Movie Review

The original ‘Jumanji’ film, below, and its sequel, ‘Jumanji: Welcome to the Jungle,’ above, will screen as a double feature.

If you happen to be a fan of the “Jumanji” movies, then you’re in for a special treat. 

Fathom Events invites you to join fellow fans for the ultimate watch party — the Jumanji Movie Event -— coming to select theaters nationwide on Sunday, June 10, and Monday, June 11. See the original 1995 “Jumanji” starring Robin Williams followed by the 2017 Dwayne Johnson-led hit sequel, “Jumanji: Welcome to the Jungle,” back-to-back for an action-packed double-feature event that includes a special prerecorded introduction.

In our neck of the woods, enjoy the special screening at the AMC Stony Brook 17, 2196 Nesconset Highway, Stony Brook at 2 p.m. on June 10 and 6:30 p.m. on June 11. To purchase your ticket in advance, visit www.fathomevents.com.

Gene Wilder and Zero Mostel in a scene from ‘The Producers’
A scene from ‘The Producers’

Fathom Events, Turner Classic Movies, Studiocanal and Rialto Pictures are celebrating the 50th anniversary of “The Producers” by bringing the classic movie to select cinemas nationwide for a special two-day event on Sunday, June 3, and Wednesday, June 6.

The 1967 satirical comedy film stars Zero Mostel, Gene Wilder, Dick Shawn and Kenneth Mars. The film was Mel Brooks’ directorial debut, and he won an Academy Award for Best Original Screenplay. In 1996, the film was deemed “culturally, historically, or aesthetically significant” by the  Library of Congress and selected for preservation in the National Film Registry.

Once the King of the Great White Way, Max Bialystock (Mostel) is reduced to romancing old ladies to finance his next flop show. But when nervous accountant Leopold Bloom (Wilder) surmises that more money could be made from a flop than a hit, the next step is to produce the Busby Berkeleyesque musical “Springtime for Hitler” and to cast stoned-out Flower Child “LSD” (Shawn) in the lead. A surefire flop, or is it?

The special screening also features an interview between TCM host Ben Mankiewicz and Brooks. 

Participating movie theaters in our neck of the woods include AMC Loews Stony Brook 17, 2196 Nesconset Highway, Stony Brook at 2 and 7 p.m. on both days; Farmingdale Multiplex Cinemas, 1001 Broadhollow Road, Farmingdale on June 3 at 2 p.m. and June 6 at 7 p.m.; and Island 16 Cinema de Lux, 185 Morris Ave., Holtsville on June 3 at 2 p.m. and June 6 at 7 p.m. To purchase your ticket in advance, visit www.fathomevents.com.

Ryan Reynolds is back for more in ‘Deadpool 2.’ Photo courtesy of 20th Century Fox

By Kyle Barr

Deadpool, the fourth wall-breaking ninja of the first 2016 film, was everywhere before “Deadpool 2” arrived in theaters. Seriously, everywhere. He was on billboards with his name spelled with a skull and poo emoji. He was in paintings spoofing the Sistine Chapel. His masked face was even put on the slipcovers of DVDs in Walmarts. So instead of Arnold Schwarzenegger looking gruff on the cover of “Predator” you had Deadpool staring out with a bland expression and holding a water gun. 

It was almost too much. It was as if the 20th Century Fox sequel had to convince you even before you stepped in the theater that this movie was going to be zany, off the wall action and satire. 

Well it is, at least for the most part. Really, the film is at its best when it’s playing with common superhero comic and film tropes. It’s at its worst when it’s not.

“Deadpool 2” starts out with our main character, Deadpool (Ryan Reynolds) laying on a bed of gasoline cans and lighting a match. The explosion causes his body parts to fly every which way. How is this possible?

Ryan Reynolds is back for more in ‘Deadpool 2.’ Photo courtesy of 20th Century Fox

Deadpool cannot die. If he has his limbs removed, they will simply grow back. If he is shot, his wounds will instantly heal. This is bad for Wade Wilson, the man behind Deadpool’s mask, as a terrible tragedy early on makes Deadpool want to quit living. X-Men member Colossus (voiced by Stefan Kapicic) tries to make him turn his life around and become a member of the vigilante mutant group, but murderous mutant from the future Cable (Josh Brolin) comes back in time to assassinate a young mutant named Russell (Julian Dennison). Deadpool, who decides to protect him, finds he can’t die just yet.

All the actors do a fine job in this film. Reynolds as Deadpool gives as much an enthusiastic performance as one could ask from a man who made the first film as a passion project. Another standout is Domino, played by Zazie Beetz, as she is just simply a fun character to be around. Her mutant power is Luck, and it was amusing to watch the film’s writers come up with ways her power works. Beetz’ sarcastic and self-confident style does such a good job playing off Deadpool’s antics. 

The film takes a little too long to pick up speed. The beginning act drags, even among the epic, R-rated fight scenes that include our main hero jumping headfirst into bullets and armed men like a kid jumping into a swimming pool on the first day of summer. 

But the joyride comes to a screeching halt as soon as we get to the romantic side of the story. Deadpool and his girlfriend Vanessa (Morena Baccarin) had what was an honestly sweet relationship in the first movie, but that mostly came down to how the two characters played off each other’s sense of sardonic and often violent humor. However, in this movie, none of that comes through. At certain points, in dreamlike sequences, Deadpool has conversations with his girlfriend who tells him his heart “isn’t in the right place,” a line that seems to come straight out of a soap opera’s playbook. I kept expecting the joke to continue where Deadpool reaches inside his chest to move his heart back into place, but that never happened. 

It’s bad likely because some of the gags in this film are just so good. Most of the best, hardest hitting gags come in the middle of the film. There’s nothing worse than ruining or explaining a joke. Suffice it to say when Deadpool tries to start his own team by the derivative name X-Force, it leads to perhaps the best sequence in the entire film that pokes the hardest at well-worn superhero clichés.

The movie is easily at its best when it relies on this biting satire of the superhero genre. The jokes are so good that they make you want for more. It gets worse when it cannot deliver. There are some great jokes made at the expense of Cable, who is really the stereotype of every jacked-up gritty vigilante hero we’ve had since the ’90s, but in the end those jokes don’t lead anywhere. The best satire often wants to come to a conclusion about whatever its ribbing, but this film lands somewhere in between and can’t seem to break away from the genre convention. 

Worse, it can’t do the romance, and hopefully when they do the inevitable sequel and go for even bigger, they leave all that at home.

Rated R for violence and profanity, “Deadpool 2” is now playing in local theaters.

Thanos (Josh Brolin) in a scene from ‘Avengers: Infinity War’. Photo courtesy of Marvel Studios

By Kyle Barr

Marvel movies tread a line between being formulaic comic-book style action movies and surprisingly nuanced examinations of real world problems with real emotional heart. Some do better than others with that. 

A scene from ‘Avengers: Infinity War’

“Captain America: The Winter Soldier” was as much a condemnation of modern government surveillance as it was a spy-style action thriller. “Black Panther” was an exploration of afro-futurism and a condemnation of isolationist policies as much as it was a high-tech, high-flying romp. 

That’s not a bad thing, and in fact the formula has grown to the point it’s now expected that Marvel movies cannot have their introspection without the action, and visa versa.

So what extra edge does “Avengers: Infinity War,” directed by the brothers Anthony and Joe Russo, have to set it apart from its contemporaries in the action genre? Well, to avoid spoilers, the most I can say is that it flips the genre formula where “heroes learn a lesson and win the day” on its head. 

 

In this movie, written by Christopher Markus and Stephen McFeely, the main villain is also the main character. Thanos, played with such subtle menace and intelligence by Josh Brolin, searches the universe for the infinity stones, glowing rocks that control an element of existence, from time to reality. Superheroes from Earth and beyond must find a way to stop him before he commits the biggest act of genocide the universe has ever seen.

Unlike a normal Marvel movie, it is the villain whose decisions drive the plot. In most Marvel movies, the main characters need to learn, grow and change in order to win the day. In “Avengers: Infinity War,” even if a character learns a lesson and even if they make the right decision, it doesn’t necessarily mean they win.

Being that this is the most recent big crossover Marvel movie, it is impossible to list the characters and actors who play them without leaving out a number of characters who all make contributions to the plot. Many of these actors have been in their roles for so many years it seems it would be hard at this point for any of them to not play their characters effortlessly. 

A scene from ‘Avengers: Infinity War’

Chadwick Boseman of this year’s “Black Panther” remains great as the stoic and noble King T’Challa. Robert Downey Jr. adds an extra edge of fear and foreboding to the character that really takes the performance above the usual I’m-too-smart-for you sarcasm of old Iron Man. 

If there were to be a weak link, it would have to be Mark Ruffalo as Bruce Banner/The Hulk, who can’t seem to make an emotional impact compared to the other characters. His jokes land largely flat, and he doesn’t seem to be as invested as the rest of the cast. Another small disappointment is Eitri, the weaponsmith dwarf played by Peter Dinklage, who despite having an interesting play upon the “Dwarf” character, seems stiff and his performance seems almost phoned in.

Although it’s been a conflict built up to through 19 films so far, the ferociousness with how the plot develops is breathtaking. Again, trying to resist spoiling the plot is hard, but none of the characters come out of this movie clean. 

Thanos’ race to find the infinity stones takes place both on Earth and across the stars, but nearly every character plays off of the emotional conclusions of their own separate movies. For those who have been keeping up with every new Marvel release, you might feel as if you’re watching family members being repeatedly punched in the gut. 

If you haven’t been a hard-core Marvel fanatic, it might seem overwhelming. All of these characters have a backstory, and while some of them are meeting for the first time, several have long and troubled histories together like a big screen version of a soap opera. The movie tries to avoid info dumps (though it still has to go and explain what the heck the big colorful space rocks are) so people going into this as their first Marvel movie might have a hard time understanding what’s happening.

A scene from ‘Avengers: Infinity War’

The film ends on a very deep and somber note. Of course that is in anticipation for “Avengers: Infinity War Part 2” to be released in May of next year. The sequel now has quite the task of concluding what happens at the end of Part 1, and one could be skeptical to see how they might manage to pull it off. 

Isn’t it strange how we got here? It has been a decade of nothing but Marvel fever. When the idea for a shared film universe was still new there were quite a few people who were waiting for the bubble to burst. They waited for the first movie that was bad enough to let the whole thing crumble.

Of course that didn’t happen. For now, “Avengers: Infinity War” is the real deal. There are few good movie series like what Marvel has done that combine real emotional heart with comic book action gravitas. As long as they stay good, they still deserve an audience.

“Avengers: Infinity War,” rated PG-13 for sci-fi violence and action, language and some crude references, is now playing in local theaters.

Edith Storey, third from left, in a scene from 'A Florida Enchantment'

By Victoria Espinoza

“I want to be a bit different from the girl across the aisle.” — Edith Storey

Town of Huntington residents may be surprised to learn a Hollywood actress from the early 20th century once lived a stone’s throw away from their own backyards. Silent film star Edith Storey, who has a star on the Hollywood Walk of Fame, lived in Northport for a considerable amount of her life, and in celebration of her career, the Cinema Arts Centre will be showing two of her films this week. 

Edith Storey in 1917

A special screening of “A Florida Enchantment” (1914) followed by the 1916 short “Jane’s Bashful Hero” will take place on Wednesday, May 16 at 7:30 p.m. Film historian Steve Massa will speak at the event, and the film will have live theater organ accompaniment by Ben Model.

Considered one of her best films, “A Florida Enchantment” stars Storey as a strong-willed young woman named Lillian who is irritated with her much-older fiancé, Dr. Cassandene, played by Sidney Drew, who also directs the film. Lillian finds magic seeds that transform her into a man and enjoys the newfound freedoms she gains with her switch of gender. She kisses other women, dances with them, smokes cigarettes, applies for a man’s job and dresses in men’s clothing. When she starts secretly feeding the magic seeds to those around her, including her unsuspecting fiancé, pandemonium ensues.

Born in New York City in 1892, Storey began acting in Vitagraph productions at the age of 16, appearing in “Francesca da Rimini.” From 1908 to 1921 she starred in over 140 films and shorts in a variety of film genres including comedies and westerns. Reportedly an excellent horseback rider, one of her director’s commented that Storey could “ride anything with hair and four legs, throw a rope and shoot with the best of the cowpunchers.” During that time she was one of the most celebrated actresses on the American screen.

Dylan Skolnick, co-director at the Cinema Arts Centre said he happened upon Storey’s life story quite accidentally during a visit to the Northport Historical Society. 

“They had a display of Northport’s history and significant people and there was this section about her,” Skolnick said in a phone interview. “I was shocked, I had never heard this story before.”

Skolnick said he reached out to Massa, who had written about Storey in his book “Slapstick Divas: The Women of Silent Comedy” to learn more about the movie star.

“He was like, ‘Oh, of course, Edith Storey.’ His knowledge is so deep,” Skolnick said. The co-director said after learning more about the actress he reached out to the Library of Congress, which confirmed it had some of her films and would loan them to the Cinema Arts Centre.

Massa called Storey a “talented character actress” and outstanding in “A Florida Enchantment” in a recent email. He said during World War I she took time off from acting to drive an ambulance that transported wounded returning soldiers to New York hospitals.

After retiring from films in 1921 at the age of 29, she moved to a house in Asharoken where she eventually became village clerk, a position she held from 1932 to 1960. According to Skolnick, in the 1930s there was no village hall in Asharoken so elections were held at her house. During World War II, her front yard served as the drop spot for scrap metal. Children who grew up in the neighborhood later recalled how she would tell them stories of her movie career. Storey passed away in Northport in 1967 at the age of 75.

Skolnick is looking forward to this special evening dedicated to the silent film star. “It all sort of came together and here we are,” he said. “Audience members will have a really good time. The film is a delightful comedy and will be accompanied by some wonderful live music.”

The Cinema Arts Centre is located at 423 Park Ave., Huntington. Tickets for this event are $16, $11 members. For more information, please call 631-423-7611 or visit www.cinemaartscentre.org.

Gloria Swanson and William Holden in a scene from ‘Sunset Boulevard’. Photo courtesy of Fathom Events

Fathom Events and Turner Classic Movies are bringing the timeless classic “Sunset Boulevard” to select cinemas nationwide for a special two-day event on Sunday, May 13 and Wednesday, May 16.

Winner of three Academy Awards, the 1950 film directed by Billy Wilder stars Gloria Swanson, as Norma Desmond, an aging silent-film queen, and William Holden, as the struggling young screenwriter who is held in thrall by her madness. From the unforgettable opening sequence — a body found floating in a decayed mansion’s swimming pool — through the inevitable unfolding of tragic destiny, “Sunset Boulevard” is the definitive statement on the dark and desperate side of Hollywood. 

The film also stars Erich von Stroheim as Desmond’s discoverer, ex-husband and butler, and Nancy Olson as the bright spot amid unrelenting ominousness. The screening will include an exclusive commentary from TCM Host Ben Mankiewicz. 

Participating movie theaters in our neck of the woods include AMC Loews Stony Brook 17, 2196 Nesconset Highway, Stony Brook at 2 and 7 p.m. on both days; Farmingdale Multiplex Cinemas, 1001 Broadhollow Road, Farmingdale on May 13 at 2 p.m. and May 16 at 7 p.m.; and Island 16 Cinema de Lux, 185 Morris Ave., Holtsville on May 13 at 2 p.m. and May 16 at 7 p.m. To purchase your ticket in advance, visit www.fathomevents.com.

Burton Gilliam, center, in a scene from ‘Blazing Saddles’
Burton Gilliam set to host special screening of 1974 classic 

By Kevin Redding

Harrumph harrumph harrumph. On Saturday, April 28, the Cinema Arts Centre in Huntington invites one and all back to Rock Ridge circa 1874 for a screening of the groundbreaking, controversial and hysterical “Blazing Saddles” more than 44 years after its original release, featuring a very special appearance from one of its stars.  

It was February 1973 when Burton Gilliam, a Dallas, Texas, firefighter of 14 years and a Golden Gloves champion boxer during his time in the Coast Guard, got a phone call from a fast-talking “little ball of energy” from Hollywood he’d never heard of named Mel Brooks. 

Brooks, best known at the time as a staff writer on the Sid Caesar-led variety program “Your Show of Shows,” the co-creator of “Get Smart” and the writer-director of the 1968 film “The Producers,” was offering Gilliam the role of a cowboy in his upcoming film, a then-untitled Western-themed comedy. Gilliam laughed and thanked “Mr. Brooks” before hanging up. 

Just one of his buddies at the fire station putting him on, he thought. “‘Cuz that’s what firemen do to each other,” Gilliam, 79, recalled, laughing.

Months prior, Gilliam, who was 35 at the time, had responded on a whim to an ad in the Dallas newspaper about a local casting call for extras in director Peter Bogdanovich’s film “Paper Moon,” starring Ryan and Tatum O’Neal. 

Despite having no acting experience, Gilliam showed up with his big old grin and even bigger Texan exuberance. Over the course of a few weeks, he beat out hundreds of people in the audition process and impressed Bogdanovich enough to be given a small speaking part as a desk clerk named Floyd. After filming in St. Joseph, Missouri, wrapped, he returned to Dallas and his job at the fire department, looking forward to the June release of the film and thankful for his brush with movie stardom. 

But that phone rang again 10 minutes after he hung up and it was Brooks once more, explaining that he had seen a rough cut of “Paper Moon” and wanted Gilliam to meet with him to play this part. Gilliam was hesitant to abandon his job and $12,000 a year salary to go to Los Angeles and commit to the film. He wound up meeting with Brooks and producers three times before finally agreeing to come aboard.

“I remember that first time I met [Mel] — this little guy jumped over a desk and ran over to me and jumped into my arms, pushing me against the wall,” Gilliam said. “He was like a koala bear. I had no other thought but to like him. He was so open and funny.”

Between Gilliam’s first and third trip to Hollywood, Brooks and his team expanded his once-tiny role as Lyle, a dim-witted and callous antagonist to the film’s hero Sheriff Bart (played by Cleavon Little), into a much heftier one that sets the stage for the entire film (“What about ‘De Camptown Ladies’?”). 

He received a call of persuasion from Richard Pryor, one of “Blazing Saddles’” many writers, and Brooks promised to pay him his yearly salary at the fire department in the three weeks he’d be filming for, plus overtime.

Burton Gilliam and Slim Pickens

“About four weeks later, I quit the fire department,” said Gilliam, one of 10 members of his family to serve as a fireman. “I was the only one that ever quit. And after I did, everyone came out of the woodwork to tell me how crazy I was. But I went to Hollywood and stayed for 23 years! And what a great 23 years it was.”

Since appearing in Brooks’ 1974 classic, Gilliam has acted in more than 50 films and television shows, including “Fletch” starring Chevy Chase, “Back to the Future Part III,” “Honeymoon in Vegas” with Nicolas Cage, and episodes of “Mama’s Family,” “The Dukes of Hazzard,” “Knight Rider” and “Walker, Texas Ranger.” He has also appeared in countless commercials and has even lent his instantly recognizable voice to video games. 

“To me, the most rewarding part has been meeting the people working behind the scenes — the makeup people, the wardrobe, lighting, sound departments,” Gilliam said. “They were all so good to me.”

When he isn’t in front of the camera, Gilliam has become a staple at various charities across the country. 

Through it all, the actor said he never gets tired of answering questions about, and quoting lines from, the movie that made him famous. Although, he admits he never would’ve guessed “Blazing Saddles” would remain so popular and beloved nearly 50 years later, especially one that very clearly could never be made today.

“It’s really a mystery almost that something like this can last this long, and it’s going to last a lot longer,” Gilliam said. “And Mel Brooks is as surprised as anybody that it’s lasted this long. I don’t know what to make of the whole thing. When we did the picture, Mel always said the people at Warner Brothers gave him $3 million and told him to go have a good time. And that’s it right there … it’s something that had never been done before, saying those words and doing those things we did and getting away with it.”

Burton Gilliam as Lyle, right, in a scene from ‘Blazing Saddles’ with Slim Pickens as Taggart

The film, of course, about the arrival of a black sheriff in an over-the-top racist town, is a raunchy (it’s the first film to feature a flatulence scene!), chaotic, uproarious, surreal, wholly politically incorrect and brilliant satire of the western film genre and a no-holds-barred takedown of racism and prejudices. 

In the opening of the film, Gilliam’s character Lyle, joined by his gang of thuggish cowboys, orders a group of black members of a railroad crew, led by Little, to sing a song while they work, saying “When you was slaves, you sang like birds.” Lyle expounds a series of racist comments here, including the N-word, which he recalls made him uncomfortable while filming the scene on set. 

“It was the second week I was there and I had to say those words to about 25 black guys, saying these things that had never been spoken before in movies and that was a bit hard,” Gilliam said. “So after we were on the scene for probably 25 minutes, they were switching cameras for somebody’s close-up, and Cleavon said, ‘Hey let’s take a walk.’ He told me, ‘Listen, I know you’re having a little bit of trouble saying these things but this is a movie and we’re having fun. Be comfortable and call me anything you want to … it’s okay, this is all fun…”

But, Gilliam said, Little warned him, “After they say ‘Cut!,’ if you call me that, we’re gonna go to fist city.’”

Cinema Arts Centre co-director Dylan Skolnick said he considers “Blazing Saddles” one of the funniest movies ever made, and remembers seeing it in theaters when it came out. While it’s been shown at the theater several times, he said he’s excited to have Gilliam emcee the screening.

“Burton’s one of those guys — his name’s not necessarily famous, but when you see him, since he’s been in a lot of movies and things as a character actor, it’s like, ‘Oh! That guy! I love that guy!’” Skolnick said. “It was great to be able to build an event around somebody like him, where he can be the star for the evening … It’s such an iconic movie and he has a crucial scene in one of the most famous moments.”

Gilliam said he’s looking forward to meeting and talking with the fans, and reminiscing about the making of the movie. “I enjoy those things because I get to talk a lot,” Gilliam said, laughing. “And I always get new questions; I have to be on my toes a little bit and I like that.”

As part of its Cult Cafe series, The Cinema Arts Centre, 423 Park Ave., Huntington will present a special screening of “Blazing Saddles” on April 28 at 9:45 p.m. with a Q&A with Burton “Lyle” Gilliam. Tickets are $15 per person, $12 members. To order, call 631-423-7611 or visit www.cinemaartscentre.org.

Photos courtesy of Bobby Bank 

Sherlock Gnomes saves the day in the sequel to ‘Gnomeo & Juliet.' Photo courtesy of Paramount Pictures

By Heidi Sutton

It’s been seven years since moviegoers were invited into the magical world of garden gnomes with Touchstone Pictures’ “Gnomeo & Juliet,” the charming animated film loosely based on William Shakespeare’s timeless tragedy while celebrating the music of Sir Elton John. 

Juliet and Gnomeo are back for a new adventure.

Set in the English town of Stratford-upon-Avon, the story, which features a star-studded cast, takes place in the backyard gardens of two feuding elderly neighbors — Mr. Montague and Miss Capulet. Their garden gnomes, which are blue and red, respectively, are also strict enemies until Gnomeo (blue) and Juliet (red) secretly fall in love and manage to unite the two gnome clans.

I remember taking my daughter and her friends to see this movie and being so enamored by it that I went to a bunch of garden centers the following day and snatched up all the red and blue garden gnomes I could find to put in my rock garden. 

Now Paramount Pictures and MGM Studios bring audiences a sequel to the adorable fairy tale, “Sherlock Gnomes,” with all of the original characters you love including Gnomeo (James McAvoy), Juliet (Emily Blunt), Lord Redbrick (Michael Caine), Lady Bluebury (Maggie Smith), Nanette the Frog (Ashley Jensen), Benny (Matt Lucas), Mankini (Julio Bonet) and Fawn (Ozzy Osbourne) in a brand new mystery adventure directed by John Stevenson.

The Montagues and Capulets have married and moved to London. Their collection of garden gnomes have also made the trip, albeit to a much smaller garden that needs a lot of work, “a fixer upper” of sorts. Gnomeo decides that the garden needs a centerpiece, Juliet’s favorite flower — a Cupid’s Arrow Orchid — and ventures out into the city to find one. When Juliet discovers Gnomeo’s plan, she follows him and ends up rescuing him when he becomes trapped in a florist shop.

Sherlock Gnomes and Watson are on the case of the missing garden gnomes.

When the couple returns home, they find that all of their friends as well as gnomes in seven other gardens have been kidnapped, “an ornamental crime on a scale never seen before.” They must be rescued within 24 hours or they’ll be smashed to smithereens. The police are too busy to help, so Sherlock Gnomes (Johnny Depp), sworn protector of garden gnomes, and his trusty sidekick Watson (Chiwetel Ejiofor) take the case. Sherlock is convinced this is the work of his arch nemesis Moriarity (Jamie Demetriou) and, along with Watson, Gnomeo and Juliet, follows a trail of clues to find the gnomes, with lots of plot twists and turns along the way. Will the case be solved in time?

A nice touch is the many places in London that the detective team visit to find clues including the Royal Green Park, the Natural History Museum, Chinatown and Tower Bridge. While Elton John recently announced he is retiring from touring, his music will live on in this film with catchy songs like “Don’t Go Breaking My Heart,” “Saturday Night’s Alright for Fighting” and “I’m Still Standing” peppered throughout.  

Although this sequel is not as good as the original, as sequels rarely are, “Sherlock Gnomes” is still worth a trip to the theater for its visually stunning and lifelike animation, wonderful music and positive message to not take your friends for granted. By the same token, it is highly recommended that “Gnomeo & Juliet” be seen first as it will help in relating to the humor and connecting to the characters better. And I’ll be visiting the garden center to stock up on green garden gnomes. Running time is 1 hour and 26 minutes. 

Rated PG for rude and suggestive humor, “Sherlock Gnomes” in now playing in local theaters.

Olivia Newton-John and John Travolta star in ‘Grease.’ Photo courtesy of Fathom Events

In celebration of its 40th anniversary, “Grease” will return to select movie theaters nationwide on April 8, 11 and 14, courtesy of Fathom Events and Turner Classic Movies. 

Based on the 1971 Broadway musical, the movie, starring John Travolta as greaser Danny Zuko and Olivia Newton-John as his sweet and innocent girlfriend Sandy Olsson who dance their way through their senior year at Rydell High, was a smash hit when it was released in 1978, becoming the highest grossing film of the year and it is still the second-highest grossing movie musical of all time. 

The cast also included Stockard Channing (Rizzo), Didi Conn (Frenchie), Jeff Conaway (Kenickie), Eve Arden (Principal McGee), Sid Caesar (Coach Calhoun) and Annette Charles (Cha Cha DiGregorio) with a special appearance by Frankie Avalon.

The movie’s unforgettable soundtrack, which includes such hits as “Summer Nights,” “Hopelessly Devoted to You,” “You Are the One That I Want” and “Sandy,” was the second best–selling album of 1978, behind “Saturday Night Fever,” which also starred Travolta. 

“Whether you’ve seen it dozens of times and know the words to every song, or you’re in for the rare treat of seeing it for the first time, watching ‘Grease’ on the big screen with an audience is an unforgettable experience that we’re delighted to offer movie lovers,” said Tom Lucas, VP of Studio Relations at Fathom Events.

The screening will include an exclusive commentary from TCM Host Ben Mankiewicz who will give insight into this classic film that has become a pop culture phenomenon. 

Participating movie theaters in our neck of the woods include AMC Loews Stony Brook 17, 2196 Nesconset Highway, Stony Brook at 2 and 7 p.m. on April 8 and 11 and at 2 p.m. on April 14; Farmingdale Multiplex Cinemas, 1001 Broadhollow Road, Farmingdale on April 8 at 2 p.m. and April 11 at 7 p.m.; and Island 16 Cinema de Lux, 185 Morris Ave., Holtsville on April 8 at 2 p.m. and April 11 at 7 p.m. To purchase your ticket in advance, visit www.fathomevents.com.

Jimmy Stewart stars in Alfred Hitchcock’s thriller, ‘Vertigo.’ Photo courtesy of Fathom Events

In celebration of the 60th anniversary of Alfred Hitchcock’s “Vertigo,” Fathom Events, Turner Classic Movies and Universal Pictures will bring the classic film to select cinemas nationwide on Sunday, March 18, and Wednesday, March 21.

Considered one of Hitchcock’s greatest cinematic achievements, “Vertigo” is a dreamlike thriller from the Master of Suspense. Set in San Francisco, the film creates a dizzying web of mistaken identity, passion and murder after an acrophobic detective (James Stewart) rescues a mysterious blonde (Kim Novak) from the bay and must unravel the secrets of the past to find the key to his future.

Appearing as No. 11 on IMDb’s list of the Top 100 Greatest Movies of All Time, the film will also feature an exclusive commentary from TCM host Eddie Muller, who will give insight into this classic film. Participating movie theaters in our neck of the woods include AMC Loews Stony Brook 17, 2196 Nesconset Highway, Stony Brook at 2 and 7 p.m. on both days; and Farmingdale Multiplex Cinemas, 1001 Broadhollow Road, Farmingdale and Island 16 Cinema de Lux, 185 Morris Ave., Holtsville on March 18 at 2 p.m. and March 21 at 7 p.m. To purchase your ticket in advance, visit www.fathomevents.com.

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