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Michelle LaBozzetta

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A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Crossing Delancey' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
The cast of 'Crossing Delancey'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Julianne Mosher

Looking for something to do on a cold winter’s day? May I recommend the latest offering at Theatre Three as the stage turns into 1980s New York City where we meet a 30-something single lady who’s trying to navigate dating, the prospect of marriage and an overbearing (yet lovable) grandmother.

With a small, yet strong, cast of five, Crossing Delancey is a refreshing romantic comedy that will make anyone in the audience smile. Although it has simple, predictable plot (especially if you’ve seen the 1988 film starring Amy Irving), Theatre Three’s production is still a must see. 

The show, written by Susan Sandler and directed by Colleen Rebecca Britt, follows Isabelle “Izzy” Grossman (Michelle LaBozzetta), a young, single bookstore worker who spends almost every day at her Yiddish grandmother, Ida’s (Ginger Dalton) apartment on the Lower East Side. 

We watch Grossman as she falls for local author Tyler (Antoine Jones), who frequents her bookshop, meanwhile Ida recruits a matchmaker, Mrs. Mandelbaum (Catherine Maloney) to find her granddaughter a nice boy. Mandelbaum has the perfect suitor for the independent Izzy — Sam (Steven Uihlein), a local pickle vendor who comes from a nice, Jewish family. Izzy must answer one question; does she go after her crush who barely knows she exists, or does she “settle” with someone who’s seen her standout amongst the crowd in their community for years?

Upon entering the theatre, the stage transforms to a typical 1980s kitchen to the right and small bookshop on the left thanks to Randall Parsons’ scenic design. There, Ida and Izzy share stories, food and drink. LaBozzetta’s Izzy is a bold modern-day woman (with great 80s style from Jason Allyn’s costume design) and her monologues make you laugh when she breaks the fourth wall. Her colorful jumpsuits and bowler hat are straight out of a John Hughes film’s closet.

The two suitors of the plot, Jones and Uihlein, bring a table full of emotions; you’re going to fall in love one, but hate the other, audibly rooting for the pickle man to win Izzy’s heart. Maloney’s Hannah Mandelbaum is an unsung hero as a supporting actor whose comic relief brings joy to the stage. Portraying a stereotypical Jewish matchmaker, her character is a lot of fun.

However, Dalton’s Ida, or Bubbie as she’s lovingly called by her family, is a riot. Dalton does a great job playing this dynamic granny who’s just looking out for her granddaughter. Everyone knows a Bubbie — she looks out the window, tells tales about how all the boys wanted her back in the day, shows off her muscles and sings in Yiddish full of heart and humor.    

With funny and authentic dialogue throughout the show, the characters are genuine and shine bright on the stage. You won’t want to miss this one.

Theatre Three, 412 Main St., Port Jefferson  presents Crossing Delancey through Feb. 9. The season continues with Ring of Fire: The Johnny Cash Musical from March 1 to March 30. Tickets are $40 adults, $32 seniors and students, $25 children ages 5 to 12, $25 Wednesday matinees. To order, cal 631-928-9100 or visit www.theatrethree.com.

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Sadie Mathers as Matilda and Olivia McGourty as Erica in a scene from the show. Photo by Steve Ayle/Showbizshots
Matilda the Musical THEATRE THREE Jax Segal, Steven Uihlein, Sadie Mathers, Rachel Geiser
Matilda the Musical THEATRE THREE Will Logan, Rachel Geiser, Steven Uihlein, Will Brennan
Matilda the Musical THEATRE THREE Veronica Fox, Saide Mathers, Liam Marsigliano
Matilda the Musical THEATRE THREE Veronica Fox & Liam Marsgiliano
Matilda the Musical THEATRE THREE The Little Kids
Matilda the Musical THEATRE THREE Steven Uihlein, Jax Segal, Rachel Geiser
Matilda the Musical THEATRE THREE Sadie Mathers as Matilda
Matilda the Musical THEATRE THREE Sadie Mathers and Michelle LaBozzetta
Matilda the Musical THEATRE THREE Revolting Children
Matilda the Musical THEATRE THREE Rachel Geiser, Will Logan
Matilda the Musical THEATRE THREE Liam Marsigliano, Kathleen Han
Matilda the Musical THEATRE THREE Jax Segal, Rachel Geiser, Steven Uihlein, Will Logan
Matilda the Musical THEATRE THREE Sadie Mathers as Matilda
Matilda the Musical THEATRE THREE Sadie Mathers as Matilda & Company
Matilda the Musical THEATRE THREE clockwise Michelle LaBozzetta, Will Logan, Rachel Geiser, Steven Uihlein, Eric J. Hughes, Josie McSwane, Sadie Mathers, Veronica Fox

By Julianne Mosher

One of the last musical numbers during Theatre Three’s latest production of Matilda the Musical is called “Revolting Children,” but the cast of this show is far from it. 

Based on the beloved book by Roald Dahl and the 1996 movie starring Mara Wilson and Danny DeVito, the musical is a fun and enchanting twist that will make all ages in the audience smile. 

Written by Dennis Kelly, music and lyrics by Tim Minchin and directed by Jeffrey Sanzel, Matilda follows the story of a spectacularly smart child who lives in an unhappy home with dimwitted parents. Matilda (played by the extraordinarily talented Sadie Mathers — who is readily on the path to stardom), finds solace in the library where she reads books upon books while also sharing tales she makes up in her head to the local librarian, Mrs. Phelps (Michelle LaBozzetta).

Her family, the Wormwoods, don’t read. In fact, they’re lazy and dumb. Matilda’s father, played by Steven Uihlein, is a crooked car salesman who refuses to acknowledge the young girl as his daughter, and her mother, played by Rachel Geiser, is an amateur ballroom dancer who only cares about her looks — not her family. Matilda has a brother, Michael, played by Jax Segal, who does not speak and stares at the TV throughout the entire show, remote in hand. 

To teach her some discipline, Mr. Wormwood ships Matilda off to a private academy headed by Miss. Trunchbull (Liam Marsigliano), a former Olympian who hates children and wishes for a world without them. Luckily, Matilda and her classmates find comfort knowing their teacher, Miss Honey (Veronica Fox), loves them and tries to make their school days better despite their dreary and frightening walls.

Throughout the play, Matilda shares a tale of an escapologist (Eric J. Hughes) and his wife, the acrobat (Josie McSwane) that she makes up in her head. The characters, however, seem to match with certain people the young girl meets and encounters in her daily life.

Compared to the movie, the musical version of Matilda is set in England so the ensemble needed to not only learn the lyrics to difficult songs, but do it with a cockney accent — the child actors included. The talent of the entire cast is remarkable with its leadership from musical director Jeffrey Hoffman and choreography from Sari Feldman with dance moves and vocal ranges fit for Broadway. 

And if you’re a fan of film, you’ll be surprised with a similar plot but with different twists and turns.

From the campy costumes full of color — minus the school uniforms, of course — (designed by Jason Allyn) to the set design that integrates video using TV monitors framing the stage (Randall Parsons), the attention to detail is nothing short from extraordinary.

So, you better go see this show or else you’ll be thrown in the chokey and give this group of actors the standing ovation they continuously deserve.

Theatre Three, 412 Main St., Port Jefferson presents Matilda the Musical through Oct. 20. Tickets are $40 adults, $32 seniors and students, $25 children ages 5 to 12, $25 Wednesday matinees. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Steve Kyle/Showbizshots

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'Pinocchio' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
'Pinocchio' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
'Pinocchio' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
'Pinocchio' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
'Pinocchio' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
'Pinocchio' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

Theatre Three’s Children’s Theatre closes its summer season with Pinocchio, a musical for the entire family.

Based on Carolo Collodi’s late nineteenth century Italian novel, The Adventures of Pinocchio, the story has been seen on stage and screen, both in animated and live action versions. As with all Theatre Three children’s theatre, the company creates its own musical based on the original material. Pinocchio has a book by Jeffrey Sanzel, with new songs by Jeffrey Hoffman and Douglas J. Quattrock.

Anabelle (Emilia Guzzetta), underling apprentice fairy—third class, is assigned by Ondine, Queen of the Fairies (Ginger Dalton), to help an angry and withdrawn woodcarver, Geppetto (Steven Uihlein). 

After failing to change the recluse through song, the nervous fairy teams with the energetic and outgoing Cassandra, the Enchanted Cricket (Michelle LaBozzetta). Together, they enchant a stick of wood. Hearing the wood speak, Geppetto fashions it into a wooden companion, Pinocchio (Kiernan Urso). When they realize that the puppet is alive but lacks a sense of right and wrong, they cast a spell on his nose to grow when he does not tell the truth.

Meanwhile, two wily crooks—Carpacious Cat (Gina Lardi) and Ferdinand Fox (Ryan Van Nostrand)—set up their scam “Festival El Grande” to fleece the villagers. When they discover the magic wooden boy, the pair embark on yet another scheme. 

Along with the professional acting company, Pinocchio features two dozen students from Theatre Three’s Summer Dramatic Academy.

The score features the original songs “Lovely Thoughts,” “Bad Harmony,” “You Can Count on Me,” “Taran-Tella Da Truth,” “Put Tomorrow in Your Hands,” “Keep Your Chin Up and Smile,” and the calypso “Festival El Grande.”

The production is directed by Sanzel while  Quattrock and Hoffman, who musically directed, form the two-keyboard combo. Choreography is by Kiernan Urso, costume design is by Jason Allyn and Melissa Troxler is the production stage manager.

Theatre Three, 412 Main St., Port Jefferson presents Pinocchio through Aug. 10. Running time is one hour with a 15 minute intermission. Photos with the cast are available in the lobby after the show. Final performances are Friday, August 9, at 11 a.m., and Saturday, August 10, at 11 a.m. and 2 p.m. 

Children’s theater continues with Theatre Three’s annual productions of A Kooky Spooky Halloween from Oct. 5 to 19, and and Barnaby Saves Christmas from Nov. 23 to Dec. 28. 

All seats are $12. Call the box office at 631-928-9100 or visit theatrethree.com for tickets and information. 

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The cast of Pride @ Prejudice, clockwise from top left, David DiMarzo, Christine Boehm, Andrew Murano, Michelle LaBozzetta and Ashley Brooke. Photo by Steven Uihlein/Theatre Three
Andrew Murano and Ashley Brooke in a scene from 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
Andrew Murano in a scene from 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
Ashley Brook and Andrew Murano in a scene from 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
Dvid DiMarzo and Ashley Brook. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
The cast of Pride @ Prejudice, clockwise from top left, David DiMarzo, Christine Boehm, Andrew Murano, Michelle LaBozzetta and Ashley Brooke. Photo by Steven Uihlein/Theatre Three

By Julianne Mosher

You don’t have to be an avid reader of the classics to appreciate Theatre Three’s latest offering. The main stage production of Daniel Elihu Kramer’s Pride @ Prejudice is a mix of a telling of the 19th century novel written by Jane Austen and a clever modernization of the 1813 classic that explains the book with humor and wit. 

The story is of Miss Elizabeth Bennet and Mr. Darcy who fall in love all over again — this time filtered through the world of the internet. Modern voices interject and build on this classic love story in the form of blog posts, chat room discussions, quotes from film adaptations, and even letters from Jane Austen herself to create a delightfully postmodern view of 19th century England. 

Directed by Jeffrey Sanzel, the show opened on April 7 to a full house. While the cast is small (just five people) each of their personalities are big. Most of the actors play at least two characters who go between present-day and the book’s settings of Netherfield Park and Longbourn.

And each performer had the audience laughing. Christine Boehm (who plays Elizabeth Bennet) plays the protagonist well, leading with poise but also leads some laughs. Throughout the play, the actors make several references to the culture behind Pride and Prejudice, poking fun at the three major film adaptations (and a miniseries starring Colin Firth in the 90s).

Ashley Brooke’s rendition of the eccentric and dramatic Mrs. Bennet (who’s trying to marry off all five of the daughters —yes, there are five) is hysterical. Michelle LaBozzetta was able to switch between different characters with ease, including Jane Bennet, Caroline Bingley and as Jane Austen — which was another interesting part of the show.

While deconstructing certain scenes, the actors would recite real letters that Jane Austen wrote to her sister during her lifetime, noting how her personal life impacted the books she was writing. Not only was the play entertaining, but for people who didn’t know much about the author, you were able to get a bit of history, as well.

Andrew Murano played seven people and also did so skillfully. Each one varied — he played a doctor, a footman, Mr. Bennet, Mr. Bingley, Sir William, Mr. Wickham, Mr. Gardiner and Colonel Fitzwilliam —and when appropriate, he played them with humor. 

David DiMarzo, who is new to Theatre Three, played the charming and desirable Mr. Darcy, as well as Mr. Collins, and showed us that he needs to stay. His ability to play the dreamy love interest of Lizzie, but also the snobbish Collins was impressive to say the least. 

And if that sounds confusing to you, it might seem that way, but the performance on stage explains it better. While all five are in 19th century costumes, they do a great job of expressing themselves through their facial expressions and body language. They certainly give it their all. 

The set allows the audience to use their imagination. Three sets of doors are toward the back of the stage and is utilized often to show transitions between the settings and time periods. What’s also interesting is the use of a projector at the top of the stage that shows images of the houses they are currently in, or websites where “Pride and Prejudice” merch is on sale (it’s a joke).

Some jokes might go over your head if you didn’t read the book — so a quick read of a summary or even a refresher of the whole novel could definitely help — but it’s still enjoyable for those looking for a fun night out as this show was definitely not an easy production. Regardless of your knowledge of 19th century literature, this show is one for the books. 

Pride @ Prejudice is playing at Theatre Three, located at 412 Main Street in Port Jefferson, until May 6. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. Wednesday matinees are $20. For more information or to order, contact the box office at 631-928-9100 or visit www.theatrethree.com.

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By Heidi Sutton

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The cast of 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
The cast of 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
The cast of 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
A scene from 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
A scene from 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
A scene from 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
A scene from 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
A scene from 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
Barnaby and Franklynne in 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
The cast of 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.
The cast of 'Barnaby Saves Christmas' Photo by Peter Lanscombe/Theatre Three Productions Inc.

It’s beginning to look a lot like Christmas, especially at Theatre Three in Port Jefferson. While Scrooge undergoes a transformation on the Main Stage with A Christmas Carol, Barnaby the Elf is busy making sure all the Christmas presents are delivered on time in the adorable children’s musical, Barnaby Saves Christmas. The show opened last Saturday and runs through Dec. 30. 

Written over 18 years ago by Douglas Quattrock and Jeffrey Sanzel with music and lyrics by Quattrock, it remains  as relevant as ever with the ultimate message that “every day is a golden opportunity to be better than you used to be.”

It’s Christmas Eve and Santa’s workshop at the North Pole is a flurry of activity. Head elf Sam (Josie McSwane) and fellow elves Blizzard (Michelle LaBozzetta) and Crystal (Kaitlyn Jehle) are busy putting the final touches on the Christmas presents and loading them on the sleigh. A fourth elf, Barnaby (Ryan Worrell), is the newest trainee and has been given one task by Santa (Sean Amato) — to make a little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest. 

When it’s time to deliver the presents to all the good little girls and boys, Barnaby is left behind with Mrs. Claus (Danielle Pafundi). He soon realizes that Santa has left the stuffed bear behind and convinces Blizzard’s fawn Franklynne (Samantha Fierro) to find Santa and “save Christmas.”   

On their adventure they crash land on the roof of the house of Sarah (Danielle Pafundi) and her nephew Andrew (Sean Amato) and learn all about Hanukkah and the Festival of Lights. They also come across S.B. (spoiled brat) Dombulbury (Steven Uihlein), a Scrooge in his own right who has stuffed up all the chimneys with coal with his partner in crime Irving (Jason Furnari), in order to ruin Christmas and has hypnotized Crystal and Blizzard to help him. With the help of his friends, Barnaby will save the day but just wait until you see how!

Directed by Sanzel, the entire cast does an incredible job telling this heartwarming story. The wonderful songs, accompanied on piano by Quattrock, are just lovely, with special mention to Worrell’s solo “Still With a Ribbon on Top,” Pafundi’s solo “Miracles” and Amato’s solo “Within Our Hearts.”

Gorgeous costumes that sparkle and shine for the holidays by Jason Allyn, the incredible lighting by Steven Uihlein and the great choreography by Sari Feldman tie it all together with a beautiful holiday bow. I can think of 100 reasons to go see this show but I will only give the first — it is an unforgettable experience the entire family will love. Elf and reindeer souvenirs will be sold before the show and during intermission and the entire cast will be in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson presents Barnaby Saves Christmas on Nov. 26, Dec. 3, 10, 17, 24, 28, 29 and 20 at 11 a.m. Children’s theater continues with The House That Jack Built from Jan. 21 to Feb. 4, 2023 and Dorothy’s Adventures in Oz from Feb. 22 to March 18, 2023. All seats are only $10. To order, call 631-928-9100 or visit www.theatrethree.com.

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Clockwise from back row left, Ginger Dalton, Stephanie Moreau, Christine N. Boehm, Marci Bing, Linda May and Michelle LaBozzetta. Photo by Steven Uihlein/Theatre Three Productions, Inc.

By Tara Mae

“Laughter through tears is my favorite emotion.”

This famous line from Robert Harling’s Steel Magnolias embodies the ethos of the comedy-drama, which is Theatre Three’s next Mainstage production, opening on April 9.

Spanning three years in the lives of a group of Southern women, the play explores how the depth of their bonds sustain them through triumphs and tragedies. Harling wrote the play in 1985 as a way of processing his sister’s death and paying homage to the women from his childhood. It was later adapted into an award-winning film starring Sally Field, Julia Roberts, Shirley MacLaine, Dolly Parton, Olympia Dukakis and Daryl Hannah.

Unlike the film version, the play exists strictly in the world of women, featuring female characters with the male characters only referenced through dialogue. 

“Working with an all-female cast was absolutely wonderful, and we all talked about how we connected to material both as mothers and daughters. I love that in this show every single person is integral to the play, and it really celebrates the strengths of these women and the beauty of their souls and personalities,” said director Mary Powers. 

Starring Stephanie Moreau (Truvy), Christine N. Boehm (Annelle), Marci Bing (Clairee), Michelle LaBozzetta (Shelby), Linda May (M’Lynn), and Ginger Dalton (Ouiser), Steel Magnolias is a personal favorite of Artistic Director Jeffrey Sanzel, who first saw the play when it debuted off-Broadway in 1987.

“I believe it is an absolutely perfect play. Very few plays are as well constructed as Steel Magnolias. It is one of the top ten theater experiences of my life. I do not think there is one moment that is false or one moment that does not work. This is the second time we have done it…and we felt it was time to bring it back for our 50th season,” Sanzel said. 

Unfortunately, the 50th anniversary season (2019-2020), designed to showcase some of the of the theater’s most revered productions, was cut short due to the pandemic lockdown.  The cast was completing the rehearsal process and preparing to open the show when the world around it abruptly shut down, and  the show was postponed. After a two-year delay, rehearsals resumed in February of 2022.

“We were very committed to the project. We thoroughly enjoyed the rehearsal process the first time around and were all very invested in coming back, which everyone did,” Powers said. “We kept our schedules clear for that time. It was like riding a bike; one rehearsal and we were back to where we had been with the exact same casting, exact same roles. Nothing changed at all. We all had our scripts and got to work. We get along so well, and the cast and crew are a delight to work with.” 

Interpersonal, emotional connections onstage are reflected in the dynamic between the actresses, who also kept in touch with Powers and Sanzel during the hiatus. 

“One of the best feelings I’ve had thus far was at our read through this year. Finally being together again, hearing everyone’s voices, laughing and crying as we read was such a unique experience and I’ll cherish it forever,” said LaBozzetta. 

The dedication to the material, its message, and each other are highlights of the process, according to Bing, who played the role of M’Lynn in Theatre Three’s production in the 1990s. “We have a strong connection onstage as well as offstage. I love the whole group, which makes it easy to connect,” she said. 

For LaBozzetta, after the interrupted pre-production process, opening the show is a relief. “I am most looking forward to finally having an audience! We’ve been having so much fun in rehearsals and I just cannot wait to share what we’ve created.”

Theatre Three, 412 Main Street, Port Jefferson presents Steel Magnolias from April 7 to May 9. Tickets are $35 adults, $28 seniors and students, $20 for children ages 5 and up. For more information, call 631-928-9100 or visit www.theatrethree.com.

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Steven Uihlein and Michelle LaBozzetta in a scene from the show. Photo by Brian Hoerger/Theatre Three Productions, Inc.
Above, the cast of 'Puss In Boots'.Photo by Brian Hoerger/Theatre Three Productions, Inc.
Above, the cast of 'Puss In Boots'.Photo by Brian Hoerger/Theatre Three Productions, Inc.
Above, the cast of 'Puss In Boots'.Photo by Brian Hoerger/Theatre Three Productions, Inc.
Above, the cast of 'Puss In Boots'.Photo by Brian Hoerger/Theatre Three Productions, Inc.
Above, the cast of 'Puss In Boots'.Photo by Brian Hoerger/Theatre Three Productions, Inc.
Steven Uihlein and Michelle LaBozzetta in a scene from the show. Photos by Brian Hoerger/Theatre Three Productions, Inc.

By Heidi Sutton

Every five years or so, Theatre Three’s Children’s Theatre reaches into its vault filled with scripts and pulls out a gem. This time it’s a musical twist on the classic story of Puss In Boots. The show opened on Jan. 16.

Although there have been many versions of the European fairy tale over the centuries, the most well known is The Master Cat or Puss in Boots from The Fairy Tales of Charles Perrault in 1697. When Puss was reintroduced in Shrek 2 in 2004, a whole new generation was smitten.

Now the clever ‘tail’ returns to Theatre Three’s MainStage with a fresh score and choreography and does not disappoint. Written by Jeffrey Sanzel and Douglas J. Quattrock, the show was first performed in 1991 and has withstood the test of time.  

In the kingdom of King Vexmus, a kind-hearted young man named Christopher lives on a farm with his father and his two brothers, Shank and Amos. Every day his brothers force him to work the fields while they take naps. When their father dies, Shank and Amos inherit the farm while Christopher gets his father’s cat Puss and is promptly kicked out. 

With no food, money or a place to live, Christopher begins to lose hope until he discovers that Puss can talk. He confides in the cat that he has fallen in love with the king’s beautiful daughter, Princess Anafazia, who he met briefly when her entourage drove past the farm (in a great flashback scene). Puss agrees to help in the name of love and hatches a scheme to have Christopher pose as the rich and mysterious Marquis of Carabas to win Anafazia’s heart. Will everything go as planned? Will there be a happy ending?

Directed by Sanzel, the fast-paced show is wonderful on so many levels. Steven Uihlein is perfectly cast in the role of Christopher and also serves as storyteller. His plight gains the sympathy of the audience right away. Liam Marsigliano and Jason Furnari make a great comedic team as Amos and Shank. Their futile attempt to farm the land after Christopher leaves is hilarious. 

Michelle LaBozzetta, in the role of Puss, the cat of all trades, steals the show with her energetic and flamboyant personality. In one of the cutest scenes, her character acquires her famous boots by causing a ruckus outside Shank and Amos’s door. 

Sanzel and Josie McSwane are excellent in the roles of the bickering King Vexmus and Queen Ida (or should I say Queen Ida and King Vexmus) who in the end agree to disagree. Haley Saunders is terrific as the spoiled Princess Anafazia, who quickly reveals that this royal’s beauty is only skin deep. Rachel Max as Ida and Louisa Bikowski as Missy, the no nonsense wives of Shank and Amos, and Heather Rose Kuhn as the sweet Julia, Princess Anafazia’s lady-in-waiting, are a fine supporting cast.

Choreographed by Sari Feldman and accompanied on piano by Douglas Quattrock, the 12 musical numbers are the heart of the show, with special mention to the duets “Puss in Boots” with Puss and Christopher and “Take a Moment for Yourself” with Puss and Julia, and the lively group number, “Song of the Marquis of Carabas.”

The charming costumes, designed by Jason Allyn, from the royal gowns in shades of lavender complete with wigs and crowns to the peasant garb in hues of brown, tie the story together perfectly. And wait until you see Puss’s fierce and fabulous outfit! 

This special show doesn’t come around often. Catch a performance before it’s gone.

Running time is one hour and 20 minutes with a 15 minute intermission. Meet the entire cast in the lobby on your way out for a keepsake photo.

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Theatre Three, 412 Main St., Port Jefferson presents Puss In Boots on Jan. 22, 29 and Feb. 5 at 11 a.m. and Jan. 23 at 3 p.m. Children’s theatre continues with Dorothy’s Adventures In Oz from Feb. 23 to March 26 with a sensory friendly performance on Feb. 27 and The Adventures of Peter Rabbit from April 16 to May 7 with a sensory friendly performance on April 24. All seats are $10. For more information or to order, call 631-928-9100 or visit www.theatrethree.com

 

 

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The cast of 'The Fantasticks' Photo by Peter Lanscombe/Theatre Three Productions Inc.
Steve McCoy in a scene from 'The Fantasticks' Photo by Peter Lanscombe/Theatre Three Productions Inc.
Meg Bush and Matt Hoffman in a scene from 'The Fantasticks'. Photo by Peter Lanscombe/Theatre Three Productions Inc.
Kyle Imperatore and Jeffrey Hoffman in a scene from 'The Fantasticks' Photo by Peter Lanscombe/Theatre Three Productions Inc.
Meg Bush and Steve McCoy in a scene from 'The Fantasticks' Photo by Peter Lanscombe/Theatre Three Productions Inc.
From left, Jeffrey Sanzel, Steven Uihlein and Steve McCoy in a scene from 'The Fantasticks' Photo by Peter Lanscombe/Theatre Three Productions Inc.
Michelle LaBozzetta (standing), Meg Bush and Matt Hoffman in a scene from 'The Fantasticks' Photo by Peter Lanscombe/Theatre Three Productions Inc.
The cast of 'The Fantasticks' Photo by Peter Lanscombe/Theatre Three Productions Inc.
A scene from 'The Fantasticks'. Photo by Peter Lanscombe
A scene from 'The Fantasticks'. Photo by Peter Lanscombe
A scene from 'The Fantasticks'. Photo by Peter Lanscombe

By Barbara Anne Kirshner

Main Streets all across our great nation are home to local theatres with their sparkling neon lights inviting us in to enjoy the enchantment of musicals, comedies and dramas. However last March, due to an unprecedented pandemic that forced the entire world to shut down, theatres suddenly fell into darkness, becoming specters of their former selves. But recently one by one those extinguished lights were turned back on once more illuminating Main Streets as they proudly announce the resurrection of live theatre.

Theatre Three, housed in that distinguished 160-year-old historic building in Port Jefferson, reopened its Mainstage doors on July 16th with the heartwarming fan favorite, The Fantasticks.

Kudos to Jeff Sanzel for celebrating the comeback of live theatre with this much loved classic. We need to escape into an endearing romantic musical right now and Theatre Three delivers. The message of The Fantasticks, that we can all survive and grow, is especially meaningful as we rise once more from a world ravaged by.

This allegorical tale is loosely based on the 1894 play The Romancers (Les Romantiques) by Edmond Rostand. Tom Jones (libretto and lyrics) and Harvey Schmidt (music) created a show that holds the distinction of being the world’s longest running musical having premiered at the Sullivan Street Playhouse off-Broadway on May 3, 1960 accumulating 17,162 performances before it closed on January 13, 2002, after 42 years. A revival opened August 23, 2006 at The Theater Center off-Broadway where it ran through June 4, 2017. 

Simplicity accompanied by theatricality are key elements to The Fantasticks and are exquisitely displayed through the light romance of a girl and the boy next door against a backdrop of minimal set by Randall Parsons with a small platform, two benches, two trunks, streetlight and a piano. Lighting design by Robert Henderson, Jr. helps create the intimacy, the magical moonlight and the reality that comes with the sun. 

Director Jeffrey Sanzel has assembled a versatile cast with actors called upon to not only sing, dance and act but play musical instruments.

Steve McCoy is captivating as the swashbuckling narrator El Gallo who weaves an irresistible spell immersing us in this timeless tale. With the beautifully melodic and pivotal song “Try to Remember,” he entreats us to return to a time of innocence   “When life was slow and oh, so mellow” and if we remember then “follow, follow, follow.” He is the conjurer creating romance, then mischief.

The Mute portrayed by Michelle LaBozzetta provides the only concrete tones to this intentionally abstract show. She is the wall separating the houses; she gracefully throws confetti into the air representing the change of seasons and she passes out props.

Meg Bush as Luisa/The Girl with her operettic soprano in addition to her ability to play both the flute and guitar is unique. Her Luisa personifies innocence. She is the dreamer, the moonstruck girl who pleads, “I am special. Please, God, please, don’t let me be normal.” We can’t help but empathize. Matthew Hoffman as Matthew/The Boy with his resonant tenor adds a depth of emotion to Jone’s lyrics. His seductive saxophone embraces Schmidt’s jazzy score.

Kyle Imperatore as Bellamy/The Girl’s Father and Jeffrey Hoffman, Hucklebee/The Boy’s Father give delightfully comedic performances as their pretense of a feud tricks their children into falling in love. Hoffman is a multi-talented force who smoothly transforms from musical conductor and pianist to Hucklebee and back again. 

The fathers know all too well that the feud must appear to finally come to an end. They enlist El Gallo to “kidnap” Luisa so Matt can be her hero by rescuing her. To assist in staging this first class abduction, El Gallo calls upon The Old Actor (Henry) played by Jeffrey Sanzel and his sidekick, The Man Who Dies (Mortimer) played by Steven Uihlein. Their antics are so much fun the moment they climb out of their costume box.

It is interesting to note that Tom Jones played the role of The Old Actor in the original Off-Broadway production and in the 2006 revival Jones recreated the role in addition to directing as Sanzel is doing in this production.

Chakira Doherty’s costumes help to reinforce the mood from Luisa’s floating dress emphasizing the innocent, dream-like quality to El Gallo’s dashing long black coat. Sari Feldman’s choreography supplies the right touch of theatricality particularly in the frenzied “The Abduction Ballet” and the frenetic “Round and Round.”

Theatre Three’s production of The Fantasticks is charming and entertaining with catchy songs that you leave the theatre singing.

Theatre Three, 412 Main St., Port Jefferson presents The Fantasticks on Fridays and Saturdays at 7 p.m. and Sundays at 3 p.m. through Aug. 15. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

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By Heidi Sutton

When the Brothers Grimm published their Children’s and Household Tales in 1812, they probably had no idea that stories such as the cautionary Hansel and Gretel, would have such staying power. While Disney hasn’t gotten its hold on it yet, the folk tale has held its own over the years, most famously through opera (by composer Engelbert Humperdinck), and with recent revivals on the big screen (Hansel and Gretel: Witch Hunters and the even darker Gretel & Hansel). 

Now Theatre Three takes us back into the forest for a light-hearted and funny original retelling of Hansel and Gretel with a big surprise at the end that’s sure to satisfy every child’s sweet tooth. 

Written by Jeffrey Sanzel and Douglas Quattrock, with a brand new score by Quattrock, it follows Hansel and Gretel who are living with their father, a woodcutter, and detached stepmother. The family is starving and the stepmother blames the children. She gives her husband an ultimatum: “Either dump them in the forest or dump them in the forest!” The children overhear and gather white rocks to guide them back home. When her plan fails, the stepmother takes the reins and leads them back into the forest. This time Hansel leaves a trail of breadcrumbs (he eats the rocks by mistake) and the children become lost. 

As Gretel goes to find a path home, Hansel is kidnapped by Scrimshaw and Harvis, henchmen working for a child-eating witch who lives in a candy house. The witch promptly gets to work fattening Hansel up with cake, cookies and donuts. When Gretel trys to rescue him, the witch puts her to work cooking and cleaning. When the witch gets too close to the oven, Gretel has a decision to make. Will she push her in or find another way to get out of this mess?

Jeffrey Sanzel directs a brilliant adult cast of six in this delightful retelling of the beloved story. While the story of Hansel and Gretel isn’t all lollipops and gumdrops — after all, there is a wicked witch who preys on children — there are no scary moments in the show and everyone learns a lesson about the importance of family.  Nicole Bianco is perfectly cast in the dual role of stepmother and witch and delivers her lines softly, albeit sarcastically (“These kids are monsters!”), and never raises her voice. Her opening solo, “Stepmother’s Lament,” is hilarious.

Michelle LaBozzetta as Gretel and Eric J. Hughes as Hansel give standout performances. LaBozzetta’s character is strong-willed, confident and brave while Hughes plays a  carefree, clueless and sweet little brother. Their duets, “Stones Along the Way” and “Hansel’s Dinner” are perfectly executed. Steven Uihlein in the unpopular role of the father who goes along with his wife’s plans, does a fine job, as always. His character’s guilt in his solo “Lost” and at the end of the show is palpable. 

Although not part of the original story, Darren Bruce Clayton and Ryan Worrell, in the role of Scrimshaw and Harvis, entertain the audience by incorporating the Charleston, ballet and hip hop in their dance numbers, “Out of Step” and “Harvis and Scrimshaw.” What a treat!

The end result is a charming and imaginative production of Hansel and Gretel that should be added on your family’s to do list. Stay for a meet and greet with the cast in the lobby after the show.

Theatre Three, 412 Main St., Port Jefferson presents Hansel and Gretel on March 7, 14 and 21 at 11 a.m. and March 15 at 3 p.m. with a sensory-sensitive performance on March 8 at 11 a.m. Children’s Theater continues with The Adventures of Peter Rabbit from April 8 to 25 and Snow White and the Seven Dwarves from May 23 to June 6. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions, Inc.

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The cast of 'Little Red Riding Hood: A Tale of Safety for Today'
From left, Krystal Lawless, Nicole Bianco and Michelle LaBozzetta
From left, Krystal Lawless, Michelle LaBozzetta, and Nicole Bianco
Ginger Dalton and Steven Uihlein
Ginger Dalton and Kyle Breitenbach
Kyle Breitenbach and Nicole Bianco
Kyle Breitenbach and Nicole Bianco
The cast of 'Little Red Riding Hood: A Tale of Safety for Today'
The cast of 'Little Red Riding Hood: A Tale of Safety for Today'
The cast of 'Little Red Riding Hood: A Tale of Safety for Today'

By Heidi Sutton

One of Theatre Three’s most important offerings, in my opinion, is its children’s theatre series. Each show teaches a moral lesson — don’t lie, don’t steal, don’t be a bully — while introducing young audiences to live musical retellings of wonderful fairy tales including “Cinderella,” “Pinocchio,” “Hansel & Gretel” and its latest offering, “Little Red Riding Hood: A Tale of Safety for Today.” The adorable show opened last Saturday and runs through Feb. 22. 

While it follows the Brothers Grimm version closely, the story is used as a tool to teach “stranger danger” in a most effective way. Written by Jeffrey Sanzel and Kevin F. Story, the musical centers around a little girl named Amanda Sally Desdemona Estella Barbara Temple, although everyone in town calls her Little Red Riding Hood because she always wears the red cape her Granny Beckett made for her. 

When her grandmother sends Little Red Riding Hood’s mother a letter complaining “no one ever comes to visit. I might as well get eaten by a wolf!,” Amanda and her twin sisters, Blanche and Nora, head over the river and through the woods to bring her some Girl Scout cookies. Halfway there, Little Red Riding Hood tells her sisters to go back home because Nora is nursing a terrible cold. Now alone, she encounters a stranger (William “Billy” de Wolf) and commits a series of safety mistakes, placing her grandmother and herself in a dangerous situation.

Director Jeffrey Sanzel leads an adult cast of six who have the best time acting out this clever script.

Steven Uihlein serves as storyteller and does a terrific job introducing each scene, giving his own opinions and interrupting the show when he deems it necessary. Uihlein also plays numerous supporting roles, including a policeman, doctor and mailman.

Nicole Bianco is perfectly cast as Little Red Riding Hood, although she does love saying her long name a bit too much! Lol! Krystal Lawless tackles the challenging role of the forgetful Mrs. Temple with ease. Constantly mixing up her children’s names and attempting to make a cup of tea for Nora out of feathers, wrenches, sticky notes, etc. she draws the most laughs. 

Kyle Breitenbach has much fun in the role of the Wolf, who is all bark and no bite. Special effects make his stomach rumble and he is always asking the audience if they have any steak or a bone on hand. One of the best scenes is when the Wolf chases Granny Beckett around the bed, and when she steps away, he goes around many times more before he realizes she’s gone.

Michelle LaBozzetta has the most exhausting role in the show, skipping on stage as Blanche, turning the corner and reappearing as her twin sister Nora, hunched over and suffering from a cold. What a workout! LaBozzetta is so convincing that young children will not make the connection. 

But it’s Ginger Dalton as Granny Beckett who steals the show. Dripping with sarcasm, she pulls out all the stops to try to get her family to visit her and even fakes getting sick. Her solo, “Who’s at My Door?,” is superb.  

During the last 10 minutes of the show, the actors discuss the safety mistakes that Little Red Riding Hood made, including talking to strangers and giving out her grandmother’s address, and what she should have done instead.

The musical numbers, accompanied on piano by Douglas Quattrock, are fun and catchy, especially “Little Red Riding Hood” and the tap dance number “To Granny Beckett’s House We Go.”

The great story line, the wonderful songs and the important message it conveys makes this show a perfect reason to catch a performance. Meet the entire cast in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson presents “Little Red Riding Hood: A Tale of Safety for Today” is for ages 3 and up through Feb. 22. Children’s Theatre continues with “Hansel & Gretel” from Feb. 29 to March 21, “The Adventures of Peter Rabbit” from April 8 to 25 and “Snow White & the 7 Dwarfs” from May 23 to June 6. Tickets are $10 each. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions, Inc.

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