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Terence McManus

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By Heidi Sutton

As autumn arrives on the North Shore, so does a perennial favorite, the Setauket Artists Exhibition. Now in its 43rd year, the beloved show returns to the Setauket Neighborhood House on Sunday, Oct. 22 with a reception from 1 to 4 p.m. The exhibit with the motto “Art for a Lifetime” will encompass the entire first floor of the historic building which dates back to the early 1700s. 

A total of 35 group members will be participating with approximately 100 pieces of art in a variety of mediums including oil, watercolor, acrylic and pastel along with handpainted photographs and cyanotypes by Marlene Weinstein.

“Because we live in such a beautiful area, many of the paintings are inspired by Long Island landscapes and seascapes of the Sound. This year we are fortunate to have an oil painting of the Neighborhood House itself done by Renee Caine. Other paintings reflect artists’ travels and daily inspirations, which range from the Grand Canyon (by Angela Stratton) to the Stony Brook Grist Mill (by Robert Roehrig),” said Paula Pelletier, publicist for the Setauket Artists.

Judging the show will be Lois Reboli of the Reboli Center for Art and History in Stony Brook who will be tasked with choosing Best in Show, Award of Distinction and 5 Honorable Mentions.

This year’s exhibit is bittersweet as it is the first time without Irene Ruddock, the former president of the Setauket Artists who passed away in June. “There will be a memory board where visitors can add their memories of Irene, who did so much for the local art community,” said Pelletier who is also this year’s Honored Artist.

“I thank the Setauket Artists, especially Irene Ruddock, for this accolade. I have multiple watercolors in the show, two painted especially for this show including a watercolor of the Hercules Pavilion in Stony Brook,” said Pelletier who has been a member of the group for over 15 years.

Participating artists include Ross Barbera, Shain Bard, Ron Becker, Kyle Blumenthal, Sheila Breck, Joyce Bressler, Renee Caine, Al Candia, Gail Chase, Anthony Davis, Julie Doczi, William Dodge, Paul Edelson, Margaret Governale, William Graf, Larry Johnston, Flo Kemp, Karen Kemp, Joanne Liff, John Mansueto, Terence McManus, Jane McGraw Teubner, Eleanor Meier, Fred Mendelsohn, Muriel Musarra, Paula Pelletier, Joan Rockwell, Robert Roehrig,  Irene Ruddock, Oscar Santiago, Carole Link Scinta,  Barbara Jeanne Siegel, Angela Stratton, Susan Trawick, Marlene Weinstein, and Patricia Yantz.

“All paintings are for sale, except Irene Ruddock’s work, which is on display to commemorate our former president. There will also be matted, unframed works available in bins. Some are originals, others are giclee prints,” said Pelletier.

In addition, four paintings will be raffled off this year including “Dry Dock” an acrylic by John Mansueto; “Shadows” a watercolor by Muriel Musarra, “Welcome” an oil by Robert Roehrig, and “Westbury Gardens” a watercolor by Joyce Bressler

Pelletier is excited to unveil the exhibit to the community. “It will be a beautiful show painted by talented artists who are attuned to the beauty of the local area.”

The Setauket Neighborhood House, 95 Main St., Setauket presents the 43rd annual Setauket Artists Exhibition from Oct. 22 to Nov. 15 daily from 10 a.m. to 5 p.m. except for special events. For more information, visit www.setauketartists.com.

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'Innerbloom' by Melissa Vultaggio
'River Walk' by Jim Minet
'Spero' by Melissa Vultaggio
'Young Men with Snakes' by David P. Doran
'Low Tide' by Rob Roehrig
'Bahama Man' by Terence McManus

As spring blooms on the North Shore, creativity blooms five-fold at the Smithtown Township Arts Council’s Mills Pond Gallery in St. James with a new exhibit titled Five Creative Visions. The show opens April 16. The exhibit will feature five artists — David P. Doran, Terence McManus, Jim Minet, Rob Roehrig and Melissa Vultaggio — each sharing their creative voice through a different medium including acrylic, oil, pastel, watercolor and photography.

‘Green Flower Girl’ by Jim Minet will be on view at the Mills Pond Gallery through May 13. Photo from STAC

Bellmore artist David P. Doran is a light film photographer using both 35mm and roll film cameras. A former member of the Camera Club of New York, his exhibit focuses on street photography influenced by Gary Winogrand (1928-1984). Most were taken in New York City, the capital of this genre. In recent years, street photography has been looked upon in some corners as somewhat shopworn. Doran adamantly disagrees stating, “The street is a river of life and such photos are to be considered as part of the tradition of social documentary photography.”

Mt. Sinai artist Terence McManus has always been fascinated by the human face. Primarily a self-taught artist, McManus’s art has been exhibited in hundreds of exhibitions in the New York metropolitan area, winning more than sixty awards in prestigious shows including The Butler Institute of American Art and The Pastel Society of America, among many others. “No two people are alike and what a person experienced in life is often written on the face. When I do a portrait I strive to capture the past, the present and to use a cliché, the soul of the person.”

Nesconset artist Jim Minet works mostly in oil, watercolor, and acrylic. He has exhibited his work across Long Island and in NYC and teaches at numerous spaces across Long Island. “My work is representational in nature but still very eclectic, I like to experiment with different mediums and styles. As people, we are fluid, dynamic, ever changing. My art will change because I will change. Ultimately I believe that whatever creative expression you give to the world — it is, and can only be, a reflection of yourself.”

Primarily a realist painter, Rob Roehrig of East Setauket focuses his creations mainly on landscapes and seascapes. He is especially attracted to scenes that highlight the contrast between sun and shadow. After raising a family and retiring from teaching, Roehrig took up oil painting and his new “career” as an artist took over. “Many of my paintings try to capture the beauty of the natural world. I feel fortunate to live in an area with scenic beaches, coves, wetlands and farms.”

Melissa Vultaggio of Massapequa art reflects her interest in theology, symbolism and synchronicity. She juxtaposes elements of reality with abstraction and surrealism using acrylic paint and mixed media. Her rhythmic compositions convey feelings of whimsy with elements of surprise inspired by visions she acquires in her dreams. Vultaggio’s enthusiasm for art education comes from her belief that young children’s creativity is at its peak, when young minds are free to imagine and explore, given the right motivation, artistic mediums and skills to experiment.

The Mills Pond Gallery, 660 Route 25A, St. James presents Five Creative Visions through May 13. The public is invited to an opening reception on April 16 from 2 to 4 p.m. to meet these talented artists and view their work. For more information, call 631-862-6575 or visit www.millspondgallery.org.

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'Feeling Blue,' acrylic, by Cheryl Cass-Zampiva Image courtesy of Mills Pond Gallery

Smithtown Township Arts Council’s Mills Pond Gallery highlights the talents of 67 of its artist members with its annual Member Artist Showcase exhibit of original fine art for sale from June 19 through July 18. Exhibiting artists hail from 40 communities across Long Island as well as New Jersey, Maryland, North Carolina and Florida.

A wide variety of media is represented including acrylic, digital art, ink etching, mixed media, oil, pastel, photography, plaster & found objects, silk dyes on silk, solar plate etching, torn paper collage, and watercolor.

‘Christmas Cactus’
Photograph
By Kathee Shaff Kelson, Stony Brook
Image courtesy of Mills Pond Gallery

“The Member Artist Showcase is an important show to me. We have such an abundance of talent in our membership,” said Allison Cruz, Executive Director of the Mills Pond Gallery. “I love to give artists the opportunity to choose a piece of their work to exhibit. I know artists are usually under many constraints of Juried Exhibits due to requirements of style or medium or size. It is great to give them an opportunity to show something that maybe they haven’t had the opportunity to exhibit due to those constraints or maybe something they have created using a new medium or style. I am always excited to see what they enter!”  

This year’s juror is freelance art consultant and curator Pam J. Brown, the Director and Curator of The Anthony Giordano Gallery at Dowling College for 16 years. Brown will choose four winning artists to participate in a future Winners Exhibit at the gallery.

Participating artists include Marsha Abrams, Lucia Alberti, Tina Anthony, Ross Barbera, Shain Bard, Ron Becker, Renee Blank, Kyle Blumenthal, Joyce Bressler, Alberto Jorge Carol, Cheryl Cass-Zampiva, Linda Ann Catucci, Carol Ceraso, Rocco Citeno, Donna Corvi, Teresa Cromwell, Tania Degen, Julie Doczi, Beth Drucker, JoAnne Dumas, Karin Dutra, Paul Edelson, Ellen Ferrigno, Donna Gabusi, Vivian Gattuso, Maureen Ginipro, Jan Guarino, Margaret Henning, David Herman, David Jaycox, Jr., Modern Fossils: Judith Marchand & David P. Horowitz, James Kelson, Kathee Shaff Kelson, Myungja Anna Koh, Susan Kozodoy Silkowitz, Ann Legere, Frank Loehr, Terence McManus, Paul Mele, Margaret Minardi, Karen George Mortimore, Annette Napolitano, Diane Oliva, Catherine Rezin, Robin Roberts, Robert Roehrig, Lori Scarlatos, Gia Schifano, Anita G. Schnirman, Joan Schwartzman, Kenneth Schwartzman, Hillary Serota Needle, Faith Skelos, Gisela Skoglund, Mike Stanko, Madeline Stare, John Taylor, Tracy Tekverk, Oxana Uryasev, Nicholas Valentino, Daniel van Benthuysen, Mary Ann Vetter, Pamela Waldroup, Don Weber, M. Ellen Winter, Patty Yantz, and Theodora Zavala.

“This show is about celebrating the talents of our artist members and I feel it does just that,” said Cruz.

The Mills Pond Gallery, 660 Route 25A, St. James presents its Member Artist Showcase from June 19 to July 18. The public is invited to an opening reception on Saturday, June 19 from noon to 2 p.m. or 2 to 4 p.m. (reservations are required) to meet the exhibiting artists and view their work. Admission to the gallery is always free. The gallery is open Wednesday to Friday from 10 a.m. to 4 p.m. and Saturday and Sunday from noon to 4 p.m. The gallery is closed Mondays and  Tuesdays and July 3 and 4. Please call 631-862-6575 or visit www.millspondgallery.org for more information.

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'Ramon' by Terence McManus
'Scrapper'
'Maryanne'
‘Man from Washington Square'
'Denise'
'Andrew'
'Vietnam Vet'
'Out of Ireland'

By Irene Ruddock 

‘Self Portrait,’ oil

Terence McManus is a retired social worker with a master’s degree from Adelphi University. A self-taught artist, he has participated in over 100 exhibits and juried competitions winning over 60 awards. He has had portraits exhibited at the Butler Institute of Art and at the Heckscher Museum. McManus is a signature member of both the Pastel Society of America and the Connecticut Pastel Society, and a member of the prestigious Salmagundi Club in NYC, as well as other art organizations across the country.

Recently, I was able to interview McManus at his studio.  

How did you decide to become an artist and, specifically, a portrait painter? 

I can’t remember not considering myself an artist. When I was in the first grade, I remember proudly telling people that I was an artist. And even as a young child, it was a person’s face that fascinated me and I copied faces from magazines. In high school I did posters of friends running for elections, in college I did portraits of my friends and their girlfriends, etc.

Was there someone who influenced you? 

When I was 10, I was thrilled to get my Jon Gnagy set of drawing instructions, but, seriously, I have not had any formal art training. The one art course that I took in college was a disaster because the instructor was an abstract artist and I was a Norman Rockwell fan! Instead, I have learned from books, videos, magazines and demonstrations and practice. 

Can you demystify the art of portraiture?

In painting a portrait, it is important to make sure the features are positioned correctly. I leave out details when starting a painting, except I paint the eyes in quickly. With the person looking back at me, I feel a connection with the subject. After I sketch in the positions, I apply the pastel or paint in the traditional manner, going from darks to lights. I frequently view the portrait backwards in a mirror to see the painting from a different perspective which helps to check on accuracy. Once the positions are correct, doing a portrait is not so different from doing a still life. You can use any color you wish, but you must have the values correct. Just look for the light and dark values, and like a puzzle, it would come together.

If you paint from photographs, what is the single most important thing that must be present in that photograph? 

I prefer to use my own photos since using the photos made by others is their vision, not mine. I look for how the light hits the face, creating drama and the feelings I wish to bring out in the painting.

In this increasingly image-conscious society, how do you compete with photographs and why are painting portraits different? 

A good photographer can capture real emotion, but most are just an image of the person for that second. A portrait artist usually tries to bring out the subject’s life experience. The artist can add or subtract or emphasize different aspects to reflect this. 

What is the hardest part about painting a portrait? 

It depends if I am painting for myself or for a commission. When it is for myself, I am trying to capture a feeling more than accuracy. With a commission, it is the exact likeness that is most important to the client, but I still aim to paint a good painting that can stand by itself.  

Do you like painting animals? 

I love painting animals. How can you not love those eyes looking at you? But like humans, aside from the eyes, their body language can convey much as well. 

In your view, what is the magical element that makes for a great portrait painting?

It is the intensity of the emotion that comes across and how well it is done, regardless of the style that makes for an interesting and unique portrait. 

Are there any portrait artists’ work that you feel personally drawn toward?

I love Rembrandt for his dramatic use of light, John Singer Sargent and Thomas Eakins for their realistic but painterly portraits, Alice Neel for her unique expressive style and Burton Silverman for his outstanding portraits.

If you could paint a portrait of anyone, whom would that be? 

Alexander the Great! Educated by Aristotle, king at 20, ruler of most of the world by 30. What strength and determination would his face reveal!

How can you be contacted for commissions?  

I may be reached by email at [email protected]. 

All images courtesy of Terence McManus

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