A scene from the 2023 Wet Paint Festival. Photo by Julianne Mosher
A scene from the 2023 Wet Paint Festival. Photo by Julianne Mosher
A scene from the 2023 Wet Paint Festival. Photo by Julianne Mosher
A scene from the 2023 Wet Paint Festival. Photo by Julianne Mosher
A scene from the 2023 Wet Paint Festival. Photo by Julianne Mosher
A scene from the 2023 Wet Paint Festival. Photo by Julianne Mosher
A scene from the 2023 Wet Paint Festival. Photo by Julianne Mosher
A scene from the 2023 Wet Paint Festival. Photo by Julianne Mosher
A scene from the 2023 Wet Paint Festival. Photo by Julianne Mosher
A scene from the 2023 Wet Paint Festival. Photo by Julianne Mosher
A scene from the 2023 Wet Paint Festival. Photo by Julianne Mosher
By Julianne Mosher
On June 17 and 18, visitors from across Long Island headed to Old Field Farm in Setauket for Gallery North’s 19th annual Wet Paint Festival, a fun-filled weekend to not only admire local artists practicing their craft en plein air, but to see the excitement of a derby. According to Sally Lynch, owner and farm operator, the festival couldn’t have come during a better weekend.
The 2023 Seaside Hunter Derby took place on June 18 on the campus and as the riders competed, over 40 artists took to their canvases to paint and sketch the local scenery and content.
“All the horse people are thrilled to see their horses painted,” said Lynch. “There’s a reason why the horse remains a constant subject of the arts.”
She added that the day before, the farm hosted vintage riders (ones who ride side saddle) in full old-school costume who also modeled for the artists on-site.
The two-day festival also featured nature walks courtesy of the Four Harbors Audubon Society, live music by Tom Killourhy and the Keenan Zach Trio, plein air art tours with Jim Molloy and Nancy Bueti-Randall, a history tour with Margo Arceri of Tri-Spy Tours and an animal presentation by Sweetbriar Nature Center.
The event was sponsored by bld Architecture, Jefferson’s Ferry and Suffolk County’s Department of Economic Development and Planning.
All of the artwork created at the festival will be on display at the Reboli Center for Art and History, 64 Main St., Stony Brook on July 5 through August 27. The public is invited to an opening reception on July 21 from 5:30 to 8 p.m.
Curinne Polizzi, owner of Ivory & Main: The Curvy Corner Boutique.
Photo by Julianne Mosher
After a successful five years selling plus-size wedding gowns and occasion wear on the South Shore, a Comsewogue High School graduate is making her way back north for her second shop — Ivory & Main: The Curvy Corner Boutique.
After graduating, Curinne Polizzi went straight into the workforce, getting a job in retail and falling more in love with fashion.
“I always knew I wanted to own a shop, and then bridal just fell into my lap,” she said.
It began when she was looking for her own wedding gown. Polizzi said that when she was growing up in Port Jefferson Station, it was often hard to find clothing as she began to gain weight, and then finding a gown for her wedding opened her eyes.
There were no strictly plus-size gown stores on Long Island. In fact, the closest similar wedding shop was in Maryland.
She remembered sitting at her kitchen table talking to her grandmother who said she should open her own wedding gown store on Long Island. On March 15, 2018, Ivory & Main: The Curvy Bridal Boutique opened in Sayville and it was a hit.
Since then, she has sold thousands of wedding gowns to women of all sizes, dresses to mothers of the bride and prom gowns. She had to expand in Sayville twice because it was getting so popular, soon realizing she needed to open up a second location.
“My five-year plan was to open up a second store,” she said.
And five years exactly to the day of getting the keys to her Sayville bridal boutique, Polizzi got a second set to her newest location, The Curvy Corner in downtown Port Jefferson.
The 46-year-old mom of three, who now lives in Oakdale, said when she heard Christina’s Fashion Handbags, formerly located at 98 Main Street, had closed, she had to take a look. As soon as Polizzi walked in, she said, she knew this was the spot and signed the lease.
“I grew up down here, and I’ve always loved Port Jeff,” she said. “When I moved to the South Shore, I hadn’t been here in a long time, but when I found this space, I asked if I could sign the papers that day.” She added, “I felt like I was coming home.”
Since officially opening its doors in May, Polizzi is already gaining a lot of visibility. She said she has a large client base who comes in from out of state. Compared to its sister store south, Ivory & Main: The Curvy Corner Boutique will house more date-night or wedding-guest looks like sundresses, jumpsuits and other occasion wear looks.
The back of the shop has racks of elegant evening gowns for prom and mothers of the bride that go up to size 30, as well as a wide variety of fun accessories like jewelry, handbags and hats for which anyone can shop.
The styles she brings can appeal to the younger clientele, which has always been a struggle for more inclusive clothing brands. Polizzi said that sometimes other plus-size stores or brands have baggier, more matriarchal styles that may not suit everyone. What she has to offer is trendy — and will have something for everyone.
“This type of store is what I wanted when I was in high school,” she said.
Ivory & Main: The Curvy Corner Boutique sells clothing ranging from size large to 5X and will have its grand opening June 17 from noon to 9 p.m. featuring sales and other surprises for people visiting the boutique.
Deputy Mayor Kathianne Snaden welcomed the new shop with open arms, saying she is happy to see another new business owner investing in Port Jefferson, especially one who came back to town, as Polizzi has.
“It has always been my priority to make Port Jefferson a place folks want to live, work and play,” Snaden said. “Seeing new businesses moving in lets me know that what we’re doing is working.”
The store, located at 98 Main Street, is open Monday through Friday 11 a.m. to 6 p.m. and Saturday and Sunday 10 a.m. to 7 p.m. For more information, visit www.IvoryMain.com.
Artist Laura DiLeone at last year's Wet Paint Festival. Photo courtesy of Gallery North
*See schedule of events for both days at end of article
By Julianne Mosher
It all started as an event to remember a local painter, but now, 19 years later, it’s bringing new artists to light.
Since 2004 Gallery North’s annual Wet Paint Festival has invited artists from across Long Island to set up shop at a different location to paint the landscape in real time. This year’s festival, on June 17 and 18, will be held at Old Field Farm in Setauket.
Open and free to the public, the Wet Paint Festival will have something for everyone. Located at 92 West Meadow Road, Old Field Farm is a historical Long Island show grounds with a long equestrian tradition. According to its website, the farm was built by philanthropist Ward Melville as the North Shore Horse Show Grounds in 1931. For over half a century it attracted thousands of riders and spectators to equestrian competitions, many of which were successful charitable fundraisers.
Artist Angela Stratton at a previous Wet Paint Festival. Photo courtesy of Gallery North
The farm was privately owned until 1986 and was then acquired by Suffolk County to prevent commercial sale of the property or possible subdivision and development as it stood vacant and began to deteriorate. The site added that during this time, the county initiated a search to identify an appropriate entity to take on an extensive restoration required and manage Old Field Farm and return this prized local institution to its rightful place in the community.
Now several decades later, Gallery North chose their annual two-day event to take place at this scenic location. According to Executive Director Ned Puchner, they are expecting at least 50 artists to come by, set up shop and paint plein air.
“The festival is always in a new location and gives local artists the opportunity to not only paint the local scenery, but meet the public,” he said. “It’s also a great way for artists who are new to painting to try it out.”
The festival started out as a tribute to local painter Joseph Reboli who was popularly known for his beautifully crafted landscapes that often depicted local area. His widow, Lois, helped create the Reboli Center for Art and History in Stony Brook. As president of the center, she has been involved with the Wet Paint Festival since its inception.
“Joe was a modest guy,” she said. “He painted because he loved this community; I’m sure he would be extremely honored.”
As the artists paint the different scenes at Old Field Farm, whatever is created during those days will then be on display at the Reboli Center in an exhibition from July 5 to August 27. An opening reception will be held at the Center on July 21 from 5:30 to 8 p.m.
“We’re thrilled to be a part of it again and have the opportunity to be involved with the community,” added Reboli. “This is what we’re all about.”
While the main purpose is watching artists (coming from as far west as Port Washington to eastern Wading River), there are other events that day that will fancy people of all ages. Guides from the historic farm will be on site to provide tours of the Old Field Farm structures and grounds, and provide information on equestrian history and culture.
Local naturalists from the Four Harbors Audubon Society will lead tours on the rich ecology and wildlife of the surrounding area, regional artists will lead guided tours on plein air painting, and there will be children’s activities as well.
Sponsored by bld Architecture, Jefferson’s Ferry and Suffolk County’s Department of Economic Development and Planning, Gallery North will also team up with WUSB 90.1 fm/107.3 fm Stony Brook to present live musical performances each day. LevelUp Kitchen, based in St. James, will also be on site to purchase picnic lunches before the event.
“Every year the festival has been growing,” Puchner said. “Three years ago there were about 30 artists who signed up, now it’s a little over 50.” He added that last year was the first time they added tours and music, which was a huge success.
“We’re really happy about how it’s been developing,” he said. “There is a vibrant creative community made up of artists, musicians, actors and the like that live in the area and this is a great opportunity to come out, go to a free event and meet the creative community in action.”
Selden-based artist Angela Stratton is excited to be returning to the event she has been attending for 17 years.
“As an artist, I love being outside in nature,” she said. “Long Island is beautiful and there are so many places to paint, so I want to go out and paint it!”
The Wet Paint Festival will be held on June 17 and 18 from 10 a.m. to 4 p.m.(Rain dates are June 24 and 25). For more information about the festival or to register to paint, visit www.gallerynorth.org or call 631-751-2676.
Wet Paint Festival Schedule:
Saturday, June 17
10 a.m. – Nature Walk with the Four Harbors Audubon Society
11:30 a.m. – Meet local wildlife, courtesy of Sweetbriar Nature Center
12 p.m. to 2:30 p.m. – Live music by Tom Killourhy
1:30 p.m. – Plein Air Art Tour with artist Jim Molloy
Sunday, June 18
10 a.m. – Nature Walk with the Four Harbors Audubon Society
11:30 a.m – History Tour with Margo Arceri of Tri-Spy Tours
12 p.m. to 2:30 p.m. – Live music by the Keenan Zach Trio
1:30 p.m. – Plein Air Art Tour with artist Nancy Bueti-Randall
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
By Julianne Mosher
The stage at the John W. Engeman Theater in Northport turns into 1930s Austria with its latest production of The Sound of Music and it will have everyone in the audience feel all the emotions.
Based on the real Von Trapp family, and the real events they endured when the Nazi’s invaded their hometown of Austria at the start of World War II, the cast and crew of the latest local production does the original Tony Award-winning show justice with a fantastic lineup of talented actors.
Directed by Drew Humphrey, the show starts off with the Nuns of Nonnberg Abbey ensemble who sing a haunting, and beautiful Preludium hymm with a stellar performance by Cáitlin Burke who plays the Mother Abbess. The set quickly changes from the church courthouse to the rolling blue and purple hills, where our favorite nun-turned-nanny, Maria Rainer (played by Kayleen Seidl), sings the famous classic, “The Sound of Music.”
Made famous by the Oscar-winning 1965 remake of the original Broadway show that starred Julie Andrews and Christopher Plummer, the audience follows the curious and rebellious Maria as she leaves the Abbey to help a widowed father take care of his seven children. In the Von Trapp home, Maria teaches Louisa, Kurt, Liesl, Friedrich, Brigitta, Marta and little Gretl “My Favorite Things” and “Do-Re-Mi,” which had the audience singing along in their seats.
Seidl’s performance of Maria made the audience fall in love with her just as Naval Captain Georg Von Trapp (played by Tim Rogan) and his children eventually do throughout the show. But what also received a standing ovation during last Friday’s show was the performance of those children who rehearsed for weeks after school and their extra curriculars to share the spotlight with some of the most talented actors the industry has to offer. Of that performance, Kayla Kennedy (Brigitta), Laura Park (the mature and almost-17-Liesl), and Micaela Maio, who played little Gretl, were standout stars.
Choreographed by Mandy Modic, the musical number of “Sixteen Going on Seventeen” featuring Park and her Rolf Gruber (played by understudy Max Desantis) was playful and impressive using props from the villa’s courtyard to assist them dance around during their flirtatious banter. The set design was able to quickly change with ease, turning from a church, to the mountains, to the Von Trapp living room and bedrooms, to the outside courtyard where the two teenagers would sneak out to.
And we cannot forget other members of the cast, like Matthew Bryan Feld (Max Detweiler) and Angel Reda (as Elsa Schraeder) who were also lovable … even if they didn’t agree with the captain’s politics and played more selfish parts. Reda, who alone has a long resume of national and regional shows, just finished her latest stint with Chicago on Broadway.
While The Sound of Music may not be the happiest of stories, the cast and crew at the Engeman Theater does the show right with a fantastic lineup to match an amazing score that is fit for anyone, any age, or whether they are 16 going on 17.
The John W. Engeman Theater, 250 Main St., Northport presents The Sound of Music through July 2. Shows are at 8 p.m. on Thursdays and Fridays, 3 p.m. and 8 p.m. on Saturdays, and 2 p.m. on Sundays. Tickets are $85 for Saturday performances and $80 for all others showings, and can be purchased by calling 631-261-2900 or online at www.engemantheater.com.
The cast of 'The Comedy of Errors'
Photo by Julianne Mosher/TBR News Media
By Julianne Mosher
The theater department at Suffolk County Community College’s Ammerman campus does not disappoint with their latest production of William Shakespeare’s The Comedy of Errors.
A scene from ‘The Comedy of Errors’ Photo by Julianne Mosher/TBR News Media
This classic slapstick comedy follows two sets of identical twins who were separated as infants during a storm at sea. Set in the Greek city of Ephesus, we meet a merchant named Aegeon, played by SCCC student Stefan Pallotta, who’s monologue tells the audience of his arrest and the tale of the shipwreck that separated his family — his twin sons, both named Antipholus, his wife, Amelia, and two twin servant boys, both named Dromio.
Eighteen years later, Aegeon allows his son and servant to travel to Ephesus to search for their long-lost twins but they too disappear. Now, Aegeon has come to the city to find them, but is arrested due to the animosity between the citizens of Ephesus and Syracuse (where the merchant is from).Pallotta’s early monologue is not an easy one to remember,but he does so impressively.
Later on, we meet Antipholus (of Syracuse) played by Cara Macedonio along with servant Dromio played by Meredith Reed. When the two Syracuse-ians are off and about, we meet their long-lost brothers, Antipholus of Ephesus, played by Kayla Bruno, and his Dromio played by Jerry Ewald.
A scene from ‘The Comedy of Errors’ Photo by Julianne Mosher/TBR News Media
The cast does a great job getting into their characters. Not only did they have to learn the rhymes of Shakespeare and ye-old language, but they also have to convince the audience of who they were — and they were funny! The performances of the two Dromio’s had the audience laughing during their performance last Saturday night. While Shakespeare might be hard to understand, the actors made the whole show completely coherent.
But we mustn’t forget the leading ladies of the show — Antipholus of Ephesus’s wife, Adriana, played by Madison Dodge, and her lovable sister Luciana, played by Kayla Pisano. While the two characters are completely different in personality, both Dodge and Pisano shine during their scenes.
Adriana, the tougher of the two, proves herself with her wit and no-nonsense attitude when faced with her “husband” acting oddly (surprise, it was the wrong Antipholus she was inviting to dinner). Then Luciana, the beauty who unintendedly seduces her “brother-in-law” will have you roar when you see the interaction between her and Antipholus of Syracuse.
But that’s just the beginning. For an hour-and-a-half, you’ll see the two sets of twins unknowingly interact with each other on several occasions that will make your skin curl with embarrassment for what is going on, but also laugh out loud.
A scene from ‘The Comedy of Errors’ Photo by Julianne Mosher/TBR News Media
Other standout performances include Brooke Morabito as Luce, the greasy kitchen wench, the alcoholic officer played by Malachai Casanova, Duke Solinus portrayed by Krystyna Plesnik, Hailey Wenke’s Amelia/Courtesan and Gabriel Patrascu’s Pinch/Angelo.
However, the show would not have been complete without the fantastic set design and costumes which really set the tone of the show.
Director Steve Marsh said that he wanted to bring a bit of an edge to the show, which has been known as a slapstick comedy for centuries. While it was filled with humor, it had the underlying, more somber, tone of what a trade war and immigration can do to a community which made it almost more real.
“The program here at Suffolk and the students are so fantastic,” Marsh said. “I’ve been coming here for over 40 years — this is where I saw my first show and what got me interested in acting.”
Suffolk County Community College, 533 College Road, Selden presents The Comedy of Errors at the Shea Theatre inside the Islip Arts Building on April 21 and 22 at 7:30 p.m. and April 23 at 2 p.m. General admission is $15. Veterans and students 16 years of age or younger is $10. Suffolk students with current ID receive two free tickets. To order, visit sunysuffolk.edu/spotlight or call 631-451-4163.
The cast of Pride @ Prejudice, clockwise from top left, David DiMarzo, Christine Boehm, Andrew Murano, Michelle LaBozzetta and Ashley Brooke. Photo by Steven Uihlein/Theatre Three
Andrew Murano and Ashley Brooke in a scene from 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
Andrew Murano in a scene from 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
Ashley Brook and Andrew Murano in a scene from 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
Dvid DiMarzo and Ashley Brook. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
The cast of Pride @ Prejudice, clockwise from top left, David DiMarzo, Christine Boehm, Andrew Murano, Michelle LaBozzetta and Ashley Brooke. Photo by Steven Uihlein/Theatre Three
By Julianne Mosher
You don’t have to be an avid reader of the classics to appreciate Theatre Three’s latest offering. The main stage production of Daniel Elihu Kramer’s Pride @ Prejudice is a mix of a telling of the 19th century novel written by Jane Austen and a clever modernization of the 1813 classic that explains the book with humor and wit.
The story is of Miss Elizabeth Bennet and Mr. Darcy who fall in love all over again — this time filtered through the world of the internet. Modern voices interject and build on this classic love story in the form of blog posts, chat room discussions, quotes from film adaptations, and even letters from Jane Austen herself to create a delightfully postmodern view of 19th century England.
Directed by Jeffrey Sanzel, the show opened on April 7 to a full house. While the cast is small (just five people) each of their personalities are big. Most of the actors play at least two characters who go between present-day and the book’s settings of Netherfield Park and Longbourn.
And each performer had the audience laughing. Christine Boehm (who plays Elizabeth Bennet) plays the protagonist well, leading with poise but also leads some laughs. Throughout the play, the actors make several references to the culture behind Pride and Prejudice, poking fun at the three major film adaptations (and a miniseries starring Colin Firth in the 90s).
Ashley Brooke’s rendition of the eccentric and dramatic Mrs. Bennet (who’s trying to marry off all five of the daughters —yes, there are five) is hysterical. Michelle LaBozzetta was able to switch between different characters with ease, including Jane Bennet, Caroline Bingley and as Jane Austen — which was another interesting part of the show.
While deconstructing certain scenes, the actors would recite real letters that Jane Austen wrote to her sister during her lifetime, noting how her personal life impacted the books she was writing. Not only was the play entertaining, but for people who didn’t know much about the author, you were able to get a bit of history, as well.
Andrew Murano played seven people and also did so skillfully. Each one varied — he played a doctor, a footman, Mr. Bennet, Mr. Bingley, Sir William, Mr. Wickham, Mr. Gardiner and Colonel Fitzwilliam —and when appropriate, he played them with humor.
David DiMarzo, who is new to Theatre Three, played the charming and desirable Mr. Darcy, as well as Mr. Collins, and showed us that he needs to stay. His ability to play the dreamy love interest of Lizzie, but also the snobbish Collins was impressive to say the least.
And if that sounds confusing to you, it might seem that way, but the performance on stage explains it better. While all five are in 19th century costumes, they do a great job of expressing themselves through their facial expressions and body language. They certainly give it their all.
The set allows the audience to use their imagination. Three sets of doors are toward the back of the stage and is utilized often to show transitions between the settings and time periods. What’s also interesting is the use of a projector at the top of the stage that shows images of the houses they are currently in, or websites where “Pride and Prejudice” merch is on sale (it’s a joke).
Some jokes might go over your head if you didn’t read the book — so a quick read of a summary or even a refresher of the whole novel could definitely help — but it’s still enjoyable for those looking for a fun night out as this show was definitely not an easy production. Regardless of your knowledge of 19th century literature, this show is one for the books.
Pride @ Prejudice is playing at Theatre Three, located at 412 Main Street in Port Jefferson, until May 6. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. Wednesday matinees are $20. For more information or to order, contact the box office at 631-928-9100 or visit www.theatrethree.com.
Christopher Behmke, second from right, stars as The Scarlet Pimpernel. Photo from The John W. Engeman Theater
Christopher Behmke stars as The Scarlet Pimpernel. Photo from The John W. Engeman Theater
Christopher Behmke and Arianne Davidow in 'The Scarlet Pimpernel'. Photo from The John W. Engeman Theater
Nate Hackmann as Chauvelin a scene from 'The Scarlet Pimpernel'. Photo from The John W. Engeman Theater
Christopher Behmke and Nate Hackmann in a scene from 'The Scarlet Pimpernel'. Photo from The John W. Engeman Theater
Christopher Behmke stars as The Scarlet Pimpernel. Photo from The John W. Engeman Theater
Arianne Davidow as Marguerite St. Just. Photo courtesy of The John W. Engeman Theater
By Julianne Mosher
The opening night performance of The Scarlet Pimpernel at the John W. Engeman Theater in Northport had the entire audience ready to fight the French and head “into the fire” with the cast from the moment the curtain opened.
The swashbuckling adventure follows Percy Blakeney, a proper English gentleman, who takes on a dashing double identity as The Scarlet Pimpernel to save French citizens from the blood-thirsty guillotine. The Pimpernel’s exploits soon become the talk of Paris and the fanatical Agent Chauvelin will stop at nothing to catch the Pimpernel and cut off his head.
First published as a novel in a series of historical fiction by Baroness Orczy, The Scarlet Pimpernel has seen many different lives in both film and plays. Now, 118 years later, this musical version is full of color, excellent accents, a fantastical set design and an incredible ensemble that does not disappoint.
The production begins with large scarlet pimpernel flowers hanging across the stage. Throughout the play, they become part of the set used as background pieces in indoor and outdoor scenes. The actors are responsible for moving the flowers around in between set changes, as they are wheeled from the ceiling to and from the curtain. But along with the pimpernels being part of the show, each scene has a set to help tell the story.
One would think that with a score written by Frank Wildhorn (who wrote the music for Jekyll & Hyde) and a setting similar to Les Misérables that The Scarlet Pimpernel would be a dark historical fiction of the trying times of the French Revolution. While some of the play has dark undertones, the animated expressions and coy one-liners from almost everyone in the cast makes it a show that you must go see.
Directed and choreographed by Paul Stancato, the ensemble features a roster of experienced, talented artists who took on a show that was definitely not your average song and dance. Half the cast, for example, had to master a British accent, while the other half had to make the audience believe they were French — mostly sung, no less.
Starring Christopher Behmke as the title character, Nate Hackmann as Chauvelin and Arianne Davidow as Marguerite St. Just, the emotion and dedication of each actor shined bright on stage. During the happier scenes, the audience felt it and during the more somber times, the audience could see the tears filling up in the stars’ eyes.
The supporting cast makes the play, as well. Everyone had a special role in the show and none were forgettable. However, specific fan favorites of the night were Percy’s group of friends — equivalent to a college frat, they support and join Percy back and forth to France to take down the revolutionists. Showing the power of friendship, they also bring a lot of laughs to their scenes with their silly demeanors, and (pretty awesome) sword fighting.
Each character, whether it was Marguerite or the Prince of Wales (yes, he makes an appearance, too), has a distinct look with colorful, vibrant and time period costumes that change in nearly every scene. The crew definitely dressed everyone to impress from head to toe.
Terrence Mann, who played Chauvelin in the 1997 original Broadway production of the show, joined the cast on stage after the final bow.
“This was amazing,” he told the audience. “I haven’t seen this play since I did it. I just remember sitting in my dressing room when I wasn’t on stage and seeing it now saying to myself, ‘Oh! That’s what happened!’ and they did it really well.” Mann added that while sitting in the audience, himself, he heard his neighbors gasp, yell and “yay” with almost every movement.
“I think it just keeps getting better,” he said. “There are two things that happen in theater — music and the story, and this is a great story with phenomenal music. It transports everybody.”
The only thing missing from the show? More dates to see it. You’ll want to go back after the first night.
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The John W. Engeman Theater, 250 Main St., Northport presents The Scarlet Pimpernel through April 30. Main stage theater continues with The Sound of Music from May 18 to July 2, and Jimmy Buffet’s Escape to Margaritaville from July 13 to Aug. 27. Tickets range from $80 to $85 with free valet parking. The Engeman also offers children’s theater and a special event series with live concerts and comedy nights. To order, call 631-261-2900 or visit www.engemantheater.com.
From left, George Eli, Stefan Pallotta and Brooke Morabito star in 'Tape' at Suffolk County Community College in Selden through March 19. Photo by Julianne Mosher/TBR News Media
By Julianne Mosher
The stage at Suffolk County Community College’s Ammerman Campus in Selden transforms this week into a basic motel room set in Lansing, Michigan.
From the moment the lights dim, we are brought back to the glory days of three friends from high school who haven’t seen each other in a decade. But instead of a happy reunion, things turn dark, secrets are spilled, and the plot thickens with a conversation that is just as important now as it was nearly 25 years ago – sexual assault.
Tape is a 1999 play written by Stephen Belber, first produced at the Actors Theatre of Louisville as part of the 2000 Humana Festival of New American Plays. In 2001, it became a film, starring Ethan Hawke, Robert Sean Leonard and Uma Thurman.
From left, George Eli, Brooke Morabito and Stefan Pallotta star in ‘Tape’ at Suffolk County Community College in Selden through March 19. Photo by Julianne Mosher/TBR News Media
Directed by Steven Lantz-Gefroh, the three-character ensemble piece is set within the confines of a tawdry motor lodge in Michigan. After 10 years apart, three former friends (and lovers) come together to play out the unresolved drama of their final days in high school.
Intrigued, the audience watches through the one-act play as layers of denial are slowly peeled away. Suspense builds as each character is provoked into revealing his or her true nature and motivation — full of plot twists. Mesmerized, we are drawn into their lives as they choose which cards to play and which cards to hold.
Starring SCCC students Stefan Pallotta (as Vince, a drug dealing volunteer firefighter), George Eli (as Jon, a filmmaker who is the reason the former friends are in the same room), and Brooke Morabito (Amy, the girl in the middle and a local assistant district attorney), the three on stage together collaborate so well that watchers can see, and feel, the emotion in front of them.
Pallotta’s quick witted responses (and stellar dance moves) show promise for his future — he’s graduating this upcoming semester to study acting. The audience deeply empathizes with Morabito, who plays a victim of assault, as she performs her tale of that night and how she overcame it so well that viewers are left speechless. As a graduating senior, as well, she too has a bright future ahead.
Eli’s performance of antagonist of the story is so impressive, it’s hard to dislike his character. This performance of Tape is so good, you’ll forget that you’re sitting inside a college theater.
Lantz-Gefroh said that although the play was written almost three decades ago, the topic is still important today — and that is why people should come see it this weekend.
“We have come no distance with this subject matter in over 30 years,” he said. “[This show] helps people realize the mistakes they’ve made in their lives that they need to fix — if they can.”
Morabito said that playing Amy was a cathartic experience for herself.
“Amy is the character that speaks for all the victims of sexual assault who get to see this play and she enacts revenge,” she explained. “She gets to close the door on what happened that night and what happened in the motel room, and leave it all behind.”
Eli added he was grateful to perform alongside Pallotta and Morabito for an important cause.
“Tape spreads a lot of awareness and shows us that anyone can be a victim or anyone can be an aggressor,” he said.
Tape continues on March 16, 17 and 18 at 7:30 p.m., and March 19 at 2 p.m. at Theatre 119 in the Islip Arts Building at the Suffolk County Community College’s Ammerman Campus, 533 College Road, Selden. Rated R for mature content.
Theater continues at SCCC Selden with William Shakespeare’s A Comedy of Errors from April 13 to 23.
General admission is $14, veterans and students 16 years of age or younger is $10. Suffolk students with a current ID receive one free ticket. For tickets, call 631-451-4163.
Julianne Mosher is an adjunct professor at Suffolk County Community College and a 2013 graduate of the school.
Brittany Lacey and Evan Teich in a scene from 'First Bite' by Larry Brenner. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Steven Uihlein and Steve Ayle in a scene from 'Accepting Adina'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Melissa Norman and Tristan Prin in a scene from 'A Citrus Day'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Tamralynn Dorsa, Phyllis March, Ava Andrejko, Samantha Fierro and Brittany Lacey in a scene from 'The Dating Pool'.Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Danielle Pafundi and Samantha Fierro in a scene from Julia Everitt's 'Down to the Wire'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Jason Furnari and Angelo DiBiase in a scene from Keith Whalen's 'Unclaimed Baggage'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Antoine Jones in a scene from Mark Loewenstern’s The Slightly Exaggerated True Story of “Civic Virtue”. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
The cast of the 2023 Festival of One-Act Plays at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
By Julianne Mosher
For 24 years, Theatre Three’s “Festival of One-Act Plays” has been bringing new voices to the not only Port Jefferson, but to all of Long Island.
Festival founder and director Jeffrey Sanzel told the audience on opening night that the festival, which is nearing a quarter-of-a-century next year, received 750 submissions for the 2023 season from all around the world. “I’m expecting 1,000 next year,” he said.
And of those 750 submissions, eight were selected, directed, rehearsed and will now be performed through March 25. Of those eight, none disappoint.
For an hour-and-a-half, the audience sits quietly, engaged, watching, listening to what the actors have to say. And the lineup is unique — as a viewer, you don’t really know what to expect coming in.
The festival starts off with “Down to the Wire,” written by Julia Everitt, a New York City-based playwright with 37 stage plays to her name. This piece shows us what goes on inside a college dormitory, when a roommate played by Danielle Pafundi is hilariously losing her mind thanks to procrastinating an assignment. And despite what you might think, the play is not about camels.
Then comes “A Citrus Day,” by Mark Cofta, a Pennsylvania-based playwright, who sadly passed away last July. With a minimalist set of just a bus bench and a suitcase, the audience watches two strangers together unearth a dark family secret. While sad and thought-provoking, it reminds you that you just need to make lemonade when life gives us lemons. Performances by Melissa Norman and Tristan Prin are top notch.
Following the more-somber bus stop story is Leslie Dianne’s “Accepting Adina.” Father Steve Ayle and son Steven Uihlein sit side-by-side in the patriarch’s living room, packing away mementos. Together they talk about the mother, Rebecca, and how her illness and assisted living stay is impacting them both. “Accepting Adina” is a tough look at grief, but Ayle’s and Uihlein’s performances are so raw that you feel the sadness, but also the hope of the future, we all feel when a loved one is lost. Tissues are required for this one.
The best performance of the night by far was by Phyllis March in “The Dating Pool.” The scene opens up with Phyllis, 61, standing at a diving board in a dark pool. She’s visited by her 16-year-old self (Ava Andrejko), then herself at 23 (Samantha Fierro), 36 (Brittany Lacey) and 49 (Tamralyn Dorsa), where present day 61 is reminded of her lost loves of each of those lovers impacted her in that moment. The scene ends with her four former selves encouraging her to take the plunge. “The Dating Pool,” written by Arianna Rose is a thoughtful piece, and full of laughs, that can relate to any age in the audience.
After a brief intermission, we’re inside an airport with Keith Whalen’s “Unclaimed Baggage” — a hysterically funny look at coming back to the real world after a relaxing trip. Not only does Marvin (but shhh… don’t tell the clerk his name), played by Angelo Dibiase, have to pick up his suitcase and some medicine after a long plane ride, but he has a special encounter with Finn, played by Jason Furnari, who just wants to help.
Another audience favorite was Larry Brenner’s hilarious supernatural dating story “First Bite.” Here we learn about Wanda’s (Brittany Lacey) past dating history — and let’s just say she has a type — while out to dinner with John (Evan Teich). The scene starts out with a normal looking couple enjoying drinks and each other’s company, until Wanda asks John her place or his? You’re going to laugh a lot, but make sure you leave your garlic at home.
And finally, Mark Loewenstern’s “The Slightly Exaggerated True Story of ‘Civic Virtue’” concludes the show with a fascinating exploration of the intersection of the public eye and the power of art. Based loosely on the famous statue and fountain that once stood in front of New York City Hall in Manhattan, we watch a fast-paced history of architect MacMonnies’ (incredibly played by Antoine Jones) thought process behind sculpting the nude man and two sirens.
We go through nearly two centuries of the public’s opinion on it, how it moves, and have visits from some well-known elected officials including Mayor La Guardia, Anthony Weiner and Robert Moses. Not only is it a brief, inside look of a famous piece of art, but it reminds the audience how statues (no matter how sexist, racist or now-deemed inappropriate they may be) are still a part of our history. While you’ll learn from this one, you’re also going to laugh.
Tickets are $20 for the show, plus there’s a cash bar as you walk in. Make sure you visit Theatre Three’s second stage at The Ronald F. Peierls Theatre in Port Jefferson this month for a great night out. You’ll laugh, you’ll cry and you might learn a fact or two about “Civic Virtue” for your next trivia night.
Theatre Three is located at 412 Main St., Port Jefferson. For more information, or to order tickets, call 631-928-9100 or visit www.theatrethree.com.
Actor John Higgins in the role of Jesse Platt in a scene from 'I Now Take Up My Pen.' Photo courtesy of Darren St. George
By Julianne Mosher
Long Island — and especially the North Shore — is rich with history. Chapters can be written about what has happened in these neighborhoods ranging from the early days of the Native Americans and the struggle they encountered when settlers came to shore to the boat-building community that thrived in the early 19th century in Port Jefferson.
And while history lovers in Huntington, Smithtown, Setauket and Port Jeff thrive on the Revolutionary War stories and how several families helped General George Washington with the Culper Spy Ring, the local community has even more history that was never really spoken about — for instance, the Platt Brothers and their role in the Civil War.
On Friday, March 3, the Port Jefferson Historical Society is planning to host their annual dinner at The WaterView at The Port Jefferson Country Club. Joan Townley, vice president of the society, said that while the dinner is held every year to include the usual election of officers and reports as well as projects for the future, 2023 is bringing something special to the table — the premiere screening of a locally-produced film.
Titled I Now Take Up My Pen, the 38-minute film written and produced by St. George Living History Productions — a local group that creates films and webinars for nonprofits and other historical societies — tells the heart-wrenching tale of William and Jesse Platt, who separately volunteered their service to the 5th Regiment of the Zouaves from Long Island.
Townley said that for over a year the historical society was working on getting a $10,000 grant from New York State that would help fund a film they had been wanting to do for a long time.
It all started in 1970 when the society was contacted by a woman in North Carolina claiming to be the granddaughter of one of the Platt Brothers. “She had these letters that were written to each brother and their father during the Civil War,” Townley said. “She sent the Mather House Museum copies of the letters and they sat around for quite a while, but the dream was to one day have them transcribed and turn it into a film.”
Well, that dream finally came true nearly a decade after the letters were read through, pieced together and put together in a book.
Without giving too much away, the film follows the Platt family as 15-year-old William enlists in the war, much to the dismay of his father. Upset and angry, the father (played by the historical society’s president, Nick Acampora) sends his second son, Jesse, on a mission to bring his younger brother home. The film follows the letters that Jesse and William wrote to each other and their family describing in detail everything they saw.
Sal St. George, who read each and every letter, wrote the screenplay.
In December of 2021, Townley said that Assemblyman Steve Englebright secured the grant for the historical society to use. Using local actors and members of the historical society, with costumes created by the late Nan Guzzetta, filming began in the summer of 2022 in various locations in Setauket and Port Jefferson including the Sherwood-Jayne House and Farm, Cedar Hill Cemetery, the Mather House Museum and the Port Jefferson Village Center. Post production was finalized in December.
When the board began discussing plans for this year’s dinner, they realized it would be the perfect time to premiere a film showcasing a piece of Port Jefferson history.
“Someone gave us these letters as a gift and we wanted to share them with as many people as possible,” Townley said.
Darren St. George, creative director to the film and also the actor who played William, said that being able to show viewers this piece of history was very rewarding.
“The historical society has letters of correspondence and we brought that story to light. Through their writings you can see the brothers on the battlefield. It’s always challenging when you’re portraying someone’s real life in a film, but you recognize as you read more about William’s life in the letters that there are emotions I had to portray and there’s the truth that he lived in them. You see the tragedy that befalls him for enlisting in the war, but also for his family … you see that with his father, it affects everyone,” he said.
“Two normal young men chose to serve their country,” Townley said. “With this film, they come to life and their story is being [finally] shared.”
In the future the historical society is looking to distribute the film to local schools.
“This is our history,” said Darren St. George. “It’s not a Hollywood depiction of what happened, and it’s a great way to understand history if you can connect it to your local community.”
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The Port Jefferson Historical Society invites the community to its annual dinner at the Waterview at the Port Jefferson Country Club, 44 Fairway Drive, Port Jefferson on Friday, March 3 from 6 to 10 p.m. Enjoy dinner (choice of chicken francaise, beef sirloin or salmon), dessert, raffles and the premiere screening of I Now Take Up My Pen. Tickets are $49 per person. To order (by Feb. 28 please), email [email protected].
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