From left, Phylis March, Jessica Contino and Mary Ellin Kurtz in a scene from Sanzel’s new play. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
By Melissa Arnold
Jeffrey Sanzel, executive artistic director at Theatre Three in Port Jefferson, has worked in theater for more than 40 years. This spring, he is celebrating his love for the performing arts with his zany new comedy, “Where There’s a Will.” The show features a variety of personalities working to fulfill a man’s last wish — perform a play he wrote — in exchange for a hefty inheritance. But nothing is ever that simple…
The production features a cast of 17, including Long Island theater veterans Steve Ayle, Marci Bing, Michael Butera, Carol Carota, Jessica Contino, Ginger Dalton, Susan Emory, Sari Feldman, Jack Howell, Joan Howell, Skyler Quinn Johnson, Mary Ellin Kurtz, Linda May, Phyllis March, Steve McCoy, Maryellen Molfetta and Ruthie Pincus with original music by Tim Peierls. Sanzel shared the story behind the show and much more in a recent phone interview.
What’s the play about?
This is an outrageous comedy. What happens when a group of down-and-out showpeople are given the chance to inherit a half a million dollars? A man named Hiram Cedrickson was once the Potato King, and after his passing, he leaves a group of actors all of this money, providing that they perform a play he wrote exactly as he wrote it. They have to do it with no changes, from curtain to curtain call, including typos. If they don’t, all the money goes to his fourth wife, who is there following along in the script at rehearsals and at the performance. They’re very high stakes. It’s hard enough to learn lines (for a show) — imagine what it would be like if the lines are wrong!
What inspired you to write this play?
I originally wrote the play over 30 years ago, in 1985, and it sat in a drawer for 30 years, and then I took it out and did a lot of rewriting. At that time, it was my freshman year of college, and I was typing up papers for people as a side job. I’m a very fast typist, but I’m also terribly inaccurate. I make a lot of errors. And one day I asked myself, “What would it be like if people actually had to play the errors in a script?” That’s how it all came about. I’ve also always had a love for the kind of theater that celebrates (the theater and acting), so this show is about that as well.
What makes the story interesting to you?
It’s fun to watch these people with huge, very different personalities struggle and try to overcome the challenge (of the script).
Do you have a favorite character or identify with any of them?
Ever since I was 8 years old, I’ve loved (actress and singer) Ethel Merman. This show is really my tribute to her, as one of the major characters is based off of her.
Is there a message or take away from this show?
This is really about how people can come together for a shared cause and make things happen, even though they may be very different. But, of course, its main purpose is to make people laugh.
Why do you think people will enjoy it?
This is an extraordinary cast, sort of a who’s who in Long Island theater, and they bring so much reality to it. You come to sympathize for the characters and really root for these people.
“Where There’s a Will” will run from April 8 through May 6 on the Main Stage at Theatre Three, 412 E. Main St., Port Jefferson. Tickets for adults $35; seniors and students $28; children ages 5 to 12 for $20. Children under 5 are not permitted. A matinee will be held at 2 p.m. Wednesday, May 3 with $20 tickets. To learn more or to purchase tickets, visit www.theatrethree.com or call 631-928-9100.
A rescue dog resembling a fox and a beloved lake in Babylon become inspiration for Letourneau’s latest book.
Reviewed by Melissa Arnold
Marie Letourneau
Marie Letourneau of Farmingdale has always been a creative spirit, illustrating and writing a number of picture books for children. Her latest release, “Argyle Fox,” follows a day in the life of an adorable young fox looking for something fun to quell his boredom. It’s a windy day, however, and Argyle learns plenty about perseverance, trial and error as he searches for the perfect game to play.
Best suited for ages 3 to 7, the story teaches that failure is often a path to success and celebrates perseverance, creative thinking and an old-fashioned springtime activity. Letourneau took time out in preparing for a book launch party at Book Revue in Huntington on March 26 to chat about her latest venture.
Tell me a bit about your childhood. Have you always lived on Long Island?
I was born in Queens Village, but my family moved out to Lindenhurst on Long Island when I was 5. Shortly thereafter, we moved to Babylon village — that’s where I grew up, that’s my hometown.
Were you creative as a child? What were you involved in growing up?
I’ve been interested in art as far back as I can remember. I loved writing stories and drawing pictures. I would make little books out of paper and staples for family members. I was very interested in puppets (thanks, Jim Henson) and just about anything that had to do with art. I was, and I still am, a very visual person. I didn’t always do well in school because I was always too busy doodling in my notebooks.
Did you always want to become an author/illustrator? Who encouraged you to pursue it?
My parents and family were always encouraging of my art pursuits. When we were young, my mom would read to my sister and me at night. I remember looking at “Where the Wild Things Are” and “Winnie the Pooh” and thinking, “WOW! I want to do that! How do these people draw so well? How are books made? How do they get the drawing and words onto paper?” I think I was about 7 or 8 years old at the time. So, yes, I have definitely always wanted to write and illustrate. As an adult, my husband encouraged me to follow my passion to do artwork and create picture books. I couldn’t have done it without his patience.
Above, the cover of the author’s latest book
Did you go to school for this?
I attended Hofstra University’s New College Program where I majored in fine art, but I never studied illustration per se. I didn’t go to art school. I learned how to create picture books pretty much on my own.
Is this your first book?
No, the first book I wrote and illustrated is called “The Mice of Bistrot des Sept Freres.” The very first book I ever illustrated is called “Is a Worry Worrying You?”
What was the publishing process like? Did you go the traditional route, using a publisher, or did you self-publish?
I have never self-published. All of my books are through Tanglewood. Self-publishing has its own merits and value, but I prefer working with a publisher/art director. I enjoy collaborating and bouncing ideas off of another person. A professional “eye” is invaluable. Working with Peggy Tierney (publisher at Tanglewood) has upped my illustration game significantly. She’s amazing. She’s taught me so much. I am forever grateful to her.
What inspired you to write this book?
This is a long, disjointed story that happened over several years. Several years ago, I started writing a story about a child who wants to play outside on a windy day. I worked on it on and off for about a year or two.
Around that same time, we adopted a rescue dog, and we decided she looked very much like a fox. Because of this, my family and I considered naming her “Reynard,” which is French for fox. We ended up naming her Reynie, and, subsequently, I somehow became slightly obsessed with foxes. One night I was sketching foxes, and it dawned on me to change the character from a child to a fox. I named him Argyle after a beautiful little lake in my hometown of Babylon.
Why is Argyle Lake Park so special to you?
I spent a lot of time at Argyle Lake Park with my friends growing up. It’s very picturesque, full of ducks and swans, a waterfall bridge, flowering trees and small park. When I was very young, I would look for turtles there (never caught one) or walk my dog. In the winter, everyone gathered to ice skate. But I think one of my fondest memories of Argyle Lake was through my high school, Babylon Junior-Senior High School. The yearbook club always took the annual “senior year” group photo on the steps of the Argyle Lake waterfall. It was a privilege we always looked forward to as underclassmen.
How would you describe Argyle Fox?
Argyle is strong-willed, a little precocious, and a tad cheeky — but he has a very kind and creative heart.
Do you think kids can relate to Argyle?
I think kids will definitely relate to Argyle. Who hasn’t attempted something, only to find they don’t succeed the first time (or second, or third)? Failure, or “delayed success” as I like to call it, is such a wonderful teacher — it pushes us to look at things differently. It nudges us to reexamine our path to success. Most of all, I think it teaches us to find our patience.
What message do you hope kids take away from your book?
If at first you don’t succeed, creativity and persistence will get you there! But don’t forget to have fun along the way!
Tell me about your book launch party.
It will be at the Book Revue, which is at 313 New York Avenue in Huntington on Sunday, March 26 from 2 to 4 p.m. I will be doing both a reading and signing books (which are for sale at the event). We will have forest-themed cupcakes and everyone is invited to attend!
Where can the book be purchased?
“Argyle Fox” is available at Barnes and Noble stores and online, Amazon, and through many independent bookstores and online sellers.
What’s up next for you?
I’d love to continue publishing books for young readers. Right now, I am just stirring the creative pot in my mind and seeing what floats to the surface. You can learn more about me by visiting my website, www.marieletourneau.com. There you will find my books, illustrations, an events page and more!
It becomes clear when you speak to Jack Kohl that he does nothing part-way. The 46-year-old Northport native is completely immersed in the arts, with an extensive career in music composition, piano and theater. Now, Kohl is sharing the stories that have captivated his imagination for decades. His first book, “That Iron String,” was critically acclaimed by reviewers. In late July, he released “Loco-Motive,” a philosophical novel that pays homage to his two greatest loves: Long Island and running.
I recently had the opportunity to speak with Kohl about his latest venture. Both of your books are set on Long Island.
Were you born here?
Born in Manhattan, but we moved to Queens right after I was born, and then out to Northport when I was three. Except for a few brief periods of living away for work or school, I’ve always claimed Northport as my native place.
What do you love about this area?
What makes Long Island so remarkable is that whenever you go to the shoreline, you have all of New England looming in the distance, and at the same time, to the west, you have the whole of our republic, with so much to explore. I’ve never exhausted what the Island holds in my imagination.
Did you always want to be an author?
I think so. I was always a big pen-and-paper letter writer, and in my early 20s I had the will to write in large prose forms. A novel poured out of me about my happy childhood that was also set on Long Island, but it was never published. I grew up with my parents, particularly my mother, reading aloud to me from Dickens and Melville. I think the music of those two authors was inside me from very early on.
What are some of your other interests?
Most of my income is from my work as a pianist. I studied piano in pre-college in Juilliard and went on to get my master’s and doctorate in piano at the University of South Carolina as well. I teach some courses as an adjunct and do freelance performance as opportunities arise.
Are ‘Loco-Motive’ and your first book, ‘That Iron String,’ connected at all?
They are, in terms of setting. And if one reads both books very carefully, they’ll find that characters from “That Iron String” appear in the background of “Loco-Motive,” particularly the character Portsmouth Gord. I don’t intend to compare myself to Faulkner in any way, but he employed a similar weaving and overlapping of characters in his work as well.
Tell me about the story line.
I would say it’s a portrait of my experience learning to be a runner. I turned to running to help lose weight during my time in graduate school. I created a character who uses running in an irrational way to try to set the world’s problem’s aright. There are two very ordinary runners who, suddenly, during a race very much like Northport’s Great Cow Harbor 10K, break the world record significantly.
Part of the novel involves finding out why that was possible, and the great coincidence of those two people being in the same place. It also explores the almost sinister preoccupation of one of those runners with coaching the other to be even faster. The great theme of the book is whether or not improving our physical abilities can prove that the body (and physical matters) are superior to spiritual matters. The main character makes an argument that the physical realm is what we have to fight for.
What inspired you to write this book?
The narrator’s love affair with running is very much autobiographical. It’s a portrait of my experience learning to be a runner, as well as all the experiences I’ve had with the Northport Running Club and all of the wonderful characters I’ve met through running and fitness on Long Island. Of course, the town of Pauktaug is a stand-in for my own native village and so many other villages on the North Shore.
Even if one doesn’t quite follow all of the philosophical ideas in the book, I still think that people will enjoy its recognizable settings and the affectionate fallibility of the characters. They have a humorous preoccupation with their finish times, their fitness routines and all of the things that come with being a runner.
What do you like most about your books?
There’s so much literature out there about running, and I agree with the cliches — it makes you feel better and improves your way of life. I’ve made the majority of my best friends through running. But I think this book explores the psychic and spiritual elements of running like no other.
What is the target audience for this book?
I think adults or even a thoughtful older teen who enjoys literary fiction would be able to grapple with the book and enjoy it. There are no themes in it that would be inappropriate for children; it’s more a question of whether they can be successfully grasped. I’ve been happily surprised by the variety of people who responded positively to this book … you don’t need to be steeped in Fitzgerald or Melville to appreciate it.
Your books are published by Pauktaug Press. Is that your own company?
It is, yes. I had read about successful authors that went the route that eliminated the middle man in publishing and, after some difficulty finding a publisher for my first book, chose to pursue that myself. I also take pleasure in creating a recognizable place that exists mythically in the book. Pauktaug Press is a newspaper that exists in “Loco-Motive,” so it’s fun to create the illusion that it also exists in the real world. Some people don’t even question its reality.
What’s on the horizon for you?
“That Iron String” and “Loco-Motive” are part of the Pauktaug trilogy of books. Their successor, “You, Knighted States” takes Pauktaug and sets it back in 19th century Long Island and the Old West. It uses many of the same themes while focusing on the families and ancestors of the characters in the first two books. That book is in copy editing now and should be available in the spring.
“Loco-Motive” and “That Iron String” are available at www.jacksonkohl.com, Amazon and other major online retailers. Copies are also available at the Super Runners Shop, located at 353 New York Avenue in Huntington.
A Vought F-8K Crusader at the Intrepid Museum in New York City awaits your visit.
By Melissa Arnold
If you haven’t been to a library in a while, you probably still envision it as little more than rows of books and people reading. But times have changed, and these days, libraries are about so much more than checking out an old book. Just ask thousands of families across Long Island who have benefitted from their library’s Museum Pass Program.
The premise is a simple one: When you become a patron of your local library, which is free, you’ll get access to everything it has to offer. Collections run the gamut from traditional books and magazines to video games and digital content.
The majority of Suffolk County’s libraries also allow their patrons the chance to borrow a family pass for a number of area museums, both on Long Island and in New York City. While the participating museums vary for each library, popular destinations such as the Long Island Children’s Museum in Garden City and the Guggenheim Museum in Manhattan are almost universally available.
Each library’s Museum Pass Program is funded through its own budget or with assistance from their local support organization. While it’s not clear which library on Long Island first offered museum passes, similar programs have existed for decades across the country.
According to Samantha Alberts of Suffolk County Library Services, libraries in Ohio were providing passes as early as the 1980s. In 2008, Sachem Public Library became one of the first local libraries to offer passes. “We try to be a source of inspiration and education for people, whether that’s on-site or out in the community, so it seemed like a natural fit to introduce people to new experiences,” said Lauren Gilbert, head of community services for the Sachem Public Library. They began approaching local museums to purchase family memberships — the same annual passes anyone can buy. Each museum has slightly different rules, but multiple adults and children can be admitted with just one pass. Gilbert said that in 2015 alone, passes to 17 museums were borrowed more than 2,000 times at Sachem. Other participating libraries have seen similarly impressive numbers, and the program’s popularity grows every year.
For the Emma S. Clark Memorial Library in Setauket, the Museum Pass Program is a more recent addition to their offerings. “Earlier in 2013, we did a survey of our patrons asking about the kinds of services they’d want to see at the library,” explained Lisa DeVerna, head of the library’s Department of Community Outreach and Public Relations. “When we looked at the responses, people asked over and over again for museum passes.”
They launched their program modestly, with 10 museums in the first year. Now, they have passes for 21 museums, including seven in New York City. More than 1,000 passes were checked out at Emma Clark in 2015, and they’re on track to meet or surpass that number this year. “It’s so easy to use. I’m a patron here [at Emma Clark], and I’ve done it myself with my kids,” DeVerna said. “You just pick up the pass the day before your visit and bring it back before noon the day after. [At our library], you can even renew the pass for use the next day as long as there’s not a reservation on it already.”
Each library has its own policies for the program, but most will allow patrons to borrow passes several times a month, and sometimes more than one museum at a time. And with the option to reserve the pass online or by phone, it couldn’t be more convenient. Therese Nielsen, department head of Adult and Reference Services at the Huntington Central Library, said that each museum’s popularity varies over time, and that they occasionally add new museums based on patrons’ requests.
“Certain places tend to spike in popularity on a seasonal basis,” Nielsen explained. “The Old Westbury Gardens are popular in the fall and spring when everything is in bloom, people like to visit the Intrepid [Sea, Air and Space Museum in New York City] when it’s not terribly hot outside. At the holidays, a lot of people like to visit Old Bethpage Village. The MoMA and Guggenheim [Museum, both in New York City] are popular throughout the year, as are the Long Island Children’s Museum and the Cradle of Aviation [both in Garden City].”
The museums Nielsen mentioned are only a slice of what’s available. The librarians were quick to say there’s something for everyone, and the program saves families the money they’d normally spend on a museum trip, where a family of four could pay $50 or more for admission. “I think that part of the benefit of living in this area is all the great access to cultural institutions. There’s so much to offer here and people have been so excited to take advantage of that,” DeVerna said. “And you no longer have to worry about it being too expensive because it’s right here for free.”
Contact your local library for details about the Museum Pass Program in your area.
A decorated mantle rings in the holidays at a Northport home during a previous tour. Photo courtesy of the Northport Historical Society
By Melissa Arnold
For many families, nothing says it’s the holiday season quite like admiring the neighborhood in lights. If you agree, then Northport is where you’ll want to be on Sunday, Dec. 11, as they celebrate their annual holiday tour.
The self-guided tour is a highly anticipated event in the village with several hundred attendees coming out last year, according to Tracy Pfaff, director of the Northport Historical Society.
Previously called “Homes for the Holidays,” the tour has been renamed “Deck the Halls Holiday Tour” this year to reflect the inclusion of more than just decorated homes.
“Our inclusion of historic sites as well as private homes is a different spin on the house tour concept,” said Pfaff, who assumed the role of director earlier this year. “It allows us more freedom to welcome vendors, offer refreshments and entertainment without inconveniencing a homeowner.”
The iconic 1883 Thompson Building will be one of the stops during the holiday tour. Photo courtesy of the Northport Historical Society
The iconic Thompson Building, located on Woodbine Avenue, is one of the properties set to be decorated to the nines for the tour. While there, visitors will be treated to live music and the opportunity to purchase a variety of gifts from local vendors. The building served as headquarters for the Thompson Law Book Company when it was first built in 1883, Pfaff said.
The company quickly became the largest employer in Northport — well-educated lawyers, writers and editors came to work at the company and would later settle in Northport, which led to the construction of homes, businesses and facilities to support the growing population.
Brú na Bó, a store featuring art, home decor, furniture and more designed by local craftsmen, will also be a stop on the tour this year. Located at 33 Scudder Ave., the property was completely transformed after once serving as storage space for the Thompson Law Book Company.
Another stop on the tour is the historic Lewis Oliver Farm, which is located on Burt Avenue. Since the 1800s, the farm has raised a variety of animals, including cows, alpacas, sheep, geese and more. In the past, it was also a dairy farm. While dairy production has ceased now, the farm is still home to a variety of animals and features a country store.
A scene from a previous house tour. Photo courtesy of the Northport Historical Society
Of course, elaborately decorated homes are still a crucial part of the tour, with three families graciously opening their doors to visitors for the occasion. Each home is decorated exclusively by the residents, and each has its own unique story, Pfaff said.
“The houses we showcase on this tour are a combination of historically significant and beautifully decorated for the holidays. Naturally, there are only so many homes that have significant ties to [the village’s] earliest days, but every home still has a story to tell and a part to play in the history of Northport, including the recent past and today,” she said.
Tour attendees will receive a map on their arrival identifying the locations of each decorated home and building. They are free to travel from place to place at their leisure between noon and 4 p.m. Volunteers will greet visitors at each stop to share information and answer questions. There will be something different to enjoy at each stop on the tour, including entertainment, sweet treats, raffles and opportunities for shopping.
“Northport is such a charming town with an interesting history, beautiful homes and exquisite harbor views,” Pfaff said. “This tour is a perfect way to experience it.”
“Deck the Halls Holiday Tour” will be held on Dec. 11 from noon to 4 p.m. Tickets purchased by Dec. 10 are $31, $26 members. Tickets purchased on the day of the tour are $36, $31 members. For more information or to order tickets, visit www.northporthistorical.org/events or call 631-757- 9859.
Luke Hawkins (Bert), Katherine LaFountain (Jane Banks), Analisa Leaming (Mary Poppins) and Christopher McKenna (Michael Banks) in a scene from 'Mary Poppins'. Photo by Michael DeCristofaro.
By Melissa Arnold
From left, Danny Meglio (Robertson Ay), Liz Pearce (Winifred Banks), Analisa Leaming (Mary Poppins), Katherine LaFountain (Jane Banks) and Christopher McKenna (Michael Banks). Photo by Keith Kowalsky
Sometimes, looking at life through a child’s eyes again makes everything better.
That’s exactly the opportunity you’re given in “Mary Poppins,” which kicked off a six-week run at the John Engeman Theater in Northport this week. And boy, is it a treat.
The Engeman Theater has a reputation for pulling out all the stops for its shows, and “Mary Poppins” definitely reaps those benefits with a stunning, colorful background, detailed scenery and a cast of seasoned professionals, many of whom spent time on Broadway.
Directed and choreographed by Drew Humphrey, this show is a Disney classic, with all the heartwarming moments and magical touches you’d expect. Set in early 1900s London, “Mary Poppins” gives a glimpse into the lives of the wealthy Banks family — workaholic husband George, his doting wife Winifred and their adorable-yet-mischievous children, Jane and Michael.
Try as they might, the Bankses can’t seem to find a nanny who will stick around – it might have something to do with the kids’ constant pranks and stubbornness. But Jane and Michael meet their match when Mary Poppins shows up from who knows where. Without any negotiation, she invites herself into their home and begins to work some real magic. Along the way, she introduces them to a host of quirky, mysterious characters that teach them about what’s really important in life.
Luke Hawking (Bert) and Ensemble performing “Step in Time.” Photo by Keith Kowalsky
The story’s unofficial narrator is Bert (Luke Hawkins), a charming chimney sweep with a deep affection for Mary Poppins and the Banks children. Hawkins will have you smiling the minute he takes the stage, and his appearances will tug on your heartstrings throughout the show. His tap dancing skills in “Step in Time” will leave you breathless.
Mary Poppins is played by Analisa Leaming, a newcomer to the Engeman stage with several Broadway credits under her belt. Leamings plays Poppins with all the poise and grace the role demands, with lovely, light vocals even on the highest notes. She also deserves a nod for the slight-of-hand tricks she performs throughout the show, maintaining character even during a rare moment when her props won’t cooperate.
Katherine LaFountain and Christopher McKenna play the Banks children with endless enthusiasm and joy. Both have an obvious love for the stage and there is nothing forced about their performances. You’ll fall in love with them both during “The Perfect Nanny” and “Practically Perfect,” two examples of their fantastic teamwork.
Analisa Leaming (Mary Poppins). Photo by Keith Kowalsky.
The special effects in “Mary Poppins” are what make the show truly great. Children in the audience might actually believe that Mary’s bag can fit anything, that she can instantly make sandwiches from a loaf of bread, or that she can even fly. Seeing her take flight with that famous umbrella is the highlight of the show.
The show’s set can rotate, expand and retract, which allows for easy transitions between several unique locations. The background is perhaps the most eye-catching element, however, with the London sky in silhouette and a colorful, illuminated sky that can create sunsets, nightscapes and even some psychedelic schemes.
Many of the supporting cast members are also worth a mention. In particular, George Banks’ childhood nanny Miss Andrew (Jane Blass) commands the stage during her brief performance. She has so much swagger and authority that when she’s called “the holy terror,” you’ll believe it in an instant. Also, the “bird woman,” played by Suzanne Mason, delivers a performance of “Feed the Birds” that’s both touching and haunting.
The ensemble has a huge role to play in “Mary Poppins.” Whether they’re seamlessly helping with set changes as chimney sweeps, tap dancing or serving as any number of whimsical creatures, they are an essential part of the show and every bit as talented as the lead actors. In fact, their performance in “Supercalifragilisticexpialadocious” and “Step in Time” are among the most impressive of the entire show. The two children’s ensembles, which will rotate throughout the show’s run, should be commended for their hard work and flawless routines.
While the band isn’t visible or credited at any point in the show, they do a flawless job in presenting songs from the original movie as well as many that were written for the stage version. Under the direction of Michael Hopewell, the band consists of keyboard, bass, drums and a variety of woodwind and brass instruments.
All told, “Mary Poppins” is exactly the joyful, inspiring tale so many of us seek out during the holidays. While it’s not a holiday-themed production, the theater is beautifully decorated for the season, and you can enjoy the occasional Christmas song and a festive drink at the piano bar before showtime.
Take a few hours this holiday season to leave your cares behind and gather the family for a night of laughter. You’ll be glad you did.
The John W. Engeman Theater, 250 Main St., Northport will present “Mary Poppins” through Dec. 31. Run time is approximately 2 hours and 45 minutes with a 15-minute intermission.Ticket prices vary from $71 to $76. To purchase tickets, call 631-261-2900.
Douglas Quattrock as Bob Cratchit in a scene from ‘A Christmas Carol’. Photo from Theatre Three
By Melissa Arnold
Acting has been a part of Douglas Quattrock’s life for decades now, but like a kid at Christmas, he waits all year to take the stage for Theatre Three’s “A Christmas Carol,” which opens this weekend. Quattrock, 52, of Selden, is director of development, group sales and special events coordinator for the theater. On stage, he’s Bob Cratchit, the long-suffering clerk of Ebenezer Scrooge and the father of Tiny Tim. I recently had the opportunity to speak with Quattrock as he prepares to play the quintessential character for the 27th year.
How long have you been with Theatre Three?
I performed in my first show at Theatre Three in 1982 and became an official part of the staff in 2004.
What got you interested in acting?
I grew up in New York City and then moved out to Long Island in high school. I had to take an elective, and they had a spot open in chorus, but I didn’t realize I could sing. After that I spent a lot of time in the music room and taught myself to play piano. From there I got involved with the school’s productions and discovered I had a passion for it, whether I was acting or on the stage crew.
When did you first appear in ‘A Christmas Carol’?
Back in 1989, I was doing a show in East Islip, and (director) Jeff Sanzel saw me perform. He came backstage and asked me if I would audition for Bob Cratchit for the upcoming production at Theatre Three.
From left, Doug Quattrock as Bob Cratchit and Jeffrey Sanzel as Scrooge in a scene from ‘A Christmas Carol.’ Photo from Theatre Three
Did you hope to play Bob Cratchit from the beginning?
Absolutely. I’d seen the production before and a few friends had done the role before me. I’ve loved the story for as long as I can remember. I love [Cratchit’s] hope and connection to his family — he comes from a large family, just like I do. We grew up in a small apartment and my parents always struggled to make Christmas special for us, even if they couldn’t afford much. They taught us it was all about family.
Do you feel you’ve brought anything new or different to the role?
As I’ve gotten older, I come to appreciate more the value of family and what really matters in life … I focus so much on that in the role. I hope people can see that, and that my family knows how much I love and appreciate their support.
Tell me about the cast.
While Scrooge, Mr. Fezziwig and myself have been the same for many years, there are also new people that come onboard every year. They bring a fresh, new energy to the show and new dynamics. For example, I’ve (appeared with) many different women who were playing Mrs. Cratchit over the years. Each of them has her own way of playing the role, which affects our relationship on stage. It’s really exciting to see how it changes with time.
From left,The Cratchit family, sans Tiny Tim, from left, Jace Rodrigues, Marquez Stewart, Douglas Quattrock, Zoe Kahnis and Kellianne Crovello in a scene from last year’s ‘A Christmas Carol’. Photo from Theatre Three
What is it like working with the young people in the cast?
The children are just amazing. It’s fun to watch them grow up and go on to other roles in the show or other productions over the years. [Director] Jeffrey [Sanzel] works so hard to instill good values and responsibility in them, to let them know how important they are to the show. If they’re not on stage, they’re either watching rehearsals or doing homework — they need to keep up with every aspect of their lives. Theater provides such a wonderful outlet of expression and education for children.
What is it like working with Jeffrey Sanzel as both director and Scrooge?
He has so much passion and warmth not only for this story, but for everything he does here professionally. I consider him a friend. It’s amazing for me to watch him make the transformation into Scrooge — he’s very scary. It’s especially so because he’s also my boss in real life! But we have a unique relationship.
Is the show scary? Are there any special effects?
Yes, it is scary — we don’t recommend it for children under five, and if they’re five, they shouldn’t sit in the front. There are fog machines, strobe lights, loud noises, darkness, voices from below, a 14-foot ghost and much more. We recommend that they watch other versions of “A Christmas Carol” first so they have an idea of what the show’s about.
Is this your favorite time of year?
Without a doubt!
‘A Christmas Carol’ will be adding extra shows during the Port Jefferson Dickens Festival, which falls on Dec. 3 and 4 this year. What do you most enjoy about the Dickens Festival weekend?
It’s amazing seeing how the whole village embraces this production. They decorate [Port Jefferson] so beautifully and everyone comes together to support what we do. It’s like the whole place comes to life.
What is so special about community theater?
It’s about taking limited resources and creating the best productions from that. We create with heart, imagination and a lot of hard work. That comes from within. And when a show goes well, it’s that much more exciting and valuable.
People have said that you always make them teary-eyed in your last scene with Scrooge. How does that make you feel?
That’s my favorite scene, even though it’s the shortest between us. From Bob’s perspective, the whole story has been building up to that moment, when Scrooge says (Bob’s) son, Tim, will walk again. Scrooge has so many redemptive moments in the last few minutes of the show, and it’s so powerful. I love knowing that moves people. I want people in the audience to see that even the tiniest gestures of kindness can mean so much to someone. That is Christmas to me. If the audience can walk away with that message, and capture the spirit of the season, then I’ve done my job.
“A Christmas Carol” will run at Theatre Three, 412 E. Main St., Port Jefferson, from Nov. 19 to Dec. 30. All tickets are $20 in November and range from $20 to $35 in December. For information or to purchase tickets, call 631-928-9100 or visit www.theatrethree.com.
A scene from a previous TVHS Candlelight House Tour
By Melissa Arnold
It’s hard to live in the Three Village area without noticing the beautiful neighborhoods around us. And it’s easy to fantasize about the ornate period homes. Each year, local residents team up with the Three Village Historical Society to offer visitors from across Long Island a rare, festive peek at a few of them with a Candlelight House Tour. This wonderful event, which will be held on Dec. 2 and 3 this year, has been a mainstay of the North Shore’s holiday season for almost 40 years. But it began as just a simple fundraiser.
A scene from last year’s Candlelight House Tour. Photo form TVHS
At the end of the 1970s, the Three Village Historical Society was meeting in the Setauket Neighborhood House on Main Street. The building wasn’t in the best shape, however, and members of the society starting brainstorming on ways to repair it. It was Eva Glaser who came up with a unique idea: What if they charged a small fee to take visitors inside the area’s historic homes? Elaborate holiday decorations would make the tours even more interesting, she thought. Those first tours of 1979 were a great success, and the event is now one of the historical society’s biggest annual fundraisers. Proceeds will benefit community and in-school educational programs.
“A lot of people use [the tour] as a kickoff for the holiday season since it’s always the first weekend in December,” said tour co-chair Patty Yantz. “It’s wonderful seeing families all come out together, and then go out to dinner or start their shopping for the holidays. We see people from all generations come together.” The tour features different homes every year, so you’ll never get the same experience twice. The event is so popular that Three Village homeowners are often the first to approach the society to get involved. “People are so generous in their willingness to open up their homes and be a part of the tour. We take time looking at each house on the tour and then look at the elements that they might have in common that could lead to a theme,” Yantz explained.
A scene from a previous Candlelight House Tour. Photo from TVHS
This year’s theme, Visions of Historic Setauket: A Look Back in Time, will feature five decorated homes. Gallery North and the historical society’s building will be decorated as well. “Setauket has a perfect little historic enclave near the [Frank Melville Memorial] park, and we have a tremendous amount of photos and documents from the area in our archives,” said Patty Cain, also a tour co-chair. “The houses in the tour all circle around the [park’s] pond, which makes it possible for us to have a walking tour this year. We were very lucky.”
The participating homeowners work with volunteer professional decorators to deck the halls for the tour. Afterward, they can keep those decorations to use for years to come, Cain said. She added that Eva Glaser, the inspiration behind the original house tours, will be participating this year. Tour participants have three different times to choose from, each offering a unique experience.
Visitors enjoy a previous Candelight House tour. Photo from TVHS
The darkness of Friday evening makes the lights and luminarias on the tour especially pretty. At each stop, hors d’oeuvres and wine will be served courtesy of local restaurants, followed by a reception at the Old Field Club in Setauket. Those hoping for an early start can take a Saturday morning tour that begins with breakfast at the club. There’s also an option for the tour alone in the afternoon. Each tour allows visitors the freedom to park wherever they’d like, and to visit the homes in any order.
Guides will greet visitors at each home and take them through in small groups to keep the experience intimate. Once inside, there’s a specific path to follow, where guides will explain the special elements of each room. In addition, the tour admission ticket is actually a historical booklet full of information and photos. Yantz said that many families keep these booklets over the years as both a historical record and memento. Admission to the house tour also includes access to SPIES!, an interactive exhibit about the Culper Spy Ring, and the Chicken Hill: A Community Lost in Time exhibit at the historical society, as well as admission to the Long Island Museum in Stony Brook, Yantz said. “I think the best part about it is hearing all the wonderful comments from people that come out. There’s never been a complaint on the weekend of the tours, and the joy on people’s faces, seeing people come together, is very special. It’s such a positive force in the community,” she said.
The Three Village Historical Society’s 38th annual Candlelight House Tour will be held the evening of Friday, Dec. 2, and the morning and afternoon of Saturday, Dec. 3. Depending on the option you choose, tickets range from $40 to $100 per person. For more information, please call 631-751-3730, email [email protected] or visit www.tvhs.org.
In 1972, the pesticide DDT was banned across the United States following proven harmful effects on wildlife. The positive impact of the ban cannot be understated. According to a recent study by the Connecticut Audubon Society, the population of ospreys is 31 times greater than it was in 1970. The bald eagle population is 25 times greater nationwide.
But before the ban, former Stony Brook University professor Charles Wurster found himself at the forefront of the battle to stop DDT. His book, “DDT Wars: Rescuing Our National Bird, Preventing Cancer, and Creating the Environmental Defense Fund” (Oxford University Press, 2015), recounts the story from Wurster’s perspective in vivid detail, from his childhood to the establishment of the Environmental Defense Fund and beyond.
I recently had the opportunity to interview the 86-year-old professor emeritus, now living in Maryland, by phone.
Were you always an animal lover?
Yes, I think so. My parents weren’t much into wildlife, but they always showed excitement when they saw animals, so those were little encouragements for me. But from age 11 to 20, I spent every summer at a camp in the mountains of Pennsylvania — that put me in a natural environment and I learned bits and pieces about wildlife, especially birds, turtles and snakes. Later on, a high school teacher took a car full of students to Florida in the summer to learn about birds, which sparked my interest in a big way.
Do you remember when DDT was first used?
I was teaching at Dartmouth in 1962 and went to a cocktail party for a birding friend, who said they were spraying Dutch elm trees with DDT [to eradicate Dutch elm disease]. She told me it was killing birds and she had dead birds in her yard. I signed a petition at the party to stop the use of DDT in the town, but the town fathers ignored it, saying they were being very careful.
What made you realize that DDT was harmful?
When the town refused to stop using DDT, some of us decided to perform a study to see what happened. We compared bird populations before and after they sprayed the trees, and at first there were no dead birds. But within a few weeks, we began to find birds that were convulsing and then dying. At the time we had no knowledge of the [scientific] literature that was already published about DDT. Gradually, we began to catch up with it, and eventually we published a study in Science Magazine, which gave credibility to our work.
Did you ever see yourself getting involved with the effort to ban DDT?
I never dreamed I would get involved with such a thing. It was very incremental. I wanted to stop the use of DDT in Hanover [Massachusetts], and the effort succeeded by the next year. Eventually, I moved to Long Island, where I got involved in efforts there to stop the use of DDT. [In New York], they were focusing on its effects on ospreys, which were not reproducing properly and eating their own broken eggs. A group of us filed a lawsuit and were able to get an injunction in two weeks. That news was electrifying. It got us to start thinking bigger. In the fall of 1967, we incorporated the Environmental Defense Fund (EDF), with the goal of bringing science into the courtroom. We hadn’t the remotest idea of what it would be at that time — we were just a group of 10 people with an idea.
What was it like to fight against the use of DDT? Did people listen or did they disregard you?
At that time, much of the general public was becoming environmentally aware and involved, so they were generally favorable to us. Wherever we went, there were droves of birders and environmentalists rushing out to help, which was an excellent support. But the (pesticide) industry also began pushing back, even though they didn’t have the science to support their case. Several federal agencies tried to throw us out of court, but they failed.
What were you feeling?
It was scary in a way, because we knew we could get shut down and the industry was saying nasty things about us. But we believed it was the right thing to do. It’s like watching a football game — you’re cheering for the team, and you’re likely to lose, but you stay in the stands anyway because anything could happen. The EDF got to a point where we knew we were the ones that could [ban DDT], and we really wanted to win this thing, so we pushed forward.
Did your life change in any way afterward?
After the ban of DDT, I really started to focus on the development of EDF and various other environmental issues. I still sit on the board of trustees today.
What made you want to write a book about this issue decades later?
Within the past ten years, I started to realize that our story was being forgotten. Most people didn’t know how DDT was banned, and there was a lot of false information given in the media saying that Congress had banned it. That was so annoying to me — we purposely avoided Congress! And that same junk science presented about DDT was being used to influence the climate change issue. I started to get after several people I knew who I thought could write a book, but in the end, almost everyone who was actually there for the ban had died. I thought, “Gosh, I’d better do this.” But it was never a plan of mine.
What is the greatest lesson you learned from your experience?
I think it’s that one person can begin to make a difference, but you can’t always be a one-man band. The critical work and studies on DDT were done by so many different people, and we weren’t all present at every hearing. It was important for us to work together.
Why do you think your book is relevant today?
One reason is because it’s just interesting — I intended it to read like a novel, even though it’s completely true. But it also gives a great case history for how a small group of people can make a difference. So much (in society) has changed, but that idea is still true. So many people have this hopeless feeling that they don’t matter and there’s nothing they can do, but this book sends the opposite message — if there’s something you feel strongly about, get out there and do something about it!
What can we do to aid in wildlife conservation efforts on Long Island?
Find a group of people that share a common purpose that matters to you. Working as part of a team, you can escalate those issues and help to create big changes.
“DDT Wars” is available online at www.barnesandnoble.com and www.Amazon.com.
From left, Steven Uihlein, Jessica Contino, Melanie Acampora and Emily Gates star in 'Pumpkin Patch Magic'. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
By Melissa Arnold
Twenty years ago, Theatre Three’s Artistic Director Jeffrey Sanzel wrote a Halloween play for children with sweet, goofy characters and an encouraging moral lesson. This October, the Port Jefferson theater will present an updated version of Sanzel’s original show, “Pumpkin Patch Magic,” featuring all-new music and lyrics by Jules Cohen. I sat down with Sanzel and Cohen to learn more about bringing the show to life again.
Jeffrey Sanzel has written or adapted more than 100 plays in his 28 years at Theatre Three.
What inspired you to write this play?
Jeff Sanzel: This goes back many years. We’ve actually done “Pumpkin Patch Magic” twice, with the original performances happening 20 years ago. (My writing partner and I) were looking for a new Halloween show and decided we wanted the theme to be based around the saying, “If at first you don’t succeed, try, try again.” We always want to have a moral underpinning for our stories. So we created this world of Halloween with all the characters you’d expect — witches, ghosts, gnomes — and their different skills and limitations. For example, there’s a witch who can fly and a witch who can’t. It’s very funny.
How do you go about developing a show like this?
We talk about a theme, and then work on characters. I usually sit down and think about the sort of direction I want the story to go in, and from there I’ll start writing … there are usually 15 to 20 pages that never make it into the show — it’s just about getting the ideas going. If we’re doing an adaptation, I’ll read as many different versions of the story as I can to help flesh out how I want to tell it and what kind of message we want to convey.
From left, Princess Pumpkin (Melanie Acampora) Ermengarde Broomwellsweepalot the Witch (Emily Gates) and Norman the Nervous Gnome (Steve Uihlein) star in ‘Pumpkin Patch Magic. Photo by Peter Lanscombe, Theater Three Productions, Inc.
Can you summarize the story?
These characters are the ones who are responsible for getting pumpkins into the pumpkin patches all over the world. There are two groups involved: the overachievers and the underachievers. Some of the characters are limited in what they can do, and they’re always being reminded of how they can’t do as much as others. The story is told by a fairy, Loquacious Chattalot, who tries to encourage them, but it backfires and they give up. But in the end, it’s the limited ones who end up making it all happen successfully.
How did you come up with the name Fairy Loquacious Chattalot?
I’m a big fan of Charles Dickens — we do “A Christmas Carol” here at Theatre Three every year — and Dickens-style names always tend to stick in my head. The characters’ names really reflect who they are, and that is definitely true for this fairy. She’s a very nonstop talker, and that’s where I got Loquacious Chattalot.
For what age group is this play recommended? I would say it’s best for ages 3 and up.
It’s very entertaining, fast and colorful. It’s not scary at all — in fact, it’s very silly. The humor is very goofy, and the show is extremely family-friendly. All of our children’s shows are meant for the whole family to be entertained.
Are children encouraged to come dressed in their Halloween costumes?
Absolutely! We love when the kids show up in costume; it’s so much fun. And if you stay after the show, the characters will come out [in the lobby] to meet the kids and have their picture taken.
Why should parents bring their kids to see the show?
Children’s theater is the greatest way to introduce kids to theater, and the earlier on they’re exposed to it, the more they can develop an appreciation for it. Seasonal shows like this one are a lot of fun and the message for this show is so important — keep trying. You can learn, you can make a difference and there’s nothing you can’t do.
Jules Cohen has written music for dozens of shows all over the country, but now he fights breast cancer as an oncologist at Stony Brook University Hospital.
Are you a native Long Islander?
Jules Cohen: I grew up in Poughkeepsie, and after college I lived in Manhattan for 20 years. I moved to Suffolk County six years ago to work at Stony Brook.
Composer Jules Cohen, center, with the cast of ‘Pumpkin Patch Magic’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
You studied music in college, but now you’re an oncologist. What led to that change?
I have a bachelor’s degree in music and a master’s in music composition. I hoped to make my career as a musical director in theatre and a songwriter, and I did that for several years working with several reasonably high-profile directors. But it’s difficult to make a living in those fields, as you never know where your next job will come from. I had to move all over the country — I’ve worked in Vermont; San Francisco; Louisville, Kentucky; and in New York City. I knew that if I wanted a more stable life, I needed a more structured day job. Music and theater could always remain a hobby while I did other work. My initial thought was to become a psychologist, so I went to medical school, and once I got there I found I really gravitated more toward medical oncology.
Was the transition difficult for you?
Once I decided to go to med school, I pursued it wholeheartedly and didn’t find leaving the music and theater career difficult. I’ve always played the piano and am working on jazz piano now. That satisfies the musical part of my brain.
What inspired you to get involved with composing for ‘Pumpkin Patch Magic’?
I have two young children — a 5-year-old and a 10-year-old. I’ve always taken them to basically every show at Theatre Three, and it got to the point where the actors all knew Emma and Oscar. They really watched them grow. I decided to see if I could get involved, and I met Jeff in the lobby one day. He suggested I collaborate with him on one of his kids’ shows, and a few weeks later he emailed me the script for a Halloween show he had written years ago. From there I worked on updating the score, one song at a time. My kids love Halloween, so they’re very excited, and my daughter is very into musical theater — she loves to give her input.
What’s involved with writing a song? What is the process like?
Writing lyrics was relatively new for me, but I really enjoyed spending time working on the rhyme and wordplay. That process develops a sense of rhythm, and from there I start thinking about pitches. You flesh it out a bit at a time, eventually developing chords and a melody line, then adding little embellishments and intricacies. It’s really not magic or anything — as they say, it’s 10 percent inspiration and 90 percent perspiration.
How would you describe the music for the show?
It’s definitely heavily influenced by jazz, and the whole score is written for keyboard. Who are your musical influences? I really enjoy musicians in both jazz and theater, and the intersection between them — George Gershwin, Cole Porter, Frank Lesser, Thelonious Monk, and Charlie Parker are some of my favorites.
What are you most looking forward to about the show?
I’m very excited to hear my songs performed by real actors and singers, to see them come to life onstage. I’m hoping that people will appreciate it and that they leave tapping their feet. I know that I’m pleased with the songs — they are fun and clever.
“Pumpkin Patch Magic” or “If At First You Don’t Succeed” will run from Oct. 1 through Oct. 29 on Saturdays and Sundays at Theatre Three, 412 Main St., Port Jefferson. All seats are $10. For more information or to purchase tickets, call (631) 928-9100 or visit www.theatrethree.com.
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