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Lisa Unander

By Tara Mae

The chaos of creation yields the quietude of reflection. 

Newly installed at the Long Island Museum of Art, History, & Carriages (LIM), the Little Free Library came from just such a process. It was assembled by Brownie Troop 1343, which consists of fourteen local 3rd graders from the Three Village School District and horticultural art therapist/mediations instructor Fred Ellman, with troop co-leaders Lisa Unander, Kaethe Cuomo, and Christine Colavito offering practical support.

Cultivated from a sort magical mayhem on a series of manic Mondays as the girls painted their projects and maybe themselves, the Little Free Library is the result of artistic exuberance and pragmatic craftsmanship. Ellman previously worked with Unander on LIM’s In the Moment programs, which are garden activities designed for people with memory loss.

“To my pure delight, he volunteered to help us design and build the project! It was Fred’s idea to use the popcorn wagon [design], inspired by the Popcorn Wagon, 1907, C. Cretors & Company, Chicago, which is prominently featured in our carriage museum collection,” Unander, who is also LIM’s Director of Education, said.

Ellman donated his time, talents, and materials, functioning as artistic advisor, serene supervisor, and pragmatic visionary. He created a digital template and used that as the blueprint for the actual pieces of wood.   

“Lisa told me about this incredible project, and I really enjoy working with her. I wanted this library to be very playful and encourage children to come use books and connect to the  collection. With this installation, we are using a fresh way of looking at a free library, inviting and enticing patrons with its welcoming appearance,” Ellman said. 

This  22”x24” box, made of birch and cedar, is a blend of functional fun, with its bright colors and and unique shape. Installed adjacent to LIM”s aromatic herb garden, visitors will be able to take a book and immerse themselves in the stories as they settle in the tranquility of nature.

This visage belies the Brownies determined diligence in creating and maintaining the free library. A requirement for being formally recognized as an officially chartered member of the nonprofit Little Free Library network is that the girls are stewards of this installation. Each Brownie will be assigned certain weeks of the year to check on the library, including cleaning, maintaining, and restocking it as well as reporting any needs to Troop 1343.  

“To have a long term project that [the troop] could get excited about and work on collaboratively created responsibility and pride in what they accomplished,” Unander said. “Since all the girls live in the Three Village area, we know they will grow up helping keep the library well maintained and bring friends and family to see what they helped create.” 

For the Brownies, its motivations for the Little Free Library are multifaceted. Starting when the girls were Daisies, the Girl Scouts program for kindergarten-first grade, their meetings frequently commenced with a co-leader reading them a story that related to a project on which they were working.

“They always responded in a positive way to each book that was read to them and we felt it created a strong bond between the girls and the badges that they were about to take on,” said Unander. 

Then last year, the group began working on its World of Journey badges, a four part certification that focuses on “girls around the world and how stories can give you ideas for helping others,” according to Girl Scouts USA’s website.

Inspired by a pamphlet that depicted girls traveling the world in a flying bookmobile to learn about different cultures, and having recently read a book about Little Free Libraries’ founder Todd Bol, Troop 1343 decided to create a Little Free Library of its own in pursuit of the badges.

“Many troops do a simpler project to complete this journey, but we felt the girls in our troop were willing and ready to make a true and lasting impact,” Unander added. 

They were not the only ones embarking on a new adventure; it was Ellman’s first time constructing a free library too, though he anticipates it will not be his last. “I definitely want to build another one,” he said.  

As reading invites the imagination to explore, facilitating LIM’s free library has alerted everyone involved in this endeavor to other possibilities: Troop 1343 and its co-leaders are discussing developing a book about this process.  

“Fred had the idea of the girls creating a book that would tell visitors a little bit about them and some of their favorite books; I loved it,” Unander said. “Next year the girls will be Junior level Girl Scouts, and we plan to incorporate this project into our meetings. Ideally, this book would be attached to the Little Free Library onsite for all to read.”

In the meantime, the girls collected and donated their own books to launch the library. Given its location, Unander believes that as the library continues to expand its collection, visitors will be particularly inclined to leave books about art and history; its public accessibility binds the library to the community and encourages any visitor to the museum to indulge in the exchange of ideas. 

“We are grateful to our Co-Executive Directors Sarah Abruzzi and Joshua Ruff for enthusiastically giving us the green light to use this magnificent space to host our Little Free Library. We all feel this small structure will bring a large amount of joy to all who see it,” said Unander. 

To take a book, leave a book, visit the Long Island Museum, 1200 Route 25A, Stony Brook Thursdays to Sundays from noon to 5 p.m. To learn more about the museum’s exhibits and other programs, visit www.longislandmuseum.org. 

Long Island Museum/file photo

The Alzheimer’s Foundation of America (AFA) has awarded the Long Island Museum a $6,000 grant to support the Museum’s “In the Moment” program, a free program designed to creatively engage those living with dementia-related illnesses and their care partners.   

Created in 2011, this innovative program takes individuals living with dementia and their care partners on guided tours of the museum’s collection of art, historical objects, and seasonal exhibits. Additionally, the program offers hands-on art workshops which afford opportunities for creative expression, with all needed materials provided for free. 

All programs are led by museum educators and designed to be cognitively stimulating. Programming is currently offered virtually through Zoom and as a hybrid, in-person/virtual option. Since its inception, the program served more than 3,200 individuals, according to the Museum. 

“This AFA grant has allowed us to purchase a 75” Vibe Smartboard Pro to use as we return to in-person programming,” said Lisa Unander, Director of Education at the Long Island Museum. “We are building upon the lessons we learned through remote engagement and bringing the most successful aspects of these virtual programs to enhance our gallery sessions. Specifically, we have seen how powerful short video clips are as a way to engage and bring themes to life. With this grant, we won’t have to lose techniques we now heavily rely on, but instead will be able to incorporate these tools to create even more memorable multi-sensory moments together.

“Art can be a powerful tool to enhance quality of life for individuals living with a dementia-related illness and their caregivers. It stimulates the mind and creates opportunities for self-expression and socialization,” said Charles J. Fuschillo, Jr., AFA’s president and chief executive officer.  “We are proud to support the Long Island Museum in delivering this impactful program to Long Islanders affected by Alzheimer’s disease and other dementias.”

Executive Director of the Long Island Museum, Neil Watson (center) with his successors, Joshua Ruff (left) and Sarah Abruzzi (right) on the grounds of the LIM in front of the sculpture by Hans Van de Bovenkamp, “Montauk Sun & Moon,” 1986. Photo by Kristin Cuomo
Deputy Directors Sarah Abruzzi and Joshua Ruff named as successors

The Long Island Museum (LIM) in Stony Brook a Smithsonian affiliate dedicated to American history and art with a Long Island connection, announced May 5 that Executive Director, Neil Watson, will retire in October of 2022. During his nine years of dedicated leadership to the LIM, Watson introduced visitors to award winning exhibitions and educational programs, increased Museum membership, and enhanced musical programs. Along with Watson’s retirement, the LIM’s Board of Trustees also announced that the LIM’s current Deputy Directors, Sarah Abruzzi and Joshua Ruff will succeed Watson as Co-Executive Directors of the LIM.

Neil Watson’s contributions to the Long Island Museum have been beyond measure,” said Thomas M. Sullivan, the LIM’s Board of Trustees Chair. “His leadership and vision transformed the Museum into a more dynamic and representative reflection of our history and art. By assembling a fantastic group of talented people who shared his vision for how the museum serves the community, it is without question that Neil Watson had a transformative impact on the Long Island Museum.”

Since 2013, under Watson’s distinguished leadership, the LIM reopened the History Museum, initiated a new outdoor sculpture program and partnered with local organizations, such as the Sunday Street singer/songwriter series and North Shore Pro Musica, to bring a chamber music series to the community. During Watson’s tenure, the Museum’s annual operating budget has grown to nearly 3 million dollars and the Museum’s Endowment funds have doubled to over 40 million dollars. He also created a new level of membership to enhance and support the rich artistic talent on Long Island, entitled LIMarts: A Collaborative Arts Group, which currently has over 125 active artist members and offers the opportunity and space for the exhibition and sale of artwork.

“Retirement is never an easy decision, but it is even more difficult when you love what you do,” said Watson. “Here at LIM we are all dedicated to the idea that a museum can tell stories about who we are, through art, craft, history, music, and film. I could not be prouder of our accomplishments over the past nine years. Part of a director’s job is to imagine the future, and I felt strongly that we had two people in place who had the vision to take on the dual leadership model. Creative solutions make for creative outcomes, and the LIM culture is about trust, respect, and innovative thinking. I’m thankful to the Board, who were open to implementing a different model of museum leadership. I have the utmost confidence that Sarah and Joshua will bring their enthusiasm and expertise to guide the Museum into the next phase. As I take my exit, I can only thank them, the Board of Trustees, the gifted staff, and the community for giving me the most fulfilling years of my career.”

Sarah Abruzzi is an accomplished executive and fundraising professional with over 20 years of experience in the non-profit sector. Throughout her career, she has worked in all aspects of museum operations, including education, interpretation, collections management, volunteer coordination, fundraising, finance, HR, communications, and government relations.

Abruzzi grew up in Port Jefferson and remembers with great fondness her childhood visits to the LIM with her family. She first worked at the LIM in the late 2000s before spending eight years outside of the museum field serving as the lead fundraiser for Dr. Richard Leakey’s Kenya-based human origins research project at Stony Brook University. Abruzzi jumped at the chance to return to the LIM in 2017 as Director of Major Gifts and Special Projects. Abruzzi’s amiable management style and thoughtful approach to leadership paved the way for her promotion to Deputy Director/Director of Advancement & External Affairs in February 2019. Additionally, she previously served as Director of Raynham Hall Museum in Oyster Bay,  and The Three Village Historical Society in Setauket.

Entering his 25th year at the LIM, including the last three as a Deputy Director and the last nine as the Director of Collections & Interpretation, managing both the Curatorial and Education departments, Joshua Ruff has a proven track record of strong leadership, excellence, and versatility as well as years of expertise in all facets of museum operations.

A lifelong resident of New York State, he is a graduate of Syracuse University with BAs in Broadcast Journalism and in History, and Stony Brook University with a MA in History. After curating or co-curating nearly 70 exhibitions of a variety of scale and scope and many publications, Ruff is a recognized scholar of Long Island art and history, two crucial components of the Museum’s mission. In addition to co-authoring several books and exhibition catalogs, his articles have appeared in publications including the Magazine Antiques; American Art Review; New York Archives Magazine; and American History magazine. Beyond his work at the Long Island Museum, Ruff has served in a variety of service capacities for outside organizations, including as Grant Reviewer for NYSCA’s Museum Program (2015-2018) and as an incoming member of the Board of Directors for the Museum Association of New York (2022-2025).

Neil Watson has been such a dynamic and collaborative leader for this museum, and we have learned and gained so much from him. We will miss him,” said Joshua Ruff,  Deputy Director and Director of Collections & Interpretation at the LIM.  “Sarah and I are thankful to the Board for this leadership opportunity and we are really excited for this new chapter. We’ll work hard with all our talented colleagues to take the LIM to new and exciting achievements,” Ruff continued.

Neil’s humility and humor have helped shape the LIM into the treasured community resource it is today,” said Sarah Abruzzi, Deputy Director and Director of Advancement & External Affairs. “Josh and I are honored to be a special part of Neil’s legacy and look forward to continuing his tradition of honest, inclusive, and transparent leadership in service of the Museum, our colleagues, and the community we all care so deeply about.”

The new organizational structure builds upon the strong and collaborative work environment that Watson cultivated at the LIM during his tenure. Over the past several years, the three have worked closely with the rest of the LIM’s talented Senior Staff to create a culture of equability and opportunity among the entire LIM staff of 39 people. Watson’s visionary plan of streamlining LIM’s work flow into two main areas will take place in October with Ruff responsible for Collections and Programming, and Abruzzi responsible for Operations.

“I can’t stress enough how supportive and instrumental Neil was to the expansion of the LIM’s Education Department,” said Lisa Unander, Director of Education at the Long Island Museum since 2013 and at the Museum for the past 16 years.

“His unique non-hierarchical and highly creative approach can be credited for how the LIM has been able to push the boundaries of our programs and become the even more inclusive community centered organization it is today. It won’t be the same without him, but he has instilled a welcoming, positive and vibrant workplace culture that I know Sarah and Joshua will continue to build upon as they continue the museum’s mission,” Unander continued.

Exhibitions during Watson’s career at the LIM include the groundbreaking Long Road to Freedom: Surviving Slavery on Long Island, the first major museum project to examine slavery from a Long Island regional historical perspective, Walt Whitman’s Arcadia: Long Island Through the Eyes of a Poet & Painters to mark the American bard’s 200th Birthday, and Fire & Form: New Directions in Glass, a visually striking exhibition featuring more than 50 works from nine contemporary artists.

Watson is known for his community engagement and charismatic style, and while serving as the Executive Director of the Katonah Museum of Art for nearly eight years, he also served on the Board of the Katonah Chamber of Commerce, as well as the Board of Arts Westchester, and as a museum panelist for the New York State Council for the Arts (NYSCA). Prior to joining the LIM, Watson was the former Chief Curator of the Museum of Glass in Tacoma, Washington and the former Curator of Contemporary Art at the Norton Museum of Art in West Palm Beach, FL.

About the Long Island Museum

Located at 1200 Route 25A in Stony Brook, the Long Island Museum is a Smithsonian Affiliate dedicated to enhancing the lives of adults and children with an understanding of Long Island’s rich history and diverse cultures. Regular museum hours are Thursday through Sunday from noon to 5 p.m. Admission is $10 for adults, $7 for seniors, and $5 for students 6 -17 and college students with I.D. Children under six are admitted for free. For more information visit longislandmuseum.org.

 

Fifth and sixth graders learning about social justice at Pulaski Street Elementary in Riverhead.
The Long Island Museum, (LIM) a Smithsonian Affiliate dedicated to American history and art with a Long Island connection, is pleased to announce the virtual field trip program, Vehicles for Change, in which students learn how to utilize historic objects and documents to understand how transportation has been connected to social changes in United States history.
Long Island Museum’s Public Programs Coordinator Emma Backfish and Senior Educator Kristin Cuomo prepare a virtual learning experience for the students participating in the Museum’s new online program, “Vehicles for Change.”

To pilot this new educational program, the LIM partnered with Riverhead’s Pulaski Street School which has benefitted in the past from the LIM’s Rides for Kids program, a specially funded endeavor that can provide underserved schools with partially-subsidized transportation costs and reduced program fees. The LIM offered the program to all 34 of the school’s 5th and 6th grade classes free of charge during the fall of 2020 as an extension of Rides for Kids, thanks to the generous support received from Avalon Nature Preserve in Stony Brook.

“The museum typically welcomes over 10,000 school children a year for on-site field trips,” said Lisa Unander, Director of Education at the LIM. “Due to the COVID-19 pandemic it will not be possible for us to accommodate onsite field trips this fall and possibly beyond. We are especially mindful of what this loss means to the thousands of students who would have utilized funds from the Avalon-supported Rides for Kids program this year and so we have been working to find alternative ways to serve this important segment of our visiting population.” 
As part of the new Vehicles for Change program students delve into lessons surrounding social awareness, social justice and responsible decision making. The program is part of the school’s social and emotional curriculum.  Each session includes a remote 30-40 minute live museum educator-led presentation that will: 
  • Address content areas covering Social Studies, Citizenship, ELA and Communications curriculum, as well as social emotional learning (SEL), social justice standards, and culturally responsive educational (CRS) principles. 
  • Introduce students to Elizabeth Jennings and her fight for equal rights on public transportation in New York City.  Elizabeth Jennings (1827-1901) was an African-American teacher who fought for her right to ride on a New York City streetcar in 1854, leading to the eventual desegregation of the city’s transit systems. 
  • Examine the Museum‘s 1885 streetcar and other primary documents to understand how transportation has played a role in social justice movements. 
  • Explore the book Lizzie Demands a Seat!: Elizabeth Jennings Fights for Streetcar Rights, by Beth Anderson, to learn the role Jennings played. The LIM will also provide each classroom a copy of the book. 
Four Long Island School Districts have since signed up to participate in this valuable educational tool, including the Three Village Central School District. Three Village students in grade 4 took the opportunity to participate in the LIM’s program and are scheduled to participate in the 30 minute virtual visit from author Beth Anderson in honor of Black History Month. The author generously offered to do several virtual Meet the Author visits, in order to allow for more meaningful conversations with small groups. The Museum helped facilitate an agreeable date/time between the school and the author. 
A fourth grade student and teacher from W.S. Mount Elementary School in the Three Village Central School District participate in a remote learning session program provided by the Long Island Museum.

“Our district feels extremely grateful for our partnership with LIM, as it provided countless resources and opportunities for our students throughout the pandemic. Their virtual programming helped to deepen our school community’s connection, while staying socially distanced, as well as provided enriching content with curricular connections, including a program for our fourth graders that tied into their studies on state and local history. We look forward to our continued partnership and the upcoming program LIM is helping to coordinate with our elementary librarians and author Beth Anderson” said Deidre Rubenstrunk, Director of Instructional Technology / Data Privacy Officer at the Three Village Central School District.

Included in the pilot program were curriculum support materials for the school’s librarian/media specialist, including images of artifacts and access to an educator guide that includes discussion prompts, activities and primary source documents created by author Beth Anderson. In exchange for this program, the LIM asked the Riverhead’s Pulaski Street school to have all students complete an evaluation and for the School Media Specialist, Amelia Estevez Creedon to participate in a virtual wrap-up meeting to provide feedback that will ensure the LIM adequately and effectively meets teachers’ and students’ needs. 
“We are so grateful to Avalon Nature Preserve for supporting this enriching learning experience during a difficult time and we believe that this program will be both successful and meaningful for the participants.” said Unander. 
For more information on the LIM’s Vehicle for Change Program or for information on other school program offerings visit longislandmuseum.org/learn-and-explore/school-programs-overview/ or email Lisa Unander at [email protected]. 
Photos courtesy of the Long Island Museum

Photo from LIM
Grant will help fund new online educational programming

The Long Island Museum (LIM) announced on June 30 its award of a $59,713 grant from The National Endowment for the Humanities (NEH) to help fund the Museum’s new online educational programs that will be offered in the midst of the COVID-19 pandemic.

“We are thrilled and honored that the NEH is supporting our proposal of a new virtual educational program,” said Long Island Museum Executive Director Neil Watson.

“Since closing our doors in mid-March, the LIM staff has been working both creatively and tirelessly at meeting the needs of our community, particularly our school children and teachers,” he explained.

As so many of the museum’s standard offerings have transformed over these past four months, the need to dynamically adapt is ever apparent. After only a few weeks of their temporary closing, the LIM Launched the successful At Home With the LIM, a series of online family art and history activities, based on the Museum’s collection, historic buildings and grounds.

With school visits from many local districts in the fall likely to be greatly constrained, the LIM has since been making plans to redesign what they can offer schools with the use of technology.

“We believe objects from our collections provide uniquely visceral connections and learning opportunities,” said Joshua Ruff, Deputy Director, Director of Collections and Interpretations. “Realizing we are unable to bring school audiences to our collection, this project plans to bring the collection to them through remote field trips.”

The LIM will establish a “portable virtual classroom unit”, a mobile virtual studio with live streaming capability, to broadcast interactive classes from their unique historic buildings and museum galleries. To accommodate the virtual classrooms, the museum’s data network will be upgraded and expanded to teaching-critical areas museum wide by facilities/IT personnel.

Funds received from the NEH grant will enable the Museum’s Education Department to address the challenges schools will face in the 2020/2021 school year and allow the purchase and installation of essential upgrades to the data network of the LIM campus.

“In what is certain to be a school year filled with many firsts and changes, with this funding we can offer enriching new ways to make sure schools do not lose important connections to our museum,” said Lisa Unander, LIM’s Director of Education.

The Long Island Museum, located at 1200 Route 25A in Stony Brook, is one of 317 humanities projects in this round of funding. The $40.3 million in total grants nationwide will support vital research, education, and public programs in the humanities.

The Long Island Museum (LIM) has recently partnered with the Long Island State Veterans Home (LISVH) at Stony Brook University for a letter writing project. 

In conjunction with the Museum’s At Home With LIM projects, a series of online family art and history activities based on the museum’s collection, historic buildings and grounds, the Student/Veteran Pen Pal Project takes young people on a journey through the art and history of penmanship in the 19th century.

Long Island students from kindergarten through 12th grade are invited to participate and are asked to follow the instructions from the printable activity guide that can be downloaded from the museum’s website. 

The penmanship lesson teaches students how to write a letter, preferably in Spencerian script, to one of the veterans by using the greeting “Dear Veteran” and sharing with them what school is like today, and asking them what school had been like for them.

“In the 1800s there was no such thing as email, phones, or FaceTime. The main way people were able to communicate with others who didn’t live near them was to write letters,” said Lisa Unander, Director of Education at the LIM. 

“During these difficult times, the LIM believes in the power of the arts to unite us. The Student/Veteran Pen Pal Project allows for children to connect with veterans who are in need of connection and support while they are socially isolated because of the coronavirus pandemic,” she said.

Once the letter is written, it can be either scanned or photographed and then sent to [email protected], and [email protected]. The LISVH will then print out the letters and distribute them, and the veteran pen pal can respond to the student by a letter sent through email as well.

“The project is a wonderful collaboration between the registrants in the Adult Day Health Care program at the Veterans Home and local community school children,” said Jean Brand, Program Director of Adult Day Health Care at the LISVH. “The heartfelt letters are a fun educational bridge that celebrate the best of who we are as a community. During this time of social distancing the project creates relationships that inspire the human spirit.” 

The Student/Veteran Pen Pal Project is currently ongoing and the activity guide will remain on the Museum’s website as the LIM remains closed during the COVID-19 pandemic. For more information on this project or other At Home with LIM projects visit www.longislandmuseum.org.

By Heidi Sutton

First-place winner – ‘The McDivits’ by Cliff Miller ‘‘Amazing skill and humor make this piece our 1st place winner; technically gorgeous, with surprise subject matter; the expressions on both gator and golfer show these two thinking as one.’

The Long Island Museum in Stony Brook unveiled its annual juried art competition last Friday to rave reviews.

Designed to complement one of the museum’s current exhibits, Walt Whitman’s Arcadia: Long Island Through the Eyes of a Poet & Painters, this year’s theme encouraged amateur and professional artists to take inspiration from the written word — whether it be a poem, a quote, a song or a passage in a book, and turn it into something visual. The resulting exhibit is a wonder to behold.

Titled I Sing the Body Electric after a poem by Walt Whitman from his 1855 collection, “Leaves of Grass,” the show features 78 exquisite pieces of art in a variety of mediums including watercolor, pastel, oil, acrylic, sculpture, mixed media and photography, all beautifully displayed in the museum’s Visitors Center.

 

The exhibit was judged by Ripe Art Gallery President Cherie Rexer; Jessica Valentin, artist and owner of Muñecca Arthouse; and artist Beth Giacummo. The winners were announced at an opening reception.

Second-place winner –
‘Orion’s Sapphire’ by Marsha Solomon
‘Color and composition rightfully inspired by the cosmos; the swirls and droplets are a fitting homage to the beauty of space. Striking! Exciting in its simplicity.’

“I’ve been [at this museum] six years and this is the best juried art show I’ve seen here and I’m so proud to be a part of it,” gushed Neil Watson, executive director at the LIM.

“From the start we all felt this [exhibit] was going to be something really spectacular,” added Lisa Unander, director of education at the LIM, before sharing the judges’ comments and presenting the awards.

Cliff Miller of Seaford captured first place with his oil on gesso panel piece titled “The McDivits,” which was inspired by Anthony Robbins’ quote, “The only impossible journey is the one you never begin.” Second place was awarded to Marsha Solomon of Baldwin for her acrylic on canvas piece titled “Orion’s Sapphire.” Melissa Imossi of Madison, Connecticut, won third place for “Shadowlands,” an oil painting on aluminum, which was inspired by the film of the same name about the relationship between C.S. Lewis and poet Joy Davidman. (See the judges’ comments under each image.)

In addition, each juror individually selected a piece for honorable mention. Giacummo’s choice was “Passerine,” a diorama by Ellen Wiener of Southold. “The main element perched like a passerine reminds the viewer that our relationship with art can strengthen our stance,” she explained. Rexer chose Helena Weber of Bay Shore’s “A Noiseless Patient Spider,” created in soft pastels. “I love it because it feels like it could belong in the Long Island Museum’s collection,” she said.

Third-place winner – ‘Shadowlands’
by Melissa Imossi
‘Epitome of Long Island light — a palette of delightful color. Stunning light captured; amazing technique and feels very local to Stony Brook; the blur and light in this landscape won me over.’

Valentin selected James Keller of St. James’ delicate abstract photograph “Sinuous,” which was inspired by Nathaniel Hawthorne’s quote, “Moonlight is sculpture …” 

“This work … spoke to me so strongly. The mood and light are stunning. I’m in love,” she said.

While the artists were inspired by the written word, visitors to this exhibit are sure to be inspired by their achievements. Don’t miss this wonderful show.

WHEN TO GO: The Long Island Museum, 1200 Route 25A, Stony Brook will present I Sing the Body Electric through July 7. The museum is open Thursday through Saturday from 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. Admission is $10 adults, $7 seniors and $5 students ages 6 to 17. Children under 6 and members are admitted for free. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

Art reception photos by Julie Diamond/Long Island Museum

Winners honored at art reception on April 20

By Heidi Sutton

Wanderlust: a strong desire for or impulse to wander or travel and explore the world.

The Long Island Museum in Stony Brook kicked off its 2018 juried art competition, Wanderlust, with a standing room only artist reception on April 20. 

Amateur and professional artists were invited to submit up to three pieces using the desire to travel as their inspiration. 

Neil Watson, executive director of the LIM, opened the reception by congratulating the artists.“You deserve a huge hand. This is one of the strongest shows that I’ve seen in five years.” 

“I’ve been a museum director for many years in many different kinds of museums and artists are the core … Whether it’s a carriage that’s made by a group of artisans from the wheels to the fabric … or it’s a painting or a photograph, it’s a maker. I applaud all of you for being makers and continuing to do that and push it because I know it’s really hard.”

Watson went on to mention that the works of 39 members of the LIMarts, a collaborative arts group, were in the show and encouraged the other artists in the room to join. “This museum believes in makers,” he said. 

Museum staff members combed through more than 300 entries submitted to come up with 76 final entries. Debbie Wells, co-founder and partner of Artful Circle, served as juror and was tasked with selecting a first-, second-, and third-place winner along with two honorable mentions. Wells was also present at the reception, a first for a juried exhibit reception at the museum.

Before announcing the winners, Lisa Unander, director of education at the museum, encouraged all the visitors to browse the exhibit to see all of the artist’s works. “It’s a fantastic show. We are so happy for the turnout for [all the artists] tonight,” she said.

Smithtown resident Elizabeth Milward captured first place for her hauntingly beautiful black and white photo,  “All Aboard,” which was taken on the Strasburg Railroad in Pennsylvania. “Just beaming with artistic talent” was a comment overhead from one of the visitors.

Barron Krody of Stony Brook nabbed second place for his oil on canvas painting, “Happiness Is …” depicting a young girl with a big smile sitting on a cloud with arms outstretched as if flying. “When I heard about the theme [for the show] the word that came to mind was exuberance,’’ said Krody at the reception. Mission accomplished Mr. Krody. 

Third place was awarded to Julianna Kirk of the hamlet of Brookhaven for her  colored pencil masterpiece, “Prague Street,” which featured a young girl in the foreground.

Two honorable mentions were awarded as well. The first was to Jovanna Hopkins of Dix Hills for her stunning digital photograph of Zabriskie Point in California’s Death Valley. The second was to Ronkonkoma’s Gabriella Grama for a vintage suitcase decorated with mosaic tile titled “Worldy Possessions.” The work of art is adorned with images of all the places she has visited, including Egypt. Said the mosaic artist, “I made this just for the show because I love to travel.”

Juror’s comments:

1stplace  

 Elizabeth Milward

All Aboard, Photography

“This photograph tells the story of wanderlust – the desire to journey. The composition of the two figures facing the tracks into the misty distance is very strong and quite moving. The atmospheric quality is enhanced by their vintage clothing and the soft landscape ahead of them.  Excellent monochromatic layering and use of photographic techniques makes it worthy of first prize.  It exemplifies the theme of the exhibition.”

2ndplace 

Baron Krody

Happiness is…,Oil on Canvas

“The perfect title for this whimsical take on the Wanderlust theme. Beautiful, painterly clouds float throughout the composition. Like a cherry on an ice cream sundae, the young girl is brave, happy and poised to embark on an adventure.  This piece is colorful and imaginative – the viewer does not know what is going to happen next, but there is much optimism for this girl!”

 3rdplace 

 Julianna Kirk

Prague Street, Pencil

“This storybook-style illustration was executed by an artist with superior skills in colored pencil techniques.  The perspective of the buildings and architectural landscape are charming and beautifully drawn.  By adding the red-headed woman in the foreground, it frames the composition so that the viewer is seeing the world as she sees it.  The color choices are interesting – a terracotta palette with touches of green give the piece an old world feel.  One wonders what this woman is dreaming about in this European courtyard scene.”

 Honorable Mentions

 Gabriella Grama

Worldly Possessions, Mosaic on Vintage Suitcase

“Most exhibitions feature art on the walls, but when a piece made of unusual materials is showcased, it always stands out.  This mixed media artwork is an unexpected combination of materials.  The form underneath is a suitcase, symbolizing travel and carrying one’s belongings from place to place.  By covering it with mosaics, it adds a sense of permanence because mosaics are not mobile. They historically, are adhered to walls and decorative objects. The juxtaposition of movement and stability is intriguing.  The travel stickers are both fanciful and well-created as they document the travel itinerary of the suitcase.”

Jovanna Hopkins

Zabriskie-Point, Death Valley, Ca.,Photography

“This photograph takes a vast landscape and reduces it to a viewpoint that is nearly abstract.  Between the intense colors and the varying textures of the rocks and shadows, the viewer must look at this scene for the beauty of the shapes, rather than its reality. The composition forces the eye round and round with just enough time to stop and appreciate nature at its finest. Sometimes ‘wanderlust’ means one wants to keep going, but there are also times where it is necessary to just sit and really look at where you are!”

Whether you’re a world traveler or just a dreamer, don’t miss this beautiful exhibit. The Long Island Museum, 1200 Route 25A, Stony Brook will present Wanderlust in the Visitors Center through June 3. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

By Heidi Sutton

The Long Island Museum in Stony Brook kicked off its latest juried art competition, Animal Kingdom: From Tame to Wild, with an artist reception on Sept. 15. This year the museum invited amateur and professional artists from across Long Island to submit up to three pieces of art representing the Animal Kingdom, whether it be a favorite pet, a memorable adventure or a scene from nature.

Neil Watson, executive director of the LIM, congratulated the artists and thanked them for addressing the theme of the exhibit. “We are really thrilled with the quality of this exhibition. Humans have had a really complicated relationship with animals — friend, foe, food — so looking at the different aspects of animals and of wildlife is a really rich subject.”

‘Pecking Order’ by Jeanette Dick received an honorable mention at the juried art show.

“We wanted to pair an exhibition like this with the show up at the Art Museum that is about dogs; so we thought this is the perfect opportunity and you all embraced the subject so beautifully,” he said.

A panel of museum staff members selected 75 finalists from a pool of 300 submitted works. Two judges, Seung Lee, professor of art and director of Fine Arts & Graduate Studies at LIU Post, and Christina Mossaides Strassfield, museum director and chief curator at Guild Hall, selected a first-, second-, third- and fourth-place winner along with two honorable mentions.

“Just being in the show itself [selected] from hundreds of entries we had was really significant and you should all be very, very proud. Thank you for giving the museum a beautiful exhibition,” said Lisa Unander, director of eduction at the museum, before announcing the winners.

Facing stiff competition, Paul Edelson of Setauket captured first place with “Yellowstone Bison,” oil on canvas. According to the jurors’ notes, the abstracted theme caught both of them immediately. “The treatment of the material shows experience; well done; powerful brush strokes. You can feel the animal ready to jump out,” they wrote.

Neil Leinwohl of Rockville Centre garnered second place with “Animal Farm,” multimedia on print; Kelynn Z. Alder of St. James was the third-place winner with “Dog on Carpet, Osita,” oil on canvas; and Nicholas Frizalone of Lake Grove captured fourth place with his solar plate etching on paper, “Anticipation.” Honorable mentions were handed to Jeanette Dick of Port Jefferson for her pastel titled “Pecking Order” and Donald Sadowsky of Roslyn Heights for his movable plastic model, “King Kong.”

The exhibition will be on view at The Long Island Museum, 1200 Route 25A, Stony Brook through Oct. 22 in the Visitors Center. For more information call 631-751-0066 or visit www.longislandmuseum.org.

All photos by Julie Diamond

Winners honored at art reception last Sunday

By Heidi Sutton

The Long Island Museum in Stony Brook kicked off its annual juried art competition, I’ve Got the Music in Me, with an artist reception on Sept. 18. Amateur and professional artists across Long Island were invited to submit up to three works with a music theme for the exhibition, which is now on display in the Visitors Center.

Executive director of The LIM, Neil Watson, congratulated the artists and thanked them for rising to the occasion and addressing the theme of the exhibit. The idea for a music-themed art exhibit came out of the previous exhibition in the Visitors Center — Common Ground: The Music Festival Experience — and also from the fact that the museum is now home to the singer/songwriter series Sunday Street as well as the North Shore Pro Musica group (chamber music), among others. “For us, it is very important to have music and as a theme it is a challenge, visually, so I appreciate all of the artists who did this and the show is a really handsome exhibition,” said Watson.

Museum staff members combed through 144 pieces submitted by 68 artists to come up with the final 59 entries that make up the exhibition, and juror John Cino chose a first-, second- and third-place winner along with two honorable mentions. (See juror’s comments under each photo.) Barbara Jo Kingsley of Huntington Station captured first place with her serigraph, “Mississippi River Blues”; Neil Leinwohl of Rockville Centre took second place with “Love the One You’re With”; and Renee Caine of Holtsville garnered third with her oil painting, “Hello.” Honorable mentions were handed to Hicksville’s Lynda Wright for her acrylic painting,“ Bridge of Dreams” and Andrea Baum from Lynbrook for her photograph titled “Trumpet Player.”

Lisa Unander, director of education at the museum, said that, when choosing the five selections, Cino noted that “Music means a lot of different things to different people. Many artists in this exhibition chose to depict musicians making music or listeners responding to music. At least since the time of [Wassily] Kandinsky there have been artists who have attempted to create a visual analogy of music which is essentially the organization of sound over time.” The exhibit runs through Oct. 23. For more information, call 631-751-0066 or visit www.longislandmuseum.org.