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Ginger Dalton

Above, the cast of ‘Aladdin and the Lamp’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

By Heidi Sutton

The story of Aladdin is one of the most well-known Middle Eastern stories from the “One Thousand and One Nights” collection of folk tales, also known as “The Arabian Nights” collection. Along with “Ali Baba and the 40 Thieves” and “Sinbad the Sailor,” it features a young hero who has to learn an important life lesson. Throughout the month of July, Theatre Three’s Children’s Theatre presents an original musical retelling of the classic rags-to-riches fable that the whole family will enjoy.

Written by Jeffrey Sanzel and Kevin F. Story, “Aladdin and the Lamp” tells the story of Aladdin (Matt Hoffman) whose widowed mother (Elizabeth Ladd) works three jobs while he chooses to skip school and sleep the day away. One morning an evil wizard (Steven Uihlein), pretending to be Aladdin’s long lost rich uncle, appears and convinces the boy to help him retrieve an old lamp from a narrow, dark tunnel. When Aladdin refuses to hand over the lamp without being helped out of the tunnel first, the wizard and his evil sister Marjana (Susan Emory) close up the entrance and abandon the boy.

Matt Hoffman and Bobby Montaniz in a scene from ‘Aladdin and the Lamp’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

Alone in the dark, Aladdin starts rubbing the lamp to shine it up and unwittingly releases a genie (Bobby Montaniz) who has magic powers and is able to grant any wish. What luck! With the genie’s help, Aladdin becomes rich, marries the Princess Sharazad (Aria Saltini), moves into his mother-in-law Sultana Fial-Kamar’s (Ginger Dalton) castle with his mother and lives happily ever after. Or does he?

Directed by Sanzel, the adult cast of eight does an excellent job conveying the story, with a special nod to Montaniz, whose portrayal of the Genie, which is reminiscent of Robin Williams, steals the show and quickly becomes an audience favorite, in part because of the clever script. “You can make me rich?” asks Aladdin. “So rich they’ll think you’re a Kardashian!” laughs the Genie. When Aladdin asks the Sultana for her daughter’s hand in marriage, the Genie quips, “Why don’t you ask for the rest of her?” Ba-Dum Tshh!

The songs, accompanied on piano by Steve McCoy, are fresh and fun, especially the duet “Cheat! Lie! Steal!” with Uihlein and Emory, “Make a Wish” by Hoffman and Montaniz, “Me for Me” with Saltini, Dalton and Kayla Jones (in the role of Dunyazad the handmaiden) and “Happy Ending — Not Yet!” performed by the entire company. Costumes by Teresa Matteson are spot on, from Aladdin’s fez to the Genie’s turban, and choreography by Bobby Montaniz ties in to the Arabian theme perfectly. Utilizing the trap door on stage as the entrance to the tunnel is a nice touch. Special effects, courtesy of the Genie, just add to the magic of the afternoon.

Running time is approximately 1 hour and 30 minutes with one intermission. Meet the cast in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson will present “Aladdin and the Lamp” through July 29. The season will continue with “The Frog Prince” from Aug. 4 to 12 and “A Kooky Spooky Halloween” from Oct. 7 to 28. All seats are $10. For reservations, call 631-928-9100 or visit www.theatrethree.com.

From left, Phyllis March, Maryellen Molfetta and Ginger Dalton in a scene from the show. Photo by Brian Hoerger

By Michael Tessler

Theatre Three’s latest production “Where There’$ a Will,” opened last Saturday night to an intrigued audience. Originally produced in 1985 by an eighteen-year-old Jeffrey Sanzel, this wonderful piece of theater is such a hidden treasure that I’m glad it resurfaced just in time for me to review!

Our story begins as the late millionaire Hiram Cedricson, a self-proclaimed “Potato King,” has assembled his widow (and fourth wife), her not-so-new lover and a slapdash theater crew of washouts, has-beens and could-bes to hear his last will and testament be read aloud by a uniquely unqualified lawyer.

Phyllis March and Mary Ellin Kurtz in a scene from the show. Photo by Brian Hoerger

Hilarity ensues as the lawyer reveals that prior to Cedricson’s death he wrote an original play … with no prior experience in theater, with a title so funny that I’m unable to print it. His dying wish is for this cast and crew of misfits to perform the show verbatim, in a decrepit theater he purchased just before his death … in two weeks. If they can accomplish this, they each receive $500,000. If they fail, the snarky widow and her lover get all the money.

So despite quarrels and some seriously conflicting personalities, the group agrees to the terms. What none of them realize is that Hiram Cedricson was the furthest thing from a writer and that his show would be an accidental comedy of epic proportions! The result is as Cedricson so eloquently puts it — “wonderfug.” What’s best is that the ghost of Cedricson and two of his former wives (one dead, one divorced) get to enjoy the chaos as casual spectators from the balcony, bickering among themselves through the process.

Ginger Dalton in a scene from ‘Where There’$ a Will’. Photo by Brian Hoerger

By every definition this is an all-star cast — immensely talented, perfectly paced, and hilariously human. Expertly directed by Sanzel, each actor takes on a caricature so unique and well-written that it’s impossible not to feel emotionally invested in their success. There is such incredible range in their performances. All of these cast members could have and likely were leads in previous productions.

There are so many familiar faces that at times, and much to my amusement, I felt like I was watching a reunion show of Long Island’s greatest talent. Though I lack the column inches necessary to write in detail about each of these extraordinary actors, I do want to say that this is by far the best ensemble cast I’ve ever seen outside of a Broadway production. They are so much more than just funny — they are uniquely lovable, memorable and multidimensional.

This can be attributed not just to the enormous talent of this cast, but to the show’s ambitious and masterfully crafted script. Somehow, not a single character goes underutilized in both acts of this large-scale comedy.

From left, Phylis March, Jessica Contino and Mary Ellin Kurtz in a scene from Sanzel’s new play. Photo by Peter Lanscombe, Theatre Three Productions, Inc.

Though not a musical, there are several musical numbers, all of which will have you grinning cheek to cheek. Throughout the show there is a wonderful score dreamed up by Theatre Three’s Tim Peierls, and Randall Parsons creates a visually striking set, which is complemented perfectly by Robert Henderson’s lighting design. The young but extraordinarily talented Peter Casdia expertly stage manages the production, ensuring a flawless experience. Costume designer Chakira Doherty must have had some fun putting together the most uniquely diverse set of costumes I can remember in recent productions.

Jeffrey Sanzel and his assistant director Andrew Markowitz put on a genuinely charming production, perfect for ringing in the spring season. “Where There’$ a Will” feels like a classic that has been playing forever, and that’s because maybe it should be.

The cast: Steve Ayle, Marci Bing, Michael Butera, Carol Carota, Jessica Contino, Ginger Dalton, Susan Emory, Sari Feldman, Jack Howell, Joan Howell, Skyler Quinn Johnson, Mary Ellin Kurtz, Linda May, Phyllis March, Steve McCoy, Maryellen Molfetta and Ruthie Pincus

Theatre Three, 412 Main St., Port Jefferson will present “Where’s There’$ a Will” through May 6 on the Mainstage. Tickets for adults $35; seniors and students $28; children ages 5 to 12 for $20. Children under 5 are not permitted. A matinee will be held at 2 p.m. Wednesday, May 3 with $20 tickets. To order, call 631-928-9100 or visit www.theatrethree.com.