Tags Posts tagged with "Saturday Night Live"

Saturday Night Live

The Long Island Music and Entertainment Hall of Fame (LIMEHOF) in Stony Brook hosted LIMHOF inductee Albert Bouchard on Feb. 22. The former Blue Öyster Cult member who played the cowbell on the recording “(Don’t Fear) The Reaper” reflected on the impact this Long Island band had on pop culture. 

Bouchard spoke about the writing of the song, the famous Saturday Night Live skit “More Cowbell” which aired on April 8th, 2000 starring Christopher Walken and Will Ferrell, and how the expression “I’ve got a fever, and the only prescription is more cowbell” remains iconic!

“I love being a part of this organization (LIMEHOF),” Bouchard said. “Everyone’s like “How come you’re not in the Rock and Roll Hall of Fame? I don’t really care about that. To me, you look at what’s going on there it’s not all Rock and Roll and that’s a subjective classification anyway. This, you’re talking about music and entertainment. It’s exactly what it is. It’s properly named, and you have the real people. It’s not just a popularity cult contest. It’s people who really made a difference from Long Island so I think this is a fantastic organization to belong to and I’m really delighted to be part of it.”

Norm Prusslin, co-founder LIMEHOF and current board member organized and hosted the event. He said it’s an important part of the organization’s mission to host inductees and local artists to share insights and stories most people might not know about historical events they lived through and the ups, downs and pressures of the music industry.

“Albert has been a good partner of LIMEHOF since we started,” said Prusslin. “Clearly all the hoopla about the Saturday Night Live 50th anniversary year and the fact that the ‘More Cowbell’ skit has been one of the top skits ever in their 50-year history I thought it might be fun to see if Albert was available to come out and talk about the recording of the song and about the skit and the impact that the skit has had to the band and to him and to pop culture itself. I knew that since Albert was a former member of Blue Öyster Cult, and that band was formed in Stony Brook, there’d be a lot of interest for people to come out and to share some stories that people may not know.”

Bouchard said he didn’t know SNL was planning on running a skit about the recording of the song at the time it aired, so it came as a surprise to him when he heard about it. He originally thought it was going to be terrible but after seeing it his reaction was one of delight.

“Oh my God this is so funny!” Bouchard recounted. “This is like just what happened… then I thought, how did he even hear the cowbell? To this day I cannot watch it without smiling. There’s always some little bit that makes me go ‘oh my God’ that was it.”

One major error that the skit made that Bouchard corrected was the producer. The SNL skit had Christopher Walken playing the famous music producer Bruce Dickinson. The original credits list three producers of the song — David Lucas, Murray Krugman and LIMEHOF inductee Sandy Pearlman. Of the three it was David Lucas who had the idea to add in the cowbell.

The back story about the producer mix up is that the writers of the skit saw a credit for Bruce Dickinson from a compilation album, not the original record of the song, which lead to the confusion.

Bouchard went on to explain how it happened in real life and that there were similar debates about including the cowbell at the time. At one point Bouchard wanted to play a triangle instead, but that was changed to a cowbell.

“David wanted to hear the cowbell in it,” Bouchard explained. “I never quite understood why he wanted it and then a couple of years ago he said … ‘I wanted some pulse, some quarter note pulse like a metronome but not a metronome to balance off all those eighth notes. Everything was eighth notes the whole song if you listen to it’… The cowbell balances that with a quarter note pulse. A brilliant idea when you think about it.”

“If it was up to me, it wouldn’t be on the song,” Bouchard continued. “I never would have thought to put a cowbell on it. It was David Lucas’s idea, and I just happened to be his tool to make that happen since I happened to be in the studio at the time…. It worked, that’s the bottom line. The cowbell riff worked, the cowbell skit worked, the song worked. It’s all about making people feel good.”

About LIMEHOF

Founded in 2004, the Long Island Music and Entertainment Hall of Fame is a 501(c)(3) organization dedicated to the idea that Long Island’s musical and entertainment heritage is an important resource to be celebrated and preserved for future generations. The organization, which encompasses New York State’s Nassau, Suffolk, Queens, and Kings (Brooklyn) Counties, was created as a place of community that inspires and explores Long Island music and entertainment in all its forms. In 2022, LIMEHOF opened its first Hall of Fame building location in Stony Brook. To date, the organization has inducted more than 130 musicians and music industry executives, and offers education programs, scholarships, and awards to Long Island students and educators.

To find out more about upcoming LIMEHOF events, check out https://www.limusichalloffame.org/events/

 

by -
0 1269

One fact that we can all agree on at the tail end of this clamorous and divisive election season is how happy we are that it is almost over. In a presidential campaign that has been part entertainment, part embarrassment, only slightly about the grave issues of the day, but wholly history making, the people are exhausted. Bombarded relentlessly with political messages, robocalls, knocks at the door, endless campaign literature and ugly ads, citizens are yearning for an end. May it all truly be over next Tuesday night.

For all the talk, though, about how insufferable the electioneering has been, the candidates have gotten the attention, albeit negatively, of the electorate. At business lunches, during hair-stylist appointments, at cocktail parties and the daily exchanges at the bus stops, the latest election tomfoolery is the topic of the day. Conversations about the weather, that perennial conversation fodder, are finally being overtaken by the latest political revelations. For a nation that has long been declared apolitical, we breathlessly keep up with who has hurled what insult at whom and what new leaks the media are revealing. It seems to matter little if the leaks are corroborated or not, and social media, the preferred vehicle for dissemination, does not automatically offer any fact checking. Anyone can get away with saying anything, and the more outrageous and indecent, the greater number of viewers. The gloves of decency and civility are off.

In our presidential election, we are exploring the twists and turns of sexual accusations — out in the open for everyone to see. London’s backbenchers in Parliament pale with their insults compared to us. At least theirs are often witty. Except for Saturday Night Live, there has been little in these last two years of intense campaigning to earn a good laugh.

Has our country demonstrated less bigotry by naming a woman as standard-bearer for one of the two major parties? Or has our obvious double standard become only more painfully obvious, with so many men declaring publicly their unwillingness to ever vote for a woman as leader? The same question, about race rather than gender, was posed eight years ago when we elected the first black president. With painful irony, amidst our self-congratulatory open-mindedness, it seems more racial incidents have played out since that election than when George Wallace stood in the doorway and refused entry to black school children. Will the same ironies ensue in the event of a Clinton victory?

Perhaps it is cleansing to have our faults out in the open — acknowledgement as the first step toward healing. At least there has been no talk about ageism the way there was during the Reagan campaign in 1980. Both candidates today are within a couple of years of each other and of the biblical endpoint of three score and ten. At least that is something to be grateful for.

In this election season, as with every other during which we have been publishing, we have tried hard to remain as neutral as possible and present you, our readers, with the news in a balanced fashion. There are a number of local races, all critically important for their ultimate effects on our daily lives. As we have always done, we have spent hundreds of hours throughout the month of October interviewing candidates for each local office, two-by-two, and we have asked them questions and passed the answers along to you in our election section this week. We have also distilled this information during many more hours of discussion among our editorial board members and offered endorsements on our editorial pages. In no way do we intend this to dictate how you should vote. Rather we are telling you how we will vote after the journalistic privilege of personally questioning the candidates and covering the incumbents throughout their terms.

We owe you, our readers, no less.