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2025 Oscar predictions: Who will win at the 97th Academy Awards

by Jeffrey Sanzel - February 27, 2025

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brutalist-anatomy1-fbmc-videoSixteenByNine3000 — The Brutalist' has been nominated for 10 Academy Awards including Best Picture. Photo by Lol Crawley/A24

By Tim Haggerty & Jeffrey Sanzel

This year’s Oscar race is an unusual one. It is the first season since 1987 that three horror films received nominations. AI controversies entered the discussion, including use in fixing translations, autotuning songs, and script adjustments. Oscar nominations have become increasingly a tool to bring awareness to films rather than just acknowledge excellence. Films are giving limited releases and then hitting wide release months later. Over the last number of years, the Academy has often leaned towards honoring careers rather than the particular performance. Politics certainly affected, if not directly influenced, this year’s roster.

Here is a rundown of some of the major categories.

BEST ACTOR IN A LEADING ROLE

Timothée Chalamet’s Bob Dylan (A Complete Unknown) and Sebastian Stan’s Donald Trump (The Apprentice) are biographical portraits that do not resort to caricature or parody, exposing humanity in the former and the demon of winning in the latter. While a leak revealed that the director used AI to alter Adrien Brody’s Hungarian accent in The Brutalist, Brody still gives a passionate career best, holding the screen for 3 1/2 hours. The Brutalist will most likely give Brody his second Best Actor statuette.

BEST ACTRESS IN A LEADING ROLE

This category is a tight race. Karla Sofía Gascón is the first openly transgender actress nominated for this award. Cynthia Erivo received universal accolades for Wicked’s Elphaba. Fernanda Torres (I’m Still Here) turned in a top-tier performance. But Demi Moore is most likely to win for The Substance. While performances in horror films rarely get a nod (previously passed-over actresses include Toni Collette, Florence Pugh, Mia Goth, and Lupita Nyong), Moore could win for her performance, her legacy, and the genre itself. While a longshot, Mikey Madison could be a dark horse surprise as she carried Anora.

BEST ACTOR IN A SUPPORTING ROLE

While the actors in this category present a good range of performances, Kieran Culkin’s prodigal cousin in A Real Pain has dominated this award season’s category. His work is unique, raw, and unexpected, almost guaranteeing a win.

BEST ACTRESS IN A SUPPORTING ROLE

Ariana Grande (Wicked) and Isabella Rosalini (Conclave) deserve an award in this category. But Zoe Saldaña has the strongest presence in the unusual Emilia Pérez and will win.

BEST DIRECTOR

Perhaps Bradley Corbet’s mammoth undertaking The Brutalist could have garnered him Best Director, but an erratic Oscar campaign might have damaged his path. Sean Baker is one of the era’s greatest independent directors, with an oeuvre comparable to the best of John Cassavetes and Elaine May. An artist who created Tangerine completely on his phone and who turns non-actors into stars, his win for Anora will celebrate great filmmaking.

BEST WRITING (ADAPTED SCREENPLAY)

Peter Straughan’s Conclave is the frontrunner in this category. The fantastic drama following the election of a pope balances introspection with political commentary.

BEST WRITING (ORIGINAL SCREENPLAY)

Sean Baker’s Anora and Brady Corbet and Mona Fastvold’s The Brutalist have run neck-and-neck in awards. While both scripts are exceptional, Anora’s delightful mix of humor and shades of darkness might give it the edge. Its recent garnering of the Writers Guild Award almost secures its win.

BEST PICTURE

A scene from ‘Anora’. Photo courtesy of Neon

Since the expansion of the Best Picture category from five to ten nominees for the 82nd Academy Awards (2010), the race is glutted with unlikely winners. Certainly, Dune: Part Two falls into this category. Other films are deemed too small or niche to get the top prize. If not for the AI controversy, the epic The Brutalist would most likely win, harkening to films like Gone with the Wind and Lawrence of Arabia. But its length is not a point in its favor.

Anora is this year’s frontrunner, receiving the Cannes Film Festival Palme d’Or at Cannes, the Critics’ Choice, Directors Guild, and Producers Guild Awards. To date, Anora has received 193 nominations and 70 wins. Sean Baker might be the first person to win four Oscars for a single film: producer, writer, director, and editor.

And some parting Shout Outs …

Best Production Design: All five nominees deserve to share the award, though Wicked’s spectacular visuals will triumph.

Best Documentary Short: I Am Ready, Warden is a powerful portrait of a death row inmate in the week leading up to his execution.

Best Cinematograpy/Original Score: The Brutalist’s Cinematography (Lol Crawley) revived 70 mm VistaVision (the film stock of pictures like Vertigo — last used in 1961’s One-Eyed Jacks) and offered outstanding visuals. Its Original Score (Daniel Blumberg) is exceptional.

Best Animated Feature Film: The Wild Robot (probable winner), Flow (runner-up), and Memoir of a Snail are all first-rate Animated Features. That said, Inside Out 2 remains a strong possibility.

Best International Feature Film: The Seed of the Sacred Fig (Germany), secretly shot in Iran, tells the story of a family struggling with the country’s resistance to progression, specifically for women. A film that builds extraordinary tension, it is a must-watch for anyone wishing to see political protest and retaliation cinematically explored. However, the win will likely go to I’m Still Here (Brazil).

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Tune in to the 97th Academy Awards ceremony on Sunday, March 2, to see who carries the film industry’s highest honors. Hosted by Conan O’Brien at the Dolby Theatre in Los Angeles, the show will be broadcast live by ABC starting at 7 p.m. For the first time, the Oscars will also be streamed live on Hulu. You can also watch via Hulu Live TV, YouTubeTV, AT&T TV and FuboTV.

Theatre Three’s ‘A Christmas Carol’ brings back our favorite holiday tradition

by Julianne Mosher - November 15, 2024

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By Julianne Mosher

Celebrating its 40th year, Theatre Three’s production of Charles Dickens’ A Christmas Carol is as great as it is in the present, just as it has been in the past, and as it will be in the future.

A pillar of the holiday season, not only in Port Jefferson but across Long Island, the Dickensian tale of Ebenezer Scrooge (Jeffrey Sanzel) and the ghosts of Christmas Past (Cassidy Rose O’Brien), Present (Scott Hofer) and Christmas Yet to Come (Steven Uihlein) is a story that taps into the hearts of the young and the old, making it the perfect way to kick off the season of giving.

The theater opened its annual show on Nov. 9 to a packed-out house filled with an audience dressed in their best Christmas best. Young girls wore their red velvet dresses with bows, while fathers wore silly, ugly Christmas sweaters and Santa hats. Ushers greeted visitors to their seats in top hats and Victorian-era gowns, a nice touch to the show which is set in the mid-1800s.

When the curtains opened up, the stage turned into the dark, dreary streets of London where the poor and hungry begged for food. We are brought inside Ebenezer Scrooge’s office, that he once shared with the late Jacob Marley (Stephen T. Wangner), where he works during Christmas Eve — a holiday he absolutely despises. Scrooge’s nephew is Fred (Uihlein), a young man who is starting a family of his own, but who yearns for his uncle’s approval since it’s the last piece of his mother he has on earth after her death during childbirth. Scrooge, an angry, frugal man, wants nothing to do with the holiday, and isn’t shy about how he feels about it. Bah-humbug.

Scrooge has an underpaid, overworked clerk, Bob Cratchit (Ray Gobes Jr.), who is a man of simple means and a high spirit. Scrooge is unkind to him, as well, but reluctantly gives him off on Christmas Day.

Later that night, Scrooge is visited by his former partner’s ghost. Marley warns Scrooge that he has the opportunity to avoid the same fate — a dire one where he roams the earth entwined in chains and money boxes because of his lifetime of greed and selfishness — with visits by three ghosts. He must listen to them or he will be cursed and spend eternity in the same purgatory as his friend.

The visits of the ghosts are done spectacularly. The Ghost of Christmas Past brings Scrooge back to scenes of his boyhood and young adulthood where we see the relationships between him, his family, his sister, Fan (Ash Stalker), Belle, his first love (Julia Albino) and his first job — an apprenticeship with Mr. Fezziwig and his wife (Scott Hofer and Ginger Dalton).

The Ghost of Christmas Present enters next and takes Scrooge to the homes of Fred and Bob Cratchit. Fred’s holiday party shows the group making fun of Scrooge, while the Christmas dinner with the Cratchit’s shows how poor the family of six copes with Scrooge’s poor wage. We meet Tiny Tim (Stanley Zinger), Cratchit’s ill son who the family prays gets stronger by the day. This opens Scrooge’s eyes.

Enough so that when the Ghost of Christmas Future comes on stage, the audience lets out an audible gasp.

Upon the stage is a 13-foot grim reaper who towers over Scrooge and his grave. Scrooge watches his possessions be stolen and sold, while mourners mock him during his funeral. He begs for forgiveness to the reaper and he vows he’ll change for good.

On Christmas morning, Scrooge is a new man. He sends a turkey to the Cratchit home, donates money to a charity he previously rejected and attends Fred’s Christmas party where he is welcomed with lovingly opened arms. The next day, Scrooge increases Cratchit’s wage in which Tiny Tim says the famous line, “God bless us, everyone.”

Theatre Three’s rendition of A Christmas Carol is always a treat, but this production was quite magical. Sanzel, who also serves as the show’s director, celebrated his 1,590th performance as the bitter, but complex, Scrooge — and he keeps getting better.

In fact, after performing the show for 40 years, the entire company has perfected the show. They have it down to a science with their special and unique adaptation, impressive set design (by Randall Parsons), stunning costumes (by Parsons and Jason Allyn) and fantastic lighting (Robert W. Henderson Jr.). After performing the show for four decades, we can’t wait to see how the next 40 look at Theatre Three. Don’t miss this one.

CAST and CREW: Julia Albino, Jason Allyn, Karin Bagan, Steven Barile, Jr., Kyle M. Breitenbach, James Bressler, Kelsie Curran, Ginger Dalton, Olivia Davis, Angelina Eybs, Sari Feldman, Roy Fleischer, Brad Frey, Jason Furnari, Christina Gobes, Ray Robes Jr., Skye Greenberg, Tim Haggerty, Kathleen Arabelle Han, Robert W. Henderson Jr., Scott Hofer, Patrick Hutchinson, Zach Kanakaris, Giovanni Ladd, Linda May, Cassidy Rose O’Brien, Randall Parsons, Mia Rofrano, William Roslak, Vivian Leigh Rumble, Jennifer Salvia, Jeffrey Sanzel, Aidan Sharkey, Ash Stalker, Amelia Theodorakis, Melissa Troxler, Steven Uihlein, Stephen T. Wangner and Stanley Zinger

Theatre Three, 412 Main St., Port Jefferson will present A Christmas Carol through Dec. 28. All tickets are $25 in November and range from $25 to $40 in December. To order, call 631-928-9100 or visit www.theatrethree.com.

The most anticipated movies of the fall

by Jeffrey Sanzel - September 15, 2024

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'Wicked' — ‘Wicked’ heads to the big screen on November 22. Photo courtesy of Universal Pictures

By Tim Haggerty and Jeffrey Sanzel

Looking for entertainment? Distraction? Introspection? This fall’s crop of new films offers a wide range of possibilities, from documentaries and biopics to comedy, horror and sequels.

WOLFS (September 20) Two professional “fixers (Brad Pitt and George Clooney) discover they are hired for the same job. While seemingly a throwback to an early time, the star power makes this a top choice for an evening of good old-fashioned escape. Rated R

A DIFFERENT MAN (September 20) Sebastian Stan plays Edward, an actor with neurofibromatosis who is cured of his facial disfigurement by an experimental surgery. But the change turns out to be a mixed blessing. Adam Pearson, who has neurofibromatosis, gives one of the year’s most compelling performances. Rated R

LEE (September 27) This biopic includes an all-star cast, led by Kate Winslet as Lee Miller, the model-turned-photographer, whose photos of World War II—especially the Nazi concentration camps—changed the way the world viewed war. In addition to Winslet, the cast includes Andy Samberg, Alexander Skarsgard, and Marion Cotillard. Rated R

MEGALOPOLIS (September 27) After decades of development, Francis Ford Coppola offers an epic tale of a crumbling fictional empire that reflects the contemporary United States. A visionary (Adam Driver) dreams of a utopian society in this massive undertaking that includes Giancarlo Esposito and Shia LeBeouf in drag. Rated R

WILL & HARPER (September 27) Will Ferrell first met Harper Steele when the two joined “Saturday Night Live,” and they remained close friends and collaborators for nearly three decades. When Harper came out as a trans woman in 2022, they embarked on a road trip —creating a film that reflects how the country views the LGBTQ+ community. Rated R

JOKER: FOLIE A DEUX (October 4) The much anticipated/dreaded sequel shows Joaquin Phoenix in his unique take on the infamous villain, joined by Lady Gaga as Harley Quinn, the Joker’s partner in crime. And, apparently, it is a musical. Rated R

THE OUTRUN (October 4) The great Saoirse Ronan portrays writer Amy Liptrot in this adaptation of the latter’s memoir of addiction and redemption from London to the Scottish Isles. Rated R

PIECE BY PIECE (October 11) Filmmaker Morgan Neville presents a documentary on the life of musician Pharrell Williams, the creator of “Happy” and “Get Lucky.” The twist? Neville tells Williams’ story via LEGOs. Rated PG

SATURDAY NIGHT (October 11) The Saturday Night Live origin story focuses on creating the extraordinary show’s first episode. As producer Lorne Michaels, Gabrielle LaBelle heads a company that includes Willem Dafoe, Dylan O’Brien, Cooper Hoffman, Finn Wolfhard, Lamorne Morris, J.K. Simmons, and Nicholas Braun. Rated R

RUMOURS (October 18) World leaders get lost in a hallucinogenic forest the night before the annual G7 summit. The bizarre premise shifts into a survivalist turn. Cate Blanchett, Alicia Vikander, Denis Ménochet, Nikki Amuka-Bird, and Charles Dance appear in Canadian filmmaker Guy Maddin’s startling outing. Rated R

SMILE 2 (October 18) The Halloween season would be incomplete without a horror sequel—in this case, the 2022 hit about an entity that feeds on trauma and causes people to grin maniacally. It is a good bet that this will not be a one-off follow-up but, instead, the launch of a new franchise. Rated R

THE NICKEL BOYS (October 25) Documentarian RaMell Ross wrote and directed this adaptation of Colson Whitehead’s Pulitzer Prize-winning novel chronicling a 1960s reform school, suggested by the Dozier School, the brutal and infamous real-life institution. Rated PG-13

HERE (November 1) Forrest Gump veterans Tom Hanks and Robin Wright reunite with director Robert Zemeckis in this high-concept story that focuses on one patch of ground over thousands of years—from ancient civilization to modern-day suburbs. Rated PG-13

GLADIAT0R 2 (November 22) Ridley Scott’s sword-and-sandal sequel to his 2000 Oscar-winner presents Paul Mescal as the adult Lucius Verus (nephew of Joaquin Phoenix’s Commodus). He is joined by Connie Nielsen, Denzel Washington, Pedro Pascal, and I, Claudius star Sir Derek Jacobi. Rated R

THE PIANO LESSON (November 22) Denzel Washington’s commitment to presenting August Wilson’s Century Cycle plays continues with the playwright’s 1987 drama about a feud over a piano representing a family’s history. If it is half as good as “Fences,” this promises to be one of the best fall films. Rated R

WICKED (November 22) The first part of the adaptation of the long-running Broadway musical comes to the big screen, with Cynthia Erivo as Elphaba, the woman who will become the Wicked Witch of the West. Ariana Grande joins her as her frenemy, G(a)linda, and Jeff Goldblum as the Wizard of Oz. Rated PG-13

MOANA 2 (November 27) Disney’s 2016 animated hit gets a follow-up in “further adventures of,” featuring original voices Auli’i Cravalho and Dwayne Johnson. Rated PG

MUFASA: THE LION KING (December 6) A prequel to “The Lion King,” director Barry Jenkins tells the tale of Simba’s late father Mufasa and how he became king of the jungle. Rated PG-13

NOSFERATU (December 25) Robert Eggers (The Witch, The Lighthouse) helms the second remake of F.W. Murnau’s 1922 film, the first cinematic telling of Dracula. Bill Skarsgard dons the vampiric cloak of Count Orlock with Lily-Rose Depp, the object of his desire. Rated R

This article originally appeared in TBR News Media’s Harvest Times supplement on Sept. 12.

2024 Summer Movie Guide

by Jeffrey Sanzel - June 23, 2024

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'Inside Out 2' — ‘Inside Out 2’ is one of the most anticipated movies this summer. Photo courtesy of Disney/Pixar

By Tim Haggerty & Jeffrey Sanzel

This summer’s movie calendar offers something for everyone, with a great range of genres and a strong blockbuster Hollywood talent.

Inside Out 2

Probably the most awaited summer film is the sequel to the 2015 animated feature. Pixar’s modern classic followed eleven-year-old Riley and her emotional ups and downs from moving to a new city. Now a young woman, Riley is dealing with a host of new feelings, including Anxiety. Original voices Amy Poehler, Phyllis Smith, and Lewis Black join newcomers Maya Hawke, Tony Hale, and Liza Laira.

Rated PG · Release date June 14

Ghostlight

Construction worker Dan (Keith Kupferer) is drawn into the world of a local Romeo and Juliet theatre production, enabling him to bond with his troubled teenage daughter, Daisy (Katherine Mallen Kupferer). A Sundance favorite, the indie drama from directors Kelly O’Sullivan and Alex Thompson, could be this summer’s sleeper hit.

Rated R · Release date June 14

The Bikeriders

Inspired by photographer Danny Lyons’ book on a real-life Chicago biker gang, director Jeff Nichols splits his focus between the gang’s leader (Tom Hardy) and a younger biker (Austin Butler). The cast includes Michael Shannon, Norman Reedus, Boyd Holbrook, Damon Herriman, Emory Cohen, and Toby Wallace.

Rated R · Release date June 21

Twisters

Another entry into the ever-popular weather-related genre. Minari’s Lee Isaac Chung helms the film, promising more than CGI Sturm und Drang.

Rated PG-13 · Release date July 19

Kinds of Kindness

Yorgos Lanthimos’ follow-up to the Oscar-nominated Poor Things features a trio of stories and an all-star cast (Emma Stone, Willem Dafoe, Jesse Plemons, Margaret Qualley, Hong Chau, Joe Alwyn, Hunter Schafer, and Mamadou Athie) each playing multiple roles over the three chapters. Kinds of Kindness will surely feature Lanthimos’s signature heightened reality and disturbing absurdism.

Rated R · Release date June 21

Thelma

Ninety-four-year-old June Squibb is the titular action hero. After being conned in a phone scam, the nonagenarian sets out on a course of revenge, aided by her best friend (the late Richard “Shaft” Roundtree). Parker Posey and Clark Gregg co-star.

Rated PG-13 · Release date June 21

Daddio

Originally conceived by writer-director Christy Hall as a two-hander stage play, Daddio focuses on a woman (Dakota Johnson) and the cabbie (Sean Penn) who drives her from JFK to her midtown Manhattan apartment. What ensues is an informal therapy session that covers everything from the dangers of romance, commitment, and the difference between the sexes.

Rated R · Release date June 28

Horizon: Chapter 1

Kevin Costner directs and stars in this multi-chaptered Western. Subtitled “An American Saga,” the stories view the shaping of the West from a variety of viewpoints, including the forced relocation of indigenous people. Sienna Miller, Sam Worthington, Luke Wilson, Jena Malone, Will Patton, Dale Dickey, and a roster of big names co-star.

Rated R · Release date June 28

A Quiet Place: Day One

In this third installment, the series returns to the alien invasion that began with the 2018 debut. Michael Sarnoski, of the Nicolas Cage thriller Pig, directs the prequel that will most likely explain the space invaders’ presence on Earth.

Rated PG-13 · Release date June 28

Beverly Hills Cop: Axel F

Detroit detective Axel Foley (Eddie Murphy) returns to investigate the death of an old friend. Having just revisited Coming to America, Murphy unsurprisingly returns to the fish-out-of-water Foley, exposing corruption in local police ranks.

Rated R · Release date July 3

MaxXxine

The horror trilogy, which began with X and Pearl, features the lone survivor of the inaugural 1970s-slasher entry. Kevin Bacon, Elisabeth Debecki, Giancarlo Esposito, Bobby Cannavale, Lily Collins, and Michelle Monaghan feature in another outing with deranged killers in the heyday of the infamous Night Stalker.

Rated R · Release date July 5

Longlegs

It Follows’ Maika Monroe is an FBI agent investigating a series of killings that may or may not have some occult leanings; Nicolas Cage is the eccentric who may or may not be solely responsible for the murders. Director Osgood Perkins takes on the familiar federal agent versus the serial killer plot made popular by the Oscar-winning Silence of the Lambs.

Rated R · Release date July 12

Sing Sing

This story focuses on a convict (Colman Domingo) and several felons involved in a theater program designed for occupants of the titular penitentiary. While creating an original production, they find solace in treading the boards. Many of the prisoners are played by real-life former members of the prison-based theater groups.

Rated R · Release date July 12

Fly Me to the Moon

Rom-com meets the Space Race with PR whiz (Scarlett Johansson) and alpha astronaut (Channing Tatum). Best known for his superhero oeuvre, Greg Berlanti directs a cast that includes Ray Romano, Woody Harrelson, and Jon Rash.

Rated PG-13 · Release date July 12

Deadpool & Wolverine

Ryan Reynold’s third Deadpool movie also stars Hugh Jackman as Wolverine, along with Jennifer Garner as Elektra. This Marvel Cinematic Universe/X-Men crossover gives the summer a hyper-doze of superhero power.

Rated R · Release date July 26

Cuckoo

Euphoria’s Hunter Schaefer enters the world of horror with a tale of a family vacation at a Bavarian resort, replete with residents who vomit and walk the halls like zombies. In addition to family drama, the owner (Dan Stevens) adds an additional creepy vibe.

Rated R · Release date August 2

Borderlands

Based on the best-selling videogame, the film follows a group of misfits on the planet Pandora on a mission to save a missing girl who holds the key to unimaginable power. Cate Blanchett, Kevin Hart, Jack Black, Ariana Greenblatt, and Jamie Lee Curtis star in this action-adventure.

Rated PG-13 · Release date August 9

Alien: Romulus

Little has been revealed about this new addition to the Alien franchise except that it occurs between the first and second films. Best of all, Aliens’ creature design team developed the look and feel of this entry’s Xenomorphs.

Rated R · Release date August 16

The Crow

Bill Skarsgård takes on this controversial reboot as a late musician brought back from the dead to avenge the murder of his soulmate. Based on James O’Barr’s comic series, the role is associated with Brandon Lee, and the tragic circumstances surrounding the original 1994 cult movie.

Rated R · Release date August 23

With a mix of comedy, drama, thriller, and pure escape—along with the usual sequels—summer 2024 promises something for every filmgoer.

This article originally appeared in TBR News Media’s Summer Times supplement on June 20.

ACADEMY AWARD ROUNDUP 2024: Top contenders for Best Picture, Director and more

by Jeffrey Sanzel - March 7, 2024

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'Barbie' — Greta Gerwig and Noah Baumbach’s Barbie is most deserving for Best Adapted Screenplay.

By Tim Haggerty and Jeffrey Sanzel

The 96th Academy Awards will be held on March 10 at the Dolby Theatre in Hollywood. Oppenheimer leads with thirteen nominations, followed by Poor Things with eleven and Killers of the Flower Moon with ten. Even the most basic speculation is subjective, but here are some thoughts on the contenders.

The primary artist is the writer. If the writing is poor, nothing follows. So, to begin:

Best Original Screenplay. For pure storytelling, Anatomy of a Fall dealt powerfully with a woman accused of pushing her husband off a balcony. Played out almost entirely at the trial, the script succeeds on the level of Twelve Angry Men. Possible spoilers could be The Holdovers or Past Lives, with screenplays providing poignant performance opportunities. An honorary mention goes to May December, which offered a brutal look at Hollywood’s nearly perverse obsession with biopics.

Best Adapted Screenplay. While a reflection of another’s work, these screenplays allow one to envision a story through a fresh prism. This year, the category is highly competitive. Zone of Interest is intense and visceral, but its success derives more from the visuals and not necessarily the script. Poor Things takes the book’s absurdity to eleven, elevating the original novel. American Fiction is strong when representation turns character into characterization.

The frontrunner—Oppenheimer—is an extraordinary achievement of making the technical both accessible and thrilling. However, Greta Gerwig and Noah Baumbach’s Barbie is most deserving. After decades of failed attempts to bring Barbie to the screen, they triumphed far beyond expectations: “We mothers stand still so our daughters can see how far they’ve come.”

Best Actress in a Supporting Role. Da’Vine Joy Randolph’s stellar performance in The Holdovers has swept this category in every major award. Her performance is the heart of an amazing film.

Best Actress in a Leading Role. Perhaps the hardest pick of the year, with frontrunners Emma Stone (Poor Things) and Lily Gladstone (Killers of the Flower Moon) running head-to-head (much like last season’s Michelle Yeoh and Cate Blanchett). While both are deserving, it will come down to maximalist versus minimalist: Poor Thing’s exclamation points or Flower Moon’s full stops. Regardless, the winner will lead to months of debate and discussion. Two major snubs in this category are Margot Robbie’s brilliant Barbie and Greta Lee for Past Lives.

Best Actor in a Supporting Role. Yes, Ryan Gosling was fun as Barbie’s Ken, but it is unlikely to garner him his first Oscar. Plain and simple, Robert Downey Jr. will take home the trophy for Oppenheimer.

Best Actor in a Leading Role. While not as close as Leading Actress, the two major considerations are Cillian Murphy (Oppenheimer) and Paul Giamatti (The Holdovers). Giamatti would be victorious in another year, but Murphy’s monumental Oppenheimer carried a film that required a flawless performance at its helm. Not nominating Zac Efron’s moving portrayal in The Iron Claw, which highlighted the dangers of toxic masculinity, was an egregious slight.

Best Director. As seen in other categories, all the nominees would win years when they were not competing against each other. This is especially true of Yorgos Lanthimos’s work on Poor Things. But there is no question that Christopher Nolan will take home the trophy for Oppenheimer. A master of the craft, Paul Thomas Anderson’s praise for Nolan’s Dunkirk applies here: “It’s great to still be able to see someone’s film and think ‘How the —- did he do that?” And that statement is the same for Oppenheimer. The most brutal snub of the year is unquestionably Greta Gerwig’s absence from a directorial nomination for Barbie. Her exceptional vision deserves accolades and highlights the industry’s systemic problems.

Best Picture. This year in film has been the best since before the COVID-19 pandemic. Once again, every film deserves an award for its own elements. But ultimately, Oppenheimer was the biggest artistic (if not financial) success. A work unlike any other, the film checks every box.

So, on Sunday night, settle in with your popcorn and see how the drama unfolds!

Bonus Quick Picks:

Documentary Short Film. While ABC’s of Book Burning will win, Nai Nai & Wai Po is a beautiful, gentle story.

Documentary Feature. 20 Days in Mariupol

International Film. The Zone of Interest. (Honorable Mention: Perfect Days)

Live Action Short Film. Wes Anderson will get his first Oscar for his adaptation of Roald Dahl’s The Wonderful Story of Henry Sugar.

Animated Feature Film. The Boy and the Heron

Original Song. A no-brainer: Billie Eilish’s Barbie tune: “What Was I Made for?”

Score. Oppenheimer will win over Poor Things, more avant-garde sound.

Visual Effects. Godzilla Minus One burns the competition.

Sound. Oppenheimer will win, but Zone of Interest is most deserving.

Production Design. A tight race between Barbie and Poor Things—bringing back the forgotten artform of sound stage sets, both “authentically artificial.” The latter probably has the edge.

Makeup and Hairstyling. Poor Things

Costume. Barbie or Poor Things

Film Editing. Oppenheimer, but Killers of the Flower Moon could steal it.

Cinematography. Oppenheimer

A TALE OF REDEMPTION: Timeless classic ‘A Christmas Carol’ returns to Theatre Three for the holidays

by Stephanie Giunta - November 16, 2023

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By Stephanie Giunta

Almost 180 years ago, Charles Dickens gave us the immortal gift of A Christmas Carol, which has become a pillar of holiday culture and a reminder to hold the spirit of the season near and dear.

Port Jefferson’s Main Street, already adorned with wreaths on the lamp posts in preparation for its 27th annual Charles Dickens Festival, was only trumped by Theatre Three’s warmth and inviting decor during last Saturday’s opening night performance of the holiday classic. Carolers, singing familiar tunes before the show, further ignited the magic of Christmas in the air.

Revisited, adapted, and never told quite the same way twice, Theatre Three’s version transports the audience back to 19th century England for an introspective, festive excursion that touches hearts and minds in a profound way. Jeffrey Sanzel, the show’s executive artistic director who doubles as the stingy curmudgeon, Ebenezer Scrooge, reinvents the show each season, bringing a unique twist and newfound beauty to the timeless tale.

Sanzel’s versatility is remarkable; his expressive nature and ability to portray a character with such complex, emotional layers is exceptional. Along with the power of his reprimands, I could feel Scrooge’s sardonic “Good Afternoon!” down to my bones. I felt like I was being asked to leave the office along with his chipper and persistent nephew, Fred Halliwell (Sean Amato) and warm and loving clerk, Bob Cratchit (Ray Gobes Jr.) on Christmas Eve. Both Fred, joyful and optimistic, and Bob, loyal and dedicated, are talented bookends who symbolize the redemption, compassion, and transformative power of the Christmas spirit over even the harshest of humans.

The Fezziwig duo, played by the talented Stephen T. Wangner and Ginger Dalton, are the essence of fanciful charm. Their playful interaction and bubbly nature personify the merriment of the season. I could smell their mince pies, plum porridge, and zest for life from a mile away. In tandem, daughter, Belle Fezziwig (Julia Albino), wonderfully captures Scrooge’s heart, but pivots beautifully to letting him go to his newfound love: money.

A flawless performance from the three spirits is not to forget. Cassidy Rose O’Brien is angelic as the Ghost of Christmas Past, walking Scrooge through a painful review of his mistakes and heartbreaks, including the loss of his relationship with Belle, and the deaths of his older sister, Fan (Alexa Eichinger, Brooke Morrison) and partner, Jacob Marley (Steven Uihlein).

I was particularly enthralled with the scene in which townspeople are asking Scrooge to “Buy” or “Sell.” There are so many overlapping dialogues intersecting at once, providing the audience with a line of sight into Scrooge’s psyche, and how he may be processing the key occurrences of his past simultaneously. It was brilliant.

The Ghost of Christmas Present (Wangner) has a belly laugh that echoes throughout the theater, yet showcases the firm, tough love Scrooge needs to realize the gravity of matters at hand.

Lastly, I mouthed “wow” when the Ghost of Christmas Yet to Come (Amato) appeared on stage. What a vision! The scenes that follow produce a scared-straight version of Scrooge that even he didn’t know existed.

I would be remiss in mentioning the short scene featuring Mrs. Dilber, Scrooge’s housekeeper (Dalton), in which she was inebriated on his gravesite. Her quick wit and boisterous mirth adds an unexpected and appreciated twang of comedy to the performance.

Randall Parsons and Jason Allyn truly bring 19th century England to Port Jefferson through beautiful production design and authentic costuming. The audience is transported through time with spine-tingling special effects by Robert W. Henderson Jr., and Brad Frey injects jollity into the atmosphere with signature Victorian carols and hymnal tunes.

When I first saw A Christmas Carol about 20 years ago, I remember being impressed with Scrooge and the cast because they made the story feel so real. Through an adult lens, it was even more apparent. Somehow, Sanzel and the cast are able to draw out a variety of emotions, connecting you not only to Christmas, but the treasures of giving of yourself to those less fortunate, being kind to others, and finding happiness. It’s a show that plays on the heartstrings in so many different capacities, reminding children and adults alike of what is most important during the holidays.

Theatre Three makes Christmas spirit feel so tangible that you can wrap it up in a box with a big, red bow. Bravo to Sanzel and the cast for bringing something so wonderful to life! Be sure to stick around post-performance for a photo memento with Scrooge. The $5 charge contributes to the theater’s scholarship fund.

CAST & CREW: Julia Albino, Jason Allyn, Sean Amato, Karin Bagan, Steven Barile Jr., Kyle M. Breitenbach, Mairead Camas, Shannon Cooper, Ginger Dalton, Alexa Eichinger, Angelina Eybs, Sari Feldman, Griffin Fleming, Brad Frey, Julie Friedman, Christina Gobes, Ray Gobes Jr., Skye Greenberg, Tim Haggerty, Kathleen Arabelle Han, Robert W. Henderson Jr., Patrick Hutchinson, Zach Kanakaris, Linda May, Brooke Morrison, Cassidy Rose O’Brien, Randall Parsons, William Roslak, Jeffrey Sanzel, Finn Thomas, Isabela Thomsen, Melissa Troxler, Steven Uihlein, Addyson Urso, Stephen T. Wangner, Cassidy Worrell, Kaylin Zeidler and Stanley Zinger

Theatre Three, 412 Main St., Port Jefferson will present “A Christmas Carol” through Dec. 30. All tickets are $25 in November and range from $25 to $40 in December. To order, call 631-928-9100 or visit www.theatrethree.com.

See a trailer of the show here.

Most anticipated movies for Fall and Winter 2023

by Jeffrey Sanzel - September 20, 2023

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TheColorPurpleTrailerRelease — ‘The Color Purple’ heads to theaters on Christmas Day. Photo courtesy of Warner Bros. Pictures

By Tim Haggerty and Jeffrey Sanzel

Filmgoers can look forward to an exciting field of offerings for the fall and holiday season. A wide range of releases promises a host of titles in a strong cross-section of genres including horror, musicals, historical dramas, and family movies. Here are some of the most anticipated movies for the rest of 2023, listed in order of release date. Ready, set, … action!

A Haunting in Venice

Kenneth Branagh’s follow-up to Death on the Nile is A Haunting in Venice, his third outing as celebrated sleuth Hercule Poirot. The Agatha Christie-inspired story focuses on murder during a séance and promises thrills offered up by a star-studded. Along with director-actor Branagh are Tina Fey, Jamie Dornan, Kelly Reilly and Michelle Yeoh, among others.

Rated PG-13· Release date September 15

Saw X

While not for the faint of heart (or stomach), Saw X marks the tenth in the Jigsaw saga. The film is set between the events of Saw and Saw II and follows a desperate man traveling to Mexico for a medical procedure, which is revealed to be a scam. Tobin Bell once again takes on the role of John Kramer/Jigsaw.

Rated TBA· Release date September 29

The Exorcist: Believer

David Gordon Green appropriately follows the end of his recent Halloween trilogy with The Exorcist: Believer. Originally, the producers were going to reboot the series, but instead have opted for a direct sequel to the landmark 1973 original. Ellen Burstyn reprises her starring role.

Rated R· Release date October 13

Killers of the Flower Moon

It has been four years since Academy Award-winner Martin Scorsese’s much-lauded The Irishman. Now, the great director presents Killers of the Flower Moon. Based on David Grann’s bestseller of the same name, the film centers on a series of Oklahoma murders in the Osage Nation during the 1920s, committed after oil was discovered on tribal land. The film, which stars Leonardo DiCaprio, Robert De Niro, Lily Gladstone, John Lithgow, Jesse Plemons, Tantoo Cardinal and Brendan Fraser, promises to be one of the fall’s best and most exciting films.

Rated R· Release date October 20

Priscilla

Sofia Coppola tells the Elvis story through meeting, courtship, and marriage in Priscilla. Based on Priscilla Presley’s memoir Elvis and Me, Coppola creates the private life of the superstar in what will hopefully be her signature brilliance, blending high art with raw emotion. Cailee Spaeny and Jacob Elordi star as Priscilla and Elvis.

Rated R· Release date October 27

Five Nights at Freddy’s

Taking its cue from the video game, Five Nights at Freddy’s follows a security guard (Josh Hutcherson) on night-time patrol at Freddy Fazbear’s Pizza, an abandoned family entertainment center, where animatronic mascots kill anyone there after midnight.

Rated PG-13 Release Date October 27

Pain Hustlers

David Yates features Emily Blunt, Chris Evans, Andy Garcia, and Catherine O’Hara in Pain Hustlers, a true-events crime drama centered on a criminal conspiracy at a pharmaceutical start-up.

Rated R· Release date October 27

The Marvels

The Marvel Universe expands with The Marvels, a Captain Marvel sequel starring Nia DaCosta, along with Brie Larson as Carol Danvers, and Iman Vallanis’ Kamala Khan (Ms. Marvel of the Disney+ series).

Rated PG-13· Release date November 10

The Hunger Games: The Ballad of Songbirds & Snakes

The multi-million-dollar Hunger Games franchise returns with a prequel based on Suzanne Collins’ novel The Hunger Games: The Ballad of Songbirds & Snakes. Series vet Francis Lawrence directs the story that follows young Coriolanus Snow (played by Donald Sutherland in the previous four films) and his involvement with the Hunger Games.

Rated PG-13· Release date November 17

Next Goal Wins

Based on the 2015 documentary, Next Goal Wins tells the story of Dutch American soccer coach Thomas Rongen (Michael Fassbender), hired to help turn around the American Samoa national team, considered one of the worst in the world. (The trailers suggest a warm Ted Lasso vibe.)

Rated PG-13· Release date November 17

Napoleon

Napoleon joins director Ridley Scott with Joaquin Phoenix as the French general-turned-emperor. While the film will include a number of Napoleon’s most famous battles, its primary focus is on his tempestuous love story with his first wife, Joséphine (Vanessa Kirby).

Rated R· Release date November 22

Maestro

Perhaps one of the most anticipated fall films is Bradley Cooper’s biopic Maestro. Director Cooper has co-written (along with Josh Singer) the screenplay in which he stars as the extraordinary and complicated musician Leonard Bernstein. The film also stars Carey Mulligan, Maya Hawke and Jeremy Strong.

Rated R· Release date November 22

Wish

Disney’s Wish chronicles the origin story of the Wishing Star, with Ariana DeBose, Chris Pine and Alan Tudyk starring in Frozen writers Jennifer Lee and Chris Buck’s screenplay. When darkness falls upon the Kingdom of Wishes, a young girl wishes upon a star to save her home, only to have the star physically come to her aid and becomes her sidekick. If the advance buzz is any indication, the animated film could become another Disney classic.

Rated TBA· Release date November 2

Poor Things

Emma Stone plays Bella Baxter, a young suicide brought back to life by a scientist (Willem Dafoe) in the unusual and surreal Poor Things, based on the 1992 Alasdair Gray novel.

Rated R· Release Date December 8.

Wonka

Timothée Chalamet takes on the title role in Wonka, an origin story of the eccentric candy maker. Paddington director Paul King has assembled an all-star cast with Olivia Colman, Sally Hawkins, Keegan Michael-Key, and Rowan Atkinson. The film promises to be a visual feast and a fascinating take on Roald Dahls’ legendary character.

Rated PG· Release date December 15

The Color Purple

Stephen Spielberg filmed Alice Walker’s indelible novel The Color Purple in his Oscar-nominated 1985 film. Now Blitz Bazawule brings the Broadway musical to the big screen, with Danielle Brooks, Halle Bailey, Fantasia Barrino, Taraji P. Henson, and Louis Gossett Jr., showcasing the Tony-nominated score by Brenda Russell, Allee Willis, and Stephen Bray.

Rated PG-13· Release date December 25

This article originally appeared in TBR News Media’s Harvest Times supplement on Sept. 14.

2023 Summer Movie Guide: 14 best new films to watch

by Jeffrey Sanzel - July 2, 2023

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By Tim Haggerty & Jeffrey Sanzel

This summer’s cinematic offerings range from blockbusters to independents, with Hollywood stars intermingled with well-known character actors and a handful of up-and-coming personalities.

Indiana Jones and the Dial of Destiny

First up is the fifth installment of the Indiana Jones franchise: Indiana Jones and the Dial of Destiny. Three decades in, Harrison Ford continues his adventures three decades in as the titular professor of archeology, Dr. Henry Walton Jones, Jr. Approaching retirement, Indy must don his hat and pick up his whip once more to make sure an ancient and powerful artifact, the Antikythera, doesn’t fall into the wrong hands. Phoebe Waller-Bridge plays his goddaughter.

Rated PG-13 · Release date June 30

Insidious: The Red Door

Patrick Wilson makes his feature directorial debut with The Red Door. Wilson and Rose Byrne appear in this last entry of the Insidious run, in which the original Lambert family attempts to (finally?) exorcise the demons plaguing them. (As with most horror movies of this ilk, demons surprisingly can be resurrected by decent box office returns.)

Rated PG-13 · Release date July 7

Joy Ride

Joy Ride stars Oscar-nominated Stephanie Hsu (Everything Everywhere All at Once) joins Ashley Park, Sherry Cola and Sabrina Wu in a buddy comedy about a quartet of friends who embark on a trek across Asia to help one of their group search for her birth mother. Directed and co-written by Adele Lim (Crazy Rich Asians).

Rated R · Release date July 7

Mission: Impossible 7

Ving Rhames, Simon Pegg, and Rebecca Ferguson join headliner Tom Cruise in Mission: Impossible—Dead Reckoning, Part One. Ethan Hunt (Cruise) and his team embark on “their most dangerous mission,” tracking down a weapon that threatens humanity in this action-franchise. The claim is that Dead Reckoning, Part Two (due out June 28, 2024) will be the final chapter.

Rated PG-13 · Release date July 12

Theater Camp

Budding thespians are the target of the satirical Theater Camp which follows the eccentric staff of a rundown theatre camp in upstate New York as they come together with a less-than-theatrically-inclined member of the camp family to keep the program going following the sudden absence of the beloved founder with Dear Evan Hansen’s Ben Platt playing a counselor guiding the campers in their summer’s big show.

Rated PG-13 · Release date July 14

Oppenheimer

Christopher Nolan’s Oppenheimer promises to be a dark, powerful, and cutting-edge biopic of the scientist J. Robert Oppenheimer, chronicling his work on the atomic bomb and the repercussions on his professional and personal lives. Cillian Murphy plays Oppenheimer, supported by an extraordinary cast: Emily Blunt, Matt Damon, Robert Downey Jr., Kenneth Branagh, Florence Pugh, Benny Safdie, Gary Oldman, Rami Malek, and Josh Hartnett.

Rated R · Release date July 21

Barbie

Possibly the most anticipated release is Greta Gerwig’s Barbie. With an all-star cast—Margot Robbie, Ryan Gosling, Kate McKinnon, Issa Rae, Will Ferrell, Dua Lipa and many others—the meta-comedy shows a particular Barbie (Robbie) and Ken (Gosling) as they venture into the real world. If the trailers reflect the finished production, it should be one of the summer’s best.

Rated PG-13 · Release date July 21

Haunted Mansion

Haunted Mansion is Disney’s latest foray into bringing amusement park rides to the big screen. A woman and her son enlist a motley crew of so-called spiritual experts to help rid their home of supernatural squatters. All -star cast includes LaKeith Stanfield, Danny DeVito, Owen Wilson, Rosario Dawson, Jared Leto, Winona Ryder, Tiffany Hadish and Jamie Lee Curtis.

Rated PG-13 · Release date July 28

Talk to Me

The Australian horror film Talk to Me was a hit at the Sundance Film Festival and has already garnered excellent reviews. The traditional plot centers on friends who unwittingly unleash malevolent forces when conjuring spirits with an embalmed hand.

Rated R · Release date July 28

TMNT: Mutant Mayhem

The Teenage Mutant Ninja Turtle phenomenon returns with Teenage Mutant Ninja Turtles: Mutant Mayhem. The movie’s revival is due to longtime fans Seth Rogen and Evan Goldberg and is computer animated feature emphasizing the “teenage” element of the original comics.

Rated PG-13 · Release date August 2

Strays

Will Ferrell leads an all-star voice cast (Jamie Foxx, Isla Fisher, Josh Gad, Will Forte, Sofia Vergara) in the adult live-action animal adventure Strays. A naive border terrier (voice of Ferrell), abandoned by his deadbeat owner, decides to trek back home to exact his revenge.

Rated R · Release date August 18

Blue Beetle

Those seeking a superhero infusion will embrace Blue Beetle. Cobra Kai’s Xolo Maridueña plays the title character in this DC origin story about a recent college grad who becomes possessed by the Scarab, an ancient alien biotechnological relic, which turns him into the Blue Beetle. With Susan Sarandon and George Lopez.

Not Rated · Release date August 18

Bottoms

After her dark comedy Shiva Baby, director Emma Seligman’s sophomore outing is Bottoms. Seligman reunites with Shiva Baby’s Rachel Sennott for this teen sex comedy in which two high school seniors create a fight club so they can hook up with cheerleaders.

Not Rated · Release date August 18

Brief Encounters

Brief Encounters is the summer’s most unusual opening. Filmed in 1967, the movie was banned in the Soviet Union and is finally getting its formal American release. Romanian-born director Kira Muratova (generally identified as Ukranian) sets a romantic triangle amid the casual shortages and shoddy apartments of professional-class Odessa.

Not Rated · Release date August 25

With a mix of comedy, drama, thriller, and pure escape—along with the usual sequels—summer 2023 promises something for every filmgoer.

This article originally appeared in Summer Times, TBR News Media’s seasonal guide supplement.

Oscar Roundup: Everything everywhere all at once on predictions for 2023

by Jeffrey Sanzel - March 9, 2023

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'Everything Everywhere All At Once' is the clear favorite to nab an Oscar for Best Picture at the 95th annual Academy Awards.

The Academy Awards will air live on ABC Channel 7 this Sunday at 8 p.m.

By Tim Haggerty and Jeffrey Sanzel

The 95th Academy Award contenders comprise a wealth of options. Better films provide excellent performance opportunities, so the fields are tight ones. As always, there is the potential for a great number of upsets. Who will take home the statues on March 12 at Los Angeles’ Dolby Theatre remains to be seen. But here are a few thoughts.

While all the actors up for Best Actor in a Supporting Role turned in stunning performances, the clear favorite is the once-in-a-lifetime performance of Ke Huy Quan from Everything Everywhere All at Once. Quan gives a dimensional performance that mines both the humor and the day-to-day struggle of the many-faceted character. This he accomplishes with a jaw-dropping facility, finding beauty in sadness but shining in the fantastical shades of the character. While all the other nominees are first-rate, none display Quan’s multiple sides. Barry Keoghan won the BAFTA for The Banshees of Inisherin but is unlikely to bump Quan.

‘All Quiet on the Western Front’ is in line to win Best International Feature Film.

Longshots for Actress in a Supporting Role are Angela Bassett (Black Panther: Wakanda Forever) and Hong Chau (The Whale), both presenting excellent work but will be overshadowed by a year of showy performances that had surprising depth. Also unlikely is Kerry Condon’s stern sensibility in The Banshees. Finally, it will come down to Jamie Lee Curtis and Stephanie Hsu, both offering simultaneously eccentric and grounded work in industry favorite Everything Everywhere. It is a toss-up, but veteran Curtis is probably favored, receiving the award for both the film and her body of work.

Much like Supporting Actress, Actor in a Leading Role comes down to two equally worthy possibilities. While Austin Butler gave a good performance as Elvis, the script was weak and did not provide the dimension that would put him on a fast track to winning. Bill Nighy’s Living was too subdued and reserved to receive the Academy’s highest accolade. Paul Mescal’s Aftersun was powerful, but the film did not reach a wide enough audience.

Actor in a Leading Role comes down to Colin Farrell in Banshees and Brendan Fraser in The Whale. Given the raw, heart-breaking performance—and a range unseen in Fraser’s previous oeuvre—the Oscar is his to lose. However, the fact that it is unlike anything in his career gives him an even stronger edge.

Ana de Armas’s Marilyn in Blonde falls into the same problematic situation as Butler. She gives a sympathetic performance in an apathetic and unnecessarily exploitative film. The controversial nomination of Andrea Riseborough (To Leslie) earned her and the film little support—most likely taking the spot from Danielle Deadwyler’s flawless mother in Till. Michelle Williams is always good, but The Fabelmans does not display any surprises. It is a shame that Cate Blanchett’s searing composer (TÁR) and Michelle Yeoh’s multi-universe laundromat owner are up against each other. These are two exceptional performances, and both actresses deserve to stand on the Dolby stage—these are career bests. While a tie would solve the problem, the never-awarded Yeoh has a slight edge over the Oscar-winner Blanchett.

The now glutted Best Picture field includes fillers: the bloated Avatar: The Way of Water (visually stunning but overlong), the ultimate popcorn Top Gun: Maverick (an improvement over the original but still popcorn), and Elvis (clumsy and wrong-headed). Triangle of Sadness was a fascinating exercise, and Women Talking was emotionally gut-wrenching, but both played below the radar. All Quiet on the Western Front will win Best International Feature Film. The critically lauded TÁR and Banshees would have had better chances last season. In another year, Steven Spielberg’s autobiographical The Fabelmans would score the top prize. But the clear favorite is the mind-bending, startling, and outrageous Everything Everywhere All at Once.

As for Directing and Writing (Original Screenplay), the path reflects the Best Picture. In this case, Daniel Kwan and Daniel Scheinert will go home with the Oscars for their exceptional work in both categories for the historically unique Everything Everywhere. All Quiet or (possibly) Women Talking will take Writing (Adapted Screenplay).

A few shoutouts:

Animated Feature Film should go to the glorious Guillermo del Toro’s Pinocchio—the third Pinocchio film of the year—but the only one of any weight (or value). The moving meditation on mental health, The Boy, the Mole, the Fox and the Horse, will take home Best Short Film (Animated). The quirky Christmas Day orphanage Le Pupille will most likely win Short Film (Live Action). The Whale demonstrated true artistry in the transformation of Brendan Fraser, making it the most deserving for Makeup and Hairstyling. Music (Original Score) could go to either the chilling strings of All Quiet or the bombast of Babylon. Avatar’s only hope for an award is Visual Effects, with Sound going to Top Gun: Maverick.

When all is said, 2022 will be remembered as a strong year for original stories. In a business that thrives on remakes and sequels, this year’s films are a wealth of standalone tales.

Theatre Three’s ‘Festival of One-Act Plays’ does not disappoint

by Julianne Mosher - March 1, 2023

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By Julianne Mosher

For 24 years, Theatre Three’s “Festival of One-Act Plays” has been bringing new voices to the not only Port Jefferson, but to all of Long Island.

Festival founder and director Jeffrey Sanzel told the audience on opening night that the festival, which is nearing a quarter-of-a-century next year, received 750 submissions for the 2023 season from all around the world. “I’m expecting 1,000 next year,” he said.

And of those 750 submissions, eight were selected, directed, rehearsed and will now be performed through March 25. Of those eight, none disappoint.

For an hour-and-a-half, the audience sits quietly, engaged, watching, listening to what the actors have to say. And the lineup is unique — as a viewer, you don’t really know what to expect coming in.

The festival starts off with “Down to the Wire,” written by Julia Everitt, a New York City-based playwright with 37 stage plays to her name. This piece shows us what goes on inside a college dormitory, when a roommate played by Danielle Pafundi is hilariously losing her mind thanks to procrastinating an assignment. And despite what you might think, the play is not about camels.

Then comes “A Citrus Day,” by Mark Cofta, a Pennsylvania-based playwright, who sadly passed away last July. With a minimalist set of just a bus bench and a suitcase, the audience watches two strangers together unearth a dark family secret. While sad and thought-provoking, it reminds you that you just need to make lemonade when life gives us lemons. Performances by Melissa Norman and Tristan Prin are top notch.

Following the more-somber bus stop story is Leslie Dianne’s “Accepting Adina.” Father Steve Ayle and son Steven Uihlein sit side-by-side in the patriarch’s living room, packing away mementos. Together they talk about the mother, Rebecca, and how her illness and assisted living stay is impacting them both. “Accepting Adina” is a tough look at grief, but Ayle’s and Uihlein’s performances are so raw that you feel the sadness, but also the hope of the future, we all feel when a loved one is lost. Tissues are required for this one.

The best performance of the night by far was by Phyllis March in “The Dating Pool.” The scene opens up with Phyllis, 61, standing at a diving board in a dark pool. She’s visited by her 16-year-old self (Ava Andrejko), then herself at 23 (Samantha Fierro), 36 (Brittany Lacey) and 49 (Tamralyn Dorsa), where present day 61 is reminded of her lost loves of each of those lovers impacted her in that moment. The scene ends with her four former selves encouraging her to take the plunge. “The Dating Pool,” written by Arianna Rose is a thoughtful piece, and full of laughs, that can relate to any age in the audience.

After a brief intermission, we’re inside an airport with Keith Whalen’s “Unclaimed Baggage” — a hysterically funny look at coming back to the real world after a relaxing trip. Not only does Marvin (but shhh… don’t tell the clerk his name), played by Angelo Dibiase, have to pick up his suitcase and some medicine after a long plane ride, but he has a special encounter with Finn, played by Jason Furnari, who just wants to help.

Another audience favorite was Larry Brenner’s hilarious supernatural dating story “First Bite.” Here we learn about Wanda’s (Brittany Lacey) past dating history — and let’s just say she has a type — while out to dinner with John (Evan Teich). The scene starts out with a normal looking couple enjoying drinks and each other’s company, until Wanda asks John her place or his? You’re going to laugh a lot, but make sure you leave your garlic at home.

And finally, Mark Loewenstern’s “The Slightly Exaggerated True Story of ‘Civic Virtue’” concludes the show with a fascinating exploration of the intersection of the public eye and the power of art. Based loosely on the famous statue and fountain that once stood in front of New York City Hall in Manhattan, we watch a fast-paced history of architect MacMonnies’ (incredibly played by Antoine Jones) thought process behind sculpting the nude man and two sirens.

We go through nearly two centuries of the public’s opinion on it, how it moves, and have visits from some well-known elected officials including Mayor La Guardia, Anthony Weiner and Robert Moses. Not only is it a brief, inside look of a famous piece of art, but it reminds the audience how statues (no matter how sexist, racist or now-deemed inappropriate they may be) are still a part of our history. While you’ll learn from this one, you’re also going to laugh.

Tickets are $20 for the show, plus there’s a cash bar as you walk in. Make sure you visit Theatre Three’s second stage at The Ronald F. Peierls Theatre in Port Jefferson this month for a great night out. You’ll laugh, you’ll cry and you might learn a fact or two about “Civic Virtue” for your next trivia night.

Theatre Three is located at 412 Main St., Port Jefferson. For more information, or to order tickets, call 631-928-9100 or visit www.theatrethree.com.

12 Next

Page 1 of 2

Tim Haggerty

Inside Out 2

Ghostlight

The Bikeriders

Twisters

Kinds of Kindness

Thelma

Daddio

Horizon: Chapter 1

A Quiet Place: Day One

Beverly Hills Cop: Axel F

MaxXxine

Longlegs

Sing Sing

Fly Me to the Moon

Deadpool & Wolverine

Cuckoo

Borderlands

Alien: Romulus

The Crow

Bonus Quick Picks:

A Haunting in Venice

Saw X

The Exorcist: Believer

Killers of the Flower Moon

Priscilla

Five Nights at Freddy’s

Pain Hustlers

The Marvels

The Hunger Games: The Ballad of Songbirds & Snakes

Next Goal Wins

Napoleon

Maestro

Wish

Poor Things

Wonka

The Color Purple

The Academy Awards will air live on ABC Channel 7 this Sunday at 8 p.m.

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