and, a few times, join in on the jokes with the actors.

Emily Gates, Linda May, Ryan Nolin and Jack Seabury are the main vocalists in the production and have wonderful chemistry together. All four deliver strong performances whether singing as a quartet, trio, duo or solo.

Ana McCasland serves as narrator to fill in the audience on some of the backstories of Sondheim’s songs and his life, including how he met Leonard Bernstein, providing an interesting glimpse into musical history for Broadway enthusiasts.

May shines during “Send in the Clowns” from A Little Night Music, and then just as easily makes everyone laugh during a silly number called “The Boy From,” a song featured in Sondheim’s off-Broadway revue The Mad Show.

Jack Seabury and Ryan Nolin perform ‘We’re Gonna Be All Right’ from Do I Hear a Waltz.

Gates belts out a “Losing My Mind” from Follies so beautifully and perfectly that it’s the tearjerker it’s meant to be. She and May on “A Boy Like That/I Have a Love” capture all the anger, sorrow and tenderness that Maria and Anita felt after Bernardo’s death in West Side Story.

Seabury sings a touching “Anyone Can Whistle” from the musical of the same name, and Nolin delivers a strong “Being Alive” from Company. Nolin also is a delightful surprise during “You Gotta Get a Gimmick,” a favorite tune from Gypsy. Seabury and Nolin are also priceless singing the duet “We’re Gonna Be All Right” from Do I Hear a Waltz. The song was originally written for a woman and man singing about their relationship, but the singers are wonderful in embracing the updated spin on the song.

McCasland is a charming narrator and has her chance to sing during “I Never Do Anything Twice,” featured in the movie The Seven-Per-Cent Solution. Not only did she shine, she also had fun with the song, garnering laughter from the audience as she performed the tune to the hilt.

Subtle choreography and simple, colorful blocks of light on stage rounded out the show beautifully. Theatre Three has produced a lighthearted Side by Side by Sondheim, which is a breath of fresh air. The Cabaret-style revue is perfect for ending a special night or taking in some musical history.

Theatre Three, 412 Main St., Port Jefferson presents Side By Side By Sondheim through March 18. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12 (under 5 not permitted), $20 Wednesday matinees. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Steven Uihlein/Theatre Three Productions, Inc.

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A scene from 'The Town Mouse and the Country Mouse'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'The Fisherman and His Wife'. Photo by Peter Lanscombe, Theatre Three Productinons, Inc.
A scene from 'The Lion and the Mouse that Returned the Favor'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Henny Penny'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'As Stubborn As A Mule'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
As scene from 'The Tortoise and the Hare.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.
'A scene from Henny Penny'.Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'The Bremen Town Musicians'.Photo by Peter Lanscombe/Theatre Three Productions, Inc.
The cast of 'The House That Jack Built'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Heidi Sutton

Each time I go to review a children’s show at Theatre Three I am amazed at what I witness; from the performance of an original musical, to the audience reaction, to the lessons that are learned, to meeting the cast at the end of the show. Last Saturday’s production of The House That Jack Built was no exception. 

Written by Jeffrey Sanzel and Douglas J. Quattrock, the play features seven stories inspired by the Brothers Grimm and Aesop’s Fables. It originally opened in 2007 but has been revamped with a brand new score and dazzling lighting design. The end result is pure entertainment. 

Directed by Jeffrey Sanzel, and starring Sean Amato, Samantha Fierro, Jason Furnari, Kaitlyn Jehle, Danielle Pafundi and Steven Uihlein, the show opens where six friends are hanging out in a beach cottage on a rainy day. Bored, they decide to have some fun and after reciting the timeless nursery rhyme, The House That Jack Built, they invite the audience to visit “some special places to see some special faces.” They proceed to act out The Lion and the Mouse That Returned a Favor, The Fisherman and His Wife, The Town Mouse and Country Mouse, Henny Penny, Stubborn as a Mule, The Tortoise and the Hare and The Bremen Town Musicians. 

While all of the stories are wonderful, one of the best is The Fisherman and His Wife where the fisherman (Jason Furnari) catches a magical fish (played to the hilt by Steven Uihlein) who agrees to grant him a wish if he is released back into the ocean. After wishing for a beautiful home, his wife (Danielle Pafundi) gets greedy and sends the fisherman back to ask for a castle, to be king and then to become the Lord of the Sun and the Moon. But it all ends with one too many wishes.

The Town Mouse and the Country Mouse is almost too adorable for words. The Town Mouse (Steven Uihlein with a Brooklyn accent) visits his cousin (Samantha Fierro in a Southern accent) in the country but finds it very boring. Before leaving, he invites her to visit him in the city. Shortly after arriving, the Country Mouse is bombarded with sensory overload and dangers lurking at every turn. Oh, did I mention this story is acted out entirely in rhyme? 

But the audience favorite hands down is the hilarious rendition of The Tortoise and the Hare. Bullied by the Hare (Sean Amato) “You have two speeds; slow and stop,” the Tortoise (Jason Furnari) challenges the Hare to a race. Sprinting through the theater, the Hare decides to take a nap in one of the seats. As much as they try, the audience cannot wake him and the tortoise, cheered on by the kids, meanders through the aisles and back on stage with a big grin to cross the finish line in slow motion. Great stuff.

The actors take turns narrating the stories while the remaining cast quickly changes costumes and act out the parts. A nice touch is the audience participation — helping to be waves in the ocean in A Fisherman and His Wife, and raising their index finger every time the actors say ‘I have an idea’ in The Bremen Town Musicians — which keep the young audience captivated at the edge of their seats.

Utilizing the mainstage set of The Sweet Delilah Swim Club, superb lighting design by Steven Uihlein, original rap songs arranged by Ryan Alvarado, expert piano accompaniment by Douglas J. Quattrock and the cute costumes by Jason Allyn tie everything together. 

Funny, clever , brilliant and beautifully executed, The House That Jack Built is not to be missed. Your children are guaranteed to love it.

Theatre Three, 412 Main St. Port Jefferson presents The House That Jack Built through Feb. 4. Running time is one hour and 20 minutes with one 15 minute intermission. Children’s theater continues with Dorothy’s Adventures in Oz from Feb. 22 to March 18, The Adventures of Peter Rabbit from April 5 to 29 and the classic fairytale Cinderella from May 27 to June 17. All seats are $10. To order, call 928-9100 or visit www.theatrethree.com.

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'Something Rotten!'

Open cast call

Theatre Three, 412 Main St., Port Jefferson will hold auditions for the musical farce Something Rotten! on Saturday, Jan. 28 at 1 p.m. and Sunday, Feb. 5 at 7 p.m. Seeking to cast strong singer/actor/dancers ages 16 and older. Please prepare 32 bars from the song of your choice; bring sheet music in the proper key; accompanist provided. You may sing from the score. Be prepared to dance. Bring headshot/resume if available. Performances will run from May 20 to June 24.

For more information, visit www.theatrethree.com/auditions.html.

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'The faster we swim, the sooner we win!' The cast, from left, Stephanie Moreau, Suzie Dunn, Elizabeth Ladd, Lori Beth Belkin and Tamralynn Dorsa. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Sweet Delilah Swim Club' Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Sweet Delilah Swim Club' Photo by Steven Uihlein/Theatre Three Productions, Inc.
Elizabeth Ladd and Lori Beth Belkin in a scene from the play. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Sweet Delilah Swim Club' Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Sweet Delilah Swim Club' Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Sweet Delilah Swim Club' Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Sweet Delilah Swim Club' Photo by Steven Uihlein/Theatre Three Productions, Inc.
The cast of 'The Sweet Delilah Swim Club' Photo by Steven Uihlein/Theatre Three Productions, Inc.

By Heidi Sutton

Theatre Three continues its 52nd season with a lovely production of The Sweet Delilah Swim Club. The show opened last Saturday and runs through Feb 4.

Written by Jesse Jones, Nicholas Hope, and Jamie Wooten, the play features five very different Southern women who begin a friendship on their college swim team and make a pact to get together one weekend in August every year to catch up on their lives. For over 50 years, they meet at the same oceanfront beach cottage, the “Sweet Delilah,” on North Carolina’s Outer Banks for conversation, drinks, dinner and a dip in the ocean. 

The audience is treated to four of these reunions — the first is 22 years after their college graduation, the second and third 5 years apart, and a final visit to the cottage before it is to be demolished 23 years later. 

Expertly directed by Linda May and armed with a cleverly written script, the cast is superb and put on a beautiful show. 

Tamralynn Dorsa is perfect as Sheree Hollinger, the perennial team captain who is always governing the group, from serving healthy mung bean appetizers that the others quickly dispose of in a houseplant, to distributing a written itinerary for the week and even packing her friends’ suitcases. 

Stephanie Moreau is incredible as event planner Lexie Richards, the four-time divorcee who has her plastic surgeon on speed dial and is always on the lookout for the next cute guy to come along (think Samantha Jones from Sex in the City).

Lori Beth Belkin plays workaholic (and perhaps alcoholic) Dinah Grayson who has put her successful career as an attorney before her personal life and now has regrets. Armed with a dry martini, her character delivers some of the funniest lines in the show.

We see the most change in Elizabeth Ladd’s character, Jeri Neal McFeeley, aka Sister Mary Esther, who goes from being a nun to a single mother at age 44 and then finds the man of her dreams to spend the rest of her life with.

Suzie Dunn is outstanding as school teacher Vernadette Simms. Bad luck seems to follow her everywhere and she appears in each scene with a different cast. She also shares tales of her dysfunctional family, from an abusive husband to a jailbird son. Her appearance in the last scene suffering from dementia is one of the most poignant in the show.

The set, a cozy beach cottage designed by Randall Parsons; period costumes and wigs by Jason Allyn; and sound effects by Tim Haggerty tie everything together nicely. Grab the girlfriends, a box of tissues, and catch a performance of this hilarious and touching show before it’s gone. 

Theatre Three, 412 Main St., Port Jefferson presents The Sweet Delilah Swim Club on the Mainstage through Feb. 4. The season continues with Side By Side By Sondheim from Feb. 18 to March 18, Pride @ Prejudice from April 7 to May 6, and Something Rotten! from May 20 to June 24. Tickets are$35 adults, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

See trailer here:

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New Year's Eve

By Melissa Arnold

Whether it’s been a banner year or a tough one, having some fun to celebrate the new year is never a bad idea. If you’re looking for a unique way to spend New Year’s Eve, then consider grabbing your friends or family and heading over to one of several lighthearted comedy events in the area.

Theatre Three in Port Jefferson is hosting two comedy performances for their New Year’s Laughin’ Eve celebration: an early bird show at 6 p.m. and a prime time show at 8 p.m. 

Now in its 14th year, the event is hosted by Paul Anthony of the Long Island Comedy Festival. “This night of comedy is something that people look forward to every year,” said Douglas Quattrock, artistic associate and director of development for Theatre Three. “We always make an effort to mix up the comedians that we feature so it’s always fresh for our audiences.”

This year’s national headliners include Rich Walker, Eric Tartaglione, and John Ziegler.

Beer, wine, soda and snacks will be available for purchase and are welcome in the theater during the show. Early bird tickets are $55 per person, while tickets to the prime show are $65 per person available for purchase at www.theatrethree.com or by calling 631-928-9100.

Over on the South Shore, the Argyle Theatre in Babylon Village will also team up with the Long Island Comedy Festival to offer two comedy shows at  6 p.m. and 8 p.m. Featuring Bryan McKenna, Maria Walsh and a headline performance by Chris Roach, the Argyle shows promise to heat things up while having fun. Purchase tickets for $50 to $60 per person by visiting www.argyletheatre.com or call 631-230-3500.

Later that night, the Smithtown Performing Arts Center (SPAC) is hosting their own night of comedy in partnership with Governor’s Comedy Clubs starting at 10 p.m. Comedy has been a mainstay at SPAC on New Year’s Eve for more than 10 years now, with 2022 marking the end of a two-year hiatus during the pandemic.

“Everyone is just excited to get together and be entertained again, and we’re thrilled to provide the opportunity for some laughter,” said SPAC managing director Kelly Mucciolo. “We began working with Governor’s this past summer and it’s been a lot of fun for all of us.”

Headlining the SPAC show is Chris Monty of CBS’ “Kevin Can Wait,” along with featured act Tony Landolfi, guest performer Debbie D’Amore and emcee Mary Capone.

Tickets are $70 for SPAC members and $75 for general admission. The show includes  hors d’oeuvres, an open bar of beer and wine, and a champagne toast at midnight. To purchase tickets visit www.smithtownpac.org.

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From left, Jeffrey Sanzel, Andy Markowitz, Vivian Koutrakos and Douglas Quattrock at Theatre Three on Dec. 2. Photo by Heidi Sutton/TBR News Media

By Heidi Sutton

As the curtain came down at last Friday’s performance of A Christmas Carol at Theatre Three in Port Jefferson, Executive Artistic Director Jeffrey Sanzel stepped out of his role as Ebenezer Scrooge to be honored for his 1500th performance as the miserly curmudgeon. 

Addressing a packed house, the President of Theatre Three’s board of directors Andy Markowitz said, “Tonight is a very special night. We figured it out and [Sanzel] has played this role to close to a half a million people.”

Turning to Sanzel, Markowitz said, “Even though it’s the 1500th performance, and you’ve said this to me before, it might be the first performance to someone in the audience and that is why you always keep it fresh and you always bring your A-game. Throughout your performances you have shown how kindness and love to someone can change the world and change people’s lives forever.”

Markowitz, Managing Director Vivian Koutrakos, and Artistic Associate and fellow actor Douglas Quattrock then presented Sanzel with a special anniversary pin, a photo collage of the cast to commemorate the night and last, but not least, a new cane for Mr. Scrooge to help him get to the next 1500 performances.   

“On behalf of the cast and everyone here tonight, we want to thank you for taking us on this journey with you,” said Quattrock, who portrays Bob Cratchit in the play.

“To all the people who have been a part of this production, both onstage, backstage and in the audience for over 30 years, and I want to mention two people who are not with us but are always with us, Brent Erlanson and Ellen Michelmore, thank you all very much,” said Sanzel.

Theatre Three, 412 Main St., Port Jefferson presents A Christmas Carol through Dec. 30. For tickets, call 631-928-9100 or visit www.theatrethree.com.

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The Village of Port Jefferson reignited a time-honored tradition last weekend during its 26th annual Charles Dickens Festival.

Hundreds of community members, visitors, business groups and local organizations participated in the festivities from Friday, Dec. 2, to Sunday, Dec. 4. 

The show went on despite hard rains and gusting winds throughout the morning and early afternoon Saturday. Mayor Margot Garant, decked out in traditional Dickensian garb, commented on the turnout in the face of these conditions. 

“To me, it just shows how important this festival is to not just this community but kids coming from St. James and beyond who are coming to see Santa,” she said. “It’s just magic, and rain or shine we’re going to be doing Dickens.”

Deputy Mayor Kathianne Snaden concurred with this positive outlook, regarding the festival as another means for community-building. “It’s heartwarming to see everybody still supporting this festival,” she said. 

Trustee Stan Loucks commented on the uniqueness of the opportunities afforded through the festival and the steady growth of the events over its nearly three decades in existence.

“It’s grown every single year, and it’s just the most festive time of the year,” he said, adding, “I love the whole atmosphere, the village center. It’s a very special place, and I look forward to this every year.”

The program across all three days was loaded with special events featuring the various elements that formulate this distinct village’s character. The heart of Port Jeff was on full display, from its downtown business sector to its local history, public institutions and more.

At the Bayles Boat Shop, local shipbuilders showcased their ongoing work to construct a 25-foot whaleboat honoring the village’s Revolutionary War heritage. 

John Janicek, treasurer of the boat shop’s nonprofit arm, the Long Island Seaport and Eco Center, detailed how the whaleboat ties together various threads of Port Jeff’s historical roots.

“It not only ties in the historical aspect that Caleb Brewster performed here during the Revolutionary War and [the role] Port Jefferson played, but it also ties in our shipbuilding aspect, too,” Janicek said. “We’re getting a lot of support from the village on this. They see this as something the whole village can get their arms around and embrace, similar to the Dickens Festival.”

Over at the Drowned Meadow Cottage on the corner of West Broadway and Barnum, local historians greeted visitors with guided tours detailing Port Jefferson’s strategic position during the Revolutionary War. They shared stories of local patriots whose involvement in the Culper Spy Ring helped advance the cause of American independence.

Village historian Chris Ryon discussed how the Dickens Festival offers a platform to promote local history to residents and visitors alike.

“We take the people from Dickens and tell them how Port Jefferson was involved in the Culper Spy Ring,” he said. “It’s another group of people that we can bring in.”

Mark Sternberg, Culper Spy Ring historian at the Drowned Meadow Cottage, offered a unique take on Dickens. He remarked upon the intersection of the Dickensian and Revolutionary periods and how people today can relive tradition and rehear the lore of the past.

He said, referring to the American spies, “A lot of these people survived into the 1800s, and the stories of the American Revolution were told during the 1800s. For us to tell stories about the American Revolution as part of the Dickens Festival, it’s what they would have done.”

The historian added, “It’s keeping with the tradition of telling a story about the founding of our nation, even in later periods. Now Charles Dickens may not have talked about it because he was British, but here in America during the Victorian era, we would have.”

Along with stories of the past, the village exhibited the musical talents of local students. At the Port Jefferson Free Library, the Edna Louise Spear Elementary School chamber orchestra delivered moving string performances, filling the library with festive tunes.

Their music teacher, Christian Neubert, summarized this Dickens custom. “For a number of years now, we’ve been coming to perform here at the library during the Dickens Festival,” he said. “It’s a great opportunity to get our students out for a performance and to get the community involved with our music program.”

Jessica Schmettan, superintendent of schools for Port Jefferson School District, was among the dozens of audience members at the library. She expressed pride in seeing the students perform before their fellow community members.

“It’s just amazing that our students can be performing in the village in which they live,” she said, adding that the festival “gives them a different avenue to perform in, not just the auditorium or the classroom but in front of a real audience.”

At Suffolk Lodge No. 60 on Main Street, the oldest Masonic lodge on Long Island, brothers treated guests to magic shows and a dance festival. Downstairs, they served freshly baked cookies and hot chocolate.

Chris Connolly, master of the lodge, said the lodge dates back to the late 18th century. He expressed delight at seeing this historic organization maintain an active community presence through Dickens.

“Being a part of the community is a big part of who we are and helping others,” Connolly said.

Jason Intardonato, senior deacon of Suffolk Lodge No. 60, discussed Dickens as a means of strengthening local connections and a time for selflessness.

“The Dickens Festival provides us with an extraordinary opportunity to interact with our neighbors here and with the community in Port Jefferson and to allow them into our space, entertain them for a while during the holidays, and give back,” he said.

Farther along Main, Jeffrey Sanzel’s annual production of Charles Dickens’ “A Christmas Carol” at Theatre Three is an active reminder of the historical background to the Dickens Festival.

The festival also provided a platform for some to communicate their message on a larger stage. For the second month in a row, protesters from the farmworkers union Local 338 RWDSU/UFCW gathered outside the Pindar wine shop in yet another call of action to negotiate a contract. The dispute is part of more than a year of negotiations between the union and Pindar Vineyards, the wine store’s parent company. 

John Durso, president of Local 338, joined the picketers on Main Street during the festival. “We knew that today was the Dickens Festival,” he said. “We knew that there would be a lot more people around, so we decided to … bring attention to the fact that these workers, like everybody else, are entitled to the same dignity and respect that all workers should have.”

Coordinating the annual festival is a monumental task for the village and the various stakeholders involved in its planning. Kevin Wood, the village’s director of economic development, parking administrator and communications committee head, thanked the sponsors who supported the festival and commented on the event’s success despite the inclement weather conditions.

“Because this has been [going on for] 26 years, people understand that this is one of the most unique events on Long Island, so they’re going to fight the rain to be here,” Wood said. “To support the production and the infrastructure, there are so many volunteers but there are also so many people staffing to make it work.”

Snaden concluded by offering how the Dickens Festival advances some of the village’s highest aims. She said the community uncovers its sense of place through an event such as this.

“It really goes to the sense of community that we all have,” she said. “All the work that goes into this festival and how everybody comes together, it’s a beautiful thing to see.”

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