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Tina Ann Aurora

Reviewed by Julianne Mosher

“Who wants to see that?” is the second song performed in Theatre Three’s latest mainstage production of Half Time. Well, after you read this review, you’ll definitely want to see it, too. Celebrating its New York premiere, the show tells the story of a group of nine senior citizens who audition, and get into, a hip-hop dance troupe for a New Jersey basketball team. 

Based on a true story documented in the 2008 film, Gotta Dance written, directed and produced by Dori Berinstein, the 2015 stage adaptation premiered at Chicago’s Bank of America Theatre and retitled itself in 2018 for its East Coast premiere at the Paper Mill Playhouse in New Jersey. With a book by Chad Beguelin and Bob Martin, music by Matthew Sklar and Marvin Hamlisch and lyrics by Nell Benjamin, audiences of all ages will fall in love with the story and its characters.

Directed by Jeffrey Sanzel, the show starts off with the ensemble as the New Jersey Cougars (Julia Albino, Will Logan, Melina Piervencenti, Isabella Scarpa, Michelle Shapiro, Katy Snair and Ryan van Nostrand) — which was loosely based on the NJ Nets basketball team. They’re young, they’re hip and they can dance. But then, the group opens up to feature nine sassy seniors who tried out for the team’s latest publicity stunt — a dance troupe called “Nifty Shades of Grey.”

Marci Bing (Muriel), Lisa Greene (Joanne), Mary Ellin Kurtz (Estelle), Denise Lardi (Fran), Phyllis March (Mae), Linda May (Bea), Candace McCready (Dorothy), Nikki Sislian (Camilla) and Jack Seabury (Ron), each bring humor and immense talent to the stage.

The senior troupe is coached by another aged out dancer, Tara (Tina Ann Aurora), who was fired by her boss, Alison (Colleen Britt) for being too old. Alison is also behind this PR stunt. She thinks it’s a joke and wants to humiliate the group because who would want to see a bunch of old folks dance to hip-hop? Tara believes in them, though, and with the help of Jenny (Cassidy Rose O’Brien) and Kendra (Anna Moceri) of the young Cougarettes, they transform the group into sizzling seniors who can pop, lock and drop it. 

What’s also fun about the show is we learn the backstories of each dancer. May does a great job playing Bea, who’s also Kendra’s grandmother. She’s spunky and opinionated, especially when it comes to Kendra’s relationship with one of the star players, Anthony (Yashaun Harris). They talk about this power dynamic during their car rides and in the song, “Princess.”

The seniors become friends with the younger troupe, too, especially when they are all invited to Hell, the local nightclub. There, we learn that Dorothy has an alter ego, Dottie, who is a confident hip-hop star and idolizes legends like Tupac and Biggie Smalls. McCready does a fantastic job playing the shy kindergarten teacher who ends up being one of the best break dancers on the team. 

But to counteract Hell, the old folks invite the youngins to a sock hop the following week to show them how they used to dance. Ron, who’s the only male member of the team, shows off his skills in “The Prince of Swing” and how he used to attract all the ladies in his youth. This fun number shows off Seabury’s great dancing as he partners with everyone on stage to show off his moves. 

We also learn about Mae’s personal life. One of the older members of the team, her husband is terminally ill and in an emotionally beautiful song, “The Water’s Rise,” she leaves the audience with tears in their eyes by the end.

Adding to the list of swing, tap and hip-hop dancing, Camilla’s “Como No?” brings salsa to the stage. In this number, Sislian lights up the room in her tight red dress singing about her half-her-age lover in an anthem that reminds everyone that age is only a number.

Other highlights include the costume design from Jason Allyn who strategically kept the color scheme of red and black prominent throughout the whole show and the bare set by Randall Parsons that allowed the actors to get their groove on with nothing in the way.

The show impressively closes the theatre’s 54th mainstage season with jokes that will have you laughing from start to finish. For a half-time show, there is a whole lot of talent, so don’t miss this one.

Theatre Three, 412 Main St., Port Jefferson presents Half Time through June 22. Tickets are $40 adults, $32 seniors and students, $25 children ages 5 to 12, $25 Wednesday matinees. 

After a brief hiatus, Theatre Three kicks off their 55th season with the family favorite musical Annie from Sept. 13 to Oct. 19. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

“Hello, I’m Johnny Cash.” So begins Theatre Three’s latest offering, Ring of Fire: The Johnny Cash Musical Show, a fitting tribute to the life and music of the Man in Black. The show opened to a full house last  Saturday night and did not disappoint. 

Created by Richard Maltby, Jr. and conceived by William Meade, with orchestrations by Steven Bishop and Jeff Lisenby, the musical opened on Broadway at the Ethel Barrymore Theatre in 2006 for a limited run before heading to community theaters. 

Expertly directed by Christine Boehm, the show at Theatre Three features over 30 of Cash’s most popular songs including Jackson, Ring of Fire, If I Were a Carpenter, Get Rhythm, and I Walk the Line, sung in quick succession over two hours by an incredibly talented cast — Tina Ann Aurora, Kyle M. Breitenbach, Jeffrey Hoffman, Michael Mandato, Cassidy Rose O’Brien, Dan Schindlar and Ryan Van Nostrand — as the singer’s story is told.

One of the best-selling music artists of all time, having sold more than 90 million records worldwide, Cash drew inspiration from his life experiences and embraced country, rock and roll, rockabilly, blues, folk, and gospel, earning him the rare honor of being inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame.

Born in Kingsland, Arkansas in 1932, Johnny Cash was the fourth child of Carrie and Ray Cash. As the show progresses, we learn that he and his six siblings worked alongside their parents picking cotton on their farm. Tragedy strikes when his older brother Jack dies after been injured at work, an event that deeply affected Cash for the rest of his life.

We witness the first time the singer meets June Carter at the Grand Ole Opry and is instantly smitten. Several stints in jail inspire a series of “prison” songs including Folsom Prison Blues and Orleans Parish Prison and his struggles with drugs spur him to write Cocaine Blues.

Every song is executed beautifully and with gusto and each actor has a chance to shine, taking turns to sing the lead. Highlights include Breitenbach’s version of Delia’s Gone, Van Nostrand’s hilarious rendition of Flushed from the Bathroom of Your Heart and Man in Black by Mandato.

Special mention must be made of Schindlar’s A Boy Named Sue which tells the story of a young man’s quest for revenge on his father for naming him Sue before abandoning him. During the performance, Schindlar comes down from the stage to look for his “father” in the audience. A nice touch. 

As with any production, it takes a village to make it all come together perfectly.

While each cast member plays multiple instruments including guitar, violin, ukulele, piano, tambourine and flute, they are accompanied on stage by a backup band featuring Marni Harris on fiddle, John Dericco on guitar and mandolin, Dave Grudzinski and Ethan Mascarenas on bass and Don Larsen on drums.

The costumes, designed by Boehm, feature modest and demure country dresses, jeans and overalls in Act I but switch to sparkly and shiny new digs in Act II to reflect the progression of Cash’s career. Even the boots glitter! 

The impressive set, designed by Randall Parsons, resembles the inside of a barn with hints of the Grand Ole Opry. Each side of the stage features a lighted porch for seating and stained glass windows illuminate the background.

Don’t miss this wonderful show. You’ll be clapping along and tapping your feet and going home with a deeper appreciation of the legendary singer/songwriter and his impact on the world of music. The standing ovation at the end of the opening performance was most deserved. 

See trailer here.

Theatre Three, 412 Main St. Port Jefferson presents Ring of Fire: The Johnny Cash Musical Show through March 30. Come early for a cocktail and snacks at Griswold’s Cafe. Proceeds benefit the refurbishment of the historic theater.

Mainstage performances continue with Wait Until Dark from April 18 to May 11 and the Long Island premiere of Half Time from May 24 to June. 22. Tickets are $40 adults, $32 seniors and students, $25 children ages 5 to 12. 

Coming up at The Ronald F. Peierls Theatre, on the Second Stage is the 26th annual Festival of One-Act Plays featuring the world premieres of seven  plays up close and personal from March 8 through April 5. Tickets are $25. 

To order, call 631-928-9100 or visit www.theatrethree.com.