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The cast of ‘The Princess Who Saved a Dragon’

By Heidi Sutton

Now through Aug. 9, Theatre Three’s Children’s Theatre presents the world premiere of “The Princess Who Saved a Dragon.” With book by Jeffrey Sanzel and music by Douglas J. Quattrock, the show combines magic, music, dance and a clever script to create an original fairy tale that is simply delightful.

It’s Princess Abigail’s 21st birthday, and her mother, the absent minded Queen Marjorie, has sent out birthday party invitations to everyone in the kingdom (including all eligible bachelors) — everyone except a wicked witch named Wicked Faery. 

The cast of ‘The Princess Who Saved a Dragon’

When the witch realizes she’s been left out of the festivities, she feels slighted and, after calling 1-800-Dragon, summons a fire-breathing serpent to wreak havoc on the land. The queen decrees that whoever slays the dragon may marry the princess. Will a brave knight come forth to save the day?

Directed by Sanzel, the seven-member cast does a wonderful job portraying the story, all the while emphasizing the importance of “just be who you are.” Michaela Catapano (Princess Abigail) gives us a modern version of a warrior princess, confident and brave and not in a rush to get married. Ginger Dalton (Queen Marjorie) is terrific as her forgetful mother, Nicole Bianco is perfectly cast as the Wicked Faery and Steven Uihlein draws the most laughs in the role of the scaly dragon who has a penchant for flowers. (“I’m a gardener, not a fighter.”) 

Andrew Lenahan as Knight Night, the dragon slayer, and Matt Hoffman as his squire, Julius Pleasant, make a great tag team; and jack-of-all-trades Aria Saltini plays over seven supporting roles throughout the show with ease.

Accompanied on piano by Quattrock and choreographed by Bianco, the song and dance numbers are fresh and exciting, especially Lenahan and Hoffman’s duet “The Night Knight Night Came to Be,” Catapano and Uihlein’s duet,“To Be Me” and the fun hip-hop/rap “Spell to Raise a Dragon” by Bianco.

From left, Nicole Bianco and Michaela Catapano in a scene from the show.

Costumes by Teresa Matteson and Toni St. John hit their mark, from Princess     Abigail’s armor and sword to a shimmering dragon outfit to a purple and black witch costume complete with an impressive set of horns.

Now putting a twist on well-known fairy tales is Sanzel’s forte, but this particular “princess and dragon” scenario is so topsy-turvy that nothing is what it seems and hilarity ensues. Although the tale involves a witch and big flying reptile and is told with the use of stage smoke and flashing lights, there is nothing scary about it.

During last Friday’s opening performance, the children in the audience embraced the new show as giggles and laughter filled the theater. When the dragon, aka Scales, appeared at the end of the first act, the excited youngsters pointed and yelled, “I see it! I see it!” And when the cast made its way up the aisles to the lobby for photos after the show, they were greeted with high fives and hugs, a true testament to the magic of live theater.

Theatre Three, 412 Main St., Port Jefferson will present “The Princess Who Saved a Dragon” on July 13, 14, 20, 21, 27, 28 and Aug. 9 at 11 a.m. and Aug. 3 at 1:30 p.m. Children’s theater continues with “Alice’s Most Decidedly Unusual Adventures in Wonderland” from Aug. 3 to 11 and “Kooky Spooky Halloween” from Oct. 6 to 27. Booster seats are available and costumes are encouraged. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Peter Lanscombe, Theatre Three Productions Inc.

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The three bears, from left, discover Goldilocks sleeping in Baby Bear’s bed.

By Heidi Sutton

Summer is just around the corner, making for the perfect opportunity to review safety and stranger danger protocols with young children. Theatre Three’s latest show, “Goldilocks — Is That You?” accomplishes just that through the magic of live theater.

The cast of ‘Goldilocks — Is That You?’

The original musical, written by Jeffrey Sanzel and Kevin F. Story, is an interpretation of one of the most popular fairy tales of all time, “Goldilocks and the Three Bears” by Robert Southey, and encompasses all of the beloved characters from the original story plus a few colorful new ones.

In this production, Papa Bear, Mama Bear and Baby Bear are show biz bears who have retired from the circus and are now living in a house in the country. It’s the first of the month and the banker, Billy de Goat Gruff, has come to collect the rent money, which they don’t have. The grouchy goat gives them until the end of the day or they will be kicked out. While their porridge is cooling down, the bears decide to go for a walk to think of ways to come up with the rent.

In the meantime, Goldilocks, a Campfire Bluebird Pioneer Scout Girl who lives with her grandmother Granny Locks, sets off to her cousin’s house to deliver cookies. She ends up at the bear family’s house by mistake and lets herself in. In one of the funniest scenes of the show, Goldilocks tastes the three bowls of porridge, sits in the three chairs and tries out the three beds, choosing Baby Bear’s bed in which to take a nap.

When Granny Locks realizes that Goldilocks has not arrived at her destination, she seeks the help of local forest ranger Wolf Hunter to find the missing girl. They arrive at the bear’s house just as Baby Bear realizes that “someone’s been sleeping in my bed, and she’s still there!” Luckily for Goldilocks the bears are friendly — they even know Granny Locks from their circus days when she was Eloise of the Flying Trapeze. 

But all’s not well. The banker still wants his rent money, so the group puts on a show to help young people learn about safety to raise the funds. Soon all the children in the audience are learning about the importance of staying safe and that “strangers can mean danger — so don’t talk to strangers.”

Eric J. Hughes, Nicole Bianco and Jessica Contino play the three showbiz bears in ‘Goldilocks — Is That You?’

Expertly directed by Sanzel, the talented cast of seven adults put on a charming and funny show, evident by the constant giggles from the young audience at last Saturday’s opening performance. Meg Bush is perfectly cast as the sweet and innocent Goldilocks and Dylan Robert Poulos, channeling his inner Gilbert Godfrey, is hilarious in the role of Billy de Goat Gruff. Eric J. Hughes, Nicole Bianco and Jessica Contino tackle the roles of the three bears and do a fine job, especially Contino as the adorable Baby Bear. Ginger Dalton plays a fun Granny Locks and Steven Uihlein as the superhero Wolf Hunter, Forest Ranger (“Wherever there’s trouble or danger, you’ll find Wolf Hunter, Forest Ranger!”) is an audience favorite.  

The musical numbers, accompanied on piano by Steve McCoy, are delightful; the choreography by Nicole Bianco, which incorporates baton twirling, ballet and tap, are fresh and exciting; and the costumes, by the design team of Teresa Matteson and Toni St. John, are amazing, especially on the bears and Billy De Goat Gruff. 

All in all, the play can be compared to a great  big bear hug and is just right for young children from beginning to end. Meet the cast in the lobby for photos after the show.

Theatre Three, located at 412 Main St., Port Jefferson will present “Goldilocks — Is That You?” on June 2 and 9 at 11 a.m. with a sensory-sensitive performance on June 3 at 11 a.m. Children’s theater continues with “The Princess Who Saved the Dragon” from July 6 to Aug. 9 and “Alice’s Most Decidedly Unusual Adventures in Wonderland” from Aug. 3 to 11. Tickets are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions, Inc.

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A scene from ‘Life, the Theatre, and Other Unlikelihoods’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

By Heidi Sutton

When a beloved community theater is about to turn 50, it is time to celebrate in a big way. For the next three years, Theatre Three in Port Jefferson will present a series of special events building up to its 50th anniversary, beginning with Life in the Theatre: A Glimpse Behind the Curtain on Sunday, May 20, at 7 p.m.

John Fugelsang will be the host of the evening

The fundraiser, which will be hosted by actor, comedian, broadcaster and Theatre Three alum John Fugelsang, will include an original comedy by Executive Artistic Director Jeffrey Sanzel followed by a special guest appearance by musician, actor, writer and radio host Seth Rudetsky.

Founded in 1969 by Jerry Friedman and John and Linda Herr, the troupe started out performing at the Smith Haven Ministries at the Smith Haven Mall. “They all lived in the Three Village area, hence the name, ‘Theatre Three,'” said board member and former artistic director Bradlee Bing, who joined the group shortly after.

Over the years, Theatre Three occupied several different spaces including in the First Presbyterian Church on Main Street in the village before purchasing the current building at 412 Main St. in 1979 after the United Artist Theater closed. In the beginning, there were “only adult-themed musicals, plays and cabaret-style revues,” Bing said. The theater has since expanded to offer children’s theater, educational tours, concerts and acting lessons.

“It is inconceivable that 48 years have passed so quickly,” said Bing who first approached Sanzel about launching a three-year celebration.

Seth Rudetsky will be the headliner in the second act. Photo courtesy of Theatre Three

The event on May 20 will open with the world premiere of “Life, the Theatre, and Other Unlikelihoods,” a one-act musical  featuring original songs by Brian Crawley (Tony nominee for “Violet”), Tim Peierls, Douglas J. Quattrock and Sanzel. Starring Dylan Robert Poulos, the play will celebrate the joys and challenges of becoming an actor, from taking acting lessons as a child to landing that big role, or not.

Directed and narrated by Sanzel, the 17-member cast, playing dozens of roles, will also include Melanie Acampora, Marci Bing, Meg Bush, TracyLynn Conner, Jessica Contino, Ginger Dalton, Sari Feldman, Andrew Gasparini, Eric J. Hughes, Linda May, Phyllis March, Steve McCoy, Cameron Turner, Steven Uihlein and Stephen Wangner.

For Sanzel the experience of creating this one-act musical has morphed into “becoming a celebration of what we do … and is one of the greatest and most joyous writing experiences I’ve ever had.”

He continued, “Yes, the world of theater is fun and interesting but it is a huge amount of work and an enormous commitment. The flipside is the reward which is extraordinary. This play traces how we all come together as family in this amount of time and then we say goodbye and the poignancy of that.”

For Bing, this event is just the beginning. “We have identified it as year one, getting ready, year two, getting set and year three, go. We are developing activities that will prepare us for our final year celebration that will be a three-day event featuring a cocktail reception free of charge open to everyone that has ever been associated with the theater: actor, musician, technician, subscriber, ushers, family and friends on June 5, a semiformal sit down recognition, celebrity dinner on June 6 and a show at the theater highlighting 50 years of theater performances on June 7.”

For Sanzel, “It really is a celebration of theater, the universality, but it is also a celebration of Theatre Three. This event is the perfect launch toward our 50th anniversary.”

Theatre Three, 412 Main St., Port Jefferson will present “Life in the Theatre” on May 20 at 7 p.m. Tickets are $50 presale, $75 at the door. Proceeds will go toward programming at the theater. To order, please call 631-928-9100 or visit www.theatrethree.com.

 

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Above, the cast of ‘A Kooky, Spooky Halloween’ at Theatre Three.

By Heidi Sutton

There’s something kooky going on at Theatre Three in Port Jefferson. As a matter of fact, there’s something spooky going on there as well. In perfect timing with the upcoming holiday, the Children’s Theatre presents a brand new musical treat, “A Kooky Spooky Halloween,” through Oct. 28.

Written by Jeffrey Sanzel and Steve McCoy, the adorable show emphasizes the importance of telling the truth and helping others. Skillfully directed by Sanzel, the talented cast of eight adults embraces the brilliant script and, with plenty of audience interaction, presents a wonderful afternoon of live theater.

The cast sings ‘It’s Ma Who Makes the Toast’

Ghost Abner Perkins (Dylan Robert Poulos) has just graduated from Haunted High School and awarded a medallion of invisibility. His first assignment is to be the spooksperson on Halloween for Ma Aberdeen’s Boarding House, “the most haunted house in Harrison County, USA,” which is also known for serving the best toast. There’s only one problem — Abner is afraid of the dark. “It’s like a vampire who’s afraid of necks!” quips his friend Lavinda (Jessica Contino), a good natured witch, before presenting him with a night-light to wear on his hat. Lavinda promises to help Abner with his haunting duties for the first few days.

When they arrive at the boarding house, they come upon Ma Aberdeen (Ginger Dalton), the finest toast maker in the land, and her boarders, Kit Garret (Meg Bush) and the Petersons — Paul the periodontist (Steven Uihlein), his wife Penelope (Nina Moran) and their son Pip (Eric J. Hughes), whose alliterations using words that start with the letter P are perfectly prodigious!

As the sun sets, Abner plays silly tricks on the unsuspecting group, making them stuff Halloween goodie bags in double time, exercise, sing, dance and get stuck to each other. Things are going hauntingly well until fellow graduate Dora Pike (Elizabeth Ladd) shows up. A ghost with a grudge (she was hoping to be assigned to Ma Aberdeen’s boarding house), Dora steals Abner’s night-light and medallion out of revenge and makes her way to Black Ridge Gulch, the deepest, darkest gorge in the entire world (where it’s really, really dark).

Dylan Robert Poulos and Jessica Contino star as Abner and Lavinda in the show.

Now visible, Abner convinces the boarders, who are still stuck to each other, to accompany him and Lavinda on a quest to retrieve his property. Will Abner be able to overcome his fear of the dark? Will the two ghosts be able to reach a compromise?

From the first number, “A-Haunting We Will Go” by the entire company, to the downright creepy “It Will All Fade to Black” by Dora, and the catchy “It’s Ma Who Makes the Toast,” the original songs by Steve McCoy are the heart of the show. Utilizing the set from the current Mainstage production, “The Bridges of Madison County,” the show features excellent choreography by Nicole Bianco. Ditto the costumes by Teresa Matteson.

“A Kooky Spooky Halloween” is the perfect show to get into the spirit of Halloween and a wonderful way to spend a fall afternoon. But be forewarned — for some strange reason, you’ll exit the theater having a craving for toast! Meet the cast in the lobby for photos on your way out.

Theatre Three, 412 Main St., Port Jefferson will present “A Kooky Spooky Halloween” on Oct. 14, 21 and 28 at 11 a.m. and Oct. 22 at 3 p.m. with a sensory-sensitive performance on Oct. 15 at 11 a.m. Running time is 1 hour and 15 minutes with one intermission, and Halloween costumes are encouraged.

Children’s Theatre will continue with everyone’s holiday favorite, “Barnaby Saves Christmas,” from Nov. 24 to Dec. 30 and “Rapunzel — The Untold Story” from Jan. 20 to Feb. 24. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

All photos by Peter Lanscombe, Theatre Three Productions, Inc.

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From left, Susan Emory, Michaela Catapano, Mark Jackett and Debbie D'Amore in a scene from 'The Frog Prince.'

By Heidi Sutton

There’s a whole lot of hopping going on at Theatre Three this week as its Children’s Theatre presents an original musical retelling of the classic Brothers Grimm fairy tale, “The Frog Prince.” Written by Jeffrey Sanzel and Kevin F. Story, the show teaches us to not judge a book by its cover and to “open yourself up and wonderful things will happen.”

Above, the cast of ‘The Frog Prince’

The swamp in the kingdom of King Tarvin is filling up with more frogs every day, much to the dismay of the Frog King. Turns out The Enchantress Livia and her sister, The Enchantress Aurora, are responsible for the sudden overpopulation, transforming everyone who crosses them into a clammy amphibian, even the dry cleaner!

When the pompous Prince Darnay of Caversham refuses to give Aurora, who is disguised as a beggar woman, some water, he meets the same fate as the others and is turned into the Frog Prince. His servant, Squire Tweel, takes him to the swamp to meet the Frog King and try to break the spell.

The Frog King introduces him to the shy and independent Princess Madrigal, who prefers to keep to herself. When she accidently drops a gold ball into a pond, the Frog Prince retrieves it for her and the two become fast friends. Will she be the one to break the magic spell and turn him into a prince again with a kiss or will he have to eat flies for the rest of his life?

Directed by Sanzel, the show is nothing short of adorable and packed with enough frog jokes to last a whole month!

From left, Ginger Dalton, Steve Uihlein and Aria Saltini in a scene from ‘The Frog Prince’

Matt Hoffman, last seen in the role of Aladdin, is terrific in the dual role of Prince Darnay and the Frog Prince. His transformation from a spoiled brat to a sweet prince is remarkable. Newcomer Michaela Catapano shines as Princess Madrigal and her rendition of “Babble Chatter Prattle” is magical. Steve Uihlein is the quintessential Frog King, and plays his warty role to the fullest. Aria Saltini and Ginger Dalton make a great team as The Enchantresses and also serve as narrators to the story, which is a nice touch. Meg Bush is delightful in the role of Squire Tweel who can’t help but poke a little fun at her master’s webby predicament (“Yes, your Greenship!”).

Mark Jackett (King Tarvin), Susan Emory (Queen Cecile) and Debbie D’Amore as Princess Madrigal’s nanny are a solid supporting cast. The production is further enhanced by the addition of 34 talented students from the theater’s summer acting workshops, who serve as royal princesses, pages, citizens, townspeople, frogs and party guests.

Matthew Hoffman and Michaela Catapano in scene from ‘The Frog Prince’

The musical numbers, accompanied on piano by Steve McCoy, are fun and hip with special mention to the solo “Not Heard and Not Seen” by Hoffman, “Life Couldn’t Be Better” by the Frog King & the Frogs and “Warts and All” by the entire company. Costumes by Teresa Matteson from the royal garbs to the green frog costumes are exceptional, and Sari Feldman’s choreography is first rate.

From the play itself to casting and crew, every aspect is aimed at providing a magical theatrical experience for children, and this wonderful production hits the mark. Meet the main cast in the lobby for photos after the show.

Running time is approximately one hour and 15 minutes with one intermission. Booster seats are available.

Theatre Three, 412 Main St., Port Jefferson will present “The Frog Prince” on Aug. 11 at 11 a.m. and Aug. 12 at 11 a.m. and 2 p.m. Children’s Theatre will continue with a brand new musical, “A Kooky Spooky Halloween,” from Oct. 7 to 28 and everyone’s holiday favorite, “Barnaby Saves Christmas,” from Nov. 24 to Dec. 30. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

The entire company

All photos by Peter Lanscombe, Theatre Three Productions, Inc.

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Above, the cast of ‘Aladdin and the Lamp’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

By Heidi Sutton

The story of Aladdin is one of the most well-known Middle Eastern stories from the “One Thousand and One Nights” collection of folk tales, also known as “The Arabian Nights” collection. Along with “Ali Baba and the 40 Thieves” and “Sinbad the Sailor,” it features a young hero who has to learn an important life lesson. Throughout the month of July, Theatre Three’s Children’s Theatre presents an original musical retelling of the classic rags-to-riches fable that the whole family will enjoy.

Written by Jeffrey Sanzel and Kevin F. Story, “Aladdin and the Lamp” tells the story of Aladdin (Matt Hoffman) whose widowed mother (Elizabeth Ladd) works three jobs while he chooses to skip school and sleep the day away. One morning an evil wizard (Steven Uihlein), pretending to be Aladdin’s long lost rich uncle, appears and convinces the boy to help him retrieve an old lamp from a narrow, dark tunnel. When Aladdin refuses to hand over the lamp without being helped out of the tunnel first, the wizard and his evil sister Marjana (Susan Emory) close up the entrance and abandon the boy.

Matt Hoffman and Bobby Montaniz in a scene from ‘Aladdin and the Lamp’. Photo by Peter Lanscombe, Theatre Three Productions Inc.

Alone in the dark, Aladdin starts rubbing the lamp to shine it up and unwittingly releases a genie (Bobby Montaniz) who has magic powers and is able to grant any wish. What luck! With the genie’s help, Aladdin becomes rich, marries the Princess Sharazad (Aria Saltini), moves into his mother-in-law Sultana Fial-Kamar’s (Ginger Dalton) castle with his mother and lives happily ever after. Or does he?

Directed by Sanzel, the adult cast of eight does an excellent job conveying the story, with a special nod to Montaniz, whose portrayal of the Genie, which is reminiscent of Robin Williams, steals the show and quickly becomes an audience favorite, in part because of the clever script. “You can make me rich?” asks Aladdin. “So rich they’ll think you’re a Kardashian!” laughs the Genie. When Aladdin asks the Sultana for her daughter’s hand in marriage, the Genie quips, “Why don’t you ask for the rest of her?” Ba-Dum Tshh!

The songs, accompanied on piano by Steve McCoy, are fresh and fun, especially the duet “Cheat! Lie! Steal!” with Uihlein and Emory, “Make a Wish” by Hoffman and Montaniz, “Me for Me” with Saltini, Dalton and Kayla Jones (in the role of Dunyazad the handmaiden) and “Happy Ending — Not Yet!” performed by the entire company. Costumes by Teresa Matteson are spot on, from Aladdin’s fez to the Genie’s turban, and choreography by Bobby Montaniz ties in to the Arabian theme perfectly. Utilizing the trap door on stage as the entrance to the tunnel is a nice touch. Special effects, courtesy of the Genie, just add to the magic of the afternoon.

Running time is approximately 1 hour and 30 minutes with one intermission. Meet the cast in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson will present “Aladdin and the Lamp” through July 29. The season will continue with “The Frog Prince” from Aug. 4 to 12 and “A Kooky Spooky Halloween” from Oct. 7 to 28. All seats are $10. For reservations, call 631-928-9100 or visit www.theatrethree.com.

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From left, Phyllis March, Maryellen Molfetta and Ginger Dalton in a scene from the show. Photo by Brian Hoerger

By Michael Tessler

Theatre Three’s latest production “Where There’$ a Will,” opened last Saturday night to an intrigued audience. Originally produced in 1985 by an eighteen-year-old Jeffrey Sanzel, this wonderful piece of theater is such a hidden treasure that I’m glad it resurfaced just in time for me to review!

Our story begins as the late millionaire Hiram Cedricson, a self-proclaimed “Potato King,” has assembled his widow (and fourth wife), her not-so-new lover and a slapdash theater crew of washouts, has-beens and could-bes to hear his last will and testament be read aloud by a uniquely unqualified lawyer.

Phyllis March and Mary Ellin Kurtz in a scene from the show. Photo by Brian Hoerger

Hilarity ensues as the lawyer reveals that prior to Cedricson’s death he wrote an original play … with no prior experience in theater, with a title so funny that I’m unable to print it. His dying wish is for this cast and crew of misfits to perform the show verbatim, in a decrepit theater he purchased just before his death … in two weeks. If they can accomplish this, they each receive $500,000. If they fail, the snarky widow and her lover get all the money.

So despite quarrels and some seriously conflicting personalities, the group agrees to the terms. What none of them realize is that Hiram Cedricson was the furthest thing from a writer and that his show would be an accidental comedy of epic proportions! The result is as Cedricson so eloquently puts it — “wonderfug.” What’s best is that the ghost of Cedricson and two of his former wives (one dead, one divorced) get to enjoy the chaos as casual spectators from the balcony, bickering among themselves through the process.

Ginger Dalton in a scene from ‘Where There’$ a Will’. Photo by Brian Hoerger

By every definition this is an all-star cast — immensely talented, perfectly paced, and hilariously human. Expertly directed by Sanzel, each actor takes on a caricature so unique and well-written that it’s impossible not to feel emotionally invested in their success. There is such incredible range in their performances. All of these cast members could have and likely were leads in previous productions.

There are so many familiar faces that at times, and much to my amusement, I felt like I was watching a reunion show of Long Island’s greatest talent. Though I lack the column inches necessary to write in detail about each of these extraordinary actors, I do want to say that this is by far the best ensemble cast I’ve ever seen outside of a Broadway production. They are so much more than just funny — they are uniquely lovable, memorable and multidimensional.

This can be attributed not just to the enormous talent of this cast, but to the show’s ambitious and masterfully crafted script. Somehow, not a single character goes underutilized in both acts of this large-scale comedy.

From left, Phylis March, Jessica Contino and Mary Ellin Kurtz in a scene from Sanzel’s new play. Photo by Peter Lanscombe, Theatre Three Productions, Inc.

Though not a musical, there are several musical numbers, all of which will have you grinning cheek to cheek. Throughout the show there is a wonderful score dreamed up by Theatre Three’s Tim Peierls, and Randall Parsons creates a visually striking set, which is complemented perfectly by Robert Henderson’s lighting design. The young but extraordinarily talented Peter Casdia expertly stage manages the production, ensuring a flawless experience. Costume designer Chakira Doherty must have had some fun putting together the most uniquely diverse set of costumes I can remember in recent productions.

Jeffrey Sanzel and his assistant director Andrew Markowitz put on a genuinely charming production, perfect for ringing in the spring season. “Where There’$ a Will” feels like a classic that has been playing forever, and that’s because maybe it should be.

The cast: Steve Ayle, Marci Bing, Michael Butera, Carol Carota, Jessica Contino, Ginger Dalton, Susan Emory, Sari Feldman, Jack Howell, Joan Howell, Skyler Quinn Johnson, Mary Ellin Kurtz, Linda May, Phyllis March, Steve McCoy, Maryellen Molfetta and Ruthie Pincus

Theatre Three, 412 Main St., Port Jefferson will present “Where’s There’$ a Will” through May 6 on the Mainstage. Tickets for adults $35; seniors and students $28; children ages 5 to 12 for $20. Children under 5 are not permitted. A matinee will be held at 2 p.m. Wednesday, May 3 with $20 tickets. To order, call 631-928-9100 or visit www.theatrethree.com.

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