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Ginger Dalton

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The cast of 'Little Red Riding Hood: A Tale of Safety for Today'
From left, Krystal Lawless, Nicole Bianco and Michelle LaBozzetta
From left, Krystal Lawless, Michelle LaBozzetta, and Nicole Bianco
Ginger Dalton and Steven Uihlein
Ginger Dalton and Kyle Breitenbach
Kyle Breitenbach and Nicole Bianco
Kyle Breitenbach and Nicole Bianco
The cast of 'Little Red Riding Hood: A Tale of Safety for Today'
The cast of 'Little Red Riding Hood: A Tale of Safety for Today'
The cast of 'Little Red Riding Hood: A Tale of Safety for Today'

By Heidi Sutton

One of Theatre Three’s most important offerings, in my opinion, is its children’s theatre series. Each show teaches a moral lesson — don’t lie, don’t steal, don’t be a bully — while introducing young audiences to live musical retellings of wonderful fairy tales including “Cinderella,” “Pinocchio,” “Hansel & Gretel” and its latest offering, “Little Red Riding Hood: A Tale of Safety for Today.” The adorable show opened last Saturday and runs through Feb. 22. 

While it follows the Brothers Grimm version closely, the story is used as a tool to teach “stranger danger” in a most effective way. Written by Jeffrey Sanzel and Kevin F. Story, the musical centers around a little girl named Amanda Sally Desdemona Estella Barbara Temple, although everyone in town calls her Little Red Riding Hood because she always wears the red cape her Granny Beckett made for her. 

When her grandmother sends Little Red Riding Hood’s mother a letter complaining “no one ever comes to visit. I might as well get eaten by a wolf!,” Amanda and her twin sisters, Blanche and Nora, head over the river and through the woods to bring her some Girl Scout cookies. Halfway there, Little Red Riding Hood tells her sisters to go back home because Nora is nursing a terrible cold. Now alone, she encounters a stranger (William “Billy” de Wolf) and commits a series of safety mistakes, placing her grandmother and herself in a dangerous situation.

Director Jeffrey Sanzel leads an adult cast of six who have the best time acting out this clever script.

Steven Uihlein serves as storyteller and does a terrific job introducing each scene, giving his own opinions and interrupting the show when he deems it necessary. Uihlein also plays numerous supporting roles, including a policeman, doctor and mailman.

Nicole Bianco is perfectly cast as Little Red Riding Hood, although she does love saying her long name a bit too much! Lol! Krystal Lawless tackles the challenging role of the forgetful Mrs. Temple with ease. Constantly mixing up her children’s names and attempting to make a cup of tea for Nora out of feathers, wrenches, sticky notes, etc. she draws the most laughs. 

Kyle Breitenbach has much fun in the role of the Wolf, who is all bark and no bite. Special effects make his stomach rumble and he is always asking the audience if they have any steak or a bone on hand. One of the best scenes is when the Wolf chases Granny Beckett around the bed, and when she steps away, he goes around many times more before he realizes she’s gone.

Michelle LaBozzetta has the most exhausting role in the show, skipping on stage as Blanche, turning the corner and reappearing as her twin sister Nora, hunched over and suffering from a cold. What a workout! LaBozzetta is so convincing that young children will not make the connection. 

But it’s Ginger Dalton as Granny Beckett who steals the show. Dripping with sarcasm, she pulls out all the stops to try to get her family to visit her and even fakes getting sick. Her solo, “Who’s at My Door?,” is superb.  

During the last 10 minutes of the show, the actors discuss the safety mistakes that Little Red Riding Hood made, including talking to strangers and giving out her grandmother’s address, and what she should have done instead.

The musical numbers, accompanied on piano by Douglas Quattrock, are fun and catchy, especially “Little Red Riding Hood” and the tap dance number “To Granny Beckett’s House We Go.”

The great story line, the wonderful songs and the important message it conveys makes this show a perfect reason to catch a performance. Meet the entire cast in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson presents “Little Red Riding Hood: A Tale of Safety for Today” is for ages 3 and up through Feb. 22. Children’s Theatre continues with “Hansel & Gretel” from Feb. 29 to March 21, “The Adventures of Peter Rabbit” from April 8 to 25 and “Snow White & the 7 Dwarfs” from May 23 to June 6. Tickets are $10 each. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions, Inc.

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Michelle LaBozzetta, Eric J. Hughes and Steven Uihlein in a scene from the show in 2019. Photo from Theatre Three
The cast of 'A Spooky Kooky Halloween'
Steven Uihlein and Michelle LaBozzetta in a scene from the show
Stuck together 'like birds of a feather'
Stuck together 'like birds of a feather'
Getting reading for Halloween
Yum ... toast!
The speed spell
The cast of 'A Spooky Kooky Halloween'

By Heidi Sutton

As one of the country’s most beloved holidays draws near, Theatre Three gets into the act with Halloween treats of its own. While the theater thrills and chills on the Mainstage with “Jekyll & Hyde,” its Children’s Theatre offers “A Kooky Spooky Halloween,” the adorable tale of a ghost who is afraid of the dark. Written by Jeffrey Sanzel and Steve McCoy, the musical, which runs through Oct. 26, is the perfect way to kick off the spookiest of seasons.

A friendly ghost named Abner Perkins (played by Steven Uihlein) has just graduated from Haunting High School. With a diploma and a medallion of invisibility in hand, his first assignment is to become the spooksperson for Ma Aberdeen’s Boarding House, famously known the world over for being the most haunted house in Harrison County U.S.A. and for serving the best toast. There are only two rules he has to follow — he can only haunt at night and he can’t lose the medallion or he’ll be seen by the living.

Abner confides to his best friend Lavinda the witch (Michelle LaBozzetta) that he has an uncontrollable fear of the dark and, after a bit of teasing (“That’s like a vampire who’s afraid of necks!”), she gifts him a night-light and promises to assist him with his haunting duties for the first few weeks. When they arrive at the boarding house, they find Ma Aberdeen (Ginger Dalton), the finest toast maker in the land, and her guests in the kitchen stuffing treat bags for Halloween.

We meet Kit Garret (Nicole Bianco) who “just came from a small town to a big city with a suitcase in my hand and hope in my heart” and can’t wait to try Ma Aberdeen’s famous toast. We also meet the Petersons — Paul the periodontist (Andrew Lenahan), his wife Penelope (Krystal Lawless) and their son Pip (Eric J. Hughes) — who have the most curious habit of using words that start with the letter P in every sentence.

When Pip puts on a pumpkin pullover and proceeds to tell pumpkin jokes (see what I did there?), Abner casts a speed spell on the group, making them spin like a top, do jumping jacks and walk like a duck in double time, and then, straight out of a scene from “The Golden Goose,” has them stick to each other “like birds of a feather.”

Just as he is about to undo the spell, fellow graduate and ghost with a grudge Dora Pike (Beth Ladd) shows up and steals Abner’s night-light and medallion of invisibility and hides them in Black Ridge Gulch, the deepest, darkest gorge in the entire world. Now visible, Abner has to convince the boarders, who are still stuck to each other in “an unprecedented predicament,” to help him and Lavinda get his property back. What follows is a hilarious adventure that highlights the power of honesty, determination and friendship.

Directed by Jeffrey Sanzel, the eight-member adult cast embraces the brilliant script and presents a hauntingly fun afternoon both children and parents will love. Accompanied on piano by Douglas Quattrock with choreography by Nicole Bianco, the song and dance numbers are fun and catchy with special mention to the rap “A Need for Speed” by Abner and Lavinda and the group number, “It’s Ma Who Makes the Toast.” Costumes by Teresa Matteson and Toni St. John are spot on, from the Peterson’s black and orange outfits to the spooky white garbs for the ghosts. And wait until you see the special effects!

Souvenir cat, pumpkin, vampire and ghost dolls will be available for purchase before the show and during intermission for $5. Meet the cast in the lobby for photos on your way out.

Theatre Three, 412 Main St., Port Jefferson will present “A Kooky Spooky Halloween” on Oct. 12, 19 and 26 at 11 a.m. and Oct. 20 at 3 p.m. Running time is 1 hour and 15 minutes with one intermission, and Halloween costumes are encouraged. Children’s theater continues with “Barnaby Saves Christmas,” from Nov. 23 to Dec. 28. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

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By Heidi Sutton

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Krystal Lawless, Matt Hoffman and Michelle LaBozzetta in a scene from ‘Pinocchio'. Photo by Peter Lanscombe/Theatre Three Productions Inc.

For too short a time, the classic tale of “Pinocchio” comes to life on Theatre Three’s stage in a most magical way. While most are familiar with Walt Disney’s 1940 animated feature, Theatre Three’s original retelling, written by Jeffrey Sanzel and Douglas J. Quattrock, is suggested from the 1883 children’s novel, “The Adventures of Pinocchio,” by Carlo Collodi.

Annabelle the Fairy (Krystal Lawless) has spent two centuries trying to earn her magic wand so that she can fly. Summoned before Ondine, the good and righteous Queen of the Fairies (Ginger Dalton), she is given one last chance to prove her worth or she has to leave the land of the fairies forever. 

Matt Hoffman and Steven Uihlein in a scene from ‘Pinocchio’

Teaming up with Cassandra the Magic Cricket (Michelle LaBozzetta), she is tasked with getting Geppetto (Steven Uihlein), a miserable and lonely woodcarver (think Scrooge), to care about people the same way he cares about wood.

Annabelle decides to cast a spell on the wood, making it talk, and Geppetto is inspired to carve it into a wooden boy he names Pinocchio (Matt Hoffman). Things go sour quickly as Pinocchio constantly misbehaves; so Annabelle casts another spell on him where his nose grows every time he tells a lie.

However, when Pinocchio gets mixed up with con artists Ferdinand Fox (Emily Gates), Carpacious Cat (Nicole Bianco) and Ranklin Rat (C.J. Russo) and is tricked into giving them all of Geppetto’s money, things go from bad to worse. Will Annabelle ever get her wings? Will Ferdinand, Carpacious and Ranklin get their comeuppance? Will Pinocchio ever become a real boy? 

Jeff Sanzel skillfully directs a cast of eight adult actors who take this delightful tale and run with it. There’s a lot to cover in an hour and a half, but the story flows nicely and keeps the audience at the edge of their seats.

The three troublemakers!

The musical numbers, accompanied on piano by Doug Quattrock, are lighthearted and entertaining, from “Lovely Thoughts” by Annabelle to “Bad Harmony” by the trio of con artists, to the wonderful “The Festival El Grande.” Choreography by Nicole Bianco fits the story perfectly and the costumes by Teresa Matteson and Toni St. John are sweet and fun.

There are so many special moments in this show, made even grander thanks to the addition of 40 children from the theater’s summer acting camp who play various extras including fairies and townspeople. 

Much to the delight of the young audience, the actors utilize the aisles often and special effects are around every corner. Annabelle and Cassandra hide under a magic umbrella that deems them invisible, Pinocchio’s nose really grows and wait until you see what falls from the ceiling at the end! Theatre Three has taken a story that is over 130 years old and given it new life. Grab the kids and catch a performance of “Pinocchio.” They will love you for it.

Souvenir fairy wands are sold for $10. Meet the cast in the lobby after the show.

Theatre Three, located at 412 Main St. in Port Jefferson, presents “Pinocchio” through Aug. 10. Children’s Theatre continues with “A Kooky Spooky Halloween” from Oct. 5 to 26 and “Barnaby Saves Christmas” from Nov. 23 to Dec. 28. All seats are $10. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

See more photos from the show online at www.tbrnewsmedia.com.

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Ginger Dalton and Antoine Jones in a scene from 'Perfectly Normal'
Stephen Wangner, Antoine Jones and Suzie Dunn in a scene from "Perfectly Normal"
From left, Stephen Wangner, Michelle LaBozetta and Nicole Bianco in “Playlist to Have a Crisis To”
The cast in “The Making of Medea’s Medea”
Linda May in "The Making of Medeas Medea"
Steve Ayle, Linda May, Dylan Robert Poulos, Steven Uihlein and Ryan Schaefer in “Family by Numbers”
Douglas Quattrock and Ryan Schaefer in “For a Moment in the Darkness, We Wait”
Antoine Jones and TracyLynn Conner in “The Unforgivable Sin of Forgiveness”
The cast of Theatre Three's 22nd annual Festival of One-Act Plays

By Heidi Sutton

From Mainstage productions to children’s theater, to concerts and film screenings, comedy shows and improv, Theatre Three always has a lot to offer. However, it is the Festival of One-Act Plays that many look forward to each year with eager anticipation. 

Showcasing six original works selected from 425 submissions, the 22nd annual festival opened last weekend for a nine-performance run in the intimate setting of The Ronald F. Peierls Theatre on the second stage. 

Directed by Jeffrey Sanzel, each short play is exciting; some dark, some funny, some sad, with lots of twists and turns. It is the unknown, the unfamiliar that makes it all so entertaining to watch. 

The show kicks off with Tom Slot’s “Playlist to Have a Crisis To.” Teenager Alexis (Nicole Bianco) has just hit a burglar dressed in a Santa Claus suit (Stephen T. Wangner) with an encyclopedia and he’s on the floor unconscious. She calls her girlfriend Tanya (Michelle LaBozzetta)to come over to wait for the police to arrive. When the man wakes up he claims to be the real Santa Claus. He knows things only Santa would know, but everyone knows he’s only a legend, right? And if he is real, will Alexis always be known as the girl who beat up Father Christmas?

Next up is “For a Moment in the Darkness, We Wait” by Libby Leonard, the touching story of two gay men, the older Bernard (Douglas Quattrock) and teenager Connie (Ryan Schaefer) struggling to hide their sexual identity in New York City the 1940s. You feel their pain, their frustration and their sadness in this emotional performance. 

The mood lightens greatly with “Perfectly Normal” by J. Joseph Cox, a hilarious look at the changing workplace. Antoine Jones, Suzie Dunn, Steve Wagner, Nicole Bianco and Ginger Dalton star in this delightful comedy. There’s a new boss in town and we hear of the workplace changes from breakroom gossip. “He swept in here like the Gestapo!” Employees are disappearing, Human Resources is boarded up, cavity searches are being conducted, and the final blow, coffee has been replaced by tea. This is normal?

“Family by Numbers” by Arianna Rose is the heartbreaking story of a family that loses a son in a hiking accident. Beautifully written, it  begins when the parents first meet, get married, raise three boys and then struggle with their tragic loss and one less number. Powerful performances all around by Steve Ayle, Linda May, Dylan Robert Poulos, Steven Uihlein and Ryan Schaefer.

After intermission, Rich Orloff’s “The Unforgivable Sin of Forgiveness” takes the stage. A wife (TracyLynn Conner) confesses to her husband (Antoine Jones) that she has been having an affair for three years. His response? “I know.” Taken aback, the wife turns the tables and demands to know why he hasn’t let on that he knew all this time. “You lied to your wife when all these years I’ve been faithful six days out of seven?” she exclaims in disbelief.

The final and longest act, “The Making of Medea’s Medea” by Chas Belov, is where the production of Medea’s modern-day retelling of her own story of revenge is played out on Theatre Three’s Mainstage while being turned into a documentary. We meet Medea, Jason, the actors that play them, the actors that play the part of the employees at Theatre Three, psychologists, Greek playwrights and more. The entire cast takes part with special mention to Linda May as the heartbroken and vengeful Medea.

With an excellent lineup and incredible cast, this festival is not to be missed. Get yourself a ticket before they sell out.

Sponsored by Lippencott Financial Group, Theatre Three, 412 Main St., Port Jefferson will present the 22nd annual Festival of One-Act Plays through May 5. Running time is 2 hours with a 15-minute intermission. All seats are $20. To order, call 631-928-9100 or visit www.theatrethree.com.

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The three little kittens

By Heidi Sutton

What do three crooning kittens, a droll dog, a rascally rabbit and a pushover penguin have in common? They all want to be on the radio in Theatre Three’s latest children’s theater treat, “The Three Little Kittens.”  

The cast of ‘The Three Little Kittens’

Written by Jeffrey Sanzel and Kevin Story, the musical, which was last presented in 2013,  incorporates the beloved Mother Goose nursery rhyme but goes beyond losing the mittens, finding the mittens, eating pie, soiling and then washing the mittens and then the big finale, eating more pie. These kittens want more — they have hopes and dreams, don’t you know. In other words, this production is too cute for words.

Lucy, Ricky and Ethel Whiska aspire to become a singing trio on the radio while their neighbor Barker Doggone, who keeps losing his collar, etc. dreams of becoming a stand-up comic. Their favorite radio show is “The Bonanza Hour” on WPET Radio with Harry Hoppit, a white rabbit who was made famous by radio penguin Waddles Greenway but has let success go to his head. “I’m Harry Hoppit – be impressed” he tells his adoring fans.

Barker and Mama Doggone

When Mother Whiska and Mama Doggone bring home a flyer from the radio station announcing open auditions, the kittens and pup jump at the chance. Will they be able to turn their dreams into reality or will Harry Hoppit’s jealousy get in the way?

Directed by Sanzel, the nine-member cast embrace the clever script and do an incredible job. Each character’s personality is bold and distinct and perfectly executed.

Michelle LaBozzetta as Lucy, Eric J. Hughes as Ricky and Emily Gates as Ethel shine as the Whiska kittens while Steven Uihlein as Barker the dog steals the show with his funny jokes and wit. His constant distractions – “Squirrel!” – are doggone hilarious and the young audience during last Sunday’s performance couldn’t get enough. Their group number, “Dogs and Cats Like You and Me,” is a personal favorite.

Brielle Levenberg and Ginger Dalton as the moms make a great team, pretending not to like each other in front of others “out of tradition,” but are secretly the best of friends while Douglas J. Quattrock juggles the role of radio producer and providing piano accompaniment with ease (great accent!).

Harry Hoppit and Waddles Greenway

Andrew Lenahan plays the role of antagonist Harry Hoppit to a tee and has the best lines. “What can I say but me, me, me.” Beautifully delivered, Lenahan’s solo, “Looking Out for Number One,” perfectly describes the rabbit’s agenda. “… So if I ruffle some feathers and pull on some tails, what does it matter if others fail?” Don’t worry – he gets his comeuppance.

The strongest performance comes from Nicole Bianco who tackles the difficult role of Waddles Greenway the penguin with aplomb. Mercilessly bullied by Harry Hoppit, the hapless bird holds her own and treats the audience to a wonderful tap dance number, “The One and Only,” in the second act.

The entire production has a nostalgic 1940s feel and pays homage to the Golden Age of Radio. With the ultimate message that friendship is the greatest bond and that dreams really can come true, “The Three Little Kittens” is purrfectly adorable. Don’t miss it. Meet the cast in the lobby after the show.

Theatre Three, 412 Main St., Port Jefferson presents “The Three Little Kittens” through March 23. All seats are $10. Children’s theater continues with “The Adventures of Peter Rabbit” from April 12 to 27 and a Mainstage production of “The Wizard of Oz” (call for ticket prices) from May 18 to June 22. For more information, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

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A scene from 'Jack & the Beanstalk'
A scene from 'Jack & the Beanstalk'
A scene from 'Jack & the Beanstalk'
A scene from 'Jack & the Beanstalk'
A scene from 'Jack & the Beanstalk'
A scene from 'Jack & the Beanstalk'
The cast of 'Jack & the Beanstalk'

By Heidi Sutton

In Theatre Three’s latest children’s show, the audience is invited to enter the magical world of “Jack & the Beanstalk” or “The Boy Who Cried Giant!” Written by Jeffrey Sanzel and Kevin F. Story, the musical combines the classic English fairy tale with the well-known fable “The Boy Who Cried Wolf” to produce a most entertaining afternoon.

Jack (Eric J. Hughes) lives with his mother (Ginger Dalton) and his best friend Filpail the Cow (Nicole Bianco). Although he is a nice boy, Jack tends to exaggerate and has told so many tall tales that no one believes him anymore. “Someday your stories are going to get you in trouble,” warns his mother. Jack also receives a visit from the Fairy Mary Goodwing (Michelle LaBozzetta) who tries to convince him to “always tell the truth and you will be true to yourself.”

One day his mother tells him that they have no other choice than to sell Filpail to Butcher Blackstone (Steven Uihlein). On the way to the market Jack and his cow bump into two gypsies, Marco and Margot (Andrew Lenahan and Brielle Levenberg), who claim they want to buy Filpail for “cowpanionship” and trick Jack into trading her for some magic beans.

Jack’s mother is furious when she finds out what happened and throws the beans away. A giant beanstalk suddenly appears, and when Jack climbs it he discovers a castle in the sky occupied by a cranky giant, the giant’s wife (Suzie Dunn), a golden harp and a hen that lays golden eggs. But with Jack’s poor track record, will anyone believe him?

Under the direction of Jeffrey Sanzel, an energetic cast of eight adult actors play multiple roles during this thrilling adventure. From the first musical number, “Ballad of Jack’s Device/Song of Boasting,” accompanied on piano by Douglas Quattrock, you know you’re in for a fun treat.

Costume designers Teresa Matteson and Toni St. John have outdone themselves this time with colorful outfits; “giant” props, including a three-foot-long sneaker; and a beanstalk that magically grows all the way to the ceiling. The creative and polished choreography by Nicole Bianco pulls it all together nicely.

Come in out of the cold and warm up with the magic of “Jack & the Beanstalk!” Audiences of all ages will love this wonderful show. Meet the cast in the lobby after the show for photos. 

Theatre Three, located at 412 Main St., Port Jefferson will present “Jack & the Beanstalk” through Feb. 23. Children’s Theatre continues with “The Three Little Kittens” from March 2 to 23 and “The Adventures of Peter Rabbit” from April 13 to 27. All seats are $10. For more information or to order, call 928-9100 or visit www.theatrethree.com.

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By Heidi Sutton

Barnaby, Santa and Franklynne in a scene from the show.

This weekend the Village of Port Jefferson will celebrate its 23rd annual Charles Dickens Festival. Among the many events to attend this year will be Theatre Three’s production of “Barnaby Saves Christmas.” Written 15 years ago by Douglas Quattrock and Jeffrey Sanzel, the adorable musical, with its wonderful score and dance numbers, is the perfect way for families with young children to kick off the holiday season.

It’s Christmas Eve at the North Pole and Barnaby, the smallest elf in Elf School, is busy making a toy that Santa requested — a little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest. When he realizes that Santa has left without it, he enlists the help of Franklynne, the littlest reindeer, to track down Santa and give the toy to him.

S.B. Dombulbury is up to his old tricks again!

During their adventures they meet Sarah and Andrew who teach them about Hanukkah and the Festival of Lights. They also bump into the sneaky S.B. Dombulbury and his henchperson Irma who are trying to ruin Christmas by stuffing all the chimneys with coal.

As director, Sanzel has assembled an outstanding cast to convey the story.

Eric Hughes returns for his third year as Barnaby, perfectly capturing his character as just wanting to fit in, and Michelle LaBozzetta tackles the role of Franklynne (It’s spelled with two n’s and a y — that makes it a girl’s name!) with just the right amount of spunkiness one would expect from a flying fawn. Andrew Lenahan is incredible in the dual role of Santa and Andrew, and Ginger Dalton is charming as both a slightly confused Mrs. Claus and Sarah.

Nicole Bianco and K.D. Guadagno play Crystal and Blizzard, two of Santa’s elves who are constantly hypnotized by S.B. Dombulbury to help him carry out his evil plan and at one point chase Barnaby and Franklynne through the audience like zombies in one of the funniest moments in the show. As a special treat, Jason Furnari, who originated the role of Barnaby, plays Sam the stressed-out head elf. However, it is the comedy tag team of Steven Uihlein as S.B. (spoiled brat) Dombulbury and Dana Bush as Irma that steal the show with their many antics. Their journey to redemption is heartfelt.

Santa’s elves, Barnaby, Sam, Blizzard and Crystal

The nine songs, accompanied by Quattrock on piano, are delightful, with special mention to “Miracles” and “Within Our Hearts.” The costumes, designed by Teresa Matteson and Toni St. John, are fun and festive as is the choreography by Bianco, and the special effects through the use of lighting is magical.

With the underlying message to “be the very best you can be,” “Barnaby Saves Christmas” is a beautiful story of hope, miracles and love. Don’t miss this one.

Souvenir elf and reindeer dolls will be available for purchase during intermission. Stay after the show for a photo with Santa Claus if you wish — the $5 fee goes to support the theater’s scholarship fund — and meet the rest of the cast in the lobby. Running time is one hour and 10 minutes with one intermission. Booster seats are available.

Theatre Three, 412 Main St., Port Jefferson will present “Barnaby Saves Christmas” through Dec. 29. Children’s theater continues with “Jack & the Beanstalk” from Jan. 19 to Feb. 23. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

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JAZZ HANDS The cast of 'A Kooky Spooky Halloween'

By Heidi Sutton

With Halloween just around the corner, Theatre Three has all the bases covered. While mature audiences enjoy a creepy and spooky “The Addams Family,” young theatergoers can have fun as well with an adorable show titled “A Kooky Spooky Halloween.” The original musical written by Jeffrey Sanzel and Steve McCoy returns to the theater for the second year in a row through Oct. 27.

A scene from the show

The story centers around a friendly ghost named Abner (Steven Uihlein) who has just graduated from Haunting High School and is given a medallion of invisibility. Abner is immediately assigned to haunt Aberdeen’s Boarding House, famously known for being the most haunted house in Harrison County U.S.A and for serving the best toast. There are only two rules he has to follow — he can only haunt at night and he can’t lose the medallion or he’ll be seen by the living.

But Abner has a secret — he is afraid of the dark, which is “like a vampire who’s afraid of necks!” according to his best friend Lavinda the Witch (Michelle LaBozzetta). She promptly gives him a night-light to wear and promises to help him with his haunting duties.

When Abner and Lavinda arrive at the boarding house, they find Ma Aberdeen (Ginger Dalton), the finest toast maker in the land, and her boarders, Kit Garret (Nicole Bianco) and the Petersons — Paul the periodontist (Andrew Lenahan), his wife Penelope (Chrysovalantou Tsoumpelis) and their son Pip (Eric J. Hughes), whose alliterations using words that start with the letter P are positively perplexing, in the kitchen getting ready for Halloween.

When Pip puts on a pumpkin pullover and starts to tell pumpkin jokes (okay I’ll stop), Abner puts a speed spell on the group, making them stuff Halloween goodie bags, do jumping jacks, quack like a duck, sing and dance in fast motion. He then casts a spell to make them get stuck to each other.

Abner casts a speed spell

In a sudden twist of events, fellow graduate and ghost with a grudge Dora Pike (Beth Ladd) shows up and steals Abner’s night-light and medallion of invisibility and hides them in Black Ridge Gulch, the deepest, darkest gorge in the entire world (where it’s really, really dark). Now visible, Abner must try to convince the boarders, who are still stuck to each other, to help him and Lavinda get his property back. Will they help him? And will Abner be able to overcome his fear of the dark?

Directed by Sanzel, the eight-member adult cast delivers an energetic performance that touches on the power of friendship and the importance of helping others.

Accompanied on piano by Douglas Quattrock and choreographed by Bianco, the song and dance numbers are terrific, especially “Into the World I Go” by Abner, the downright creepy “It Will All Fade to Black” by Dora, the sweet “A Witch Is a Person” by Lavinda and the fun group number, “It’s Ma Who Makes the Toast.”

The end result is a hauntingly fun afternoon that children and parents will love.

Snacks and beverages are available for purchase during intermission and booster seats are available. Costumes are encouraged and souvenir cat, pumpkin, vampire and ghost dolls will be available for purchase before the show and during intermission for $5. Meet the cast in the lobby for photos on your way out.

Theatre Three, 412 Main St., Port Jefferson will present “A Kooky Spooky Halloween” through Oct. 27. Children’s theater continues with “Barnaby Saves Christmas” from Nov. 23 to Dec. 29. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions Inc.

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The cast of 'The Addams Family'. Photo by Brian Hoerger

By Heidi Sutton

Halloween is still a few weeks away, but there’s something creepy and kooky and altogether spooky going on at Theatre Three that’s not to be missed.

The theater opens its 49th season with the musical comedy “The Addams Family,” a nostalgic trip down memory lane for fans of this atypical clan, and judging by the packed house on opening night, that amounts to quite a few.

Created by Charles Addams, the lovable, albeit macabre, family first appeared in a New Yorker comic strip in 1938 but truly came to life in the 1960s ABC television series starring John Astin and Carolyn Jones as Gomez and Morticia. The two film versions in the 1990s paved the way for the Broadway musical in 2010 starring Nathan Lane and Bebe Neuwirth.

The cast of ‘The Addams Family’. Photo by Brian Hoerger

Last Saturday’s opening performance began as it should, with the audience snapping their fingers or clapping their hands to the iconic theme song, and suddenly they appeared — all the familiar, eccentric characters we have all come to love — Gomez (Matt Senese), Morticia (TracyLynn Conner), Uncle Fester (Rick Grossman), Grandma (Ginger Dalton), Wednesday (Jessica Murphy), Pugsley (Max Venezia), Lurch (James Taffurelli) and Thing and Cousin Itt (both played by Cameron Turner). What followed was a fun, wonderful evening of live theater.

Directed by Jeffrey Sanzel, the show opens, most fittingly, in the family cemetery (“Oh the intoxicating smell of the graveyard!”) as the family lets their ancestors out of a mausoleum to celebrate what it is to be an Addams. It is here that we see the first of many “Thriller”-inspired musical numbers, expertly choreographed by Nicole Bianco, that dominate the show.

The storyline revolves around Wednesday who is all grown up and has fallen in love with a “normal boy,” Lucas Beineke (Matt Paredi) from Ohio (“the swing state!”), and wants to bring him and his parents, straight arrow Mal (Steve Ayle) and the perfectly rhyming Alice (Linda May), over for one “normal night.” She confides in her father that she wants to marry Lucas and makes him promise not to tell her mother yet, putting Gomez in several hilarious sticky situations and leading up to his solo, “Trapped (like a corpse in the ground).”

Matt Senese as Gomez and Jessica Murphy as Wednesday. Photo by Brian Hoerger

Uncle Fester, on the other hand, recruits the ancestors to find out if this is really true love, and if so, to help it along. Dressed in ghostly white costumes, they float in and out of every scene as they spy on the family’s affairs.

As the Beineke family arrive, they are invited to take part in the family game, Full Disclosure, during which everyone takes a sip from a sacred chalice and reveals something they’ve never told anyone. When Pugsley steals a magical potion from Grandma (“One swig of that and Mary Poppins turns into Madea!”) and pours it in the chalice, the evening takes a dark and eventful turn.

Accompanied by an outstanding eight-member band led by Jeffrey Hoffman, the 20 musical numbers perfectly tie the storyline together.   The costumes by Chakira Doherty are wonderful, especially for the ghoulish ancestors, and the Gothic set, cleverly designed by Randall Parsons includes panels that swivel and rotate to reveal different scenery. As the actors sing their solo or duet, they move toward the edge of the stage as the curtain closes, allowing the set to be quickly changed for the next scene.

With exceptional vocals, the entire cast become fully immersed in their individual character. The chemistry between Gomez and Morticia is as alive as ever. Morticia: “I feel darkness and grief and unspeakable sorrow.” Gomez: “I love it when you speak sexy, Cara Mia.” 

Matt Senese as Gomez and TracyLynn Conner as Morticia. Photo by Peter Lanscombe

Although she’s in love, Wednesday’s inner darkness makes several appearances, and Uncle Fester is as lovable as ever (yes, he is still in love with the moon.) Pugsley secretly loves to be tortured (electrocuted to be precise) by his big sister, Grandma is still wacky and Lurch is still grunting; but in the end they are just one big family that has to deal with every day issues just like everyone else.

In his director’s notes, Sanzel sums it up perfectly. “The ultimate message of ‘The Addams Family’ musical is to find out who you are so you can be true to yourself. Whether vacationing in the sewers of Paris, starting out in a new marriage or finding the spark in an old one, or flying to your true love (‘To the moon, Alice!’), the Addams Family and ‘The Addams Family’ remind us to ‘live before we die.’”

Go see this wonderful show. You’ll find much to cherish.

Stay after the performance for a photo with the cast on stage if you wish — the $5 donation goes to support the theater’s scholarship fund.

Theatre Three, 412 Main St., Port Jefferson will present “The Addams Family” through Oct. 27. Tickets are $35 adults, $28 seniors and students and $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

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From left, The March Hare, The Dormouse and The Mad Hatter invite Alice to a Mad Tea Party in a scene from the show.

By Heidi Sutton

Alice and the Cheshire Cat

Oh my ears and whiskers! For too short a time, Theatre Three’s Children’s Theatre will present the musical “Alice’s Most Decidedly Unusual Adventures in Wonderland,” a modern twist on the Lewis Carroll classic novel of a girl named Alice who falls down a rabbit hole and has a most peculiar experience. Although the story is over 150 years old, it has remarkable staying power and is considered to be one of the best examples of the literary nonsense genre.

Written by Jeffrey Sanzel and Kevin F. Story, the show opens on a rainy day at Camp Lackaday Woods. The campers are bored and the lodge counselor tries to keep them entertained indoors with a sing-along. One of the campers named Alice (Meg Bush) sees a white rabbit (Heather Kuhn) appear and follows it, only to fall down a rabbit hole and meet The Cheshire Cat (Mark Jackett). “Which way should I go?“ she asks him. “It matters not where you go. When you get there you’ll find yourself here,” is the grinning reply, setting the tone for what’s to follow — a mind-bending production that’s simply delightful.

Alice meets The Caterpillar in a scene from the show.

During her “unusual adventures” Alice takes part in a “What’s Your Name” contest with The Caterpillar (Nicole Bianco); has a tea party with The Mad Hatter (Steven Uihlein), The March Hare (Kayla Jones) and The Dormouse (Julianna Bellas); hitches a ride with The White Knight (Matt Hoffman); meets Tweedledee (Jones) and Tweedledum (Hoffman); and is invited to a game of croquet by The Queen of Hearts (Ginger Dalton). When the kingdom’s tarts go missing, Alice is accused of stealing and must stand trial. Will she be found guilty by the queen and lose her head?

Of course, a show like this would not be possible without the supporting cast — members of the theater’s Preteen and Advanced Preteen summer acting workshop who play numerous roles including a deck of cards, flowers and contestants in a game show. The entire cast does a fantastic job.

Alice meets the Queen of Hearts.

Directed by Sanzel, the script is filled with riddles and jokes and the musical numbers, accompanied on piano by Douglas Quattrock, are terrific, especially “Tea!” by Uihlein (“We’re all mad here!”) and “Off With Their Heads” by Dalton (“Nothing cheers me up like a good clean chop!”).

Yes, the play is lots of nonsense, as Alice would say, but it sure is fun to watch. Don’t even try to figure it all out. It’s time to throw logic out the window and just sit back, relax and enjoy the show.

Buy a snack or beverage during intermission. Booster seats are available. Meet the cast in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson will present three more performances of “Alice’s Most Decidedly Unusual Adventures in Wonderland” on Aug. 10 at 11 a.m. and Aug. 11 at 11 a.m. and again at 2 p.m. 

Children’s Theatre continues with “Kooky Spooky Halloween” from Oct. 6 to 27 and “Barnaby Saves Christmas” from Nov. 23 to Dec. 29. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions Inc.

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